BL!SSS Magazine | February 2018 | #126 by Blisss Mag

S A LVA T O R E A L E S S I ISSUE 126

HURLEY.COM

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#PR IM ITIV EFUTUR ES

WADE GOODALL v ans . c om/u ltra range

ENDLESS GOOD STUFF Mammoth is the place to be for big mountain winter fun. From laughs on the lift and fist pumps in the park to amazing outdoor adventures on snowmobiles, snowshoes and snow tubes, the winter fun never expires.

BLISSS MAGAZINE // ISSUE No. 126 WWW.BLISSSMAG.COM

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A D I DA S â&#x20AC;&#x2122; DA S TA B L E S 60 //

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GREGORY FERRAND

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S T E FA N T H E L E N A K A S U P E R A

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S U P E R TA S T E

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DEREK BAHN

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N AT H A N M I D G E T T E

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T H E A R T O F S A LVATO R E A L E S S I

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ISAAC ZOLLER

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MIZU MISSION: THE SPOT

AGENDA

BEAR MTN 75TH ANNIV

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PHOTO: ISSAC ZOELLER

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No. 126 Editor-in-Chief

N ICK K A L IO N Z E S nick@blisssmag.com

Editor

JOEY MARSHALL joey@blisssmag.com

Creative Director

SAS H A LO PE Z sasha@blisssmag.com

Art Editor

L IZ R ICE McCR AY liz@blisssmag.com

Snow Editor

J O N F R A N CIS jon@blisssmag.com

Music Editor

M A X R IT T E R

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CONTRIB UTING P HOTOGRAP H ERS JASON KENWORTHY, DOMINIC PETRUZZI, DANIEL RUSSO, TOBY OGDEN, TOM CAREY, BRIAN BEILMANN, JACK COLEMAN, ANDREW MAPSTONE, ADAM MORAN, DAVE NELSON, PAT EICHSTAEDT, JULIEN LECORPS, RYAN BOYES, ZACH HOOPER, TIM PEARE, MICHAEL LALLANDE, BOB PLUMB, PETER MORNING, BRYCE KANIGHTS, ARTO SARRI, ANTHONY ACOSTA, CAMERON STRAND, BRIAN FICK, DEVILLE NUNNS, GAGE THOMPSON, DEREK BAHN, TOM COZAD, BRUCE BEACH, ROBBIE CRAWFORD, RYAN DONAHUE, JOE FOSTER, SEAN SULLIVAN, STAN SIEVERS, CHRIS LOMENZO CONTRIB UTORS WILLIE MARSHALL, DANIEL RUSSO, JASON ARNOLD, GREG ESCALANTE, NATHAN SPOOR, TOM CAREY, TRAVIS MILLARD, DAVID CHOE, KAI GARCIA, MICKEY NEILSEN, PETER TOWNEND, HAMILTON ENDO, TAWNYA SCHULTZ, MIKE MURCIANO, GEOFF SHIVELY, CASEY HOLLAND, STEVE STRATTON, ROBBIE SELL, ANDREW MILLER, PAT TOWERSEY, RICHIE OLIVARES, ERIC MEYERS, KELLY SHANNON, JP OLSON, BRUCE BEACH, BONES

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Disclaimer: Although all best efforts are made to avoid the same, we reserve the right to publish unintentional mistakes and/or factual errors which may occur on a monthly basis. No responsibility is assumed by the publishers for unsolicited materials/articles/letters/ advertising and all submissions will be treated as unconditionally assigned for publication and copyright and/or appropriate licensing purposes subject to Blisss’ right to edit and comment editorially. The views and opinions expressed in this magazine reflect the opinions of their respective authors and are not necessarily those of the publisher or the editorial team. Blisss Magazine reserves the right to accept or reject any advertising matter which may reflect negatively on the integrity of the magazine. No part of this magazine may be reproduced in any form [print or electronic] without prior written consent from the publisher.

THE ART OF SALVATORE ALESSI // PG.42

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RNDMS:

RANDOMS // ISSUE NO. 126

01. LEUCADIA CUSTOM KNIVES

There are times when something just catches your eye and you think, “damn, that’s beautiful!” That’s the exact feeling we had when we discovered Leucadia Custom Knives. We’re big fans of small, hometown companies who create high-end, custom products locally and responsibly, and that’s just what these guys are doing. They’ve got a pretty healthy mix of different blades already available, from the standard Tuna Slayer fillet knife to their creative Beeradashi, all of knives are custom made with upmost quality. Check out all they have on offer, only available through their Instagram, @ leucadiacustomknives, we promise you’ll be impressed.

02. ALEX KNOST RAINBOW

Feel the rainbow, taste the rainbow. Alex Knost has been associated with the Captain Fin Co. crew for what seems like forever now, and over the years they’ve released handful of signature fin sizes and designs released. Just this past month Captain Fin taken his most popular, Alex Knost Sunshine 10”, and released it in a plethora of different colors. So it doesn’t matter what color your favorite log is, there’s now a fin to match. Get yours wherever finer products are sold or at www.captainfinco.com.

03. AXIS GO

iPhoneography has taken a huge leap thanks to the good folks at AquaTech Imaging Solutions. With there recent release the AxisGo line of housings, ports, grips and accessories for iPhones 7, 8 and 7/8 plus you can turn your phone into a professional-style waterproof camera. Our Super Taste photographer extraordinaire, Dominic Petruzzi, turned us on to these guys and we’ve been infatuated ever since. All put together, the entire system looks quite similar to modern day SLR housing and allows for amazing shots from your iphone. Those half above, half below masterpieces can now clog your Insta feed, check out all they have to offer at www.axisgo.com.

04. THE VERSA HOODIE DX

Vans has just released their first apparel piece for 2018, it’s called the Versa Hoodie DX, and they went all-out on what a hoodie could actually be. Made with Storm Cotton, this unique fabric causes water to bead up and roll off while maintaining breathability, it’s a heavyweight fleece with a classic look, designed to withstand abrasion and abuse expected while sessioning the streets. This hoodie also includes reflective detail on the pocket, hood and lower back, allowing easier visibility while skating at night as well as a hidden media pocket that velcros in your phone or music device into the front pouch – they’ve literally thought of everything. With a stamp of approval from Vans team rider Anthony Van Engelen, roll over to your local shop and grab yours today.

05. STICK.E.VAPE

Puff, puff, give. With recreational marijuana now legal in the state of California, expect to see quite a few more folk partaking in this alternative medicine. We’ve always taken the stance that if you’re not harming anyone, and it helps you, then why not. Glad to see our home state is finally feeling the same the way and California-based Stick.E.Vape has been producing some of the highest quality, allnatural cannabis vape oil for those who don’t necessarily like burning the flower. Discreet and nonchalant, they offer more than handful of disposable pens to choose from, all with lab-tested results on the packaging, so you know exactly what you’re getting. Ask for them at your local dispensary or check them out direct at www. stickevape.com.

