Textiles & Crafts 2013
www.bloomsbury.com
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BLOOMSBURY pUBLISHING produces titles that cover an array of different crafts, from knitting, stitching and embroidery, to dressmaking, calligraphy and illustration.
So whether you’re a newcomer to the world of crafts, would like to pursue a brand new hobby, or are an experienced practitioner looking to develop new skills, we have plenty of beautiful and practical books that will inspire and encourage you in your chosen craft. For the complete list of visual arts titles, please visit www.bloomsbury.com/visualarts
How to Order All titles within this catalogue can be ordered either by phone, email, or online.
pHONE: Please call Macmillan Distribution on +44 (0) 1256 302688 ONLINE: Please visit www.bloomsbury.com EMAIL: Please email direct@macmillan.co.uk RETAILERS: Please email sales@bloomsbury.com for more information on how to stock Bloomsbury titles in your shop and on your website.
Stay in Touch! To be kept up to date on the latest news from the visual arts team, including new titles, events, special offers and competitions, please visit www.bloomsbury.com/newsletter Follow us on Twitter! @bb_visualarts Find us on Pinterest! http://pinterest.com/bbvisualarts
Review Copies Are you a blogger or journalist looking to review or feature one of our books? We’re more than happy to provide review copies to relevant publications. Please email visualartsuk@bloomsbury.com to place your request.
Inspection Copies Various titles are available on inspection. Please email inspectioncopies@bloomsbury.com for further details.
9781472520036 Cover images © Karen Nicol – www.karennicol.com
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KNITTING & CROCHET
Sweet Knits
16
SWEET TREATS
Bourbon biscuits
30 Cute Designs for Kids
The bourbon is so simple to make, yet looks realistic with just the addition of a few holes on the top and bottom. Choose a rich dark chocolate brown yarn for the
Catherine Graham-Evans From flower-shaped tea cups to cute summer dresses, cosy jumpers to fun decorations, the projects in Sweet Knits are full of personality.
biscuit and a paler brown for the creamy filling.
Top and bottom (make two in dark brown)
Filling (light brown) Cast on 19 sts. Work in st st for 18 rows. Cast off.
Cast on 19 sts. Row 1 – K Row 2 – P Row 3 – {K2, K2 tog, yo} x 4, K3 Row 4 – P Row 5 – K Row 6 – P Row 7 – {K2, K2 tog, yo} x 4, K3 Row 8 – P Row 9 – K Cast off.
To make up Taking the biscuit filling, with right sides together, sew the cast-on and cast-off edges together, leaving a 3-cm (1-in) opening at one end which you will use to turn the knitting to the right side later. Make the seam in the centre of the filling so you have two neat edges to poke out from between your biscuit sandwich. Sew up the two end edges. Turn right side out using the opening you left in the centre seam. Using dark brown yarn, sew through all three layers: top, filling and bottom.
I used 4 mm (US #6) needles and a DK yarn
With suggestions on how to adapt and personalise each design for unique results, Sweet Knits is filled with cosy hand-made treasures that grow with your child and stir young imaginations. ■ May 2013 • £14.99 • Paperback • 128pp • 150 colour illustrations • 9781408171943 • World All Languages
Crochetopedia
techniques
Lace & openwork stitches
Julie Oparka
Encompassing all the know-how essential for learning to crochet, this comprehensive guide is designed to help its readers learn and master every skill before moving on to the next.
Fans
Mesh
A fan is a larger group of treble crochet increases and may be worked over several rows.
Mesh patterns are squares of open stitches that make a lightweight fabric and can be embellished with surface crochet or woven fibres such as ribbons or yarn.
Trellis
Shells
A trellis stitch pattern is created by working a series of chain loops that are anchored into the loops of the previous row. The trellis stitch also makes a lovely background for shell and fan stitches to create openwork lace patterns.
A shell stitch is a group of treble crochet stitches worked into one stitch (typically 3 to 5 treble crochet). Since this is an increase stitch, the shell also has skipped stitches on both sides to accommodate the increase.
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Including over thirty fun and fabulous projects, this book will last a lifetime as your essential crochet companion! ■ June 2013 • £19.99 • Hardback • 224pp • 500+ colour illustrations • 9781408181614 • Europe
Tech Knits
Chart B
Making UP
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From Retro Robots to Space Rockets: 20 Technology-Inspired Projects for Knitters
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* Sew in any loose ends. Work any Swiss darning before washing. Machine wash all the pieces before sewing up (see ball band for instructions). * Placing RS together pin the side panel all round the edge of front of robot easing it in place, stitch using back stitch. Attach the back of the robot to the side panel in the same way. * Stuff the head firmly with toy stuffing. * Sew the base on to the bottom of the robot leaving one side edge open. Stuff the body with a mix of toy stuffing and rice, sew up the remaining seam on the base. * Sew the side seams of the arms, leaving an opening. Stuff with toy stuffing and attach to the body. * Cut out two large discs and two small discs from the felt, attach one large disc, one small one and a button to each side of the head. * To make the robot ‘claw’, cut out 4 equal crescent shapes from the felt. Sew two pieces together for each claw and attach to the bottom of the arms.
tech Knits
tech Knits
Tech Knits is a collection of twenty fun, technology-inspired projects from a Robot Cushion Cover and Cassette Tape ipod Cover to Ray-Gun place mats and Calculator Laptop Cover.
