Film & Media Catalogue 2016

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Film & Media

2016


FILM & MEDIA STUDIES Bloomsbury Collections delivers instant access to quality research and provides libraries with a flexible way to build eBook collections across the humanities and social sciences. Collections include 30-90 titles per subject, with new collections issued each year.

Bloomsbury’s Film & Media Studies Collections include diverse front list and backlist titles covering a range of topics including film history, media theory, celebrity studies, world cinema, new media and much more.

FILM & MEDIA STUDIES SUBJECT AREAS:

KEY TITLES:

Animation Studies; Audience Reception and Representation; British Cinema; Broadcast Media; Celebrity Studies (Film & Media); Documentary Film; European Cinema; Film Directors; Film Genre; Film History; Film Production; Film Theory; Game Studies; Gender and Film; Gender and Media; Hollywood Cinema; Journalism; Media Ethic; Media History; Media Theory; Media and Globalization; New Media and Technology; Race and Ethnicity in Film and Media; Screenwriting; World Cinema

Researching Audiences; Studying Contemporary American Film; The Sociology of Journalism; Working in the Global Film Industry; A Right to Offend; The Contradictions of Media Power; Rise and Fall of TV Journalism

KEY AUTHORS: Brian Winston; Matt Hills; Des Freedman; Steven Barnett; Richard Nowell; Sarah Atkinson

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Letter from the Editors.............................................2 Film Production and Screenwriting................................3 World Cinema.........................................................4 Film Theory...........................................................6 Film Directors........................................................9 Race and Gender in Film and Media............................ 10 Film History......................................................... 11 Media Theory....................................................... 12 Media Industries.................................................... 13 Audience Reception............................................... 14 New Media and Technology....................................... 15 Game Studies....................................................... 16 Game and Motion Design......................................... 17 Animation........................................................... 18 Bloomsbury Academic Collections............................... 20 Bestsellers.......................................................... 21 Index................................................................. 25

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CONTENTS

Contents

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L etter from the E ditors

Bloomsbury Film & Media Incorporating Fairchild Books

Welcome to the new Bloomsbury Film & Media catalogue, including Fairchild Books. Book Highlights Among this year’s highlights are a bevy of new and continuing series, including the relaunch of our Approaches to Digital Game Studies series, focusing on genres, with Music Video Games (p.16) and Violent Games (p.16). We will also release the first two books in our Global Exploitation Cinemas series with a collection on Grindhouse (p.11) and a history of vintage pornography, Disposable Passions (p.11). Our Film Theory in Practice series – marrying one theory with one movie – continues with the release of Feminist Film Theory and Cléo from 5 to 7 (p.7), Critical Race Theory and Bamboozled (p.7) and Fredric Jameson and The Wolf of Wall Street (p.7). We also have Peter Jackson (p.9) launching our Bloomsbury Companions to Contemporary Filmmakers reference series, and Production Sound Mixing (p.3) in The Cinetech Guides to the Film Crafts series. Look out for the cultural biography – on the world’s first modern celebrity – Elizabeth Taylor (p.14), and the long-awaited updated and revised edition of Toms, Coons, Mulattoes, Mammies and Bucks (p.10). Finally, learn how to rewrite your screenplay from the man who wrote such movies as Dick Tracy, Top Gun and The Secret of My Success, Screenwriting is Rewriting (p.3). We also have some exciting new additions to the animation and game design lists under the Fairchild Books imprint, with new editions of two of our best-selling texts The Fundamentals of Animation (p.18) by Paul Wells and Samantha Moore and Animated Performance: Bringing Imaginary Animal, Human and Fantasy Characters to Life (p.18) by Nancy Beiman. Amongst our new titles we have Sketching for Animation: Developing Ideas, Characters and Layouts in Your Sketchbook (p.18) by Peter Parr, offering exclusive insights into the sketchbooks of top animators including Glen Keane, Uli Meyer, John Canemaker and Tori Davis. We are also delighted to launch our practical game design list with Video Game Design: Principles and Practices from the Ground Up (p.17) by Michael Salmond and Video Games: An Introduction to the Industry (p.17) by Andy Bossom and Ben Dunning.

Digital Highlights EBooks are now available direct for your e-reader: purchase from www.bloomsbury.com. In addition to several thousand eBooks, we publish a range of digital subscription services, including Bloomsbury Collections, the Churchill Archive, Drama Online, and the Berg Fashion Library. Sign up on www.bloomsbury.com for news on these and the forthcoming Bloomsbury Popular Music (see inside back cover), Bloomsbury Food, Design and Architecture Libraries, Fairchild Books Library, and Fashion Photography Archive. Our eBooks platform Bloomsbury Collections delivers instant access to quality research and provides libraries with a flexible way to build their collections across the humanities and social sciences without DRM. More than 4,000 eBook titles are now available on perpetual access, featuring content from Bloomsbury’s latest research publications as well as a 100+ year legacy from Continuum, T&T Clark, Bristol Classical Press, Berg, Hart Publishing and The Arden Shakespeare (excluding the plays, which are available on Drama Online). Sign up for an institutional trial or updates at www.bloomsburycollections.com.

About Bloomsbury Academic & Professional Publishing c.1,400 books a year, with a backlist of 20,000 titles, the division includes the active imprints of Bloomsbury Academic, The Arden Shakespeare, Methuen Drama, T&T Clark, Hart and Fairchild Books, and the historic imprints of Berg Publishers, Bristol Classical Press, Duckworth Academic, Continuum, and AVA Books. The division won Academic & Professional Publisher of the Year in both 2013 and 2014 at The Bookseller Annual UK Industry awards, and was awarded the Independent Publishers Guild awards for Independent Publisher of the Year and Academic & Professional Publisher of the Year in 2013. Bloomsbury is committed to academic excellence, peer review, the quality of our authors, digital publishing, speed to market and innovation. We hope you enjoy reading our latest catalogue. Katie Gallof

Georgia Kennedy

Senior Acquisitions Editor, Film & Media

Editorial Manager, Fairchild Books (UK)

katie.gallof@bloomsbury.com

georgia.kennedy@bloomsbury.com

bloomsburyfilmandmedia.typepad.com

@bloomsburymedia

Bloomsbury Academic

www.bloomsbury.com/filmandmedia

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Art History for Filmmakers

Visual Storytelling in Film and Television

The Art of Visual Storytelling

Jane Barnwell, University of Westminster, UK

Gillian McIver, SAE Institute, USA

Production Design for Screen provides filmmakers with an inspiring, yet practical look at the process of designing for screen. Using real-world projects as examples, five key design elements are explored in detail; namely light, color, space, character positioning and set dressing. From constructing sets through to choosing locations, this book reveals how the designer is crucial in the creation of place, character and narrative. Includes case studies and interviews from designers such as Stuart Craig (Harry Potter, Notting Hill, The English Patient) and Eve Stewart (The King's Speech, Les Misérables). UK December 2016 • US January 2017 • 224 pages • 200 colour illus PB 9781472580672 • £29.99 / $49.95 Individual eBook 9781474254786 • £29.99 / $38.99 Library eBook 9781472580689 Series: Required Reading Range • Fairchild Books

“A ground-breaking textbook that illustrates how art history can serve as a template for understanding the visual aspects of film art.” Angela Giron, Arizona State University, USA Art History for Filmmakers shows how images from art can be used by filmmakers to establish period detail, and to demonstrate composition, color theory and lighting. Paintings by artists such as Rembrandt, Caravaggio, Hogarth, Goya and Hokusai are juxtaposed against stills from classic films. In-depth case studies explore the links between art and cinema through the work of highprofile filmmakers, including Peter Greenaway, Jack Cardiff, Martin Scorsese, Guillermo del Toro and Quentin Tarantino. UK March 2016 • US April 2016 • 256 pages • 200 colour illus PB 9781472580658 • £34.99 / $49.95 Individual eBook 9781474246200 • £29.99 / $38.99 Library eBook 9781472580665 Series: Required Reading Range • Fairchild Books

Production Sound Mixing The Art and Craft of Sound Recording for the Moving Image John J. Murphy, Sound Operator and Director of Cinematography, USA Structured to mimic a 14-week semester, each chapter begins with an audio problem and concludes with suggested scenes from movies that demonstrate the relevant audio techniques. Equally applicable for both studio and location recording, the book is oriented toward commonly accessible environments such as conference rooms, hallways, beaches, car interiors, and bathrooms. The intent is to allow the student to make the best of a location no matter how challenging it might be. With real world applications and a narrative to keep the reader’s interest, Production Sound Mixing is the indispensable guide for film, video and television audio recording. UK January 2016 • US December 2015 • 240 pages • 280 bw illus PB 9781501307089 • £19.99 / $29.95 • HB 9781501307096 • £80.00 / $120.00 Individual eBook 9781501307102 • £20.99 / $25.99 Library eBook 9781501307126 Series: The CineTech Guides to the Film Crafts • Bloomsbury Academic

Beyond the Bottom Line The Producer in Film and Television Studies Edited by Andrew Spicer, University of the West of England, UK, Anthony McKenna, University of Nottingham in Ningbo, China & Christopher Meir, University of the West Indies, St. Augustine, Trinidad and Tobago

F ilm P roduction and S creenwriting

Production Design for Screen

This is the first collection of original critical essays devoted to exploring the misunderstood, neglected, and frequently caricatured role played by the film producer. The detailed essays in this collection explore a broad, diverse range of producers working in different historical, geographical, and industrial contexts. Overall, this groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students. UK January 2016 • US January 2016 • 304 pages • 30 bw illus PB 9781501317774 • £26.99 / $39.95 Previously published in HB 9781441172365 Individual eBook 9781441162885 • £27.99 / $34.99 Library eBook 9781441125125 Bloomsbury Academic

Writing the Comedy Movie Marc Blake, Southampton Solent University, UK In Writing the Comedy Movie, Marc Blake lays out— in an entertainingly readable style—the practical nuts and bolts of comedy screenwriting. He clarifies the "rules" of comedy, contextualizing comedy staples such as the double act, slapstick, gross out, rom com, screwball, satire and parody. He also explains the underlying principles of comedy and comedy writing for the screen, along with providing analysis of leading examples in each sub-genre, step-by-step writing exercises and interviews with seasoned producers, directors, writers and proponents of the craft. UK January 2016 • US December 2015 • 272 pages PB 9781628925951 • £18.99 / $27.95 • HB 9781501316340 • £60.00 / $90.00 Individual eBook 9781628925937 • £19.99 / $24.99 Library eBook 9781628925920 Bloomsbury Academic

Screenwriting is Rewriting The Art and Craft of Professional Revision Jack Epps, Jr., University of Southern California, USA In Screenwriting is Rewriting, Epps provides a practical and tested approach to organizing notes, creating a game plan, and executing a series of focused passes that address the story, character, theme, structure, and plot issues. Included are sample notes, game plans, and beat sheets from Epps’ work on films such as Sister Act and Turner and Hooch. Also featured are exclusive interviews with Academy Award winning screenwriters Robert Towne (Chinatown) and Frank Pierson (Dog Day Afternoon), along with Academy Award nominee Susannah Grant (Erin Brockovich). UK January 2016 • US January 2016 • 360 pages • 15 bw illus PB 9781628927405 • £13.99 / $19.95 • HB 9781628927399 • £50.00 / $75.00 Individual eBook 9781628927382 • £13.99 / $16.99 Library eBook 9781628927368 Bloomsbury Academic

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W orld C inema

The Total Art

Euro-Visions

Italian Cinema from Silent Screen to Digital Image

Europe in Contemporary Cinema

Edited by Joseph Luzzi, Bard College, USA Drawing on the expertise of the leading Italian film scholars, such as Giorgio Bertellini and Geoffrey Nowell-Smith, this is the first multi-author volume to consider the entirety of a nation's cinematic history. The Total Art explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema. UK September 2016 • US September 2016 • 288 pages • 30 bw illus PB 9781441195616 • £19.99 / $34.95 • HB 9781441174932 • £65.00 / $120.00 Individual eBook 9781441147561 • £24.99 / $30.99 Library eBook 9781441186423 Bloomsbury Academic

