Film, Media, Music & Sound Studies Catalogue 2016-17 by Bloomsbury Publishing

Film, Media, Music & Sound Studies

2016-17

SCREEN STUDIES

Available via Subscription or Perpetual Access

LAunChing 2018

Essential resources for film and media studies, from script to screen and beyond

An expanding resource of iconic and contemporary screenplays along with key texts on film and media theory, history and practice. About the resource screen studies is a dynamic new resource for libraries, educators, students and researchers. building on the success of the award-winning drama online initiative, screen studies utilises similar platform functionality to deliver a broad range of content for film and media studies programmes and courses.

Key content starting with an initial collection of 600 titles and updated annually, screen studies includes content to suit entire course needs with titles from some of the finest screenwriters; award-winning directors; well-known films and key texts on media history and theory. it also includes practical instruction on screenwriting, tV, animation and filmmaking technique. content highlights:

FeAtures And beneFits • A subject specific taxonomy, linking related content • Advanced and full text search, with filtering options to refine results • Public landing pages with guides for key genres, periods, geographic regions, directors, screenwriters and films • A clutter free e-reading experience • At a glance character arc grids for screenplays showing character interactions per scene

• 250 iconic and contemporary screenplays including The Grand Budapest Hotel, The Big Lebowski, Fargo, Sex, Lies and Videotape, Donnie Darko and Memento • Critical and contextual works covering the major genres, regions, approaches and history • Practical instruction on the art of screenwriting, film and tV production, animation techniques and documentary filmmaking • Works by leading film directors such as Wes Anderson, Joel coen and ethan coen, christopher nolan, stephen soderbergh and John boorman providing insight into professional and creative practice

To register your interest for a free 30-day trial**, or for further information as it becomes available, email: Americas: onlinesalesus@bloomsbury.com Outside Americas: onlinesalesuK@bloomsbury.com Australia and New Zealand: onlinesalesAnZ@bloomsbury.com

www.screenstudies.com

**Free trials available to institutions only

Contents Film

Music and Sound Studies

World Cinema.........................................................2

33 1/3................................................................ 17

Film Directors........................................................4

Sound Studies and Sound Art..................................... 18

Film Theory...........................................................5

Experimental Music................................................ 20

Film History...........................................................6

Popular Music....................................................... 21

Film Genres...........................................................7 Audience Reception and Representation.........................8

Media Studies Media Theory.........................................................9 Gender in Film and Media........................................ 10

Major Reference Works

Index................................................................. 25 Representatives, Agents & Distributors......................... 27 Editorial Contacts.................................................. 28

New Media and Technology....................................... 11 Media History....................................................... 12 Journalism.......................................................... 12 Race and Ethnicity................................................. 13 Documentary Film................................................. 13 Game Studies....................................................... 14 Animation and Film Production.................................. 15

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W orld C inema

Euro-Visions

Surveillance and Film

Europe in Contemporary Cinema

J. Macgregor Wise, Arizona State University, USA

Mariana Liz, University of Leeds, UK "In Euro-Visions, the many strands of European cinema come together — concepts and narratives, genres and styles, industry matters and economic concerns. Building on the dialectical interplay of the itinerant and the stagnant, Mariana Liz guides the reader on a filmic journey against the diverse backdrop of Europe's ideological and representational complexity." Dina Iordanova, Professor of Global Cinema and Creative Cultures, University of St Andrews, UK Mariana Liz examines costume dramas, biopics and war films, mainstream co-productions and tales of ‘Fortress Europe’ by renowned auteurs, showing how films from different European nations depict and contribute to the formation of the idea of Europe. UK September 2016 • US September 2016 • 200 pages • 40 bw illus PB 9781628923025 • £19.99 / $29.95 • HB 9781628923018 • £66.00 / $120.00 Individual eBook 9781628922998 • £19.99 / $25.99 Library eBook 9781628922974 Bloomsbury Academic

Surveillance and Film is an engaging and accessible book that maps out important themes in how popular culture imagines surveillance by examining key feature films that prominently address the subject. Drawing on dozens of examples from around the world, J. Macgregor Wise analyzes films that focus on those who watch, films that focus on those who are watched, films that feature surveillance societies, surveillance procedural films, and films that interrogate the aesthetics of the surveillance image itself. Wise uses these films to describe key models of understanding surveillance as well as to raise issues of voyeurism, trust, ethics, technology, visibility, identity, privacy, and control. UK September 2016 • US September 2016 • 208 pages • 20 bw illus PB 9781628924855 • £17.99 / $24.95 • HB 9781628924848 • £54.00 / $80.00 Individual eBook 9781628924831 • £16.99 / $22.99 Library eBook 9781628924824 Bloomsbury Academic

The Global Auteur The Multilingual Screen New Reflections on Cinema and Linguistic Difference Edited by Tijana Mamula, John Cabot University, Italy & Lisa Patti, Hobart and William Smith Colleges, USA The Multilingual Screen is the first edited volume to offer a wide-ranging exploration of the place of multilingualism in cinema, investigating the ways in which linguistic difference and exchange have shaped, and continue to shape, the medium’s history. Moving across a vast array of geographical, historical, and theoretical contexts, the essays collected here address the aesthetic, political, and industrial significance of multilingualism in film production and reception. In grouping these works together, The Multilingual Screen discerns and emphasizes the areas of study most crucial to forging a renewed understanding of the relationship between cinema and language diversity. UK June 2016 • US June 2016 • 384 pages • 25 bw illus PB 9781501302879 • £23.99 / $34.95 • HB 9781501302886 • £80.00 / $120.00 Individual eBook 9781501302855 • £22.99 / $30.99 Library eBook 9781501302862 Bloomsbury Academic

Edited by Seung-hoon Jeong, New York University Abu Dhabi, UAE & Jeremi Szaniawski, Independent Scholar, New Zealand "Once a dramatic new critical perspective and later declared a moribund leftover of romanticism, auteurs and auteurism today have become—as this outstanding and wide-ranging collection reminds us—more vibrant and complex than ever before." Timothy Corrigan, Professor of Cinema Studies, English, and History of Art, University of Pennsylvania, USA The Global Auteur re-examines the auteur, often depicted as a politically isolated and romantic figure of aesthetic individualism. This book provides a much-needed reassessment of the figure of the film auteur for the global age. UK June 2016 • US June 2016 • 416 pages • 40 bw illus HB 9781501312625 • £86.00 / $130.00 Individual eBook 9781501312656 • £87.99 / $116.99 Library eBook 9781501312649 Bloomsbury Academic

Deeper than Oblivion

Childhood and Nation in Contemporary World Cinema

Trauma and Memory in Israeli Cinema

Borders and Encounters

Edited by Raz Yosef & Boaz Hagin, both of Tel Aviv University, Israel

Edited by Stephanie Hemelryk Donald, University of New South Wales, Australia, Emma Wilson, Corpus Christi College, UK & Sarah Wright, Royal Holloway, University of London, UK

"Deeper Than Oblivion is an ambitious project that explores the representation of personal and collective traumas in Israeli cinema . . . [The book] does not simply constitute an introductory volume to key tropes in Israeli cinema, but presents a refreshingly in-depth study of questions of personal recollection, and collective and cultural memory... Yosef and Hagin have perfectly pitched their study." Historical Journal of Film, Television and Radio UK May 2016 • US May 2016 • 384 pages • 20 bw illus PB 9781501319617 • £24.99 / $39.95 Previously published in HB 9781441162199 Individual eBook 9781441199263 • £25.99 / $34.99 Library eBook 9781441174970 Bloomsbury Academic

The Politics of Authorship in 21st Century Cinema

Childhood and Nation in Contemporary World Cinema recognizes that the range of films and scholarship is now sufficiently extensive to invoke the world cinema mantra of pluri-vocal and pluri-central attention and interpretation. The present collection observes how and why and whether the cinematic child is indeed aligned to concepts of modern nationhood, to concerns of the State, and to geopolitical organizational themes and precepts. UK February 2017 • US February 2017 • 256 pages • 40 bw illus HB 9781501318580 • £80.00 / $120.00 Individual eBook 9781501318597 • £80.99 / $107.99 Library eBook 9781501318603 Bloomsbury Academic

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This series seeks to explore national cinemas from a novel perspective by focusing on specific topics and issues arising in the various national contexts, instead of surveying the film production of a given country.

Italian Style Fashion & Film from Early Cinema to the Digital Age Eugenia Paulicelli, Queens College and the CUNY Graduate Center, USA "Paulicelli’s book is a tour de force of film and fashion scholarship, a beautifully written and authoritative exploration of Italian national identity that will appeal to a wide readership. In mapping out Italy’s rich cultural heritage from early twentieth century modernism, through the economic miracle years to the present day, this book sets out to do nothing less than define Italian style as embodied by the dialogue between fashion and film. That Italian Style achieves this is testament to its brilliance." Stella Bruzzi, University of Warwick, UK UK September 2016 • US September 2016 • 288 pages • 30 bw illus HB 9781441189158 • £86.00 / $130.00 Individual eBook 9781623568580 • £87.99 / $116.99 Library eBook 9781623566616 Series: Topics and Issues in National Cinema • Bloomsbury Academic

Film Music in 'Minor' National Cinemas Edited by Germán Gil-Curiel, University College Cork, Republic of Ireland "This book competently addresses two elements in need of further scholarly attention: nonmainstream cinema and film music... The authors juggle advanced concepts from film theory with themes such as censorship, nostalgia, nationalism and many others." Justin A. Williams, University of Bristol, UK Addresses the relationships between film music and the national cinemas beyond Hollywood and the European countries that comprise most of the literature in the field. UK April 2016 • US February 2016 • 264 pages • 26 bw illus PB 9781501320224 • £24.99 / $39.95 • HB 9781628926675 • £80.00 / $130.00 Individual eBook 9781628929836 • £87.99 / $116.99 Library eBook 9781628921953 Series: Topics and Issues in National Cinema • Bloomsbury Academic

Divine Work, Japanese Colonial Cinema and its Legacy Kate Taylor-Jones, University of Sheffield, UK Central to this book are the key points of defining "The Greater East Asian Film Sphere" (GEAFS) and analyzing how the it implemented and theorized its ideas by those in power from the late 1930s to the end of the Pacific War. With discussions of films prior to the war, (Manchurian Girl, 1933, Fisherman's Fire, 1939) to coverage of films made through post-war contexts (City of Sadness, 1989, Dou-san, 1994), Taylor-Jones explores how cinema in the region needs to be understood in terms of past colonial relationships. UK March 2017 • US March 2017 • 304 pages • 15 bw illus HB 9781501306129 • £80.00 / $120.00 Individual eBook 9781501306136 • £80.99 / $107.99 Library eBook 9781501306143 Series: Topics and Issues in National Cinema • Bloomsbury Academic

Cypriot Cinemas Memory, Conflict, and Identity in the Margins of Europe Edited by Costas Constandinides, University of Nicosia, Cyprus & Yiannis Papadakis, University of Cyprus, Cyprus "By introducing this neglected and complex topic in such a wide-ranging and pluralist volume, the editors [of Cypriot Cinemas] have achieved a very critical balance: their careful thematic and methodological choices have ensured the discoussion is both organized and inclusive. This ambitious and surprisingly fresh work makes a significant and very welcome contribution." FILMICON: Journal of Greek Film Studies UK May 2016 • US May 2016 • 264 pages • 15 illus PB 9781501319969 • £24.99 / $39.95 Previously published in HB 9781623561314 Individual eBook 9781623560027 • £25.99 / $34.99 Library eBook 9781623564605 Series: Topics and Issues in National Cinema • Bloomsbury Academic

Bollywood in Britain

Cinematic Homecomings

Cinema, Brand, Discursive Complex

Exile and Return in Transnational Cinema

Lucia Krämer, Passau University, Germany

Edited by Rebecca Prime, Independent Scholar, USA

"Bollywood in Britain is a significant contribution to the burgeoning field of Bollywood studies and, more broadly, to the study of non-Western and transnational cinemas and their subsequent receptions." Ajay Gehlawat, Sonoma State University, USA Bollywood in Britain demonstrates that the presentation of Bollywood for British mainstream culture oscillates between moments of approximation and distancing, with a clear dominance of the latter. UK June 2016 • US June 2016 • 296 pages • 10 bw illus HB 9781501307614 • £80.00 / $120.00 Individual eBook 9781501307591 • £80.99 / $107.99 Library eBook 9781501307584 Bloomsbury Academic

W orld C inema

Topics and Issues in National Cinema

"Prime succeeds at assembling [the] texts in a flow that looks at nostalgia, identity, belong, State power and expectations from multiple angles, allowing complexity to unravel its layers in pleasurable readings." New Review of Film and Television Studies Cinematic Homecomings expands upon existing studies of transnational cinema by addressing the questions raised by reverse migration and the return home in a variety of historical and national contexts, from postcolonialism to post-Communism. UK May 2016 • US May 2016 • 336 pages • 30 bw illus PB 9781501319952 • £24.99 / $39.95 Previously published in HB 9781441124470 Individual eBook 9781441106933 • £25.99 / $34.99 Library eBook 9781441101075 Bloomsbury Academic

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F ilm D irectors

Authoring Hal Ashby The Myth of the New Hollywood Auteur

The Ironic Filmmaking of Stephen Frears

Aaron Hunter, Maynooth University, Ireland

Lesley Brill, Wayne State University, USA

"A very useful and lucid contribution to understanding of the films of Hal Ashby and the New Hollywood context in which they are situated. Makes a strong and valuable case for the benefits of an approach that acknowledges multiple contributions to authorship, both in this case and as a way of revisiting the films of the period more generally." Geoff King, Professor of Film and TV Studies, Brunel University London, UK Using Hal Ashby as a larger framework on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood's most exciting eras and most vital filmmakers. UK August 2016 • US August 2016 • 240 pages • 12 bw illus HB 9781501308437 • £80.00 / $120.00 Individual eBook 9781501308451 • £80.99 / $107.99 Library eBook 9781501308444 Bloomsbury Academic

