Music and Sound Studies New Books Catalogue January - March 2022

Music & Sound Studies New Books Catalogue

January-March 2022

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Contents 331/3 ������������������������������������������������������������������������������ 2

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Music Genres / Biographies ������������������������������������������ 5

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M U S I C & S O U N D S T U D I E S – 33 1/3

Kraftwerk's Computer World Steve Tupai Francis, Independent Scholar, Australia

Kraftwerk's most concise and focused conceptual statement, Computer World, was also their most influential album, paving the way for a range of new musical styles and genres. This book explores the band’s revolutionary sonic template, and their lyrical obsessions in detail. Movement is really a reflection of the concept of transition, through time and space, from one physical, emotional, or existential state of being to another. The book explores transition, as expressed on Computer World, via theories of post-humanism, cybernetics and the anthropology of transnationalism.

Britney Spears's Blackout

Natasha Lasky, Independent Scholar, USA Blackout turned out to be one of the most influential albums of the aughts. It not only brought glitchy digital noise and dubstep into the Top 40, but also transformed Britney into a new kind of pop star, one who shrugged off mainstream ubiquity for the devotion of smaller groups of fans who worshipped her idiosyncratic sound. This book returns to the grimy clubs and paparazzi hangouts of LA in the 2000s as well as the blogs and forums of the early internet to show how Blackout was a crucial hinge between twentieth and 21st-century pop.

UK March 2022 • US March 2022 • 152 pages PB 9781501377594 • £9.99 / $14.95 ePub 9781501377600 • £10.73 / $13.45 ePdf 9781501377617 • £10.73 / $13.45 Series: 33 1/3 • Bloomsbury Academic

UK March 2022 • US March 2022 • 152 pages PB 9781501378980 • £9.99 / $14.95 ePub 9781501378997 • £10.73 / $13.45 ePdf 9781501379000 • £10.73 / $13.45 Series: 33 1/3 • Bloomsbury Academic

Read Music

Visit our 33 1/3 blog, at 333sound.com, to discover more about the series.

There you'll find author interviews, unpublished content, music videos, and so much more! www.bloomsbury.com •

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33 1/3 •

@333books • 333sound.com

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk

András Rónai, Independent Scholar, Hungary & Anna Szemere, Central European University, Hungary

For decades, the state-run music industry in Hungary has artificially isolated musical worlds. I’ll Be Your Plaything is a concept album comprising at times drastically re-imagined cover versions of Hungary’s most popular hits from the socialist era. The album exemplifies how rich and appealing synthesis of sounds and traditions can be concocted when folk, classically trained, rock and jazz musical artists collaborate. Along with this freedom to blend and synthesize, the album opens up some long overdue space for women; playing with personas, voices and singing styles, Palya reflects on issues of femininity, maternity, sexuality, and coupledom across generations.

UK February 2022 • US February 2022 • 160 pages PB 9781501354427 • £16.99 / $22.95 • HB 9781501354434 • £60.00 / $80.00 ePub 9781501354441 • £16.10 / $20.65 ePdf 9781501354458 • £16.10 / $20.65 Series: 33 1/3 Europe • Bloomsbury Academic

Mercyful Fate's Don't Break the Oath

Henrik Marstal, Rhythmic Music Conservatory in Copenhagen, Denmark Upon its release, Don't Break the Oath charted fifth on the official British heavy metal album list and was supported by a two month long sold-out American tour in early 1985. The band's controversial stage appearance attracted the attention of the Parental Resource Music Center committee, ironically reassuring the band its position on the charts. But though the album was hugely popular in the anglophone metal scene, it was conceived in peripheral Denmark. This book discusses the relationship between center and periphery.

UK January 2022 • US January 2022 • 144 pages PB 9781501354373 • £16.99 / $22.95 • HB 9781501354380 • £60.00 / $80.00 ePub 9781501354397 • £16.10 / $20.65 ePdf 9781501354403 • £16.10 / $20.65 Series: 33 1/3 Europe • Bloomsbury Academic

Various Artists' DJs do Guetto Richard Elliott, Newcastle University, UK

Czeslaw Niemen's Niemen Enigmatic

Mariusz Gradowski, University of Warsaw, Poland & Ewa Mazierska, University of Central Lancashire, UK Niemen Enigmatic is the fourth album in the career of Czeslaw Niemen, arguably one of the greatest Polish musicians of all time (from pop and rock to jazz-rock and avant-garde). The book asks how significant was this album? How enduring is its popularity? Has the popularity and meanings changed over time? It does this by unpacking its production, which was unprecedented in the history of Polish popular music due to its large number of musicians with varied backgrounds, including progressive rock, mixing jazz, rock and soul with classical music.