Mariana Liz, University of Leeds, UK Euro-Visions explores the idea of Europe represented and constructed by contemporary European cinema. Adopting a broad and wideranging approach, Euro-Visions mixes political sources, historical documents and filmic texts and integrates policy and economic contexts with textual analysis. Mariana Liz examines costume dramas, biopics and war films, mainstream co-productions and tales of ‘Fortress Europe’ by renowned auteurs, showing how films from different European nations depict and contribute to the formation of the idea of Europe. Case studies include Girl with a Pearl Earring, La Vie en Rose, Black Book, Good Bye Lenin!, Match Point and The Edge of Heaven. UK September 2016 • US September 2016 • 224 pages • 40 bw illus PB 9781628923025 • £19.99 / $29.95 • HB 9781628923018 • £66.00 / $100.00 Individual eBook 9781628922998 • £20.99 / $25.99 Library eBook 9781628922974 Bloomsbury Academic

The Multilingual Screen New Reflections on Cinema and Linguistic Difference Edited by Tijana Mamula, John Cabot University, Italy & Lisa Patti, Hobart and William Smith Colleges, USA The Multilingual Screen explores the place of multilingualism in cinema, investigating how linguistic difference and exchange have shaped, and continue to shape, the medium’s history. Moving across a vast array of geographic, historical, and theoretical contexts, the essays in this collection address the aesthetic, political, and industrial significance of multilingualism in film production and reception. Each contribution provokes a re-evaluation of cinema’s relation to language, employing various theoretical frameworks and providing a multitude of international case studies, along with an interview with Roman Polanski, whose filmography affords one of the most theoretically fertile negotiations of the perceptual dynamics of linguistic displacement. UK June 2016 • US June 2016 • 336 pages • 25 bw illus PB 9781501302879 • £23.99 / $34.95 • HB 9781501302886 • £80.00 / $120.00 Individual eBook 9781501302855 • £24.99 / $30.99 Library eBook 9781501302862 Bloomsbury Academic

The Journalist in British Fiction and Film Guarding the Guardians from 1900 to the Present Sarah Lonsdale, City University, London, UK Sarah Lonsdale traces the ways in which journalists and newspapers have been depicted in fiction, theatre and film. The book asks how journalists were represented in various distinct periods of the 20th century and attempts to explain why these representations vary so widely. This is a history of the British press, told not by historians and sociologists, but by writers and directors as well as journalists themselves. Within these texts and films there is perhaps a clue as to how the best aspects of ‘Fourth estate’ journalism can survive in the digital age. UK July 2016 • US July 2016 • 272 pages PB 9781474220545 • £19.99 / $29.95 • HB 9781474220538 • £65.00 / $112.00 Individual eBook 9781474220552 • £19.99 / $25.99 Library eBook 9781474220569 Bloomsbury Academic

Global Genres, Local Films Deeper than Oblivion Trauma and Memory in Israeli Cinema Edited by Raz Yosef, Tel-Aviv University, Israel & Boaz Hagin, Tel Aviv University, Israel "Deeper Than Oblivion is an ambitious project that explores the representation of personal and collective traumas in Israeli cinema . . . [The book] does not simply constitute an introductory volume to key tropes in Israeli cinema, but presents a refreshingly in-depth study of questions of personal recollection, and collective and cultural memory . . . Yosef and Hagin have perfectly pitched their study." - Elena Caoduro, University of Southampton, UK, Historical Journal of Film, Television and Radio, vol. 32 UK May 2016 • US May 2016 • 384 pages • 20 bw illus PB 9781501319617 • £26.99 / $39.95 Previously published in HB 9781441162199 Individual eBook 9781441199263 • £94.99 / $116.99 Library eBook 9781441174970 Bloomsbury Academic

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The Transnational Dimension of Spanish Cinema Edited by Elena Oliete-Aldea, University of Zaragoza, Spain, Beatriz Oria, University of Zaragoza, Spain & Juan A. Tarancón, University of Zaragoza, Spain Global Genres, Local Films reaches beyond the limits of the film text and analyses and contextualizes the impact of global film trends and genres on Spanish cinema in order to study how they helped articulate specific national challenges from the conflict between liberalism and tradition in the first decades of the 20th century to the management of the contemporary financial crisis. This collection provides the first comprehensive picture of the complex national and supranational forces that have shaped Spanish films. UK December 2015 • US December 2015 • 296 pages PB 9781501320163 • £19.99 / $29.95 • HB 9781501302985 • £80.00 / $120.00 Individual eBook 9781501303005 • £87.99 / $107.99 Library eBook 9781501302992 Bloomsbury Academic

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Series Editor: Armida de la Garza, University College Cork, UK Topics and Issues in National Cinema seeks to explore national cinemas from a novel perspective by focusing on specific topics and issues arising in the various national contexts, instead of surveying the film production of a given country. For more titles in this series, see p. 21

Aesthetics of Displacement

Cypriot Cinemas

Turkey and its Minorities on Screen

Memory, Conflict, and Identity in the Margins of Europe

Ozlem Koksal, University of Westminster, UK Looking at films that represent the experience of displacement in relation to Turkey’s minorities, Aesthetics of Displacement argues that there is a particular aesthetic continuity among the otherwise unrelated films. Ozlem Koksal focuses on films that bring taboo issues concerning the repression of minorities into visibility, arguing that the changing political and social conditions determine not only the types of stories told but also the ways in which these stories are told. Focusing on aesthetic and narrative continuities, the films discussed include Ararat, Waiting for the Clouds and Once Upon a Time in Anatolia among others. UK January 2016 • US January 2016 • 248 pages • 20 bw illus PB 9781501320187 • £19.99 / $29.95 • HB 9781501306464 • £80.00 / $120.00 Individual eBook 9781501306495 • £87.99 / $107.99 Library eBook 9781501306488 Series: Topics and Issues in National Cinema • Bloomsbury Academic

Divine Work Japanese Colonial Cinema and its Legacy Kate Taylor-Jones, The University of Sheffield, UK Central to Kate Taylor-Jones’ ‘Divine Work’: Japanese Colonial Cinema and its Legacy are the key points of defining ‘The Greater East Asian Film Sphere’ (GEAFS) and analyzing how the it implemented and theorized its ideas by those in power from the late 1930s to the end of the Pacific War (1945). With discussions of films prior to the war, (Manchurian Girl (1933), Fisherman's Fire (1939)) to coverage of films made through postwar contexts (City of Sadness (1989), Dou-san (1994)), Taylor-Jones invites exploration to discuss how cinema in the region needs to be understood in terms of past colonial relationships. UK October 2016 • US October 2016 • 304 pages • 15 bw illus HB 9781501306129 • £80.00 / $120.00 Individual eBook 9781501306136 • £87.99 / $107.99 Library eBook 9781501306143 Series: Topics and Issues in National Cinema • Bloomsbury Academic

Italian Style Fashion & Film from Early Cinema to the Digital Age Eugenia Paulicelli, Queens College and the CUNY Graduate Center, USA Focusing on a number of crucial films and directors from the silent era to the present, this study offers, for the first time, an in-depth exploration of the interaction between fashion and Italian cinema. Through the lens of fashion, the study revisits the films of some of Italy's most important film-makers, such as Antonioni, Fellini, Visconti, and others, ranging from films as old as Mario Oxilia's silent Rapsodia Satanica (1917) to Luca Guadagnino's I am Love (2009). UK September 2016 • US September 2016 • 208 pages • 30 bw illus HB 9781441189158 • £65.00 / $120.00 Individual eBook 9781623568580 • £87.99 / $107.99 Library eBook 9781623566616 Series: Topics and Issues in National Cinema • Bloomsbury Academic

W orld C inema

Topics and Issues in National Cinema

Edited by Costas Constandinides, University of Nicosia, Cyprus & Yiannis Papadakis, University of Cyprus, Cyprus "By introducing this neglected and complex topic in such a wide-ranging and pluralist volume, the editors have achieved a very critical balance: their careful thematic and methodological choices have ensured the discussion is both organized and inclusive ... [T]his ambitious and surprisingly fresh work makes a significant and very welcome contribution." - FILMICON: Journal of Greek Film Studies UK May 2016 • US May 2016 • 264 pages • 15 illus PB 9781501319969 • £23.99 / $34.95 Previously published in HB 9781623561314 Individual eBook 9781623560027 • £87.99 / $107.99 Library eBook 9781623564605 Series: Topics and Issues in National Cinema • Bloomsbury Academic

Film Music in 'Minor' National Cinemas Edited by Germán Gil-Curiel, Sino-British College, China Broad in scope, Film Music in 'Minor' National Cinemas includes chapters that analyze the contribution of specific composers and songwriters to their national cinemas, and the way music works in films dealing with national narratives or issues; the role of music in the shaping of national stars and specific use of genres; audience reception of films on national music traditions; and the use of music in emerging digital video industries. UK April 2016 • US February 2016 • 264 pages • 26 bw illus PB 9781501320224 • £19.99 / $29.95 • HB 9781628926675 • £80.00 / $120.00 Individual eBook 9781628929836 • £87.99 / $107.99 Library eBook 9781628921953 Series: Topics and Issues in National Cinema • Bloomsbury Academic

Cinematic Homecomings Exile and Return in Transnational Cinema Edited by Rebecca Prime, Independent Scholar, USA Cinematic Homecomings expands upon existing studies of transnational cinema by addressing the questions raised by reverse migration and the return home in a variety of historical and national contexts, from postcolonialism to post-Communism. By looking beyond exile, the contributors offer a multidirectional perspective on the relationship between migration, mobility, and transnational cinema. UK May 2016 • US May 2016 • 336 pages • 30 bw illus PB 9781501319952 • £26.99 / $39.95 Previously published in HB 9781441124470 Individual eBook 9781441106933 • £94.99 / $116.99 Library eBook 9781441101075 Bloomsbury Academic

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W orld C inema / F ilm T heory

China's iGeneration

Bollywood in Britain

Cinema and Moving Image Culture for the Twenty-First Century

Cinema, Brand, Discursive Complex

Edited by Matthew D. Johnson, Grinnell College, USA, Keith B. Wagner, Hongik University in Seoul, South Korea, Kiki Tianqi Yu, University of Nottingham in Ningbo, China & Luke Vulpiani, King’s College London, UK "China’s iGeneration … demonstrates the transformation and development of Chinese Cinema from different perspectives through essays written by both Chinese and non- Chinese writers … [This book] presents the ‘new’ generation through its cinematic point of view and provides readers with a fresh perspective on this great nation." Chika Okuyama, Film Matters UK November 2015 • US November 2015 • 368 pages • 10 illus PB 9781501315749 • £28.99 / $42.95 Previously published in HB 9781623565954 Individual eBook 9781623568474 • £30.99 / $37.99 Library eBook 9781623563127 Bloomsbury Academic

Lucia Krämer, Passau University, Germany Bollywood in Britain provides the most extensive survey to date of the various manifestations and facets of the Bollywood phenomenon in Britain. The book analyses the role of Hindi films in the British film market, it shows how audiences engage with Bollywood cinema and discusses the ways the image of Bollywood in Britain has been shaped. On this basis Bollywood in Britain demonstrates that the presentation of Bollywood for British mainstream culture oscillates between moments of approximation and distancing, with a clear dominance of the latter. UK June 2016 • US June 2016 • 288 pages • 10 bw illus HB 9781501307614 • £80.00 / $120.00 Individual eBook 9781501307591 • £87.99 / $107.99 Library eBook 9781501307584 Bloomsbury Academic

Thinking Cinema Series Editors: Sarah Cooper, King's College London, UK and David Martin-Jones, University of Glasgow, UK Covering a wide range of topics in cinema such as mortality, destruction, and extremity, the books in this series are distinguishable by their enhancement of scholarly knowledge by thinking with, about, or through cinema.