Lars von Trier's Women Edited by Rex Butler, University of Queensland, Australia & David Denny, Marylhurst University, USA "Lars von Trier's Women is much more than a collection of essays – it is a very powerful critical project going right to the heart of the oeuvre of one of the greatest and most intriguing contemporary directors... The singularity of von Trier’s opus works as an extremely productive trigger of the essays written by some of the most significant authors in contemporary theory. Lars von Trier's Women is a magnificent cocktail of cinema, philosophy, psychoanalysis and film theory." Alenka Zupancic, Slovene Academy of Science, Slovenia UK November 2016 • US November 2016 • 272 pages HB 9781501322457 • £80.00 / $120.00 Individual eBook 9781501322471 • £80.99 / $107.99 Library eBook 9781501322464 Bloomsbury Academic

"Can a case be made for the 'consistently inconsistent' Stephen Frears, who’s staunchly maintained, 'I’m just the bloke who gets hired,' as a cinematic auteur? Armed with a formidable appreciation of Frears’s direction of performers, an exquisite sensitivity to his visual design, and a deep sympathy with his representations of love in its many varieties, Lesley Brill presents compelling evidence why audiences who have enjoyed films as different as My Beautiful Laundrette, Dangerous Liaisons, The Queen, and Philomena can profit from closer attention to the endlessly resourceful ironist behind them all." Thomas Leitch, Professor, Department of English, University of Delaware, USA UK August 2016 • US August 2016 • 272 pages • 40 bw illus HB 9781501320330 • £80.00 / $120.00 Individual eBook 9781501320347 • £80.99 / $107.99 Library eBook 9781501320354 Bloomsbury Academic

Hitchcock's Appetites The Corpulent Plots of Desire and Dread Casey McKittrick, Western Michigan University, USA In Hitchcock’s Appetites, Casey McKittrick offers the first book-length study of the relationship between Hitchcock’s body size and his cinema. Whereas most critics and biographers of the great director are content to consign his large figure and larger appetite to colorful anecdotes of his private life, McKittrick argues that our understanding of Hitchcock’s films, his creative process, and his artistic mind are incomplete without considering his lived experience as a fat man. Hitchcock’s Appetites produces a new and compelling profile of Hitchcock's creative life, and a fuller, more nuanced account of his auteurism. UK July 2016 • US July 2016 • 208 pages HB 9781501311659 • £74.00 / $110.00 Individual eBook 9781501311635 • £73.99 / $98.99 Library eBook 9781501311628 Bloomsbury Academic

Ozu International Essays on the Global Influences of a Japanese Auteur Edited by Wayne Stein, University of Central Oklahoma, USA & Marc DiPaolo, Oklahoma City University, USA

"These sophisticated essays certainly challenge, deepen and complicate our standard understanding of Ozu. All the more refreshing is that they are written in a clear, lively style, without a hint of academic jargon." Phillip Lopate, Film Critic, Award-Winning Author, and Director of the Graduate Nonfiction Writing Program, Columbia University, USA Ozu International helps to fill a lingering gap in English-language scholarship on Ozu by giving this new generation of scholars a booklength forum to explore new critical perspectives on an unfairly neglected director. UK September 2016 • US September 2016 • 224 pages • 35 bw illus PB 9781501320040 • £24.99 / $39.95 Previously published in HB 9781628922875 Individual eBook 9781628922899 • £80.99 / $107.99 Library eBook 9781628922882 Bloomsbury Academic

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Series Editor: Todd McGowan, University of Vermont, USA This series fills a gaping hole in the world of film theory by marrying the explanation of film theory with an interpretation of a film.

Fredric Jameson and The Wolf of Wall Street

Narrative Theory and Adaptation

Clint Burnham, Simon Fraser University, Canada

Understanding narrative theory is crucial to make sense of Spike Jonze's award-winning film Adaptation. The book explicates, in clear prose for beginners, four key facets important to the narrative theory of film: the distinction between practical vs. critical theory, the role of adaptation, the process of narrative comprehension, and the notion of authorship. It then works to unlock Adaptation using these four keys in succession, considering how the film demands a theoretical understanding of the storytelling process. In using Spike Jonze's Adaptation, the author makes the case for the importance of narrative theory as a general perspective for filmmakers, critics, and viewers alike.

Fredric Jameson and The Wolf of Wall Street offers a concise introduction to Jameson and shows how his Marxist theories can be deployed to interpret Martin Scorsese's critically acclaimed 2013 film The Wolf of Wall Street. Clint Burnham illustrates how Jameson’s theory can help to make sense of The Wolf of Wall Street, a film that shows in all its glory the excesses, lunacies, and inner workings of 1990s finance capitalism. Fredric Jameson and The Wolf of Wall Street is a book about a contemporary film, and contemporary events, and contemporary theory. UK October 2016 • US October 2016 • 192 pages PB 9781501308345 • £13.99 / $19.95 • HB 9781501308338 • £50.00 / $75.00 Individual eBook 9781501308352 • £12.99 / $16.99 Library eBook 9781501308369 Series: Film Theory in Practice • Bloomsbury Academic

Feminist Film Theory and Pretty Woman Mari Ruti, Harvard University, USA "Don't mistake this for a book just about Pretty Woman! It is that, but it is so much more: a beautifully pitched introduction to feminist film theory, a powerful critique of our postfeminist and neoliberal age, and, above all, a bold, passionate and nuanced contribution to thinking about gender relations today. A truly wonderful book written with verve, élan, and Mari Ruti's trademark ability to convey complex ideas with an enviable lightness of touch. I'll be recommending it to all my students." Rosalind Gill, University of London UK October 2016 • US October 2016 • 216 pages PB 9781501319464 • £13.99 / $19.95 • HB 9781501319426 • £50.00 / $75.00 Individual eBook 9781501319433 • £12.99 / $16.99 Library eBook 9781501319440 Series: Film Theory in Practice • Bloomsbury Academic

Jason Mittell, Middlebury College, USA

UK April 2017 • US April 2017 • 192 pages PB 9781501308406 • £13.99 / $19.95 • HB 9781501308383 • £50.00 / $75.00 Individual eBook 9781501308390 • £12.99 / $16.99 Library eBook 9781501308413 Series: Film Theory in Practice • Bloomsbury Academic

Critical Race Theory and Bamboozled Alessandra Raengo, Georgia State University, USA Critical Race Theory designates a much deeper reflection on the constitutive role of race in the legal, social, and aesthetic formations of US culture where Bamboozled provides endless examples for discussion and analysis. This book is the first to connect usually specialized considerations of race to established fields of inquiry in the humanities, particularly those concerned with issues of representation, capital, power, affect, and desire. UK October 2016 • US October 2016 • 216 pages PB 9781501305795 • £13.99 / $19.95 • HB 9781501305801 • £50.00 / $75.00 Individual eBook 9781501305832 • £12.99 / $16.99 Library eBook 9781501305818 Series: Film Theory in Practice • Bloomsbury Academic

The Screen Media Reader

Compact Cinematics

Culture, Theory, Practice

The Moving Image in the Age of Bit-Sized Media

Edited by Stephen Monteiro, American University of Paris, France The Screen Media Reader’s carefully curated selection includes seminal historical writings on screen studies by well-known theorists, those that have had limited exposure, and those appearing in English, from French, for the first time - reinforcing the link between study of the screen and what has been called “French Theory.” UK January 2017 • US January 2017 • 400 pages PB 9781501311703 • £24.99 / $39.95 • HB 9781501311697 • £94.00 / $130.00 Individual eBook 9781501311673 • £25.99 / $34.99 Library eBook 9781501311666 Bloomsbury Academic

F ilm T heory

Film Theory in Practice

Edited by Pepita Hesselberth, Leiden University, the Netherlands & Maria Poulaki, University of Surrey, UK Challenging the dominant understanding of cinema to focus on the various compact, short, miniature, pocket-sized forms of cinematics that have existed from even before its standardization in theatrical form, Compact Cinematics analyzes the ways in which short films or micro-narratives challenge the concepts traditionally used to understand cinematic experience—like linear causality, sequentiality, and closure—and mirror the current late-capitalist conditions of condensed time and space. UK January 2017 • US January 2017 • 224 pages • 50 bw illus HB 9781501322266 • £80.00 / $120.00 Individual eBook 9781501322280 • £80.99 / $107.99 Library eBook 9781501322273 Bloomsbury Academic

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F ilm T heory / F ilm H istory

Thinking Cinema This series publishes original, innovative monographs that explore encounters between film, philosophy, and theory.

Ex-centric Cinema

The Body and the Screen

Giorgio Agamben and Film Archaeology

Female Subjectivity in Contemporary Women's Cinema

Janet Harbord, Queen Mary, University of London, UK Ex-centric Cinema takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. UK October 2016 • US October 2016 • 272 pages • 10 bw illus PB 9781628922417 • £19.95 / $29.95 • HB 9781628922424 • £74.00 / $120.00 Individual eBook 9781628922400 • £19.99 / $25.99 Library eBook 9781628922387 Series: Thinking Cinema • Bloomsbury Academic

Kate Ince, University of Birmingham, UK This volume draws on feminist theorists and critics to offer readings of a range of the most important and memorable films from the 1990s and 2000s directed by women. While mainstream entertainment cinema traditionally distorts representations of women, Ince suggests that the films of independent women directors are progressively redressing the balance, and thereby reinvigorating both the narratives and the formal ambitions of European cinema. UK January 2017 • US January 2017 • 224 pages • 12 bw illustrations PB 9781623565817 • £19.99 / $34.95 • HB 9781623562922 • £65.00 / $120.00 Individual eBook 9781623565206 • £22.99 / $30.99 Library eBook 9781623566265 Series: Thinking Cinema • Bloomsbury Academic

The Grace of Destruction A Vital Ethology of Extreme Cinemas Elena del Río, University of Alberta, Canada "Elena del Río examines a corpus of violent, shocking, and ultimately extreme—in order to mount furious critique of the transcendent values of modern morality... A brave, uncompromising, and important book." Gregory Flaxman, University of North Carolina, Chapel Hill, USA The Grace of Destruction argues that extreme cinema is different from mainstream cinema's representations of violence and constitutes a critique of the system that produces such violence. UK May 2016 • US May 2016 • 288 pages HB 9781501303029 • £80.00 / $120.00 Individual eBook 9781501303050 • £80.99 / $107.99 Library eBook 9781501303043 Series: Thinking Cinema • Bloomsbury Academic

Cinema of Simulation: Hyperreal Hollywood in the Long 1990s Randy Laist, Goodwin College, USA The hyperreal cinema of the 1990s conceives the movie screen as an arena in which images and reality exchange masks, blend into one another, and challenge the philosophical premises which differentiate them from one another. Cinema of Simulation provides a guided tour through the anxieties and fantasies, reciprocally social and cinematic, which characterize the surreal territory of the hyperreal. UK September 2016 • US September 2016 • 272 pages • 20 bw illus PB 9781501320033 • £24.99 / $39.95 Previously published in HB 9781628920796 Individual eBook 9781628920819 • £80.99 / $107.99 Library eBook 9781628920802 Bloomsbury Academic

Global Exploitation Cinemas Series Editors: Austin Fisher, Bournemouth University, UK & Johnny Walker, Northumbria University, UK

Grindhouse

Disposable Passions

Cultural Exchange on 42nd Street, and Beyond

Vintage Pornography and the Material Legacies of Adult Cinema

Edited by Austin Fisher, Bournemouth University, UK & Johnny Walker, Northumbria University, UK

David Church, Northern Arizona University, USA

Contributors consider “grindhouse cinema” from a variety of cultural and methodological positions. Some seek to deconstruct the etymology of “grindhouse” itself, or examine the term’s contemporary relevance in the context of both media production and consumerism. Others offer new inroads into hitherto unexamined examples of exploitation film history, presenting snapshots of cultural moments that many of us thought we already knew. UK September 2016 • US September 2016 • 280 pages • 31 bw illus PB 9781628927498 • £19.99 / $29.95 • HB 9781628927474 • £80.00 / $120.00 Individual eBook 9781628927467 • £19.99 / $25.99 Library eBook 9781628927450 Series: Global Exploitation Cinemas • Bloomsbury Academic

"An absolute must read for every porn studies scholar." Annie Sprinkle, Ph.D., Porn Star turned Post Porn Artist Addressing both film historians and film preservationists, Disposable Passions explores the archival and historiographic lessons that vintage pornography can teach us about which materials our society chooses to keep, how we interact with these anachronistic forms, and who plays a role in keeping them alive today. UK September 2016 • US September 2016 • 296 pages • 20 bw illus PB 9781501307577 • £19.99 / $29.95 • HB 9781501307560 • £80.00 / $120.00 Individual eBook 9781501307546 • £19.99 / $25.99 Library eBook 9781501307539 Series: Global Exploitation Cinemas • Bloomsbury Academic

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Film Noir

Greg M. Colón Semenza & Bob Hasenfratz, both of University of Connecticut, USA

Ian Brookes, University of Nottingham, UK

“Semenza and Hasenfratz (both, English, Univ. of Connecticut) present a comprehensive survey of the adaptation of British literature to film from the beginning of film in 1895 to the present. They look at the seeming inevitability of the marriage between British literature and movies and then consider the sustainability of the pairing over the decades. … Clearly and concisely written and including myriad illustrations and examples to help readers better contextualize and visualize the subject, this brilliant analysis of British literature on film is a valuable resource for both film and cultural studies. Summing Up: Essential. Lower-division undergraduates through faculty.” CHOICE UK January 2017 • US January 2017 • 488 pages • 80 bw illus PB 9781501329852 • £26.99 / $39.95 Previously published in HB 9781623560430 Individual eBook 9781623561871 • £100.99 / $134.99 Library eBook 9781623561154 Series: The History of World Literatures on Film • Bloomsbury Academic

A Critical Introduction Film noir may seem a familiar genre to many, with its use of a complex narrative structure, flashbacks and voiceover narration, and with such archetypal characterisations as the femme fatale and private eye. But Ian Brookes asks: 'What is film noir?' The first critical introduction to take into account the complexity of the term and the difficulties of its straightforward definition and classification, Film Noir is not just an account of what film noir is, but also an interrogation of the ways in which the term came to be applied to a particular group of American films of the 1940s and 1950s. UK March 2017 • US March 2017 • 224 pages • 25 bw illus PB 9781780933139 • £17.99 / $29.95 • HB 9781780933269 • £55.00 / $100.00 Individual eBook 9781780933177 • £19.99 / $25.99 Library eBook 9781780933245 Series: Film Genres • Bloomsbury Academic