UK February 2022 • US February 2022 • 144 pages PB 9781501372667 • £16.99 / $22.95 • HB 9781501372674 • £60.00 / $80.00 ePub 9781501372681 • £16.10 / $20.65 ePdf 9781501372698 • £16.10 / $20.65 Series: 33 1/3 Europe • Bloomsbury Academic

Modeselektor’s Happy Birthday!

M U S I C & S O U N D S T U D I E S – 33 1/3

Bea Palya's I'll Be Your Plaything

Sean Nye, University of Southern California, USA Modeselektor, the notorious Berlin duo consisting of Gernot Bronsert and Sebastian Szary, released Happy Birthday! in 2007. Engaging with this album, this book provides a unique lens through which to examine current trends in European pop and electronic music history beyond standard examples of German pop and electronic music, such as Kraftwerk and Rammstein. Employing theories of popular culture and electronic music in the 2000s, especially Simon Reynolds’s books Retromania and Energy Flash,Happy Birthday! argues for an updated study of electronic music and rave culture in twentieth-first century Europe, with specific focus on German studies.

UK January 2022 • US January 2022 • 152 pages PB 9781501346255 • £18.00 / $22.95 • HB 9781501346248 • £64.00 / $80.00 ePub 9781501346262 • £16.10 / $20.65 ePdf 9781501346279 • £16.10 / $20.65 Series: 33 1/3 Europe • Bloomsbury Academic

Yuming's The 14th Moon

Lasse Lehtonen, University of Tokyo, Japan

Call it batida, kuduro, Afro house, Lisbon bass: anyone with a keen ear for contemporary developments in global electronic dance music can’t fail to have noticed the rise in popularity and influence of Lisbon-based DJs such as DJ Marfox, DJ Nervoso and Nidia Minaj. This book uses the 2006 compilation DJs do Guetto as a prism for exploring this music’s aesthetics and its roots in Lusophone Africa, its evolution in the immigrant communities of Lisbon and its journey from there to the world. The story is one of encounters: between people, sounds, neighborhoods, technologies and cultural contexts.

A singer-songwriter recognized globally for her songs used in Miyazaki Hayao’s beloved animations, Yuming has captured the hearts of listeners of different generations since her debut in the early 1970s. Her fourth album, The 14th Moon (1976), was a milestone in establishing her signature style: the posh, “city” sound that later paved the way to the 1980s City Pop and 1990s J-pop. In addition to examining the album’s astonishing stylistic versatility, this book explores how Yuming revolutionized the position of women in Japanese popular music and how her work can help us understand social changes in Japan of the 1970s.

UK February 2022 • US February 2022 • 160 pages PB 9781501357848 • £16.99 / $22.95 • HB 9781501357831 • £60.00 / $80.00 ePub 9781501357855 • £16.10 / $20.65 ePdf 9781501357862 • £16.10 / $20.65 Series: 33 1/3 Europe • Bloomsbury Academic

UK March 2022 • US March 2022 • 128 pages PB 9781501378133 • £19.99 / $22.95 • HB 9781501378126 • £64.00 / $80.00 ePub 9781501378140 • £16.10 / $20.65 ePdf 9781501378157 • £16.10 / $20.65 Series: 33 1/3 Japan • Bloomsbury Academic

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M U S I C & S O U N D S T U D I E S – Popular Music

Not for You

Blackstar Theory

Ronen Givony, Independent Scholar, USA

Leah Kardos, Kingston University London, UK

Pearl Jam and the Present Tense Not for You: Pearl Jam and the Present Tense is the first full-length biography of America’s preeminent band, from Ten to Let’s Play Two. A study of their role in history Not for You describes the band's origins and evolution over 30 years of culture.

It starts with their founding, and the eruption of grunge, in 1991; continues through the golden age (Vs., Vitalogy, No Code, and Yield) and the more divisive recent catalog. Along the way, it considers the band’s idealism, activism, and impact, from “Better Man” to Body of War and the West Memphis Three.

UK October 2021 • US October 2021 • 440 pages PB 9781501360671 • £12.99 / $16.95 Previously published in HB 9781501360688 ePub 9781501360695 • £17.63 / $22.45 ePdf 9781501360701 • £17.63 / $22.45 Bloomsbury Academic

Popular Music Autobiography

The Revolution in Life-Writing by 1960s' Musicians and Their Descendants Oliver Lovesey, University of British Columbia, Canada The 1960s saw the nexus of the revolution in popular music by a post-war generation amid demographic upheavals and seismic shifts in technology. Over the past two decades, musicians associated with this period have produced a large amount of important autobiographical writing. This book situates these works within the context of the recent expansion of interest in autobiography, disability, and celebrity studies. These works often constitute a meditation on the nature of postmodern fame within a celebrityobsessed culture, and paradoxically they aim to regain the private self in a public forum.

