,/+?>C Beauty and eros Blend magazine special 2008
+8. RAF SIMONS www.eastpak.com
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Special Issue / 2008 / â&#x201A;Ź 7,95 TUULI by WOUTER VANDENBRINK
www.chanel.com La Ligne de CHANEL - Nederland Tel 0900 519 2005 (0,15 ďż˝ /min., incl. BTW)
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FROM THE ERA OF JERRY THOMAS
THE HOLLAND HOUSE Ingredients 1¾ shots of Bols Genever ¾ shot of Noilly Prat dry vermouth ½ shot of freshly squeezed lemon juice ¼ shot of maraschino liqueur Glass A small pre-chilled martini-cocktail glass. Technique Shake the ingredients with large, hard, cold ice cubes and double-strain into the glass. Garnish Spray and rim a zest of lemon. This strong, dry, complex cocktail, originally made with genever, was the signature drink of the Holland House, once one of New York’s finest cocktail bars and the former workplace of Harry Craddock before he moved to the Savoy Bar in London. More classic cocktails at www.bolsgenever.com
BOLS GENEVER WORLD’S MOST AUTHENTIC SPIRIT
fotograďŹ e: woutervandenbrink visagie: linda huiberts(.nl) modellen: wikkie/realmodels.renee met dank aan kim&jeroen www.kim-jeroen.com Martini & Ice tea: Een glas. Veel ijs. 1/2 Martini, 1/2 sparkling Ice tea. Citroenschijfje. Salute!
Enjoy Martini Responsibly.
martini blend
MADS NØRGAARD COPENHAGEN SHOP-IN-SHOP BIJENKORF AMSTERDAM NOW OPEN
WWW.MADSNORGAARD.COM
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Tuuli by rankin PETrOVSky & raMOnE JOOST VandEbrug WOuTEr VandEnbrink Marc dEurlOO kylE & JOFF duy QuOc VO SiMOn Wald-laSOWSki cOrriETTE SchOEnaErTS yaMandu rOOS curaTEd by rankin
and 2008
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This is a Blend BV publication. Publisher Jurriaan Bakker, jurriaan@blend.nl Editor in chief Theo Paijmans, theo@blend.nl Art director Brunette van Eijseldijk, brunette@blend.nl Copy editor Remco Houtman-Janssen, remco@blend.nl Editors Bieneke van der Does, bieneke@blend.nl Marieke van Elsäcker, marieke@blend.nl Marketing Cathelijn de Reede, cathelijn@blend.nl Laura Faber (trainee) Pre-press - Amsterdam
23 — iNTrODuCTiON 26 — TAsTy TuuLi rANkiN 38 — zwArTE LOLA PETrOVsky & rAMONE 50 — EAT yOur hEArT OuT MArC DEurLOO 62 — sTrAND AMsTErDAM yAMANDu rOOs
colorscan, Voorhout
Printing PRinterface Blend BV PO Box 59680, 1040 LD Amsterdam The Netherlands T +31(0) 20 751 27 30 F +31(0) 20 751 27 31 info@blend.nl www.blend.nl
All rights of this publication are reserved by Blend or third parties. All artwork is copyright of the contributing artists and may not be reproduced without their explicit permission. This publication cannot be reproduced electronically, digitally, in printed or in any other form, format or media without the explicit, written permission and approval of Blend and the copyright holders. Blend is not responsible for any damages incurred caused by improper processing of any information in this publication.