06. MARY JOE COLD BREW

With CBD’s [creating better days] all the rage it’s no wonder that a like-minded group of friends have gotten together and formed Mary Joe Cold Brew Coffee. With a long list of benefits [such as pain relief, cell rejuvenation, stress relief, anti-inflammatory, stress reduction, and reduced nausea] associated from CBD use, what’s really caught our attention about the Mary Joe brand is the Barry Mcgee artwork and logo used throughout. We did a double-take when this first caught our eye as Barry’s bottles are, and forever will be, an iconic piece of art history engrained in our minds. Digging deeper we found that Ryan Rankin and Robert Guy, masterminds behind Mary Joe Cold Brew are dear friends of mister Mcgee and it’s a collaboration that’s here to stay. Whether you’re a believer in the CBD magic, a cold-brew enthusiast or just an art collector, grab yourself a bottle and enjoy.

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01. BUELL X LEIF ENGSTROM

Buell wetsuits has just picked up New York surf phenom Lief Engstrom to their ever-growing, star-studded surf team. Lief has been a staple name on the East Coast and Caribbean surf world and now, more than ever, he’ll be able to withstand the onslaught chilly Northeast conditions in his new Buell wetsuits. Check out all new Buell suits where finer surf products are found or direct at www.buellsurf.com.

02. HIVE VIEW CAMERA

All of us here at your favorite magazine headquarters are absolutely infatuated with all the different home security cameras on the market and what they can do. Weather you’ve got a pesky pack of raccoons that like to dance on your outdoor furniture or you’re trying to protect your quiver of fishing rods displayed in your front window, there’s a plethora of reasons why we’re always checking out the latest and greatest in home security. Catching our eye this month is the Hive View Camera, a stylish square camera that offers all the bells and whistles you’d expect from a $199 home security system: live HD streaming, motion, person and sound detection, and easily detachable for instantly staging in another room. Sounds pretty good and looks even better, get them where finer digital gadgets are sold.

03. RYLO CAMERA

Ever since the introduction of the 360-degree video we’ve seen quite a few cameras hit the market that talk the talk but when it comes to using them and making a user-friendly viewing experience, they all seem to come up short. The Rylo camera is different, the built-in stabilization and 4k picture quality is in a league of its own. With 208-degree cameras facing in both directions you no longer have to “get the shot” because as long as you’re recording it’s already on there. The real magic though, is in the software and editing app on your phone – once imported it’s a fully-stitched 360-degrees video can be viewed, cropped, or panned in any direction, given the end-result a video or photo unlike any you’ve likely seen before. The only downfall is that it’s currently only compatible with iOS devices, meaning if you’re not an Apple fan you’re out of luck. Fortunately for us, that’s all we use.

04. HOSUM BISTRO

Our staple local eatery, HoSum Bistro, has been closed now for what seems like forever after an electrical fire nearly burned down the entire building. They’ve just reopened their doors and have been busier than ever. And we mean like, hour-long-wait, phone-off-the-hook busy; Turns out we’re not the only ones that have been missing this Califoriential delight. We’re sure, or at least really hoping, that by the time you’re reading this that things have settled down and everyone has gotten their fix of the oh-so-delicious HoSum Bistro. And if you’re there mid-week lunchtime, there’s a good chance you’ll see us grabbing our Combo Salad.

02. BUSINESS & PLEASURE

Who doesn’t like mixing business with pleasure? A wise man once said, “Do what you love, and you’ll never work a day in your life.” I think it was Mark Twain… or maybe Marc Anthony… I dunno, not important. Anyways, we’re pretty darn sure this was the thought behind the umbrella and beach tent brand Business & Pleasure. I mean, they named their company “Business & Pleasure” for Christ’s sake. Our buddy Eric Tomlinson introduced us to mastermind Ollie Edwards at this past Agenda Long Beach show and we were blown away by the simple, functional and fashionable shade options they’ve developed. Perfect design for any beach day, pool hang or really anywhere you need a break from that relentless sun. Check them all out at www.businessandpleasureco.com.

05. APPLE HOMEPOD

Apple has done it again with the release of newest must-have Apple gadget, the Apple HomePod. Some have been calling it Siri-in-speaker but its capabilities are much, much more than that. Once setup, this speaker-computer automatically analyzes the acoustics of your room, adjusts the sound based on location and separates music into direct and ambient sound, given you the highest quality listen experience no matter where you are. But it’s more than a speaker, like so many already know, it’s also your personal assistant. With the ability to make calls, read your text messages, tell you the temperature, give you live news, sports, weather, directions, reminders… the list goes on and on. Combined with wide range of Apple’s HomeKit platform accessories you can even control your room temperature, turn of and off lights, set your alarm, see who’s at the door or even open your garage. Now all they have to do it something about that voice command, “Hey Siri,” we just cringe every time we hear someone say that.

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SNOWBOARDS // ISSUE NO. 126

PRODUCT REVIEWS:

ARBOR SNOWBOARDS: Sin Nombre // $449.95

FLOW:

Whiteout // $469.99

NITRO:

Woodcarver // $599.95

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BATALEON:

Stallion // $629.95

JONES:

Carbon Solution Splitboard // $1349.00

ROME:

Mod Stale // $619.99

BURTON:

Fish Snowboard // $649.95

CAPITA:

Black Snowboard of Death // $619.95

LIB TECH:

NEVER SUMMER:

SIGNAL:

SPRING BREAK:

Mark Landvik Phoenix // $599.95

Wampeater // $495

Insta Gator // $529.99

Twin // $469.95

SNOW WAY OUT

Rider // Griffin Siebert Wasatch Backcountry // Utah

ENJOY THE JOURNEY. LEAVE NOTHING BEHIND.

www.mizulife.com @mizulife

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GREGORY FERRAND:

