The Bluegrass Standard - Volume 1, Issue 6 by The Bluegrass Standard

Volume 1 ~ Issue 6

Christian Davis

Gospel Issue

INSIDE:

Dave Adkins • David Phelps • High Fidelity • Larry Sparks • Redeemed Quartet • Southern Raised • The Issacs • The Isbell Family Keeps the Faith • and more!

This month's Contributing Writers: Daniel Wile Susan Marquez

The Bluegrass Standard

The Bluegrass Standard magazine is published monthly. Opinions expressed are not necessarily the opinions of The Bluegrass Standard or its staff, advertisers or readers with the exception of editorials. Publication of the name or the photograph of any person, business or organization in articles or advertising in The Bluegrass Standard is not to be construed as any indication of support of such person, business or organization. The Bluegrass Standard disclaims any responsibility for claims made by advertisers. Advertising rates are subject to change without notice. The Bluegrass Standard reserves the right at its sole discretion to reject any advertising for any reason. It is our policy to publish any letters to the editor that are signed and verifiable by phone number. We reserve the right of anonymity upon request. Letters must be grammatically correct, clarity and original and free of libel. The Bluegrass Standard reserves the right to decline publishing or reprinting any letter.

Please forward any letters to: editor@thebluegrassstandard.com The views expressed are not necessarily those of The Bluegrass Standard. Copyright ÂŠ2017. All Rights reserved. No portion of the publication may be reproduced in any form without the expressed consent of the publisher. 2

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The Blue grass Standard Staff Keith Barnacastle • Publisher The Bluegrass Standard represents a life-long dream for Keith Barnacastle, who grew up in Meridian, Mississippi. For three years, Keith brought the Suits, Boots and Bluegrass Festival to Meridian, allowing him to share his appreciation for the music of his youth with fans from across the country. Now, with the Bluegrass Standard, Keith's enthusiasm for the music and his vision of the future of bluegrass reaches a nationwide audience, every month!

Richelle Putnam • Managing Journalist Editor Richelle Putnam is a Mississippi Arts Commission (MAC) Teaching Artist/Roster Artist (Literary), a Mississippi Humanities Speaker, and a 2014 MAC Literary Arts Fellowship recipient. Her YA biography, The Inspiring Life of Eudora Welty, received the 2014 Moonbeam Children’s Book Awards Silver Medal. Her non-fiction books include Lauderdale County, Mississippi; a Brief History, Legendary Locals of Meridian, Mississippi and Mississippi and the Great Depression. She writes for many publications.

Shelby Campbell • Journalist Editor Shelby Campbell is a writer and designer whose heart beats for creativity. A native of rural Livingston, AL, she found her passion in journalism and design at The University of West Alabama, where she received a Bachelor's degree in Integrated Marketing Communications. Shelby is creative, driven and passionate as a web designer and creative specialist for The Angie Denney Agency in Pensacola, Florida. She also has her own lifestyle photography business, Shelby Campbell Photography, based in Foley, Alabama.

Kara Martinez Bachman • Journalist Kara Martinez Bachman is an author, editor and entertainment journalist. Her music and culture reporting has appeared in dozens of publications and she's interviewed many performers over the years, from local musicians to well-known celebrities. She's a native of New Orleans and lives just outside the city with her husband, two kids, and two silly mutts.

Stephen Pitalo • Journalist Stephen Pitalo has been an entertainment journalist for more than 30 years, having interviewed everyone from Joey Ramone to Bill Plympton to John Landis. He is the world’s leading authority on the The Golden Age of Music Video (1976-1993), mining inside stories from interviews 70+ music video directors and countless artists of the pre-internet music era. You can check out his blog GoldenAgeOfMusicVideo.com.

James Babb • Creative Director James Babb is a native Californian, and a long-time resident of Palm Springs. He has been involved in creative work of many types, ranging from electronic design in the 1980's, to graphic and online design today. In addition to his work for The Bluegrass Standard, James designs and produces large-format graphics for trade shows and special events. James also provides custom framing of paintings by artists from his local creative community.

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CONT Christian Davis

6 14

SPBGMA Program

High Fidelity

20 Tomorrowâ&#x20AC;&#x2122;s Bluegrass Stars

Dave Adkins

26 38

The Isbell Family

David Phelps

Redeemed Quartet

Larry Sparks

48 4

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ENTS

Music Barn starts on page 52

Bluegrass Tech: Ear Trumpet Labs

The Easter Family

The Isaacs

Southern Raised

Back Porch ~ Hands

The Churchmen

SATURDAY DECEMBER 9TH, 2017 4PM & 7PM FIRST METHODIST CHURCH CHRISTIAN LIFE CENTER 300 West Main Street Louisville, MS 39339 We have relocated while our theater is being renovated!

