Design & Graphic Arts 2017 by Bloomsbury Publishing

Design & Graphic Arts Including Photography

2017

OBJECTLESSONS Explore the hidden lives of ordinary things Series Editors: IAN BOGOST, Ivan Allen College Distinguished Chair in Media Studies at the Georgia Institute of Technology, USA CHRISTOPHER SCHABERG, Associate Professor of English at Loyola University New Orleans, USA

COMING IN MARCH 2017

9781501317910

9781501322853

9781628920512

9781501329333

NOW AVAILABLE

9781501307447

9781501307324

9781628922868

9781501307362

9781501314872

9781628925586

9781501314773

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All titles Â£9.99 | $16.95 Visit www.bloomsbury.com/objectlessons to browse the entire series @objectsobjects

Design & Graphic Arts 2017 Contents

Bloomsbury Design Library

Highlights in Art & Design

Design 5 Design: Reference

Craft 8 Business of Art & Design

Photography 9 Fashion Photography Archive

Major Reference

Research Monographs

Index 20 Representatives and Agents

Inspection/exam copies and eBooks

Textbook Books with this symbol are available on inspection / as exam copies and are particularly suitable for course use. You can request them directly from the bookâ&#x20AC;&#x2122;s page on www.bloomsbury.com. If you would like to request any other paperback books on inspection please contact us at askacademic@bloomsbury.com (North and South America) or inspectioncopies@bloomsbury.com (UK and rest of world). EBooks Available for your e-reader or library for many titles. Please consult our website for pricing availability.

Bloomsbury head offices and distributors

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Review copies For copies of books for media and journal review, please email academicreviewUS@bloomsbury.com in North and South America and academicreviews@bloomsbury.com in the UK and rest of world. Proposals If you have a book proposal, please submit your proposal using forms available at www.bloomsbury.com/academic/forauthors Whilst we endeavour to ensure that prices, publication dates and other details in this catalogue are correct on going to press, they are subject to change without further notice. Translation rights for all titles are available unless otherwise indicated. Bloomsbury Academic is a division of Bloomsbury Publishing Plc. Registered in England No. 01984336. Front cover image: Shutterstock

Education and Research by Design LAUNCHING MAY 2017

Available via Subscription

An Essential Digital Resource for Design and Craft Studies An unparalleled resource for anyone working across the broad field of design and craft studies, the Bloomsbury Design Library offers searchable access to a carefully curated and dynamic collection of text and image content. Comprehensive, peer-reviewed reference works combine with cutting-edge academic research and a wealth of images to offer academics and students high-quality, intuitive tools for research.

ABOUT THE CONTENT: • The Bloomsbury Encyclopedia of Design online – over 1700 entries on key topics with new articles uploaded biannually • Victor Margolin’s World History of Design online – a magisterial history of global design from prehistoric times to the end of World War II • An extensive eBook collection with over 70 original titles in design and craft studies • All content is fully searchable by keyword, using our intuitive custom taxonomy

UNIQUE FEATURES INCLUDE: • Over 100 Designer pages providing essential information on key figures in the history of design • A fully searchable visual timeline of the history of design, from 1500 BCE to the present day • A searchable colour image library containing thousands of images from major museums and archives, including the Museum of Arts and Design in New York* • Free lesson plans addressing key topics in design history and practice* • Bibliographic guides with links through to online content* * Content forthcoming after launch

www.bloomsburydesignlibrary.com Lecturers: Recommend to your institution’s library Librarians: Register for a free trial upon launch by contacting: Americas: OnlineSalesUS@bloomsbury.com Europe, Middle East, Africa, Asia: OnlineSalesUK@bloomsbury.com Australia and New Zealand: OnlineSalesANZ@bloomsbury.com

Highlights in Art and Design

2nd edition

Typography Gavin Ambrose and Paul Harris

Textbook Typography is the most effective tool that graphic designers use to express ideas and convey a message. The ability to choose the right typeface for the right job, to design readable and legible pages, and to marry type and image to create visually compelling results are skills that every designer must master. This book introduces the student to the basic principles of typography with clear examples from international practitioners, interviews with designers and typographers, plus exercises to reinforce the concepts covered. With its attractive layout, approachable text and skillful use of typography on every spread, the author sets the standard to inspire the beginning student of design.

UK January 2017 US February 2017 200 pages 200 colour illus 230 x 160mm / 9 x 6.3 inches PB 9781474225281 £21.99 / $29.95 Series: Basics Design World English Bloomsbury Visual Arts

• New interviews in each chapter with designers and typographers such as TOKY, Urban Influence, Triboro Design, Leftloft, Designbolaget and Graphical House • New chapter covering the history of type and the evolution of typefaces • Examples of typography across a wide range of media including expanded coverage of digital/ screen-based applications • New section at the end of the book with exercises and projects to reinforce student learning • Includes over 200 examples from international designers Gavin Ambrose teaches at the University of Brighton, UK, and is a practicing designer as well as an author. Paul Harris is a freelance writer and editor whose work appears extensively in magazines and journals in the US and UK.

The Teabowl East and West Bonnie Kemske

The teabowl has become an iconic form in ceramics. This book explores the history and concepts behind the original tea ceremonies, how teabowls travelled to the West, and how they are used today. With a wide range of case studies including both historic Japanese potters and international contemporary artists, Bonnie Kemske looks at the form of the teabowl, how the concept has been reinvented in contemporary ceramics, and explores traditional methods used to achieve a teabowl aesthetic, such as wood-firing, raku, and kintsugi.

UK August 2017 US August 2017 160 pages 100 colour illus 276 x 219mm / 10.8 x 8.6 inches HB 9781472585608 £35.00 / $48.00 Bloomsbury Academic

This fascinating and beautifully-illustrated book includes over 100 colour images and a list of museums with major teabowl collections. Bonnie Kemske is a professional writer and critic, as well as a ceramic artist with a PhD from the Royal College of Art, UK. She was editor of Ceramic Review from 2010 to 2013, and has contributed articles to many international magazines such as New Ceramics and La Ceramica. In 2013 she curated an exhibition of teabowls at the request of the Japanese Embassy in London.

Highlights in Art and Design

2nd edition

Illustration A Theoretical and Contextual Perspective Alan Male

Textbook “This book is an excellent overview of the business of illustration.” Andy Gossett, Middlesex University, UK This book looks at developing a brief, conducting research and analysing visual language, before going on to explore the role of illustration in documentation, commentary, storytelling, persuasion and identity. It concludes with an overview of current professional practice, demonstrating that the ability to communicate meaningfully and effectively for a global audience is key to navigating today’s creative industries.

UK January 2017 US February 2017 232 pages 256 colour illus 270 x 210mm / 10.6 x 8.2 inches PB 9781474263023 £26.99 / $36.95 Bloomsbury Visual Arts

• Beautifully designed with over 250 colour illustrations • Includes a range of illustration styles as well as contexts in which illustration is used • Shows stages of illustration from sketches to prototypes to final image • Provides practical advice and useful tips • New edition contains over 200 new examples of contemporary illustration • This edition includes new chapter on current and future professional practice Alan Male is Emeritus Professor of Illustration at Falmouth University, UK.