UK December 2021 • US December 2021 • 208 pages HB 9781501355837 • £90.00 / $120.00 ePub 9781501355844 • £83.60 / $108.00 ePdf 9781501355851 • £83.60 / $108.00 Bloomsbury Academic

The Bloomsbury Handbook of Popular Music and Place Edited by Geoff Stahl, Victoria University of Wellington, New Zealand & J Mark Percival, Queen Margaret University, Scotland

An interdisciplinary volume, drawing from sociology, geography, ethnomusicology, media, cultural, and communication studies, this book covers a widerange of topics germane to the production and consumption of place in popular music. Through considerations of changes in technology and the mediascape that have shaped the experience of popular music (vinyl, iPods, social media), the role of social difference and how it shapes sociomusical encounters (queer spaces, gendered and racialised spaces), as well as the construction and representations of place (musical tourism, city branding, urban mythologies), this is an up-to-the-moment overview of central discussions about place and music.

UK February 2022 • US February 2022 • 608 pages HB 9781501336287 • £134.00 / $170.00 ePub 9781501336294 • £118.11 / $153.00 ePdf 9781501336300 • £118.11 / $153.00 Series: Bloomsbury Handbooks • Bloomsbury Academic

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The Last Works of David Bowie This book analyzes the words, images, music and sounds of Bowie’s final works, critically appraising it as death art that leverages its power from the artist’s demise. With Lazarus and Black Star Bowie assembles an existentialist framework for immortality that echoes David Bowman’s journey through the Star Gate in 2001: A Space Odyssey (1968). In Bowie’s version, the transformation comes through death’s gateway; ascension to a new state of universal being.

UK January 2022 • US January 2022 • 256 pages PB 9781501365379 • £21.99 / $26.95 • HB 9781501365386 • £90.00 / $90.00 ePub 9781501365393 • £19.17 / $24.25 ePdf 9781501365409 • £19.17 / $24.25 Series: Ex:Centrics • Bloomsbury Academic

The Poetics of Noise from Dada to Punk John Melillo, University of Arizona, USA

The Poetics of Noise from Dada to Punk argues that poetry—conceived as a sound art practiced by writers, lyricists, performers, producers, and other sound-writers—continuously figures and refigures noise in relation to communication, meaning, and voice. In many cases, this figuration forms in the negative, as listeners cast out or ignore noise in the name of communication or poetic voice. In other cases, however, poets actively write and perform the sound of noise, and attempt to reimagine the ways of listening that structure what counts as significant or insignificant sound. Rather than suggesting that poets simply overturn the hierarchical binary between signal and noise, Melillo listens for the ways in which they implicitly and explicitly theorize listening, mediation, and responsibility through their figurations of noise.

UK March 2022 • US March 2022 • 208 pages PB 9781501373725 • £28.99 / $39.95 Previously published in HB 9781501359910 ePub 9781501359927 • £76.69 / $99.00 ePdf 9781501359934 • £76.69 / $99.00 Bloomsbury Academic

The Bloomsbury Handbook of Popular Music Policy Edited by Shane Homan, Monash University, Australia

This is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. A diverse range of researchers reveals how histories of music policy development continue to inform contemporary policy and industry practice, offering insight into global debates about popular music within broader social, economic, and geopolitical contexts.

UK February 2022 • US February 2022 • 496 pages HB 9781501345326 • £134.00 / $170.00 ePub 9781501345333 • £118.11 / $153.00 ePdf 9781501345340 • £118.11 / $153.00 Series: Bloomsbury Handbooks • Bloomsbury Academic

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Improvising Music in a Complex Age

David Borgo, University of California, San Diego, USA The revised edition of Sync or Swarm provides a study of musical improvisation, using theories from cultural and cognitive studies and the emerging sciences of chaos and complexity. Each chapter is paired with a different aspect of the emerging sciences, including perspectives from the study of embodied cognition, nonlinear dynamics, self-organizing systems, social networks, and situated and distributed learning. With new sections that highlight electro-acoustic improvisation, transcultural improvisation, and concomitant issues of human-machine interaction and postcolonial cultural studies, the revised edition serves as a resource for the history, practice, and issues surrounding free improvisation.

UK February 2022 • US February 2022 • 304 pages PB 9781501368844 • £24.99 / $34.95 • HB 9781501368837 • £90.00 / $120.00 ePub 9781501368851 • £24.54 / $31.45 ePdf 9781501368868 • £24.54 / $31.45 Bloomsbury Academic

The Cognitive Continuum of Electronic Music Anil Çamci

This book offers a comprehensive analysis of the cognitive processes involved in the experience of electronic music. Structured around a cognitive investigation of electronic music on both practical and conceptual levels, this book addresses the following questions: How do we experience electronic music? How does electronic music operate on perceptual, cognitive, and affective levels? What are the common concepts activated in the listener’s mind when listening to electronic music? Why and how are these concepts activated? It argues that our experience of electronic music is guided by a cognitive continuum rooted in our everyday experiences.