2017 Carl Jackson’s

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Suits, Boots & Bluegrass ~

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LARRY CORDLEJERRY SALLEYVAL STOREY JOHNNY RAWLSBRADLEY WALKERISAAC MOORE 

Join Carl & his very special guest,

ASHLEY CAMPBELL

daughter of legendary entertainer, Glen Campbell.

Carl Jackson and Glen Campbell were lifelong, personal friends. Carl had the honor of being a member of Glen’s Band, playing with him all over the world for 12 years early in Carl’s award winning music career.

The 4PM AND 7PM SHOWS WILL SELL OUT FOR BOTH CONCERTS. TO PURCHASE YOUR “RESERVED SEAT” CONTACT THE LOUISVILLE, MISSISSIPPI CHAMBER.

Festival Guide

88 THE BLUEGRASS STANDARD

Fan photos

Christian Davis

“It is truly a special moment because we share all of this with hugs, laughter, and letting these people know they are loved.”

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There’s something warm and visceral about a deep bass note that reverberates inside us. A low bellow can make us feel safe, or, quite ironically, scared, depending on the goal. What it always does, though, is make us pay attention.

when you sing,” he said. “Concentrate on just singing your part and the rest will come later.” Davis said Younce “also said it’s okay to go down and grab you a few low notes every once in a while, when the song calls for it.” Davis has been “playing” his instrument since a little boy. “I began singing at the age of three and for as long as I can remember, gospel music has always been a staple in my life,” he said. The singer -- whose influences are

Gospel singer Christian Davis has no difficulty making people pay attention. The former Daily & Vincent member who went solo is known for a killer bass range. “I get asked these questions all the time, about how low can I sing and what is your lowest note,” Davis said. “To be honest, I don’t really know, and I really don’t pay attention to it. I just try to be consistent and concentrate on clarity to make sure that the words that I sing can be understood.” Based on Davis’ Dove Awards and Grammy nominations, the singer is being understood clear as a bell. “George Younce of the Cathedral Quartet always told me not to drag the bottom

many, and include George Younce, Randy Travis, Don Williams and Tennessee Ernie Ford -- began performing professionally in 1998, when he became bass vocalist for Sounds of Liberty, and then for Jerry Falwell’s Old Time Gospel Hour Quartet. He’s sung with other quartets over the years as well, but his most well-known gig was with Dailey & Vincent. “Being with Dailey & Vincent for nearly

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six years was a life-changing part of my musical journey,” he said. “I am forever grateful to Jamie Dailey and Darrin Vincent for the opportunity that they gave to me and for the extra experience in music.” Becoming a solo act involves change. Suddenly, the spotlight is aimed in one specific spot of the stage. One way he’s explored being a solo artist is by branching out and giving his music a country vibe. His “Worn Around the Edges” is what he calls “a Christian Country/ Positive Country album.” Davis said the album’s track titled “He Can’t Stop Loving You” earned “my first number one song in the country for the month of September for Christian Country Charts.” Another, "Just Show Up,” hit the number five slot for November. “I enjoy singing real story songs,” he said. “Those songs are the meat and potatoes for me. I can always sing a good old classic church hymn and people love

it, but when I sing a real-life story song, it really touches them deeply.” Not only do “story songs” remind people of childhood memories, but they allow for seeing the performer as one of the crowd. “When you walk off a stage and come out in the crowd and just sing to them,” he said, “it lets them know that you are on the same level as they are and are no different than they are.” Davis is working right now on funding his next album, which will be “traditional back porch bluegrass” meets a little bit of “new grass.” This month, however, he’ll focus -- since the holidays are here -- on family. He said he’s away from home often, and realizes that in a way, he’s got it easy. “The real sacrifice to me is back home,” he said. “My wife Sophia is a trooper. She works all day long and sometimes all night for our booking agency, Adoration Agency. She cooks, cleans, she homeschools our daughter Anneliese, and the list goes on.”