Alberto Giacometti A Line Through Time Sainsbury Centre for Visual Arts

Published to mark the 50th anniversary of the artist’s death, Alberto Giacometti: A Line Through Time presents an illuminating introduction to Giacometti’s artistic career, key themes in his work and the context of European modernism in which Giacometti produced his most important art. Curators and Giacometti experts Claudia Milburn and Calvin Winner consider the artist’s Parisian sources of inspiration; his patronage and his relationship with the Sainsbury family; his use of materials and processes; and his influence on the British art world and its artists. Alongside key paintings, drawings and sculptures by Giacometti, this beautifully-illustrated volume includes pieces by a number of artists who influenced and were influenced by Giacometti, including Brassaï, Jean Dubuffet, Jean Fautrier, William Turnbull, and Eduardo Paolozzi. • Provides an accessible introduction to Giacometti’s whole artistic career • The book includes key works held at the Sainsbury Centre for Visual Arts and previously unpublished archival material held in the SCVA collection • The text, by curators Claudia Milburn and Calvin Winner, provides fresh insight into Giacometti’s inspirations in ancient art, and considers his impact and influence within the context of European art in the 1950s Introduction by Professor Paul Greenhalgh, Director of the Sainsbury Centre for Visual Arts at the University of East Anglia, Norwich, UK. Text by Claudia Milburn, Curator, and Calvin Winner, Head of Collections Management and Conservation at the Sainsbury Centre for Visual Arts.

UK May 2016 US June 2016 96 pages 75 colour images 255 x 205mm / 10 x 8 inches PB 9781350004313 £16.99 / $29.95 World English Bloomsbury Visual Arts

Design

Design and the Creation of Value John Heskett Edited by Clive Dilnot and Suzan Boztepe

John Heskett was a pioneering British design historian, with a particular interest in design and economics. Design and the Creation of Value publishes for the first time his groundbreaking seminar on design and economic value. In remarkably clear and accessible prose, Heskett explores how the key traditions of economic thought conceive of how value is created. Critically teasing out the role of design in this process, Heskett shows how design’s role in innovating and creating value for organisations and products can be given a firm grounding in economic theory.

UK February 2017 US February 2017 248 pages 10 mono line drawings 234 x 156mm / 9.2 x 6.1 inches PB 9781474274296 £27.99 / $37.95 HB 9781474274302 £85.00 / $114.00 Bloomsbury Academic

Clive Dilnot is professor of Design Studies at Parsons The New School for Design, New York, USA. Suzan Boztepe is based at the IT University of Copenhagen, Denmark.

Designing for Service Key Issues and New Directions Edited by Daniela Sangiorgi and Alison Prendiville

Designing for Service brings together a wide range of international contributors to map the field of service design and identify key issues for practitioners and researchers such as identity, ethics and accountability. Daniela Sangiorgi was one of the first scholars to work in service design research. With a degree in industrial design, she went on to study for one of the first PhDs in service design at the Politecnico di Milano, Italy.

UK February 2017 US February 2017 288 pages 40 bw illus 244 x 169mm / 9.6 x 6.6 inches PB 9781474250122 £21.99 / $29.95 HB 9781474250139 £85.00 / $114.00 Bloomsbury Academic

Alison Prendiville has an MSc in digital anthropology from UCL, and her doctoral research was an industry-funded PhD with Thorn Transit Systems International (now part of Cubic).

New Mythologies in Design and Culture Reading Signs and Symbols in the Visual Landscape Rebecca Houze

“Rebecca Houze has unpacked some of today’s most commonly known yet often misunderstood symbols, objects and eye-kons of our times. Through the design lens, she gives our everyday objective world an engagingly new and vividly clear perspective.” Steven Heller, School of Visual Arts, New York University, USA Rebecca Houze presents an exploration of signs and symbols in the visual landscape of postmodernity, considering a range of contemporary phenomena, from the history of sustainability to the meaning of sports and children’s building toys, and the iconography of well-known global brands such as BP, McDonald’s, and Nike.

UK May 2016 US May 2016 272 pages 11 colour and 25 bw illus 234 x 156mm / 9.2 x 6.1 inches PB 9780857857620 £21.99 / $29.95 HB 9780857855213 £90.00 / $122.00 Bloomsbury Academic

Rebecca Houze is Associate Professor of Art History at Northern Illinois University, USA, where she teaches courses on the history of design and the decorative arts. She is the co-editor, with Grace Lees-Maffei, of The Design History Reader (Bloomsbury 2010).

Design

Modernism in Scandinavia Art, Architecture and Design Charlotte Ashby

Scandinavia is a region associated with modernity: modern design, modern living and a modern welfare state. This new history of modernism in Scandinavia offers a picture of the complex reality that lies behind the label: a modernism made up of many different figures, impulses and visions. It places the individuals who have achieved international fame, such as Edvard Munch and Alvar Aalto in a wider context, and through a series of case studies, provides a rich analysis of the art, architecture and design history of the Nordic region, and of modernism as a concept and mode of practice.

UK February 2017 US February 2017 248 pages 34 bw illus and 16 colour illus 234 x 156mm / 9.2 x 6.1 inches PB 9781474224307 £21.99 / $29.95 HB 9781474224314 £85.00 / $114.00 Bloomsbury Academic

Charlotte Ashby lectures in the history of art and design at Birkbeck, University of London, the Courtauld Institute of Art and Oxford University, UK. New in paperback

Designing the French Interior The Modern Home and Mass Media Edited by Anca I. Lasc, Georgina Downey and Mark Taylor

Tracing France’s key role in the development of the modern interior, from the pre-revolutionary period to the 1970s, this book addresses the importance of media in promoting French interior design to a wider audience. A variety of media and representational techniques are discussed, including drawings, prints, illustrated magazines and films. Featuring chapters by leading scholars addressing a wide range of subjects, this book is intended to broaden understanding of French interiors, from historical, theoretical and practice-based perspectives, and provide a new understanding of the relationship between architecture, interior spaces, material cultures, mass media and modernity.

UK January 2017 US January 2017 248 pages 244 x 169mm / 9.6 x 6.6 inches PB 9781350013896 £24.99 / $33.95 Previously in HB 9780857856593 £85.00 / $114.00 Bloomsbury Academic

Anca I. Lasc is Assistant Professor of history and theory of design at Pratt Institute, New York City, USA. Georgina Downey is an independant scholar and Visiting Fellow in the graduate art history programme at the University of Adelaide, Australia. Mark Taylor is Professor of architecture at the University of Newcastle, Australia.

Critical Design in Context History, Theory, and Practices Matt Malpass

“Matt Malpass introduces the boundaries of an increasingly influential subject area. Providing interesting examples, and making reference to interviews with key practitioners, a refreshing perspective is developed. This book is destined to become the definitive text of its type, and will be much sought by design researchers and practitioners alike.” Michael Hann, Chair of Design Theory at the University of Leeds, UK Critical design is becoming an increasingly influential discipline, affecting policy and practice in a range of fields. Matt Malpass’s book is the first to introduce critical design as a field, providing a history of the discipline, outlining its key influences, theories and approaches, and explaining how critical design can work in practice through a range of contemporary examples.