UK January 2022 • US January 2022 • 208 pages • 19 bw illus and 11 tables PB 9781501388071 • £28.99 / $39.95 • HB 9781501357121 • £80.00 / $110.00 ePub 9781501357138 • £76.69 / $99.00 ePdf 9781501357145 • £76.69 / $99.00 Bloomsbury Academic

Afrosonic Life Mark V. Campbell

Developing and extending debates on Afrosonic cultures, the book attends to the ways in which sonic innovations complement and interrupt the intellectual project of modernity. Music making processes such as dub, turntablism, hip-hop dj techniques and the remix, innovate methods of expressing subjecthoods beyond the dominant language of Western “Man” and the market. These sonic innovations utilize sound as a methodology to institute a rehumanizing subjectivity in which sound dislodges the hierarchical ordering of racial schemas. Afrosonic Life is invested in excavating and elaborating the nuanced and novel ways of music making and sound creation found in the African diaspora.

UK February 2022 • US February 2022 • 160 pages HB 9781501379291 • £75.00 / $100.00 ePub 9781501379307 • £69.79 / $90.00 ePdf 9781501379314 • £69.79 / $90.00 Bloomsbury Academic

Morton Feldman

Friendship and Mourning in the New York Avant-Garde Ryan Dohoney, Northwestern University, USA Morton Feldman: Friendship and Mourning in the New York Avant-Garde documents the collaborations and conflicts essential to the history of the post-war avant-garde. It offers a study of composer Morton Feldman’s associations and friendships with artists like John Cage, Jackson Pollock, Philip Guston, Frank O’Hara, Charlotte Moorman, and others. Arguing that friendship and mourning sustained the collective aesthetics of the New York School, Dohoney has written an emotional and intimate revision of New York modernism from the point of view of Feldman's agonistic community.

UK January 2022 • US January 2022 • 224 pages PB 9781501345456 • £21.99 / $29.95 • HB 9781501345463 • £80.00 / $110.00 ePub 9781501345470 • £20.70 / $26.95 ePdf 9781501345487 • £20.70 / $26.95 Bloomsbury Academic

Fela Anikulapo-Kuti

The Velvet Underground

Adeshina Afolayan, University of Ibadan, Nigeria & Toyin Falola, University of Texas at Austin, USA

Edited by Sean Albiez, London South Bank University, UK & David Pattie, University of Chester, UK

Afrobeat, Rebellion, and Philosophy

Afrobeat and the philosophy of blackism that Fela enunciated place him right beside Malcolm X, Kwame Nkrumah, Marcus Garvey, and all the others who champion a black and African mode of being in the world. This book traces the emergence of Fela on the music scene, the cultural and political backgrounds that made Afrobeat possible, and the philosophical elements that not only contributed to the formation of Fela’s blackism, but what constitutes Fela’s philosophical sensibility too.

UK February 2022 • US February 2022 • 288 pages HB 9781501374715 • £90.00 / $120.00 ePub 9781501374722 • £83.60 / $108.00 ePdf 9781501374739 • £83.60 / $108.00 Bloomsbury Academic

M U S I C & S O U N D S T U D I E S – Music Genres & Biographies

Sync or Swarm, Revised Edition

What Goes On

Though The Velvet Underground were critically and commercially unsuccessful in their time, in ensuing decades they have become a constant touchstone in art rock, punk, post-punk, indie, avant pop and alternative rock.

In 17 collected essays, Pattie and Albiez present the first academic book length collection on The Velvet Underground. The book covers a range of topics including the band’s relationship to US literature, to youth and cultural movements of the 1960s and beyond, and to European culture - and examines these contexts from the 1960s through to the present day.

UK February 2023 • US February 2023 • 304 pages HB 9781501338410 • £90.00 / $120.00 ePub 9781501338427 • £83.60 / $108.00 ePdf 9781501338434 • £83.60 / $108.00 Bloomsbury Academic

www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com

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M U S I C & S O U N D S T U D I E S – Music & Media / World Music

New Approaches to Sound, Music, and Media Cybermedia

Popular Music and Narrativity

Edited by Carol Vernallis, Stanford University, USA, Holly Rogers, Goldsmiths University of London, UK, Jonathan Leal & Selmin Kara, OCAD University, Canada

Alex Jeffery, Independent Scholar, UK

Explorations in Science, Sound, and Vision

Digital technologies and advances in artificial intelligence, robotics, and big data are redefining what it means to be human. This collection traces how media, with a focus on sound and image, engages with new technologies.

Established and emerging scholars perform across-the-aisle research on facial and gait recognition, EEG and audiovisual materials, surveillance, and sound and images in relation to intrisnic and extrinsic identifiers. They cite examples in film and television including Blade Runner, Black Mirror, Mr. Robot, Morgan, Ex Machina, and Westworld. The collection facilitates interdisciplinary thinking and collaboration and provides readers with ways of responding to these new technologies.

