Film & Media New Books Catalogue January-March 2022 by Bloomsbury Publishing

Film and Media New Books Catalogue

January-March 2022

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Contents British Film Institute �� 2

EBooks ePub and ePDF availability is listed under each book entry.

Review Copies

Film Production / Animation / Asian Film and Media �� 4

Email academicreviewus@bloomsbury.com (Americas) / academicreviews@bloomsbury.com (UK / Rest of World).

Film Theory �� 5

Standing Orders

Film Genres �� 6

Many series are available on standing order. Please contact our trade ordering departments (see pages 13 and 14).

World Cinema �� 7 Film Directors / Film History �� 8 Gender and Popular Culture �� 10 Media Theory / Game Theory �� 11 Major Reference Works �� 12 Representatives, Agents and Distributors �� 13

Translation Rights Available unless otherwise indicated.

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BFI FILM CLASSICS “An indispensable part of every cineaste’s bookcase” – Total Film

The Godfather

Seven Samurai

The Searchers

Eight and a Half (Otto e mezzo)

9781839024580

9781839024771

9781839024696

9781839024733

The Thing

The Silence of the Lambs

Blue Velvet

Trainspotting

9781839023590

9781839023675

9781839023712

9781839022166

30 YEARS OF CELEBRATING FILM Discover more at www.bloomsbury.com/BFIFilmClassics 2

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk

The Godfather

Jon Lewis, Oregon State University, USA Jon Lewis's study of The Godfather (1972) examines the film's audacious visual style and its principal themes: Vito and Michael's attempt to balance the obligations of business and family, their struggle with assimilation, the temptations and pitfalls of capitalist accumulation, and the larger drama of succession from father to son, from one generation to the next. Lewis's production history goes behind the scenes to uncover the film's real-life gangster backstory, and places it in the context of Hollywood's dramatic box-office turnaround in the early 1970s, revealing how The Godfather saved Paramount Studios and the rest of Hollywood as well. In his foreword to this new edition, Lewis revisits the iconic film and its lasting significance through the decades. UK March 2022 • US March 2022 • 112 pages • 65 colour illus PB 9781839024580 • £11.99 / $15.95 ePub 9781839024597 • £10.79 / $14.32 ePdf 9781839024603 • £10.79 / $14.32 Series: BFI Film Classics • British Film Institute

The Searchers

Edward Buscombe, film critic, UK John Ford's masterpiece The Searchers (1956) was voted the seventh greatest film of all time in Sight & Sound's most recent poll of critics and has had an enormous influence on many of America's most distinguished contemporary filmmakers. John Wayne's portrait of the vengeful Confederate Ethan Edwards gives the film a truly epic dimension, as does his long and lonely journey into the dark heart of America. Edward Buscombe's insightful study provides a detailed commentary on all aspects of the film, drawing on material in the John Ford archive at Indiana University to offer new insights into the film's production history. UK March 2022 • US March 2022 • 88 pages • 60 colour illus PB 9781839024696 • £11.99 / $15.95 ePub 9781839024702 • £10.79 / $14.32 ePdf 9781839024719 • £10.79 / $14.32 Series: BFI Film Classics • British Film Institute

Seven Samurai

Joan Mellen, Temple University, USA Joan Mellen's study of Akira Kurosawa’s Seven Samurai (1954) treats it both as a portrayal of the cultural upheaval brought on by the collapse of Japanese militarism in the 16th century, but also as a reflection of the sweeping cultural changes occurring in the aftermath of the American Occupation that followed Japan's defeat in the Second World War. Mellen contextualises Seven Samurai, marking its place in Japanese cinema and in Kurosawa’s film-making career. She explores the film’s roots in medieval history and, above all, the astonishing visual language in which Kurosawa created his elegiac epic. UK March 2022 • US March 2022 • 88 pages • 60 bw illus PB 9781839024771 • £11.99 / $15.95 ePub 9781839024788 • £10.79 / $14.32 ePdf 9781839024795 • £10.79 / $14.32 Series: BFI Film Classics • British Film Institute

Eight and a Half (Otto e mezzo)

F I L M & M E D I A – British Film Institute

BFI Film Classics

D. A. Miller, University of California, Berkeley, USA

Federico Fellini's masterpiece 8 1/2 (Otto e mezzo) shocked audiences around the world when it was released in 1963 by its sheer auteurist gall. The hero, a film director named Guido Anselmi, seemed to be Fellini's mirror image, and the story to reflect the making of 8 1/2 itself. D.A. Miller's dazzling study argues that we can now see more clearly how tentative, even timid, Fellini's groundbreaking incarnation always was. Guido is a perfect blank, or is trying his best to seem one. 8 1/2's deepest commitment is not to this man (who is never quite 'all there') or to his message (which is lacking entirely) but to its own flamboyant manner. The enduring timeliness of 8 1/2 lies, Miller suggests, in its aggressive shirking of the shame that falls on the man – and the artist – who fails his appointed social responsibilities. UK March 2022 • US March 2022 • 128 pages • 60 bw illus PB 9781839024733 • £11.99 / $15.95 ePub 9781839024740 • £10.79 / $14.32 ePdf 9781839024757 • £10.79 / $14.32 Series: BFI Film Classics • British Film Institute

Colour Films in Britain

The Eastmancolor Revolution Sarah Street, University of Bristol, UK, Keith M. Johnston, University of East Anglia, UK, Paul Frith, University of East Anglia, UK & Carolyn Rickards, University of Bristol, UK Colour Films in Britain examines the role of the Eastmancolor process in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. By analysing the use of colour in films such as Lawrence of Arabia (1962) and Goldfinger (1964), the book traces the adoption of Eastmancolor in British Film and considers its lasting significance as one of the most important technical innovations in film history. UK December 2021 • US December 2021 • 400 pages • 153 colour illus PB 9781911239574 • £24.99 / $34.95 • HB 9781911239581 • £75.00 / $100.00 ePub 9781911239598 • £22.49 / $29.96 ePdf 9781911239604 • £22.49 / $29.96 British Film Institute

