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pool her pearls collapeed they flou one by one lnto

those were pearla. of her

Beese I Fant to dlssolve ny mlud ln g lhousad years of the and feel vater 1s ny bones and feel sater 1n uy velne and reach irm shore to shore, froa rock to rock.

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The biggest macltines are based on simpte principles And besides, Don't you knolf that only beasts s$ear By these impossible mating rituals?

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Are those ijer eyes or are they pearls?

Ihere ls oo love on the wharveg or docks mde an exile to its streets.

Can love be found oD

Spare me the crap,

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iI'; spared us the crap?

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Big machines, sirnple principles, Beasts and rituals. o o But, no... tr That is just not hov apes vork.

Chicks

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the statned sheets ln a barrack

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of f,er I wan! to Cissolve ny nind and feel sater 1n ny blood.

Because

1ove,

Chendo.

Rlver o11 c1.rcles, breath set ln steel.

llhite circles 1lke pearls spreading softly through the vater-.. are those Peerls? are they dle solvlng

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vant saDl lant uant

to to to to

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rhrou nyaelf lnto the sea. go lnto the aea. go into the sea. go deeply lnto the sea.

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SPRING

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so sad That I should have to start over To end another Seems

Seems so crazY That so much can be left to die After aI1 those nights

oh. so pointless That we should go through it all again Seems

dQ, 15."

So sad So crazy So pointless

-to start over.

WASTED AWAY

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-ne tesr-dr-op f*lIs Crys;a1 ,lnd c-l.ear es diamond The e:itome of rniteppyness.

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Years later as she thinks back 5!e r-emenrbers the pai n, E-t that was long ago \o- 9he can =miIe aqsin

By Anna Hu ).

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my dear. IlFlb Let me brand these words wj.th a black bLrtrnj"ng rod on yolrr white anceirc ar5e. that Tou may flLrtter away. i:o the tlingdom oi 6od and tell Him life an earth is a farce.

,:O LO);GER WRITE TO THE TUNBRIDGE

I.IELLS ADDRESS.

::iE

NEW ADDRESSES ARE:

Jonathan DurI ing, Tryles, Ightham,

.\l-f redo,/Chendo,

The Bresl in, i I 86 Broadway, Apt.928, New York,

KCNb' TN15 9HN, England.

NY1OOO1, USA.

Nick Klauwers, Parcela 217, Urb. Sierrezuela, Mij as Costa, Yalaga, Spain.

Tel , *46-0 5-86

G.EdiLor-Alfredo BloY U. S. Ed i tor-T. G. Wendoe U.K. Editor-Jonathan Durling Spanish Editor-NIKLAW

Let me explain why JUNK 8 has taken so long. First1y, I book off to Nev York, which meant delays big-time due to having Lo find a place and a job. Secondly, Lhe most elemental of all: not having a typewriter or a computer to type your with Sarah' shit. Then there rrras Chendo's slight problenillas dislracted both of us. And of course there That definitely is the big $ problem, although we might have that problem setbled as ve believe we have a sponsor' So, relatively if after lrf tne shit you stil-l feet like complaining' well BO-Hooo, we really give a shit. I hope there is at least one part of this issue which either pisses you off or makes you insult us. Then we will have succeeded in our quest for lhe ultimate JITNK EQUATION. Thank you.

Cdrtrihrtors:Jotnathan Durling' Andrew carey, Anna Hull, i-ea Birkett, Tim Porter, clara Marsal, Monica Farias, Trickster DuBusgue, Mags Macleod, Bnily Scarpetlo, Alberlo Chavarria, Alfredo Bloy, chendo ctlavarria, wendy van Der Velden, Kevin Anderson, Nicky J., Richard Pettis, Mike Pettis'

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Joe l,lcKenzie sat on the fucking t[at whlls!

Frank arranged his divorce over the phone Richard ate hungrily at the table A composule I say to Ricky Virginal sheets, oh, oh...

Red stain. boxers on the door, Oh, fucking, oh, No hay nada gue discutir Joder, a cop pulled hin outa the shoner Calls, cal1s, nore call - that February night Wiolence, oh, violence oozes Oh yes, and THAT protection order, o Yeah, 'tvas the filst time All due to those crirninal virginal sheets.

Jail-deportation the facts. o = A rreeping mother noulns A worried father found hiurseff guilty rha Friends all over, alienated Yes, New Jersey's a possibility A possibility. $ rha The rent has to be paid z \ The phone'11 be disconnected soon He has $48 in the bank o o a.