Deleuze, Japanese Cinema, and the Atom Bomb The Spectre of Impossibility David Deamer, Manchester Metropolitan University, UK In Deleuze, Japanese Cinema, and the Atom Bomb, David Deamer explores how Japanese films responded to and were transformed by the atomic bombings of Hiroshima and Nagasaki. From the early days of American occupation and political censorship through to the social and cultural freedom of the 1960s and beyond, Deleuze, Japanese Cinema, and the Atom Bomb examines how images of the event permeate postwar Japanese cinema. UK January 2016 • US January 2016 • 344 pages • 78 illus PB 9781501317736 • £19.99 / $29.95 Previously published in HB 9781441178152 Individual eBook 9781441145895 • £20.99 / $25.99 Library eBook 9781441149091 Series: Thinking Cinema • Bloomsbury Academic

Ex-centric Cinema Giorgio Agamben and Film Archaeology Janet Harbord, Queen Mary, University of London, UK

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Afterlives Allegories of Film and Mortality in Early Weimar Germany Steve Choe, San Francisco State University, USA "Providing a mixture of philosophical, historical, and aesthetic analyses, the author interrogates films such as The Golem, Destiny, and The Nibelungen as engaging in particular modes of philosophical thinking about postwar themes including loss, life, death, and utopia. [Engaging with] philosophers like Bergson, Freud, Heidegger, Simmel, Deleuze, and Gunning ... this work will be useful for scholars of early-20th-century thought as well as Weimar cinema and film theory." - J. O. Wipplinger, North Carolina State University, USA, CHOICE UK January 2016 • US January 2016 • 288 pages • 40 bw illus PB 9781501317729 • £19.99 / $29.95 Previously published in HB 9781441175380 Individual eBook 9781441145208 • £20.99 / $25.99 Library eBook 9781441186454 Series: Thinking Cinema • Bloomsbury Academic

The Grace of Destruction A Vital Ethology of Extreme Cinemas Elena del Río, University of Alberta, Canada

Through the writings of philosopher Giorgio Agamben, Ex-centric Cinema argues that whilst we have a century-long tradition of cinema, the potential of cinema to privilege the non-human is not lost, but unexplored. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema.

Drawing inspiration from Deleuze’s ethics of immanence, Spinoza’s ethology of passions, and Nietzsche’s typology of forces, The Grace of Destruction examines the affective extremities common in much of global, contemporary cinema to argue that extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema but also constitutes a critique of the socio-moral system that produces such violence.

UK October 2016 • US October 2016 • 224 pages • 10 bw illus PB 9781628922417 • £19.95 / $29.95 • HB 9781628922424 • £74.00 / $110.00 Individual eBook 9781628922400 • £20.99 / $25.99 Library eBook 9781628922387 Series: Thinking Cinema • Bloomsbury Academic

UK May 2016 • US May 2016 • 288 pages HB 9781501303029 • £80.00 / $120.00 Individual eBook 9781501303050 • £87.99 / $107.99 Library eBook 9781501303043 Series: Thinking Cinema • Bloomsbury Academic

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Series Editor: Todd McGowan, University of Vermont, USA The Film Theory in Practice series fills a gaping hole in the world of film theory by marrying the explanation of film theory with interpretation of a film. Each volume deals with a single theory and a single film, with the aim of providing a discrete example of how film theory can serve as the basis for textual analysis. Educating the reader about film theory while also providing an original reading of an important film, these volumes are designed with film theory courses in mind but will also be useful for introductory film classes and for general readers. “In this useful entry in Bloomsbury’s Film Theory in Practice series, Neroni (The Subject of Torture) clearly and helpfully explains concepts that are important to feminist film theory, using French director Agnès Varda’s 1962 film Cléo from 5 to 7 as a case study … Cléo is a rich subject for study, and the author’s analysis is nuanced … the work’s accessibility makes this an invaluable primer on film theory. One hopes the rest of the series is just as well executed and that Neroni’s voice will often be heard in future.” – Publishers Weekly

F ilm T heory

Film Theory in Practice

For more in this series, see p. 21

Feminist Film Theory and Cléo from 5 to 7

Feminist Film Theory and Pretty Woman

Hilary Neroni, University of Vermont, USA

Mari Ruti, Harvard University, USA

Feminist Film Theory and Cléo from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cléo from 5 to 7. Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. Through three key concepts—identification, framing the woman’s body, and the female auteur—Neroni lays bare the debates and approaches within the vibrant history of feminist film theory. Neroni also explains the politics and history of the word “feminism,” and ends with a brief account of how female filmmakers, including Agnes Varda, feel about this moniker. UK March 2016 • US January 2016 • 168 pages PB 9781501313691 • £13.99 / $19.95 • HB 9781501313684 • £50.00 / $75.00 Individual eBook 9781501313714 • £13.99 / $16.99 Library eBook 9781501313707 Series: Film Theory in Practice • Bloomsbury Academic

Fredric Jameson and The Wolf of Wall Street Clint Burnham, Simon Fraser University, Canada Fredric Jameson and The Wolf of Wall Street offers an introduction to the film theories of Fredric Jameson, one of the world’s foremost Marxist critics. These ideas are then brought to life with a critique of Martin Scorsese’s The Wolf of Wall Street, a film that shows in all its glory the excesses, lunacies, and inner workings of 1990s finance capitalism. As a narrative of American success, The Wolf of Wall Street is also a film about failure. Fredric Jameson and The Wolf of Wall Street is a book about a contemporary film, and contemporary events, and contemporary theory. UK October 2016 • US October 2016 • 192 pages PB 9781501308345 • £13.99 / $19.95 • HB 9781501308338 • £50.00 / $75.00 Individual eBook 9781501308352 • £13.99 / $16.99 Library eBook 9781501308369 Series: Film Theory in Practice • Bloomsbury Academic

Feminist Film Theory and Pretty Woman offers a concise introduction to feminist film theory since the 1970s until the present day. Mari Ruti traces the development of feminist film theory from its foundational concepts such as the male gaze, female spectatorship, and the masquerade of femininity to twenty-first century analyses of neoliberal capitalism, consumerism, postfeminism, and the revival of “girly” femininity as a cultural ideal. By interpreting Pretty Woman as a movie that defies easy categorization as either feminist or antifeminist, the book counters the all-too-common critical dismissal of romantic comedies as mindless drivel preoccupied with trivial “feminine” concerns such as love and shopping. UK October 2016 • US October 2016 • 192 pages PB 9781501319464 • £13.99 / $19.95 • HB 9781501319426 • £50.00 / $75.00 Individual eBook 9781501319433 • £13.99 / $16.99 Library eBook 9781501319440 Series: Film Theory in Practice • Bloomsbury Academic

Critical Race Theory and Bamboozled Alessandra Raengo, Georgia State University, USA The most common approach to issues of “race” and “otherness” continues to focus primarily on questions of positive vs. negative representations and stereotype analysis. Critical Race Theory/ Discourse, instead, designates a much deeper reflection on the constitutive role of race in the legal, social, and aesthetic formations of US culture, including the cinema, where Spike Lee's Bamboozled provides endless examples for discussion and analysis. Critical Race Theory and Bamboozled is the first to connect usually specialized considerations of race to established fields of inquiry in the humanities, particularly those concerned with issues of representation, capital, power, affect, and desire. UK October 2016 • US October 2016 • 192 pages PB 9781501305795 • £13.99 / $19.95 • HB 9781501305801 • £50.00 / $75.00 Individual eBook 9781501305832 • £13.99 / $16.99 Library eBook 9781501305818 Series: Film Theory in Practice • Bloomsbury Academic

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F ilm T heory

The Act of Documenting

The Global Auteur

Documentary Film in the 21st Century

The Politics of Authorship in 21st Century Cinema

Brian Winston, University of Lincoln, UK, Gail Vanstone, York University, Canada & Wang Chi, University of Lincoln, UK The Act of Documenting argues for nothing less than a fresh start for the documentary. Already it has escaped from the hegemony of Direct Cinema observationalism, but now “post-documentary hybridity” in its late 20th century form faces newer challenges: digital image manipulation; jaded audiences; interactivity. Authored by a leading figure in the field, Brian Winston – along with Gail Vanstone and Wang Chi – goes beyond the Anglophone framework of documentary studies to reflect a new hybridity – not between fact and fiction, but between mainstream documentary and its alternatives. UK September 2016 • US September 2016 • 224 pages PB 9781501309175 • £19.99 / $29.95 • HB 9781501309168 • £66.00 / $100.00 Individual eBook 9781501309182 • £20.99 / $25.99 Library eBook 9781501309199 Bloomsbury Academic

Edited by Seung-hoon Jeong, New York University Abu Dhabi, UAE & Jeremi Szaniawski, Korea National University of Arts, Republic of Korea The Global Auteur re-examines the auteur, often depicted as a politically isolated and romantic figure of aesthetic individualism. Investigating established and emerging figures of world art cinema, the contributors to this volume show how politics and philosophy, even as they seem to have vanished from the mainstream, are still present in the works of these important filmmakers. Including world-renowned scholars, such as Fredric Jameson and Thomas Elsaesser, covering a range of global auteurs, such as Lars von Trier, Wes Anderson, Lee Changdong and Claire Denis, The Global Auteur provides a much-needed reassessment of the figure of the film auteur for the global age. UK June 2016 • US June 2016 • 384 pages • 40 bw illus HB 9781501312625 • £86.00 / $130.00 Individual eBook 9781501312656 • £94.99 / $116.99 Library eBook 9781501312649 Bloomsbury Academic

Cinematic Chronotopes Here, Now, Me Pepita Hesselberth, Leiden University, the Netherlands In this study, Pepita Hesselberth traces this thickening of time across four different spatiotemporal configurations of the cinematic: a multimedia exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing. UK December 2015 • US December 2015 • 208 pages • 85 bw illus PB 9781501316104 • £19.99 / $29.95 Previously published in HB 9781623567668 Individual eBook 9781623566470 • £20.99 / $25.99 Library eBook 9781623569501 Bloomsbury Academic

Cinema of Simulation Hyperreal Hollywood in the Long 1990s Randy Laist, Goodwin College, US Clinton-era cinema is characterized by a prevailing mood of hyperrealism, communicated in various ways by such benchmark films as JFK, Pulp Fiction, and The Matrix. The hyperreal cinema of the 1990s conceives of the movie screen as neither a window on a preexisting social reality (realism), nor as a wormhole into a fantastic dream-dimension (escapism), but as an arena in which images and reality exchange masks, blend into one another, and challenge the philosophical premises which differentiate them from one another. Cinema of Simulation provides a guided tour through the anxieties and fantasies, reciprocally social and cinematic, which characterize the surreal territory of the hyperreal. UK September 2016 • US September 2016 • 272 pages • 20 bw illus PB 9781501320033 • £19.99 / $29.95 Previously published in HB 9781628920796 Individual eBook 9781628920819 • £87.99 / $107.99 Library eBook 9781628920802 Bloomsbury Academic

Alien Imaginations Science Fiction and Tales of Transnationalism Edited by Ulrike Küchler, Freie Universität Berlin, Germany, Silja Maehl, Brown University, USA & Graeme A. Stout, University of Minnesota, USA Alien Imaginations brings together canonical and contemporary works in the literature and cinema of science fiction and transnationalism. By examining the role of the alien through the themes of language, anxiety, and identity, the essays in this collection, which are accompanied by a Foreword by Dame Gillian Beer, engage with authors such as H. G. Wells, Eleanor Arnason, Philip K. Dick, and Yoko Tawada as well as directors such as Neill Blomkamp, James Cameron, and Michael Winterbottom. UK July 2016 • US July 2016 • 272 pages PB 9781501319976 • £23.99 / $34.95 Previously published in HB 9781628921151 Individual eBook 9781628921168 • £87.99 / $107.99 Library eBook 9781628921175 Bloomsbury Academic

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Series Editor: Scott Wilson, Unitec Institute of Technology, New Zealand The volumes in The Bloomsbury Companions to Contemporary Filmmakers series provide concise overviews of the works of a number of familiar and, perhaps more importantly, unfamiliar or excluded contemporary filmmakers. Contributing to contemporary film scholarship in a positive and progressive fashion, each volume guides the reader through the work of a specific filmmaker, his or her historical and critical contexts, key collaborators, and major themes via a series of original essays. In this fashion, the series not only provides readers with a detailed map of each filmmaker's entire cinematic output, but also critically explores both the filmmaker and his or her oeuvre.