Cinema's Melodramatic Celebrity

Film, Fame, and Personal Worth Mandy Merck, Royal Holloway, University of London, UK Challenging the study of both celebrity and the cinema, Cinema's Melodramatic Celebrity argues that modern fame and film melodrama are part of the same worldview, one that cannot resolve the relation of personal worth to social esteem. Examining a range of classical and contemporary films from Charlie Chaplin's City Lights (1931) to the many remakes of A Star Is Born, Mandy Merck illustrates the ways in which cinema constantly restages the moral evaluation of prominent individuals, whether they are actors, artists, politicians or activists. UK January 2022 • US January 2022 • 280 pages • 30 bw illus PB 9781839024573 • £27.99 / $37.95 Previously published in HB 9781911239758 ePub 9781911239765 • £76.50 / $100.32 ePdf 9781911239772 • £76.50 / $100.32 British Film Institute

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F I L M & M E D I A – Film Production / Animation / Asian Film and Media

Film Editing

Color it True

Julie Lambden, Westminster University, UK

Murray Pomerance, Independent scholar, Canada

Emotion, Performance and Story Combining history, theory and practice, Film Editing explains how and why editorial decisions impact on the emotional and narrative engagement of the audience. With colour examples taken from features, short films, documentaries and commercials, Julie Lambden introduces a range of different editing styles and techniques. Each chapter includes in-depth interviews with current editors, directors and writers, demonstrating a wide range of techniques and working styles. Exercises are accompanied online by editable video and audio material, enabling you to experiment with the ideas and techniques introduced in each chapter. UK December 2021 • US December 2021 • 224 pages • 200 colour illus PB 9781474254908 • £29.99 / $40.95 • HB 9781501379109 • £75.00 / $100.00 ePub 9781474256254 • £26.99 / $35.17 ePdf 9781474256247 • £26.99 / $35.17 Bloomsbury Academic

The History and Theory of Cutout Animation From J. Stuart Blackton to South Park Dan Torre, RMIT University, Australia Cut-out animation is a two-dimensional form of stop-motion animation that involves the manipulation of characters that have been constructed from ‘cut-out’ pieces of paper. This book is survey of the history, theory and philosophy of the cut-out animation technique from the earliest pioneers, J. Stuart Blackton and Lotte Reiniger, to contemporary digital versions such as the television series South Park and Archer, and the Paper Mario video games. UK October 2022 • US October 2022 • 208 pages • 40 bw illus HB 9781501340925 • £90.00 / $120.00 ePub 9781501340932 • £83.60 / $108.00 ePdf 9781501340949 • £83.60 / $108.00 Bloomsbury Academic

Impressions of Cinema

This book introduces a new way of thinking about color in film, as distinct from existing approaches which tend to emphasize either technical processes or histories of film coloration, or the meaning of color as metaphor or symbol. Murray Pomerance regards the various ways of thinking about color; not ways of framing it as a production trick or a symbolic language, but ways of wondering how the color effect on-screen can work in the act of viewing itself. UK January 2022 • US January 2022 • 320 pages • 12 bw illus HB 9781501383113 • £95.00 / $130.00 ePub 9781501383106 • £90.50 / $117.00 ePdf 9781501383090 • £90.50 / $117.00 Bloomsbury Academic

The Art of Czech Animation

A History of Political Dissent and Allegory Adam Whybray, University of Suffolk, UK This is the first book to specifically examine Czech animated cinema, stretching from the immediate post-war works of Jirí Trnka and Hermína Týrlová, through Jan Švankmajer's internationally recognised stop-motion projects, to contemporary animations by the likes of Michaela Pavlátová and Jan Balej. The book's central argument is that the political messages of these films are communicated primarily through on-screen objects and things, rather than through dialogue or narration. UK January 2022 • US January 2022 • 288 pages • 16 bw illus PB 9781350194984 • £28.99 / $39.95 Previously published in HB 9781350104594 ePub 9781350104648 • £76.50 / $100.32 ePdf 9781350104655 • £76.50 / $100.32 Bloomsbury Academic

Uttam Kumar A Life in Cinema

Sayandeb Chowdhury, Ambedkar University, Delhi, India This is the first definitive cultural and critical biography of Uttam Kumar. It engages meaningfully with his life and his cinema, revealing the man, hero and actor from various, often competing, vantages. The conceptual aim is to locate a star figure within a larger historical and cultural context, and to enquire into how a towering image was mobilised for an ever-greater pursuit of wholesome, popular, even at times, radical and progressive entertainment. A complimentary métier of this work is to explore why and how this star persona would go on to reconstitute the bhadrolok Bengali visual and cultural world in the post-Partition period. UK September 2021 • US September 2021 • 320 pages HB 9789390358939 • £85.00 / $115.00 ePub 9789390358014 • £76.50 / $100.32 ePdf 9789354352713 • £76.50 / $100.32 Bloomsbury Academic India India/Indian subcontinent

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Kevin Wynter, Pomona College, USA

This book provides a concise introduction to critical race theory and shows how this theory can be used to interpret Jordan Peele’s Get Out. Its analysis of Get Out is organized into three sections – Sub/ urban Space, The Black Body, and The Sunken Place – illustrating how contemporary debates in critical race theory and approaches to the analysis of mainstream Hollywood cinema can illuminate each other. In this way, the book provides both an accessible reference guide to key terminology in critical race studies and film studies, while contributing new scholarship to both fields. UK February 2022 • US February 2022 • 208 pages PB 9781501351297 • £15.99 / $19.95 • HB 9781501351280 • £60.00 / $75.00 ePub 9781501351303 • £13.80 / $17.95 ePdf 9781501351310 • £13.80 / $17.95 Series: Film Theory in Practice • Bloomsbury Academic