Matt Malpass is a Senior Lecturer on MA Industrial Design and a Research Fellow in Critical Design at Central Saint Martin’s College of Arts and Design, University of the Arts London, UK.

UK February 2017 US February 2017 168 pages 31 bw illus 234 x 156mm / 9.2 x 6.1 inches PB 9781472575173 £21.99 / $29.95 HB 9781472575180 £85.00 / $114.00 Bloomsbury Academic

Design: Reference

New in paperback

The Handbook of Design for Sustainability

The Handbook presents the first systematic overview of the subject that, in addition to methods and examples, includes historical perspectives, philosophical approaches, business analyses, educational insights and emerging thinking.

Edited by Stuart Walker, Jacques Giard and Helen Walker

Stuart Walker is Head of Design, Co-Director of the Imagination Lancaster creative research lab and Professor of Sustainable Design at Lancaster University, UK. Jacques Giard is Professor of Industrial Design in The Design School at Arizona State University, USA.

UK January 2017 US January 2017 576 pages 244 x 169mm / 9.6 x 6.6 inches PB 9781474299701 £36.99 / $49.95 Previously in HB 9780857858528 £115.00 / $160.00 Bloomsbury Academic

Helen L. Walker is an independent language consultant with an MA in Education for Sustainability. New in paperback

The Handbook of Design Management Edited by Rachel Cooper, Sabine Junginger and Thomas Lockwood

The management of design has emerged as central to the operational and strategic options of any successful organization. The Handbook of Design Management presents a state-of-theart overview of the subject – its methodologies, current debates, history and future. Rachel Cooper OBE is Distinguished Professor of Design Management and Policy at Lancaster University, UK. Sabine Junginger leads the Competency Center for Design and Management at Lucerne University of Applied Sciences and Arts, Switzerland.

UK January 2017 US January 2017 544 pages 70 bw illus 244 x 169mm / 9.6 x 6.7 inches PB 9781350000018 £36.99 / $49.95 Previously in HB 9781847884886 £115.00 / $162.00 Bloomsbury Academic

Thomas Lockwood is the founding partner of Lockwood Resource, an international consulting and recruiting firm specialised on Design, UX and Innovation Leadership. New in paperback

The Handbook of Interior Architecture and Design Edited by Graeme Brooker and Lois Weinthal

The Handbook of Interior Architecture and Design offers a compelling collection of original essays that seek to examine the shifting role of interior architecture and interior design, and their importance and meaning within the contemporary world. Graeme Brooker is Head of Interior Design at the Royal College of Art, UK. Lois Weinthal is Chair of the School of Interior Design at Ryerson University in Toronto, Canada.

UK January 2017 US January 2017 696 pages 244 x 169mm / 9.6 x 6.6 inches PB 9781350000025 £36.99 / $49.95 Previously in HB 9781847887450 £115.00 / $148.00 Bloomsbury Academic

New in paperback

The Handbook of Visual Culture Edited by Ian Heywood and Barry Sandywell

The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject. Ian Heywood is Visiting Research Fellow at the Lancaster Centre for Contemporary Arts, Lancaster University and author of Social Theories of Art: A Critique. Barry Sandywell is Honorary Research Fellow in Social Theory in the Department of Sociology, University of York, UK. He is the author of, among other works, Logological Investigations and is co-editor, with Ian Heywood, of Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual.

UK April 2017 US April 2017 816 pages 244 x 169mm / 9.6 x 6.6 inches PB 9781350012479 £29.99 / $49.95 Previously in HB 9781847885739 £115.00 / $162.00 Bloomsbury Academic

Craft

Critical Craft Technology, Globalization, and Capitalism Edited by Clare M. WilkinsonWeber and Alicia Ory DeNicola

From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes ‘craft’ in a wide variety of practices from around the world. Case studies from countries including Mexico, Nigeria, India, Taiwan, the Philippines, and France draw together evidence based on linguistics, microsociology, and participant observation to explore the shifting terrain on which those engaged in craft are operating. What emerges is a fascinating picture which shows how claims about craft are an integral part of contemporary global change.

UK February 2016 US April 2016 320 pages 20 bw illus 234 x 156mm / 9.2 x 6.1 inches PB 9781472594853 £21.99 / $29.95 HB 9781472594860 £85.00 / $114.00 Bloomsbury Academic

Clare M. Wilkinson-Weber is Associate Professor of Anthropology at Washington State University Vancouver, USA. Alicia Ory DeNicola is Assistant Professor of Anthropology at Oxford College of Emory University, USA.

Surface Decoration Kevin Millward

“Keith Millward shares his vast experience as a ceramicist, designer and educator in this rich overview of surface decoration in ceramics. He outlines each process clearly and concisely, and importantly, highlights the special qualities and unique effects of each. This is a valuable book for the studio.” Charlotte Hodes, Artist and Professor of Fine Art at London College of Fashion, UK This beautifully-illustrated step-by-step guide will encourage the reader to explore the full range of surface treatment techniques and help them to give a professional finish to their work by guiding them to an appropriate finish choice.

UK February 2017 US February 2017 112 pages 120 colour illus 246 x 189mm / 9.6 x 7.4 inches PB 9781408173787 £19.99 / $29.95 Series: New Ceramics Bloomsbury Academic

Kevin Millward is a part-time lecturer in ceramics at Buckinghamshire New University and also works as a freelancer for companies such as Portmeirion, where he designs and develops table wares.

Textbook

The Ceramics Reader Edited by Kevin Petrie and Andrew Livingstone

The Ceramics Reader is a collection of essays which cover the key areas of ceramics. It focuses on discussions from the last 20-30 years, whilst giving the reader a broad overview of the last 100 years. The book introduces contemporary debates, raises awareness and stimulates thought. It also considers the field of ceramics from a range of perspectives – such as where it sits within arts and crafts, and within gender discussions. The book is divided into three main sections, each with a short introduction to place the texts in context and point to any strong threads or issues. Andrew Livingstone is Reader in Ceramics at the University of Sunderland, UK. Kevin Petrie is Head of Glass and Ceramics at the University of Sunderland, UK.

UK February 2017 US April 2017 616 pages 40 bw illus 246 x 189mm / 9.6 x 7.4 inches PB 9781472584434 £32.99 / $44.95 HB 9781472584427 £110.00 / $148.00 Bloomsbury Academic

Business of Art and Design / Photography

2nd edition

The Essential Guide to Business for Artists and Designers Alison Branagan

This second edition of the best-selling, comprehensive handbook The Essential Guide to Business for Artists and Designers will appeal to a wide range of artists, makers, designers, and photographers looking to set up and establish an arts practice or design business within the visual arts and creative industries. With fully revised content, three new chapters, and profiles of contemporary artists and designers from around the world, this guide leads the reader through the most important aspects of setting up and growing a profitable enterprise.

UK February 2017 US February 2017 344 pages 50 colour illus (photographs, mind maps and diagrams) 234 x 156mm / 9.2 x 6.1 inches PB 9781474250559 £19.99 / $29.95 Series: Essential Guides Bloomsbury Academic

Alison Branagan is a visual arts and creative industries consultant and associate lecturer at Central Saint Martins, London, UK, where she teaches short courses in entrepreneurship, business start-up and self-promotion.