Peter Jackson

F ilm D irectors

The Bloomsbury Companions to Contemporary Filmmakers

Alfio Leotta, Victoria University of Wellington, New Zealand Peter Jackson is the first book to combine an extensive biography of the New Zealand movie-maker with an in-depth critical analysis of his films, thus providing readers with the most comprehensive examination of Jackson's body of work. Leotta connects the examination of Jackson's work and career to significant academic debates, including the relationship between national cinema and global Hollywood; global dispersion of film production and transnational cinema; the relationship between film authorship and industrial modes of production; the redefinition of genre conventions; the impact of the creative industries on the construction of national identity; and new developments in film technology. UK December 2015 • US December 2015 • 304 pages HB 9781623566531 • £100.00 / $150.00 Individual eBook 9781623569488 • £109.99 / $134.99 Library eBook 9781623560966 Series: The Bloomsbury Companions to Contemporary Filmmakers • Bloomsbury Academic

Hitchcock's Appetites

Authoring Hal Ashby

The Corpulent Plots of Desire and Dread

The Myth of the New Hollywood Auteur

Casey McKittrick, Western Michigan University, USA

Aaron Hunter, Queen's University, Belfast, UK

In Hitchcock’s Appetites, Casey McKittrick offers the first book-length study of the relationship between Hitchcock’s body size and his cinema. Whereas most critics and biographers of the great director are content to consign his large figure and larger appetite to colorful anecdotes of his private life, McKittrick argues that our understanding of Hitchcock’s films, his creative process, and his artistic mind are incomplete without considering his lived experience as a fat man. McKittrick also suggests that longstanding critical debates about the role of gender and sexuality in the director’s works benefit from this closer examination of Hitchcock’s own embodied experience. UK July 2016 • US July 2016 • 208 pages • 24 bw illus HB 9781501311659 • £74.00 / $110.00 Individual eBook 9781501311635 • £79.99 / $98.99 Library eBook 9781501311628 Bloomsbury Academic

Darren Aronofsky’s Films and the Fragility of Hope Jadranka Skorin-Kapov, Stony Brook University, USA Darren Aronofsky’s Films and the Fragility of Hope offers the first sustained analysis of the current oeuvre of the film director, screenwriter, and producer Darren Aronofsky. Including Pi (1998), Requiem for a Dream (2000), The Fountain (2006), The Wrestler (2008), Black Swan (2010), and Noah (2014), Aronofsky’s filmography is discussed with respect to his style and the themes of his films, making excellent connections with the work of other directors, movies and works of art, and other disciplines (math, philosophy, psychology, and art history). Concluding with an interview with Aronofsky himself, Jadranka Skorin-Kapov provides a much-needed study on this American auteur. UK November 2015 • US November 2015 • 216 pages • 15 bw illus PB 9781501320156 • £19.99 / $29.95 • HB 9781501306976 • £74.00 / $110.00 Individual eBook 9781501306983 • £79.99 / $98.99 Library eBook 9781501306990 Bloomsbury Academic

Casting fresh light on New Hollywood—one of American cinema’s most fertile eras—Authoring Hal Ashby demonstrates how the auteur paradigm has served not only to diminish several key films and filmmakers of the era, but also to underestimate and undervalue the key contributions to the era’s films of cinematographers, editors, writers and other creative crew members. Using Hal Ashby (Harold and Maude, Shampoo, Being There) as a larger framework on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood cinema’s most exciting eras and one of its most vital filmmakers. UK August 2016 • US August 2016 • 240 pages • 12 bw illus HB 9781501308437 • £80.00 / $120.00 Individual eBook 9781501308451 • £87.99 / $107.99 Library eBook 9781501308444 Bloomsbury Academic

Ozu International Essays on the Global Influences of a Japanese Auteur Edited by Wayne Stein, University of Central Oklahoma, USA & Marc DiPaolo, Oklahoma City University, USA Inspired by the recent release of more than 15 Ozu DVDs in the Criterion Collection, covering every phase of his career at least in part, Ozu International helps to fill a lingering gap in English-language scholarship on Ozu by giving this new generation of scholars a book-length forum to explore new critical perspectives on an unfairly neglected director. Contributions include specialists in Japanese culture, academics from a range of disciplines, and professional films critics. UK September 2016 • US September 2016 • 224 pages • 35 bw illus PB 9781501320040 • £19.99 / $29.95 Previously published in HB 9781628922875 Individual eBook 9781628922899 • £87.99 / $107.99 Library eBook 9781628922882 Bloomsbury Academic

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R ace and G ender in F ilm and M edia

Toms, Coons, Mulattoes, Mammies, and Bucks An Interpretive History of Blacks in American Films, Updated and Expanded 5th Edition Donald Bogle, Lecturer and Author, USA This iconic study of black images in American motion pictures has been updated and revised, as Donald Bogle continues to enlighten us with his historical and social reflections on the relationship between African Americans and Hollywood. Noting the remarkable shifts that have come about in the new millennium as filmmakers examined America’s turbulent racial history, Bogle compellingly reveals the way in which the images of blacks in American movies have significantly changed—and also the shocking way in which those images have often remained the same. UK April 2016 • US February 2016 • 496 pages • 120 bw illus PB 9780826429537 • £19.99 / $29.95 Bloomsbury Academic

Poitier Revisited Reconsidering a Black Icon in the Obama Age Edited by Ian Gregory Strachan, College of The Bahamas, The Bahamas & Mia Mask, Vassar College, USA "Unlike much work on Poitier ... this volume [puts] the star in international context. Given Poitier's own international, cosmopolitan identity, such consideration is crucial, and Poitier Revisited does useful work in providing it." - Historical Journal of Film, Radio and Television Poitier Revisited offers a fresh interrogation of the social, cultural, and political significance of the Poitier oeuvre. This collection reconsiders his pivotal role in film and American race relations, arguing that even in this supposedly "post-racial" moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier's films are every bit as relevant today. UK May 2016 • US May 2016 • 288 pages • 25 bw illus PB 9781501319822 • £19.99 / $29.95 Previously published in HB 9781623564919 Individual eBook 9781623569235 • £87.99 / $107.99 Library eBook 9781623562977 Bloomsbury Academic

Women of Ice and Fire Gender, Game of Thrones and Multiple Media Engagements Edited by Anne Gjelsvik, Norwegian University of Science and Technology, Norway & Rikke Schubart, University of Southern Denmark, Denmark George R.R. Martin’s acclaimed fantasy series A Song of Ice and Fire is unique for its strong and multi-faceted female protagonists. The Game of Thrones universe challenges, exploits, yet also changes how we think of women and gender, not only in fantasy, but in Western culture in general. Divided into three sections addressing questions of adaptation from novel to television, female characters, and politics and female audience engagement within the GoT universe, Women of Ice and Fire analyzes gender in relation to female characters and topics such as genre, sex, violence, adaptation, and fan fictions and fan reviews. UK April 2016 • US April 2016 • 288 pages • 30 bw illus PB 9781501302909 • £19.99 / $29.95 • HB 9781501302893 • £80.00 / $120.00 Individual eBook 9781501302923 • £20.99 / $25.99 Library eBook 9781501302916 Bloomsbury Academic

Contemporary Masculinities in Fiction, Film and Television Brian Baker, Lancaster University, UK Contemporary Masculinities in Fiction, Film and Television analyzes representations of British and American masculinities of the period 2000-2010 in terms of mobility, trauma and the ideological constructions of subject and nation. Brian Baker offers accessible readings of contemporary filmic and literary texts, some considered for the first time. UK July 2016 • US July 2016 • 272 pages PB 9781501320095 • £23.99 / $34.95 Previously published in HB 9781623567477 Individual eBook 9781623567385 • £87.99 / $107.99 Library eBook 9781623569228 Bloomsbury Academic

Documenting Gendered Violence Representations, Collaborations, and Movements

Women in Politics and Media Perspectives from Nations in Transition Edited by Maria Raicheva-Stover, Washburn University, USA & Elza Ibroscheva, Southern Illinois University Edwardsville, USA This is the first collection to de-Westernize the scholarship on women, politics, and media, thus providing the reader with a rare insight into women’s agency in the political structures of emerging democracies. With 23 case studies and interviews from Latin America, sub-Saharan Africa, the Middle East and North Africa, Central and Eastern Europe, Asia, Russia and the former Soviet republics, this volume will be of interest to students, media scholars and policy makers from developed and emerging democracies. UK March 2016 • US March 2016 • 352 pages • 15 bw illus PB 9781501318986 • £26.99 / $39.95 Previously published in HB 9781628920871 Individual eBook 9781628921076 • £94.99 / $116.99 Library eBook 9781628921069 Bloomsbury Academic

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Edited by Lisa M. Cuklanz, Boston College, USA & Heather McIntosh, Notre Dame of Maryland University, USA Documenting Gendered Violence explores the intersections of documentary and gendered violence. Several contributors investigate representations through grounded textual analyses of key films and videos, including Sex Crimes Unit (2011), The Invisible War (2012),and other documentary texts including Youtube, photographs, and theater. Other chapters use analysis and interviews to explore how gender violence issues impact production and how these documentaries become part of collaborations and awareness movements. UK August 2016 • US August 2016 • 288 pages PB 9781501319990 • £23.99 / $34.95 Previously published in HB 9781628929997 Individual eBook 9781628923001 • £87.99 / $107.99 Library eBook 9781628921038 Bloomsbury Academic

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Series Editors: Johnny Walker, Northumbria University, UK and Austin Fisher, Bournemouth University, UK Global Exploitation Cinemas publishes original monographs and edited volumes that explore the highly dynamic area of international “exploitation” film production and consumption. Encompassing a broad range of contexts, from industry to audiences to cultural history, it considers filmic trends and traditions, the work of specific directors, producers, stars and audiences.

Disposable Passions

Grindhouse

Vintage Pornography and the Material Legacies of Adult Cinema

Cultural Exchange on 42nd Street, and Beyond

David Church, Indiana University, USA

Edited by Johnny Walker, Northumbria University, UK & Austin Fisher, Bournemouth University, UK

David Church argues that vintage pornography retains its retrospective fascination precisely because these culturally denigrated texts have been so poorly preserved on political and aesthetic grounds. Addressing both film historians and film preservationists, Disposable Passions explores the archival and historiographic lessons that vintage pornography can teach us about which materials our society chooses to keep, how we interact with these anachronistic forms, and who plays a role in keeping them alive today. UK September 2016 • US September 2016 • 288 pages • 20 bw illus PB 9781501307577 • £19.99 / $29.95 • HB 9781501307560 • £80.00 / $120.00 Individual eBook 9781501307546 • £20.99 / $25.99 Library eBook 9781501307539 Series: Global Exploitation Cinemas • Bloomsbury Academic

Grindhouse looks beneath the lurid marquees of 42nd street to tell the myriad stories at the heart of this transcultural process and illuminates a diverse collection of such films in their national, historical and cultural contexts. With an international contributor line-up, including David Church and Clarissa Smith, chapters cover exploitation films from Italy, India, and Australia, proving New York's grindhouses to be the place of cultural exchange towards the end of the 20th century. UK September 2016 • US September 2016 • 288 pages • 50 bw illus PB 9781628927498 • £19.99 / $29.95 • HB 9781628927474 • £80.00 / $120.00 Individual eBook 9781628927467 • £20.99 / $25.99 Library eBook 9781628927450 Series: Global Exploitation Cinemas • Bloomsbury Academic

Snuff

Surveillance and Film

Real Death and Screen Media

J. Macgregor Wise, Arizona State University, USA

Edited by Neil Jackson, University of Lincoln, UK, Shaun Kimber, Bournemouth University, UK, Johnny Walker, Northumbria University, UK & Thomas Joseph Watson, Teesside University, UK Snuff: Real Death and Screen Media brings together some of film and media studies’ leading voices to assess one of screen media’s most enduring cultural myths—the snuff film. Drawing on new research and theoretical perspectives, the contributions in this volume address areas ranging from exploitation movies, the video industry, trends in contemporary horror cinema, pornography, Web 2.0 and performance art in their quest to locate precisely where the cultural mythology of the snuff movie is situated within a twenty-first century mind-set. UK January 2016 • US January 2016 • 344 pages • 65 bw illus PB 9781628921120 • £23.99 / $34.95 • HB 9781628921144 • £80.00 / $120.00 Individual eBook 9781628921137 • £24.99 / $30.99 Library eBook 9781628921113 Bloomsbury Academic