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The perfect book for anyone with an interest in geek-chic! ■ March 2013 • £12.99 • Paperback • 144pp • 90 colour illustrations • 9781472504739 • Europe
Evil Knits 20 Projects that go Bump in the Night
Hannah Simpson Evil Knits showcases knitting patterns for twenty wicked and wonderful creations – from a Zombie Egg Cup Cosy to the Abominable Snowman. Each pattern provides background information into the history and legends behind each evil creature and the book also includes some fun and frightening tips on how to display your knitted items once finished. ■ August 2012 • £9.99 • Paperback • 144pp • 500+ colour illustrations • 9781408147061 • Australia/Europe/NZ
For the complete list of visual arts titles, please visit www.bloomsbury.com/visualarts Follow us on Twitter for the latest news from the Bloomsbury visual arts team! @bb_visualarts
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KNITTING & CROCHET
Knitty Gritty
Pure Wool
The Next Steps
A knitter’s guide to using single-breed yarns
Aneeta Patel December 2012 • £16.99 Flexiback • 176pp 500+ colour illustrations 9781408131329 World All Languages
Mastered the basics of knitting but aren’t sure how to progress? Aneeta Patel’s brand new book Knitty Gritty: The Next Steps is here to help! This is the essential guide for any beginner knitters looking to take the next exciting steps in their knitting careers. ■
Knitty Gritty
Sue Blacker September 2012 • £14.99 Paperback • 160pp 200 colour illustrations 9781408171806 • Australia/Europe/ New Zealand/South Africa
Pure Wool includes more than twenty patterns specially designed to work well with different yarns, from a warm jacket made from Jacob wool to a lace shawl from Shetland wool. ■
Knit and Felt: Bags Bev Beattie
Knitting for the Absolute Beginner
Aneeta Patel August 2008 • £14.99 • Flexiback • 128pp 120 colour illustrations • 9780713685428 World All Languages
Knitty Gritty has helped thousands of knitters confidently embark upon their knitting careers and now it’s your turn to join them! ■
Knitopedia Claire Montgomerie December 2011 • £19.99 • Hardback 256pp • 500+ colour illustrations 9781408124765 • Europe
Packed with clear step-by-step diagrams, a comprehensive stitch guide and 30 interesting patterns, Knitopedia will transform the novice into the accomplished knitter! ■ Q U I LT I N G
This fun and highly illustrated guide to knitting and felting bags is filled with step-by-step instructions, inspirational images and 18 beautiful projects. ■
How to Use, Adapt and Design Knitting Patterns How to knit eactly what you want, every time – with confidence
Sam Elliott & Sidney Bryan October 2010 • £14.99 • Paperback 144pp • 350+ colour illustrations 9781408127612 • Europe/South Africa
This practical guide to getting the most from sewing patterns is filled with diagrams, photographs and clear instructions. ■
Japanese Taupe Quilt Blocks
Japanese Quilt Blocks to Mix & Match
Calm, Neutral Collection
Over 125 Patchwork, Appliqué and Sashiko Designs
Susan Briscoe October 2010 • £15.99 • Paperback 128pp • 250+ colour illustrations 9781408129036 • Europe/South Africa
This book focuses on the popular neutral and taupe colours that are so much a part of the Japanese aesthetic. ■
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October 2010 • £16.99 • Paperback 128pp • 170+ colour illustrations 9781408115534 • Europe/South Africa
Susan Briscoe April 2007 • £15.99 • Paperback • 128pp 150+ colour illustrations • 9780713682465 • Europe/South Africa
This book demonstrates how even a beginner can achieve beautiful quilt blocks. With 125 patterns to choose from, you will be sure to find the perfect one for you. ■
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TEXTILES
Dyeing and Screen-Printing on Textiles Revised and Updated – Second Edition
Joanna Kinnersly-Taylor Dyeing and Screen-Printing on Textiles is a clear, easy-to-follow guide for students, textile artists, designers and hobbyists looking to expand their knowledge of a range of fascinating techniques. ■ March 2012 • £19.99 • Paperback • 192pp • 140 colour illustrations • 9781408124758 • World All Languages
The Story of Colour in Textiles Susan Kay-Williams A fascinating introduction to the broad and diverse subject of how and why people coloured textiles. Perfect for students in textiles and fashion; craft dyers and anyone interested in the history of the decorative arts. ■ January 2013 • £19.99 • Paperback • 176pp • 100 colour illustrations • 9781408134504 • World All Languages
Heat Transfer Techniques Dawn Dupree
H E AT T R A N S F E R T E C H N I Q u E S
Design Development
D E S I G N D E v E LO P M E N T
4
Source material Firstly, you need to consider your source material, and how this may be translated into a design that could be used for silkscreen printing. There are limitless ways to generate initial designs, including sketchbook drawings, photographs, collages, book illustrations, scanned images, Letraset and computer-generated designs. This source material can be further manipulated – cut and pasted, enlarged, overlaid, repeated and reproduced – to create a design you may wish to transfer to silkscreen.
‘A serious and wonderful handbook’ Fibre Art Mixed Media
The quality of your original image will contribute to the outcome of your final design. You can use this to your advantage: for example, handpainted brushstrokes or poor resolution can often produce interesting results as marks or imagery break down during enlarging, copying or transferring processes. various methods of image manipulation (e.g. Photoshop) can add further distortion, and experimenting with a range of possibilities at this stage can lead to some unique designs.
01 A selection of opaque materials
Heat press is a relatively new way of embellishing, decorating, fusing and layering fabrics, and Heat Transfer Techniques is the first book to take an in-depth look at this exciting area.
In keeping with the style of the rest of the book, I will approach the development of design work from a practical perspective, covering different methods to consider when producing designs to be transferred onto silkscreen or ‘screen-ready’ artwork. This involves creating a ‘positive’, i.e. any opaque image or design on any translucent surface.
There are two essential outcomes: first to produce an opaque or semi-opaque design; and second, to produce the design on a transparent surface, e.g. black lines on tracing paper.
and translucent surfaces. Designs for silkscreen printing. Photo: FXP Photography.
In this chapter I will give an overview of some of the methods you can use to generate designs, before these are transferred onto silkscreen. They can then be used together with a number of heat-press techniques, e.g. to print a flock or foil design. There are several books available that focus on developing designs and artwork; these describe in detail how to harness or record initial inspiration, as well as how to utilize different methods and techniques during the design process (see Further Reading at the end of this book).