72 — BEAuTy is ThE BEAsT siMON wALD-LAsOwski 84 — TON sur TON kyLE & jOFF 94 — hiDDEN jOOsT VANDEBrug 106 — PAris 28-06-08 wOuTEr VANDENBriNk
Copyright 2008
118 — BOys wiLL BE BOys COrriETTE sChOENAErTs 130 — DANCE OF ThE NOw Duy quOC VO
and 2008
col op hon
142 — BiOgrAPhiEs
co nte nts
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Beauty and eros Every place and every culture has its own appraisal of what beauty and eroticism are. These have led to interpretations that over time have changed in value, or have been discarded due to transitions in cultural climates. What do beauty and its accompanying sense of eroticism mean in our 21st century space age? Is it found in the startling vistas that the Hubble space telescope generates? The birth of stars in luminous clouds with dimensions unimaginable, the demise of galaxies, as they are sucked into a wrenching symphony of radiation, colour and shape? We could not even begin to contemplate this question if we would not be travelling inward, in the realm of human emotion, at the heart of things. All the elements that, lumped together, create a sense of beauty, can be found in those places were we dwell en masse, creating chance encounters of a singular nature. Be it the sunlight that touches the eroded surface of an old building, a sudden whiff of spring air, the momentary glitter in the eyes of someone who, just in passing, briefly touches your soul. You yearn, you long, but you don’t know for what. Nostalgia sets in. But in the velvet aftershock we slowly realise that we have experienced an essential something, a rare beauty that transcends boundaries, cultures and conventions, presenting itself always and sudden in our unsuspecting midst. Unprepared for such a miraculous gift, what can we do but to afterwards cherish the fading taste of that precious experience, as long as we are able to hold on to that slowly fading moment? That mixture of emotions of sudden attraction, the aftermath of pleasant puzzlement evolving into a deep sense of wonder is, to me, beauty. With the added context of the eroticism found in such a chance encounter itself. London’s urban sprawl is a fascinating mixture of the various stages of ancient architecture, harking back to earlier, colonial days when the Empire still basked in its undefeated glory. But the skies that hung over London had the constant colour of lead, ash filled as they were by the incessant smoke pillars rising up out of tens of thousands of chimneys. Children that should celebrate their childhoods slaved away for long and arduous hours in the cavernous interiors of factories and workplaces. London. A greater contrast between beauty and eros on one hand and on the other the ever hungry belly of the beast, is unthinkable. These days though have since long passed away, and currently London is in a state of flux, trying to refind itself in modernistic building projects of steel and glass and a new elan. Like shells in some deep sea reservoir, the old buildings are slowly taken over by the sediments of ever new technology; Victorian steam pipes, 20th century airconditioners, dish antennas, cables and wires packed in thick strands that crawl over entire facades. London is also renowned for its unbridled energy that has attracted generations of musicians, artists and artisans to its inner city. This is where I first met Rankin, who took his part in the cultural uprising amidst the Thatcher years – ultimately resulting in the co-founding of the succesful magazine Dazed & Confused in the early nineties, in direct response to the at that time prevailing atmosphere of get rich quick schemes, the higher occultism of stock markets, City suits and their hollow deboucheries as perhaps best exemplified by Bratt Easton Ellis’ American Psycho. On the other hand there was crass poverty, neglect, and the shrillness of always having too little of everything, except dreams and ambitions. In this climate of post-Thatcherite fatalism and exasperation Rankin had an answer in the twofold theme that has haunted him on his personal artistic quest for almost two decades now: beauty and eroticism. In London I had the privilege to witness a shoot in progress by Rankin. In a lofty studio the size of which I am generally unaccustomed to, as I mainly work with the local stellar talents in photography that still shoot out of basements and garrets, it was a fascinating thing to watch. In the middle of the large space a long, low table was placed with a battery of the lastest digital equipment, shiny Mac towers and ultralarge monitors, with a young priesthood of maintenance men surrounding the kubist heap of shiny metal and light. What he shot that day, was immediately visualised on the screens and from a distance I saw Rankin quickly flicking through his images, pointing out certain details in facial expression, and then continued to do some more shooting. Clearly, he was as artistically possessed as when I first talked to him on the phone, somewhat over a year earlier. We met later in an office. Seated on some comfortable pluche couches, we discussed our project that we asked Rankin to curate. In short, Blend magazine has worked for four years now with some of the leading luminaries in the new wave of young, Dutch photography, and it seemed to us a wonderful idea to create a special publication with the very best of what Blend magazine has to offer in terms of photography. Rankin, having come from pretty much