Film and Television of the Late Soviet Era Elena Prokhorova, College of William and Mary, USA & Alexander Prokhorov, College of William and Mary, USA A brilliant overview of the film and television of the Soviet Union in the Stagnation period, shedding new light on the culture of the era. This ground-breaking work helps to deconstruct the myth of this era as a time of social stability and also helps us to understand the persistence of this myth in the contemporary Russian collective memory. UK September 2016 • US September 2016 • 288 pages • 30 bw illus PB 9781441134288 • £17.99 / $29.95 • HB 9781441177292 • £55.00 / $100.00 Individual eBook 9781501324093 • £20.99 / $25.99 Library eBook 9781501324086 Bloomsbury Academic

F ilm H istory

Global Exploitation Cinemas

The act of surveillance, both in actuality and in feature films, raises questions of ethics, trust, and control. How our films represent these themes is important to understanding the character of contemporary culture and society. Surveillance and Film provides the first overview of the subject by discussing the character of surveillance in everyday life, the types of surveillance we are subject to and by whom and introduces key themes and models of surveillance (drawing on Orwell, Foucault, and Deleuze). Geared toward the student reader, plot summaries and general information of each of the key films rounds out this engaging discussion. UK September 2016 • US September 2016 • 192 pages • 20 bw illus PB 9781628924855 • £16.99 / $24.95 • HB 9781628924848 • £54.00 / $80.00 Individual eBook 9781628924831 • £17.99 / $21.99 Library eBook 9781628924824 Bloomsbury Academic

The Environmental Documentary Cinema Activism in the 21st Century John A. Duvall, Dominican University of California, USA Duvall provides the first detailed coverage of the most important environmental films of the decade, from An Inconvenient Truth to The End of Suburbia, including their approach to their topics and their impacts on public opinion and political debate. The text examines the processes of production and distribution that have produced this explosion in documentaries. UK October 2016 • US October 2016 • 256 pages • 20 bw illus HB 9781441176110 • £70.00 / $130.00 Individual eBook 9781441197283 • £94.99 / $116.99 Library eBook 9781441122490 Bloomsbury Academic

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M edia T heory

Cultural Science

Skepticism Films

A Natural History of Stories, Demes, Knowledge and Innovation

Knowing and Doubting the World in Contemporary Cinema

John Hartley, Curtin University, Western Australia & Jason Potts, University of Queensland, Australia The term 'cultural science' marks the beginning of a new way of thinking about culture. Bringing together scholarship from across the humanities and social sciences, Hartley builds a new, evolutionary approach to how we research, and study, our culture by linking evolutionary and complexity theory in the natural sciences, economics and anthropology in the social sciences and cultural, communication and media studies in the humanities and creative arts. UK March 2016 • US March 2016 • 264 pages PB 9781474279239 • £16.99 / $29.95 Previously published in HB 9781849666022 Individual eBook 9781849666039 • £49.99 / $64.99 Library eBook 9781849666046 Bloomsbury Academic

Philipp Schmerheim, University of Bremen, Germany Skepticism Films: Knowing and Doubting the World in Contemporary Cinema introduces skepticism films as updated configurations of skepticist thought experiments which exemplify the pervasion of philosophical ideas in popular culture. It critically investigates the influence of ideas of skepticism on film-philosophical theories and develops a typology of skepticism films by analyzing The Truman Show, Inception, The Matrix, Vanilla Sky, The Thirteenth Floor, Moon and other contemporary skepticism films. UK November 2015 • US November 2015 352 pages • 100 bw illus PB 9781501320149 • £26.99 / $39.95 HB 9781501310973 • £86.00 / $130.00 Individual eBook 9781501310980 • £94.99 / $116.99 Library eBook 9781501310997 Series: Thinking Media • Bloomsbury Academic

Media and Translation An Interdisciplinary Approach Edited by Dror AbendDavid, University of Florida, USA "Organized in seven parts including acknowledgments, preface, editor’s note, author biographies, and index, the book is the brainchild of a course created five years ago by the editor himself at Tel Aviv University, touted for producing top-notch scholarship. At some point I would like to see reference librarians, language scholars, translators, and interpreters as well as literary critics organizing workshops on the topic of media and translation in the 21st century and dissecting this book’s contents." - Emmanuel K. Ngwainmbi, International Journal of Communication UK January 2016 • US January 2016 • 392 pages PB 9781501317767 • £19.99 / $29.95 Previously published in HB 9781623566463 Individual eBook 9781623565367 • £20.99 / $25.99 Library eBook 9781623561017 Bloomsbury Academic

International Texts in Critical Media Aesthetics Series Editor: Jörgen Schäfer, University of Siegen, Germany Transcending the hype that has accompanied—and distorted—popular understanding of the creative potential of new media, International Texts in Critical Media Aesthetics provides a critical perspective on electronic art, literature, performance, architecture, and film. For more titles in this series, see p. 22

Projected Art History

The Internet Unconscious

Biopics, Celebrity Culture, and the Popularizing of American Art

On the Subject of Electronic Literature

Doris Berger, Academy Museum in Los Angeles, USA Arguing that biopics on artists influence the popular perception of artists’ lives and work, Projected Art History highlights the narrative structure and images created in the film genre of biopics, in which an artist's life is being dramatized and embodied by an actor. Concentrating on two case studies—Basquiat (1996) and Pollock (2000)—Doris Berger bridges a gap between art history, film studies, and popular culture by identifying the functionality of the biopic genre and exploring its implication for a popular art history that is projected on the big screen for a mass audience. UK November 2015 • US November 2015 368 pages • 100 illus PB 9781501315732 • £28.99 / $42.95 Previously published in HB 9781623560324 Individual eBook 9781623566500 • £30.99 / $37.99 Library eBook 9781623567347 Series: International Texts in Critical Media Aesthetics Bloomsbury Academic

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Sandy Baldwin, West Virginia University, USA Winner of the N. Katherine Hayles Award for Criticism of Electronic Literature from the Electronic Literature Organization The Internet Unconscious describes the poetics of the net's “becoming-literary” by employing concepts that are both technically-specific and poetically-charged, providing a coherent and persuasive theory. The incorporation and projection of sites and technical protocols produces an uncanny displacement of the writer's body onto diverse part objects, and in turn to an intense and real inhabitation of the net through writing. The fundamental poetic situation of net writing is the phenomenology of “as-if.” Net writing involves construal of the world through the imaginary. UK August 2016 • US August 2016 • 200 pages PB 9781501320019 • £19.99 / $29.95 Previously published in HB 9781628923384 Individual eBook 9781628923407 • £72.99 / $89.99 Library eBook 9781628923391 Series: International Texts in Critical Media Aesthetics Bloomsbury Academic

Between Film, Video, and the Digital Hybrid Moving Images in the Post-Media Age Jihoon Kim, Chung-ang University, South Korea Bridging a range of visual forms, Jihoon Kim establishes the concept of hybrid moving images and thereby offers a fresh insight on the idea of media in tandem with media hybridity. Weaving criticism in film studies, media studies, and contemporary art, Kim demonstrates how the encounters and negotiations between film, video, and digital technologies have recently led to novel art forms. In his analysis of works by more than thirty contemporary artists and filmmakers, Kim provides the essential scholarly text for understanding how digital processes, seen through both old and new forms of timebased media, have created a new aesthetic regime of the moving image. UK July 2016 • US July 2016 • 304 pages • 60 bw illus HB 9781628922936 • £86.00 / $130.00 Individual eBook 9781628922929 • £94.99 / $116.99 Library eBook 9781628922912 Series: International Texts in Critical Media Aesthetics Bloomsbury Academic

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Newsworkers

Technology and Entertainment in the 21st Century

A Comparative European Perspective

Edited by Kevin McDonald, Cal State Northridge, USA & Daniel Smith-Rowsey, Sacramento State University, USA Netflix is the definitive media company of the 21st century. It was among the first to parlay new Internet technologies into a successful business model, and in the process it changed how consumers access film and television. The essays are designed to critically explore the breadth and diversity of Netflix’s effect from a variety of different scholarly perspectives, a necessary approach considering the hybrid nature of Netflix. Marking the first scholarly work to address its significance, The Netflix Effect provides a critical framework for understanding the company’s specific strategies as well as its broader social, economic, and cultural impact. UK August 2016 • US August 2016 • 240 pages • 20 bw illus HB 9781501309441 • £80.00 / $120.00 Individual eBook 9781501309434 • £87.99 / $107.99 Library eBook 9781501309427 Bloomsbury Academic

Henrik Örnebring, Karlstad University, Sweden It's no surprise that the last decade has been wrought with overhaul of the journalism industry. Do the changes have the same impact everywhere? Do journalists today experience these changes as a pressure or as a possibility? Is something irrevocably lost from journalism with these changes? Newsworkers takes a broad range of European countries and compares how journalism, as an industry, has been affected by the changes. The book delves into three pertinent questions: the role of technology in changing journalism work practice; the decline or not of professional values; and whether journalism is becoming more homogenous across national borders. UK May 2016 • US May 2016 • 224 pages HB 9781780931838 • £70.00 / $120.00 Individual eBook 9781780931845 • £69.99 / $90.99 Library eBook 9781780931852 Bloomsbury Academic

reflective teaching InspIrIng EducatIon through InnovatIon

The Marvel Studios Phenomenon Inside a Transmedia Universe Martin Flanagan, University of Salford, UK, Andrew Livingstone, University of Bolton, UK & Mike McKenny, University of Bradford, UK

M edia I ndustries

The Netflix Effect

The Marvel Studios Phenomenon evaluates the studio’s identity, as well as its status within the structures of parent Disney. In a new set of readings of the key texts, the authors identify milestones from Marvel’s complex and controversial business history, allowing us to appraise its industrial status: from a comic publisher keen to exploit its intellectual property, to an independent producer, and latterly, successful subsidiary of a vast entertainment empire. As it drives the process whereby large-scale cinematic practice encounters a converged entertainment age, how does Marvel Studios co-ordinate its transmedia storyworld to the satisfaction of niche fan communities as well as a popular audience? UK June 2016 • US June 2016 • 256 pages • 20 bw illus HB 9781501311895 • £80.00 / $120.00 Individual eBook 9781501311864 • £87.99 / $107.99 Library eBook 9781501311857 Bloomsbury Academic

OuT nOw!