F ilm H istory / F ilm G enres

The History of British Literature on Film, 1895-2015

Cult Film as a Guide to Life Fandom, Adaptation, and Identity

Film and Television Genres of the Late Soviet Era Alexander Prokhorov & Elena Prokhorova, both of College of William and Mary, USA A brilliant overview of the film and television of the Soviet Union in the Stagnation period, shedding new light on the culture of the era. Through close analysis of well-known film classics of the period as well as less familiar films and television series, this ground-breaking work helps to deconstruct the myth of this era as a time of social stability and also helps us to understand the persistence of this myth in the contemporary Russian collective memory. UK December 2016 • US December 2016 • 288 pages • 30 bw illus PB 9781441134288 • £19.99 / $29.95 • HB 9781441177292 • £80.00 / $120.00 Individual eBook 9781501324093 • £19.99 / $25.99 Library eBook 9781501324086 Bloomsbury Academic

What's Eating You? Food and Horror on Screen Edited by Cynthia J. Miller, Emerson College, USA & A. Bowdoin Van Riper, Independent Scholar, USA Monstrous “others” dine on forbidden fare; the tables of consumption are turned, and the consumer becomes the consumed. Overindulgence, as Le Grande Bouffe (1973) and Street Trash (1987) warn, can kill us, and occasionally, as films like The Stuff (1985) and Poultrygeist (2006) illustrate, our food fights back. From Blood Feast (1963) to Sweeney Todd (2007), motion pictures have reminded us that it is an “eat or be eaten” world. Divided into four thematic sections, What's Eating You? explores the deeper significance of such stories—the ways in which they reflect (or challenge) our deepest fears about consuming and being consumed. UK February 2017 • US February 2017 • 352 pages • 40 bw illus HB 9781501322389 • £86.00 / $130.00 Individual eBook 9781501322419 • £87.99 / $116.99 Library eBook 9781501322396 Bloomsbury Academic

I.Q. Hunter, De Montfort University, UK "In his characteristically bold and distinctive way, I. Q. Hunter raises vital questions, provokes debate and sets the agenda for new approaches within the continually shifting and evolving field of cult film studies. Cult Film as a Guide to Life is an engaging, highly readable and endlessly thought-provoking book." Kate Egan, Senior Lecturer in Film Studies, Aberystwyth University, UK This lively and original book shows why cult films may just be the perfect guide to making sense of the contemporary world. I.Q. Hunter explores how cultists care for films over time and across numerous intertexts in relationships of memory, nostalgia and anticipation. UK September 2016 • US September 2016 • 232 pages • 25 bw illus PB 9781623565107 • £19.99 / $29.95 • HB 9781623568979 • £80.00 / $120.00 Individual eBook 9781623563813 • £19.99 / $25.99 Library eBook 9781623565022 Bloomsbury Academic

The "Disguised" Political Film in Contemporary Hollywood A Genre's Construction Despoina-Betty Kaklamanidou, Aristotle University of Thessaloniki, Greece The political film is not a clearly delineated object, but rather an elusive one and resistant to clear boundaries. Betty Kaklamanidou unpacks the problematic terms and ideas that go along with defining a new genre. Kaklamanidou considers a different sub-genre per chapter, placing each group of films in their socio-historical context to reach conclusions about the production of political films in millennial Hollywood. In shifting the terms of the debate, The "Disguised" Political Film in Contemporary Hollywood offers a fresh, new approach to the subject of the political film. UK October 2016 • US October 2016 • 224 pages HB 9781501322303 • £80.00 / $120.00 Individual eBook 9781501322327 • £80.99 / $107.99 Library eBook 9781501322310 Bloomsbury Academic

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A udience R eception and R epresentation

Elizabeth Taylor

Seeing Fans

A Private Life for Public Consumption Ellis Cashmore, Aston University, UK

Representations of Fandom in Media and Popular Culture

"Internet-age approach to a Golden Age movie star." The Chronicle Herald

Edited by Lucy Bennett, Cardiff University, UK & Paul Booth, DePaul University, USA

"Offers a rich and illuminating reassessment, invigorating the somewhat lackluster discourse about the iconic movie star. Although there are at least 10 biographies of Elizabeth Taylor, Cashmore’s lively study provides a compelling interpretation and bridges the many gaps between Taylor’s impact on the American zeitgeist and her alluring, infamous life." The Washington Post UK April 2016 • US February 2016 • 432 pages • 30 bw illus PB 9781628920697 • £18.99 / $25.95 • HB 9781628920703 • £54.00 / $80.00 Individual eBook 9781628920680 • £16.99 / $22.99 Library eBook 9781628920673 Bloomsbury Academic

UK July 2016 • US July 2016 • 336 pages • 5 bw illus HB 9781501318450 • £86.00 / $130.00 Individual eBook 9781501318467 • £87.99 / $116.99 Library eBook 9781501318474 Bloomsbury Academic

Screening Bosnia Geopolitics, Gender and Nationalism in Cinematic Representations of the 19921995 War Stephen Harper, University of Portsmouth, UK In Screening Bosnia, Stephen Harper analyses how the political contexts and historical events of the brutal Bosnian war of 1992-1995 have been represented, arguing that the Western media have presented a onesided, pro-Western view of the conflict. Examining images of the war across a variety of media, Harper focuses on the representation of some of the war's major themes (humanitarian intervention, the roles of NATO and the UN, genocide, rape and ethnic cleansing) and considers the role of popular media texts in reinforcing Western geopolitical hegemony. UK March 2017 • US March 2017 • 176 pages • 30 bw illus HB 9781623564971 • £55.00 / $100.00 Individual eBook 9781623565923 • £67.99 / $89.99 Library eBook 9781623567071 Bloomsbury Academic

Moral Panics in the Contemporary World Edited by Julian Petley, Brunel University, UK, Chas Critcher, Sheffield Hallam University, UK, Jason Hughes, University of Leicester, UK & Amanda Rohloff, Brunel University, UK Designed from the outset to comprise a coherent and integrated set of viewpoints which share a common engagement with critically exploring moral panics in the contemporary world, Moral Panics in the Contemporary World represents the best current theoretical and empirical work on the topic, taken from the international conference on moral panics held at Brunel University. Containing case studies instantly recognisable and familiar to a student readership (drugs, alcohol, sexual abuse and racism), this collection brings a fresh approach to analysis and argument to accurately reflect the state-of-the-art moral panics research today. UK May 2016 • US May 2016 • 312 pages • 15 bw illus PB 9781501319600 • £24.99 / $39.95 Previously published in HB 9781623568931 Individual eBook 9781623564056 • £87.99 / $116.99 Library eBook 9781623562090 Bloomsbury Academic

Seeing Fans analyzes the representations of fans in the mass media through a diverse range of perspectives. Branching out from a preface by noted actor and fan Orlando Jones (Sleepy Hollow), this text bridges the worlds of academia and the media industry. Essays examine such varied material as fictional representations of fans in television; representations of fans in film, comics, music and sport fandoms; and finally, representations of fans in documentaries and news reports. Interviews throughout connect the scholarship presented with the worlds of film, television, and documentary directors.

Post-Object Fandom Television, Identity and Self-narrative Rebecca Williams, University of South Wales, Wales "This book explores how devoted viewers deal with TV shows’ (un)intentional endings, transmedia continuations, and uncertain industry hiatuses. Always inspired and acute in her analysis, Rebecca Williams tackles a range of case studies from Doctor Who to Friends to The West Wing. Post-Object Fandom is such a good read, you simply won’t want it to end." Matt Hills, Professor of Film and TV Studies, Aberystwyth University, UK Whilst it is inevitable for television series to draw to a close, the reactions of fans have rarely been considered. Williams explores how television fans respond to, discuss, and work through their feelings when shows finish airing. UK July 2016 • US July 2016 • 248 pages PB 9781501319983 • £24.99 / $39.95 Previously published in HB 9781623564636 Individual eBook 9781623562106 • £25.99 / $34.99 Library eBook 9781623561406 Bloomsbury Academic

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Series Editors: Bernd Herzogenrath, University of Frankfurt, Germany & Patricia Pisters, University of Amsterdam, the Netherlands

Sonic Thinking

Media Matter

A Media Philosophical Approach

The Materiality of Media, Matter as Medium

Edited by Bernd Herzogenrath, University of Frankfurt, Germany Series editor Bernd Herzogenrath's collection serves two interconnected purposes: in developing an alternative philosophy of music that takes music seriously as a ‘form of thinking’; and in bringing this approach into a fertile symbiosis with the concepts and practices of ‘artistic research’: art, philosophy, and science as heterogeneous, yet coequal forms of thinking and researching. UK February 2017 • US February 2017 • 320 pages • 15 bw illus HB 9781501327209 • £80.00 / $120.00 Individual eBook 9781501327186 • £80.99 / $107.99 Library eBook 9781501327179 Series: Thinking Media • Bloomsbury Academic

Edited by Bernd Herzogenrath, University of Frankfurt, Germany

M edia T heory

Thinking Media

"Beyond simply registering an obligatory 'turn' in media studies, the contributors demonstrate what is to be gained in the fundamental re-thinking of mediation from which media|materiality proceeds." Stuart Moulthrop, University of Wisconsin-Milwaukee, USA UK February 2017 • US February 2017 • 328 pages • 20 bw illus PB 9781501320101 • £24.99 / $39.95 Previously published in HB 9781628923834 Individual eBook 9781628923858 • £80.99 / $107.99 Library eBook 9781628923841 Series: Thinking Media • Bloomsbury Academic

International Texts in Critical Media Aesthetics The Off-Modern Svetlana Boym, Harvard University, USA Drawing on theories of Georg Simmel, Henri Bergson, Aby Warburg and Jacques Derrida, Svetlana Boym writes a new genealogy of modernity, moving beyond older debates between modernism and postmodernism to focus on the intersection of art, architecture, technology, and philosophy in the early 21st century. UK June 2017 • US June 2017 • 176 pages • 15 bw illus PB 9781501328978 • £16.99 / $24.95 • HB 9781501328985 • £54.00 / $80.00 Individual eBook 9781501328954 • £16.99 / $21.99 Library eBook 9781501328947 Series: International Texts in Critical Media Aesthetics • Bloomsbury Academic

The Internet Unconscious On the Subject of Electronic Literature Sandy Baldwin, Rochester Institute of Technology, USA The Internet Unconscious describes the poetics of the net's “becoming-literary” by employing concepts that are both technically-specific and poetically-charged, providing a coherent and persuasive theory. The incorporation and projection of sites and technical protocols produces an uncanny displacement of the writer's body onto diverse part objects, and in turn to an intense and real inhabitation of the net through writing. The fundamental poetic situation of net writing is the phenomenology of “as-if.” Net writing involves construal of the world through the imaginary. UK August 2016 • US August 2016 • 200 pages PB 9781501320019 • £24.99 / $39.95 Previously published in HB 9781628923384 Individual eBook 9781628923407 • £25.99 / $34.99 Library eBook 9781628923391 Series: International Texts in Critical Media Aesthetics • Bloomsbury Academic

Between Film, Video, and the Digital Hybrid Moving Images in the Post-Media Age Jihoon Kim, Chung-ang University, South Korea "This book provides a novel approach to postcinema ... Passionate and informed, this book leads us on an unexpected journey." Francesco Casetti, Yale University, USA Bridging a range of visual forms, Jihoon Kim provides the essential scholarly text for understanding how digital processes, seen through both old and new forms of time-based media, have created a new aesthetic regime of the moving image. UK July 2016 • US July 2016 • 416 pages • 60 bw illus HB 9781628922936 • £94.00 / $140.00 Individual eBook 9781628922929 • £87.99 / $116.99 Library eBook 9781628922912 Series: International Texts in Critical Media Aesthetics • Bloomsbury Academic

The Interface Envelope Gaming, Technology, Power James Ash, Newcastle University, UK Develops a series of concepts to understand how digital interfaces work to shape the spatial and temporal perception of players. Drawing upon examples from videogame design and work from post-phenomenology, speculative realism, new materialism and media theory, Ash argues that interfaces create envelopes around which bodily and perceptual capacities are organised for the explicit production of economic profit. UK August 2016 • US August 2016 • 184 pages PB 9781501320002 • £24.99 / $39.95 Previously published in HB 9781623564599 Individual eBook 9781623565572 • £73.99 / $98.99 Library eBook 9781623569754 Bloomsbury Academic

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G ender in F ilm A N D M edia

Superwomen

Brenda Laurel

Gender, Power, and Representation

Pioneering Games for Girls

Carolyn Cocca, State University of New York at Old Westbury, USA

Carly A. Kocurek, Illinois Institute of Technology, USA

"Brava, Carolyn Cocca! In Superwomen, she delivers a comprehensive (and fascinating) overview of comics and pop culture women heroes, from Wonder Woman and the women of X-Men to Buffy and Princess Leia. Brava again for detailing the worst and the best treatment these characters have received in the hands of writers, artists, and film studios. And a final brava for showing how today, fans’ reaction and feedback has influenced the positive representation of their beloved women heroes." Trina Robbins, author of Pretty in Ink UK September 2016 • US September 2016 • 288 pages • 28 bw illus PB 9781501316579 • £19.99 / $29.95 • HB 9781501316562 • £80.00 / $120.00 Individual eBook 9781501316586 • £19.99 / $25.99 Library eBook 9781501316593 Bloomsbury Academic

Women of Ice and Fire Gender, Game of Thrones and Multiple Media Engagements Edited by Anne Gjelsvik, Norwegian University of Science and Technology, Norway & Rikke Schubart, University of Southern Denmark, Denmark Divided into three sections addressing questions of adaptation from novel to television, female characters, and politics and female audience engagement within the GoT universe, Women of Ice and Fire analyze gender in relation to female characters and topics such as genre, sex, violence, adaptation, as well as fan reviews. The genre of fantasy was once considered a primarily male territory with male heroes. Women of Ice and Fire shows how the GoT universe challenges, exploits, and reimagines gender and why it holds strong appeal to female readers, audiences, and online participants. UK April 2016 • US April 2016 • 288 pages • 30 bw illus PB 9781501302909 • £19.99 / $29.95 • HB 9781501302893 • £80.00 / $120.00 Individual eBook 9781501302923 • £19.99 / $25.99 Library eBook 9781501302916 Bloomsbury Academic