The A-Z of the International Art Market The Essential Guide to Customs, Conventions and Practice Tom Flynn

Running a Successful Photography Business Lisa Pritchard

Although it is a global industry, language used by art world insiders can be alienating and confusing to those new to the sector. The A-Z of the International Art Market is written as an alphabetical glossary comprising art market terms and core concepts, both historical and contemporary. The book contains a number of extended introductory essays outlining the development of larger core themes, such as auctions, art fairs and art investment. For anyone working in the art world, it provides an accessible introduction to core concepts, as well as a thorough explanation of critical areas.

UK November 2016 US December 2016 216 pages 216 x 138mm / 8.5 x 5.4 inches PB 9781472936332 £16.99 / $22.95 Bloomsbury Business

Tom Flynn is a visiting lecturer in the history of art and the history and professional practices of the international art market at a number of UK and European universities. He is a member of the International Association of Art Critics (AICA) and a Fellow of the Royal Society of Arts.

Running a Successful Photography Business is the definitive business bible for every professional photographer – a one-stop resource covering everything you need to know to make your business a success. This handy book contains guidance on the key areas of running your business: fine-tuning your brand, attracting new clients and keeping existing ones, costing and producing shoots, professional ethics and codes of practice, contracts, preparing a business plan, operating your business effectively, legal obligations, working with agents and agencies and how to evolve and prosper in this ever changing industry. Everything a working photographer needs to know in order for their business to flourish.

UK April 2017 US April 2017 192 pages 39 colour illus 234 x 156mm / 9.2 x 6.1 inches PB 9781472532930 £14.99 / $25.95 Bloomsbury Academic

Lisa Pritchard is a well-known figure in the commercial photography world, primarily for being a leading photographers’ agent. She set up her own agency, LPA, in 2002, which represents both established and emerging photographers and produces photoshoots for leading brands and major advertising campaigns.

Photography

Isms: Understanding Photography Emma Lewis

The latest in the best-selling Isms series. Concisely written, Isms: Understanding Photography packs an enormous amount of detail into a handy and attractive format tracing the evolution of photography through a series of interconnected trends, groups, themes and movements, from the invention of the photographic process to the post-Internet age. Completely international and comprehensive in scope, Isms: Understanding Photography is an essential purchase for anyone interested in this subject, one that in the Instagram age is of more resonance and general interest than ever before.

UK February 2017 160 pages 100 colour illus 200 x 135 mm/ 7.8 x 5.3 inches PB 9781474277594 £9.99 / Not available to buy in US Bloomsbury Visual Arts

Emma Lewis is Assistant Curator at Tate Modern, London, UK, where she has worked on photographic acquisitions and curated collection displays – including Italian Modernist Photography (2014) and Otto Steinert (2015).

Photography and Collaboration From Conceptual Art to Crowdsourcing Daniel Palmer

Photography and Collaboration is the first book to position a broad range of collaborative photographic practices by contemporary artists in a historical and theoretical context. From artistic partnerships to crowdsourced projects, the book presents an expanded idea of authorial agency, not simply considering relationships between photographers, but between photographed subjects, spectators and digital software. Organized thematically, the five chapters each focus on three case studies of contemporary, international artists, set against broader histories of photographic practice. It argues for a revisioning of photographic history, showing how collaboration has been an important and overlooked part of the medium’s development.

UK February 2017 US February 2017 232 pages 44 bw illus 234 x 156mm / 9.2 x 6.1 inches PB 9781350008311 £19.99 / $29.95 HB 9781474233460 £65.00 / $112.00 Bloomsbury Academic

Daniel Palmer is Associate Dean of Graduate Research and Associate Professor in the Art History and Theory Program at Monash University, Australia. He was formerly a Curator at the Centre for Contemporary Photography in Melbourne, Australia. New in paperback

Photography, Humanitarianism, Empire Jane Lydon

The first publication in the Photography, History: History, Photography series, this book examines the role of photography in shaping ideas about race and difference in Australia. Covering the period between the 1840s and the 1948 Declaration of Human Rights, the book includes a rich selection of case studies to show how photographic encounters between Aboriginals, missionaries, scientists, photographers and writers fuelled international debates about morality, law, politics and human rights. Drawing on new archival research, it uncovers a story of photography as a complex social force and is essential reading for students and scholars of photography, race and the histories of empire and human rights. Jane Lydon is the Wesfarmers Chair of Australian History at the University of Western Australia.

UK February 2017 US February 2017 208 pages 60 bw illus 244 x 169mm / 9.6 x 6.6 inches PB 9781350027435 £19.99 / $26.95 Previously in HB 9781474235501 £85.00 / $114.00 Series: Photography, History: History, Photography Bloomsbury Academic

Available via Subscription or Perpetual Access

A New Digital Collection of Runway, Backstage and Street Style Images from the 1970s to 2000 Showcasing Contemporary Fashion Design Editor-in-Chief: Dr. Valerie Steele, Fashion Institute of Technology in New York Designed for students and researchers, the Fashion Photography Archive will contain 750,000* images, many of which have never before been published online. Hundreds of articles, audio, and video resources from expert commentators provide context and analysis. • Fashion Photography Archive captures the most iconic fashion moments from the 1970s until 2000, including the works of key designers such as McQueen, Westwood, Chalayan, and more. • Resources for teachers and students, including a timeline, lesson plans for instructors, videos for students, a rich taxonomy, and comprehensive indexing • Academic articles providing essential context on key catwalk collections, specific themes or styles of dressing, fashion icons, single object analysis, specific decades, and the use of particular colors in fashion Image: Niall McInerney, Photographer. © Bloomsbury Publishing Plc

Fashion Photography Archive is a part of Bloomsbury Fashion Central, a new site for fashion educators, students and professionals, delivering instant access to articles, textbooks, multi-media learning resources and iconic images in fashion, textiles and related fields. For more information, visit www.bloomsburyfashioncentral.com *150,000 images are currently available with 250,000 available by Spring 2017. Further collections will be added in updates of 50,000 images until 750,000 images are live.

Images: Niall McInerney, Photographer. © Bloomsbury Publishing Plc

w w w. fa s h i o n p h o t o g ra p h ya rc h i ve . co m Lecturers: Recommend to your institution’s library Librarians: Register for a free trial by contacting our sales team: Americas: OnlineSalesUS@bloomsbury.com Europe, Middle East, Africa, Asia: OnlineSalesUK@bloomsbury.com Australia and New Zealand: OnlineSalesANZ@bloomsbury.com

Major Reference

Design: Critical and Primary Sources Edited by D.J. Huppatz

Design: Critical and Primary Sources brings together over 75 essential texts on design from the mid-19th century to the present day, covering key thinkers, movements and issues for design. The four volumes focus on: 1) Design Reform, Modernism and Modernization 2) Professional Practice and Design Theories 3) Social Interactions 4) Development, Globalization and Sustainability

UK February 2016 US April 2016 1,476 pages • 4 vols HB set 9781472539366 £660.00 / $895.00 Series: Critical and Primary Sources World English Bloomsbury Academic

D.J. Huppatz is a Lecturer in the Faculty of Design at Swinburne University, Australia.