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the same underground – only a few decades earlier – very much liked the idea. His passion for photography is not driven by a sense of territorial prestige. As every seeker who is truly captured by resounding beauty whenever it is encountered, Rankin’s enthousiasm immediately broke to the surface and with it came his own inner angels; the twofold theme of beauty and eroticism. He explained to me how he was always fascinated by those arcane subjects. Not in a cheap and obvious way, but those who are familiar with his oeuvre, both the editorial stories and the many commercial campaigns that have graced billboards, magazines and tv commercials worldwide, know that Rankin has a private, unique signature with which he transforms his inner visions to wonderful images. And then there is his muse. I met Tuuli in Amsterdam and was awestruck by her sparkling personality. Casually studying the delicate frame of her persona and her finely sculpted face, it was not difficult to appreciate that here I was in the presence of one of the world’s leading top models. Biological features aside, her greatest and most endearing asset was what she radiated kindness and a genuine curiosity in generous waves, like a little sun. Hers was a playfulness and natural grace that is so refreshing in a world and culture that at times can be both brutally functional and rough edged in its business driven minimalism at the same time. Perhaps some of these elements were shaped early on, having started her modelling career at the age of 16, having both the South African and British nationalities, being born in Finland and having lived in cities and countries as Moscow, India, Zambia and South Africa. Rankin’s plan for the photo special included the idea that our equipe of young talents would do individual shoots with her, based on the themes of beauty and eroticism. A fascinating prospect, since by having placed Tuuli in the center of his vision, we would be able to create many individual perceptions of what beauty is considered to be, seen through the lenses of these young and extremely talented photographers. A brilliant celebration of Rankin’s twofold theme, having come to life in the person of Tuuli. That evening Tuuli and I discussed various topics, from film, art and writing, to history and the way London functions as a giant and complex heartshaped chamber, constantly pumping the blood flow of its various subcultures, cliques and movements around to changing venues, new areas or districts, and outlets. Being engaged in a conversation with Tuuli is not unlike taking a plunge in a crystal clear stream and gently gliding down a waterfall. Or, the association with a summers’ day and perhaps you are sitting at your desk, with the window open, the windowframe a patch of clear blue sky. The many voices of playing children rising in a rhythmic cadance. But these are words. As a writer, I can appreciate the endeavours of my fellow artists who use photography as their canvas. What we, writers, try with the best of our abilities to paint and evoke in language and all ways and kinds of combinations of words and sentences, results in, if done in a proper way, tales, poems, in short, the stuff that legends consist of. Were it that words were enough, there would have been no need for the invention of photography as a medium. From the Daguerre type that in its beautiful sepia tones whispers to us that we are witnesses of worlds gone by but once just as real and honest in its ambitions, hopes and dreams, to the latest digital technologies and post-production techniques. There once was a time that the first photographers were accused of stealing ones’ soul after having shot a portrait picture - hence the piercing stare of Charles Baudelaire in that famous portrait by Nadar. We often forget that photographers wander along the same path through forests dense. They too create stories and tales and whole sets of emotions with their pictography. Theirs is the ability to immediately capture that one moment, that single instant, to freeze it in time and to show the world what we all have been missing, have overlooked and we all would be much poorer without. Rankin agreed to curate the project in order to ensure the purity of the original idea. The Dutch photographers were keen on projecting their interpretations with such an amazing and extremely professional model as Tuuli. I have come to know the Dutch photographers that collaborated for this publication quite well. After all, they have submitted their beautiful work in Blend magazine for some years now. Each has a unique personality, an artists’ tale to tell, an intimate reveleation to share with the world at large. They do so with their stories, that form the chapters in this tale. Theo Paijmans Editor in chief Blend magazine theo@blend.nl
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TasTy PhotograPhy Rankin --- asst. PhotograPhy andRew davies, neil dawson, dom stoReR, Rachel smith, damien FRy --- Digi tec michael tinney retoucher Paul dimond --- hair sascha bReueR @ dwm using bumble bumble --- Make-uP michelle camPbell @ balcony JumP using mac PRo MoDel tuuli @ stoRm models
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Zwarte L photography Petrovsky & ramone @ eric elenbaas --- asst. photography mylou oord, bram sPaan --- styling roel schagen @ eric elenbaas --- hair & make-up Fedde hoekstra @ house oF orange model tuuli & storm models
credits sPread 1: transParante jurk van just b.; sPread 2: (links) gebreid vest van minimum broekje van h&m, (rechts) Panty van WolFord; korset stilist oWn; sPread 3: bh toP van sPijkers en sPijkers, broek stilist oWn; sPread 4: broekje met transParant stuk van emPorio armani; sPread 5: rok stilsit oWn
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TUULI 26- 0 PhotograPhy wouter vandenbrink --- hair & make-uP ellen van exter @ angelique hoorn --- model tuuli @ storm models
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Boys will PhotograPhy Corriette SChoenaertS --- Model Daan @ trCP --- these are the rooMs of Daan, DenniS, MauritS, reinier & Sven --- thank you eDSonwilliaMS.CoM, hazel, KiM, robert, Mariana & lulu
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Dance Of T PhotograPhy DUY QUOC VO @ HOUse Of Orange --- Styling THOMas VerMeer THOMasVerMeer.COM --- Make-uP Vera DIerCKX @ angelIQUe HOOrn --- hair TOMMY Hagen @ angelIQUe HOOrn --- Model TUUlI @ sTOrM MODels
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RANKiN rankin.co.uk Iconic photographer, publisher and film director Rankinâ&#x20AC;&#x2122;s mischievous and witty eye have made him the essential ingredient to any major fashion or culture campaign, and a string of highly successful exhibitions, magazines, ad campaigns and books have gained him a reputation as one of the worldâ&#x20AC;&#x2122;s leading photographers. he lives in London and has a 12 year-old son, Lyle. aside from his contribution for this publication, he also curated this Beauty and Eros special publication of Blend magazine.