Positioning Art Cinema Film and Cultural Value

Geoff King, Brunel University London, UK In Positioning Art Cinema, Geoff King argues that there is no single definition of art cinema, but a number of distinct and recurrent tendencies are identified. At one end of the spectrum are films accorded the most ‘heavyweight’ status, offering the greatest challenges to viewers. Others mix aspects of art cinema with more accessible dimensions such as uses of popular genre frameworks and ‘exploitation’ elements involving explicit sex and violence. Including case studies of key figures such as Michael Haneke, Pedro Almodóvar and Jean-Pierre and Luc Dardenne, this is a crucial contribution to understanding both art cinema itself and the discourses through which its value is established. UK January 2022 • US January 2022 • 344 pages • 30 bw illus PB 9781350260061 • £24.99 / $34.95 Previously published in HB 9781788310185 ePub 9781786725561 • £67.50 / $88.59 ePdf 9781786735560 • £67.50 / $88.59 Bloomsbury Academic

Film and Identity in Kazakhstan

Soviet and Post-Soviet Culture in Central Asia Rico Isaacs, University of Lincoln, UK Rico Isaacs uses cinema as an analytical lens to explore how the Kazakh national identity has been constructed and contested. Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to a modern independent nation. UK March 2022 • US March 2022 • 352 pages • 20 bw illus PB 9781350252295 • £28.99 / $39.95 Previously published in HB 9781784538385 ePub 9781838608521 • £85.50 / $112.04 ePdf 9781838608538 • £85.50 / $112.04 Bloomsbury Academic

The Prison of Time

Stanley Kubrick, Adrian Lyne, Michael Bay, and Quentin Tarantino Elisa Pezzotta, Bergamo University, Italy Through the close analysis of Stanley Kubrick, Adrian Lyne, Michael Bay, and Quentin Tarantino’s oeuvre, Elisa Pezzotta discusses time in the cinematic medium. Pezzotta deploys and unpacks an impressive array of scholarly methods to interrogate film time, many of which are emerging areas of analysis with the humanities, and especially screen studies. Offering an innovative synthesis of these several areas conventionally regarded as outliers to film and media, such as philosophy, cognitivism, and quantum mechanics, Pezzotta skillfully draws from extant scholarly literature to make evident the narratology of cinematic ellipses, lacunae and analepses across a range of films and genres. UK June 2022 • US June 2022 • 240 pages HB 9781501380600 • £90.00 / $120.00 ePub 9781501380594 • £83.60 / $108.00 ePdf 9781501380587 • £83.60 / $108.00 Bloomsbury Academic

F I L M & M E D I A – Film Theory

Critical Race Theory and Jordan Peele's Get Out

Third Cinema, World Cinema and Marxism

Edited by Ewa Mazierska, University of Central Lancashire, UK & Lars Kristensen, University of Skövde, Sweden This book offers an analysis of Third Cinema and World Cinema from the perspective of Marxism. Its starting point is an observation that of all cinematic phenomena none is as intimately related to Marxism as Third Cinema, which decries neoliberalism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money. This is largely to do with the fact that both Marxism and Third Cinema are preoccupied with inequalities resulting from capital accumulation, of which colonialism is the most extreme manifestation. UK March 2022 • US March 2022 • 304 pages • 30 bw illus PB 9781501373848 • £28.99 / $39.95 Previously published in HB 9781501348273 ePub 9781501348280 • £90.50 / $117.00 ePdf 9781501348297 • £90.50 / $117.00 Bloomsbury Academic

To Boldly Go

Marketing the Myth of Star Trek Djoymi Baker, University of Melbourne, Australia This book argues that the tools of transmedia merchandising and promotional material shape viewers' experiences of the hit television series Star Trek, to reinforce the mythology of the gargantuan franchise. Media marketing utilises the show's method of recycling the narratives of classical heritage, yet it also looks forward to the future. In this way, it reminds consumers of the Star Trek story's ongoing centrality within popular culture, whether in the form of the original 1960s series, the later additions such as Voyager and Discovery or J. J. Abrams' `reboot' films. Fusing key theory from film, TV, media and folklore studies, as well as anthropology and other specialisms, To Boldly Go is an authoritative guide to the function of myth across the whole Star Trek enterprise. UK March 2022 • US March 2022 • 320 pages • 16 bw illus PB 9781350252363 • £28.99 / $39.95 Previously published in HB 9781788310086 ePub 9781838609733 • £81.00 / $106.83 ePdf 9781838609740 • £81.00 / $106.83 Bloomsbury Academic

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F I L M & M E D I A – Film Genres

The Myth of Harm

Hollywood Screwball Comedy 1934-1945

Horror, Censorship and the Child Sarah Cleary, Independent scholar, Ireland Fraught with accusations pertaining to its alleged ability to harm and corrupt society, the horror genre is constantly under pressure to suppress that which has made it so popular to begin with: its ability to frighten and generate discussion about society’s darker side. Recognising the circularity of patterns in each generational manifestation of horror censorship, The Myth of Harm draws upon cases such as the Slenderman stabbing and the James Bulger murder amongst many others in order to explore the manner in which horror has been repeatedly cast as a harmful influence upon children, at the expense of scrutinising other more complex social issues. UK October 2022 • US October 2022 • 240 pages • 20 bw illus HB 9781501378287 • £90.00 / $120.00 ePub 9781501378294 • £83.60 / $108.00 ePdf 9781501378270 • £83.60 / $108.00 Bloomsbury Academic

Sex, Love, and Democratic Ideals

Gregoire Halbout, University of Tours, France A broad overview of a film sub-genre that usually gets folded into other comedy genres, such as slapstick, situation comedy, or romantic comedy. Gregoire Halbout gives screwball comedy its rightful place among genres, eschewing the usual auteurist approach, and includes many minor works never before analyzed using the screwball genre lens. Divided into three sections, Halbout opens with the history and definition of Hollywood Screwball comedy with respect to other forms of classical Hollywood comedy. He then moves on to the impact of internal Hollywood censorship on the genre; and finally the relationships between politics, the screwball comedic couple, intimacy and the public sphere. UK February 2022 • US February 2022 • 320 pages • 42 bw illus HB 9781501347610 • £95.00 / $130.00 ePub 9781501347627 • £90.50 / $117.00 ePdf 9781501347603 • £90.50 / $117.00 Bloomsbury Academic World All Languages (except French)