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“I can’t thank her enough for what she does while I am away from home traveling and singing,” he said. This Christmas, the family will strive to continue a tradition Davis had never talked about publicly before now. “[On] Christmas Day, my family and I for the past six years wake up special early and load up the vehicles with homemade hot chocolate, sausage biscuits, homemade Christmas cookies, fruit, along with hats, gloves, and socks,” he said.

the love of God and share the special Christmas morning with them.” The tradition “puts feet” to a saying he believes in: “Jesus is the reason for the Season,” he explained. One Christmas in the streets was particularly touching. “A couple sat on the sidewalk and he held a beat-up guitar with three strings,” Davis recalled. “We had been singing some songs by the truck, and he asked if I would sing ‘I’ll be home for Christmas.’ I made it through it barely and by the end of the song, we had probably thirtyplus homeless people standing around with tears running down their cheeks.” Davis added that it was cool because someone said, ‘you can sing, man, you need to be a singer.’ “I just smiled,” he said.

They share these goodies with homeless people. “It is truly a special moment because we share all of this with hugs, laughter, and letting these people know they are loved,” said Davis. “We have come to unfortunately have familiar faces each year, but it’s a great opportunity to show

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High Fidelity: Feeding the hunger for authenticity

Today, High Fidelity prides itself on recreating the feel of an era that many of today’s groups overlook. “There is somewhat of © 2017 Daniel Wile a hole stylistically in the bluegrass landscape today,” says Stephens. In Musicians Jeremy Stephens the past, that hole was filled with and Corrina Logston received a the smooth sounds from bands like fortuitous call from their friend Kurt Jim & Jesse, Reno & Smiley, and Stephenson in 2014. Stephenson proposed the Louvin Brothers. Now, High that they enter the SPBGMA International Fidelity proudly occupies that Bluegrass Band Championships. Excitement space. over the idea grew. After a few more calls, they had formed a five-piece band they named High Fidelity. Their objective was clear: impeccably play music that mattered to them. “We wanted to enter the contest and be a very strict traditional band and try to be competitive in the contemporary scene,” Stephens says. Their approach paid off. They won the competition.

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Logston explains, “We want to deliver what we are doing in such a way that musicianship and our singing and the technicality of what we are doing is of the level that is acceptable to people who are into more precise and modern bluegrass.” But don’t assume that the band doesn’t appreciate the original recordings— warts and all. “We love the scratchy records,” Stephens is quick to say.

Stephens and Logston recognize that much of today’s bluegrass is High Fidelity is not a tribute band. consumed by an urban audience, Nor do they rule out playing songs raised on music that is cleansed written outside the era they represent. of imperfections through extensive “We really try to find songs that engineering. That audience can be reluctant would lend themselves to the highto embrace early bluegrass. Logston says, fidelity era of recording. That didn’t “There are all sorts of perceptions today’s necessarily mean doing songs audiences have about traditional bluegrass that were written in that time, music,” ranging from scratchy records, but doing songs that we could to playing that was not in tune or in stylistically do in a way that the pocket. “We want people of our bluegrass was performed generation to have no excuses in the ‘50s and ‘60s,” for not being attracted to Logston says. traditional bluegrass.”

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The term “high-fidelity” refers to a quality of music from records predating stereo and FM radio technology. The music was meant to be heard live. If it was recorded, a single microphone often did the job.

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The band members embrace that style. Stephens and Logston deliver tightly interwoven vocal duets and play equally smooth breaks on fiddle and guitar, respectively. Kurt Stephenson brings a balanced banjo to the sound, with a pleasant sprinkling of unmistakable Don Reno licks. Daniel Amick primarily plays mandolin in the group but also contributes on guitar. And Vickie Vaughn on upright bass keeps the band firmly seated in that pocket that draws today’s listeners. The band’s passion for exquisite execution stems from their deep connection to the music they perform. “We all have very rural roots,” Logston says. “Most of us live in Nashville, but we are all from very small towns, grew up in fairly rural neighborhoods. Our grandparents farmed. Bluegrass was initially bluecollar music, and we are really blessed to have that connection to the music in that sort of way.”

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The band also feels a strong connection to the music of the ‘50s and ‘60s because it was music about family. “Family is extremely important to all of us,” Stephens says. “So much of the content of traditional bluegrass is songs about mom and home and going back to the old home. A lot of that type of material does not resonate with people today, but it’s different for us in that it actually does.” The band released a self-titled album in 2016 and with the ink barely dry on a deal with Rebel Records, they are preparing to record another. They look forward to building more bridges between the music they love and today’s audiences. “We’ve had people tell us that they got the same feeling seeing High Fidelity that they got seeing the founding fathers,” Logston claims. “It is our hope that people who never saw the founding fathers might get that same feeling when they see us, and that we would be the gateway to them going back and listening to the greats.”