The Bloomsbury Encyclopedia of Design General Editor: Clive Edwards Contents General Editor’s Introduction A-Z entries (divided between three volumes) Index

The Bloomsbury Encyclopedia of Design provides a comprehensive guide to design, with entries on key topics in the history and theory of design, addressing a range of design forms including graphic, textile, furniture, metal, ceramic, fashion, stage and film, vehicle and product design, as well as national histories of design and key design movements.

UK November 2015 US December 2015 1,476 pages • 3 vols 391 bw illus HB set 9781472521576 £495.00 / $725.00 Bloomsbury Academic

Subject Editors: Harriet Atkinson, University of Brighton, UK; Sarah Kettley, Nottingham Trent University, UK; Sorcha O’Brien, Kingston University, UK; David Raizman, Drexel University, USA; Anne-Marie Willis, German University in Cairo, Egypt.

New in paperback

World History of Design Two-Volume Set + Individual Volumes

“Victor Margolin’s epic World History of Design charts the practice’s perceptual shift in approach from pragmatic to artistic … In the annals of design histories, World History of Design is perhaps the most exhaustive effort yet undertaken … The book is unique for its inclusivity, which reaches far beyond Western design research’s usual orbit.” Steven Heller, The Atlantic

Victor Margolin

This is the definitive historical account of global design from prehistory to the end of the Second World War, by pre-eminent design scholar Victor Margolin. These two richly illustrated volumes contain over 850 images, with over 160 in full colour. Victor Margolin is Professor Emeritus of Design History at the University of Illinois, Chicago, USA.

Contents Volume 1 Prehistoric Times to World War I 1. The Prehistoric Age 2. The Earliest Civilizations, 7000 BCE-900 BCE 3. The Classical Age and Early Byzantium, 900 BCE-800 CE 4. Medieval Europe and the Islamic World, 800 CE-1200 CE 5. Africa, the Americas, and Asia, 900 BCE-1200 CE 6. Renaissance Europe and the Ottoman Empire, 1200-1750 7. Cross-Cultural Encounters, 1200-1750 8. The Industrial Revolution: Europe and America, 1750 CE-1830 CE 9. The Age of Exhibitions: Great Britain 1830 CE-1900 CE 10. The Craft Ideal and the Art Movement: Britain and Elsewhere, 1861-1915 11. The Age of Exhibitions: Europe Outside Great Britain, 1830 CE-1900 CE 12. Art Nouveau and the Decorative Impulse, 1890-1914 13. The United States, 1840-1900 14. Canada, Australia, New Zealand, 1300 CE-1900 CE 15. Protoindustrialization in Diverse Regions, 1750 CE-1900 CE 16. Colonies and Pre-industrial Nations in Asia and Africa, 1750 CE-1900 CE 17. Modern Design in Europe and America, 1900-1917 18. Art and Literature of the Avant-Gardes, 1897-1918 19. World War I, 1914-1918

UK May 2017 US May 2017 1,584 pages • 2 vols 716 bw & 161 colour illus World History of Design: Two Volume Set PB 9781350018457 £65.00 / $85.00 World History of Design Volume 1 PB 9781350012721 £34.99 / $47.95 World History of Design Volume 2 PB 9781350012738 £34.99 / $47.95 Two-Volume Set Previously Published in HB 9781472569288 Bloomsbury Academic

Volume 2 World War I to World War II 20. Design in the Soviet Union, 1905-1928 21. Weimar Germany, 1918-1933 22. France, 1918-1939 23. Great Britain 1918-1939 24. Western and Southern Europe 1900-1939 25. Central and Eastern Europe, 1900-1939 26. Scandinavia, 1917-1945 27. Italy, Germany, Portugal, Soviet Union, 1922-1940 28. The United States, 1917-1941 29. Latin America: Cuba, Mexico, Brazil, 1900-1939 30. Latin America: Chile, Argentina, Colombia, Venezuela, Uruguay, 1900-1939 31. Commonwealth Countries; Canada, Australia, New Zealand, 1917-1939 32. The Near and Middle East, 1900-1939 33. Colonies: Africa: 1900-1945 34. Colonies: India, Hong Kong, and Burma 1900-1945 35. Asia: China and Siam, 1900-1939 36. Asia: Japan and its Colonies, 1900-1937 37. World War II, 1939-1945

Major Reference

A Cultural History of Furniture Six Volume Set

A Cultural History of Furniture presents an authoritative survey from ancient times to the present. This set of six volumes spans 4,500 years of furniture in its physical, social and cultural context.

Edited by Christina M. Anderson

Each volume discusses the same themes in its chapters: 1. Design and Motifs 2. Makers, Making and Materials 3. Types and Uses of Furniture 4. The Domestic Setting 5. The Public Setting 6. Exhibition and Display 7. Furniture and Architecture 8. Visual Representations 9. Verbal Representations

UK February 2018 US April 2018 1,824 pages • 6 vols 180 colour and 180 bw illus HB set 9781472577894 £395.00 / $550.00 Series: The Cultural Histories Series Bloomsbury Academic

This structure offers readers a broad overview of a period within each volume or the opportunity to follow a theme through history by reading the relevant chapter across volumes. Superbly illustrated, the full six-volume set combines to present the most comprehensive and authoritative survey available on furniture throughout history. Christina M. Anderson is Research Fellow, History Faculty and Ashmolean Museum, University of Oxford, UK. Contents 1. A Cultural History of Furniture in Antiquity (2500 BCE-500 CE) 2. A Cultural History of Furniture in the Middle Ages and Renaissance (500-1500) 3. A Cultural History of Furniture in the Age of Exploration (1500-1700) 4. A Cultural History of Furniture in the Age of Enlightenment (1700-1800) 5. A Cultural History of Furniture in the Age of Empire and Industry (1800-1900) 6. A Cultural History of Furniture in the Modern Age (1900-present)

New in paperback

A Cultural History of Gardens Six Volume Set + Individual Volumes

“A wonderful resource for people interested in landscape architecture or anyone looking for an in-depth exploration of the cultural significance of gardens.” Library Journal

Edited by Michael Leslie and John Dixon Hunt

Michael Leslie was Professor of English at Rhodes College, USA.

A Cultural History of Gardens presents an authoritative survey from ancient times to the present. The six volumes cover over 2500 years of gardens as physical, social and artistic spaces.

UK September 2016 US September 2016 1,792 pages • 6 vols 264 bw illus PB set 9781350009950 £125.00 / $172.00 Series: The Cultural Histories Series Previously published in HB 9781847882653 Bloomsbury Academic

John Dixon Hunt is Professor Emeritus at the University of Pennsylvania, USA.