Shocking Cinema of the 70s

Edited by Julian Petley, Brunel University London, UK & Xavier Mendik, Birmingham City University, UK Shocking Cinema of the 70s casts a transnational net to focus on films from a variety of countries, and from the marginal to the mainstream, which, by tackling various ‘difficult’ subjects, have proved to be controversial in one way or another. Julian Petley and Xavier Mendik assess how the production values, narrative features and critical receptions of these 'controversial' films can be linked to the wider historical and social forces that were dominant during this decade and continue to resonate in our current historical moment. UK November 2021 • US November 2021 • 288 pages HB 9781350136311 • £85.00 / $115.00 ePub 9781350136304 • £76.50 / $100.32 ePdf 9781350136298 • £76.50 / $100.32 Bloomsbury Academic

Global Exploitation Cinemas Johnny Walker, Northumbria University, UK; Austin Fisher, Bournemouth University, UK

Mario Bava

The Artisan as Italian Horror Auteur Leon Hunt, Brunel University, UK This book is framed by the question of how to approach a controversial figure like the"Master of Italian Horror" Mario Bava, but also uses his films to broaden our understanding of key issues in film studies. What issues do his films raise for authorship? How might he be understood in relation to genre, one of which he is sometimes seen to have pioneered? This book seeks both to be a study of Bava’s films but also to use them to explore broader issues in film studies. UK February 2022 • US February 2022 • 240 pages • 12 bw illus HB 9781501356544 • £90.00 / $120.00 ePub 9781501356537 • £83.60 / $108.00 ePdf 9781501356520 • £83.60 / $108.00 Series: Global Exploitation Cinemas • Bloomsbury Academic

Let's Go Stag!

A History of Pornographic Film from the Invention of Cinema to 1970 Dan Erdman, Media Burn Archive, Chicago, USA Let's Go Stag! reveals the secrets of the underground world of hardcore pornographic "stag films". Using the archives of civic groups, law enforcement, bygone government studies and similarly neglected evidence, archivist Dan Erdman reconstructs the means by which stag films were produced, distributed and exhibited, and also demonstrates the way in which these practices changed with the times, eventually paving the way for the pornographic explosion of the 1970s and beyond. UK December 2021 • US December 2021 • 224 pages • 10 bw illus HB 9781501333019 • £96.00 / $120.00 ePub 9781501333026 • £83.60 / $108.00 ePdf 9781501333033 • £83.60 / $108.00 Series: Global Exploitation Cinemas • Bloomsbury Academic

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Lúcia Nagib, University of Reading, UK; Julian Ross, Programmer at International Film Festival Rotterdam, Netherlands

Brazilian Cinema and the Aesthetics of Ruins

Pablo Trapero and the Politics of Violence

Guilherme Carréra, University of Westminster, London, UK This compelling study focuses on contemporary Brazilian documentary cinema and what Guilherme Carrera defines as its 'aesthetics of ruins'. Carréra considers imagery of ruins in documentaries focused on Brasília - The Age of Stone (2013) and White Out, Black In (2014); Rio de Janeiro - ExPerimetral (2016), The Harbour (2013), Tropical Curse (2016), and HU Enigma (2011); and indigenous territories - Corumbiara: They Shoot Indians, Don’t They? (2009), Tava, The House of Stone (2012), Two Villages, One Path (2008), and Guarani Exile (2011). Carréra argues that, in portraying ruinscapes in different ways, these unconventional films articulate critiques of the notions of progress and (under)development in the Brazilian nation. UK December 2021 • US December 2021 • 368 pages • 60 bw illus HB 9781350203020 • £85.00 / $115.00 ePub 9781350203037 • £76.50 / $100.32 ePdf 9781350203044 • £76.50 / $100.32 Series: World Cinema • Bloomsbury Academic

Douglas Mulliken, University of the Western Cape, Cape Town, South Africa

Pablo Trapero and the Politics of Violence is the first book to explore the function of violence within the films of the Argentinian screenwriter-director. Douglas Mulliken contends that, through his representation of objective violence, Pablo Trapero has emerged as a distinctly political filmmaker. By focusing on several previously understudied elements of Trapero’s films, Mulliken highlights the ways in which the director’s work represents present-day concerns about social inequalities and injustice in neoliberal Argentina on-screen. UK February 2022 • US February 2022 • 256 pages • 29 bw illus ePub 9781350163409 • £76.50 / $100.32 ePdf 9781350163393 • £76.50 / $100.32 Series: World Cinema • Bloomsbury Academic HB 9781350163386 • £85.00 / $115.00

F I L M & M E D I A – World Cinema

World Cinema

On Cinema Glauber Rocha

The Film Archipelago

Islands in Latin American Cinema Edited by Antonio Gómez, Tulane University, USA & Francisco-J. Hernández Adrián, Durham University, UK The Film Archipelago argues that the islands and archipelagos of Latin American cinema constitute a critically interesting, analytically complex, and historically suggestive angle to explore issues of marginality and peripherality, remoteness and isolation, fragility and dependency. As a whole, the collection demonstrates through a series of rigorous and nuanced analyses to what extent the combined insular and archipelagic lens can re-frame and re-figure both longstanding and recent discussions on the spaces of Latin American cinema. UK January 2022 • US January 2022 • 320 pages • 30 bw illus HB 9781350157965 • £85.00 / $115.00 ePub 9781350157989 • £76.50 / $100.32 ePdf 9781350157972 • £76.50 / $100.32 Series: World Cinema • Bloomsbury Academic