02 Exampless of a range of source materials used to develop design ideas. Photo: Dawn Dupree.
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The book includes projects and experiments, as well as information and ideas for creating and making original and unique designs of your own. ■ July 2011 • £16.99 • Paperback • 128pp • 100 colour illustrations • 9781408109113 • World All Languages
Flower Pounding Linda Rudkin
‘What fun this book is – and so simple’ Workshop on the Web This is a general introduction to flower pounding, a very simple and traditional technique for transferring leaf and flower patterns, colours and shapes to cloth. A lovely addition to the bookshelf of textile artists interested in natural dyes and decoration methods. ■ March 2011 • £15.99 • Paperback • 96pp • 30+ colour illustrations • 9781408127469 • World All Languages
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TEXTILES
Silk Paper for Textile Artists
The Complete Guide to Designing and Printing Fabric
Sarah Lawrence
Laurie Wisbrun
August 2008 • £16.99 • Paperback 128pp • 150+ colour illustrations 9781408102688 • Europe/South Africa
‘Whether you like your paper fine and delicate or as a thick solid base, Lawrence will help you get the best out of your work’ Classic Stitches Highly illustrated with beautiful and inspirational images, and filled with step-by-step sequences and accessible text, this book is perfect for any textile artist wishing to add to their repertoire. ■
October 2011 • £14.99 • Paperback 208pp • 200+ colour illustrations 9781408147009 • Australia/Europe/ New Zealand
‘An inspirational and practical guide that walks readers through the entire fabirc design and printing process’ www. prlog.org Packed with contemporary examples, step-by-step tutorials and interviews with established fabric designers, this comprehensive handbook covers the entire fabric design process. ■
Creative Textiles Projects for Children
Modern Shibori
Karen Woods
July 2011 • £16.99 • Paperback • 128pp 9781408151488 • World English Language
Silke Bosbach
October 2008 • £16.99 • Paperback 128pp • 120 colour illustrations 9780713685411 • World All Languages
‘The projects are amazing and huge fun’ Workshop on the Web This book presents a series of guided, easy-to-follow workshops aimed at children of a primary school age and upwards, working under supervision but not necessarily in the classroom. ■
‘A source of inspiration … a great reference book’ Findings Shibori is the technique of binding, clamping or gathering cloth so that dye cannot reach certain parts. This book covers the art and techniques of this rich textile movement in beautiful detail. ■
Creative Textile Art
African Textile Patterns
Techniques and projects
Catherine Carpenter
Karen Woods
December 2011 • £16.99 • Paperback 128pp • 120 Colour Illustrations 9781408130728 • World All Languages
April 2011 • £16.99 • Paperback • 128pp 150 colour illustrations • 9781408123393 World All Languages
This is a general introduction to craft projects using textile techniques. Each section includes stimulating ideas, design sketches, working drawings and storyboards to help the reader investigate, develop and execute their work. ■
‘A Stunning Collection’
Fabrications: Quilting for You
This is a stunning collection of traditional and contemporary African textile prints which helpfully explains the significance of the patterns, the textiles market and the current popularity of African textiles in fashion and interiors. ■
For the complete list of visual arts titles, please visit www.bloomsbury.com/visualarts Follow us on Twitter for the latest news from the Bloomsbury visual arts team! @bb_visualarts
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W E AV I N G & S P I N N I N G
Margo Selby
64 tHe collections
colour and weave • fancy yaRn foR inteRioRs 65
Grid
Noughts and Crosses
Pattern c
Begonia chenille cream bouclé Princess cashmere
This construction weaves a repetitive geometric pattern.
Pattern G
Begonia chenille cream bouclé
A 2/2 twill is reversed to create these symmetrical shapes. 12 3 4 12 3 4
Warp
Warp How the pattern repeats
Back of fabric
Repeat
Weft
Repeat
How the pattern repeats
Weft
Contemporary Weaving Patterns
Back of fabric
‘M’ and ‘A’
Tram Tracks
Pattern d
This construction creates the letters ‘M’ and ‘A’. All sorts of different letters can be created by playing with the construction.
Pattern B
Plain weave is used throughout, but the weft order is changed to create both horizontal and vertical stripes. 12 3 4 12 3 4 Pattern e Warp Repeat
Warp How the pattern repeats 12 3 4 Pattern F 12 3 4
Back of fabric
12 3 4
Weft
Weft
Pattern B Back of fabric
Repeat
‘Welcomed and enjoyed by the textiles community’ Craftsman Craft & Design
Repeat
How the pattern repeats
Dx1, Ex1, Fx1, Bx2, Ex1, Dx1, Fx1, Bx2
Contemporary Weaving Patterns is a guide to mixing colour and yarn types to add rich colour and texture to your work. Most techniques can be undertaken on a simple four- or eight- shaft loom, but the book also contains more complex ideas for advanced weavers. ■ January 2012 • £16.99 • Paperback • 144pp • 450+ colour illustrations • 9781408139400 Australia/Europe/New Zealand/South Africa
The Complete Guide to Spinning Yarn Brenda Gibson ‘This is a very strong book, useful to any spinner ... the best spinning book I have seen’ Yarns and Fabrics Packed with step-by-step sequences and new ideas, including mixing textures, colours and types of thread to create a yarn that is completely unique, The Complete Guide to Spinning Yarn is a comprehensive, exciting and easy-to-follow guide to making your own yarns. ■ February 2012 • £16.99 • Paperback • 144pp • 250+ colour illustrations • 9781408139394 • Europe/South Africa
Spinning Wool
Sample 2: Cormo
Beyond the Basics
Suggestions for spinning This wool should be spun into a fine yarn with 15 twists per 2.5cm (1in) in the washed, plied yarn. It can be spun woollen, semi-woollen, worsted or semi-worsted. Suggested end uses Knitting: A soft sweater or jersey, scarves, shawls, throws. Weaving: This yarn can be used for clothing fabric, which can be worn next to the skin, scarves, shawls.
Anne Field
Staple length: 15cm (6in) Staple shape: pointed tip Crimp pattern: 3 crimps per 2.5cm (1in) Fibre size: thick Colour: white Lustre: high Bulk: low Cleanliness: clean Soundness: no break Source of wool: Highside Farm Wools and Woollens, Bowbank, Middleton-in-Teesdale, County Durham, DL12 0NT, UK. www.highsidefarmwool.co.uk Suggestions for spinning This wool should be spun into a thick yarn with 3 twists to 2.5cm (1in) in the plied, washed yarn. Because of its length, this wool would make a strong worsted yarn, but it could also be spun semi-woollen. The staple length will make it difficult to hand or drum card. Suggested end uses Knitting: Hard-wearing outdoor garments. Weaving: Makes a good warp yarn if spun into a fine worsted. Can be used for rugs and upholstery, and coating fabric, where the high lustre and strength of this wool will be useful.
Breed inForMaTion: CorMo origin: Australia derivation: Corriedale crossed with Saxon Merino. Fleece type: The fleece is fine and consistent with a regular crimp. The micron count is between 20–23. This breed can withstand cold and wet conditions better than Merino.