Outstanding advice on how to teach well, within “highly complex organisations known as universities ... This collection is a real tour de force ” TIMES HIGHER EDUCATION 9781441197559 | £24.99/$39.95

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A udience R eception

Elizabeth Taylor

Seeing Fans

A Private Life for Public Consumption

Representations of Fandom in Media and Popular Culture

Ellis Cashmore, Staffordshire University, UK Elizabeth Taylor: A Private Life for Public Consumption paints Taylor as the seminal representation of “celebrity.” Ellis Cashmore traces our modern, hyperactive celebrity culture back to a single instant in Taylor’s life: the publicizing of her scandalous affair with Richard Burton by photographer Marcelo Geppetti in 1962, which announced the arrival of a new generation of predatory photojournalists and, along with them, a strange conflation between the public and private lives of celebrities. UK April 2016 • US February 2016 • 432 pages • 30 bw illus PB 9781628920697 • £18.99 / $25.95 • HB 9781628920703 • £54.00 / $80.00 Individual eBook 9781628920680 • £18.99 / $22.99 Library eBook 9781628920673 Bloomsbury Academic

Post-Object Fandom Television, Identity and Self-narrative Rebecca Williams, University of South Wales, UK Whilst it is inevitable for television series to draw to a close, the reactions of fans have rarely been considered. Williams explores this everyday occurrence through close analysis of how television fans respond to, discuss, and work through their feelings when shows finish airing. Through a range of case studies, including The West Wing (2000-2006), Lost (2004 -2010), Buffy the Vampire Slayer (1997-2003), Doctor Who (1963-1989; 2005-), The X-Files (1993-2002), Firefly (2002) and Sex and the City (1998-2004), Williams considers how fans prepare for the final episodes of shows, how they talk about this experience with fellow fans, and how, through re-viewing, discussion, and other fan practices, they seek to maintain their fandom after the show's cessation. UK July 2016 • US July 2016 • 248 pages PB 9781501319983 • £23.99 / $34.95 Previously published in HB 9781623564636 Individual eBook 9781623562106 • £87.99 / $107.99 Library eBook 9781623561406 Bloomsbury Academic

Making Sense of Cinema Empirical Studies into Film Spectators and Spectatorship Edited by CarrieLynn D. Reinhard, Dominican University, USA & Christopher J. Olson, DePaul University, USA Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship uses a number of empirical approaches (ethnography, focus groups, interviews, historical, qualitative experiment and physiological experiment) to consider how the film spectator makes sense of the text itself or the ways in which the text fits into his or her everyday life. Using illustrative, wide-ranging case studies the contributions to Making Sense of Cinema aligns this subset of film studies with the larger fields of media reception studies, allowing for an interdisciplinary dialogue. UK February 2016 • US February 2016 • 320 pages • 25 bw illus PB 9781501320217 • £19.99 / $29.95 • HB 9781501302947 • £80.00 / $120.00 Individual eBook 9781501302961 • £87.99 / $107.99 Library eBook 9781501302954 Bloomsbury Academic

Edited by Lucy Bennett, Bristol University, UK & Paul Booth, DePaul University, USA Seeing Fans analyzes the representations of fans in the mass media through a diverse range of perspectives. Branching out from a preface by noted actor and fan Orlando Jones (Sleepy Hollow), this text bridges the worlds of academia and the media industry. Essays examine such varied material as fictional representations of fans in television; representations of fans in film, comics, music and sport fandoms; and finally, representations of fans in documentaries and news reports. Interviews throughout connect the scholarship presented with the worlds of film, television, and documentary directors. UK July 2016 • US July 2016 • 320 pages • 5 bw illus HB 9781501318450 • £86.00 / $130.00 Individual eBook 9781501318467 • £94.99 / $116.99 Library eBook 9781501318474 Bloomsbury Academic

Moral Panics in the Contemporary World Edited by Julian Petley, Brunel University, UK, Chas Critcher, Sheffield Hallam University, UK, Jason Hughes, University of Leicester, UK & Amanda Rohloff, Brunel University, UK Designed from the outset to comprise a coherent and integrated set of viewpoints which share a common engagement with critically exploring moral panics in the contemporary world, Moral Panics in the Contemporary World represents the best current theoretical and empirical work on the topic, taken from the international conference on moral panics held at Brunel University. Containing case studies instantly recognisable and familiar to a student readership (drugs, alcohol, sexual abuse and racism), this collection brings a fresh approach to analysis and argument to accurately reflect the state-of-the-art moral panics research today. UK May 2016 • US May 2016 • 312 pages • 15 bw illus PB 9781501319600 • £26.99 / $39.95 Previously published in HB 9781623568931 Individual eBook 9781623564056 • £94.99 / $116.99 Library eBook 9781623562090 Bloomsbury Academic

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Google Earth

David M. Berry, University of Sussex, UK

Outreach and Activism

This volume offers an original analysis of the role of the digital in today's society. It rearticulates critical theory by engaging it with the challenges of the digital revolution to show how the digital is changing the ways in which we lead our politics, societies, economies, media, and even private lives. In particular, the work examines how the enlightenment values embedded within the culture and materiality of digital technology can be used to explain the changes that are occurring across society. UK September 2015 • US July 2015 • 272 pages PB 9781501310966 • £23.99 / $34.95 Previously published in HB 9781441166395 Individual eBook 9781441173607 • £24.99 / $30.99 Library eBook 9781441118301 Bloomsbury Academic

Fun and Software Exploring Pleasure, Paradox and Pain in Computing Edited by Olga Goriunova, University of Warwick, UK "Fun and Software is a unique and very welcome addition to the existing work in software studies and history of computing. The book uncovers intense emotions at work throughout computing cultures, with geeks, game players, inventors of computers and other characters making appearances. The range of covered topics is impressive, and the thinking and writing in this book are superb." - Lev Manovich, Professor of Computer Science, The Graduate Center, City University of New York, USA, and Director, Software Studies Lab UK February 2016 • US February 2016 • 296 pages • 15 bw illus PB 9781501318283 • £26.99 / $39.95 Previously published in HB 9781623560942 Individual eBook 9781623567569 • £94.99 / $116.99 Library eBook 9781623568870 Bloomsbury Academic

Controversies in Digital Ethics

Catherine Summerhayes, Australian National University, Australia By addressing the sociopolitical issues at stake in society's use of social websites, Catherine Summerhayes provides the first ever extended close reading of Google Earth as a powerful player in the communication realm of social media. By grounding the context of its military pre-history, its construction, its links to other similar worldmaking sites such as Google Maps and how it is perceived critically by social scientists, Google Earth: Outreach and Activism argues that it is imperative to understand how social networking and information sites work in socio and geo-political contexts if society is to use these sites effectively and for the public good. UK August 2016 • US August 2016 • 208 pages • 25 bw illus PB 9781501320026 • £19.99 / $29.95 Previously published in HB 9781441139795 Individual eBook 9781441134974 • £87.99 / $107.99 Library eBook 9781441147806 Bloomsbury Academic

N ew M edia and T e C H nology

Critical Theory and the Digital

Inhuman Networks Social Media and the Archaeology of Connection Grant Bollmer, University of Sydney, Australia Social media’s connectivity is often thought to be a manifestation of human nature buried until now, revealed only through the diverse technologies of the participatory internet. Rather than embrace this view, Inhuman Networks: Social Media and the Archaeology of Connection argues that the human nature revealed by social media imagines network technology and data as models for behavior online. Covering a wide range of historical and interdisciplinary subjects, Grant Bollmer examines the emergence of “the network” as a model for relation in the 1700s and 1800s and follows it through marginal, often forgotten articulations of technology, biology, economics, and the social. UK August 2016 • US August 2016 • 304 pages • 20 bw illus HB 9781501316159 • £86.00 / $130.00 Individual eBook 9781501316166 • £94.99 / $116.99 Library eBook 9781501316173 Bloomsbury Academic

Edited by Amber Davisson, DePaul University, USA & Paul Booth, DePaul University, USA Controversies in Digital Ethics offers multiple perspectives on the ways that digital technology and new media have changed contemporary ethical frameworks. Through both theoretical examination as well as specific case studies, the essays provide a vigorous examination of ethics in a highly individualistic and mediated world. The editors bring together multiple writers working from different ethical frameworks to represent the multiplicity of ethical thinking in the 21st century. Accessible for students, but with robust analysis to provide contemporary scholarship in media ethics, this is the first and only collection to unite theory, case studies, and practice within one volume. UK April 2016 • US February 2016 • 392 pages PB 9781501320200 • £19.99 / $29.95 • HB 9781501310560 • £80.00 / $120.00 Individual eBook 9781501310546 • £87.99 / $107.99 Library eBook 9781501310539 Bloomsbury Academic

Antagonism on YouTube Metaphor in Online Discourse Stephen Pihlaja, Newman University, UK Since YouTube drama occurs publicly, Antagonism on YouTube focuses on video pages rather than user reports of their actions and responses. It investigates how and why YouTube drama develops through a systematic description and analysis of user discourse activity. Through close analysis of video pages, this study contributes to a greater academic understanding of Internet antagonism and YouTube interaction by revealing the factors which contribute to the development of drama over time. UK February 2016 • US February 2016 • 192 pages PB 9781474275378 • £25.99 / $44.95 Previously published in HB 9781472566676 Individual eBook 9781472566683 • £74.99 / $96.99 Library eBook 9781472566690 Bloomsbury Academic

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G ame S tudies

Approaches to Digital Game Studies Series Editors: Gerald A. Voorhees, University of Waterloo, Canada, Katie Whitlock, California State University, Chico, USA and Joshua Call, Grand View University, USA Approaches to Digital Game Studies examines the social significance of digital games. Each volume is organized around the examination of a single ludic, thematic, or functional game genre.

Violent Games

Music Video Games

Rules, Realism and Effect

Performance, Politics, and Play

Gareth Schott, University of Waikato, New Zealand

Edited by Michael Austin, Howard University, USA

Analyzing the various ways in which ‘violence’ is mediated by both the rule system and the semiotic layer of games, Violent Games makes sense of the experience offered by games as technological, aesthetic and communicational phenomena. Drawing on new insights from research located at an intersection between humanities, social and computer sciences, Schott interrogates the nature and meaning of the ‘violence’ encountered and experienced by game players.

Music Video Games takes a look (and listen) at the popular genre of music games—video games in which music is at the forefront of player interaction and gameplay. With chapters on a wide variety of music games, ranging from well-known console games such as Guitar Hero and Rock Band to new, emerging games for smartphones and tablets, scholars from diverse disciplines and backgrounds discuss the history, development, and cultural impact of music games.

UK July 2016 • US July 2016 • 256 pages • 25 bw illus PB 9781628925616 • £19.99 / $29.95 • HB 9781628925623 • £74.00 / $110.00 Individual eBook 9781628925609 • £20.99 / $25.99 Library eBook 9781628925593 Series: Approaches to Digital Game Studies • Bloomsbury Academic

UK July 2016 • US July 2016 • 288 pages • 25 bw illus PB 9781501308536 • £23.99 / $34.95 • HB 9781501308529 • £80.00 / $120.00 Individual eBook 9781501308505 • £24.99 / $30.99 Library eBook 9781501308499 Series: Approaches to Digital Game Studies • Bloomsbury Academic

Playback

Gameworlds

A Genealogy of 1980s British Videogames

Virtual Media and Children's Everyday Play

Alex Wade, Birmingham City University, UK With a focus on the characteristics of the UK videogame industry in the 1980s, Wade explores gaming from perspectives of consumption, production and leisure, outlining the construction of a habitus unique to this time. Through interviews with developers, gamers and journalists examining the phenomena of bedroom coding, arcade gaming and format wars, mapped onto enquiry into the seminal genres of the time including driving, shooting and maze chase, Playback examines how 1980s Britain has become the culture of work in the 21st century and considers its meaning to contemporary society. UK November 2016 • US November 2016 • 192 pages HB 9781628924893 • £66.00 / $100.00 Individual eBook 9781628924886 • £72.99 / $89.99 Library eBook 9781628924862 Bloomsbury Academic

Drawing on recent theoretical work in science and technology studies, games studies, and new media studies, Seth Giddings explores the material and embodied character of gameworlds and their components. Using microethnography as an innovative method for describing and theorizing digital play, Gameworlds explores the nature of play in virtual worlds and how this relates, and crosses over, into everyday play in the actual world. UK February 2016 • US February 2016 • 192 pages • 16 bw illus PB 9781501318290 • £19.99 / $29.95 Previously published in HB 9781623566326 Individual eBook 9781623568023 • £79.99 / $98.99 Library eBook 9781623563899 Bloomsbury Academic

The Interface Envelope

Social, Casual and Mobile Games

Gaming, Technology, Power

The Changing Gaming Landscape

James Ash, Newcastle University, UK

Edited by Michele Willson, Curtin University, Australia & Tama Leaver, Curtin University, Australia

In The Interface Envelope, James Ash develops a series of concepts to understand how digital interfaces work to shape the spatial and temporal perception of players. Drawing upon examples from video game design and work from postphenomenology, speculative realism, new materialism, and media theory, Ash argues that interfaces create envelopes, or localized foldings of space time, around which bodily and perceptual capacities are organized. UK August 2016 • US August 2016 • 184 pages PB 9781501320002 • £19.99 / $29.95 Previously published in HB 9781623564599 Individual eBook 9781623565572 • £79.99 / $98.99 Library eBook 9781623569754 Bloomsbury Academic

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Seth Giddings, Winchester School of Art University of Southampton, UK