Individual volumes 1. A Cultural History of Gardens in Antiquity: 304 pages • PB 978135000986 • £24.99 / $34.95 (previously in HB 978085785029) 2. A Cultural History of Gardens in the Medieval Age: 288 pages • PB 97813500099 • £24.99 / $34.95 (previously in HB 9780857850300) 3. A Cultural History of Gardens in the Renaissance: 320 pages • PB 97813500099 • £24.99 / $34.95 (previously in HB 9780857850317) 4. A Cultural History of Gardens in the Age of Enlightenment: 304 pages • PB 9781350009929 •£24.99 / $34.95 (previously in HB 9780857850324) 5. A Cultural History of Gardens in the Age of Empire: 304 pages • PB 97813500099 • £24.99 / $34.95 (previously in HB 9780857850331) 6. A Cultural History of Gardens in the Modern Ag : 272 pages • PB 9781350009943 • £24.99 / $34.95 (previously in HB 9780857850348)

Major Reference

Animation Critical and Primary Sources Edited by Chris Pallant

Animation: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on animation studies. Gathering historical and contemporary texts from a wideranging number of sources, the volumes provide a key resource in understanding and studying the past and future directions of animation studies. The four volumes thematically trace animation studies from its many definitions, or a lack thereof, to the institutional nature of animation production, to establishing greater space within animation discourse for the consideration of broadcast and interactive animation, and finally, giving greater contextual understanding of the field of animation studies, by focusing on ‘Authorship’, ‘Genre’, ‘Identity Politics’, and ‘Spectatorship’, thus enabling readers to engage more deeply with the ideas discussed in the final volume. Ordering the collection in this way avoids imposing an overly simplistic chronological framework, thereby allowing debates that have developed over years (and even decades) to stand side by side. Each volume is separately introduced and the essays structured into coherent sections on specific themes.

UK January 2018 US December 2017 1,664 pages • 4 vols HB set 9781501305757 £660.00 / $890.00 Series: Critical and Primary Sources World English Bloomsbury Academic Special introductory price of £595.00 / $804.00 available until three months after publication.

Chris Pallant is senior lecturer in film and digital media at Canterbury Christ Church University, UK. Contents Volume 2 – Studio Systems Section I – US: Disney and Beyond Section II – Asia Section III – Europe

Volume 1 – Definitions Section I: Animating Thought Section II: Forms and Functions Section III: Key Readings

Volume 3 – Animation Studies: Redrawing the Margins Section I – Animation Auteurs Section II – Broadcast Animation Section III – Interactive Animation

Arts and Cultural Management Critical and Primary Sources

Arts and Cultural Management: Critical and Primary Sources offers a comprehensive collection of key writings on this relatively new and rapidly growing field. The collected essays draw upon both scholarly and professional literature worldwide and range across the arts in the commercial, not-for-profit and public sectors.

Edited by Ellen Rosewall and Rachel Shane

Each volume is arranged thematically and separately introduced by the editors. The set includes over 80 essays covering the following major tracks: organization, structure and governance; production and distribution of the arts; participation and engagement; resource development and marketing; and policy, advocacy and field development.

Volume 4 – Critical Approaches to Animation Section I – Genre Section II – Authorship Section III – Identity Politics

UK November 2017 US January 2018 1,600 pages • 4 vols. HB set 9781474288682 £660.00 / $890.00 Series: Critical and Primary Sources Bloomsbury Academic Special introductory price of £595.00 / $804.00 available until three months after publication.

Ellen Rosewall is Professor and Chair of Arts Management at the University of WisconsinGreen Bay, USA. Rachel Shane is Director of the Arts Administration Program at the University of Kentucky, USA. Contents Volume 1: Organization, Structure and Governance General Introduction Introduction Part 1: Historical perspectives of the field Part 2: Value of the arts Part 3: Leadership and governance Part 4: Planning and innovation Part 5: Structure and business model Part 6: Arts entrepreneurship Part 7: Management issues 14

Volume 2: Participation and Engagement General Introduction Introduction Part 1: Arts participation Part 2: Audience development Part 3: Community engagement Part 4: Creative placemaking Part 5: Youth and underserved audiences

Volume 3: Resource Development General Introduction Introduction Part 1: Marketing and the arts Part 2: Philanthropy and the arts Part 3: Cultural economics Part 4: Pricing

Volume 4: Policy, Advocacy and Field Development General Introduction Introduction Part 1: Cultural policy Part 2: Arts advocacy Part 3: Public support and funding Part 4: Cultural property Part 5: Arts collection and deaccessioning Part 6: International policy issues

Major Reference

Japanese Art Critical and Primary Sources Edited by Morgan Pitelka

Japanese Art: Critical and Primary Sources is a four-volume reference work offering a critical overview of the history and culture of Japanese art. Drawing upon English-language texts from art history, history and anthropology, the volumes explore the diverse and changing material and visual cultures of Japan from the pre-modern period to the present day. Over 80 essays from Asia, North America and Europe are assembled in this set and they address four major themes - material cultures (ceramics, textiles, sculpture), visual cultures (painting, calligraphy, decorated screens), printed matter (wood-block prints, books) and the context for Japan’s art history (networks of patronage, sites of artistic production and consumption). Each volume is separately introduced and the selected materials are presented chronologically within the four major themes.

UK February 2018 US April 2018 1,600 pages • 4 vols HB set 9781350024502 £660.00 / $890.00 Series: Critical and Primary Sources Bloomsbury Academic Special introductory price of £595.00 / $804.00 available until three months after publication.

Together the four volumes of Japanese Art present a major scholarly resource for the field. Morgan Pitelka is Professor of Asian Studies and Director of the Carolina Asia Center at the University of North Carolina at Chapel Hill, USA. Contents Volume 1: Material Cultures Volume 2: Visual Cultures Volume 3: Printed Matter Volume 4: Sites and Patrons, Knowledge and Power

Painting Critical and Primary Sources Edited by Beth Harland and Sunil Manghani

Painting: Critical and Primary Sources is a four-volume reference work that brings together seminal writings on the history, philosophy and practice of painting. The collected essays range across the domains of philosophy, history, aesthetics, literature, science, anthropology, critical theory, cultural studies and art practice. Each volume is arranged thematically and separately introduced by the editors. Together the volumes trace a chronology of painting from the pre-Renaissance onwards, addressing notions and techniques of the artist and the artwork before setting out the key critical perspectives, problematics and approaches that frame modern painting practice from the nineteenth century through to the contemporary period.

UK November 2015 US December 2015 1,200 pages • 4 vols HB set 9781472558411 £660.00 / $895.00 Series: Critical and Primary Sources World English Bloomsbury Academic

Beth Harland is Professor of Fine Art and Director of Insight, a research centre at the University of Lancaster, UK. Sunil Manghani is Reader in Critical and Cultural Theory at Winchester School of Art, University of Southampton, UK.

Contents Volume 1: Painting’s Histories Volume 2: Modern Painting Volume 3: Critical Perspectives Volume 4: Processes and Strategies

Major Reference

The International Encyclopedia of Surrealism Three-volume set Edited by Michael Richardson

The International Encyclopedia of Surrealism presents the first comprehensive and systematic overview of surrealism internationally, covering the theorists, critics, novelists, poets, playwrights, screenwriters, painters, collagists, object makers, sculptors, and film makers who made the surrealist movement. Alongside articles on writers and visual artists, the encyclopedia includes overviews of national surrealist movements, related artistic and intellectual movements, key journals, patrons and collections, detailed overviews of surrealism’s influence across the visual, applied and performing arts, and analyses of the key concepts which underpin surrealist theory and practice.