Breed inForMaTion: TeeSWaTer origin: UK Fleece type: This breed resembles Wensleydale, but is a better meat producer. It is used as a cross with other breeds to produce the Masham crossbreed. The micron count ranges from 30–36.
Analysis of wool
‘Well presented throughout... the book will make a great addition to any spinner’s library’ Journal for Weavers, Spinners and Dyers
Sample 3: Teeswater
Staple length: 9cm (3½in) Staple shape: flat tip Crimp pattern: 15 crimps per 2.5cm (1in) Fibre size: fine Colour: white Lustre: medium Bulk: medium Cleanliness: clean Soundness: no break Source of wool: Michael and Barbara Janay, 12350 Barbee Rd, Bristow, VA, 20136, USA. www.woolyboolycormos.com
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2.11 Teeswater ewe (Highside Farm Wools and Woollens)
2.10 Solomon, Cormo ram (Michael and Barbara Janay)
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This book provides an array of colour photographs and step-by-step yarn designs whilst teaching spinners to analyse and choose fleeces to get the best from their wheels. The perfect book for anyone wanting to delve into the world of spinning! ■ January 2011 • £19.99 • Paperback • 160pp • 150 colour illustrations • 9781408130810 • Europe R O S E PAT H • M A N D W
Warp colour mauve 3x2/16
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Extended point sequence − no syncopation
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Syncopated Threading: M and W
Warp threaded in M and W order with alternate syncopated ends in a single colour
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Weft colour turquoise 3x2/16 Straight order with alternate syncopated sheds
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Warp colour mauve 3x2/16
Weft colour bright pink 3x2/16
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Weft colour purple 3x2/16 Extended M and W sequence. No syncopation.
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Weft colour bright pink 3x2/16 Straight order with alternate syncopated sheds
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Handweaver’s Pattern Book contains 600 different weaves of loom and is essential reading for weavers of all levels.
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Warp threaded in Rosepath order with alternate syncopated ends, as page 217, but in a single colour
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Syncopated Threading: Rosepath
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Weft colours mauve (as warp) and purple Both wefts 3x2/16 Rosepath syncopated sequence
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Anne Dixon
S P E C I A L T H R E A D I N G S : SY N C O PAT E D T H R E A D I N G
▲
An illustrated reference to over 600 fabric weaves
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Handweaver’s Pattern Book
1 1 1 1
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Weft colour dark green 3x2/16 M and W sequence. NOTE: Alternate tabby (1,3) and (2,4) in between each pattern lift.
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Each weave contains a difficulty level for guidance, and the book is organised by type, from basic 4-shaft structures to block drafts and double weaves, providing a wide range of herringbone, twill and diamond designs. ■ December 2007 • £19.99 • Hardback • 256pp • Colour throughout • 9780713684117 • Europe/South Africa
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W E AV I N G & S P I N N I N G
Warp & Weft Woven Textiles in Fashion, Art and Interiors
Jessica Hemmings This beautiful weaving book explores the world of woven textiles created for fashion, interiors and art. Focusing on the many different weaving structures used in modern textiles, this is an excellent resource for everyone with an interest in modern, woven textiles. ■ October 2012 • £19.99 • Paperback • 144pp • 400 colour illustrations • 9781408134443 • World All Languages
S T I T C H I N G & E M B RO I D E RY
Stitched in Scandinavia
muNkjacka ”kuLLa” De blommande folkdräktsjackorna från Floda i Dalarna inspirerar med sina överdådiga broderier. Men nuförtiden använder inte så många männi skor folkdräkt, utan snarare lättburna trikåkläder. Varför inte kombinera de två stilarna? Det här är ett rätt stort projekt som tar sin lilla tid. Dessutom krävs både vana och tålamod för att få till broderierna inne i ärmarna, eftersom man inte syr på ett slätt tyg.
39 Contemporary Embroidery Projects
Teknik: Material: Mönster:
Karin Holmberg Stitched in Scandinavia provides everything you need to bring beautiful Scandinavian style to your home and clothing.
påsöm 9 ullgarn, tunagarn eller motsvarande, i olika färger 9 en enfärgad munkjacka i bomullstrikå Se sidorna 99–100.
Gör så här: För över mönstren till kartong eller stadigt papper och klipp ut mallarna. Placera ut dem på munkjackan där du tycker att det passar. Det är lättast att göra detta om någon har den på sig, så att det verkligen syns hur mönstren formas efter kroppen. Rita runt konturerna med märkpenna. Börja med de största blommorna, fyll på med mindre samt blad och rankor. Brodera påsöm, använd sybåge där det är möjligt. Var försiktig så att inte stygnen drar ihop sig för mycket, särskilt på ärmarna. Tvätta den färdiga munkjackan, antingen för hand eller på ullprogram, och låt plantorka.
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With unique stitch designs and style ideas, this book showcases thirty-nine projects inspired by Sweden’s traditional embroidery heritage. Comprehensive instructions paired with beautiful photographs will inspire your creativity. ■ May 2013 • £18.99 • Paperback • 128pp • 150 colour illustrations • 9781408191941 Commonwealth (excluding Canada)/UK/Open Market
Stitching Pictures
Stitching PictureS
∙
1984
3 Prepare the next layer while the background paint and layers dry. take a different weight of paper – tracing paper or another transparent paper works well – and mono print, draw or paint an image onto it.
TIP
Be careful when burning the edges. use safety matches and light them in an open space – preferably over the sink so that water is accessible to extinguish the flame if necessary. You may need to experiment to get the edge you require.
Combining Print and Mixed Media with Stitch
Sandeep Jandu Stitching Pictures explains the methods, materials and techniques that contemporary makers are using to create pictures using stitch.
chAPter 7
1 take some old cardboard and carefully tear out a rough square. carefully burn around the edges to achieve a natural yet rough edge.
2 Prepare your first layer, thinking carefully about your colour palette. try using darker colours, and work freely to create interesting effects and unusual shades. You may prefer to use ink or wax crayons to achieve a less polished, rougher finish.
TIP
Mixing paints directly on to the cardboard will result in a subtle yet textured finish.
4 once this image is dry, scratch into parts of it using a sharp object such as a blunt blade. this will give the surface a worn look and can be used if you want to scratch away some of the mono print to break up the design.