Tbe ote job,s on the line And college, well Irho's gonna pay? h o A dreaur A drean A drean ul \ The facls are there, yessir F Tvo hearts are broken and counting... o Lungs po1luted, ronance polluted, r'e11, self, well JE Yes, Nev Jersey's a strong possibilty Wiolene Wiolence. o Oh, Jesus, and all this is REALLY happening E. o Richard's finished eating oo o o Joe McKenzie is still on that FUCNING nat g, And Flank explained- the facts 'a

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Roca que firme aguarda su vaivdn: itenias que romperte o que arrancarme! " ' iNo Pudo ser !

Hermosa tur yo altivoi acostumbrados el otro a no ceder; Urro a arrollar, La senda estrecha, inevitable e1 choque iNo puao ser !

Gustavo Adolfo Becquer- Rima XLI submitted by Teresa Chavarria '

and the snelL of rotting flsh, disgulse then all as spiders.

She lias never safe, never clear, stood in a bar for nearly a year and dissofved in soda v/ater.

The cats laoped her up. !1ost1y for the saIt, I gue66. ','.!hat do ','dhat do

I care if 6he spoke French?

I care if she spoke Sanskrit?

t2 She patted hersel f dry v.'j-th a v.'hite bea:: towe] Seagulls vraddled beslde her feet.

She speaks softly, her voice is like a s;roer.

Even her volce is like a spicier.

It puIls in 1ts legs and curls in and r'.'hen at'.ake it cirinks t"aler.

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her careful unbri.ng:ing, a uhi.te rcs: to her cof d and spi-ciereri pose, Iier dead skin v:hite as death.

At night she v.'ent sr':i-nning vith the se:1-:li.: and they never left her al-one, The nenacing moon, O the menacing nooli too lratched dor'..n like a spider.

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to the latest issue of bbbb to the latest issue of JttNK

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â&#x201A;Ź\8cl4Y HOVIE

REVTEI{

JOHNNY SUEDE (15)

with Brad Pitt, Catherine Keener, Calvin Levels & Nick Cave Dir. Torn Dicillo

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A pair of suede shoes Iands on the phone booth flom rhich Johnny Suede (Pitt) is reporting something like a rape to the cops. This, he seems to think, must be a nessage from God.

Cool filD. Pretty veird, vith surreal dleail seguences. Hard to discern a nessage rea1ly. Not much of a plot- Il's basically about a guy vanting to slart his own band, vhich never reall.y takes off, can,t really tel1 vhen ics set,in the present rte assune, bu! there's a sort of 50's arubience through it. Pitt provides a gooC performance, there are a fe$ cute babes vho also nake the acting nark although they failed to take their Goddam clolhes off.

As for lhe dialogue, the thrâ&#x201A;Źe coolest lines are said. vhen his girl is asking hin vhat shoes she should vear.At this point, Casabl.anca 's Bogart vould be envious: "we11 babe, you've been dressing yourself long before I cane a1ong. So why stop no$?" Late!, during a |-ypical bathtub scene she confesses,"I love you." Johnny, of course, casually replies "Thank you." At another point Yr.Suede sits in a subvay car lthile a couple of suits discuss hol' one of them is setting himself up in a relationship.

'Oh yeah,', says suit No.1, out there, somevhere. " Johnny valks by to "she's reveal: "You know vhat? You're righl, she is out there. Tn just fac!, I sav her in the next train. she's all dressed up like Cindele1Ia asking everybody if they,ve seen a STUPID FUCKING IDIOT vho looks just like you."

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As

said: there's vituaily no p1ot, you real1y don't knoH ilhat thel' ' 1'" getting at, but if you wanna be hip you }ave to :-ike it, or at leas+. say you do.

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'INCESTICIDE", NIRVANA'S NEW ALBttM IS CRAP. I always had this j.dea that one spelts it insEcTicide, but hey, tnat d.oesn't matter. More radlcal than NEVERMIND and less commercial than songs like "SmeIIs Like..." or,,Come As you Are,'. There's even a speeded up version of ',polly". I tried to Iike it but first time round it just seems like they're trying to reber against sounding commercial, without actually sounding much good.

On to you Joffy. -.

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Ok, fair enough. THE THING IS that this is not meant to be a follow up to 'NEVERMIND". ,'INCESTICIDE', was released to stop bootl-eggers making money offNirvana's back. The songs on the album are either "b" sides or previousl-y unreLeased ofd songs. I agree that it doesn't come over very wel_1 at first, but I don't think it's meant to. If you buy it like I did, the money goes to the band rather than to the asshoLes who make money at other people's expense.

JOFFY

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mnil, minulu Rsrrrf,s JIrtlK'S Kevin Anderson interviered B€n Durling and Ji. clranc€llor of Xrd ltinute R€cord6. .