UK July 2018 US September 2018 1,728 pages • 3 vols 600 bw illus HB set 9781474226936 £550.00 / $742.00 Bloomsbury Academic Special introductory price of £495.00 / $668.00 available until three months after publication.

Michael Richardson is Visiting Fellow in the Centre for Cultural Studies at Goldsmiths University of London, UK. Contents VOLUME 1: THE MOVEMENT General Introduction: The History & Philosophy of Surrealism Contemporary Surrealism National Overviews A-Z Surrounding Movements A-Z Concepts and Contexts A-Z The Arts A-Z Design, Advertising and Fashion A-Z Surrealist Journals A-Z Patrons & Collections A-Z Chronology of Surrealism Consolidated Index

Women and Art Critical and Primary Sources Edited by Hilary Robinson, Alexandra Kokoli and Catherine Dormor

VOLUME 2: SURREALISTS, A-M Introduction to Surrealist Art Surrealists A-M VOLUME 3: SURREALISTS, N-Z Surrealists N-Z Precursors & Parallels A-Z

Women and Art: Critical and Primary Sources is a four-volume reference work that brings together landmark texts on the contribution and place of women in modern and contemporary art. Each volume is arranged thematically and separately introduced by the editors. Together the volumes address the ways in which women have been represented in art; trace the gendered workings of the art world; chart the discovery (and re-discovery) of women artists; examine the practices of women artists; and highlight women’s interventions via performance art and other expressions of feminist activism. With key essays from Simone de Beauvoir, Linda Nochlin, Mary Garrard, Toril Moi, Griselda Pollock, Peggy Phelan, Rozsika Parker, Maud Lavin, Lucy Lippard and many more, this set is a pioneering reference resource for students of fine art, art history and visual culture in addition to women’s studies and gender studies. Hilary Robinson is Dean of the School of Art and Design and Professor of Visual Culture, Middlesex University, UK. Alexandra Kokoli is Senior Lecturer in Visual Culture, Middlesex University, UK. Catherine Dormor is Senior Lecturer in Visual Culture, Middlesex University, UK.

Contents Volume 1: Representations Volume 2: Histories Volume 3: Practices Volume 4: Interventions 16

UK June 2018 US August 2018 1,600 pages • 4 vols HB set 9781474296618 £660.00 / $890.00 Series: Critical and Primary Sources Bloomsbury Academic Special introductory price of £595.00 / $804.00 available until three months after publication.

Research Monographs

Practice-based Design Research Edited by Laurene Vaughan

Practice-Based Design Research provides a companion to masters and PhD programs in design research through practice. The contributors address a range of models and approaches to practice-based research, consider relationships between industry and academia, researchers and designers, discuss initiatives to support students and faculty during the research process, and explore how students’ experiences of undertaking practice-based research has impacted their future design and research practice. The text is illustrated throughout with case study examples by authors who have set up, taught or undertaken practicebased design research, in a range of national and institutional contexts.

UK January 2017 US January 2017 232 pages 46 bw illus 234 x 156mm / 9.2 x 6.1 inches HB 9781474267809 £80.00 / $108.00 Bloomsbury Academic

Laurene Vaughan is Professor of Design and Communication at RMIT University, Australia.

Designers, Users and Justice Turkka Keinonen

How do we design for users? How might users best participate in the design process? How can we evaluate the user’s experience of designed products and services? These fundamental questions are addressed in Designers, Users, and Justice, through a series of dialogues between a design scholar and a designer. In their conversations, the scholar and the designer address the concepts and practice of user centred design, examining whether a ‘just method’ necessarily leads to a just design, consider different models for understanding user experience and socially productive design, including the capability approach and utilitarianism, and ponder how an ethical framework for evaluating design might be developed.

UK February 2017 US February 2017 248 pages 234 x 156mm / 9.2 x 6.1 inches HB 9781474245043 £80.00 / $108.00 Bloomsbury Academic

Turkka Keinonen is Professor of Design at Aalto University, Finland.

Émigré Cultures in Design and Architecture Edited by Alison Clarke and Elana Shapira

Émigré Cultures in Design and Architecture considers the lasting contribution made by Central European designers and architects to twentieth-century design and architecture. This innovative volume examines how oppositional stances in debates concerning consumption and modernism’s social agendas in Europe prefigured the adoption or rejection of émigrés such as Joseph Binder, Josef Frank and Felix Augenfeld by American culture. The contributors propose that émigrés and refugees from fascist Europe drew on the particular experiences of their home countries, and networks of émigré and exiled designers in the United States, developing a humanist, progressive and socially inclusive design culture which continues to influence design practice today.

UK July 2017 US July 2017 256 pages 49 bw illus 234 x 156mm / 9.2 x 6.1 inches HB 9781474275606 £65.00 / $112.00 Bloomsbury Academic

Alison J. Clarke is professor of design history and director of the Papanek Foundation, University of Applied Arts Vienna, Austria. Elana Shapira is a lecturer of design history and theory, and a senior researcher in the Émigré Cultural Networks project at the University of Applied Arts Vienna, Austria. 17

Research Monographs

Ceramics and Globalization Staffordshire Ceramics, Made in China Neil Ewins

Neil Ewins’ study of the Staffordshire potteries in a period of great global change traces how ceramics production has been affected by globalisation in both familiar and unexpected ways. Although many manufacturers such as Wedgwood initially moved production to cheaper labour markets in East Asia, others remained in or returned to England once it became clear that outsourcing manufacturing was affecting the brand value and customer perception of their products. Neil Ewins explores the complex behaviour of the UK ceramics industry, using a combination of evidence from the press, trade journals, ceramic objects, and primary interview evidence of manufacturers, retailers and a ceramic designer.

UK May 2017 US May 2017 208 pages 40 bw illus 234 x 156mm / 9.2 x 6.1 inches HB 9781474289917 £65.00 / $88.00 Bloomsbury Academic

Neil Ewins is Senior Lecturer in Design History and Theory at the University of Sunderland, UK. He has contributed articles to a number of edited volumes.

Craft Economies Edited by Susan Luckman and Nicola Thomas

Craft Economies provides a wide-ranging exploration of contemporary craft production, situating practices of amateur and professional making within a wider creative economy. Contributors address a diverse range of practices, sites and forms of making in a wide range of regional and national contexts, from floristry to ceramics and from crochet to coding. The volume considers the role of digital practices of making and the impact of the maker’s movement as part of larger trends around customisation, on-demand production, and the possibilities of 3D printing and digital manufacturing.

UK August 2017 US August 2017 304 pages 30 bw illus 246 x 189mm / 9.6 x 7.4 inches HB 9781474259538 £60.00 / $82.00 Bloomsbury Academic

Susan Luckman is Associate Professor in Cultural Studies at the University of South Australia and a member of the Hawke Research Institute, Australia. Nicola Thomas is Senior Lecturer in Cultural Geography at the University of Exeter, UK.