PETROVSKY & RAMONE myspace.com/ petrovskyramone Petrovsky & ramone have used arabia, africa, Europe and the United States as the backgrounds for their staged work. their work captures a unique, raw and eccentric - yet elegant - world. overflowing with atmosphere they capture their visuals in an involved and almost documentary style. Morena Westerik (27) and Petra van Bennekum (32) met each other while assisting the same photographer. travelling the world they started working on concepts and ideas for shoots which they subsequently created. In 2005 Petrovsky & ramone entered a competition and were invited to shoot a story for avantgarde magazine. this signalled the start of Petrovsky & ramone shooting editorials for national and international magazines. their search for adventure, culture, emotions and experiences has driven them to travel around the world and shoot.
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MARc dEuRlOO marcdeurloo.nl Marc Deurloo was born in a rural town in the northwestern part of the Netherlands and dreamt for a long time of becoming a ninja. Learning that it is impossible for a young Dutch boy to become a ninja, Deurloo started to focus on the other thing he was good at, telling stories through photography. he became a photographer. he started studying at the Koninklijke academie van Beeldende Kunsten in the hague and decided to quit when he thought he learned enough. after his academic period, Deurloo discovered the work that was out there and first focused on portraits. He works with the concept that a portrait is a self-portrait of the photographer with the help of the portrayed. he got many famous Dutch artists in front of his camera and after having shot portraits of some of the countryâ&#x20AC;&#x2122;s best fashion designers they asked him to also do fashion shoots. With the opportunity to show his stories on more pages than portraits photography would allow, enabling him to tell bigger and more complex tales, he jumped in the fashion scene. Deurloo gets a lot of his inspiration from the street. While living in amsterdam he saw how all the different cultures collide and create a new one. Deurloo wants to combine elements of different worlds and create a new world - his world with his views on life and how people should live. he likes to give either a realistic image which could be shot right around the corner five minutes ago, or a strangely colored over the top image of what definitely could not happen in the real world. Deurloo works for many magazines and does cool things for designers and big companies.
YAMANdu ROOS yamandu.org In the years after he got his first camera, Yamandu slowly developed bigger interests. this led to an extraordinary internship at the age of 17 with Mario Marotta at Diario El Pais in Montevideo. Marotta fed his curiosity and taught him about the magic in photography. In that same period, during high school, yamandu met Femi Dawkins, a Jamaican artist living and working in amsterdam. he and his wife anna showed him more about being an artist and stimulated him to do further research, to trust his eye, and to go for it. Eventually this led to going to art school. yamandu often tries to observe through the means of photography, allowing only the inhuman eye to capture what the heart sees. Wherever he goes, people and their surroundings become subject to this third eye. Different places and faces have the ability to transform day-to-day life into the fuel of his imagination. Inevitably friends, landscapes, objects and people from around the world are captured in distinct moments in life, shaping the outcome of his images. At times, Yamandu finds detecting the intent of a visual display can become a greater task than capturing the sound of a grand hello or an offensive goodbye.