There's No Place Like Home The Migrant Child in World Cinema

Stephanie Hemelryk Donald, The University of Lincoln, UK Choice Outstanding Academic Title 2018 In There's No Place Like Home, distinguished film scholar Stephanie Hemelryk Donald offers a fresh interpretation of the migrant child as a recurring figure in world cinema. Displaced or placeless children, and the idea of childhood itself, are vehicles to examine migration and cosmopolitanism in films such as Le Ballon Rouge, Little Moth and Le Havre. Surveying fictional and documentary film from the post-war years until today, the author shows how the child is a guide to themes of place, self and being in world cinema. UK March 2022 • US March 2022 • 288 pages • 24 bw illus PB 9781350252387 • £28.99 / $39.95 Previously published in HB 9781784534233 ePub 9781838609696 • £81.00 / $106.83 ePdf 9781838609702 • £81.00 / $106.83 Series: World Cinema • Bloomsbury Academic

Edited by Ismail Xavier, University of São Paulo, Brazil Translated by Charlotte Smith, Stephanie Dennison, University of Leeds, UK & Cecília Mello, University of São Paulo, Brazil On Cinema brings together for the first time in the English language a comprehensive selection of Glauber Rocha's film writings, revealing the full critical power, inventiveness and vision of a great filmmaker. Rocha's writings, endowed with critical verve and humour, give insights into key moments of film history, as well as the politics of world cinema. Here he fearlessly confronts the film establishment and debates with a host of sacred filmmakers of the world pantheon. Included is Rocha's early criticism of Brazilian films, landmark manifestoes such as 'An Aesthetics of Hunger' and 'An Aesthetics of Dreams', articles about the development of Cinema Novo, and his international film criticism. UK March 2022 • US March 2022 • 432 pages • 4 bw illus PB 9781350253179 • £28.99 / $39.95 Previously published in HB 9781780767031 ePub 9781786721860 • £67.50 / $88.59 ePdf 9781786731869 • £67.50 / $88.59 Series: World Cinema • Bloomsbury Academic

Walled Life

Concrete, Cinema, Art Jenny Stuemer, University of Auckland, New Zealand Walled Life investigates the mediation of material and imagined border walls through cinema and art. Although political walls practically and symbolically obstruct meaningful exchanges between nations and people, they also provide involuntary articulations of the political contexts and psychological conditions that have come to create them. Such articulations are made visible through graffiti, murals and art installations. They are also negotiated in films, photography and paintings. Focusing on the Berlin Wall, the West Bank Separation barrier, and the U.S.-Mexico border, the book explores the artistic and cinematic mediation of political barriers in order to identify the recurrent and traumatic markers of ‘walled life’. UK April 2022 • US April 2022 • 272 pages HB 9781501380365 • £90.00 / $120.00 ePub 9781501380372 • £83.60 / $108.00 ePdf 9781501380389 • £83.60 / $108.00 Bloomsbury Academic

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F I L M & M E D I A – World Cinema / Film Directors / Film History

An American Abroad

World Cinema On Demand

Anna Cooper, University of Arizona, USA

Edited by Stefano Baschiera, Queen's University Belfast, UK & Alexander Fisher, Queen’s University Belfast, UK

The Imperialist Gaze in Postwar Hollywood Cinema An American Abroad reframes postcolonial film aesthetics through a close textual study of Hollywood films about European travel from the long 1950s. The heterogeneous cycle of films made from 1948 to 1964 that depict Americans traveling in contemporary Europe portray a complex and fraught cultural encounter between American hegemonic power and a Europe that is being economically, socially and culturally dominated from across the Atlantic. Dr. Anna Cooper explores how discourses of European travel – Parisian shopping trips, Roman holidays, Berlin political intrigues and so on – are harnessed in service of American domination at the level of the American cultural imaginary.

World Cinema on Demand brings together diverse contributions by leading film and media scholars to examine world cinema’s dialogue with the transformations that took place during 2010-2014, engaging directly with ongoing debates surrounding national cinema, transnational identity, and cultural globalization, as well as ideas about genre, fandom and cinephilia. The volume sheds light on geo-politically specific issues of film circulation, consumption and preservation within a range of culturally diverse filmmaking contexts, including case studies from India, Nigeria, Mexico and China.

UK July 2022 • US July 2022 • 208 pages • 30 bw illus HB 9781501314476 • £74.00 / $110.00 ePub 9781501314483 • £76.69 / $99.00 ePdf 9781501314490 • £76.69 / $99.00 Bloomsbury Academic

UK March 2022 • US March 2022 • 192 pages HB 9781501348594 • £80.00 / $110.00 ePub 9781501348600 • £76.69 / $99.00 ePdf 9781501348617 • £76.69 / $99.00 Bloomsbury Academic

Subversive Spanish Cinema The Politics of Performance

Fiona Noble, Durham University, UK This book looks to explore the centrality of performance to Spain and the Spanish people. By tracing the personal and national history of politics and performance in the context of contemporary Spanish cinema, Fiona Noble interrogates the diverse aspects of the interconnections between Spanish cinema, culture and society and underscores its centrality in understanding the dynamics of early 21st century politics in Spain. UK February 2022 • US February 2022 • 240 pages • 24 bw illus PB 9781350194991 • £28.99 / $39.95 Previously published in HB 9781788310093 ePub 9781350152465 • £76.50 / $100.32 ePdf 9781350152472 • £76.50 / $100.32 Bloomsbury Academic

The Cinema of Manoel de Oliveira Understanding the Uncanny

Hajnal Király, Sapientia Hungarian University of Transylvania, Romania Organized by tropes and topics, rather than chronological order, this volume creates a unique lens with which to focus on the links between cinema, literature, painting, and other art forms in Manoel de Oliveira's work. Hajnal Király reads the films in relation to 20th-century Portuguese, European and global history. Many of Oliveira's over 50 films are discussed, including Rite of Spring (1963) and Eccentricities of a Blonde-haired Girl (2009). The only book to cover his later films, this book uncovers the persistent topics that permeates his oeuvre. UK February 2022 • US February 2022 • 208 pages • 65 bw illus HB 9781501378652 • £80.00 / $110.00 ePub 9781501378645 • £76.69 / $99.00 ePdf 9781501378638 • £76.69 / $99.00 Bloomsbury Academic