Before-and-After Photography Histories and Contexts Edited by Jordan Bear and Kate Palmer Albers

This interdisciplinary multi-authored volume examines the central but almost unspoken position of before-and-after photography found in a wide range of contexts from the 19th century through to the present. Packed with case studies that explore the conceptual implications of these images, the book’s rich language of evidence, documentation and persuasion present both historical material and the work of practicing photographers who have deployed – and challenged – the conventions of the before-and-after pairing. Jordan Bear is Assistant Professor of Art History at the University of Toronto, Canada. Kate Palmer Albers is Assistant Professor in the Art History Division at the University of Arizona, USA.

UK May 2017 US May 2017 224 pages 69 bw illus 234 x 156mm / 9.2 x 6.1 inches HB 9781474253116 £65.00 / $112.00 Bloomsbury Academic

Research Monographs

From a Photograph Authenticity, Science and the Periodical Press, 1870-1890

Throughout its early history, photography’s authenticity was contested and challenged: how true a representation of reality can a photograph provide? Does the reproduction of a photograph affect its value as authentic or not? From a Photograph examines these questions in the light of the early scientific periodical press, exploring how the perceived veracity of a photograph, its use as scientific evidence and the technologies developed for printing it were intimately connected.

Geoffrey Belknap

Geoffrey Belknap is a post-doctoral research fellow on the ‘Constructing Scientific Communities’ project at the University of Leicester, UK.

Victorian Photography, Literature and the Invention of Modern Memory Already the Past

Analysing a broad range of texts by inventors, cultural critics, photographers, and novelists, Victorian Photography, Literature and the Invention of Modern Memory: Already the Past argues that Victorian photography ultimately defined the concept of memory for generations to come – including our own.

Jennifer Green-Lewis

Beyond Critique Contemporary Art in Theory, Practice, and Instruction Edited by Pamela Fraser and Roger Rothman

Jennifer Green-Lewis is Associate Professor of English at the George Washington University in Washington, DC, and a regular faculty member of the Bread Loaf School of English, at Middlebury College, Vermont.

Critique has long been a central concept within art practice and theory. With contributions from artists, critics, curators and historians, this book provides new ways of thinking about the historical role of critique while also exploring a wide range of alternative methods and aspirations. Beyond Critique will be a crucial tool for students and instructors who are seeking to think and work beyond the critical.

UK October 2016 US October 2016 224 pages 90 bw illus 234 x 156mm / 9.2 x 6.1 inches HB 9781474266727 £90.00 / $122.00 Bloomsbury Academic

UK April 2017 US April 2017 192 pages 20 bw illus 244 x 169mm / 9.6 x 6.6 inches HB 9781474263085 £85.00 / $114.00 Series: Photography, History: History, Photography Bloomsbury Academic

UK April 2017 US April 2017 176 pages 229 x 152mm / 6 x 9 inches HB 9781501323461 £80.00 / $120.00 Bloomsbury Academic

Pamela Fraser is an artist and Assistant Professor of Art at the University of Vermont, USA. Roger Rothman is Samuel H. Kress Professor of Art History at Bucknell University, USA.

Ashcan Art, Whiteness, and the Unspectacular Man Alexis L. Boylan

Matisse’s Poets Critical Performance in the Artist’s Book Kathryn Brown

Ashcan Art, Whiteness, and the Unspectacular Man maps how Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States. Alexis L. Boylan is Associate Professor of Art History at the University of Connecticut.

The book fills an important gap in Matisse scholarship by examining closely Matisse’s relationship to the writers of his generation and showing how the act of reading influenced his development as a painter. A detailed account of word-image relations in Matisse’s livres d’artiste, examined within frames that include politics, events, gender, journalism, reception, and literary history. Kathryn Brown is a Lecturer in the School of Arts, English and Drama, Loughborough University, UK.

UK April 2017 US April 2017 288 pages 28 bw illus and 32 color illus/ plates 229 x 152mm / 6 x 9 inches HB 9781501325755 £86.00 / $130.00 Bloomsbury Academic

UK August 2017 US August 2017 384 pages 92 bw illus and 8 color illus 229 x 152mm / 6 x 9 inches HB 9781501326837 £94.00 / $140.00 Bloomsbury Academic

Index

Designing the French Interior

A-Z of the International Art Market, The

Dilnot, Clive

Keinonen, Turkka

Dormor, Catherine

Kemske, Bonnie

Downey, Georgina

Albers, Kate Palmer

Alberto Giacometti

Ambrose, Gavin

3 13

Edwards, Clive

Animation

Émigré Cultures in Design and Architecture

Ashby, Charlotte

Ashcan Art, Whiteness, and the Unspectacular Man 19

Essential Guide to Business for Artists and Designers, The Ewins, Neil

Bear, Jordan

Before-and-After Photography

Belknap, Geoffrey

Beyond Critique

Bloomsbury Encyclopedia of Design, The

Boylan, Alexis L.

Flynn, Tom From a Photograph

G Giard, Jacques Green-Lewis, Jennifer

Branagan, Alison

Brooker, Graeme

Handbook of Design for Sustainability, The

C Ceramics Reader, The

18 8

Clarke, Alison

Cooper, Rachel

Craft Economies

Critical Craft

Critical Design in Context

Cultural History of Furniture, A 13 Cultural History of Gardens, A

DeNicola, Alicia Ory

Design and the Creation of Value 5 Design

Designers, Users and Justice

Designing for Service

Leslie, Michael

Lewis, Emma

Livingstone, Andrew

Lockwood, Thomas

Sangiorgi, Daniela

Shapira, Elana

Surface Decoration

Luckman, Susan

Lydon, Jane

Taylor, Mark Teabowl, The

M Male, Alan

Malpass, Matt

Shane, Rachel

Thomas, Nicola Typography

6 3 18 3

Vaughan, Laurene

Matisse’s Poets

Millward, Kevin

Victorian Photography, Literature and the Invention of Modern Memory 19

Modernism in Scandinavia

15 3

Heywood, Ian

Houze, Rebecca

Hunt, John Dixon

Huppatz, D.J.

4 16

Walker, Helen

New Mythologies in Design and Culture

Walker, Stuart

Weinthal, Lois

Wilkinson-Weber, Clare M.

P Painting

Pallant, Chris

Palmer, Daniel

Petrie, Kevin

Photography and Collaboration 10 Photography, Humanitarianism, Empire 10 Pitelka, Morgan

Practice-based Design Research 17 Prendiville, Alison

Pritchard, Lisa

Isms: Understanding Photography 10

J Junginger, Sabine

Sandywell, Barry

Harris, Paul

Japanese Art

Sainsbury Centre for Visual Arts

Margolin, Victor

Handbook of Visual Culture, The 7

International Encyclopedia of Surrealism, The

Manghani, Sunil

Handbook of Interior Architecture and Design, The 7 Harland, Beth

Lasc, Anca I.

Running a Successful Photography Business 9

Handbook of Design Management, The 7

Illustration

9 19

Boztepe, Suzan

Ceramics and Globalization

Fraser, Pamela

Brown, Kathryn

3 16

Anderson, Christina M.

Arts and Cultural Management 14

Kokoli, Alexandra

Rothman, Roger 17

Richardson, Michael

Robinson, Hilary

Rosewall, Ellen

Women and Art

World History of Design

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ISBN 9781350032613

9 781350 032613