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SiMON WAld-lASOWSKi iammyownfan.com the images of Simon Wald-Lasowski (1980, Paris) are nearly always based on concepts. the idea behind his shoot with tuuli is that beauty can be enhanced when contrasted with ugliness. the photos, combining slapstick ugliness with typical beauty, create a humoristic yet slightly deranged idea of beauty. the images are attractive and repulsing at the same time, in a way representing the complexity of sexual attraction. the perfect overly retouched images we see all around us are not erotic in Simonâ&#x20AC;&#x2122;s opinion; itâ&#x20AC;&#x2122;s the small imperfections that make someone human, and therefore desirable. Simon has been working since a few years as a freelance designer, art director and photographer. It is sometimes hard to make a difference between his free work and his assigned projects. that is probably because of the personal, playful and ironic manner with which he approaches his subjects. With simple means and interventions he tries to provide a humorous escape from daily reality. he wants to entertain people and make them smile, but at the same time aims for his work to be interpreted on different levels. Like many of his contemporaries, Simon creates his own reality by building installations and choreographing moments. the camera is merely used as a registration tool, as a device that is able to guide the viewer into seeing the world the way he sees it.
KYlE & JOFF kyletryhorn.com joff.nl KyLE (1982) Canadian born photographer & JoFF (1976) Dutch fashion designer, started the duo KyLE & JoFF in 2007 within the phenomena of photography. Photography to them has merely been a tool used to capture and immortalize their own unique world. Within this world they aspire to create a sense of fun, mystery and magic. at the same time they aim to maintain the beauty of the moment by catching the subject in reality, without any digital tricks. In this approach they create images that are intricate & surreal, but also true & honest.
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JOOST VANdEbRug joostvandebrug.com Joost Vandebrug’s work has a characteristically raw, unpolished style. In his staged fashion work, he prefers a form that is perhaps closest to documentary photography. Vandebrug uses various techniques and formats, from snapshots taken with disposable cameras to staged scenes shot in medium format. the coherence that he achieves in the series stems from the atmosphere and the emotion generated by the subject, rather than the photographic technique. Vandebrug’s philosophic and artistic mind brings him to his signature without needing to commit himself to trends. Joost Vandebrug (26) studied VAV (Previously Audio Visual) at Amsterdam’s Gerrit Rietveld Academy of Arts and trained with photographer and filmmaker Erwin olaf. In 1997 he began photographing the world around him: his friends performing in punkrock bands and skateboarding. In 2004, after living and working in Melbourne for a year, he gradually transferred his focus to fashion photography. his arrival in the amsterdam fashion, street and music scene was heralded by Blend magazine from early on. his publications in Blend magazine soon drew the attention of credible fashion and art projects all over town. Over the years Vandebrug’s work has regularly appeared in art and fashion exhibitions, books and magazines. Recently Amsterdam’s Foam (photography museum) featured his solo exhibition New Faces.
WOuTER VANdENbRiNK woutervandenbrink.com amsterdam based photographer Wouter Vandenbrink studied at the Koninklijke academie van Beeldende Kunsten in the hague, where he got his degree in 2001. he has subsequently worked as a freelance photographer for commercial clients including Tommy Hilfiger, Blueblood, Cold Method, Reebok, Levi’s and Cassetteplaya, as well as doing editorial shoots for several fashion and lifestyle magazines. he created iconic images of artists like Juliette Lewis, Joan as Police Woman, 50 Cent, Moby, Peaches and Pharrell Williams. In 2004 Wouter co-founded Blend magazine, to which he contributed many portraits and fashion shoots and continues to do so. he also served as creative director for Blend magazine until earlier this year. 2008 saw Wouter’s first solo exhibition of non commissioned works in amsterdam, exploring new territories in portrait photography.