WORDS // LIZ RICE MCCRAY

Gregory Ferrand creates paintings that tell stories about characters and situations that do, have, and will exist, gently unmasking the psychological or emotional state of the subject, inviting the viewer to share and/or identify. Gregory Ferrand most recent works explores the feeling and reality of being disconnected and alienated, which results in many personal parallel realities and perspectives. Many thanks to Gregory Ferrand for taking the time to answer our questions. To see more of his work go to www.gregoryferrand.com and Instagram, @gregoryferrandart. Tell us a little about yourself and your family background? I grew up in Alexandria, Virginia, a small city across the river from Washington, DC, in a family of five. My father was a civil rights attorney, my mother was trained as a reading specialist but was a stay-at-home mom for most of my childhood, and I am the middle child, sandwiched between two sisters. As a child I enjoyed drawing but was not obsessed with it. When I was in 1st or 2nd grade my best friend’s mother saw a drawing I did and declared that someday I would be a famous artist. It felt wonderful to be praised but I also felt uncomfortable with the idea that someone could know with such certainty what I would become. For years later, when someone would see my drawings and pronounce that I was going to grow up to be an artist, I got great pleasure out of telling them, “No, I’m going to be an archeologist.” But by the 5th grade, I had to admit that they were right. I had no choice; someday I would be an artist. We were very excited to see your new paintings; will you please tell us about them? My most current work was created for my solo show, “It IS You (and me too),” at the Adah Rose Gallery, and it explores the feeling and reality of being disconnected and alienated (resulting in multiple personal realities), despite and sometimes because of the close proximity in which we live to one and other. Who are some of the artists who have influenced you? The Mexican muralists David Alfaro Siqueiros and Diego Rivera, in particular. The idea that you would paint stories on a wall in a representational way so that your message would resonate with the most people possible was something that makes a lot of sense to me. I also liked how realism wasn’t important or necessary in getting their message or story across. Maybe because the murals weren’t 100 % realistic, the ideas in them were more accessible. The American cartoonist Chris Ware, his draftsmanship is amazing and I love how his use and placement of the most subtle details help to fill out and support the narrative in such profound ways. Artists associated with the New Objectivity Movement, Otto Dix and Christian Schad, in particular. These artists took an unflinching look at society and portrayed it in their paintings without any hint of sentimentality and often a large dose of sobering satire. Also the American artist Kerry James Marshall, whose work speaks so strongly to me because it is truth that he paints as he confronts racial stereotypes here in the United States.

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Your answer is why I enjoy asking that question, do you think that society has an obligation to artists? Absolutely. A healthy society not only understands the value of its artistic community but also actively supports it in a meaningful way because the strength of the arts correlates directly to the wellbeing and longevity of that society. Artists, after all, are mirrors that are held up to show society as it really is and hold it responsible for its actions. What is unhappiness for you? Being immersed and then stuck in nostalgia, following traditions out of obligation, and not being able to say the truth about what is right in front of you. Could you tell us about a book that changed your life forever? Back in 1998 while I was living in Buenos Aires, Argentina, I received a box of used books from my aunt and uncle. The books were a mix of classic literature and fluff but from that box I pulled out one that would change how I understood stories could be told. It was Fifth Business, the first novel in the Deptford Trilogy by Robertson Davies. The Deptford Trilogy is made up of three novels that revolve around one event involving a boy throwing a snowball at another boy; he misses, and instead hits a pregnant woman who then goes into premature labor. Each novel then goes on to explore the effects on the different characters. The Fifth Business was particularly instructive to a young man who wanted to make paintings with a strong and complex narrative. From it, I really came to understand that the reality of a moment is unique to each person who experiences it and that the person who seems most removed from it, has a story that is just as valid and sometimes more interesting than the people at the center of it. I might need to read that, where can people view more of your art? More of my paintings can be seen by visiting my website, wwww.gregoryferrand.com and on Instagram, @gregoryferrandart. What are your future plans? I’m looking forward to beginning a new group of paintings and to finding new opportunities for my work to be shown and seen nationally and internationally. Many thanks for taking the time to answer our questions.

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1. Who Are We Now?, 2. Nothing Lasts Forever (and that’s okay), 3. It IS You (and me too), 4. I Had a Dream That You Were Mine

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STEFAN THELEN AKA SUPER A:

WORDS // LIZ RICE MCCRAY

Dear reader, meet Stefan Thelen, aka “Super A,” who is a multidisciplinary artist that lives and works in the Netherlands and may be considered one of the top Dutch street artists of his time. Stefan Thelen sculptures, paintings and outdoor murals have landed him numerous projects worldwide, including his larger than life towering majestic pigeons. We were happy to catch up with Stefan Thelen and ask him a couple questions about his well-rounded art practice and early stages as an artist. Many thanks, Super A for taking the time to answer our questions. Make sure to check out more of his art at www.super-a.nl. Perhaps you could describe where you are right now, this way everyone reading along can imagine the setting. I’m just back from a day of working in my studio. I’m working on a series of new paintings and sculptures for upcoming shows. My studio is based in a small town called Goes, in the southwest of Holland. Pretty close to the beach. Born-and-raised here. Painter, sculptor, collaborator… you have got your hands into many things, how do you explain your well-rounded art practice? After I finished my study as a house/sign painter I wanted to go to art school but I was too young. And in the end, I’m pretty happy about it because that changed my direction. Instead of school I started working for a company who was specialized in cinema painting, sculpting and set design. This is where I was introduced to many crafts that I could use for my personal work later on. After working for theme parks and doing big murals for companies I had the urge to create work for myself with nobody telling me what to do. In 2008 I stopped working there to become a fulltime artist. So now, when I have an idea for new work I choose the technique that fits best to the idea.

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Kind of cliché artist interview question here, but where do you draw inspiration from? The human being and how it moves on this planet is really interesting to analyze. Seeing things that amaze me, triggering me to react through my art. I’ve always been a guy that focused on the visual side because I was and still am the worst at reading. By painting my vision I can tell my story without using words. Would you consider yourself self-taught? Can you talk about your early beginnings as an artist? Kind of, I would say. I learned about crafts during working at the company I mentioned. But combining these techniques and using them in the right way

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SUPER TASTE:

BLISSS MAGAZINE // ISSUE NO. 126 photography / dominic petruzzi / @dominicpetruzzi model / courtney / @youngcourtcourt

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PH O TO G RAP H ER PRO F IL E

@DBAHNPHOTOS

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INTERVIEW BY JP OLSON What do you look for in a model/subject? Every time I look for something unique and something that is impactful. Those are the two things I always want in my photos. If it’s a model I always want some kind of unique feature, whether it’s something like bone structure, hair, eyes, etc. What is the most embarrassing thing that has ever happened on a shoot? Not necessarily to you, but it could be to you. One model, before a shoot, took a bunch of fish oil pills and it was making her fart. It was really, really fishy and smelly. Besides that, what I hate the most is when I go to take a photo and the lens cap is still on the lens and the model is like, “Oh, you can’t shoot a photo like that!” Because I’m always thinking of ten other things besides my stupid lens cap.

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Overall, the level of photography has gotten better, but there’s also more crap out there too.

How have developments like the iPhone and Instagram changed photography over the course of your career? It has definitely changed a lot. There’s just more quantity of photos. I find there will be more quality too, but you have to dig through a lot more photos now to find the quality ones. Overall, the level of photography has gotten better, but there’s also more crap out there too. Yeah, absolutely. The final product is always in my mind before I even touch a camera. I Yeah, and I also was hoping you were go- always try to think about where the end result ing to touch on the fact that growing up if is going and that will affect how I compose the you were going to see photos it typically photo, process the photo, and edit the photo. If would be in a book or in a gallery or a mu- it’s a big print I’ll shoot the photo completely difseum. Now, we normally see photos on a lit ferent than if it’s going on a small little square device. I just always go back to the Robert on a phone. I definitely feel like back when I Frank quote, “You don’t have a photo until was printing more there was a more artistic you have a print.” I know that you live in the approach in the beginning stages. Whereas world of digital, but that you’re schooled in now, with Photoshop, post processing gives both aspects of photography- shooting and me so much more freedom and variables that I can play with. I don’t think one method is more printing.

artistic than the other, I think they’re just different. A lot of people think photoshop is lame and a cheap way to change a photo but I think if the photographer knows what they’re doing and uses it in a tasteful way, it can be a very positive powerful tool. Which photo is your most influential work? I definitely have a few different interests, and those interests might leak into my photos. Interests like surfing, skating, cars, design, craftsmanship, or people’s personality. I think a photograph that kind of mixes all of that together would be it, which I don’t think I’ve actually nailed yet. There’s a couple photos I’ve done that have incorporated cars, females and surfing that I’m proud of, so maybe that’s the best I’ve done so far. The ones that are an intersection of all your interests captured in one photo. Yeah, exactly.