If the band’s early success is any indication, there will be a growing wave of fans dusting off those scratchy records, or at least searching in an unexplored corner of Spotify. Stephens says, “If you deliver with precision and feel and if you believe in what you’re doing, people will respond.” Logston adds, “People are hungry for authenticity.”

Visit

te i s b e our w

And High Fidelity serves a heaping helping. THE BLUEGRASS STANDARD

The Society for the Preservation of Bluegrass Music in America 14

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44TH Annual SPBGMA Bluegrass Music Awards & 35TH National Convention Sheraton Music City Hotel Nashville, TN

Program

Showcase of Bands Thursday, February 1, 2018 Plantation Ballroom

4:00 PM 4:40 PM 5:20 PM 6:00 PM 6:40 PM 7:20 PM 8:00 PM 8:40 PM 9:20 PM

The Po’ Ramblin’ Boys Deer Creek Boys The Kevin Prater Band Newtown Feller & Hill And The Bluegrass Buckaroos Deeper Shade Of Blue The Kody Norris Show Joe Mullins & The Radio Ramblers Jeanette & Johnny Williams

Friday, February 2, 2018

Showcase of Bands Friday, February 2, 2018

4:00 PM 4:40 PM 5:20 PM 6:00 PM 6:40 PM 7:20 PM 8:00 PM 8:40 PM 9:20 PM

Claybank Remington Ryde Flashback Donna Ulisse & The Poor Mountain Boys The Farm Hands Ronnie Reno & The Reno Tradition Russell Moore & III Tyme Out Chris Jones And The Night Drivers The Country Gentleman Tribute Band

Saturday, February 3, 2018

Trade Exhibits in Plantation Lobby (Show Ticket NOT Required Friday 9 AM-4 PM) 9 AM (Must have show ticket Friday after 4 PM & Saturday and Sunday) 12:30 PM 1:00 PM TRADE EXHIBITS are in the McGavock’s Ballroom and Tulip Grove off of 1:30 PM 2:00 PM the main lobby. 2:30 PM NO ticket required for these areas. 3:00 PM Exhibit times Thursday 3-8 PM, 3:30 PM Friday & Saturday 10 AM-8 PM, Sunday 10 AM Opening. 5:30 PM

Multiple showcases on hotel property Thursday, Friday, Saturday after 10 pm!

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Plantation Ballroom

International Band Championship 1st Round Eliminations The Special Consensus The Farm Hands Cedar Hill Crowe Brothers Steve Gulley And New Pinnacle Danny Paisley & Southern Grass International Band Championship 2nd Round Eliminations Dinner Break

Saturday, February 3, 2018 Plantation Ballroom

6:00 PM 6:40 PM 7:20 PM 8:00 PM 8:40 PM 9:20 PM

44TH Annual SPBGMA Bluegrass Music Awards Show Sunday, February 4, 2018

Carson Peters & Iron Mountain Alan Bibey & Grasstowne Dave Adkins Band 6:30 PM Larry Stephenson Band Doyle Lawson & Quicksilver David Parmley & Cardinal Tradition

Sunday, February 4, 2018

9:00 AM - 4:00 PM Banjo Workshop (Belle Meade Room See box Below) 10:00 AM - 12:00 Noon - -Promoterâ&#x20AC;&#x2122;s Meeting (Two Rivers Room)

Bluegrass & Gospel Music Concert

High Fidelity The Punches Fret High Jeanette & Johnny Williams Lunch Break International Band Championship Final Round 3:45 PM Mashtag (2017 IBC Champions) 4:30 PM 2018 SPBGMA IBC Cash Award Presentation 5:00 PM Dinner Break

Bluegrass Music Awards Presentations Hosted by Rarely Herd

2018 Preservation Hall Inductee TBA

Featured performances by: Lonesome River Band Grascals Flatt Lonesome Rarely Herd

10:00 AM 10:30 AM 11:00 AM 11:30 AM 12:00 PM 1:00 PM

* Not responsible for lost or stolen items. * No items allowed left in ballroom overnight. * Bands subject to change. * No refund or replacement of tickets or ballots.