A Theory and History of Pop Storyworlds While music’s role as soundtrack for other narrative media has been extensively theorised, less attention has been paid to narrativity within popular music.

By building on narrativity writing from popular music scholars and applying concepts from the story-worlds’ literature to music and vice versa, this book connects these two disciplines. It provides fresh takes on case studies from David Bowie and The Beatles to Jeff Wayne’s Musical Version of War of the Worlds, while introducing the reader to lesser known examples from global popular music culture. Jeffery finds connections and provides an overdue overview of narrativity in popular music culture.

UK February 2023 • US February 2023 • 288 pages • 45 bw illus HB 9781501343254 • £90.00 / $120.00 ePub 9781501343261 • £83.60 / $108.00 ePdf 9781501343278 • £83.60 / $108.00 Series: New Approaches to Sound, Music, and Media • Bloomsbury Academic

UK October 2021 • US October 2021 • 448 pages PB 9781501357039 • £21.99 / $34.95 • HB 9781501357046 • £90.00 / $120.00 ePub 9781501357053 • £24.54 / $31.45 ePdf 9781501357060 • £24.54 / $31.45 Series: New Approaches to Sound, Music, and Media • Bloomsbury Academic

Media Narratives in Popular Music

Edited by Chris Anderton, Southampton Solent University, UK & Martin James, Southampton Solent University, UK The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing “official” histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature.

UK January 2022 • US January 2022 • 256 pages PB 9781501387715 • £28.99 / $39.95 • HB 9781501357275 • £90.00 / $120.00 ePub 9781501357282 • £83.60 / $108.00 ePdf 9781501357299 • £83.60 / $108.00 Bloomsbury Academic

Hearing Maskanda

Musical Epistemologies in South Africa Barbara Titus, University of Amsterdam, The Netherlands Through its focus on maskanda, this book provides insight into how people understand the world and themselves through aural experience and sensitivity.

This focus constitutes the book’s main question: how do all those involved in maskanda (performers, audiences, producers, organizers, politicians, and researchers) foreground their aural experiences? In what ways do we musically and performatively adapt and appropriate sounding and stage material that we encounter in our lives and careers? The book examines how we use our voices, bodies and musical instruments to signify, evoke, invoke, present, produce, interpret and comment on the world in which we live.

UK January 2022 • US January 2022 • 272 pages HB 9781501377761 • £90.00 / $120.00 ePub 9781501377778 • £83.60 / $108.00 ePdf 9781501377785 • £83.60 / $108.00 Bloomsbury Academic

Representing Australian Aboriginal Music and Dance 1930-1970

Amanda Harris, University of Sydney, Australia Representing Aboriginal Music and Dance is a performance-centered history of the Australian “assimilation” era – broadly defined as 19301970. The book centralizes auditory worlds and audio-visual evidence of the representation of Aboriginal music and dance in this era. It offers new interpretations of this period that counterbalance the dominance of documentary texts in historical accounts. Through contextualizing recent music and dance practices in broader histories of policy, settler colonial structures, and political change the book offers a new lens on the development of performing arts in Australia.

UK March 2022 • US March 2022 • 256 pages PB 9781501373831 • £28.99 / $39.95 Previously published in HB 9781501362934 ePub 9781501362941 • £76.69 / $99.00 ePdf 9781501362958 • £76.69 / $99.00 Bloomsbury Academic

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An Experiential Approach to Sound Studies Justin Patch & Thomas Porcello, Vassar College, USA Re-Making Sound is a concise and flexible primer to sound studies. It takes students through six ways of conceptualizing sound and its links to other social phenomena: soundscapes; noise; sound and semiotics of the voice; sound and/through/in text; background sound/sound design; and sound art. With chapters designed to be flexible and non-sequential, the text fits within various course designs, and includes an introduction to key concepts in sound and sound studies, a cumulative concluding chapter with sound accompanying podcast exercise, and an extensive bibliography for students to pursue sound studies beyond the book itself.

UK February 2022 • US February 2022 • 192 pages PB 9781501354731 • £19.99 / $26.95 • HB 9781501354748 • £60.00 / $80.00 ePub 9781501354755 • £19.17 / $24.25 ePdf 9781501354762 • £19.17 / $24.25 Bloomsbury Academic

Urban Roar

Sonic Identity at the Margins

Edited by Joanna Love, University of Richmond, USA & Jessie Fillerup, University of Richmond, USA Sonic Identity at the Margins examines the role played by music and sound in articulating the identities of individuals and communities.

Nineteen interdisciplinary scholars, performers, and composers study identity in real and imagined spaces, from video games and monument sites to films and depictions of outer space.