Contemporary Masculinities in Fiction, Film and Television Brian Baker, Lancaster University, UK While focusing on a range of popular genres, such as Bond films, war movies, science fiction and the Gothic, the work places close analyses of individual films and texts in their cultural and historical contexts, arguing for the importance of these popular fictions in diagnosing how contemporary Britain and the United States understand themselves and their changing role in the world through the representation of men. Baker draws upon current work in mobility studies and in the study of masculinities to produce the first book-length comparative study of masculinity in popular culture of the first decade of the twenty-first century. UK July 2016 • US July 2016 • 272 pages PB 9781501320095 • £24.99 / $39.95 Previously published in HB 9781623567477 Individual eBook 9781623567385 • £25.99 / $34.99 Library eBook 9781623569228 Bloomsbury Academic

Brenda Laurel is best known for her work with Purple Moon, the pioneering game company she cofounded in the 1990s. Purple Moon’s games were based on years of research Laurel completed in an effort to understand why computer games seemed to be of so little interest to girls. Using diverse archival sources such as trade journals, newspapers, and recorded interviews, alongside Laurel’s completed games and own writings and an original interview with Laurel herself, Brenda Laurel offers insight into both the early development of the games for girls movement of the 1990s and the lasting impact of Laurel’s game design breakthroughs. UK February 2017 • US February 2017 • 192 pages • 25 bw illus PB 9781501319778 • £16.99 / $24.95 • HB 9781501319785 • £54.00 / $80.00 Individual eBook 9781501319792 • £16.99 / $21.99 Library eBook 9781501319808 Series: Influential Video Game Designers • Bloomsbury Academic

The Aesthetic Pleasures of Girl Teen Film Samantha Colling, Manchester Metropolitan University, UK What is ‘fun’ about the Hollywood version of girlhood? Through re-evaluating notions of pleasure and fun, The Aesthetic Pleasures of Girl Teen Film forms a study of Hollywood teen girl films between 2000-2010. By tracing the aesthetic connections between films such as Mean Girls, Hairspray, and Easy A, the book explores how Hollywood creates gendered ideas of fun. Rather than condemn these films as ‘guilty pleasures’ this book sets out to understand how they are designed to create experiences that feel as though they express desires, memories, or fantasies that girls supposedly share in common. UK March 2017 • US March 2017 • 240 pages • 14 bw illus HB 9781501318498 • £74.00 / $110.00 Individual eBook 9781501318504 • £73.99 / $98.99 Library eBook 9781501318511 Bloomsbury Academic

Alain Delon Style, Stardom and Masculinity Edited by Nick Rees-Roberts, University of Bristol, UK & Darren Waldron, University of Manchester, UK "The book increases significantly the available scholarship on Delon ... and offer[s] unusual and stimulating premises ... which in the long run will prove to be useful take-off points for scholars wishing to further engage with the figure of Delon." Celebrity Studies This collection examines the star’s career, image and persona. Not only focusing on his spectacular early performances, the book also considers less well documented aspects of Delon’s long career such as his time in Hollywood, his work as director, producer and screenwriter, his musical collaborations, his TV appearances, and his enduring role as a fashion icon in the 21st century. UK February 2017 • US February 2017 • 216 pages • 15 bw illus PB 9781501320125 • £24.99 / $39.95 Previously published in HB 9781623567606 Individual eBook 9781623564452 • £25.99 / $34.99 Library eBook 9781623561574 Bloomsbury Academic World English

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Inhuman Networks

Curatorial Culture and the Transformation of TV

Social Media and the Archaeology of Connection

MJ Robinson, City University of New York, USA

Grant Bollmer, University of Sydney, Australia

The rise of a curatorial culture where viewers create their own entertainment packages and select from a buffet of viewing options and venues has caused a seismic shift for the traditional television industry. Even as audiences clamor for more story-driven and scripted entertainment, their new viewing habits undermine the dominant economic structures that fund quality episodic series. Television on Demand examines how we have reached this present moment, and considers the viable future of this crucial culture industry. UK March 2017 • US March 2017 • 224 pages PB 9781441148094 • £17.99 / $29.95 • HB 9781441193988 • £55.00 / $100.00 Individual eBook 9781441111333 • £19.99 / $25.99 Library eBook 9781441173584 Bloomsbury Academic

The Netflix Effect Technology and Entertainment in the 21st Century Edited by Kevin McDonald, Cal State Northridge, USA & Daniel Smith-Rowsey, Sacramento State University, USA These essays are designed to critically explore the breadth and diversity of Netflix's effect from a variety of different scholarly perspectives (a necessary approach considering the hybrid nature of Netflix): its inextricable links to new models of media production, distribution, viewer engagement and consumer behavior, its relationship to existing media conglomerates and consumer electronics, its capabilities as a web-based service provider and data network, and its reliance on a broader technological infrastructure. UK August 2016 • US August 2016 • 272 pages • 7 bw illus HB 9781501309441 • £80.00 / $120.00 Individual eBook 9781501309434 • £80.99 / $107.99 Library eBook 9781501309427 Bloomsbury Academic

Google Earth: Outreach and Activism Catherine Summerhayes, Australian National University, Australia "How are we to think through 21st century visual regimes that have come to supplement perspective and realism? Summerhayes goes beyond analyses of the new cartographies as tools of authority, exploring instead the new affective connections afforded by Google Earth, new ways of being human. Vital reading for those who work to make data social." Sean Cubitt, University of London, UK Google Earth: Outreach and Activism argues that it is imperative to understand how social networking and information sites work in socio and geo-political contexts if society is to use these sites for the public good. UK August 2016 • US August 2016 • 208 pages • 25 bw illus PB 9781501320026 • £24.99 / $39.95 Previously published in HB 9781441139795 Individual eBook 9781441134974 • £25.99 / $34.99 Library eBook 9781441147806 Bloomsbury Academic

"Part an archaeology of connectivity, part critical analysis of contemporary culture, Inhuman Networks offers an inspiring take for media studies. Grant Bollmer’s rich, multi-layered book shows that social media does not just mediate but performs a subtle yet effective moral code: the networks prescribe senses of the self, community, value and direction. The so-called human exists only if it routes." Jussi Parikka, Winchester School of Art, UK author of Digital Contagions (2007) and Insect Media (2010) Inhuman Networks argues that the human nature revealed by social media imagines network technology and data as models for behavior online. UK August 2016 • US August 2016 • 304 pages • 20 bw illus HB 9781501316159 • £86.00 / $130.00 Individual eBook 9781501316166 • £87.99 / $116.99 Library eBook 9781501316173 Bloomsbury Academic

N ew M edia and T echnology

Television on Demand

Controversies in Digital Ethics Edited by Amber Davisson, Keene State College, USA & Paul Booth, DePaul University, USA Controversies in Digital Ethics offers multiple perspectives on the ways that digital technology and new media have changed contemporary ethical frameworks. Through both theoretical examination as well as specific case studies, the essays provide a vigorous examination of ethics in a highly individualistic and mediated world. The editors bring together multiple writers working from different ethical frameworks to represent the multiplicity of ethical thinking in the 21st century. Accessible for students, but with robust analysis to provide contemporary scholarship in media ethics, this is the first and only collection to unite theory, case studies, and practice within one volume. UK April 2016 • US February 2016 • 392 pages HB 9781501310560 • £80.00 / $130.00 Individual eBook 9781501310546 • £80.99 / $107.99 Library eBook 9781501310539 Bloomsbury Academic

Fun and Software Exploring Pleasure, Paradox and Pain in Computing Edited by Olga Goriunova, University of Warwick, UK "Fun and Software is a unique and very welcome addition to the existing work in software studies and history of computing. The book uncovers intense emotions at work throughout computing cultures, with geeks, game players, inventors of computers and other characters making appearances. The range of covered topics is impressive, and the thinking and writing in this book are superb." Lev Manovich, Professor of Computer Science, The Graduate Center, City University of New York, USA, and Director, Software Studies Lab UK May 2016 • US May 2016 • 296 pages • 15 bw illus PB 9781501318283 • £24.99 / $39.95 Previously published in HB 9781623560942 Individual eBook 9781623567569 • £25.99 / $34.99 Library eBook 9781623568870 Bloomsbury Academic

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M edia H istory / J ournalism

The Marvel Studios Phenomenon

Newsworkers

Inside a Transmedia Universe

A Comparative European Perspective

Martin Flanagan, University of Salford, UK, Andrew Livingstone, University of Bolton, UK & Mike McKenny, University of Bradford, UK

Henrik Örnebring, Karlstad University, Sweden

The Marvel Studios Phenomenon evaluates the studio’s identity, as well as its status within the structures of parent Disney. In a new set of readings of key texts the thematics of superhero fiction and the role of fandom are considered. The authors identify milestones from Marvel’s complex and controversial business history, allowing us to appraise its industrial status: from a comic publisher keen to exploit its intellectual property, to an independent producer, to successful subsidiary of a vast entertainment empire. UK June 2016 • US June 2016 • 288 pages • 20 bw illus HB 9781501311895 • £80.00 / $120.00 Individual eBook 9781501311864 • £80.99 / $107.99 Library eBook 9781501311857 Bloomsbury Academic

The Journalist in British Fiction and Film Guarding the Guardians from 1900 to the Present Sarah Lonsdale, City University, UK Sarah Lonsdale traces the ways in which journalists and newspapers have been depicted in fiction, theatre and film. The book asks how journalists were represented in various distinct periods of the 20th century and attempts to explain why these representations vary so widely. This is a history of the British press, told not by historians and sociologists, but by writers and directors as well as journalists themselves. Within these texts and films there is perhaps a clue as to how the best aspects of ‘Fourth estate’ journalism can survive in the digital age. UK July 2016 • US July 2016 • 296 pages PB 9781474220545 • £19.99 / $29.95 • HB 9781474220538 • £65.00 / $112.00 Individual eBook 9781474220552 • £19.99 / $21.99 Library eBook 9781474220569 Bloomsbury Academic

"This well-organized book reports the findings of an ambitious and thorough study of journalists in six European countries... It focuses on continuity and change in the technology, skills, autonomy, and professionalism of news people in these countries, using both quantitative and qualitative methods. It offers some unexpected insights, as well as support for previous studies, and should be of real value to anyone interested in European journalism." David H. Weaver, Distinguished Professor Emeritus of Journalism, Indiana University, USA Newsworkers takes a broad range of European countries and compares how journalism, as an industry, has been affected by the changes. UK May 2016 • US May 2016 • 272 pages HB 9781780931838 • £75.00 / $128.00 Individual eBook 9781780931845 • £74.99 / $83.99 Library eBook 9781780931852 Bloomsbury Academic

Documenting Gendered Violence Representations, Collaborations, and Movements Edited by Lisa M. Cuklanz, Boston College, USA & Heather McIntosh, Minnesota State University, Mankato, USA Documenting Gendered Violence explores the intersections of documentary and gendered violence. Several contributors investigate representations through grounded textual analyses of key films and videos, including Sex Crimes Unit (2011) and The Invisible War (2012), and other documentary texts including YouTube, photographs, and theater. Other chapters use analysis and interviews to explore how gender violence issues impact production and how these documentaries become part of collaborations and awareness movements. UK August 2016 • US August 2016 • 288 pages PB 9781501319990 • £24.99 / $39.95 Previously published in HB 9781628929997 Individual eBook 9781628923001 • £25.99 / $34.99 Library eBook 9781628921038 Bloomsbury Academic

reflective teaching InspIrIng EducatIon through InnovatIon

OuT nOw!

Outstanding advice on how to teach well, within “highly complex organisations known as universities ... This collection is a real tour de force ” TIMES HIGHER EDUCATION 9781441197559 | £24.99/$39.95

www.reflectiveteaching.co.uk 12

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An Interpretive History of Blacks in American Films, Updated and Expanded 5th Edition Donald Bogle, Lecturer and Author, USA "Mr. Bogle continues to be our most noted blackcinema historian." Spike Lee Every year since 2001, at least one to three African American performers are nominated for an Oscar. And even as some black directors delve into African American history—Steve McQueen (12 Years a Slave) or Lee Daniels (The Butler)—others like F. Gary Gray (The Italian Job) and Tim Story (Fantastic Four) are becoming mainstream in their interests, making films that do not involve African American themes. In this updated edition of the widely acclaimed Toms, Coons, Mulattoes, Mammies, and Bucks, Donald Bogle expands the conversation on African American filmmakers, directors, and performers in Hollywood. UK April 2016 • US February 2016 • 544 pages • 120 bw illus PB 9780826429537 • £23.99 / $34.95 Individual eBook 9781501325205 • £22.99 / $30.99 Library eBook 9781501325199 Bloomsbury Academic

Alien Imaginations Science Fiction and Tales of Transnationalism Edited by Ulrike Küchler, Freie Universität Berlin, Germany, Silja Maehl, Brown University, USA & Graeme A. Stout, University of Minnesota, USA As both an extra-terrestrial and a terrestrial migrant, the alien provides a critical framework to help us understand the interactions between cultures and to explore the transgressive force of travel over geographical, cultural or linguistic borders. Offering a perspective on the alien that connects to scholarship on immigration and globalization, this work brings together canonical and contemporary works in the literature and cinema of science fiction and transnationalism. Alien Imaginations reflects upon contemporary cultural imaginaries as well as the realities of migration, labor and life, suggesting models of resistance, if not utopian horizons. UK July 2016 • US July 2016 • 272 pages PB 9781501319976 • £24.99 / $39.95 Previously published in HB 9781628921151 Individual eBook 9781628921168 • £100.99 / $134.99 Library eBook 9781628921175 Bloomsbury Academic

The Environmental Documentary Cinema Activism in the 21st Century John A. Duvall, Dominican University of California, USA Duvall provides the first detailed coverage of the most important environmental films of the decade, from An Inconvenient Truth to The End of Suburbia, including their approach to their topics and their impacts on public opinion and political debate. The text examines the processes of production and distribution that have produced this explosion in documentaries. UK May 2017 • US May 2017 • 256 pages • 20 bw illus HB 9781441176110 • £70.00 / $130.00 Individual eBook 9781441197283 • £87.99 / $116.99 Library eBook 9781441122490 Bloomsbury Academic