PREVIOUS SPREAD: Jay Adams, man, myth, legend OPPOSITE PAGE, LEFT: JP driving with Caroline Roxy on the hood THIS PAGE, TOP: Victoria McGrath LEFT: Sharon Coplon RIGHT: Zoey Story

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If you want to paint a picture for a person, I feel like the best way to do that is with lighting. If you weren’t a photographer, what would you be? Before I wanted to be a photographer I wanted to design cars and be around automobiles so I would say something to have to do with that. Something like automotive design, designing after-market parts for cars, or fixing up and selling cars. What aspect of being a photographer brings you the most joy? I would say just the art of playing with light. Lighting has always been my favorite aspect of photography. I think it’s the one aspect that I use to my advantage the most that makes a photograph unique. It’s also the thing that lets me draw attention to a certain part of the photograph that I want the viewer to pay attention to. A lot of other ways to do that are with composition or depth of field, but I really enjoy doing that with lighting. If you want to paint a picture for a person, I feel like the best way to do that is with lighting.

OPPOSITE PAGE: Tom Curren, Kelly Slater, John John Florence, Dane Reynolds THIS PAGE: TOP: Kolohe Andino, LEFT: Evan Mock - live fast, die old

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Whose portrait have you recently shot that you’re psyched on? One of my favorite bands growing up has always been Green Day. I think they’ve been through a lot of stages throughout their career and always maintain a good quality of music. That’s something I always try to do with my photography. Finally getting the chance to meet them and getting to capture their personality was something I was really excited about.

Does your approach change at all when you’re shooting fine art versus commercial work? Absolutely, there’s a huge difference. Fine art is a way for me to experiment and to get a little weird and to take risks and not necessarily appeal to the masses. With my fine art stuff I try to push the boundaries of what I’ve done before. With commercial stuff the name of the game is knowing your audience and knowing what they want to see and what’s going to grab their attention. That takes years of knowledge and practice. Not that I fall back on stuff that I know but it’s evolving knowledge of what your audience wants to see. I’d say that would be the biggest difference. Name a place you’d love to travel to and shoot. I’m not really sure about one particular spot, but I love mixing nature and manmade stuff. Like a Porsche zooming through Yosemite is kind of a stereotypical example but an awesome one. Maybe something like getting a beautiful model with a big bright complex dress and high heels walking through a rainforest in South America or something like is the stuff I’m into. Putting two things together and photographing that – my subject and the environment. I always like to make contrast and juxtaposition between those two things. Any place that really hasn’t been seen a lot and putting something really impactful into that environment is what I want to do.

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reetings Nathan, what’s up?

Going good, man, just skating everyday. I try to skate as much as I can. I usually get a ride from my friend, or my dad takes me to Mt. Trashmore.

So you know, this interview is for BL!SSS Magazine. Yeah, I like the online version. I get to check it out on my mobile device. I know it comes in print as well. It has some rad shit in it, stoked on BL!SSS.

Okay I’m going to say a word, and you answer with the first word or phrase that comes to mind.

Cool, so we’ll start here. How old are you, and where did you grow up? I’m 15 years old, and I’m from Virginia Beach, born and raised. How long have you been skating? Five or six years. My dad got me into WRV (Wave Riding Vehicle) skate camp and I’ve loved it ever since. Hooked for life. What’s your current setup? The Embassy Danforth model, Ace Trucks, Spitfire Wheels and Launch Mode rails. I know VB has some gnarly winters, so how do you guys keep the stoke during those months? We skate through it. We skate as much as we can. It’s hard to skate sometimes, but we find a way. Who do you skate with? Collin Graham, The O’Neal brothers, Henry… all the Fork Crew. What’s your favorite thing to skate? Mt. Trashmore vert ramp. But I’ve been skating Northside Skatepark. It’s a different thing than the vert ramp; it’s a gnarly pool. I like skating different shit. Have you been on any skate trips to other states? My friend Mike Fava rides for Moonshine and he has a van. We go on trips to North Carolina. We go skate with him. I’ve been to California a couple times, once with the Embassy Crew to Rumble in Ramona and the other time was a family skate trip. Was that the first metal vert ramp you’ve skated? I’ve skated the Vet Skatepark; it’s metal and fast, but I like Ramona. So how old were you when you heard the name Jeff Grosso for the first time? Ahhh… shit. I met Jeff Grosso before I knew who he was. I was 10 or 11 when I started to recognize who he was. When did you realize that you had a dad who was part of skateboard VB history? I was young as fuck. I grew up with all the skateboards that he had everywhere, and knowing that he was good. When I really got into skating, it really hit me that my dad was rad and he was something special. It stokes me out – I want to be just like him. I notice you do a lot of old-school tricks – where does that influence come from? That comes from my dad. I try to keep it original and as honest as I can, but it’s a style. I can’t really help it.

That was rad. So what music is blasting in the headphones? Rap, Artist from California, Chris Travis, Xavier Wolf… there’s some hot VB rappers around that kill it. Local dudes! Have you ever got run off by the police for skating? Never. How did you like the Combi? I liked it. It was difficult but fun! I’m going back to California in July. What are your plans for the rest of the year? Fucking skate. Progress. Charge it hard as I can. No limits. Wherever my path takes me. I really want to travel more and hit the spots. I’ll sleep on a couch – hint, hint, California friends. Right on, Nathan. It’s about my bedtime, so any last words, shout-outs, anybody you want to thank? Thank you to all my sponsors, especially Embassy Skateboard’s Lee Leal, Ace Trucks and Shrewgy, Wes Laine at Coastal Edge, Kent Russell (Launch Mode), my mom and dad, my Virginia Beach family and everybody who supports me. And thanks to BL!SSS Mag for giving me my 15 minutes!

previous spread: hang time, photo: mark nichols right: style beyond his years, photo: mark nichols above: the apple and the tree, photo: lee leal

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far left: blasting, photo: lee leal above: photo: lee leal left: night sesh, photo: lee leal

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born in Sicily, Italy. Alessi’s paintings are a fusion of various pictorial worlds: the reality of one realistic world reinterpreted to create an alternative universe where two or more realities coexist, exchanging energetically in a continuous dialogue. Salvatore Alessi’s principal interest is to picture a hybrid reality. Influenced by media, he depicts a visual “short circuit” with references to quantum physics and energy frequencies. These references are used as a tool to search a hidden and impalpable reality for major completeness. We welcome Salvatore Alessi’s paintings to the pages of BL!SSS and hope you enjoy his artwork as much we do. Please forgive all that was lost in translation. Many thanks to the lovely and charming Salvatore Alessi. If you have a chance, check out more of Salvatore Alessi’s artwork at www.salvatorealessi.altervista.org.