TIP
Your sketchbook is important here. think about
TIP
different compositions. this first layer should contain plenty of visual interest yet not over-power the finished artwork.
anything too sharp as it may tear the paper.
When scratching the surface do not use
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Showcasing seven projects, this book is packed with wonderful ideas on how to design and develop your own work using needlework, paper, print, sketching, and stitching. ■ May 2012 • £16.99 • Paperback • 128pp • 120+ colour illustrations • 9781408131343 • World All Languages
Hand Stitch Perspectives
Alice Kettle & Jane McKeating Hand Stitch is an essential read for any textiles student, practicing embroiderer, designer or artist. Each chapter is written by an established maker, embroiderer, artist or academic and discusses hand stitch from a different perspective. Wonderful illustrations of artistic hand stitch, both contemporary and historical, demonstrate this diverse and intimate craft in detail. ■ October 2012 • £35 • Hardback • 224pp • 320 colour illustrations • 9781408123416 • World All Languages
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S T I T C H I N G & E M B RO I D E RY
Machine Stitch
Diana Springall
Perspectives
A Brave Eye
Alice Kettle & Jane McKeating
June Hill & Diana Springall
August 2010 • £35 • Hardback • 224pp 300 colour illustrations • 9780713688689 World All Languages
September 2011 • £24.99 • Paperback 176pp • 300 colour illustrations 9781408147078 • World All Languages
Machine Stitch charts the huge number of sewing machines currently in use and demonstrates how they can be applied to artistic, industrial and domestic practice. Perfect for the machine embroider looking to combine techniques and develop ideas. ■
Stitch Magic
‘An excellent read, a historical treatise and an inspiration’ Workshop on the Web Diana Springall is one of Britain’s best-known textile artists. This book explores her life, work, and the impact she has had on the industry of the craft itself. ■
Embellished
Sculpting Fabric with Stitch
New Vintage
Alison Reid
Karen Nicol
April 2011 • £16.99 • Paperback • 144pp 150 colour illustrations • 9781408122624 Europe
July 2012 • £30 • Hardback • 208pp 200+ colour illustrations • 9781408105757 World All Languages
‘We need more books like this’ Workshop on the Web
‘Pure eye-candy for anyone who loves to embroider, or just gaze at
This illustrated title presents an array of techniques, such as pleating, gathering, ruffling and folding. Sixteen exquisite and individual projects are explored giving textile lovers a number of ideas to create inventive and unusual textiles. ■
Creative Embellishing
embroidery’ Embroidery as Art
Embellished is a beautiful, elegant, and visually intelligent look-book. Join Karen Nicol on a visual feast of a journey through the process of inspiration and creativity, illustrating the way in which pieces and processes influence new work and ideas. ■
Teresa Searle
Sampler Workbook
April 2010 • £16.99 • Paperback • 128pp 170+ colour illustrations • 9781408115527 Europe/South Africa
Caroline Vincent
‘If you’ve treated yourself to an embellishing machine and don’t quite know what to do next, this
book is for you’ Sew Today Magazine
Creative Embellishing is illustrated with sumptuous photography and includes a detailed techniques section with step-by-step projects and a gallery of inspirational ideas. ■
7
Motifs and Patterns
August 2011 • £16.99 • Paperback 128pp • 150 colour illustrations 9781408110157 • World All Languages
Containing motifs and patterns based on traditional designs, this sourcebook of contemporary samplers is carefully tailored to be suitable for a variety of skill levels. ■
For the complete list of visual arts titles, please visit www.bloomsbury.com/visualarts Follow us on Twitter for the latest news from the Bloomsbury visual arts team! @bb_visualarts
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8
DRESSMAKING
The Vintage Pattern Selector Jo Barnfield This is the ultimate handbook in demonstrating how to choose the right fabric, colour palettes, styles, silhouettes and patterns in order to create contemporary pieces that reference timeless styles and designs.
CHAPTER 3: SKIRTS
P.62
P.63
The circle skirt: 1950s Circle skirts became popular in the 1950s. Following World War II, dress restrictions were lifted, hemlines dropped and skirts became fuller as part of Christian Dior’s New Look. Circle skirts are named after their construction; they are usually made from a large circular piece of fabric with a cut-out in the centre for the waist (although cheaper circle skirts are cut in sections to make one or more circles). The circular construction of the style accentuates the feminine shape and hangs smoothly from the waist without darts, pleats or gathers. Petticoats can be worn underneath to achieve the full effect and to make more of a distinction between the narrow waist and the full skirt. Although there were different varieties of the circle skirt available in the 1950s, poodle skirts are the best known; these are made from wool felt and decorated with appliqués, embroidery and other embellishments. The rise in popularity of the circle skirt coincided with the emergence of rock ‘n’ roll music, and the flowing fullness of the circle skirt allowed its wearer to twirl and dance freely and energetically to the music.
Style and uses, then and now FABRIC
Then: Poodle skirts were typically made in solid bold colours, often pink and powder blue. Mexican circle skirts were made from bright eye-catching fabrics or were
Now: All manner of fabrics can be used
handpainted in bright colours and trimmed with sequins.
to create a circle skirt. Lightweight cottons allow for more flow, while polyester or poly
WHO: The full shape of the circle skirt came about as part of Christian Dior’s New Look;
stretchy or satiny fabrics, as they are harder to work with.
trouser hooks for a more professional look.
NOW
LENGTH MATCHED WITH Then: Teenage girls in the 1950s wore their poodle skirts with tight-fitting sweaters or short-sleeved blouses, bobby (ankle) socks, and saddle or white lace-up canvas shoes. A ruffled petticoat or slip was also worn under the skirt to make it stand out fully. Long hair was tied up into a ponytail or a sheer scarf was worn like
STYLE
WHY: Because of its simple shape, the circle skirt is easy to make and embellish. The full
Then: Poodle skirts decorated with appliqué embellishments were the
skirt shape also made it suitable for dancing to energetic rock ’n’ roll music.
most popular style in the 1950s and were worn with or without a petticoat.
Now: Circle skirts with wide waistbands are best worn with a loose-fitting blouse,
Now: Circle skirts vary more in terms of
while circle skirts with narrower waistbands look best balanced with a more fitted top
VARIATIONS: Variations include the poodle skirt, conversation skirt, Mexican circle
a hairband.
fabrics and lengths. Different cuts, such as the semi-circle skirt, are also available.
skirt, three-quarter circle skirt and semi-circle skirt.
insert elastic. A more sophisticated approach is to make a separate casing and sew this onto your skirt, then thread elastic through the casing. Use a band and
finishes for a more retro look, or bright floral, geometric or tartan prints for a bolder statement.
or above-the-knee.