Poitier Revisited Reconsidering a Black Icon in the Obama Age Edited by Ian Gregory Strachan, College of The Bahamas, The Bahamas & Mia Mask, Vassar College, USA "Unlike much work on Poitier ... this volume [puts] the star in international context. Given Poitier's own international, cosmopolitan identity, such consideration is crucial, and Poitier Revisited does useful work in providing it." Historical Journal of Film, Radio and Television Poitier Revisited offers a fresh interrogation of the social, cultural, and political significance of the Poitier oeuvre. This collection reconsiders his pivotal role in film and American race relations, arguing that even in this supposedly "post-racial" moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier's films are every bit as relevant today. UK May 2016 • US May 2016 • 288 pages • 25 bw illus PB 9781501319822 • £24.99 / $39.95 Previously published in HB 9781623564919 Individual eBook 9781623569235 • £25.99 / $34.99 Library eBook 9781623562977 Bloomsbury Academic

The Act of Documenting Documentary Film in the 21st Century Brian Winston, University of Lincoln, UK, Gail Vanstone, York University, Canada & Wang Chi, University of Lincoln, UK

R ace and E thnicity / D ocumentary F ilm

Toms, Coons, Mulattoes, Mammies, and Bucks

Documentary has never attracted such audiences, never been produced with such ease from so many corners of the globe, never embraced such variety of expression. The very distinctions between the filmed, the filmer and the spectator are being dissolved. The Act of Documenting addresses what this means for documentary’s 21st century position as a genus in the “class” cinema; for its foundations as, primarily, a scientistic, eurocentric and patriarchal discourse; for its future in a world where assumptions of photographic image integrity cannot be sustained. Winston, Vanstone and Wang Chi explore and celebrate documentary's potentials in the digital age. UK January 2017 • US January 2017 • 288 pages PB 9781501309175 • £19.99 / $29.95 • HB 9781501309168 • £66.00 / $100.00 Individual eBook 9781501309182 • £19.99 / $25.99 Library eBook 9781501309199 Bloomsbury Academic

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G ame S tudies

Approaches to Digital Game Studies This series examines the social significance of digital games, bringing together a range of voices from different disciplines in order to advance ongoing conversations and initiate new areas of inquiry in the field of game studies.

Music Video Games

Violent Games

Performance, Politics, and Play

Rules, Realism and Effect

Edited by Michael Austin, Howard University, USA

Gareth Schott, University of Waikato, New Zealand

Music Video Games takes a look (and listen) at the popular genre of music games – video games in which music is at the forefront of player interaction and gameplay. With chapters on a wide variety of music games, ranging from well-known console games such as Guitar Hero and Rock Band to new, emerging games for smartphones and tablets, scholars from diverse disciplines and backgrounds discuss the history, development, and cultural impact of music games. UK July 2016 • US July 2016 • 352 pages • 25 bw illus PB 9781501308536 • £23.99 / $34.95 • HB 9781501308529 • £80.00 / $120.00 Individual eBook 9781501308505 • £22.99 / $30.99 Library eBook 9781501308499 Series: Approaches to Digital Game Studies • Bloomsbury Academic

Every Game is an Island Endings and Extremities in Video Games Riccardo Fassone, Universities of Torino and Genova, Italy

UK July 2016 • US July 2016 • 288 pages • 25 bw illus PB 9781628925616 • £23.99 / $34.95 • HB 9781628925623 • £80.00 / $120.00 Individual eBook 9781628925609 • £19.99 / $25.99 Library eBook 9781628925593 Series: Approaches to Digital Game Studies • Bloomsbury Academic

Playback – A Genealogy of 1980s British Videogames Alex Wade, Birmingham City University, UK

Despite the pervasive rhetorics of immersion and embodiment found in industrial and social discourses, playing a video game is an exercise in non-linearity. The pervasiveness of trial and error mechanics, unforgiving game over screens, loading times, minute tweakings of options and settings, should lead us to consider video games as a medium that cannot eschew fragmentation. Every Game is an Island is an analysis and a critique of grey areas, dead ends and extremities found in digital games, an exploration of border zones where play and non-play coexist or compete.

Through interviews with developers, gamers, and journalists examining the phenomena of bedroom coding, arcade gaming, and format wars, mapped onto enquiry into the seminal genres of the time including driving, shooting, and maze chase, Playback: A Genealogy of 1980s British Videogames examines how 1980s Britain has become the culture of work in the 21st century and considers its meaning to contemporary society. This crucial and timely work fills a lacuna for students and researchers of sociology, media, and games studies and will be of interest to employees of the videogames and media industries.

UK February 2017 • US February 2017 • 208 pages HB 9781501316616 • £74.00 / $110.00 Individual eBook 9781501316623 • £73.99 / $98.99 Library eBook 9781501316630 Bloomsbury Academic

UK October 2016 • US October 2016 • 192 pages HB 9781628924893 • £66.00 / $110.00 Individual eBook 9781628924886 • £67.99 / $89.99 Library eBook 9781628924862 Bloomsbury Academic

Social, Casual and Mobile Games The Changing Gaming Landscape Edited by Michele Willson & Tama Leaver, both of Curtin University, Australia "This terrific and timely book is an invaluable guide to the profound ways in which gaming – in all its casual, mobile, and social glory – will never be the same again. Critical research for the rest of the (gaming) world has finally arrived." Gerard Goggin, The University of Sydney, Australia With chapters discussing locative games, the new freemium economic model, and gamer demographics, as well as close studies of specific games (including Candy Crush Saga, Angry Birds, and Ingress), this collection offers an insight into the changing nature of games and the impact of mobile media. UK April 2016 • US February 2016 • 320 pages • 20 bw illus HB 9781501310607 • £80.00 / $130.00 Individual eBook 9781501310584 • £80.99 / $107.99 Library eBook 9781501310577 Bloomsbury Academic

Drawing on new insights achieved from research located at an intersection between humanities, social and computer sciences, Gareth Schott’s addition to the Approaches in Digital Game Studies series interrogates the nature and meaning of the “violence” encountered and experienced by game players. In focusing on the various ways "violence" is mediated by both the rule system and the semiotic layer of games, the aim is to draw out the distinctiveness of games' exploitation of violence or violent themes.

Gameworlds Virtual Media and Children's Everyday Play Seth Giddings, University of Southampton, UK "Seth Giddings has long been one of the most astute observers of the complexities of digital play and this book offers a compelling, sophisticated look at gaming. Anchored in evocative analysis across a variety of 'gameworlds,' he beautifully shows of how everyday play lives are interwoven between the virtual and the material. This is a must read for anyone." T.L. Taylor, Massachusetts Institute of Technology, USA UK May 2016 • US May 2016 • 192 pages • 16 bw illus PB 9781501318290 • £24.99 / $39.95 Previously published in HB 9781623566326 Individual eBook 9781623568023 • £25.99 / $34.99 Library eBook 9781623563899 Bloomsbury Academic

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Art History for Filmmakers

Principles and Practices from the Ground Up

The Art of Visual Storytelling

Michael Salmond, Florida Gulf Coast University, USA

“A ground-breaking textbook that illustrates how art history can serve as a template for understanding the visual aspects of film art.” Angela Giron, Arizona State University, USA

Gillian McIver, SAE Institute

‘‘From the conceptual to the technical, dedicated chapters on every aspect of game design will help you understand the structure, depth and complexity of one of the most pervasive storytelling activities of our time. Aided by interviews with game makers, exercises and examples demonstrate how fluidity in a game arises from planning, execution and reiteration. But as the author states, and I could not agree more, ‘If you want to make games, go make games. Make games, make mistakes and learn from them.’ This book helps you do just that.” Arturo Sinclair, Ithaca College, New York, USA

Art History for Filmmakers shows how images from art can be used by filmmakers to establish period detail, and to demonstrate composition, color theory and lighting. Paintings by artists such as Rembrandt, Caravaggio, Hogarth, Goya and Hokusai are juxtaposed against stills from classic films. In-depth case studies explore the links between art and cinema through the work of highprofile filmmakers, including Peter Greenaway, Jack Cardiff, Martin Scorsese, Guillermo del Toro and Quentin Tarantino.

UK February 2016 • US April 2016 • 272 pages • 200 colour illus PB 9781472567482 • £29.99 / $49.95 Individual eBook 9781474255455 • £29.99 / $33.99 Library eBook 9781472567499 Series: Required Reading Range • Fairchild Books

UK March 2016 • US April 2016 • 256 pages • 200 colour illus PB 9781472580658 • £34.99 / $49.95 Individual eBook 9781474246200 • £29.99 / $33.99 Library eBook 9781472580665 Series: Required Reading Range • Fairchild Books

Sketching for Animation

The Fundamentals of Animation

Developing Ideas, Characters and Layouts in Your Sketchbook

Paul Wells, Loughborough University & Samantha Moore, University of Wolverhampton

Peter Parr, Arts University Bournemouth “It covers everything in animation you need to know by connecting it to your sketchbook.” Mario Menjivar, The School of Visual Arts, USA Sketching for Animation offers a wealth of examples, exercises and tips from an army of professional animators to help you develop essential sketching, technical drawing and ideation techniques. Features interviews and in-depth case studies from some of today's leading animators, including Bill Plympton, Glen Keane, Tori Davis and John Canemaker. UK March 2016 • US April 2016 • 352 pages • 300 color illus PB 9781474221443 • £29.99 / $49.95 Library eBook 9781474221450 Series: Required Reading Range • Fairchild Books

A nimation and F ilm P roduction

Video Game Design

“The book is terrific. Beyond being a textbook, it strikes me as being a very rich resource for animators and film-makers.” Thomas Castillo, University of Arizona, USA The Fundamentals of Animation explores the creative process from finding and researching a concept, through the preparation and techniques used, to the final film. Each stage of the animation process is presented in an engaging visual style and accompanied by examples and analysis of contemporary and classic films. The second edition includes new visuals and more than 20 new interviews, from some of the most influential names in contemporary animation. UK August 2016 • US September 2016 • 248 pages • 200 color illus PB 9781472575265 • £26.99 / $44.95 Individual eBook 9781474241786 • £26.99 / $29.99 Library eBook 9781472575272 Series: Fundamentals • Fairchild Books

Animation in Context A Practical Guide to Theory and Making Mark Collington, London Metropolitan University “…offers a thoughtful and lucid guide to students at all levels and enthusiasts of all ages…a book whose use of examples from popular culture and from high art make the complexities of cultural theory not only accessible but also enjoyable.” Alec Charles, Head of Media, University of Chester, UK Animation in Context empowers animators with the confidence to engage with theory as a fun, integral, and applied part of the creative process. Mark Collington explores the key theoretical approaches that shape animation narrative, supported by a broader set of principles from the worlds of art, design, film and media studies. UK September 2016 • US October 2016 • 248 pages • 150 colour illus PB 9781472578280 • £34.99 / $59.95 Library eBook 9781472578297 Fairchild Books

Animated Landscapes History, Form and Function Edited by Chris Pallant, Canterbury Christ Church University, UK "Through historical analysis and theoretical considerations, Animated Landscapes brings attention to a significant but largely overlooked realm of animation aesthetics. The broad scope of essays by leading scholars in the field reflect the diversity of animation today." Maureen Furniss, Program Director of the Program in Experimental Animation, California Institute of the Arts, USA, and Founding Editor of Animation Journal UK February 2017 • US February 2017 • 336 pages • 30 bw illus PB 9781501320118 • £24.99 / $39.95 Previously published in HB 9781628923513 Individual eBook 9781628923506 • £80.99 / $107.99 Library eBook 9781628923490 Bloomsbury Academic

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Tom Hiddleston as King Henry V and Benedict Cumberbatch as Richard III in The Hollow Crown

Discover. Read. Listen. Watch. An award-winning digital library of 1,700 playtexts, 350 audio plays and 150 hours of video from leading theatre publishers and companies. OUR DYNAMICALLY EXPANDING CONTENT INCLUDES: VIDEO COLLECTIONS

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33 1/3

33 1/3 “The series is probably the most remarkable regular event in rock journalism today.” New York Times 33 1/3 is a series of short books about popular music, focusing on individual albums by a wide range of artists from Celine Dion to Neutral Milk Hotel.