9:00 AM until 4:00 PM Sunday Banjo Workshop Featuring: TBA Directed By Jack Hatfield Held in the Belle Meade Room www.hatfieldmusic.com

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ADMISSION

Thursday Pass .................................................... $10.00 Friday Pass ......................................................... $35.00 Saturday Pass.......................................$45.00 (All Day) Sunday Pass .........................................$45.00 (All Day) Includes Award Show Children Under 12............................................ Half Price Weekend Pass .......................... $105.00 (Fri - Sat - Sun) Weekend Pass ...................$115.00 (Th - Fri - Sat - Sun) The first 17 rows of chairs (A through Q) are for 4 day reserved weekend ticket holders only. All un-numbered chairs are for general admission ticket holders.

Restaurant Hours: Friday: Breakfast 6:30 - 11:00 a.m. Lunch 11:00 a.m. - 2:00 p.m. Dinner 5:00 - 9:00 p.m.

Saturday: Breakfast 6:30 - 11:00 a.m. Lunch 11:00 a.m. - 2:00 p.m. Dinner 5:00 - 9:00 p.m.

Sunday: Breakfast 6:30 - 11:00 a.m. Lunch 11:00 a.m. - 2:00 p.m. Dinner 4:00 - 9:00 p.m.

SPBGMA Chuck Stearman, founder The Society for the Preservation of Bluegrass Music of America (SPBGMA) is an organization which has been incorporated (not for profit) in Missouri since 1974. The primary function of SPBGMA is to preserve, promote, and encourage new development in Bluegrass Music through events such as the one you’re enjoying this weekend. Thank you for showing your support for Bluegrass Music in America.

JOIN SPBGMA TODAY $15/YEAR INDIVIDUAL $35/YEAR BAND MEMBERSHIP ad space AVAILABLE www.spbgma.com • info@spbgma.com www.facebook.com/spbgma • twitter.com/spbgmamusic

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Three Creeks Over ÂŠ 2017 Shelby Campbell

Go to a bluegrass festival today and observe an audience comprised of people from all walks of life. This encouraging sight to the world of bluegrass is partly due to new, young talent that keeps the bluegrass blood flowing in another generation of listeners. We see this with artists like Three Creeks Over. Three Creeks Over is an award-winning traditional bluegrass band with striking instrumentals and potent voices that draw you in with their love for music. This band from Pickens, South Carolina consists of Sarah Stewart on harmony vocals and mandolin, Sabrina Stewart on lead vocals and guitar, Sean Crowe on banjo, and Cole Rogers on bass.

At the age of 16, twins Sarah and Sabrina have performed since pre-school. Both sang in chorus and started playing the piano and guitar at age eight. Sarah also plays the mandolin while Sabrina plays the mandolin and writes songs for the band. Fifteen-year-old Sean picked up his first banjo when he was eight, and never put it down. He spent his childhood under the guidance of teacher and mentor Al Osteen and now works with Charles Wood and Patton Wages as his abilities continue to flourish. Sixteen-Year-Old Cole Rogers developed an interest in music at a young age beginning with the guitar and the mandolin. Coleâ&#x20AC;&#x2122;s immense

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love for music is shown through the talent he brings to the band. Growing up in the mountains of South Carolina where traditions of bluegrass music still thrive, these artists began playing music together in 2012 with the Young Appalachian Musicians program., which teaches traditional Appalachian and bluegrass music to children. In Spring 2014, they joined forces for a performance at the Heritage Alive! Mountain Youth Talent Contest in Sylva, North Carolina. Taking the name Three Creeks Over, the band performed at the Remington Ryde Bluegrass Festival in 2014 with artists like Rhonda Vincent and Little Roy and Lizzy.

Three Creeks Over released their first album, Just Getting Wet, in June of 2014, and have been performing at festivals, competitions, community centers, private parties, churches, and restaurants ever since. “Since the door opened for starting our band, we have been very busy and blessed to be able to share our love of bluegrass with audiences everywhere,” said Crowe. “One highlight was in 2015 when we got the opportunity to perform on the Woodsongs Old Time Radio Hour stage with Michael Johnathan.” The past few years, Three Creeks Over has performed many major music festivals and locations, including Bluegrass Express, SPBGMA, Bluegrass First Class, YouthFest, Bluegrass on the Plains, and A Bluegrass Kinda Christmas. THE BLUEGRASS STANDARD

“Obviously bluegrass is not mainstream with youth today. We love to be able to not only share our talents but also to preserve this music so it will live on. The four of us have been friends for quite a long time, and we love the experiences we have together,” said Crowe of his time in the band. In January 2015, all four members of Three Creeks Over were inducted into Tomorrow’s Bluegrass Stars (TBS), a group supporting and promoting young bluegrass musicians through excitement and encouragement. TBS while gives them opportunities to perform their music live and make connections.