SOFT, FLUFFY AI{D JUICY This intervien sas arranged over one of those drunk€n Friday evenlngs rrhen you rnake crazy promises. I woke up a Saturday norning, head throbbing, ehen I nas reuinded by Ben about nhat ne had arranged th€ night b€fore. uy first feeling uas one of colplet€ horror, but then I cane to the conclusion that I Eight as weII give it a gol l{e Det at the Three King6, at th€ corner of the NuIt End road and the A4.

The place was heaving sith London l{estenderg, sone dressed in jeans and bagqy T-shirts, others in suits. over three pints of Boddingtons, Jin, Ben and I began to disclrss exactly shat had happ€ned to the two gnrys I had once looked up to at school. l{ad t4inute Records has noB been in exi'gtence for about teenty nonths and, originally, cane out of a need for Jin to set up his osn coupany and Ben to qet into operation sone of been brewing up since he the Creative instinct6 that hadryd been pTaying in bands Ieft schooli 'Yeah,' 6ays Ben, tor ages and goittg to loads of gigs and, basically, vhenevet r noticad a nev band trhosa ntsic I got into, they ended uP nakingi it, biq. so. I decided we77, Yhy can't I put tILiE into practlce ?' ilin, having gone through a eteird 6pel1 by hls own admission after returning froru Australia, had originally toyed with setting up a T-shirt shop. "I didn't Rnow nuch about the ![rsjc business rhen ve got tbis oft the ground. but it's amazing hov quickiy yoa pick it a71 up once you get to ktant a fegt naDes.' There aeeBs to be a philosophy behind t{ad Hinute business that directly portrays both Ben'a and Ji!'s individual personalities. As they have knonn each other for half their lives, it is not surprising that both should foster sinil.ar ideals: rtile're nox going to re.Lease anythittg Thi6 is unless ve.re lpth rea7ly into it," says .Iin. obviously shobn in their alnost obsessive dedication to their bands' progrression. Tbough obviously there is an interest Ln Peach (Ben i6 the gnritarist) Ben and Jin attend almost every gig tbat ttint 4Oo and a storey tfildoe play, and can regularly be found with the boys, enjoying a pint or 'two. For exalp1e, New Year's eve ended with 8 storey Ifindon'B front-lan chris cahlin in a North London bar' along wlth Justin (Peach's bas6 player) and a couple of New York * girls nho eere dead-ringers for Danii uinogue and Sonj.c Youth's XiD cordon. whilst the guestion of the future is obviously one that both Ben and Ji! are lore than conscious of, the fact that r'hd Hinute DiIt be aeallosed up by a najor label J.s a strong , arerica is vhere a77 xbe Eoney is,r says possibility.

Ben. nIt ve're goirrg to make any money, that's rhere it vi77 be.'

After P€ach's recent trip to L.A.. where they played back sith high hopes of four or five gigs, Ben and Jin caue returning in the near future. tthle've actually got soneone who niqht s€t up llad ,linut€ u-s.A-,' interrupts ilin, 'it ras suggested as a joke in a pub, but now it's a possibility."

A proble! that currently conc€rns both of then has been the inninent death of grunge, forecasted by rdany in the music press. Fortunately, they hold the same belief as I do have pigeonholed certain nusic and in that the nusic press labelled it grunge. rsure, alf of our bands are heavily gruitar-oriented, but that doesn't nake them grunge bands, does it?r We Danaged to talk a whole tot nore about such interesting topics as chelsea F.c., the recent defeat of the England cricket Tean foh, such a Boo-Hoo!- Ed.l' and the next African poDegranate harvest. I left feeling Duch Dore optinistic about the future of good music. If all up-andcLrning musicians and record cornpanies are Iike rad xinute, then believe ne, we'Il be nosiing in the ziffegdentfaagen. one last connent fron Jirn: 'Try to be Fniable whiTe being firn and hard't [and soft, fluffy and juicy?- Ed.] rfixurr REcoRDs raBEL: PREss ctnrrt'Gs: organ '?h€ tlad llinuXe BuTtdog Eash - probabTy one PE,ACII of the best gathetings ot neel bands in one pTaee tor ages" ltrllT 400 4841 ) 6E *,ta) 8 STOREY TIINDOW NuE ng stotey windott-ate star-ga?ing and they EREEFN.LIITG can see for ei-les."

A&R Review ilrlint 100- if you can get on it it's soEe rideJ' & 'Peach are a must Tive'

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that would best describe his feeling trould be haunted..."

rrl fiud a solitary hairy gold a::d siill- I reminiscence.

Irm hauntedTr Haunted by your soul Iiaunted by your hair

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I'm writing this at tzto an anci i feel tiredr so very tired. Love and Rocketo is playing and beginning to spill out of tfre speakers. I begin to feel a little better - ao$ rnuch but the effect of the nusic is is graatly appreciated. Depreasion has left my bloodstream like a bad drug but foneliness and isolation creeps upon my aching body and I realize that there is only me and the rousic.