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cORRiETTE SchOENAERTS corrietteschoenaerts. com Corriette’s work is concept based, rather than style based. She operates within the greyzone of art, fashion and commission. She just as easily makes an exhibition as an editorial as a print campaign. Why differentiate between all of these? She refuses style or theme, simply because her own interests lead her further than one little trick. She’d bore herself to death with it, anyway. Schoenaert’s work appeared in, amongst others, Blend Magazine, Monocle Magazine, Jalouse, Dutch Elle, Frame Magazine, Case da abitare, Surface 2 air Paris [rendez Vous Paris]. her work was exhibited at the Stedelijk Museum Bureau amsterdam, and Foam.
duY QuOc VO quocvo.nl Duy Quoc Vo (1982 Dronten, the Netherlands) studied at the amsterdam Fashion Institute where he has specialised in visual culture & philosophy. During his study he decided he wanted to enrich the world with storytelling through fashion narratives. his fashion stories saw print in a number of prestigious magazines as avantgarde, Elle, Blend magazine, Intersection and some publications from the underground. his images can be best described as worlds that exist next to our world; the everyday perception. Surreal events mixed with the world we know and live in. his images aim to trigger hidden intuitions and awaken the subconscious.
COME VISIT THE BLEND STORE www.blend.nl
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Levi’s bLend
Fotografie: wouter vandenbrink Model: boy/dominiquemodeLs
new
LeVI’S
501 jeanS by wOUTeR VanDenbRInK jOOST VanDebRUG KyLe & jOFF SIMOn waLD LaSOwSKI QIU yanG
Fotografie: Joost vandebrug Model: cLyde burrows
Fotografie: kyLe & Joff
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Leviâ&#x20AC;&#x2122;s bLend
Fotografie: SIMON WALD LASOWSK Smoke Assistant: aLexander shoukas
Leviâ&#x20AC;&#x2122;s bLend
Photography: qiu yang Equipment: 711rent.com Assistant: Jan franciszek ciesLak Specially thanks to Orly Nurany
C HIM ERA | A UTUM N WINTE R 08
YOUR BEST LOOK BEGINS WITH A GREAT HAIRCUT
YO U R B E S T LO O K B E G I N S W I T H A G R E AT H A I RC U T DE 5 KENMERKEN VAN EEN PERFECTE COUPE
1 2 3 4 5
Een geweldige coupe accentueert je beste eigenschappen. Het benadrukt je ogen, je glimlach, je jukbeenderen, je profiel en de vorm van je gezicht. Een perfecte coupe accentueert en verfijnt wie je bent en creëert de ultieme vorm van zelfexpressie.
Vrijheid, glans en beweging. Met een geweldige coupe kun je zo vaak als je wilt je hoofd schudden of je vingers door je haar halen – je haar zal altijd terugvallen in de geknipte vorm.
Je salonlook kun je zelf elke dag opnieuw creëren. Met een perfecte coupe wordt je ochtendritueel van wassen en föhnen een stuk eenvoudiger en krijg je het ogenschijnlijk onmogelijke in een handomdraai voor elkaar. Je creëert zelf de look waarmee je de salon verliet elke dag… in minder tijd en met minder producten.
Je look blijft langer mooi. Je hoeft je style niet elke ochtend opnieuw te creëren of je zorgen te maken dat je look halverwege de dag instort. Want een geweldige coupe creëert een blijvende vorm die je er niet zomaar uitwast. Weken nadat je haar is geknipt, zullen mensen nog steeds tegen je zeggen hoe geweldig je haar er uitziet.
Het is er nog ook al ben je naakt.
Een geweldige coupe is er nog, ook nadat je je kleding hebt uitgetrokken, je sieraden hebt afgedaan en je make-up hebt verwijderd. Dus zie je er
BOSMAN HAIR & MAKE UP AVVISO CUTTING INC CYBER SALON DE HAARHEMEL HAIRPLAY FRISCO HAIRSTUDIO HET HAARTHEATER NEW LOOK HAIRSTYLING RIKIT PEOPLE SJENKELS & SJENKELS AMSTERDAM DULLERS MONROE’S LOUNGE COIFFURE KATINKA DE HAREN VAN DE KEIJZER AD HURKS COIFFURE HAAR VAN MAARLAND MARTIN HAIR RUBEN’S PASSION FOR HAIR & FACE CHRISTIE’S HAARMODE HAIRSALON RALPH VAN BAVEL SCHEERDER INTERCOIFFURE HAREN VAN DE KEIJZER GUIDO’S TRENDLINE SOMETHING ELSE POP KAPPER HAAR & ZO HAARMODE MADILLA MARTIN HAIR MARTIN HAIR BY KAPPERS CAFÉ SNEL HAIRSTYLING SJENKELS & SJENKELS GOUDA MORENO’S HAIRSTUDIO
ALKMAAR AMSTERDAM AMSTERDAM AMSTERDAM AMSTERDAM AMSTERDAM AMSTERDAM AMSTERDAM AMSTERDAM AMSTERDAM AMSTERDAM APELDOORN BARENDRECHT BERGEN OP ZOOM BERGEN OP ZOOM BREDA BRIELLE BRUINISSE DELFT DEN HAAG DEN HAAG DIDAM DINTELOORD DUIVEN EGMOND AAN ZEE EINDHOVEN ENTER GILZE GOES GOES GOUDA GOUDA HAARLEM
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naakt nog beter uit.