Juli Lynne Charlot is credited as being the original designer of the poodle skirt.
of fabric to the pattern. The easiest thing to do with the waist is to fold it over and
can support a wide variety of colours and patterns. Use solid colurs with appliqué
lengths today, but circle skirts are often worn higher, typically around knee-length
NOW
gathering one circle at the back and then half at the front. Just add another layer
Now: The basic circle-skirt design
blends can result in a relatively wrinkle-free skirt. If you are a beginner sewer, avoid using
Now: Retro-style skirts are similar
NOW
• If you want more body in a skirt, consider a one-and-a-half circle, which involves
COLOURS
Then: Poodle skirts were made from wool felt and decorated with felt appliqués, while more formal skirts were made from lighter fabrics such as silk, calico or cotton.
Then: Typical lengths varied from below-knee to mid-calf.
THEN
SEWING TIPS
such as a camisole, T-shirt, blouse or sweater. For a more retro look, pair with a cinch belt, a Peter Pan blouse and a pair of Oxfords.
SIMILAR STYLES: Prom dress, page 26 PATTERNS TO MATCH WITH: Maxi dress, page 36; 1940s slip, page 120; bustier, page 124
Pleated circle skirt. Tatyana Khomyakova for Bettie Page
Cowburn skirt. Hobbs
Circle skirt. Molly-Made, With Love
Providing practical advice and fabulous patterns, The Vintage Pattern Selector is a must have for sewers at all levels. ■ January 2013 • £14.99 • Flexiback • 192pp • 9781408171813 • Australia/Europe/New Zealand/South Africa
Sew Iconic How to Make 10 Classic Hollywood Dresses
Liz Gregory ‘If you love films, glamour and making gorgeous dresses, this is the book for you’ Sewing World With easy-to-follow steps and clear instructions, Sew Iconic shows you how to recreate ten fabulous dresses, from Julia Robert’s polka dot number in Pretty Woman to the emerald gown worn by Keira Knightley in Atonement. Get ready to make the dress of your Hollywood dreams! ■ May 2012 • £14.99 • Hardback • 192pp • 500+ colour illustrations • 9781408134436 • Europe/South Africa
Pattern Cutting Primer Jo Barnfield & Andrew Richards
48–49
CHAPTER 4: DESIGNING PATTERNS FROM SCRATCH 7
TAKING MEASUREMENTS
NATURAL POSTURE
Begin by measuring the bust across the fullest part. Allow the tape to rise
to stand naturally, looking forwards.
13 5
6
Ask the person you are measuring
up 2.5cm (1in) at the centre back; if the tape drops, the measurement will
1
do not mask their true figure with one. Horizontal measurements
the appropriate block; if shop-bought clothes generally fit well, you may find
can be taken snugly since varying
that the average measurements give successful results. If your measurements
amounts of tolerance (ease) will be
differ significantly from those on the chart, it may be necessary to adjust the
added into the block.
2 18
4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
Bust Waist High hip Hip Cross back Cross front Shoulder Neck size Bicep Wrist Nape to waist Front shoulder to waist Armhole Sleeve length Waist to knee (not shown) Waist to hip Waist to floor (not shown) Body rise
2
12 3
10
3
SMALL CM
SMALL INCHES
MEDIUM CM
MEDIUM INCHES
LARGE CM
LARGE INCHES
82 62 74 88 32.9 30.6 11.8 35.5 27 15.3 40.4 40.4 20.4 57.8 57.8 20.2 102.5 27
321/4 243/8 291/8 345/8 1215/16 12 45/8 1315/16 105/8 6 157/8 157/8 8 223/4 223/4 715/16 403/8 105/8
88 68 80 94 34.4 32.4 12.2 37 28.5 16 41 41 21 58.5 58.5 20.6 104 28
345/8 263/4 311/2 37 131/2 123/4 43/4 149/16 111/4 61/4 161/8 161/8 81/4 23 23 81/8 41 11
94 74 86 100 35.9 34.2 12.6 38.5 30 16.7 41.6 41.6 21.6 59.2 59.2 21 105.5 29
37 291/8 337/8 397/8 141/8 137/16 415/16 151/8 1113/16 61/2 163/8 163/8 81/2 231/4 231/4 81/4 411/2 113/8
9 11
14
blocks as per the fitting adjustments in Chapter 5.
1
1
9
If they don't have an upright posture,
decrease and the resulting block may be too tight. Compare the measurements you have with those on the chart to find those nearest in bust size and select
2
Pattern Cutting Primer is the ultimate resource for sewers and aspiring fashion designers looking to get to grips with pattern design and customisation.