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'fhrovr th3 lrorld off your shoulders tonightr Mr Snith" I'iy thoughts of,sadness turn to the inevitabLet!dying friendshi-ps already d.ead and, of courser unrequited lust. tsub when I use the uord

lust L donrt nean it in the purely sexual sense- I rvant Seher bodl'' love, soul and niod. I know it isdLove because it is too selfish for that - perhaps it is love, I arn no l0nger sure of ahything. I think of her, even though ve hardly knovr each other (so it is saici), ancl I 6nile sadl-y to myself. I donrt even knor'r hou I feel anynore; I an in the seventh creao of teenage heaven.

So I seek solace elser.lhere - the caressing, uncarin$ arns of another. iiut they only ever detect the burns on my arnsr never the scars andt narks on a broken nind and a bleeding 6ou1. .{nd I think of trqr EER again and I smile sadly to nyse}f vitnoui knovring whon irn thinking of. Though Irn over her - I was altiays ove: her - Ii11 never Erforget her. rrl trace the outline of your eyes- blue in the* nirror, hypnotize<i frn haunted...rl

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wrong. I{". ve"y attracted to her sexua)-Iy but nJ I feelings were not built upon the ro0ten tounda&ions of sex. 'riiature can be very { cruelr'r someone says in a bad film; lEt Eh* that l kner'r a1ready. I found that out a very long time ago. r cnet her only once &t f Oorr,t think I could trust love at first sight again, yet I stiIl think of her. I vronder vhat sj.de she sav of ne' probably/one very different to the one you're seeing now; but the both oi '-l you ar.e so r'rrong and so right. And eve$ the band seens to be singing abo Iiors d.on't

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no te Ee hablo naDro oe de algo algo reclente' reciente, srno sino gue aparte aparte de\+ de P".o no dos que ne mandaste en un aclo de bondad NADA. yA NADA. Y eso no esta nada bien...A proposito, si le mandas un quE EDud srl ladrlurresEer , escrlpele escribere_que que me mdno mande ":yii^?-i.-1r.:._:':..::t: ",.,. :n Y.l:!a:!:': noticias de una puta vez, y gue gue tal L.A....Dile tambierr qu. la hecho nucho de menos.',

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COLOUR by Lea Birkett. UK -he impressionists vere a group of young arbists vho meL and;athered in Parisian cafes and bars in the early 1860's.

Thev found Lhat they had similar ideas regarding bhe painting of landscapes, ciLyscapes and contemporary life. Because oi:ie rigid vievs Lhat the majority of peopte held, it was probably a great relief for the impressionisLs Lo find people sith uhom they had a common interest. ::. ',814 t.hese artisbs forned the Societe Anonyme, vhich embraced painters as $efl as engravers and sculplors. Celebrated members of lhe societe vere Cezanne, Degas, Mone!, Pissaro.

Renorr' SisIey, cuillarmine and Morisot. Due to differences in style and tasle the group eventualLy scattered lhroughout arance to vork in different settings. Prior to this, members praclically li.ved in each other's pockets, working, drinking, eating and observing life together. Some - Monet, Sisley and Pissaro. for example - were overwhelmingly obsessed with painting tandscapes, uhereas Degas, Maneu, and Renoir were nore interested in depicting human figures, urban and suburban Itte.

The impressionists all had their different styles. This is obvious from the painting La Grenouillere, shlch was painted by bofh Monet and Renoir. Monet was fixated on the effects of iight and painted big dabs of pure colour. while Renoir's brushsork vas softer, more feathery. Monet, through studying the effects of lighb, Iearnt that shadows were coloured and no! various tones of brown. Renoir was also interested in Li_qht and noticed that grass was not jusu green, but could look grey, yelloir or blue. depending on the liqht.

Cezanne was a different story. In his painting The Railway cutting, t,he palate is dult and lhere is a lack of feeling for:-ight.

It could be taken lhat it was cezanne's own judgement L of r-he picture, if i.t veren't for his asking Pissaro !o shos hin nor the i.mpressionists use colour to create a new dimention L of tight and space into painting. Eventually. he found a style lhat divorced line from colour. He felt rest,ricted by ourlines and contours. He began to use a thin blueish/violeb paint that gave his lines an indefinite qualily.

He used this colour for brightly 1it objects as it is the conplementary of yel.loY sunlight. one of the many differences betreen the impressionists and their conbenporaries \ras the tirne they took t,o complete thei.r yorks. A typical impressionist painting could be conpleted in tEo days, rhereas other painters of the period could take several months to complete a single vork.