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“Today, more than ever, we live in a reality on several levels, one contradicting the other, and this creates an interesting paradox.” Your work seems to have a lot of different levels; it combines elements of reality and quantum physics with dramatic mysterious circumstances. Can you talk a little bit about that dichotomy, abstraction and continuous dialogue in your paintings? I love to contaminate my work with apparent distant languages in order to create a visual interview. This dictum permits me to explain the world with all its contradictions and harmonies lying within. Today, more than ever, we live in a reality on several levels, one contradicting the other, and this creates an interesting paradox. All of the figures in your art are viewed with their faces obscured, will you tell us about the ambiguity of your subjects? I like to investigate humanity. And to me, human nature does not have a certain and recognizable identity. It is in transformation and mutates continuously: shape, color, etcetera. What sort of effect do you hope your art will have on viewers or vice versa, what effect do the viewers have on you and your art? My intention is to give the viewers a parallel experience, catapulting them in an unknown world, however familiar. Their nature is sincerely revealed though never violent.

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How would you describe your style? In continuous transformation. What artists are you really into right now? Who are some of your artistic references? I am very interested in contemporary figurative art, passionately discovering artist’s visions. I much love antique art, particularly Rembrandt, Vermeer and big masters of the 20th century like Freud, Bacon and Hockney. Did your interest and inclination towards painting start at a young age? As a young boy I was already passionate about Renaissance painting and particular the altarpieces. I’ve recently developed an interest for filmmaking, which has had an important influence on my work.

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â&#x20AC;&#x153;As a Sicilian I love paradoxes, and it is this aspect, full of contradictions, which technology interests me.â&#x20AC;?

Yes, you graduated from the Academy of Fine Arts in Palermo, specializing in scenography. Will you tell us what you did as a scenographer and how you transitioned into painting professionally? As mentioned, I became passionate about painting after seeing the Renaissance altarpieces, which also caused me to develop an interest for opera and theatre and for scenography. In parallel, I have cultivated painting as a profession. You are originally from Italy, are you currently in Italy? Will you tell us about where you are living and what the view looks like from your window? I live in Italy however my spirit and my vision are worldly. I am Sicilian and Sicilians have a disillusioned view of life, honest and sometimes brutal, a somewhat paradigmatic vision of existence.

What are your thoughts on the effects of technology, the positives, and the negatives? Technology is more often part of life, fogging life up, becoming involuntarily more or less a surrogate and transforms human relations and in some cases, scanned of the rules of rhythm. For sure, I do not have a most favorable opinion of technology but it is undoubtedly that with technology the world is more informed as well as uninformed, however closer and dynamic. We are only in the beginning and everything will transform. As a Sicilian I love paradoxes, and it is this aspect, full of contradictions, which technology interests me. What offends you? Everything and nothing. But in general when a person prefers to do without beauty, or worse, prefers not to look for it due to apathy. Very last question, any last words for our readers, shout-outs, declaration of love or hate? Yelling declarations of love!

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Isaac Zoller is the perfect follow for your Instagram feed [@isaac_zoller]. His posts are the

beautiful balance of about 80% hot chicks, 10% surfing and 10% lifestyle shots that make you feel all warm and fuzzy inside. This Laguna Beach native has been honing his photo and video skills for over 15 years, capturing and documenting the beach generation in Southern California through the epitome of the surf industry boom till current times. What started out as 35mm and film cameras in high school has morphed into the full digital era where visits to the dark room and processing film are more and more of an oddity. Through his passion and following his dreams, Isaac has been lucky enough to visit some of the more exotic places this Earth has to offer, and always nonchalantly with a camera around his neck. His imagery has a raw and gritty-authentic feel to it, something real and alive. Itâ&#x20AC;&#x2122;s a natural tick that so many try to duplicate and come up short. We were lucky enough to pin Isaac down just days before we sent this issue off to the printer and hours after he returned home from a two week stint in Fiji. Fresh off the plane, what follows is our quick Q & A with Sir Isaac.

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“Slowing

down the process allows for better and more creative photos, in my opinion.” What’s up Isaac, how was Tavi, looked like you guys had some dreamy conditions? Tell us about you most memorable experience while in Fiji. The trip to Fiji was really fun, I feel lucky to have scored such good waves in January. The most memorable part was shooting photos in the water for the first few days. It was so glassy! The water visibility was crazy.

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You’ve been in this photography game for quite some time, when did you first realize or think that you could make a career of it? After I graduated college I realized that it was my passion and I was good enough at it to make a living. It has been a fun and challenging ride. You seem to be a really well rounded photographer, from being able to take candid lifestyle and “in the moment” shots to capturing the essence of a surf turn in the lineup, and all with a raw similar feel; is this something that comes natural to you or is it something you’ve been taught and are continually fine-tuning? I think that it has been my goal from the day I started shooting photos, to stay well rounded and try and shoot everything really well. It takes a completely different skill to shoot action compared to a portrait.

When you started your career, or really learning the craft, it was when film and the dark room were still a daily must, how has knowing the entire process and the transfer into the digital era helped or hindered your personal path? I have always shot film. I learned how to use a 35mm Canon A1 before anything else. Slowing down the process allows for better and more creative photos, in my opinion. I use digital cameras for shooting action as well as lifestyle and portraits, but I always end up liking the film photos so much more.

PREVIOUS SPREAD: Rob Delorme standing tall in Mainland. Hanalei Reponty, Hawaii. OPPOSITE PAGE, TOP: Addy Giddings, smoking cigs in Cabo. INSET: Dillon Perillo, shredding San Miguel. THIS PAGE, TOP: Noa Deane, boosting a few years ago during his maiden trip to Salina Cruz. LEFT: Zoe, backseat riding, Venice, Ca.

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“I would say to find your style first and foremost, and figure out what you like shooting the most. Then just go for it and don’t look back.” If you could only shoot one last subject, dead or alive, but it was the last person you’d ever get to photograph, who would it be and why? I would probably pick Andy Irons. His style was the best and I grew up watching him and Bruce, my favorite surfers for sure. Where do you see yourself in ten years? Hopefully still creating photos and books for as many people to see and be inspired by.