8 8
3
16
10 4
4
OWN MEASUREMENTS
DRAFTING TECHNIQUES Designing patterns from scratch
Featuring clear step-by-step instructions, this is the perfect book for all amateur and professional pattern-makers, designers and students. ■ August 2012 • £25 • Flexiback • 192pp • 300 colour illustrations • 9781408156674 • Europe/South Africa
Dressmaking to Flatter Your Shape Lorna Knight Making well-fitting clothes is a challenge for many dressmakers, but especially so for those of us with a curvy shape or a plus-size. This book shows you how to take a standard store-bought pattern, make some smart adjustments, and end up with clothes that will give you a great, flattering fit! ■ September 2012 • £16.99 • Paperback • 176pp • 400 colour illustrations • 9781408170885 • Europe/South Africa
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DRESSMAKING
9
Pattern-drafting for Fashion The Basics
Teresa Gilewska The first book in the Pattern-Drafting Series features clear, step-by-step instructions and is packed with handy tips and illustrations. This is a practical guide covering all the basics of pattern designs for a complete range of garments. ■ February 2011 • £35 • Paperback • 224pp • 600+ colour illustrations • 9781408129906 • World English
Pattern-drafting for Fashion Advanced
Teresa Gilewska The second book in the Pattern-Drafting series is a practical guide to advanced patterndrafting. Perfectly suited for fashion students and serious home dressmakers. ■ June 2011 • £35 • Paperback • 248pp • 600+ colour illustrations • 9781408129883 • World English
Pattern-drafting for Fashion Draping
Teresa Gilewska The third book in the Pattern-Drafting series offers expert guidance for fashion students and the home dressmaker wishing to achieve fantastic draping techniques and craft perfect patterns. ■ November 2011 • £35 • Paperback • 224pp • 600+ colour illustrations • 9781408153901 • World English
Pattern-drafting for Fashion Seam Assembly & Finishing
Teresa Gilewska The fourth book in the Pattern-Drafting series provides all the necessary instructions to enable the reader to design and construct a wide range of clothing. ■ November 2011 • £35 • Paperback • 184pp • 600+ colour illustrations • 9781408153895 • World English
For the complete list of visual arts titles, please visit www.bloomsbury.com/visualarts Follow us on Twitter for the latest news from the Bloomsbury visual arts team! @bb_visualarts
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10
DRESSMAKING
The Complete Guide to Customising Your Clothes Techniques & Tutorials for Personalising Your Wardrobe
Rain Blanken February 2012 • £15.99 • Paperback 192pp • 300 colour illustrations 9781408152188 • Australia/Europe/New Zealand/South Africa
This is the only book to show the reader how to customise all of the essential garments and accessories from head to toe. ■
Isabel Sánchez Hernández June 2011 • £25 • Paperback 192pp • 200 colour illustrations 9781408129890 • Australia/Europe/ New Zealand/South Africa
With this stylish book, you will find projects for 19 little black dresses and be shown how to customise the basic patterns to create an original and timeless garment. ■
Junky Styling
49½ Skirts
Wardrobe Surgery
Alison Willoughby
Annika Sanders & Kerry Seager
March 2008 • £14.99 • Trade Paperback 128pp • 700+ colour illustrations 9780713687408 • Australia/Europe/New Zealand/South Africa
July 2009 • £19.99 • Paperback • 160pp 150 colour illustrations • 9780713688337 World All Languages
Junky Styling shows you how to transform your own second-hand clothing into a brand new product. ■
How to Use, Adapt and Design Sewing Patterns From shop-bought patterns to drafting your own: A complete guide to fashion sewing with confidence
Lee Hollahan Jan 2010 • £15.99 • Paperback • 144pp 500+ colour illustrations • 9781408120002 • Europe/South Africa
Filled with diagrams, photographs and clear instructions, this is the ultimate guide to decoding and modifying knitting patterns. ■
An exciting, easy-to-follow guide on to how to simply and inexpensively make your own custom couture skirts. Filled with step-by-step instructions, a paper pattern and 49 fun projects ranging from simple to advanced. ■
Sew Eco Sewing Sustainable and Re-Used Materials Ruth Singer June 2010 • £16.99 • Paperback • 144pp 120+ colour illustrations • 9781408102848 World All Languages
Sew Eco guides readers through a series of stylish eco-friendly sewing projects. Learn how to work with vintage lace and peace silk and transform an old suede skirt or hat into something beautiful and unique. ■
Dressmaker’s Handbook of Couture Sewing Techniques
Practical Sewing Techniques
Lynda Maynard
July 2011 • £14.99 • Paperback • 144pp 300+ colour illustrations • 9781408127483 World All Languages
November 2010 • £16.99 • Paperback 144pp • 350+ colour illustrations 9781408127599 • Europe/South Africa
This clear and comprehensive guide demonstrates how couture sewing techniques can be easily acquired by seamstresses of all levels of ability and experience. ■
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The Little Black Dress
Ruth Sleigh-Johnson
A general introduction to the basic skills of sewing practice, this excellent guide gives learners a solid foundation from which to expand their sewing confidence. ■
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G E N E R A L C R A F T 11
Practical Basketry Techniques Stella Harding & Shane Waltener A practical guide to learning the basics of basketry, this book opens the door to an exciting hybrid approach, mixing materials and methods to achieve fabulous and original pieces. Suitable for beginners and a handy reference guide for the more experienced maker. ■ February 2012 • £19.99 • Paperback • 160pp • 500 colour illustrations • 9781408130735 • World All Languages
Illuminate Contemporary Craft Lighting
Hannah Nunn Based on interviews with more than forty global makers, this long-overdue review of the state of contemporary craft lighting explores the inspirations and methods of the best artists working in the area today. Lavishly illustrated throughout, Illuminate is a must-read for artists, interior designers, stylists, and curious craft makers fascinated by the endless possibilities of lighting. ■ November 2012 • £19.99 • Paperback • 144pp • 130 colour illustrations • 9781408147047 • World All Languages
Botanical Illustration
108
109
Botanical illustration
Leaves and berries
Critical assessment
The first ten lessons
•
Valerie C. Price
If your illustration lacks form, use
delicate glazes of colour over areas of shadow. It is often necessary to revisit form and colour as the contrast is increased. Check the balance and form by turning the illustration upside down.
•
If the berries lack shine, it may be that
by increasing the depth of shadow, you
From mushrooms and orchids to hawthorn berries and leaves, this practical introduction to botanical illustration is formed of ten graded lessons, where each teaches you a new and valuable set of skills.
can brighten the shine. If necessary, use a damp brush and then blotting paper to Figure 113. Hawthorn 8.
lift out the area of shine. Repair the colour
Figure 111. Hawthorn 6.
Figure 112. Hawthorn 7.
I have increased the weight and depth of my
Here I have painted the stalks of the berries
For the final detail, I have used the same
paint one berry in relation to its neighbour,
green by mixing in some Cadmium Yellow and
using the brown from the twig mixed with the
colours at an increased strength, and dry
so that the one behind is in the shadow of
Ultramarine. This stronger yellow means that
red from the berries. For this fine detail I have
brush to enhance the detail and definition. The
the one in front.
I can add more blue to the mix and still keep
used the paint very dry, but not too strong for
berries have been finished by adding a small
the colour green. I have added some form
the first time; strengthening the paint to add
amount of Ultramarine to the Alizarin Crimson,
to the twig by increasing the colour along its
depth to the lower stalks, and adding form to
to achieve a metallic finish.
lower edge. The berries are becoming darker,
them as they attach to the berries and the twig.
some colours behave badly when
but if the shine is too bright, I will close it down,
As the centres of the berries were getting left
mixed together. Try a different colour
reducing the size and contrast.
behind, I mixed ‘Botanical Black’ (Ultramarine,
combination to achieve a similar result.