IMPRESSIONISH3 THE REIGN OF

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or not, Additional Editor's note: Several factors, artistic movernent. Namely, coi.ncided to bring about the "impressionist" the groving popular interest, at the time, in the very particular artistic and coloristic style of oriental prinbs, revol-ulionary scientific di.scoveries in the field of color composition theory, and the inpetus of a fet/ artists determined to defy the fascistic, exclusionary methods of the French academy of fine arts. irBed vith increased knovledge about the real composition of color, and influenced by the short-lived school of the Barbizon landscapists, impressionist artists sought t.o paint Lheir favorite environments as the eye would really perceive then. That is, to paint reality as one uould see it in a glance, vith particular interests in light and coror.

Since light and coLor becone prinary elements, line loses out. This is rhy impressionist art appears to be hazy. blurry, undefined. while these artists considered this a more accurate, honesl rendering of reality. the Academy (the governing body of French arts) found the nel, movenent unacceptable. For vere excluded from the annual this reason. Lhe inpressionists Salons (e4hibitions), at sbich the creme of the art crop shoved of{ their dull vork. As a result. bhe Societe Anonyme cas forced to set up its oun independent salon. One critic.

Monet's "ImpressionsSunrise" mocking bhe exhibition and, particularlyr coi.nec the berm Impressionism.

A NE.W

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-n ihe articLe about the Velvet Undergrounci, in Juk issue five' John Sinon Ritchie (Sid Vicious)' hultg himit vjas reported that€ I\tsas>a,a.q ly'Kerbas '5.n e1f ir priaon after the violent death of his sirlfriendl reality he died fron a heroin overdose two and a half months aitet Nancyrs death. It was fu the quality, not thequantity of the dru6 that was the cause rbf sidts Ceathi he had been weaned off the drug for the lasQt tvo ronths of his life aad his body could not vithstmd such a high quqliti hit. As to the reason for liancyrs death' there are thlee nain coniradictory repor;a - each hypothetical but logi-caL. One is that it uas a suicide pact that went Hroagt another that l.ancy kilted herselfAN The irhird i6 that a 4Jdeal-er, who thought Sid was deadrkitled her of e police reports *# this accout is given credence o{"lf*_Hu death uknosn nan hangj-n6 around their BGI!!FaB shottly .O_u^t9o;ol$o""rd 6G€€ tA=i"r1fiS74t6 and the poll.ce becane less convinced that sid ai5ih"l-t-tt" dra:sed on.

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BY Mags and EmilY

The Museum of Mankind contains non-western exhibits that cultural aspects of a wide variety of dlfferent display The pieces that are shown come from the tribal societies. of Africa, Australia, the Pacific lslands, North & comunities South Anerica & some parts of Asia and Europe. of recent contemporarY cultures The nuseum is a reflection as well as those ancient cultures that are the foundation of our world and Its people today. the museum is displaying some At the moment (October'92), of over 500 artefacts that "Art of the congo"; a collectlon belonged to a certain E.Torday, a Hungarian explorer. The Museum j-s free to enter & is not boringl objects that are on itself dj-splay range from hair-pins to weapons and cosmetic boxes to masks. Donrt miSs the shrunken freads! How is it done? (En's et moj- have no idea. so, if anyone knows- we need some educatingl ) Another event that the museum celebrates ls Mexico's "Day of the Dead" which takes place on the lst & 2nd of November every year. The festival is celebrated by Mexicans who welcome the souls of their departed ones back to the world of the living.

Altars are ralsed withln eacir househoLd and through these the dead are invited to enjoy the food and music of thls earth. This way, death becomes part of ]-ife. The festj-val is not a day of mournj.ng, no sad and morbid feelings. but is a joyfuf time of remembrance and communion with the dead.

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NEWYORK

PROPEETS

12

enter the smaIl, dark, bar at the entrance to st.Marks ptace tocated on the 1.;;-";;a Richard and Fwedo

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tabre with their juss T.o ::ff ':,n":"-!lll; at a snarr 1X'o'."0"L#".i3'i'i'"'n= or Nev ill ,ridt"'"tiSgIIf-_869-008-t'l :ffillo,I Sgnf-869-O08-t U *t:!^!:o#9.lt'ffi nF"'l J:;..;:,,';""""::""" ;:':'::" punk music.'T;',":" "Sound views", a NY underground music il mag, think that they are "probably a good band to see r [ .; @ 'ffi g , i;;'";;';"t;,'inJ't"."i;;"':';";;;l'-p"."i*l,J-;;*;;;;; :' s i , :$ *g 'i '!I then most of the mid-seventies punk band front men down