The Cinema of Nuri Bilge Ceylan

City Limits

Bülent Diken, Lancaster University, UK, Graeme Gilloch, Lancaster University, UK & Craig Hammond, Blackburn College, UK

Stephanie Schwerter, Université Polytechnique Hauts-de-France, France

The Global Vision of a Turkish Filmmaker

This book offers an overdue study of Nuri Bilge Ceylan's work and a critical examination of the principle themes within his contributions to ‘New Turkish Cinema’. It highlights his trajectory to becoming an original and provocative writer, director and producer of 21st century cinema. In particular, chapters focus on time and space, melancholy and loneliness, absence, rural and urban experience, and notions of paradox, as explored through films which are often slow and uncompromising in their pessimistic outlook. UK March 2022 • US March 2022 • 208 pages • 20 bw illus PB 9781350252301 • £28.99 / $39.95 Previously published in HB 9781784538163 ePub 9781786723345 • £85.50 / $112.04 ePdf 9781786733344 • £85.50 / $112.04 Bloomsbury Academic

Global Film Cultures in the Era of Online Distribution

Filming Belfast, Beirut and Berlin in Troubled Times

Belfast, Beirut and Berlin are notorious for their internal boundaries and borders. As symbols for political disunion, the three cities have inspired scriptwriters and directors from diverse cultural backgrounds. Despite their different histories, they share a wide range of features central to divided cities. Following a comparative approach, the book concentrates on the cinematographic representations of Belfast, Beirut and Berlin. Making use of a variety of genres reaching from thriller to comedy, Schweter explores the three cities’ internal and external borders, as well as the psychological boundaries existing between citizens belonging to different communities. UK January 2022 • US January 2022 • 296 pages • 50 bw illus HB 9781501380457 • £95.00 / $130.00 ePub 9781501380440 • £90.50 / $117.00 ePdf 9781501380433 • £90.50 / $117.00 Bloomsbury Academic

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How the Mirisch Company Changed Cinema Paul Kerr, Middlesex University, UK Hollywood Independent dissects the Mirisch Company, one of the most effective employers of the package-unit system of film production, putting films like Some Like it Hot (1959), West Side Story (1961), and The Pink Panther (1963) together as talent packages. Whilst they helped make the names of a new generation of stars like Steve McQueen and Sidney Poitier, and banked on the reputations of established filmmakers like Billy Wilder, they were also pioneers in attracting new audiences to the cinema with films about race, ethnicity, gender and sexuality, and more. The Mirisch Company bridges the gap between the pre-1960 studio system and the new Hollywood which emerged in its wake in the late 1960s and early 1970s.

The History of Sub-Saharan African Literatures on Film

Edited by Sara Hanaburgh, St. John's University, USA In the most comprehensive study on adaptation of African literature and oral traditions to the screen to date, the contributors to this volume situate African cinematic adaptation within African and world cinema history, analyzing trends in production and viewership and collaboration among filmmakers and writers. The book provides in-depth analyses of the history of adaptation of African films from the 1950s to the present. UK March 2022 • US March 2022 • 304 pages • 36 bw illus HB 9781501330834 • £118.00 / $150.00 ePub 9781501330858 • £104.30 / $135.00 ePdf 9781501330841 • £104.30 / $135.00 Series: The History of World Literatures on Film • Bloomsbury Academic

UK October 2022 • US October 2022 • 240 pages HB 9781501336751 • £96.00 / $120.00 ePub 9781501336768 • £83.60 / $108.00 ePdf 9781501336775 • £83.60 / $108.00 Bloomsbury Academic

The Origins of the Film Star System

Persona, Publicity and Economics in Early Cinema Andrew Shail, Newcastle University, UK Addressing the reasons why and how film companies in North America and Europe created movie ‘stars,’ in the years 1909-1911, Andrew Shail responds to Richard deCordova’s comprehensive and landmark account, which argued that the development of the Hollywood star system was indebted to precise collaboration between the American press and the movie industry. Assembling evidence from a multitude of archival sources, Shail reveals how this key element of the movie industry actually originated in France. UK February 2022 • US February 2022 • 424 pages • 99 bw illus PB 9781350272255 • £24.99 / $34.95 Previously published in HB 9781788312073 ePub 9781350111424 • £81.00 / $106.83 ePdf 9781350111417 • £81.00 / $106.83 Bloomsbury Academic

The Jaws Book

New Perspectives on the Classic Summer Blockbuster Edited by I.Q. Hunter, De Montfort University, UK & Matthew Melia, Kingston University, UK "Full of fascinating insights and fresh perspectives, Hunter and Melia have delivered in The Jaws Book a bounty of provocative essays, arresting voices and original thought as diverse and engrossing as the film it serves." Entertainment Focus The Jaws Book is an exciting illustrated collection of new critical essays that offers the first detailed and comprehensive overview of the film’s significant place in cinema history. UK March 2022 • US March 2022 • 288 pages • 29 bw illus PB 9781501373862 • £28.99 / $39.95 Previously published in HB 9781501347528 ePub 9781501347535 • £90.50 / $117.00 ePdf 9781501347542 • £90.50 / $117.00 Bloomsbury Academic

F I L M & M E D I A – Film History

Hollywood Independent

Reimagining the Promised Land

Israel and America in Post-war Hollywood Cinema Rodney Wallis, University of New South Wales, Australia Reimagining the Promised Land argues that there is a long history of Hollywood deploying images of Israel as a means of articulating an idealized notion of American national identity. This argument is developed through readings of key films, ranging from The Ten Commandments (Cecil B. DeMille, 1956) to Munich (Steven Spielberg, 2005). In examining the most notable Hollywood representations of the Jewish state, the book offers an informed historical overview of the cultural forces that have contributed to popular understandings within the United States of the state of Israel, Israel’s Arab neighbours, and also the ArabIsraeli conflict. UK March 2022 • US March 2022 • 248 pages • 26 bw illus PB 9781501373855 • £28.99 / $39.95 Previously published in HB 9781501350825 ePub 9781501350832 • £83.60 / $108.00 ePdf 9781501350849 • £83.60 / $108.00 Bloomsbury Academic