Alizarin Crimson and Viridian) and carefully
Change the water frequently, especially
redrew the five-pointed structure, then increased
between reds and greens.
when the paper has dried. Remember to
•
If the colours have become muddy,
consider the paint you have used.
the colour to define the form. I have added more Alizarin Crimson to my mixed red, to deepen the colour and enhance the form of the berries.
108
With advice on topics including accurate drawing, measuring and recording your subject, this book covers everything you need to know to get ahead in botanical illustration. ■ November 2012 • £16.99 • Paperback • 136pp • 150 colour illustrations • 9781408152034 • World All Languages
Making and Drawing Kyra Cane
Lavishly illustrated and thoughtfully constructed, Making and Drawing sheds new light on contemporary artists’ practice. Essential read for students, makers and artists or anyone who wants to explore the relationship between making and drawing. ■ December 2012 • £30 • Hardback • 208pp • 160 colour illustrations • 9781408134511 • World All Languages
For the complete list of visual arts titles, please visit www.bloomsbury.com/visualarts Follow us on Twitter for the latest news from the Bloomsbury visual arts team! @bb_visualarts
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12
GENERAL CRAFT
Craft From Natural Materials Jane Bevan Pine needles, acorns, seeds and shells are formed of beautiful shapes, textures and colours, easily sourced in our surrounding environment, but are often overlooked or discarded. Craft from Natural Materials demonstrates how these natural, raw materials can be transformed into beautiful and inspirational craft objects. ■ August 2013 • £16.99 • Paperback • 128pp • 150 colour illustrations • 9781408170878 • World All Languages
Making Dolls and Creatures Ruth Sleigh-Johnson This fabulous introduction to making modern dolls and creatures features a varied selection of original projects by contemporary designers and makers. Whether you are looking for an advanced project using traditional techniques, or a ‘one-hour-make’ doll to put together on a rainy day, you will find inspiration here. ■ March 2012 • £16.99 • Paperback • 144pp • 180 colour illustrations • 9781408133972 • World All Languages
Mixed Messages The Versatility of Collage
Ann Manie ‘An inspirational guide to the place of collage’ The Artist Mixed Messages is a gorgeous, inspirational book which combines a review of this exciting medium with a practical section on how to create your very own piece of collage. With advice on structure, composition, colour, tone and contrast, and a beautifully illustrated survey of work by artists including Picasso, this book will educate and inspire you. ■ February 2012 • £19.99 • Paperback • 128pp • 200 colour illustrations • 9781408130704 • World All Languages
Batch Craft, Design and Product
Andrew Tanner ‘A glamorous look at the world of design makers’ Crafts & Design By presenting a glorious array of handcrafted objects and profiling many of the most important and influential makers in the industry, Batch offers an insight into the glamorous world of craft and design. Packed with superb and inspirational photography throughout, this book will appeal to makers, buyers, collectors and admirers of contemporary craft and design. ■ September 2010 • £30 • Hardback • 144pp • 200 colour illustrations • 9781408110089 • World All Languages
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G E N E R A L C R A F T 13
Nuno Felt
Fashion Hats
Techniques and Inspiration for Accessories and Home Interiors
Karen Henriksen
Liz Clay December 2007 • £17.99 • Paperback 128pp • 100+ colour illustrations 9780713686012 • World English (excluding USA/Canada)
Nuno Felt is a practical guide to making a wealth of projects, from gorgeous scarves and throws to home interior pieces such as wall hangings. ■
Hats Making classic hats and headpieces in fabric, felt and straw
Sarah Cant November 2010 • £16.99 • Paperback 128pp • 400+ colour illustrations 9781408129029 • Europe/South Africa
Packed with step-by-step sequences and inspirational photographs, this beautiful book contains over 120 templates for making gorgeous, yet affordable hats and headpieces. ■
Extraordinary Sketchbooks
s of interest within each hand correct representation of aracters.
September 2003 • £16.99 • Hardback 256pp • 200+ colour illustrations 9780713665048
xtensive preparatory section details materials, and basic techniques.
100 complete alphabets daVId harrIs
nners and experienced calligraphers will be able to extend their oire with ease, effortlessly learning ands and refining their art.
and how to draw them
Guiding the reader through 100 different alphabets, this essential guide contains a wealth of information on tools, materials, basic layouts, illumination and ornamentation. ■ daVId harrIs
2/21/12 11:43:12 AM
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Jacqueline Mulvaney September 2010 • £19.99 • Paperback 96pp • 130 colour illustrations 9781408106273 • World All Languages
Beautifully illustrated and clearly explained, Revive! showcases six very simple projects with embellishments for the more adventurous and experienced. ■
The Ultimate Book of Decorative Knots Lindsey Philpott
David Harris
beautifully crafted calligraphic show step-by-step pen strokes mmon group structures.
Revive! Inspired Interiors from Recycled Materials
April 2012 • £25 • Hardback 400 Colour photos throughout 9781408157268 • Europe
100 Complete Alphabets and How to Draw Them
igrapher’s
This beautiful introduction to millinery guides the reader through 14 fashionable hat designs. ■
November 2011 • £16.99 • Paperback 144pp • 9781408134429 World All Languages
The Calligrapher’s Bible
omprehensive guide to the art of enmanship is the ultimate easy-toference book for anyone interested ating these elegant letterforms.
‘The finished products in Design and Make Fashion Hats do indeed look slick and stylish’ Embroidery Magazine
Jane Stobart
Sketchbooks are an essential part of the creative process and Extraordinary Sketchbooks will act as a fantastic and inspirational resource for artists and makers of all disciplines. ■
BiBle
May 2009 • £16.99 • Paperback • 144pp 250 colour illustrations • 9780713687385 World All Languages
Perfectly suited for novices who are just beginning to experiment with the simple pleasures of knot and ropework, as well as more experienced knotters who are looking to expand their repertoire. ■
Fashion Bags and Purses Christina Brodie May 2009 • £16.99 • Paperback • 160pp 150 colour illustrations • 9780713688696 World All Languages
A beautifully designed book of fashionable and easy-to-make bag designs, clearly and beautifully illustrated in step-by-step format. ■
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Craft catalogue - trade.indd 14
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