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SAf they dil bad too band, PRoPEETs R:Bri11j.ant FALSE " UEg 6 e! " nor pray ror a ronser period or ttme'. .qrrie u.'a i" U E PE!;g g!i..r&&e a lrere rhe onry ones there that appreciated them. I t '!gr.:3 *="5oEr6 i rherewereabunchor morons thererrrhowouldprob&lv -5.IS;t* U;;Sg;i-, ; , world g g !'i9 E3€.:3 5 slam dance to will-ie Nelson. what is this .: lll . gdlto ! great, otr @oJtoe k1ly coming to? A:Stephan, the main man, was t pur on a sreat performance. rhls -1"1';--t"t"iii' --lo $ 9tsri-i3i.:!Eit'd-jf outclassed the rest of the bands that nighc. FP have '/'i Fu i'-35 6cF 3,Eoood .- I .i i! uqoooEn ".8 oi better but they are still been around for a while, rhan mosr bands roday despire trreir rov ;;;;t"":"fi" ; : E;i S i 3E!!:'tl;EI g

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ir: ! 6E ,,rere like that. rf you like rhe sex el"tor",- yo"'J ,* tike this. rt's just that it sets a rittle bit n$i. e.: ff FUCKING boring aiter a few songs. A good shov r €o guess. Richard(R):Sorneone should have killed the N tle's the type of guy who gets up in the lead singer. mornins and masturbate; whiG thiniing or sid I vicious. He probably thinks sid vl"io"" is "tiii l,t

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1. In a nark Tlne

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.-..logething that sitl call a halt to the s-l ...and ralk€d sldly rcrocs tlrc duety sg:?€t urooa-gtain.ii-iit"di.iirt-;;11 d;; aales and 1 i.t ferales rho seen to be |ulte Girot.-in"i-"i'tili !9-the nervoua brortr horse tether.d to the ralling

*' *'"'"*.":Xi"::*lk*.;".* ra 3l$lui{ii: "?* d: ;:yif""f:.:fi::'"?H.:: :fi :i*"sii'1,"""t*:*:r,.**i'i,if***"*1i,niiiliTx*#ff 'Irif:i3"J*,.f Ri"iffili*I 9z rith tcneion aa th€lc thougn€i at lov-cly B€tty, th;"ff-;i; I :!.t he eas, and th.n rcre alorly t":.f::,.1i:t"tn1l,":11 ";;; .,,y::-?I s"-*t"-de-.

-tn;-r-i gatl.glactlon' lilL ?:, ::: tlfe aqain :d,.1";-; flnally,.brlcfly,_rlt!.+riot at llr8. to 6€e nJ-i"i"^; Iil i )i:.iLi: "?lHlin_,H.::,r:. rec€ntly. He carefuliy Sloan, flcrccly clutcblng h€r son dtGb's 1 chrnce t"rn.o ni" l"ril; il h'i t .':i"ffi&*'"'"1?

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2. Tender paradl8e. Llcruid Buttons Julp€d ln surprlee. Ee had been :..ffre youth so lntont on the old strtue standlng ln the church,a gloo! that he had not se€n th6 old ran ralk up to hln.

rNl, ye9rtr the old nan sald, rubbing hls uiry glaasos rith a torn, hand*,erchiee-. iThoeo old Dast€rs knewblood-stained th€ truth, dldnrt thsy?i rAnd slrat ls the daDod tnrth?r the youth

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rWlll s€ €ver aee hlu aEain?r Betty aaked r tearfully. if don't knou.i stct replled, trBut I have a fcellng that rhersvcr thare'g inJuatlce, vhcrever ricb uan ara kJ.lllng reat !.n, stlarev€r honest people are flgbtlng to eaEr their llving against an evll corporatlst stlte ulth a nonopoly on the leane of violcnce, tbcre sc'll ece hh, rith hls elx-ehooter and hla rournful laughtor, rith hls clear eyc and his decp b€ar:t.r n tunred aeay pretending to rub dust out of bls €yes suddenly gone red.

gcornfully. rnell,n the olil uan chuckled as if he had not S. hoetility, rTh€ truth of otd age ie tfrii F:1! nothing ever change8.i asked

felt terror seize his heart at thes€ , _Th€ youth gordg. fariliar F€ glancsd at the old nan. But in hle rorn coat andstrarpfi c-onicaf fitti" shuffle tbe lan seened unrsarefrii that he had said i-!port. H6 slired erptiry and besan 3l31!s-gf ruDDrng hta glassea again, nodding his head. lJl"r a fee Eonents, the old nan turn€d away to shuffle to the door as lf he sere going outsl.de.

The sun was setting dinly, its eerie llght casting shadous into the church. The youth, noc intent, callrid out to hln: trAnd ehat ls the truth of th€ yo\n9, old ran?r \ The nan se€!€d not to hear. He slouly nade hls uay to the door but, Juat befor€ paaslng through, he tuned and caskled. iThe truth of the young-is that overlrthlnS ElfEl changc.r

j 3*ii";r#"1 11.i"'*""iT:f" l5r.",l,i*ff,rli..*"

iHa br:ushed ny breasts slth hle elbor,r Betty thought grratefully. lhe sun set Blorly ovcr the lountalns.