The Modern Lovers' The Modern Lovers

Angelo Badalamenti's Soundtrack from Twin Peaks

Sean L. Maloney, Independent Scholar, USA

Clare Nina Norelli, Independent Scholar, Australia

The Modern Lovers was never meant to be an album. It was a collection of demos, recorded in fits and starts as Jonathan Richman and his band negotiated modernity and the music industry. A collection of songs about a city and a society in flux, Richman observes a city all but abandoned by adults, ravaged by white flight and urban renewal, veering towards anarchy as old world social moors collide with new attitudes. It is a city that stands in stark contrast to the the ranch style bedroom community where he was raised. All of these conflicts are churned through Richman’s intellectual acuity and emotional unrest to create one of the 20th century’s most enduring documents of post-adolescent malaise. UK February 2017 • US February 2017 • 144 pages PB 9781501322181 • £9.99 / $14.95 Individual eBook 9781501322204 • £9.99 / $12.99 Library eBook 9781501322198 Series: 33 1/3 • Bloomsbury Academic

Donny Hathaway's Donny Hathaway Live Emily J. Lordi, University of Massachusetts, Amherst, USA In January of 1979, the great soul artist Donny Hathaway fell 15 stories from a window of Manhattan’s Essex House Hotel in an alleged suicide. He was 33 years old, and everyone he worked with called him a genius. In this book on Hathaway’s 1972 album Donny Hathaway Live—a recording that is a testament to his uncanny ability to amplify the power and beauty of his songs in the moment of live performance—Emily Lordi tells the story of the brutally honest, daringly gorgeous music that Hathaway created as he battled the onset of paranoid schizophrenia and his continued influence on generations of singers to come. UK October 2016 • US October 2016 • 160 pages PB 9781628929805 • £9.99 / $14.95 Individual eBook 9781628929829 • £9.99 / $12.99 Library eBook 9781628929812 Series: 33 1/3 • Bloomsbury Academic

LCD Soundsystem’s Sound Of Silver Ryan Leas, Independent Scholar, USA At the time of Sound Of Silver’s creation and release, James Murphy was a man closing in on 40 while fronting a critically-adored band still on the ascent. This album was the first place where he earnestly grappled with questions of aging, of being an artist, and the decisions we make with the time we have left. By the time LCD Soundsystem reunited in 2016, Sound Of Silver had already proven to be a generational touchstone, living on as a document of what it's like to be alive in the 21st century. UK June 2016 • US June 2016 • 128 pages PB 9781501325618 • £9.99 / $14.95 Individual eBook 9781501325595 • £9.99 / $12.99 Library eBook 9781501325601 Series: 33 1/3 • Bloomsbury Academic

Part of Twin Peaks’ charm was its unforgettable soundtrack by Angelo Badalamenti, a frequent and reoccurring collaborator of film director and Twin Peaks co-creator David Lynch. Badalamenti’s evocative music, with its haunting themes and jazzy moodscapes, served as a constant in a narrative that was often unhinged and went on to become one of the most popular and influential television soundtracks of all time. Under the guidance of Angelo Badalamenti’s diverse sonic palette, Clare Nina Norelli delves deep into the world of Twin Peaks to answer all of these questions and more. UK February 2017 • US February 2017 • 144 pages PB 9781501323010 • £9.99 / $14.95 Individual eBook 9781501323034 • £9.99 / $12.99 Library eBook 9781501323027 Series: 33 1/3 • Bloomsbury Academic

The Jesus and Mary Chain's Psychocandy Paula Mejia, Independent Scholar, USA The Jesus and Mary Chain's swooning debut Psychocandy seared through the underground and to the top of the pop charts, shifting the role of noise within pop music forever and establishing Creation Records as a taste-making entity in the process. In this book, Paula Mejia analyzes both the socio-political tensions of mid-1980s UK as well as Psychocandy’s blackened candy heart center, telling the story of how a group of working class boys from East Kilbride came together to record an album where depravity and sweetness intertwine, creating a sound of a generation poised on the brink of revolution. UK October 2016 • US October 2016 • 136 pages PB 9781628929508 • £9.99 / $14.95 Individual eBook 9781628929522 • £9.99 / $12.99 Library eBook 9781628929515 Series: 33 1/3 • Bloomsbury Academic

Sleater-Kinney's Dig Me Out Jovana Babovic, University of Tennessee, USA Sleater-Kinney’s 1997 album Dig Me Out is built on Corin Tucker and Carrie Brownstein’s competing guitars, Janet Weiss’s muscular rhythms, and layered vocals that teeter between an urgent, banshee-like vibrato and a lower accompaniment. It’s anchored in a short period of time – roughly from mid-1996 to mid-1998 – but it encompasses a series of battles over meaning that continued to preoccupy SleaterKinney in the coming decades. This story of Dig Me Out chronicles how Sleater-Kinney won the fight to define themselves on their own terms – as women and as musicians – and, in the process, how they redefined the parameters of rock. UK May 2016 • US May 2016 • 152 pages PB 9781628929768 • £9.99 / $14.95 Individual eBook 9781628929799 • £9.99 / $12.99 Library eBook 9781628929775 Series: 33 1/3 • Bloomsbury Academic

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3 3 1 / 3 / S ound S tudies and S ound A rt

Geto Boys' The Geto Boys Rolf Potts, Independent Scholar, USA Charting the rise of the Geto Boys from the earliest days of Houston's rap scene, Rolf Potts documents a moment in music history when hip-hop was beginning to replace rock as the transgressive sound of American youth. In creating an album that was both sonically innovative and unprecedentedly vulgar, the Geto Boys were accomplishing something that went beyond music. To paraphrase a sentiment from Don DeLillo, this group of young men from Houston's Fifth Ward ghetto had figured out the "language of being noticed" — which is, in the end, the only language America understands. UK May 2016 • US May 2016 • 152 pages PB 9781628929461 • £9.99 / $14.95 Individual eBook 9781628929492 • £9.99 / $12.99 Library eBook 9781628929485 Series: 33 1/3 • Bloomsbury Academic

New Kids on the Block's Hangin' Tough

Buzz Poole, Independent Scholar, USA "In 1969 the Grateful Dead executed an extraordinary pivot. While playing brilliant, deeply improvisational psychedelic music, they simultaneously began to create a series of traditionally-styled new American folk songs that would be collected in Workingman’s Dead. It is perhaps the key moment in their storied history, and Buzz Poole explores this evolution with insight and a profound understanding of how these songs fit into American cultural history." Dennis McNally, author of A Long Strange Trip (2003) and On Highway 61 (2014) The Grateful Dead’s Workingman’s Dead is the first listen to what would become an extensive songbook informed and inspired by dusty, rough-and-tumble American history and world mythologies, charting the long, winding path to self-discovery. UK April 2016 • US April 2016 • 160 pages PB 9781628929249 • £9.99 / $14.95 Individual eBook 9781628929263 • £9.99 / $12.99 Library eBook 9781628929256 Series: 33 1/3 • Bloomsbury Academic

Rebecca Wallwork, Independent Scholar, USA "[Wallwork] aims to explain why this album still resonates with her and the band’s mostly female audience (now in their 40s), and she tackles her subject on multiple fronts: the science, particularly the psychology... In some ways, this book is not so much a band biography or album history as it is a story about fandom. Even elitist rock fans who don’t remember the New Kids fondly will find that Wallwork’s work may crack their hard, cynical shells." Kirkus Reviews Wallwork sets out to analyze the quality of Hangin’ Tough with the help of musicologists, critics, producers, singers and other experts. For the first time, New Kids on the Block are judged on something that's never before been explored in depth - their music. UK April 2016 • US April 2016 • 144 pages PB 9781628929737 • £9.99 / $14.95 Individual eBook 9781628929751 • £9.99 / $12.99 Library eBook 9781628929744 Series: 33 1/3 • Bloomsbury Academic

Ludic Dreaming How to Listen Away from Contemporary Technoculture David Cecchetto, York University, Canada, Marc Couroux, York University, Canada, Ted Hiebert, University of Washington, Bothell, USA & Eldritch Priest, Simon Fraser University, Canada Ludic Dreaming uses dreams as a method for examining sound and contemporary technoculture’s esoteric exchanges, refusing both the strictures of visually-dominated logic and the celebratory tone that so often characterizes the “sonic turn.” Instead, the book forwards a robust engagement with sounds (human and nonhuman alike) that leverages particularity in its full, radical singularity. Thus, these studies situate themselves at a threshold between theory and fiction, one that encourages reader and writer alike to make lateral connections between otherwise wildly incongruent subjects and states of affairs. UK February 2017 • US February 2017 • 160 pages PB 9781501320804 • £16.99 / $24.95 • HB 9781501320798 • £54.00 / $80.00 Individual eBook 9781501320828 • £16.99 / $21.99 Library eBook 9781501320811 Bloomsbury Academic

Grateful Dead's Workingman's Dead

Philippe Grandrieux Sonic Cinema Greg Hainge, University of Queensland, Australia With a diverse array of works for television, video installations, photography, documentary films, short films and prize-winning feature films, the consistently controversial work of filmmaker Philippe Grandrieux has often remained a mystery outside of the international art film festival circuit. This inaugural volume in Bloomsbury’s Ex:Centrics series, Philippe Grandrieux provides an overview and critical analysis of one of the most innovative and important film makers of his generation. Containing a catalogue of Grandrieux’s works as well as an extensive and original interview with the artist, Philippe Grandrieux is a toolbox to help anyone who wants to discover or get more acquainted with one of cinema’s only living true radicals. UK February 2017 • US February 2017 • 320 pages • 14 bw illus; 6 color PB 9781628923124 • £18.99 / $27.95 • HB 9781628923131 • £60.00 / $90.00 Individual eBook 9781628923155 • £18.99 / $24.99 Library eBook 9781628923148 Series: EX:CENTRICS • Bloomsbury Academic

Beyond Unwanted Sound Noise, Affect and Aesthetic Moralism Marie Thompson, University of Lincoln, UK Weaving together affect theory with technical descriptions, philosophical accounts, acoustic ecology and a range of noises — from disruptive neighbours to the music of Maria Chavez —Beyond Unwanted Sound critiques both the conservative politics of silence and transgressive poetics of noise, each of which position noise as a negative phenomenon. This book aims to present a broader spectrum of noise, ranging from the exceptional to the banal; the overwhelming to the inaudible; and the destructive to the generative. What connects these various and variable manifestations of noise is not negativity but affectivity — the capacity to modulate, transform and perturb. UK February 2017 • US February 2017 • 208 pages PB 9781501313301 • £23.99 / $29.95 • HB 9781501313318 • £80.00 / $100.00 Individual eBook 9781501313325 • £19.99 / $25.99 Library eBook 9781501313332 Bloomsbury Academic

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Edited by Pirkko Moisala, University of Helsinki, Finland, Taru Leppänen, University of Turku, Finland, Milla Tiainen, University of Helsinki, Finland & Hanna Väätäinen, University of Helsinki, Finland Musical Encounters with Deleuze and Guattari is the first volume to mobilize encounters between the work of Gilles Deleuze and Felix Guattari and the rich developments in cultural studies of music and sound. Stretching from movement improvisation, vocal performance art, reality TV talent shows and deaf musicians to ethnographic fieldwork, artistic research and musical body studies, Musical Encounters with Deleuze and Guattari demonstrates how musical and sonic practices and expressions can be reconsidered as instances of becoming, actors in assemblages, and actualizations of virtual tendencies. UK January 2017 • US January 2017 • 240 pages • 10 mono images HB 9781501316746 • £80.00 / $120.00 Individual eBook 9781501316760 • £80.99 / $107.99 Library eBook 9781501316753 Bloomsbury Academic

Between Air and Electricity Microphones and Loudspeakers as Musical Instruments Cathy van Eck, Bern University of the Arts, Switzerland After the sound reproduction industry had claimed “perfect high fidelity” for sound recordings already at the beginning of the twentieth century, composers and sound artists challenged this perfection by tweaking microphones and loudspeakers to make them act as a musical instrument instead of a mere sound reproduction device. This book explores the instrumental use of microphones and loudspeakers in music beginning in the 1950s. The popular noise musician Merzbow, over-minimalist classic Alvin Lucier, cult instrument inventor Hugh Davies, and contemporary visual artist Lynn Pook made audible what was supposed to remain silent. UK February 2017 • US February 2017 • 224 pages HB 9781501327605 • £80.00 / $120.00 Individual eBook 9781501327612 • £80.99 / $107.99 Library eBook 9781501327629 Bloomsbury Academic

Sonic Rupture

Chaos Media

A Practice-led Approach to Urban Soundscape Design

A Sonic Economy of Digital Space

Jordan Lacey, RMIT University, Australia "...Providing a timely regeneration of soundscape studies, Sonic Rupture breaks with the complacency of a dialectical hearing, and creates a sonic access to land as an affective earth where we hear noise not as a nuisance but as a sign of limitless potential; and where sound artists and listeners have a mandate for political activism through their joyful participation in the diversification of the urban crust." Salomé Voegelin, University of the Arts London, UK and author of Listening to Noise and Silence (2010) and Sonic Possible Worlds (2014) Sonic Rupture provides the domains of sound art, music, creative practice, urban design, architecture and environmental philosophy with a unique perspective for understanding those affective forces. UK June 2016 • US June 2016 • 208 pages • 57 mono images HB 9781501309977 • £74.00 / $110.00 Individual eBook 9781501310003 • £73.99 / $98.99 Library eBook 9781501309991 Bloomsbury Academic

Rancid Aphrodisiac Subjectivity, Desire, and Rock 'n' Roll Mickey Vallee, University of Lethbridge, Canada "In Rancid Aphrodisiac, Mickey Vallee completely overturns everything that we thought we knew about rock music. With a thorough grounding in Lacanian theory, Vallee’s book shows how rock functions as a site of excessive enjoyment that disturbs our symbolic economy... Vallee makes clear that Lacanian psychoanalysis can unlock the affect of rock music in a way that no other theory can. To understand rock, Rancid Aphrodisiac is a must." Todd McGowan, University of Vermont, US UK June 2016 • US June 2016 • 160 pages PB 9781501322174 • £24.99 / $39.95 Previously published in HB 9781441183620 Individual eBook 9781623560140 • £25.99 / $34.99 Library eBook 9781441149053 Bloomsbury Academic

S ound S tudies and S ound A rt

Musical Encounters with Deleuze and Guattari

Stephen Kennedy, University of Greenwich, UK "Digitally induced sound has become a key element of contemporary societies, moving back and forth across various media as both shuttle and content. But appreciating this fact is not the same as understanding it. This book is a step towards understanding this new sonic economy, one which never makes the mistake of reducing it to just matters of political economy. It therefore provides a rich and accomplished account of new forms of sonic patterning and their spatial manifestations which is simultaneously a technological reckoning and a signpost to the future." Nigel Thrift, Vice-Chancellor and President, University of Warwick, UK UK July 2016 • US July 2016 • 192 pages PB 9781501324420 • £24.99 / $39.95 Previously published in HB 9781623567064 Individual eBook 9781623567248 • £25.99 / $34.99 Library eBook 9781623562205 Bloomsbury Academic

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E xperimental M usic

Experimental Music Since 1970

Experimentations

Jennie Gottschalk, Independent Scholar, USA

John Cage in Music, Art, and Architecture

"We have needed a reformulation of what experimental music now means... and this book beautifully fulfills that requirement. Jennie Gottschalk takes a fresh and independent look... It is also an adventure story with surprising twists and a panoramic cast of characters, like a novel in which works and ideas are the central figures, seemingly with a collective life of their own." Michael Pisaro, California Institute of the Arts, USA What is experimental music today? Join the author as she explores how experimentation is a way of working. It pushes past that which is known to discover what lies beyond it, finding new forms or accepting a state of uncertainty. UK August 2016 • US August 2016 • 304 pages • 40 b/w images PB 9781628922479 • £19.99 / $29.95 • HB 9781628922486 • £80.00 / $120.00 Individual eBook 9781628922516 • £19.99 / $25.99 Library eBook 9781628922493 Bloomsbury Academic