From Steam to Screen

Cinema, the Railways and Modernity Rebecca Harrison, University of Glasgow, UK Incorporating examples from over 240 newsreels and 40 feature-length films, From Steam to Screen draws on archival sources and an extensive corpus of films to trace the intertwined histories of the train and the screen for the first time. In doing so, Rebecca Harrison presents a new and illuminating material and cultural history of the period, and demonstrates the myriad ways railways and cinema coalesced to transform the population's everyday life. UK March 2022 • US March 2022 • 320 pages • 16 bw illus PB 9781350252370 • £28.99 / $39.95 Previously published in HB 9781784539153 ePub 9781786723222 • £72.00 / $95.11 ePdf 9781786733221 • £72.00 / $95.11 Series: Cinema and Society • Bloomsbury Academic

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F I L M & M E D I A – Gender & Popular Culture

Library of Gender and Popular Culture Claire Nally, Northumbria University, UK; Angela Smith, University of Sunderland, UK

Male and Female Violence in Popular Media

Elisa Giomi, Roma Tre University, Italy & Sveva Magaraggia, University of Milan-Bicocca, Italy Elisa Giomi and Sveva Magaraggia propose that men engage in violent conduct at a significantly higher rate than women because they are socially and culturally ‘programmed’ to do so. They argue that popular culture representations play a crucial role in this process: TV series, films, pop music and videos, advertising commercials and tabloids, all tend to normalise violence against women as an allegedly natural inclination of males. By examining popular culture’s depiction of men and women in their opposite, yet complementary, roles of perpetrators and victims, the authors show unexplored interconnections, namely that gender ‘does’ violence and violence ‘does’ gender. UK March 2022 • US March 2022 • 240 pages • 3 bw tables HB 9781350168756 • £85.00 / $115.00 ePub 9781350168770 • £76.50 / $100.32 ePdf 9781350168763 • £76.50 / $100.32 Series: Library of Gender and Popular Culture • Bloomsbury Academic

Postfeminism and Contemporary Vampire Romance Representations of Gender and Sexuality in Film and Television Lea Gerhards, Leibniz Institute for Psychology Information, Germany Lea Gerhards traces the connections between three recent vampire romance series that have tremendous discursive and ideological power - the Twilight film series (2008-2012) and two TV series, The Vampire Diaries (2009-2017) and True Blood (2008-2014) - to explore the cultural politics of these extremely popular texts. She uses contemporary vampire romance to examine postfeminist ideologies and discuss gender, sexuality, subjectivity, agency and the body. Gerhards asks: Why are these genre texts so popular right now, what specific desires, issues and fears are addressed and negotiated by them, and what kinds of pleasures do they offer? UK May 2022 • US May 2022 • 256 pages • 15 bw illus HB 9781350215689 • £85.00 / $115.00 ePub 9781350215665 • £76.50 / $100.32 ePdf 9781350215658 • £76.50 / $100.32 Series: Library of Gender and Popular Culture • Bloomsbury Academic

Film Bodies

Positive Images

Katharina Lindner, Late of University of Stirling, UK

Dion Kagan, LaTrobe University, Australia

Queer Feminist Encounters with Gender and Sexuality in Cinema

The representation of gender and sexuality is wellexplored territory in film studies. In Film Bodies, Katharina Lindner takes existing debates into a new direction and integrates queer and feminist theory with film phenomenology. Drawing on a broad range of sources, Lindner's study explores the female body's presence in a range of genres including the dance film, the sports film and queer cinema. UK April 2022 • US April 2022 • 320 pages • 26 bw illus PB 9781350258365 • £28.99 / $39.95 Previously published in HB 9781784536244 ePub 9781838608545 • £85.50 / $112.04 ePdf 9781838608552 • £85.50 / $112.04 Series: Library of Gender and Popular Culture • Bloomsbury Academic

Gay Men and HIV/AIDS in the Culture of 'Post Crisis' Positive Images is the first detailed examination of how the relationship between gay men and HIV has transformed in the past two decades. From Queer as Folk to Chemsex, The Line of Beauty to The Normal Heart, Dion Kagan examines literature, film, TV, documentaries and news coverage from across the English-speaking world to unearth the socio-cultural foundations underpinning this 'post-crisis' period. His analyses provide acute insights into the fraught legacies of the AIDS Crisis and its continued presence in the modern queer consciousness. UK January 2022 • US January 2022 • 320 pages • 33 bw illus PB 9781350259997 • £24.99 / $34.95 Previously published in HB 9781784534196 ePub 9781838608989 • £72.00 / $95.11 ePdf 9781838608996 • £72.00 / $95.11 Series: Library of Gender and Popular Culture • Bloomsbury Academic

Young Women, Girls and Postfeminism in Contemporary British Film Sarah Hill, Newcastle University, UK

This is the first book on how young femininity has been constructed in contemporary cinema. By interrogating British cinema through this lens, Sarah Hill paints a diverse and distinctive portrait of modern femininity and consolidates the important academic links between film, feminist media and girlhood studies. UK March 2022 • US March 2022 • 256 pages • 16 bw illus PB 9781350191693 • £28.99 / $39.95 Previously published in HB 9781788310369 ePub 9781350120327 • £76.50 / $100.32 ePdf 9781350120310 • £76.50 / $100.32 Series: Library of Gender and Popular Culture • Bloomsbury Academic

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Materializing Digital Futures

Ross Garner, Cardiff University, UK

Edited by Toija Cinque, Deakin University, Australia & Jordan Beth Vincent, Deakin University, Australia