Recognizing the performative, social, cultural, and historical aspects of identity, the authors adopt a range of methodological approaches, exploring relationships between sound and various markers of identity, including race, gender, ability, and nationality. Their case studies, interviews, and personal essays explore challenging, timely topics, including the legacy of slavery, indigeneity, immigration, colonial expansion, and Confederate monument removal. Heeding recent calls to decolonize music studies, the authors revisit the hegemonic structures and privileged perspectives embedded in creating, performing, and listening to sound, as well as the methods used to analyze these experiences.

UK January 2022 • US January 2022 • 304 pages • 32 bw illus PB 9781501368820 • £28.99 / $39.95 • HB 9781501368783 • £90.00 / $120.00 ePub 9781501368790 • £83.60 / $108.00 ePdf 9781501368806 • £83.60 / $108.00 Bloomsbury Academic

A Psychophysical Approach to the Design of Affective Environments Jordan Lacey, RMIT University, Australia

M U S I C & S O U N D S T U D I E S – Sound Studies

Re-Making Sound

The introduction of nature into cities is a rapidly growing urban phenomenon. However, this area of design work tends to be visually oriented and rarely considers the role or sound or noise, which is all but ignored in the discussion of urban greening initiatives. Ambiance theory provides a unique way for artists, designers, and planners to perceive their relationships with the environment by turning their attention to embodiment and environmental affect. By drawing on real world research projects, this book examines the way sound practitioners can use sound and sound art installations to transform ambiance as a means to provide new experiences for the city dweller.

The book engages with a range of contemporary discourses across ambiance, atmosphere, affect, embodiment and posthuman theories to provide a fresh take on the possibilities of creating vibrant, restorative, and evocative urban environments.

UK February 2022 • US February 2022 • 192 pages • 40 b&w figures PB 9781501360565 • £21.99 / $29.95 • HB 9781501360572 • £90.00 / $120.00 ePub 9781501360589 • £20.70 / $26.95 ePdf 9781501360596 • £20.70 / $26.95 Bloomsbury Academic

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R E P R E S E N TAT I V E S , A G E N T S & D I S T R I B U T O R S − U K , E U R O P E , R E S T O F W O R L D

Bloomsbury Publishing Plc 50 Bedford Square London, WC1B 3DP T +44 (0)20 7631 5600 F +44 (0)20 7631 5800 E academic@bloomsbury.com Orders & Customer Services Macmillan Distribution Ltd (MDL) Cromwell Place Hampshire International Business Park Lime Tree Way Basingstoke, Hampshire RG24 8YJ, UK T +44 (0)1256 302692 (UK Customer Services) T +44 (0)1256 302890 (Export Customer Services) E orders@macmillan.co.uk (UK Trade Orders) E direct@macmillan.co.uk (UK Non-Trade Orders) E exportorders@macmillan.com (Export Orders) Matthew Emery Academic & Professional Sales Director, UK and Export Bloomsbury Publishing Plc M +44 (0)7979 524704 E matthew.emery@bloomsbury.com Jasmin Atkins Academic Sales Assistant Bloomsbury Publishing Plc T +44 (0)2076 315865 E jasmin.atkins@bloomsbury.com

Higher Education Sales, UK & Europe Adam Wills Academic Sales Manager Bloomsbury Publishing Plc M +44 (0)7710 307264 E adam.wills@bloomsbury.com UK AND IRELAND Sarah Ailsby Academic Sales Manager Bloomsbury Publishing Plc M +44 (0)7824 435717 E sarah.ailsby@bloomsbury.com

Ireland Louise Dobbin Repforce Ireland T +353 1634 9924 E info@repforce.ie EUROPE Bianca Belcher Academic Sales Manager Bloomsbury Publishing Plc T +44 (0)7840 042561 E bianca.belcher@bloomsbury.com

Central and Eastern Europe Jacek Lewinson Nowogrodzka 18m.20 PL-00-511 Warszawa Poland M +48 (0)502 603290 E jacek@jaceklewinson.com Denmark, Finland, Iceland, Norway, and Sweden Colin Flint Ltd 26 Harvey Goodwin Avenue Cambridge CB4 3EU, UK T +44 (0)1223 565052 E ben@colinflintltd.co.uk Austria, Cyprus, Greece, and Israel Philip Tyers Tyers Book Sales Ltd Menemenis 1-3A 14231 Nea Ionia Athens, Greece T +30 210 300 6384 M +30 697 755 8872 E philip@ptyers.com Spain, Portugal, and Gibraltar Charlotte Prout Iberian Book Services Sector Islas, 12, 1B 28760 Tres Cantos Madrid, Spain T +34 91 8034918 F +34 91 8035936 E cprout@iberianbookservices.com

8

AFRICA

BLOOMSBURY OFFICES WORLDWIDE

Southern Africa (Lesotho, Botswana, Namibia, Republic of South Africa, and Swaziland) Jonathan Ball Publishers PO Box 33977 Johannesburg 2043 South Africa T +27 21 469 8900 F +27 21 469 8901 E academic@jonathanball.co.za