Social, casual and mobile games have sparked a revolution as more people from a broader demographic than ever play games. With chapters discussing locative games, the new freemium economic model, and gamer demographics, as well as close studies of specific games (including Candy Crush Saga, Angry Birds, and Ingress), this collection offers an insight into the changing nature of games and the impact mobile media has upon individuals and societies around the world. UK April 2016 • US February 2016 • 318 pages • 20 bw illus PB 9781501320194 • £19.99 / $29.95 • HB 9781501310607 • £80.00 / $120.00 Individual eBook 9781501310584 • £87.99 / $107.99 Library eBook 9781501310577 Bloomsbury Academic

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Video Games

John Banks, Queensland University of Technology, Australia

An Introduction to the Industry

"This well-researched informative volume provides readers with an explanation and analysis of the relatively new phenomenon of usergenerated content integrated into professional video game development. Banks describes an individual case study (Trainz) in great detail, offers more general perspectives of other companies and other games, and outlines the overall issues and problems with this practice...The content is supported by citations from playerdevelopers, descriptions of meetings that the author attended in person, and insights from industry professionals that validate and explicate the author’s points." CHOICE UK December 2015 • US December 2015 • 200 pages PB 9781474268424 • £16.99 / $29.95 Previously published in HB 9781849664967 Individual eBook 9781849666640 • £16.99 / $21.99 Library eBook 9781849666657 Bloomsbury Academic

Andy Bossom, University of the Creative Arts, Farnham, UK, & Ben Dunning, Ravensbourne and Kingston College, UK "From indie productions to critical hacks to the multi-million dollar global cultural phenomenon - this book provides a rich and engaging portal for exploring the diverse and evolving world of video games." Professor Joseph Delappe, University of Nevada, USA Video Games delves into the creative processes involved in making games, the global business behind big-budget productions, console and online markets, web and app gaming, as well online communities and changing demographics, branding intellectual property. 19 interviews with creative practitioners help make this a unique introduction to the diversity of roles and perspectives in the game industry.

G ame and M otion D esign

Co-creating Videogames

UK December 2015 • US January 2016 • 192 pages • 200 color illus PB 9781472567116 • £26.99 / $42.95 Individual eBook 9781474255424 • £26.99 / $34.99 Library eBook 9781472567154 Series: Creative Careers • Fairchild Books

Video Game Design Principles and Practices from the Ground Up Michael Salmond, Florida Gulf Coast University, USA ‘‘From the conceptual to the technical, dedicated chapters on every aspect of game design will help you understand the structure, depth and complexity of one of the most pervasive storytelling activities of our time. Aided by interviews with game makers, exercises and examples demonstrate how fluidity in a game arises from planning, execution and reiteration. But as the author states, and I could not agree more, ‘If you want to make games, go make games. Make games, make mistakes and learn from them.’ This book helps you do just that.” Arturo Sinclair, Ithaca College, New York, USA UK February 2016 • US April 2016 • 272 pages • 200 colour illus PB 9781472567482 • £29.99 / $49.95 Individual eBook 9781474255455 • £29.99 / $38.99 Library eBook 9781472567499 Series: Required Reading Range • Fairchild Books

The Moving Image Workshop Introducing Animation, Motion Graphics and Visual Effects in 45 Practical Projects

Motion Graphics Principles and Practices from the Ground Up Ian Crook & Peter Beare, University of Central Lancashire, UK "Delivers technical advice and vivid color visuals to assist students in understanding this medium and the many ways it can be used to visually communicate rich and complex ideas." Julia DeArriba-Montgomery, Florida State College of Jacksonville, USA Motion Graphics offers a rounded introduction to video formats, image creation and manipulation, compositing, rotoscoping, motion tracking and working with type. It is also packed with inspirational examples, showing how established designers like Momoco, Tendril and Bark&Bite have incorporated the moving image into their projects. In addition, interactive exercises challenge readers to develop their own motion graphics using project resources available on the companion website. UK December 2015 • US February 2016 • 200 pages • 200 colour illus PB 9781472569004 • £29.99 / $49.95 Individual eBook 9781474253284 • £29.99 / $38.99 Library eBook 9781472569011 Series: Required Reading Range • Fairchild Books

Heather Freeman, University of North Carolina, USA "A concise, thorough and realistic approach to creating well thought out and engaging animations. The exercises are invaluable and easily adaptable to the classroom." Doreen Maloney, University of Kentucky, USA

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If you need a fun, hands-on introduction to core animation techniques - then look no further! The Moving Image Workshop guides you through 45 practical projects, helping you establish and build skills in narrative animation, motion graphics and visual effects. To get you started on each exercise there are dozens of sample files available on the companion website, alongside example animations and links to recommended software tutorials and artist websites. UK November 2015 • US December 2015 • 288 pages • 200 color illus PB 9781472572004 • £29.99 / $49.95 Individual eBook 9781474253000 • £29.99 / $38.99 Library eBook 9781472571991 Series: Required Reading Range • Fairchild Books

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A nimation

Animated Performance

Sketching for Animation

Bringing Imaginary Animal, Human and Fantasy Characters to Life

Developing Ideas, Characters and Layouts in Your Sketchbook

Nancy Beiman, Sheridan College, Canada

Peter Parr, Arts University Bournemouth, UK

"Packed with amusing illustrations, inspiring anecdotes and lively examples, Beiman’s book acts as the kind of teacher we all wish we had in school." Ramin Zahed, Animation Magazine

“It covers everything in animation you need to know by connecting it to your sketchbook.” Mario Menjivar, The School of Visual Arts, USA

Animated Performance shows how a character can seemingly 'come to life' once their movements reflect the emotional or narrative context of their situation. Exercises, examples and tips help readers harness the flexibility of animation and encourage them to create a variety of distinctive characters. Interviews with Disney animators Ollie Johnston, Ellen Woodbury and more make this a unique insight into bringing characters to life. UK October 2015 • US December 2015 • 256 pages • 300 color illus PB 9781472596406 • £29.99 / $49.95 Individual eBook 9781474248839 • £29.99 / $38.99 Library eBook 9781472596413 Series: Required Reading Range • Fairchild Books

The Fundamentals of Animation Paul Wells, Loughborough University, UK & Samantha Moore, University of Wolverhampton, UK “The book is terrific. Beyond being a textbook, it strikes me as being a very rich resource for animators and film-makers.” Thomas Castillo, University of Arizona, USA The Fundamentals of Animation explores the creative process from finding and researching a concept, through the preparation and techniques used, to the final film. Each stage of the animation process is presented in an engaging visual style and accompanied by examples and analysis of contemporary and classic films. The third edition includes new visuals and more than 20 new interviews, from some of the most influential names in contemporary animation. UK August 2016 • US September 2016 • 216 pages • 200 color illus PB 9781472575265 • £26.99 / $44.95 Individual eBook 9781474241786 • £26.99 / $34.99 Library eBook 9781472575272 Series: Fundamentals • Fairchild Books

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Drawing and sketching are central to the art of animation and can be crucial tools in designing and developing original stories, characters and layouts. Sketching for Animation offers a wealth of examples, exercises and tips from an army of professional animators to help you develop essential sketching, technical drawing and ideation techniques. Features interviews and in-depth case studies from some of today's leading animators, including Bill Plympton, Glen Keane, Tori Davis and John Canemaker. UK March 2016 • US April 2016 • 352 pages • 300 color illus PB 9781474221443 • £29.99 / $49.95 Library eBook 9781474221450 Series: Required Reading Range • Fairchild Books

Animation in Context A Practical Guide to Theory and Making Mark Collington, London Metropolitan University, UK “…offers a thoughtful and lucid guide to students at all levels and enthusiasts of all ages…a book whose use of examples from popular culture and from high art make the complexities of cultural theory not only accessible but also enjoyable.” Alec Charles, Head of Media, University of Chester, UK Animation in Context empowers animators with the confidence to engage with theory as a fun, integral, and applied part of the creative process. Mark Collington explores the key theoretical approaches that shape animation narrative, supported by a broader set of principles from the worlds of art, design, film and media studies. UK September 2016 • US October 2016 • 224 pages • 150 color illus PB 9781472578280 • £34.99 / $59.95 Library eBook 9781472578297 Fairchild Books

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OBJECTLESSONS The hidden lives of ordinary things

Published in association with The Atlantic, these short books explore everyday objects and the lessons they hold. Series Editors: IAN BOGOST, Ivan Allen College Distinguished Chair in Media Studies at the Georgia Institute of Technology, USA CHRISTOPHER SCHABERG, Associate Professor of English at Loyola University New Orleans, USA

UK November 2015 US September 2015 PB 9781628924244 £9.99 | $16.95

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B loomsbury A cademic C ollections

Film Studies: European Cinema - Bloomsbury Academic Collections Seven-Volume Set This set focuses on the development of European cinema throughout the last century. The seven facsimiles are chosen from our imprints Cassell and Continuum. Focusing on more than just the analysis of film, these titles range from the impact of gender and nationhood on filmmaking to the importance and influence of production and distribution. UK October 2016 / US October 2016 • 7 vols. • 1,968 pages HB set 9781474293143 • £525.00 / $896.00 Series: Film Studies: Bloomsbury Academic Collections Special introductory price £475.00 / $810.00 available until 3 months after publication Volumes available individually for £75.00 / $128.00 Volume

Author/Editor

Hardback

Library Ebook

Brief Encounters: Lesbians and Gays in British Cinema 1930 - 1971

Stephen Bourne

9781474291330

9781474291347

Cinema and the Second Sex: Women's Filmmaking in France in the 1980s and 1990s

Carrie Tarr with Brigitte Rollet

9781474290777

9781474290784

Dissolving Views: Key Writings on British Cinema

Andrew Higson

9781474290647

9781474290654

Gaslight Melodrama: From Victorian London to 1940s Hollywood

Guy Barefoot

9781474290357

9781474290364

Heroines without Heroes: Reconstructing Female and National Identities in European Cinema, 1945-1951

Ulrike Sieglohr

9781474287913

9781474287920

Straight Acting: Popular Gay Drama from Wilde to Rattigan

Sean O'Connor

9781474288279

9781474288286

The State of European Cinema: A New Dose of Reality

Angus Finney

9781474290708

9781474290715

Film Studies: World Cinema - Bloomsbury Academic Collections Six-Volume Set This facsimile collection presents six titles from our imprints Ungar, Cassell and Continuum and focuses on world cinema. These titles explore the influence of literature and music on film as well as global distribution, gender and sexuality, and the influence of film on national and cultural identity. UK October 2016 / US October 2016 • 6 vols. • 1,792 pages HB set 9781474293136 • £450.00 / $768.00 Series: Film Studies: Bloomsbury Academic Collections Special introductory price £405.00 / $695.00 available until 3 months after publication Volumes available individually for £75.00 / $128.00 Volume

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American History/American Film: Interpreting the Hollywood Image

John E. O'Connor and Martin A. Jackson

9781474281898

9781474281904

Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film

David Schroeder

9781474291422

9781474291415

Daughters of Desire

Shameem Kabir

9781474290470

9781474290487

Screening the Novel: Rediscovered American Fiction in Film

Gabriel Miller

9781474291620

9781474291637

The Screening of America: Movies and Values from Rocky to Rain Man

Tom O'Brien

9781474287975

9781474287982

Transatlantic Crossings: British Feature Films in the USA

Sarah Street

9781474290678

9781474290685

Cultural Studies: Bloomsbury Academic Collections Seven-Volume Set These seven titles are facsimile editions from our imprints Cassell, Continuum and Sheffield Academic Press. They cover a broad range of cultural studies, addressing pop culture and music, the social and cultural changes brought on by the Internet and the Americanization of the Western world throughout the 20th century. UK October 2016 / US October 2016 • 7 vols. • 1,568 pages HB set 9781474288552 • £525.00 / $896.00 Series: Cultural Studies: Bloomsbury Academic Collections Special introductory price £475.00 / $810.00 available until 3 months after publication Volumes available individually for £75.00 / $128.00

20

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Hardback

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Arrested Development: Pop Culture and the Erosion of Adulthood

Andrew Calcutt

9781474287005

9781474287012

Culture First!