Any new projects you’re currently working on that you can share with us? Planning out a photo book of work from all of my travels over the past five years or so. Each photo is taken from the perspective of the passenger of a moving vehicle, car, plane, boat, etc. What advice would you give to someone new to the photography game, whom sees it as there calling? I would say to find your style first and foremost, and figure out what you like shooting the most. Then just go for it and don’t look back. What’s the best advice you’ve ever been given? Can’t remember anyone giving me any specific advice. Your passport has quite a few stamps of approval, where has been your all-time favorite place to travel to and why? I think New Zealand is still one of my favorite places I have visited. Its diverse landscape and culture attracts me, I want to go back as soon as possible. Then stop in Fiji on my way home, haha.

Where else is on your bucket-list? I want to go to Western Australia. Just seems like a dream for a surfer and photographer, also South Africa. Kinda cliché but who do you look up to in this field? What photographer(s) inspire you and why? I really look up to Pete Taras and Nate Lawrence. They are amazing surf and portrait photographers. I can always pick their photos out of a bunch; I think that’s a very important quality in any field of photography or art. What’s been your proudest moment in life thus far? I have no idea… maybe beating Jeff Booth in a heat at the 2016 Brooks Street Classic. Anyone you’d like to thank, shoutouts, declarations of love or hate? I would like to thank my parents for creating me. And I would like to make

a declaration of hate to the blackball in Newport Beach!

TOP: Brother Nate Zoller, getting in early, Todos Santos. MIDDLE: Isaac in his element. Photo: Taylor Bonin. RIGHT: Stosh Lindsey, floating above the lip, right down the street from his house on Gringo Hill, Cabo San Lucas.

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PHOTOS // JP WALKER Hidden deep in the woods of Utah, there’s a spot, formally known as THE SPOT, where a handful of the world’s best snowboarders inhabit before the actual snow season takes off. It’s a group of friends that have been making this annual pilgrimage for almost 15 years straight now. It’s become a ritual of sorts, full of hard work and preseason practice. If you get the invite, be prepared to do your part, as everyone is expected to lend a hand; clearing the ground, building jumps, jibs and rails or simply cutting firewood, it’s the camaraderie of it all that’s makes this place so special. It’s a group of likeminded professionals that aren’t afraid to get their hands dirty in the name of progressing themselves and the sport of snowboarding. We had the Mizu crew catch up with Jeremy Jones to get the full breakdown of what really goes down at “The Spot” and why these guys to continue to come back year after year.

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PREVIOUS PAGE: SPREAD: Seth hiking at The Spot. INSET (L-R): First day at The Spot with JP, Seth and Jeremy. Jeremy eyes. JP fast plant transfer. THIS PAGE: TOP: Blair & Jeremy - doubles. BOTTOM L-R: JP - going wood deep. JP - switch nosepress. Jeremy - full loop. Seth - layback on the mini QP.

“We practice our tricks and learn new ones in a controlled environment that thrives on progression and friends.” Q&A with Mizu Advocate Jeremy Jones What’s up man, how’s your winter going so far? It’s good. I mean, the snow was pretty slim at the beginning of the season here in Utah and I am still rehabbing from broken legs this last January. But I have been getting to the hill, helping my friends film for their video parts, taking some avalanche courses and wrapping my brain around shredding again. Tell us a bit about your injury last season, how recovery has been, and if/how that accident changed your mindset going into this winter. My mindset right now is to just get back at it (snowboarding). Ya know, the avalanche I was in, it was intense and a lot happened that could have broken me mentally and physically. I’ve had so much support from family, friends and fans over the past year. To let that happen though, I have to not only come back to the board for myself, but also out of respect and to feel deserving of such insane love and support that has come my way. For those who don’t already know, what is “The Spot?” Tell us a bit about the place and how it came to be the most epic preseason spot in the country. Seth Huot, JP Walker, myself and a few others started setting up pre-season jibs in the woods about 14 years ago. We would work the ground clear of rocks in the fall and clean up all the deadfall, have fires and rip rails and features we would create when the tide was low. It was our way of kicking off the season when we couldn’t quite get after it yet in the valleys or in the backcountry to get down on cliffs, jumps and natty features. Who puts in all the hard work? If you’re there then you are grinding. That’s the deal. Nobody rides for free and it’s a lot of work, so kids have dropped off quick after a time or two up there because they hate the workload. On the day-to-day it’s myself, JP, Seth and Blair McKinney. This season has been JP and Blair! Seth has been hustling for his day job and my injured leg needs more rest days right now. How would you say the spot has influenced your riding? I think it’s made it possible for me to pull off what I have in my career. We practice our tricks and learn new ones in a controlled environment that thrives on progression and friends. I would say it been my basecoat for every season since we started it. What’s your favorite thing about spending time there? Same as above, good vibes, a crew that I love dearly and feel the best around. We take our computers and work there sometimes and support each other in our work. We film each other, photograph each other, eat, make fires, camp, throw knives and practice survival skills, it’s the perfect place for marinating on ideas and putting them to the test.

What’s the craziest thing that’s ever gone down at “The Spot?” Many of the industry’s never-been-done’s were practiced and developed at The Spot. I’d say the loop was one of our craziest builds though. We’ve noticed a lot of killer shots on @_Thespot_ Instagram. Is shooting photo and video another passion of yours? Would you say your snowboarding career has taught you a lot about being behind the lens? Yeah, absolutely! Watching the filmer and talking with the photographers throughout my career, we discuss how angles might look and work together to get the shot. You can learn a lot about shooting if you ask, listen and pay a little attention. Aside from The Spot, what’s your favorite place to ride on any given day? Brighton Resort, without question. What are your plans for the rest of the winter? Finish this rehab, get back on the board, and try to knock out a short later season part at Brighton and in SLC. Any words of advice for others recovering from an injury right now?

I tell myself every single day many, many times to be patient and don’t stop grinding. That’s all I can say right now, I mean, I’m in it deep right now and the only way out is to stay as healthy as possible until I’m completely out of the woods. I just need to keep my claws hooked in so I can get out.

Lastly, what Mizu products do you keep on hand at The Spot? The V10 for my Bangal Spice Tea (official The Spot tea), V8 to hold my water and I have the Cutlery Set on hand at all times as well. We chef the impossible up there over that fire! Thanks man. Thank you.

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EVENTS // ISSUE NO. 126

ADIDAS’ DAS TABLES – BEAR MTN:

If there’s one event that represents core snowboarding, it has to be the adidas’ das tables. The format is simple, two picnic tables, snow, and all of your shredding buddies gathered at one spot, and the best part about the event is that its FREE for all ages. Last season the event had three stops, but due to its popularity, a few more were added to the list this year. What better place to kick off the 2018 tour than sunny Bear Mountain. Over 70 riders showed up in hopes of taking home $3,000 and some adidas gear. Riders took to the course in the morning session as the judging panel, consisting of Keegan Valaika, Alex Sherman, and Lenny Mazzotti, kept a watchful eye out for the most innovative and standout tricks on the offset, up-and-down tables with a corrugated tube sprawled across the middle. Johnny Miller, Drayden Gardner, Denver Orr, Brett Wilkinson, Anthony Mazzotti, Justin Mulford, Ian Sams, Denver Orr, Melissa Evans, and Gabby Maiden were amongst the crowd favorites, but when it was all said and done, Drayden Gardner, Denver Orr, and Brett Wilkinson took the top three spots. Bear Mountain’s park staff was on their A-game, flipping the course to the new afternoon setup before anyone took notice. For the second session the tables were places in a line, corrugated tube and down table followed by the second table. The simplicity of the features allowed for the riders to relax and take a more creative line than the typical rail jam format we’ve been used to seeing for so long. Round two sustained the same stoke as the morning. Johnny miller walked away with “Best Trick” with a slew of hippy hop foot slides, and wallie pop-shove-its, while the top women’s honors went to Melissa Evans. Brett Wilkinson, Denver Orr, and Ian Sams took home the big checks for round two. It’s safe to say that Bear Mountain’s adidas das tables kicked off the event on the right foot, or boot if we’re talking adidas.