4.

Th€se Words ere Out

*,lnili:I."",":'*:l"JTr".l::p.H.U1"1":",'",:l th€ nountalns, toeards th; Ufooa_rlain"d--;il;

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tosards,the s€ttlng aun, toflarda fri-Xneg not yhat.

Dy da-ys are days of logs and, like a stone ,_ a-A11, rn ri\r!r, beaten ceiselessly bt-lh" cunent, I have. becona round and. gnooth i"Jig;'il"". r have nctther cornera on unrcn--to ;.d; -ti;-;urrenr, nor love anlnrhere in nv.he3rt:- i;-dri.i ir.v and hls shados gtlde<t guieiry

ualna fifr.

wllllam BtEougilt!

a,

effs Pistol KillsHisWife; He Denies PlayingWn.fell Mexico City, Sept. (lP).-Tfiilliam Seward Burroughs, 37, Sept 7 (P).-Wiiliam

first admil.ted. arlmitted.

then denied today that he was fliy-iiflWiiiEfr-IEilTfin his gun kiiled pretty, young wife during a drinking party last nigh

hii

WHERE DID s {€

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GO wRot'/o ?

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Police said that grandson of tle chine inrentor, first that, wantiDs to muksmanship,

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-if4 "Love is the vrorst sexually transmitted

Naked Lunch demands Silence from The Reader. Otheruise he is taking his own pulse.

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Bill makes no attempt to create artificial situations or to consuuct an elaborate plot. The text is simply a record of the writer's consciousness . at the precise point of writing, with breaks, mood changes, unpleasant \ntasies, mad humour, all described as they flash into consciousness.

This is explained in the book itself: There is only one thing a writer can write about: what is in front of his senses at the moment of writing . . . I am a recording instrument . . . I do not pretend to irnpose 'story' 'plot' 'continuity' . . . Insofaras I succeed in Direct recording of certain areas of psychic process i may have a limited function . . . I am not an entertainer.

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a relationship-.-and one to fuck it up'

F:2 tt|Lts only the mediocre vho are at their

li\

-PO*t

In this, Burroughs joins the ranks of'garrulous' American authors such as Ezra Pound and William Carlos Williams, whose literary output adds up to a map of the authors' consciousnss, recorded over a period of years or even decades. It is confessional literacure at its absolute, since it can work only if it is completely honest. Ginsberg has pointed out how Era Pound's lifetime work, 'The Cantos', gives a iournal-like record of the development of his various interests and concems, including his economic ideas, his support for fascism and his anti-semitism, all as pan of an integrated whole, a 'quantitive map of consciousness'. One doesn't have to agree wirh Pound to respect the honest reveladon of his thoughts.

best."

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yet.

poem No.2

Give me tirne to write you the Irm sure you deserve,

poem

Give me a moment to uncover that Thick coat you have laid upon yourself I shall love those crimson lj.ps -those ocean blue eyes Those burnlng breasts of si_lken skin -and those magical. magical thighs Maybe you can sense the truth through

My trembl1.ng J.ips (that voice within) Maybe you just need to hear it Maybe I just need to betieve it

Give me time to write you the I'm sure you deserve.

by Bloy

poem

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IAIID rat-at rat-r + 2 really bad barrds b l{arch ,1, 1993. rilt - XYC

by T.c.F€ndall dspecial I uas at work while the gu€stx did their thinql lon stage, so I won,t attenpt a review. Bloy tells roe theyi -i good, no so ue nill leave lwere it at that.

First. the setting. The Tilt is a decent lowerl I luanhattan club. n{o levels, the first having a DJ booth, i lbar, tv nonitors, a conpetent dance floor and a dead-headrsi a projection sys€en that plasters paychedelic ptasna-i l9t:-: inages on the walls. If yourre boldenough to frip oni llike ade narluctno{tens, hallucinogens, thi-s you. this rs is a place for you.

Inan-rade Nord, the performance in question. This rdas a renditionl CIG

I

MARCH

4

SPECIAL GUEST

PLUS

I

AT ATRAT R lguitarist, Johnny. Victor,s okay with the guitar, but wel lshould be able to taste Johnnyrs superb riffs a little uorel l(then again, I Has really drunk and, besides, it could havel lbeen a defest in the sound sy6ter. Irm a rraj.ter, not al lfriggin' critic.) A1so, with a guitar in his hands, Victorrsj lconstrained on stage, and can,t delight us with hlsl lagonizing pain-stricken body language. I do remeuber | ft${ Ithinking in betneen beers (it Eas free draught all night,l lti:il I lg-'.i llwhat a club that TiIt), that their Iast song na6 great.