PEETOOM SMIT E-HAIR HAARSTUDIO VAN DONGEN KAPPER GERT SINON HOUSE OF GRACES KNIPLOKAAL SJENKELS & SJENKELS LEIDEN HAREN VAN DE KEIJZER LEN HAARVERZORGING JACK’S HAIRDESIGN LA TUVERT EEF & HAAR HAIR AND DARE KAPSALON NEW IMAGE TOUCH STUDIO’S MARTIN HAIR HAIR BY ANNABEL & JUDY INDEPENDENCE CDM SERENDIPITY BAARS & BRANDON CORNE DE KOK HAARMODE V.O.F. NEWWAVE V.O.F. KURZ HAAR & MAKE UP ANGELINE’S MARKANTI HAIR & BEAUTY HAARSTUDIO SCHAARS SILLY’S HAIR & SKIN CARE VINCENT STYLISTICS HAIR 4U INTERCOIFFURE SCHEERDER MARTIN HAIR 4 YOUR HAIR MONROE’S LOUNGE
HEEMSTEDE HENGELO KAMPEN KATWIJK AAN ZEE LEIDEN LEIDEN LEIDEN LEPELSTRAAT MAASTRICHT MIJDRECHT MOERGESTEL NIJMEGEN NOORDWIJK NOORDWIJKERHOUT OOSTERHOUT RENESSE RETRANCHEMENT RIJSWIJK ROTTERDAM ROTTERDAM SOEST TILBURG TILBURG UTRECHT VEENENDAAL VELDHOVEN WAALWIJK WIJCHEN ZAANDAM ZEVENAAR ZIERIKZEE ZUTPHEN ZWIJNDRECHT
0 2 3 - 5 4 70 5 5 5 0 74 - 2 9 1 3 5 1 3 0 3 8 - 3 3 32 1 37 071-4023693 071-5126333 071-5127738 071-5127519 0164-630065 0 4 3 - 32 1 9 378 0297-284899 013-5133709 0 24 - 3 6 0 31 1 0 0 7 1 - 3 61 8 7 0 7 0 2 5 2 - 376 2 8 6 0 1 6 2 - 4 31 3 5 5 0111-463434 0 1 1 7 - 4 6 31 0 4 070-3994062 010-4046460 010-2653007 035-5882206 013-5801595 013-5436646 0 3 0 - 2 31 1 32 6 0 31 8 - 5 1 1 3 8 0 040-2541457 0416-330040 0 24 - 6 4 2 1 9 1 9 0 7 5 - 61 6 4 9 3 6 0 31 6 - 3 3 32 3 3 0111-413465 0 5 7 5 - 51 5 5 0 8 0 78 - 61 9 7 7 7 0
Amy Gunther, Jason Lee & Giovanni Ribisi in “A Superlative Day“. See the whole photo series in the palm / pocket sized WeSC winter catalogue 2008.
photo: Vincent Skoglund
www.wesc.com
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yarnunit.com
TRIWA WATCHES BY TRITONI FULL COLLECTION AT WWW.TRITONI.NL /.BE /.DE
Photo by Karl Lagerfeld
www.karllagerfeld.com
ExperimentaDesign Amsterdam 2008 / Space and Place PICNIC â&#x20AC;&#x2122;08
Utrecht Manifest Streetlab Rietveld Square DARE #3 / Spacial Practices
Inside Design Amsterdam
Design Works / Amsterdam Design Foundation Redlight Design Amsterdam
Redlight Fashion Amsterdam Platform21 = Hacking IKEA
Woonbeurs Amsterdam
Via Milano New Dutch Design Stedelijk in de stad / The Construction Shed De Uithof in Transformation
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parkplaza Hotel V