WORDS // JAVIER SILVA

PHOTOS // GABE NEGRON left to right: Melissa Evans, showing off her skills / Ian Sams,sliding hand plant / Big checks = big smiles; Ian Sams, Denver Orr, Johnny Miller, Brett Wilkinson & Drayden Gardner / Women’s Champ Melissa Evans / Denver Orr, sliding into a $500 pay day / Drayden Gardner / Johnny Miller, “Best Trick” winner / Judging pannel: Alex “Little” Sherman, Keegan Valaika & Lenny Mazzotti / Brett Wilkinson was definitely “Best Dressed” in his Nascar jersey

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EVENTS // ISSUE NO. 126

AGENDA LONG BEACH 2018:

January is synonymous with New Years resolutions, shorter day and for nearly a decade now, Agenda Long Beach. Unlike years past, this ago-around happened a bit earlier than the usual with day one starting on January 5th, prompting a shorter than anticipated [but much-needed] break from the monthly grind. But to be honest, we were excited to get back to work as the Christmas/New Years break was lulling us into boredom. Upon arriving at the Long Beach Convention center, the usual media line to enter the show was longer than we’ve ever seen it as the entire registration area was buzzing with action. We had our hesitations but upon entering the Long Beach Convention Center any and all reservations were promptly cast aside. The hustle and bustle of the Agenda trade shows is alive and well as aisles and aisles were packed with new brands, buyers and everyone in the industry debuting all that have on offer for 2018. We’re still baffled by the amount of brands and the positive energy that makes this two-day extravaganza a must for anyone and everyone in the industry. While walking the show day one the big news of the event was founder and mastermind behind Agenda, Aaron Levant, was stepping down after the Agenda Vegas show [which should be under way as you’re reading this] to pursue other business ventures. We’re sure we’ll get the announcement soon and will be sure to share it with ya as we know Aaron is not one to sit idle. In the meantime we’ll see ya again in Long Beach in less than six months time.

PHOTOS // JAMES NWOBU, CHRIS LOMENZO left to right: Full house at Agenda registration / Lavender / Ice Cream anyone? / Three generations of Hosoi / This colorful BMW was probably the most photographed item the entire show / LTF / RIPNDIP - don’t trip / Dwindle Distribution wall of fame / White Claw Hard Seltzer

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TRIPLE PACK+

RIDE ANY 3 DAYS* FOR UNDER $67/DAY

GET YOURS AT BIGBEARMOUNTAINRESORT.COM *HOLIDAYS EXCLUDED

EVENTS // ISSUE NO. 126

BEAR MTN 75TH ANNIVERSARY:

SoCal’s favorite winter sports destination, Bear Mountain, celebrated its 75th anniversary on Saturday, January 20th, with a birthday bash befitting its stature as one of the most iconic and influential destinations in the skiing and snowboarding industry. While most septuagenarians might celebrate the passing of another year with a cup of Sanka and a second trip through the buffet line, Bear Mountain rang in the big seven-five with a full day of contests, giveaways, and live music, including a performance by DJ Snoopadelic (a.k.a. Big Snoop Dogg). The day began with Mother Nature sending her own birthday present in the form of four-inches of fresh powder on the slopes before giving way to the sunsplashed skies SoCal skiers and snowboarders are accustomed to. DJs from LA’s REAL 92.3 (KRRL-FM) kept the crowd hyped throughout the day – spinning tracks and giving away 2017/18 season passes to seven lucky snow fiends – until the D-O-double-G himself arrived to turn his own tracks and send the packed crowd into a frenzy. Founded in 1943 as the Moonridge Ski Area, Bear Mountain gained notoriety in the early 90s for building the first snowboard terrain park in North America and later as the home mountain of snowboarding icon Shaun White. Today, the mountain is home to the largest beginner area, highest lift-served peak (8,805 feet), and only halfpipes in Southern California. For more information, or to plan your next alpine adventure, go to www.BigBearMountainResort.com.

PHOTOS // GABE NEGRON left to right: Big Snoop Dogg joining the 75th Anniversary / Snoop D-O-Double-G celebrating the new laws with blunt in hand / Best-dressed in his blue fur jacket / DJ Snoop / The crowd went insane as everyone celebrated

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157 Avenida Del Mar, San Clemente, CA 92672 // 207 Main St. Huntington Beach, CA 92648 // 1104 Broadway, Columbus, GA 240 3rd St. South Jacksonville Beach, FL 32250 // 1100 Cornerstone Blvd. Suite 910, Daytona Beach, FL 32117

MUSIC:

INTERVIEW // ALBUM REVIEWS // ISSUE NO. 126

SHANNON LAY // INTERVIEW

INTERVIEW & PHOTO // DAVID EVANKO

Describe the recording process behind your latest album, Living Water. How was it different from your previous release, All This Life Goin’ Down? It was similar in the sense that both records were done with friends at their home studios. I like that feel, it’s easy to get comfortable. Each record has a very different vibe to me though. All This Life Goin’ Down was a learning experience; I learned a lot about my voice and the tones that struck me and about recording in general. While recording Living Water I could feel the growth I’d been through. My voice had matured, the atmosphere was very inspiring and Emmett Kelly, who recorded Living Water, was an incredible help with adding and subtracting to the songs. I hope to grow like that with each record I make. I love recording, it’s an amazing thing.