India, Bangladesh, Nepal, and Sri Lanka Bloomsbury Publishing India Pvt. Ltd. DDA Complex, LSC, Building No. 4, 2nd Floor, Pocket C-6&7, Vasant Kunj New Delhi 110070 T +91 11 4057 4957 / +91 11 4057 4954 E academic-in@bloomsbury.com

Rest of Africa Tula Publishing Ltd Wychwood House, 14 Hanborough Business Park Witney, OX29 8LH, UK T +44 (0)1993 886719 E julian@tulapublishing.co.uk MIDDLE EAST AND NORTH AFRICA Adam Wills Academic Sales Manager Bloomsbury Publishing Plc M +44 (0)7710 307264 E adam.wills@bloomsbury.com

ASIA Hong Kong, Japan, Taiwan, and Vietnam Chris Cheung International Sales Manager Bloomsbury Publishing Plc E chris.cheung@bloomsbury.com China April Zheng International Sales Representative Bloomsbury Publishing Plc T +86 135 2056 3987 E april.zheng@bloomsbury.com South East Asia Inez Maria International Sales Representative Bloomsbury Publishing Plc E inez.maria@bloomsbury.com Pakistan M. Anwer Iqbal Book Bird Lower Ground 36B Abdalians Society Nazaria - e - Pakistan Avenue Lahore 54770, Pakistan T +92 42 3595 6161 M +92 313 846 4747 E anwer.bookbird@gmail.com South Korea Information and Culture Korea 473-19 Seokyo-dong Mapo-ku Seoul 121-842 South Korea T +822 3141 4791 F +822 3141 7733 E cs.ick@ick.co.kr

Australia and New Zealand Bloomsbury Publishing Pty Ltd Level 6 387 George St Sydney 2000 NSW Australia T +61 (0)288 204900 E au@bloomsbury.com www.bloomsbury.com/au Canada Please direct any queries to askacademic@bloomsbury.com USA Bloomsbury Publishing 1385 Broadway, 5th Floor New York, NY, 10018 USA T +1 (0)2124 195407 E askacademic@bloomsbury.com Latin America, the Caribbean, and Mexico Kirby Pendergast Higher Education Sales Representative T + 1 212 419 5354 C + 1 646 369 3348 E kirby.pendergast@bloomsbury.com For all other international queries please contact exportorders@bloomsbury.com

RIGHTS Jenny Redhead Senior Rights Manager Asia and South East Asia, Spain, and Spanish Latin America E jenny.redhead@bloomsbury.com Alison Faulkner Rights Manager Brazil, Central and Eastern Europe, Germany, Greece, Italy, The Netherlands, Portugal, and Audio E alison.faulkner@bloomsbury.com Sinéad Tully Rights Manager France, Middle East, Nordic Countries, Russia, Turkey, and Ukraine Visual Arts – all territories E sinead.tully@bloomsbury.com

Philippines CRW Marketing Services for Publishers, Inc 4 Topaz Road, Ortigas Greenheights Taytay, Rizal, Philippines 1920 T +63 (0)2584 8448 E crwmarketing@pldtdsl.net Mongolia Internom LLC Inter Office, Amar's street-4 Sukhbaatar district, 14200 Ulaanbaatar Mongolia T +97 (0)6757 77700 E service@internom.mn DIGITAL PLATFORMS – UK AND ROW Marketing, Sales, and Editorial Offices 50 Bedford Square London, WC1B 3DP T +44 (0)2076 315600 E onlinesalesuk@bloomsbury.com

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk

DIGITAL PLATFORMS – THE AMERICAS

RIGHTS

Marketing, Sales, and Editorial Offices Bloomsbury USA 1385 Broadway, 5th Floor New York, NY 10018 T +1 212-419-5300 E askacademic@bloomsbury.com

Marketing, Sales, and Editorial Offices Bloomsbury USA 1385 Broadway, 5th Floor New York, NY 10018 T +1 212-419-5300 Trials and enquiries: OnlineSalesUS@bloomsbury.com Matt Buser Associate Sales Director, Americas, UK, EMEA Bloomsbury Publishing T 646-689-2654 E Matt.Buser@bloomsbury.com

Jenny Redhead Senior Rights Manager Asia and South East Asia, Spain and Spanish Latin America E: jenny.redhead@bloomsbury.com

Alberta, Arkansas, Delaware, Kentucky, Louisiana, Manitoba, Maryland, Minnesota, New Brunswick, New Jersey, North Carolina, Nova Scotia, Quebec, Tennessee, Virginia, West Virginia Katie Bennett Account Manager T 646-946-3400 E Katie.Bennett@bloomsbury.com