Nostalgia, Transmediality and the Power Rangers Franchise Examining Power Rangers, the long-running but frequently-maligned intellectual property, by treating it seriously and on its own terms, Ranger Reboot considers how forms of mediated nostalgia respond to, and are shaped by, such production-located issues as public service and/or commercial outlooks, scheduling decisions and target audience. The study argues in favor of rejecting a primarily sociological understanding of mediated forms of nostalgia, which would account for these by linking them to perceived periods of anxiety and crisis, by instead foregrounding how production-based concerns impact upon individual constructions of nostalgia. UK March 2022 • US March 2022 • 240 pages HB 9781501312533 • £90.00 / $120.00 ePub 9781501312557 • £83.60 / $108.00 ePdf 9781501312540 • £83.60 / $108.00 Bloomsbury Academic

Digital Reality

The Body and Digital Technologies Melanie Chan, Leeds Beckett University, UK Drawing upon existing scholarship around mobile media and new media, Melanie Chan explores digital technologies as phenomena (observable items such as such as smart-phones, handsets, consoles, head-mounted displays and goggles) in the light of theories of reality and corporeality. In so doing, the book highlights the qualitative dimensions of our sense of aliveness, movement, and interaction within a range of environments (virtual, real, or hybrid). Ultimately, it illuminates how our sense of shared, objective reality changes due to hybrid forms of reality. UK March 2022 • US March 2022 • 208 pages PB 9781501373886 • £28.99 / $39.95 Previously published in HB 9781501341052 ePub 9781501341069 • £83.60 / $108.00 ePdf 9781501341076 • £83.60 / $108.00 Bloomsbury Academic

Touch, Movement, Sound and Vision

The advent of ‘big data’ (and small data) technologies and social media have inexorably altered the boundaries between private and public life, and profoundly altered our sense of self. Materialising Digital Futures considers how the former techniques of connection to community (traditional health, education, cultural and leisure activities) are reconfigured through this changing landscape of digital media visibility, data agglomerations and personal engagement with an empirical digital self. UK January 2022 • US January 2022 • 336 pages • 12 illus HB 9781501361258 • £95.00 / $130.00 ePub 9781501361265 • £90.50 / $117.00 ePdf 9781501361272 • £90.50 / $117.00 Bloomsbury Academic

Spaces of War, War of Spaces

Edited by Sarah Maltby, Sussex University, UK, Ben O'Loughlin, Royal Holloway, University of London, UK, Katy Parry, University of Leeds, UK & Laura Roselle, Elon University, USA Spaces of War, War of Spaces provides a rich, international and multi-disciplinary engagement with the convergence of war and media through the conceptual lens of ‘space’. ‘Space’ offers a profound, challenging and original framework through which notions of communication, embodiment, enactment, memory and power are interrogated not only in terms of how media spaces (traditional, digital, cultural, aesthetic, embodied, mnemonic) transform the conduct, outcomes and consequences of war for all involved, but how ‘war’ actors (political, military, survivors, victims) recreate space in a manner that is transformative across political, social, cultural and personal spheres. Foregrounding the work of artists, activists and practitioners alongside more traditional scholarly approaches Spaces of War, War of Spaces engages with the ‘messiness’ of war and media through the convergence of practice and theory, where showing and embodying is made explicit.

F I L M & M E D I A – Media Theory / Game Theory

Ranger Reboot

UK January 2022 • US January 2022 • 256 pages • 32 bw illus PB 9781501372247 • £28.99 / $39.95 Previously published in HB 9781501360312 ePub 9781501360305 • £83.60 / $108.00 ePdf 9781501360299 • £83.60 / $108.00 Bloomsbury Academic

Media Technologies and Posthuman Intimacy

Jan Stasienko, University of Lower Silesia, Poland Constructing a theory of intimacy describing processes occurring between a ‘human’ subject and information creations, Stasienko shows in what way and in what phases that relationship is built and what its nature is. He discusses technologies and genres related to the construction of a new television message, composition of the film image and specificity of cinematic technologies. This diversity is prompted by the desire to show that, on the one hand, the building of intimacy protocols is not the domain of the digital era, and on the other hand, that the posthumanism of media apparatus is a wideranging problem. UK December 2021 • US December 2021 • 272 pages • 43 bw illus HB 9781501380518 • £90.00 / $120.00 ePub 9781501380525 • £83.60 / $108.00 ePdf 9781501380532 • £83.60 / $108.00 Bloomsbury Academic World All Languages (except Polish)

The Casino, Card and Betting Game Reader Communities, Cultures and Play

Edited by Mark R. Johnson, University of Sydney, Australia The Casino, Card and Betting Game Reader offers 25 chapters studying the communities playing these games, the distinctive cultures and practices that have emerged around them, their activities and beliefs and interpersonal relationships, and how these games influence – both positively and negatively – the lives and careers of millions of game players around the world. It is the first of a new series of edited collections, Play Beyond the Computer, dedicated to exploring the play of games beyond computers and games consoles. UK October 2021 • US October 2021 • 496 pages • 21 bw illus HB 9781501347252 • £134.00 / $170.00 ePub 9781501347269 • £118.11 / $153.00 ePdf 9781501347276 • £118.11 / $153.00 Series: Play Beyond the Computer • Bloomsbury Academic

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FILM AND MEDIA – MAJOR REFERENCE WORKS 12

Adaptations

Critical and Primary Sources 3-Volume Set Edited by Deborah Cartmell & Imelda Whelehan, both De Montfort University, UK Adaptations: Critical and Primary Sources is a reference resource bringing together over 80 landmark texts in adaptation studies. Volume 1 covers the history of adaptation studies, by plotting the ‘prehistory’ of the field, beginning with Vachel Lindsay’s classic Art of the Moving Picture (1915), to some of the most important critical and theoretical interventions up until the 1990s. Volume 2 collects essays from the last 25 years, charting the process of critical and theoretical maturation. Volume 3 covers key case studies, such as Christine Geraghty’s take on adapting Westerns and Ian Inglis’ understanding of the transformation of music into movies. Special introductory offer (valid up to three months after publication): £445.00 / $600.00 UK February 2022 • US November 2021 • 3 vols • c. 1,248 pages HB Pack 9781501315404 • £495.00 / $669.00 Series: Critical and Primary Sources • Bloomsbury Academic

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