Bldtop turned out to be 6uch a terrible band that s€ I .' rd+:t' || tooX oft to the to try drink lower level and ourselvesi ; llaff llinto voniting. Lousy band, period. | iI Actually, soDeone intinately connected to the bandl - .'ltells Ee that their first nutrber of that night is seriouslyl lon it's riay to b€coming a hit. Lookout for RAT-Ar RAT-R. lReuenber, we,re talking about a band that had had the cod-l .llike XIRVANA opening for then as recently as 1990. Enoughl 'lsaid --

BLOWTOP TfcHtTMIEYTWIST

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NO FfIR.Y

F-

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EXTRA, EXIRA... YOU HONIT BELIEVE THIS. NIKLAW, ALBERT AND

A BAND.Albert obviousll/ 6n the Boy, and we're told Ni.ck's gonna be the vocalist.

soME oTHERS HAVE STARTED

] quitar I

6^' r real +Far$ crrddacf th:f thal we suggest a treat. I^ra oh, boy, !,^rF^ ue're ihin for '-3r i.t

L^.,

call LhemseLves JUNK, or something like u imagine? You'11 be kept informed...

that.

i.he!

Lhey

Shib, can

AR

I ES_

TAURUS-

Usually you have a pretty gross time but this year is going to be a bit better than the last one. If you'r:e single RoII on June as you'II be hot.

GEI,.IINI-

CANCER-

L!A.V

AII the signs are that this year is your year. I'ioney and Iove are on the up for a chanqe.

TRGO-

h

Green Pastures, Birds and Bees.

IIIT

Green Pastures,

Skyblue sk j-es, Lazy days.

These are just my vriting

vays.

S!orn and lightning, Thunders, clouds. . .

The pover of ny poetry

i

r'\ !

Is bound to move the hungry lir erary crovds. I l,t Fishes in a pond' Honey so sveet, Baby, this is no poetry, ELVISES E We're faLlj.ng asleep I

1

I

Duplicotes

were mqde now they'râ&#x201A;Ź sn me loose!

T G Wendoe.

I RT'NS TITF HOPI,N"

in the January 1?th observer, caught my attention for reflecting the manipuLation of lives and vital ansvers of the unsolved that usually goes unnoticed. It tells rnistery of the explosion over the Mediterranean. thj,rteen years ago, of an. Italian airliner, that resuted in the deaths of all 81 passengers and crev members.

An article

The has been brought to the public's attention once again due to the nurder of the retired ltalian airforce general in Brussels. Robbery vas said '.o be the initial Inoti.ve, but

this was The fact charge of disaster,

Emest

Ii,mingra4

Tl* S* AL" RLs, fuL-f-the-I{nth

Cl"L SeL"ii-,

Dn,*hr

lQ26

discarded after his vaLlet vas recovered intact, i s, the murdered oeneral r'as chief of slaff in military air traffic control at the time of the and a key vitness to the airliner investigation.

This is the latest in a long series of incidents seemingly aimed at sitencing those involved in lhe airliner investigation.

Four other l!alian vi.tnesses, three radar controllers and the base cotrmander have died since the disaster. 0ne of an appa!ent heart attack ( at age 32) , another of an apparent suici.de and tvo in car and airplane accidents. Otherwise, strategic bulgtaries have taken place, lartyers' cars have been ranmed and evidence has been destroyed.

The airliner was flying in clear veather and, a! lhe time of the accident in 1982, traces of T-4 explosive Fere found on the site of the vreckage. Also, air traffic control-lers j.n Rome detected the presence of a UFO near the airl.iner seconds before it crashed. Most of the remains had been recovered fro$ the sea by 1988, and it was deterrnined that the airplane had been hit by a military missile.

At the tine of the accident,

Italy,

the Lr.S., and France

aIt

had such

in the area. Both the French and U.S. EUfBiftrnissiles mj.lj.taries vere asked to initiate investigations into the incident. The U.S. denied any involvement.

WanI habry? claiming no missile uas fired.

The French military -heat-seeking made no official comrnent on the rnatler. ,o"t'3ol'#lf,$'J"'n The investigating juclge. however, has found that the deck log of the USS. Saratoga, a celebrated semination is much more l-made the mind-boggling dis;hich Sixth Fleet vessel vas in the area at the to produce a p_aby if lcovery after aciirten"taily llfelv time, appears to have been rewritten. it's been stored in coffee! lfreeziirg some sperm in i Sperm bank docs in Israell containdr of coffe^e beans.

o

Store

H;"flilll

-

funr spetm

in cofree!

weniy Yan Der \relden

I