Kenneth Dyson and Walter Homolka

9781474281966

9781474281973

Good Girl Messages: How Young Women Were Misled by Their Favorite Books

Deborah O'Keefe

9781474286831

9781474286824

Men in the Mirror: Men's Fashion, Masculinity, and Consumer Society

Tim Edwards

9781474287340

9781474287357

Sound Alliances: Indigenous Peoples, Cultural Politics, and Popular Music in the Pacific

Philip Hayward

9781474289863

9781474289870

Women, Europe and the New Languages of Politics

Hilary Footitt

9781474286961

9781474286947

Yankee Go Home (& Take Me With U): Americanization and Popular Culture

George McKay

9781474287838

9781474287845

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Abend-David, Dror ................................12 Act of Documenting, The.......................... 8 Aesthetics of Displacement....................... 5 Afterlives............................................ 6 Alien Imaginations.................................. 8 American History/American Film: Interpreting the Hollywood Image..............20 Animated Performance...........................18 Animation in Context.............................18 Antagonism on YouTube...........................15 Arrested Development: Pop Culture and the Erosion of Adulthood....................20 Art History for Filmmakers....................... 3

Collington, Mark ...................................18 Constandinides, Costas ............................ 5

Fun and Software..................................15

Controversies in Digital Ethics..................15

Fundamentals of Animation, The...............18

Critcher, Chas ......................................14

G

Critical Race Theory and Bamboozled........... 7 Critical Theory and the Digital..................15 Crook, Ian ..........................................17 Cuklanz, Lisa M.....................................10 Cultural Science....................................12 Cultural Studies: Bloomsbury Academic Collections..........................................20 Culture First!.......................................20 Cypriot Cinemas.................................... 5

Austin, Michael ....................................16

D

B Baker, Brian ........................................10 Baldwin, Sandy ....................................12 Banks, John ........................................17 Barefoot, Guy ......................................20 Barnwell, Jane ...................................... 3 Beare, Peter .......................................17

Freeman, Heather ................................17

Contemporary Masculinities in Fiction, Film and Television................................10

Ash, James .........................................16 Authoring Hal Ashby................................ 9

Fredric Jameson and The Wolf of Wall Street........................................... 7

Gameworlds........................................16 Gaslight Melodrama: From Victorian London to 1940s Hollywood......................20 Giddings, Seth .....................................16 Gil-Curiel, Germán ................................. 5 Gjelsvik, Anne .....................................10 Global Auteur, The................................. 8 Global Genres, Local Films........................ 4 Good Girl Messages: How Young Women Were Misled by Their Favorite Books...........20

Darren Aronofsky’s Films and the Fragility of Hope.................................... 9

Google Earth........................................15

Daughters of Desire...............................20

Grace of Destruction, The......................... 6

Davisson, Amber ...................................15

Grindhouse..........................................11

Deamer, David ...................................... 6 Deeper than Oblivion.............................. 4

H

Deleuze, Japanese Cinema, and the Atom Bomb.......................................... 6

Harbord, Janet ..................................... 6

Goriunova, Olga ...................................15

Hagin, Boaz ......................................... 4

DiPaolo, Marc ....................................... 9

Hartley, John ......................................12

Disposable Passions................................11

Hayward, Philip ....................................20

Berger, Doris .......................................12

Dissolving Views: Key Writings on British Cinema.....................................20

Berry, David M......................................15

Divine Work.......................................... 5

Heroines without Heroes: Reconstructing Female and National Identities in European Cinema, 1945-1951....................20

Between Film, Video, and the Digital..........12

Documenting Gendered Violence................10

Beiman, Nancy .....................................18 Bennett, Lucy ......................................14

Beyond the Bottom Line........................... 3

Dunning, Ben .......................................17

Blake, Marc ......................................... 3

Duvall, John A......................................11

Bogle, Donald ......................................10

Dyson, Kenneth ....................................20

Bollmer, Grant .....................................15

E

Bollywood in Britain................................ 6 Booth, Paul .................................... 14, 15 Bossom, Andy ......................................17 Bourne, Stephen ..................................20

Edwards, Tim ......................................20 Elizabeth Taylor....................................14 Environmental Documentary, The...............11 Epps, Jr., Jack ...................................... 3

Brief Encounters: Lesbians and Gays in British Cinema 1930 - 1971...................20

Euro-Visions.......................................... 4

Burnham, Clint ..................................... 7

Ex-centric Cinema.................................. 6

C

F

Calcutt, Andrew ...................................20

Feminist Film Theory and Cléo from 5 to 7........................................... 7

Cashmore, Ellis ....................................14 Chi, Wang ............................................ 8 China’s iGeneration................................ 6 Choe, Steve ......................................... 6 Church, David ......................................11 Cinema and the Second Sex: Women’s Filmmaking in France in the 1980s and 1990s............................20 Cinema of Simulation.............................. 8 Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film....................20

Hitchcock’s Appetites.............................. 9 Homolka, Walter ..................................20 Hughes, Jason .....................................14 Hunter, Aaron ....................................... 9

I Ibroscheva, Elza ...................................10 Inhuman Networks.................................15 Interface Envelope, The..........................16 Internet Unconscious, The.......................12 Italian Style.......................................... 5

J Jackson, Martin A..................................20 Jackson, Neil .......................................11

Film and Television of the Late Soviet Era...........................................11

Johnson, Matthew D................................ 6

Film Studies: European Cinema Bloomsbury Academic Collections..............20 Film Studies: World Cinema Bloomsbury Academic Collections..............20 Finney, Angus ......................................20

Cinematic Chronotopes............................ 8

Fisher, Austin .......................................11

Cinematic Homecomings........................... 5

Flanagan, Martin ..................................13

Co-creating Videogames..........................17

Hesselberth, Pepita ................................ 8 Higson, Andrew ....................................20

Feminist Film Theory and Pretty Woman................................................ 7

Film Music in ‘Minor’ National Cinemas.............................................. 5

Footitt, Hilary .....................................20

index

A

Jeong, Seung-hoon ................................. 8 Journalist in British Fiction and Film, The............................................. 4

K Kabir, Shameem ...................................20 Kim, Jihoon ........................................12 Kimber, Shaun .....................................11 Koksal, Ozlem ....................................... 5 Krämer, Lucia ....................................... 6 Küchler, Ulrike ...................................... 8

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25


index

L Laist, Randy ......................................... 8 Leaver, Tama .......................................16 Leotta, Alfio ......................................... 9 Livingstone, Andrew ..............................13 Liz, Mariana ......................................... 4 Lonsdale, Sarah .................................... 4

Taylor-Jones, Kate ................................. 5

Playback.............................................16

Toms, Coons, Mulattoes, Mammies, and Bucks...........................................10

Poitier Revisited...................................10 Post-Object Fandom...............................14 Potts, Jason ........................................12 Prime, Rebecca ..................................... 5 Production Design for Screen..................... 3

Total Art, The....................................... 4 Transatlantic Crossings: British Feature Films in the USA.........................20

V

Luzzi, Joseph ....................................... 4

Production Sound Mixing.......................... 3

M

Projected Art History.............................12

Video Game Design................................17

Prokhorov, Alexander .............................11

Maehl, Silja ......................................... 8

Video Games........................................17

Prokhorova, Elena .................................11

Violent Games......................................16

R

Vulpiani, Luke ...................................... 6

Making Sense of Cinema..........................14 Mamula, Tijana ..................................... 4 Marvel Studios Phenomenon, The...............13 Mask, Mia ...........................................10 McDonald, Kevin ...................................13 McIntosh, Heather ................................10 McIver, Gillian ...................................... 3

Raengo, Alessandra ................................ 7 Raicheva-Stover, Maria ...........................10

Vanstone, Gail ...................................... 8

W Wade, Alex .........................................16

Reinhard, CarrieLynn D............................14

Wagner, Keith B..................................... 6

Río, Elena del........................................ 6

Walker, Johnny ....................................11

Rohloff, Amanda ...................................14

Watson, Thomas Joseph..........................11

Rollet, Brigitte .....................................20

Wells, Paul .........................................18

McKenna, Anthony ................................. 3

Ruti, Mari ............................................ 7

Williams, Rebecca .................................14

McKenny, Mike .....................................13

S

Willson, Michele ...................................16

McKay, George .....................................20

McKittrick, Casey ................................... 9 Media and Translation............................12 Meir, Christopher ................................... 3 Men in the Mirror: Men’s Fashion, Masculinity, and Consumer Society.............20 Miller, Gabriel .....................................20 Moore, Samantha ..................................18 Moral Panics in the Contemporary World......14

Salmond, Michael .................................17 Schmerheim, Philipp ..............................12 Schott, Gareth .....................................16 Schroeder, David ..................................20 Schubart, Rikke ....................................10 Screening of America: Movies and Values from Rocky to Rain Man, The...........20

Winston, Brian ...................................... 8 Wise, J. Macgregor................................11 Women in Politics and Media....................10 Women of Ice and Fire............................10 Women, Europe and the New Languages of Politics...........................................20 Writing the Comedy Movie........................ 3

Y

Motion Graphics....................................17

Screening the Novel: Rediscovered American Fiction in Film.........................20

Moving Image Workshop, The....................17

Screenwriting is Rewriting........................ 3

Yankee Go Home (& Take Me With U): Americanization and Popular Culture..........20

Multilingual Screen, The.......................... 4

Seeing Fans.........................................14

Murphy, John J...................................... 3

Yosef, Raz ........................................... 4

Sieglohr, Ulrike ....................................20

Music Video Games................................16

Yu, Kiki Tianqi....................................... 6

Skepticism Films...................................12

N

Sketching for Animation..........................18

Neroni, Hilary ....................................... 7 Netflix Effect, The................................13 Newsworkers.......................................13

O O’Brien, Tom .......................................20 O’Connor, John E...................................20 O’Connor, Sean ....................................20

Skorin-Kapov, Jadranka ........................... 9 Smith-Rowsey, Daniel .............................13 Snuff.................................................11 Social, Casual and Mobile Games...............16 Sound Alliances: Indigenous Peoples, Cultural Politics, and Popular Music in the Pacific.......................................20 Spicer, Andrew ...................................... 3

O’Keefe, Deborah .................................20

State of European Cinema: A New Dose of Reality, The...............................20

Oliete-Aldea, Elena ................................ 4

Stein, Wayne ........................................ 9

Olson, Christopher J...............................14

Stout, Graeme A.................................... 8

Oria, Beatriz ........................................ 4

Strachan, Ian Gregory.............................10

Örnebring, Henrik .................................13

Straight Acting: Popular Gay Drama from Wilde to Rattigan...........................20

Ozu International................................... 9

Street, Sarah .......................................20

P

Summerhayes, Catherine ........................15

Papadakis, Yiannis ................................. 5

Surveillance and Film.............................11

Parr, Peter ..........................................18

Szaniawski, Jeremi ................................ 8

Patti, Lisa ........................................... 4

26

Pihlaja, Stephen ...................................15

Paulicelli, Eugenia ................................. 5

T

Peter Jackson........................................ 9

Tarancón, Juan A.................................... 4

Petley, Julian ......................................14

Tarr, Carrie .........................................20

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About the resource Bloomsbury Popular Music brings together 120+ volumes of the 33 1/3 book series, 14 volumes of the Encyclopedia of Popular Music of the World (EPMOW), together with the new series of 33 1/3 Global titles in a single digital platform.

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FeAtures And beneFits

33 1/3 is a series of short books about popular music, focusing on individual albums by artists ranging from James brown to celine dion and from J dilla to neutral Milk hotel. each album covered in the series occupies such a specific place in music history, so each book-length treatment is different. Jonathan Lethem, colin Meloy, daphne brooks, Gina Arnold and Alan Warner are just some of the authors who have contributed to the series so far.

Bloomsbury Popular Music is a cross-searchable reference library combining the full contents of EPMOW, the 33 1/3 series and the new 33 1/3 Global volumes. it allows users to:

The Encyclopedia of Popular Music of the World, over 20 years in the making, is a landmark reference work in its field. Each volume is authored by top contributors from around the world.

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