We’ve watched you perform with Feels/Raw Geronimo for a number of years. When did these solo songs start taking shape? I was inspired to start performing solo after I saw Jessica Pratt perform at The Echo some years ago. I had no idea there was a place for music like that in the scene. I was always in such loud, crazy bands. But that show changed everything for me. I had been writing songs since I was 16, so literally the next day I hit up Jeffertiti, who recorded All This Life Goin’ Down, and we set up my first show at Hyperion Tavern. After that show I had been so nervous I swore I would never do it again, but I obviously didn’t keep that promise and I’m glad I didn’t. Playing solo has been the most incredible experience so far in my life. I love how it makes other people feel and for me it is a beautiful exchange. I want to give everything I have to anyone who needs it. I feel so lucky that How about the subject matter? Has there I get to do that. been any contrast in your lyrics or do you see them evolving in any certain way? With your busy schedule do you find time to I see my view widening, which I like. I think that set aside for writing or does it happen on the happens as you get older, your perspective fly? shifts and the bigger picture comes into view. I Ever since I started doing music full time I try and focus on nature a lot. I believe that if you have schedule writing days but it doesn’t always work, a microphone you might as well say something haha. A lot of times it’ll come out of the blue, I’ll worthwhile and at the moment it feels important have to pull over the car or stop while I’m on a to direct people’s attention to the world around walk. I like to think that songs come from someus. I like to be positive, as sad as my songs can thing bigger than me; I am simply a way for that sound they usually have a very hopeful message bigger thing to translate them to this weird world. within. I like to remind people that it will be ok. I am always ready and waiting, but I never force

it. Most of the time I write lyrics first and then the finds out about Maggie and with one final rip song comes later. I write a lot when I’m traveling, he’s left with the Homer head we all know and that’s my favorite. New scenery inspires me so love. much, it’s the best thing for me. What are your plans for 2018? It’s common knowledge that you’re a diehard I am so stoked for this year. I’m recording my Simpsons fan, when did this begin and how next record in January, hopefully it’ll come deep does your fandom run? out sometime in the fall. I’m going to Europe Haha yes! I was actually a pretty late bloomer in March for the first time solo! Playing a few when it came do being diehard. It all really got festivals in the US and later in the year I’ll be started when I was in high school and I met one at Green Man in the UK. I have every intention of my best buds Michael. We would get stoned to of reaching as far as I can, I love being able the bone and watch Simpsons in his garage and to play music and meet new people and see it was one of my favorite times. The Simpsons new places, I feel very lucky to have so many just resonates with me in such a profound way. amazing opportunities. Feels is also finishing It’s so smart and relatable, especially the first up our second record so we should be planning few seasons. I’d say seasons one through ten some fun stuff soon too! Can’t stop, won’t stop, are some of the most incredible things that the whoop whoop! human race has accomplished so far. So much emotion, so much commentary, so much comic relief in the light of incredibly tough circumstances. I will always love the Simpsons more than most things. I still watch it every day. I’ve heard a few different theories on this so maybe you can clear it up. How did Homer lose his hair? Haha! Well if we’re being technical, there’s the episode about Maggie where they flash back to when Marge tells Homer about being pregnant with Bart and Lisa and with each announcement he rips out more of his hair until finally Homer

ALBUM REVIEWS // ROB MOLT Archons / Lords of Light and Thunder / Space Metal Records You and your space babe are hurling across the universe in search of a new livable planet. Her blue skin radiates in the starlight as she’s looking to find a hospitable galaxy. Even though Earth wasn’t your first choice due to its declining environment and the deplorable governments, your ship is starting to break up over San Diego. The constant, crushing pulses from the sci-fi doom metal band, Archons, are shaking the craft apart. The massive crunching riffs of the guitar, thunderous bass, and ominous vocals have crash-landed you in the Pacific. The artistic 3-piece band tells a story in their incredible concept album, Lords of Light and Thunder, and it’s a beautifully heavy introduction to your new surroundings… Low Volts / Roam With You / Self-Released With the droids doing repairs on the space cruiser, you and your star girl reach the San Diego waterfront. It’s a hive of sailors, cowboys and bikers; the sensor readings indicate high levels of beer and tequila in the air. Intrigued by the swinging bluesy beat coming from a saloon, you enter to try your first drink on this planet. The bartender looks at you oddly as he hands over two strong margaritas. This is when you get your first look at Earth girls; they look so beautiful swaying to the steady beat of a lone leather clad crooner, who stands behind a kick drum. The women clap in unison from the dirty slide guitar of the black hat wearing Low Volts. He commands the room with songs of drifting loners, heart breakers and knife wielders. It’s impressive how one man can make the music of three, and that’s what he’s known for. Unfortunately for you, he’s got the attention of your space babe and you’re about to lose her… Hot Snakes / Jericho Sirens / Sub Pop Your star babe is now gone, she rode off on the back of a Harley. Wobbling on Earth alcohol you stumble around a corner and slam into a skateboarder. Bam! “You better watch your blue ass spaceman!” he says, picking up his board. Apologizing and trying to change the subject you read his shirt and ask, “What are Hot Snakes?” “Only the best post-hardcore band ever man! They are straight down-stroke geniuses.” “I don’t think we have that kind of music on my planet,” you reply. “Sucks for you man, they play the tightest rock n’ roll. The new album is coming out in March, it’s their fist one since 2004 and everyone is freaking out. I’m going to go check their drummer’s other band at an art show, you can join me if you want, moon kook.”

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Earthless / Black Heaven / Nuclear Blast Walking through downtown San Diego, you inform your new skater friend what life was like back on your planet before the interstellar termites ate it, and how you and your now ex-star babe were the only ones to escape. Approaching an old warehouse, which has been converted into an inclusive art space, you feel comfortable entering, being… you know, blue and all. Liquid lightshows are projected on the walls, making the room feel like the inside of a multicolored lava lamp. The skater kid stole your space dust and is now trying to sell it. Three longhairs take the stage and rip into eight minutes of wa-wa, pedal-driven guitar mastery. A perfect long-form psychedelic rock song. The drummer is incredible as the jam gains in speed and intensity, all held down by in-the-pocket bass lines. The band has introduced vocals on their newer songs and everyone is digging it. After the set you ask the guys if they’ve ever toured on other planets, they say no but are totally game. After being notified the ship is ready, it’s loaded up with copies of the new record. Comfortably reaching light speed and with San Diego far behind, they tell you the name of their outfit is Earthless.

GROMS:

BLISSS MAGAZINE // ISSUE NO. 126

BENNET

GIBLiN @bennet.giblin

Sponsors: Perky Jerky, Max Snowboard Shop, Burton SLC

Age: 12

Hometown: Park City, UT

Favorite Riders: Danny Davis, Ozzy Henning Photo: Brodie LaMont

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THE WORLD FAMOUS AMPER LITHO 2018 CALENDAR

HIT US UP FOR YOURS BEFORE THEY RUN OUT!

#WEREONAMISSIONFROMGOD WE JUST PRINT THE SH&T! / ERIK@AMPERLITHO.COM / 760.213.4008 / 910 17TH ST. COSTA MESA , CA 92627

GROMS:

BLISSS MAGAZINE // ISSUE NO. 126

KEANU

TAYLoR @keanutaylor_

Sponsors: Volcom, Xcel, Pro-lite, Mokulele Airlines Tokoro Surfboards, Perfect Bar, Vertra Ronin, Moskova, North Shore Surf Shop

Age: 13

Hometown: Lahina, HI

Favorite Surfer: Dusty Payne Photo: Luke Forgay

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P H: I S AAC Z O L LE R

XMSURFMORE.COM/EPIC ENTER CODE: BM218