Sinéad Tully Rights Manager France, Middle East, Nordic Countries, Russia, Turkey, Ukraine Visual Arts – all territories E: sinead.tully@bloomsbury.com

Orders and Customer Service Bloomsbury USA MPS/BUSA Orders 16365 James Madison Highway Gordonsville, VA 22942 T +1 888-330-8477 F +1 800-672-2054 E orders@mpsvirginia.com E customerservice@mpsvirginia.com Wholesale & Retail Sales Mathew Nichols Associate Director of Sales T +1 206-408-8418 E mathew.nichols@bloomsbury.com For bookshop sales inquiries please contact academicsales@bloomsbury.com

CANADA Login Canada 300 Saulteaux Crescent Winnipeg, MB R3J 3T2 E custserv@lb.ca T + 1-800-665-1148 For examination copies in Canada, please contact askacademic@bloomsbury.com

MEXICO, CENTRAL AND SOUTH AMERICA, AND THE CARIBBEAN Kirby Pendergast Higher Education Sales Representative T + 1 212-419-5354 C + 1 646-369-3348 E kirby.pendergast@bloomsbury.com

ADOPTION SALES Adoption Sales Manager Raúl J. Vázquez López T +1 332-373-5087 E raul.vazquezlopez@bloomsbury.com

FL, ID, KS, MN, MO, MT, NY, OR, WA, WI, WY KJ Jarboe Higher Education Sales Representative T + 1 212-419-5402 C + 1 646-369-3897 E kj.jarboe@bloomsbury.com AK, AR, IA, IN, LA, ME, ND, NH, OH, SD, TX, VT, WV Athena Pult Higher Education Sales Representative T + 1 212-419-5306 C + 1 646-369-3492 E athena.pult@bloomsbury.com CO, CT, HI, IL, MA, MI, NC, NM, NV, PA, RI, UT, VA Kirby Pendergast Higher Education Sales Representative T + 1 212-419-5354 C + 1 646-369-3348 E kirby.pendergast@bloomsbury.com Director, US Sales and Global Digital Sales + Marketing Lenny Allen T + 1 646-689-4401 E lenny.allen@bloomsbury.com For all academic publicity and marketing inquiries: academicreviewUS@bloomsbury.com

Alison Faulkner Rights Manager Brazil, Central and Eastern Europe, Germany, Greece, Italy, The Netherlands, Portugal, Audio E: alison.faulkner@bloomsbury.com

Alaska, Arizona, British Columbia, California, Hawaii, Montana, Nevada, New Mexico, North Dakota, Nunavut, Oklahoma, Saskatchewan, South Dakota, Utah, Wyoming, Yukon & NW Territories Scott Bloom Senior Account Manager T 760-323-7937 E Scott.Bloom@bloomsbury.com Idaho, Illinois, Indiana, Iowa, Maine, Massachusetts, Nebraska, New Hampshire, Oregon, Rhode Island, Vermont, Washington Kristina Jutzi Senior Account Manager T 603 464-0306 E Kristina.Jutzi@bloomsbury.com Colorado, Connecticut, Florida, Georgia, Kansas, Missouri, Ohio, Ontario, Pennsylvania, Wisconsin Melissa Mazza Senior Account Manager T 646-689-2416 E Melissa.Mazza@bloomsbury.com Alabama, Michigan, Mississippi, New York, South Carolina, Texas, Washington, DC Andrew Robbins-Pollack Senior Account Manager E Andrew.Robbins-Pollack@bloomsbury.com BLOOMSBURY OFFICES WORLDWIDE UK and Rest of World Bloomsbury Publishing Plc 50 Bedford Square London WC1B 3DP T +44 (0)20 7631 5600 E academic@bloomsbury.com Orders & Customer Services Macmillan Distribution Ltd (MDL) Cromwell Place Hampshire International Business Park Lime Tree Way Basingstoke Hampshire RG24 8YJ T +44 (0)1256 302692 (UK Customer Services) T +44 (0)1256 302890 (Export Customer Services) E orders@macmillan.co.uk (UK Trade Orders) E direct@macmillan.co.uk (UK Non-Trade Orders) E exportorders@macmillan.com (Export Orders)

R E P R E S E N TAT I V E S , A G E N T S & D I S T R I B U T O R S − T H E A M E R I C A S

USA

India, Bangladesh, Nepal and Sri Lanka Bloomsbury Publishing India Pvt. Ltd. DDA Complex, LSC, Building No.4, Second Floor, Pocket C-6&7, Vasant Kunj New Delhi 110070 T +91 11 40574957, +91 11 40574954 E academic-in@bloomsbury.com Australia and New Zealand Bloomsbury Publishing Pty Ltd Level 6 387 George St Sydney 2000 NSW Australia T +61 2 8820 4900 E au@bloomsbury.com www.bloomsbury.com/au

www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com

9

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