After Sound Toward a Critical Music G Douglas Barrett, Independent Scholar, USA "Doug Barrett’s book marks a crucial intervention into the embattled and often confused contemporary discourses of the sonic... Barrett’s call for a ‘critical music’ offers new terms for thinking and practicing musical art." Bill Dietz, Bard College, USA Barrett posits music as an expanded field encompassing performance, text scores, musical automata, video, social practice, and installation. Coining the term "critical music," this book examines a diverse collection of art projects—Pussy Riot, Ultra-red, Hong-Kai Wang, Peter Ablinger, Pauline Boudry and Renate Lorenz, and others— that intervene in political and philosophical conflicts by exploring music’s forms. UK August 2016 • US August 2016 • 256 pages • 6 bw illus PB 9781501308123 • £19.99 / $29.95 • HB 9781501308116 • £80.00 / $120.00 Individual eBook 9781501308109 • £19.99 / $25.99 Library eBook 9781501308093 Bloomsbury Academic

Into the Maelstrom: Music, Improvisation and the Dream of Freedom Before 1970 David Toop, London College of Communication, UK "Maelstrom indeed ... [This] is an encyclopedic vortex of musicology, memoir and speculative extemporisation on the nature of improvisation and freedom in music... crammed with detail and fascinating observations ... A captivating reading experience that perfectly embodies its subject in form." The Wire Into the Maelstrom introduces the subject of free improvisation, analyzing its early history and tracing the philosophy and practice of the music through to 1970. From a broad historical perspective, this work explores how improvisation without a score came to be possible and how spontaneity became a core value. UK May 2016 • US May 2016 • 336 pages PB 9781628927696 • £16.99 / $24.95 • HB 9781501314513 • £54.00 / $80.00 Individual eBook 9781441183705 • £16.99 / $21.99 Library eBook 9781441102775 Bloomsbury Academic

Branden Wayne Joseph, Columbia University, USA "Experimentations: John Cage in Music, Art, and Architecture is a brilliant and vital critical contribution to the growing body of art historical scholarship on John Cage’s multidisciplinary legacy." Ina Blom, University of Oslo, Norway Experimentations provides analysis of the most important period of experimental composer John Cage’s aesthetic production. Paying particular attention to Cage’s engagements with the visual arts and architecture, the book sheds new light on some of Cage’s most controversial innovations, such as the use of noise, chance techniques, indeterminacy, electronic technologies, and computerization. UK August 2016 • US August 2016 • 232 pages PB 9781501306396 • £23.99 / $29.95 • HB 9781501306402 • £80.00 / $120.00 Individual eBook 9781501306426 • £19.99 / $25.99 Library eBook 9781501306419 Bloomsbury Academic

Postmodern Music, Postmodern Listening Jonathan D. Kramer Edited by Robert Carl, University of Hartford, USA "Jonathan Kramer’s Postmodern Music, Postmodern Listening reflects his voracious mind and offers the reader a highly original tour through the philosophy, aesthetics, and analysis of musical postmodernism. The book is both accessible and authoritative, and it fills an important gap in the musical literature." Fred Lerdahl, Professor of Music, Columbia University, USA Postmodern Music, Postmodern Listening is a novel examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. UK August 2016 • US August 2016 • 400 pages PB 9781501306013 • £23.99 / $34.95 • HB 9781501306020 • £80.00 / $120.00 Individual eBook 9781501306044 • £22.99 / $30.99 Library eBook 9781501306037 Bloomsbury Academic

Beyond No Future Cultures of German Punk Edited by Cyrus M. Shahan, Colby College, USA, Seth Howes, University of Missouri, USA & Mirko M. Hall, Converse College, USA "This book does a wonderful job of both contextualizing punk’s place within German history and showing how punk musicians worldwide have engaged with German history and politics." Priscilla D. Layne, University of North Carolina at Chapel Hill, USA Beyond No Future’s contributors examine German punk’s representational strategies, anti-historical consciousness, and refusal of programmatic intervention into contemporary political debates. Focusing on punk politics and aesthetics in order to ask broader questions about German nationhood(s) in a period of rapid transition, these essays offers a unique view of the decade bookended by the “German Autumn” and German unification. UK September 2016 • US September 2016 • 192 pages • 10-15 mono images HB 9781501314087 • £74.00 / $120.00 Individual eBook 9781501314100 • £73.99 / $98.99 Library eBook 9781501314117 Bloomsbury Academic

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Brian Eno

Edited by Justin Williams, University of Bristol, UK & Katherine Williams, Plymouth University, UK

Oblique Music

The past 50 to 60 years have shown a particular intensification of this phenomenon, rooted in blues and folk traditions, and then seeping into the mainstream through artists such as Bob Dylan, Carole King and James Taylor. Since the 1960s, the nexus of performers has expanded to artists such as Elton John and Tori Amos and newer, up-and-coming artists who went from performing at ‘open mic’ nights to commercial success like Sufjan Stevens, Ed Sheeran and Regina Spektor. The Singer-Songwriter Handbook is a much-needed single resource for classes, seminars and workshops on songwriting and performance. UK February 2017 • US February 2017 • 240 pages PB 9781628920291 • £19.95 / $29.95 • HB 9781628920307 • £80.00 / $120.00 Individual eBook 9781628920321 • £19.99 / $25.99 Library eBook 9781628920314 Bloomsbury Academic

Popular Music and the Politics of Novelty Pete Dale, Manchester Metropolitan University, UK "Pop music has always foregrounded novelty. But how exactly should we understand this quality, in music or more generally? ...To investigate these issues, I can think of nobody better qualified than Pete Dale, who, as well as possessing all the necessary skills of musical, cultural and political analysis, has himself been making and promoting cutting-edge music for years." Richard Middleton, Newcastle University, UK This book demonstrates that the utilization of popular music to promote political causes and the expression of dissent through ‘popular song’ remain widely in practice today. UK April 2016 • US February 2016 • 240 pages PB 9781501307034 • £23.99 / $34.95 • HB 9781501307041 • £80.00 / $120.00 Individual eBook 9781501307058 • £22.99 / $30.99 Library eBook 9781501307065 Bloomsbury Academic

Edited by Sean Albiez, Southampton Solent University, UK & David Pattie, University of Chester, UK "As producer, musician, theorist, facilitator and more, Brian Eno has left significant traces across popular culture since the 1970s and this wideranging volume skilfully brings to light both well-known and more obscure aspects of his work and legacy." Alexei Monroe, author of Interrogation Machine: Laibach and NSK (MIT Press)

P opular M usic

The Singer-Songwriter Handbook

Brian Eno is one of the most influential musical figures of the past forty years. This volume examines Eno's work as a musician, as a theoretician, as a collaborator, and as a producer. As one of the most influential figures in popular music, an updated examination of Eno's work is long overdue. UK August 2016 • US August 2016 • 296 pages PB 9781441129123 • £17.99 / $29.95 • HB 9781441117458 • £55.00 / $100.00 Individual eBook 9781441148063 • £19.99 / $25.99 Library eBook 9781441155344 Bloomsbury Academic

When Genres Collide Down Beat, Rolling Stone, and the Struggle between Jazz and Rock Matthew Thomas Brennan, University of Edinburgh, UK In this book, Matt Brennan argues that there are other ways popular music history could have been written (and has been written) that call the oppositional representation of jazz and rock into question. The book challenges the traditional divide between jazz and rock by going back to how they were first covered in the two oldest surviving and most influential jazz and rock periodicals: Down Beat and Rolling Stone. It examines afresh the critical moments in history when the trajectories and meanings of jazz and rock intersected, overlapped, or collided in dramatic ways. This book bridges the gap between these two musical worlds. UK February 2017 • US February 2017 • 240 pages PB 9781501326141 • £18.99 / $27.95 • HB 9781501319020 • £60.00 / $90.00 Individual eBook 9781501319044 • £18.99 / $24.99 Library eBook 9781501319037 Bloomsbury Academic

Hip Hop Headphones A Scholar’s Critical Playlist James Braxton Peterson, Lehigh University, USA "Offering a fresh nuanced assessment of hip hop culture’s foundational moment, Hip Hop Headphones has the feel of a scholarly mixtape, not unlike the mixed genre style that W.E.B. Du Bois introduced with The Souls of Black Folk." Mark Anthony Neal, Duke University, USA, and author of Looking for Leroy: Illegible Black Masculinities (2013) Hip Hop Headphones is a crash course in Hip Hop culture. Featuring definitions, lectures, academic essays, and other scholarly discussions and resources, this book is the definitive guide to how Hip Hop culture can be used in the classroom to engage and inspire students. UK August 2016 • US August 2016 • 296 pages PB 9781501308246 • £19.99 / $29.95 • HB 9781501308253 • £80.00 / $120.00 Individual eBook 9781501308277 • £19.99 / $25.99 Library eBook 9781501308260 Bloomsbury Academic

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P opular M usic

Caetano Veloso’s A Foreign Sound

Future Nostalgia

Barbara Browning, New York University, USA

Performing David Bowie

33 1/3 Brazil is the first strand of the new 33 1/3 World series. Inspired by the original 33 1/3 series, each book in this strand focuses on a specific Brazilian album or artist.

Shelton Waldrep, University of Southern Maine, USA

What makes a song sound foreign? What makes it sound “American,” or "Brazilian"? Caetano Veloso’s 2004 American songbook album, A Foreign Sound, is a meditation on these questions—but in truth, they were questions he’d been asking throughout his career. Properly heard, the album throws a wrench into received ideas regarding the global hegemony of US popular music, and also what constitutes the Brazilian sound. UK May 2017 • US May 2017 • 144 pages PB 9781501319235 • £18.00 / $22.95 • HB 9781501319228 • £80.00 / $100.00 Individual eBook 9781501319259 • £13.99 / $18.99 Library eBook 9781501319242 Series: 33 1/3 Brazil • Bloomsbury Academic

Global Punk Resistance and Rebellion in Everyday Life Kevin Dunn, Hobart and William Smith Colleges, USA "I’ve been waiting a long time for a book that tackled punk in all its complexity both on a global and local level and finally, Kevin Dunn has done it... By reminding us how vital punk still is on a day to day basis, Dunn has created a book that truly inspires and reminds us why punk still matters and why we should never give up the hope of positive change." Brian Cogan, Molloy College, USA, and author of The Encyclopedia of Punk (2010) Global Punk looks beyond the music to explore DIY punk as a lived experience and examines the ways in which punk contributes to the process of disalienation and political engagement and remains a vital cultural form. UK May 2016 • US May 2016 • 272 pages PB 9781628926040 • £19.99 / $29.95 • HB 9781628926057 • £74.00 / $110.00 Individual eBook 9781628926071 • £19.99 / $25.99 Library eBook 9781628926064 Bloomsbury Academic

Sonic Technologies Popular Music, Digital Culture and the Creative Process Robert Strachan, University of Liverpool, UK In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. For many, music production has moved out of the professional recording studio and into the home. Sonic Technologies examines the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies. UK January 2017 • US January 2017 • 240 pages • 15 mono images PB 9781501310621 • £23.99 / $34.95 • HB 9781501310614 • £80.00 / $120.00 Individual eBook 9781501310645 • £22.99 / $30.99 Library eBook 9781501310638 Bloomsbury Academic

"Original, engaging, and well-researched, Future Nostalgia is a welcome contribution to both the field of popular music studies generally and to Bowie scholarship in particular... this book makes a compelling case for the importance of David Bowie as an artist, performer, and cultural icon." Alexander Carpenter, University of Alberta, Canada By looking at key moments in Bowie’s career through several lenses, Waldrep examines Bowie's work in terms not only of his auditory output but his many reinterpretations of it via music videos, concert tours, television appearances, and occasional movie roles in an attempt to trace his contribution to contemporary rock music. UK October 2016 • US October 2016 • 240 pages • 12 mono images PB 9781501325229 • £19.99 / $29.95 Previously published in HB 9781623566920 Individual eBook 9781623569938 • £67.99 / $89.99 Library eBook 9781623566791 Bloomsbury Academic

Transglobal Sounds Music, Youth and Migration Edited by João Sardinha, Universidade Aberta, Portugal & Ricardo Campos, Universidade Aberta, Portugal "Transglobal Sounds is an exciting volume that focuses on an important demographic slice of the migrant pie - youth, and the particular importance of music in addressing the challenges of deterritorialization and return." Kimberly DaCosta Holton, Rutgers University, USA This book contemplates migrant youth and the impact of music on mobility, engaging with broader questions of how new modes of mobility, sociality, and identification are born out of the interfaces between youth, migration, and music. UK August 2016 • US August 2016 • 248 pages HB 9781501311963 • £80.00 / $120.00 Individual eBook 9781501311987 • £80.99 / $107.99 Library eBook 9781501311970 Bloomsbury Academic

Weekend Societies Electronic Dance Music Festivals and Event-Cultures Graham St John, University in Fribourg, Switzerland and Griffith University, Australia From Detroit's Movement Electronic Music Festival to Portugal’s Boom Festival to Rio de Janeiro's Eu Amo Baile Funk, EDM festivals have become stages for the performance of transnational meta-cultural aesthetics (e.g. techno, psychedelic, baile funk) and their potential synthesis. Weekend Societies is a timely interdisciplinary volume from the emergent field of EDM (Electronic Dance Music) festival and eventculture studies. Featuring contributions from scholars of EDM festivals showcasing a diversity of perspectives and methodological approaches, Weekend Societies illustrates how a complex array of factors combine to determine the fate of EDM festivals that transpire at the intersections of the local and global. UK January 2017 • US January 2017 • 288 pages • 25 b&w Images HB 9781501309311 • £80.00 / $120.00 Library eBook 9781501309335 Bloomsbury Academic

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Bloomsbury Academic Collections reissues classic titles from the historic and extensive backlist of Bloomsbury’s numerous imprints. These include Athlone Press, Pinter, T&T Clark, Sheffield Academic Press, Mowbray, Burns & Oates, Geoffrey Chapman, Cassell Academic, Mansell, Thoemmes, and Continuum.

Film Studies: European Cinema - Bloomsbury Academic Collections Seven-Volume Set This set focuses on the development of European cinema throughout the last century. The seven facsimiles are chosen from our imprints Cassell and Continuum and offer a broad variety of viewpoints. Focusing on more than just the analysis of film, these titles range from the impact of gender and nationhood on filmmaking to the importance and influence of production and distribution. All titles are available as a set or as individual volumes. UK October 2016 • US October 2016 • 7 vols. • 1,968 pages HB set 9781474293143 • £525.00 / $896.00 Special introductory price £475.00 / $810.00 available until three months after publication Series: Film Studies: Bloomsbury Academic Collections Bloomsbury Academic All individual volumes £75.00 / $128.00

title

AUTHOR/EDITOR

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LIBRARY EBOOK

Brief Encounters: Lesbians and Gays in British Cinema 1930 - 1971 Cinema and the Second Sex: Women's Filmmaking in France in the 1980s and 1990s

Stephen Bourne

9781474291330

9781474291347

Carrie Tarr with Brigitte Rollet

9781474290777

9781474290784

Dissolving Views: Key Writings on British Cinema

Andrew Higson

9781474290647

9781474290654

Gaslight Melodrama: From Victorian London to 1940s Hollywood

Guy Barefoot

9781474290357

9781474290364

Heroines without Heroes: Reconstructing Female and National Identities in European Cinema, 1945-1951

Ulrike Sieglohr

9781474287913

9781474287920

Straight Acting: Popular Gay Drama from Wilde to Rattigan

Sean O'Connor

9781474288279

9781474288286

The State of European Cinema: A New Dose of Reality

Angus Finney

9781474290708

9781474290715

M ajor R eference W orks

Bloomsbury Academic Collections

Film Studies: World Cinema - Bloomsbury Academic Collections Six-Volume Set This facsimile collection presents classic titles from our imprints Ungar, Cassell and Continuum and focuses on world cinema. The six titles explore the influence of literature and music on film as well as global distribution, gender and sexuality, and the influence of film on national and cultural identity. All titles are available as a set or as individual volumes. UK October 2016 • US October 2016 • 6 vols. • 1,792 pages HB set 9781474293136 • £450.00 / $768.00 Special introductory price £405.00 / $695.00 available until three months after publication Series: Film Studies: Bloomsbury Academic Collections Bloomsbury Academic All individual volumes £75.00 / $128.00

title

AUTHOR/EDITOR

HARDBACK

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American History/American Film: Interpreting the Hollywood Image

John E. O'Connor and Martin A. Jackson

9781474281898

9781474281904

Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film

David Schroeder

9781474291422

9781474291415

Daughters of Desire

Shameem Kabir

9781474290470

9781474290487

Screening the Novel: Rediscovered American Fiction in Film

Gabriel Miller

9781474291620

9781474291637

The Screening of America: Movies and Values from Rocky to Rain Man

Tom O'Brien

9781474287975

9781474287982

Transatlantic Crossings: British Feature Films in the USA

Sarah Street

9781474290678

9781474290685

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Cinematic Homecomings............................ 3

Act of Documenting, The.......................... 13

Cocca, Carolyn...................................... 10

Fredric Jameson and The Wolf of Wall Street........................................ 5

Aesthetic Pleasures of Girl Teen Film, The..... 10

Colling, Samantha.................................. 10

Fun and Software................................... 11

After Sound.......................................... 20

Collington, Mark..................................... 15

Fundamentals of Animation, The................ 15

Alain Delon.......................................... 10

Colón Semenza, Greg M............................. 7

Future Nostalgia.................................... 22

Albiez, Sean......................................... 21

Compact Cinematics................................. 5 Constandinides, Costas.............................. 3

Alien Imaginations.................................. 13 Angelo Badalamenti’s Soundtrack from Twin Peaks.................................... 17

Contemporary Masculinities in Fiction, Film and Television................................. 10

Animated Landscapes.............................. 15

Controversies in Digital Ethics................... 11

Animation in Context.............................. 15

Couroux, Marc....................................... 18

Art History for Filmmakers....................... 15

Critcher, Chas........................................ 8

Ash, James............................................ 9

Critical Race Theory and Bamboozled............ 5

Austin, Michael...................................... 14

Cuklanz, Lisa M...................................... 12

Authoring Hal Ashby................................. 4

Cult Film as a Guide to Life........................ 7

Cypriot Cinemas..................................... 3

Gameworlds......................................... 14 Geto Boys’ The Geto Boys......................... 18 Giddings, Seth....................................... 14 Gil-Curiel, Germán.................................. 3 Gjelsvik, Anne....................................... 10 Global Auteur, The.................................. 2 Global Punk.......................................... 22 Google Earth: Outreach and Activism........... 11 Goriunova, Olga..................................... 11 Gottschalk, Jennie.................................. 20

Babovic, Jovana..................................... 17

Grace of Destruction, The.......................... 6

Baker, Brian.......................................... 10

Dale, Pete............................................ 21

Grateful Dead’s Workingman’s Dead............ 18

Baldwin, Sandy....................................... 9

Davisson, Amber..................................... 11

Grindhouse............................................ 6

Barrett, G. Douglas................................. 20

Deeper than Oblivion............................... 2

Bennett, Lucy........................................ 8

del Río, Elena......................................... 6

Between Air and Electricity....................... 19

Denny, David.......................................... 4

Between Film, Video, and the Digital............ 9

DiPaolo, Marc......................................... 4

Beyond No Future................................... 20

“Disguised” Political Film in Contemporary Hollywood, The...................................... 7

Beyond Unwanted Sound.......................... 18 Body and the Screen, The.......................... 6 Bogle, Donald........................................ 13 Bollmer, Grant....................................... 11 Bollywood in Britain................................. 3 Booth, Paul........................................8, 11

Disposable Passions.................................. 6 Divine Work, Japanese Colonial Cinema and its Legacy........................................ 3

Hagin, Boaz........................................... 2 Hainge, Greg......................................... 18 Hall, Mirko M......................................... 20 Harbord, Janet....................................... 6 Harper, Stephen...................................... 8 Hasenfratz, Bob...................................... 7 Hemelryk Donald, Stephanie....................... 2

Documenting Gendered Violence................. 12

Herzogenrath, Bernd................................ 9

Donny Hathaway’s Donny Hathaway Live....... 17

Hesselberth, Pepita.................................. 5

Dunn, Kevin.......................................... 22

Hiebert, Ted......................................... 18

Duvall, John A....................................... 13

Hip Hop Headphones............................... 21

Brennan, Matthew Thomas........................ 21

History of British Literature on Film, 1895-2015, The....................................... 7

Brian Eno............................................. 21

Elizabeth Taylor...................................... 8

Hitchcock’s Appetites............................... 4

Brill, Lesley........................................... 4

Environmental Documentary, The................ 13

Howes, Seth......................................... 20

Brookes, Ian........................................... 7

Euro-Visions........................................... 2

Hughes, Jason........................................ 8

Browning, Barbara.................................. 22

Every Game is an Island........................... 14

Hunter, Aaron......................................... 4

Burnham, Clint....................................... 5

Ex-centric Cinema................................... 6

Hunter, I.Q............................................ 7

Butler, Rex............................................ 4

Experimental Music Since 1970................... 20

Boym, Svetlana....................................... 9 Brenda Laurel....................................... 10

Experimentations................................... 20

I Ince, Kate............................................. 6

Caetano Veloso’s A Foreign Sound................ 22

Campos, Ricardo.................................... 22

Fassone, Riccardo................................... 14

Interface Envelope, The............................ 9

Carl, Robert.......................................... 20

Feminist Film Theory and Pretty Woman........ 5

Internet Unconscious, The......................... 9

Cashmore, Ellis....................................... 8

Film and Television Genres of the Late Soviet Era............................................. 7

Into the Maelstrom: Music, Improvisation and the Dream of Freedom....................... 20

Cecchetto, David.................................... 18 Chaos Media......................................... 19 Chi, Wang............................................ 13 Childhood and Nation in Contemporary World Cinema........................................ 2 Church, David........................................ 6 Cinema of Simulation: Hyperreal Hollywood in the Long 1990s.................................... 6

index

Inhuman Networks.................................. 11

Film Music in ‘Minor’ National Cinemas......... 3

Ironic Filmmaking of Stephen Frears, The....... 4

Film Noir.............................................. 7

Italian Style........................................... 3

Film Studies: European Cinema Bloomsbury Academic Collections............... 23

Film Studies: World Cinema Bloomsbury Academic Collections............... 23

Jeong, Seung-hoon................................... 2

Fisher, Austin......................................... 6

Joseph, Branden Wayne............................ 20

Flanagan, Martin.................................... 12

Journalist in British Fiction and Film, The..... 12

Jesus and Mary Chain’s Psychocandy, The...... 17

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index

Sonic Thinking........................................ 9

Kaklamanidou, Despoina-Betty.................... 7

Off-Modern, The..................................... 9

St John, Graham.................................... 22

Kennedy, Stephen................................... 19

Örnebring, Henrik................................... 12

Stein, Wayne.......................................... 4

Kim, Jihoon........................................... 9

Ozu International.................................... 4

Stout, Graeme A.................................... 13

Kocurek, Carly A.................................... 10

Strachan, Robert.................................... 22

Kramer, Jonathan D................................. 20 Krämer, Lucia......................................... 3 Küchler, Ulrike....................................... 13

Papadakis, Yiannis................................... 3 Parr, Peter............................................ 15

Summerhayes, Catherine.......................... 11 Superwomen......................................... 10 Surveillance and Film............................... 2

Patti, Lisa............................................. 2

Lacey, Jordan........................................ 19

Pattie, David......................................... 21

Laist, Randy........................................... 6

Paulicelli, Eugenia................................... 3

Lars von Trier’s Women............................. 4

Peterson, James Braxton.......................... 21

Taylor-Jones, Kate................................... 3

LCD Soundsystem’s Sound Of Silver.............. 17

Petley, Julian......................................... 8

Television on Demand.............................. 11

Leas, Ryan........................................... 17

Philippe Grandrieux................................ 18

Thompson, Marie.................................... 18

Leaver, Tama......................................... 14 Leppänen, Taru...................................... 19

Playback – A Genealogy of 1980s British Videogames.......................................... 14

Livingstone, Andrew................................ 12

Poitier Revisited.................................... 13

Toms, Coons, Mulattoes, Mammies, and Bucks............................................ 13

Liz, Mariana........................................... 2

Poole, Buzz.......................................... 18

Toop, David.......................................... 20

Lonsdale, Sarah..................................... 12

Popular Music and the Politics of Novelty...... 21

Transglobal Sounds................................. 22

Lordi, Emily J........................................ 17

Post-Object Fandom................................. 8

Ludic Dreaming...................................... 18

Postmodern Music, Postmodern Listening...... 20

M Maehl, Silja.......................................... 13 Maloney, Sean L..................................... 17 Mamula, Tijana....................................... 2 Marvel Studios Phenomenon, The................ 12 Mask, Mia............................................. 13

Szaniawski, Jeremi.................................. 2

Tiainen, Milla........................................ 19

Väätäinen, Hanna................................... 19

Potts, Rolf............................................ 18

Vallee, Mickey....................................... 19

Poulaki, Maria........................................ 5

van Eck, Cathy...................................... 19

Priest, Eldritch...................................... 18

Vanstone, Gail....................................... 13

Prime, Rebecca....................................... 3

Video Game Design................................. 15

Prokhorov, Alexander................................ 7

Violent Games....................................... 14

Prokhorova, Elena................................... 7

McDonald, Kevin.................................... 11

McIntosh, Heather.................................. 12

Raengo, Alessandra.................................. 5

McIver, Gillian....................................... 15

Rancid Aphrodisiac................................. 19

McKenny, Mike....................................... 12

Rees-Roberts, Nick.................................. 10

McKittrick, Casey.................................... 4

Riper, A. Bowdoin Van............................... 7

Media Matter......................................... 9

Robinson, MJ......................................... 11

Mejia, Paula.......................................... 17

Rohloff, Amanda..................................... 8

Miller, Cynthia J...................................... 7

Ruti, Mari.............................................. 5

Mittell, Jason......................................... 5

When Genres Collide............................... 21

Salmond, Michael................................... 15

Williams, Justin..................................... 21

Modern Lovers’ The Modern Lovers, The....... 17 Moisala, Pirkko...................................... 19

Pallant, Chris........................................ 15

Strachan, Ian Gregory.............................. 13

Wade, Alex........................................... 14 Waldrep, Shelton.................................... 22 Waldron, Darren..................................... 10 Walker, Johnny....................................... 6 Wallwork, Rebecca................................. 18 Weekend Societies.................................. 22 Wells, Paul........................................... 15 What’s Eating You?................................... 7

Sardinha, João....................................... 22

Williams, Katherine................................. 21

Monteiro, Stephen................................... 5

Schott, Gareth....................................... 14

Williams, Rebecca................................... 8

Moore, Samantha................................... 15

Schubart, Rikke..................................... 10

Willson, Michele..................................... 14

Moral Panics in the Contemporary World........ 8

Screen Media Reader, The.......................... 5

Wilson, Emma........................................ 2

Multilingual Screen, The........................... 2

Screening Bosnia..................................... 8

Winston, Brian....................................... 13

Music Video Games................................. 14

Seeing Fans........................................... 8

Wise, J. Macgregor.................................. 2

Musical Encounters with Deleuze and Guattari......................................... 19

Shahan, Cyrus M..................................... 20

Women of Ice and Fire............................. 10

Singer-Songwriter Handbook, The ............... 21

Wright, Sarah......................................... 2

Sketching for Animation........................... 15

Narrative Theory and Adaptation................. 5

Sleater-Kinney’s Dig Me Out...................... 17

Netflix Effect, The................................. 11

Smith-Rowsey, Daniel............................... 11

New Kids on the Block’s Hangin’ Tough......... 18

Social, Casual and Mobile Games................ 14

Newsworkers........................................ 12

Sonic Rupture....................................... 19

Norelli, Clare Nina.................................. 17

Sonic Technologies.................................. 22

Yosef, Raz............................................. 2

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BLOOMSBURY POPULAR MUSIC LAunChing 2017

Digital Global Popular Music Scholarship

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the most comprehensive online database for scholarship BLOOMSBURY CULTURAL HISTORY in popular music from around the world. About the resource Bloomsbury Popular Music brings together 120+ volumes of the 33 1/3 book series, the new series of 33 1/3 Global titles, 14 volumes of the Encyclopedia of Popular Music of the World (EPMOW), together with a collection of bloomsbury’s popular music research titles on a single cross-searchable digital platform.

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**Free trials available to institutions only

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ISBN 9781350019966

9 781350 019966