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“We owe a lot of our success to mentors, friends, and teachers who have provided us with a strong start like Mr. John Colburn of Tomorrow’s Bluegrass Stars,” said Crowe. “Mr Colburn is very active with the bluegrass community and provides us opportunities to be able to showcase our talents. We are blessed and thankful for him and the opportunities he has given us.” Three Creeks Over loves introducing new listeners to bluegrass and prays they will hear the grace of God in their music. “Music speaks to everyone differently, and we hope that we can touch people with our music in whatever way possible. We enjoy sharing our music with anyone willing to listen,” said Crowe.

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Three Creeks Over will be performing on the main stage at December’s A Bluegrass Kinda Christmas. A gospel album recording will be in the works very soon. “We are very thankful for all the support, acceptance and encouragement we get from the bluegrass community. We want bluegrass music to live, and we feel that the future is in our hands.”

Preserving Bluegrass One Youngster At A Time!

Tomorrow's Bluegrass Stars continues to support the awareness of its many talented young members. As always, they hope to preserve yesterday’s bluegrass music for tomorrow.

John Colburn & Maggie

Click here to visit the TBS website! THE BLUEGRASS STANDARD

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It’s hard to believe Dave Adkins grew up in a poor family in Pikeville, Kentucky. Today he’s rich with great friends, family, a menagerie of animals, and a successful music career. Not that Dave ever wanted for much. “I had a great childhood. My parents did all they could for me, including buying me a $100 Yamaha guitar when I was eight years old.” Dave says his mama tells the story of Dave singing from the time he could talk. “I wouldn’t ask for something like a regular kid, I’d sing for it!” By the time he was in the sixth grade, he joined up with three of his friends to form a band that performed at schools and other venues in the area. “When we were juniors and seniors we were playing a hundred or more gigs a year!” Their big break came when they performed in a talent show at Dollywood when they were juniors in high school. “We won, and a higher-up from Dollywood was at the show and told us we should come audition.” They did, and while not immediately picked up, they got a letter a while later that said there was a place for them at the theme park if they wanted to play there. “We spent two years at Dollywood, and during that time we learned a lot about the music business. They polished us up and got us ready to go out into the world.”

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After leaving Dollywood, Dave did some solo country shows and even performed with a rock band in the Chicago area before leaving music altogether. “I was done at the time, and ready to move on with my life.” In September 2008, Dave’s life changed when he got married to a woman who supported his dream. She had two daughters, now 21 and 25. “Both are wonderful girls.” He now has a three-yearold step-granddaughter whom he loves dearly. In 2010, with the encouragement from his wife, Dave returned to the music world, and to his bluegrass roots. He formed the group Dave Adkins & Republik Steele. In just three years, he won a Society for the Preservation of Bluegrass Music of America (SPBGMA) nomination as Male Vocalist of the Year in the Contemporary category. Many other nominations and awards have followed. Now called The Dave Adkins Band, the music is exciting, and Dave’s voice is soulful and smooth. The band features Mitchell Brown on bass, Barry Crabtree on banjo, Carl Caldwell on fiddle and Kyle Leopard on lead guitar. Dave says that while the guys all get along great, when they’re not on tour, he leaves them alone to spend time with their families. “The only one I really see when not on tour is Mitchell. Our wives are really close friends.” THE BLUEGRASS STANDARD

In addition to touring and recording, Dave loves performing on the Ernie Evans bluegrass cruise. We went to the Bahamas last year, and we’re going again in January, but in 2019 we are going to Cozumel, and I’m really looking forward to that!” He also takes part in a big bluegrass weekend each November in Breaks Interstate Park. “We did our first show November 3 and it sold out. We thought if 100 people came, it would be a win, but we sold 300 tickets.” The Dave Adkins Band shares the stage with acts like Ralph Stanley Jr. and Blue Highway. “We’ll be doing it again on November 10, 2018!”

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After that show, things start winding down for the year and Dave’s thoughts turn to the holidays at his home on the side of a mountain in Elkhorn City, Kentucky. “The kids come home, and on Christmas Eve we go to my mama’s house, then to my wife’s mama’s house, then we wake up at home, where I love to play Santa Claus. “I feel so blessed because when I was growing up, a good meal at Christmas was a big deal. We didn’t have many presents. But that didn’t matter—I felt like the luckiest kid alive.”

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THE BLUEGRASS STANDARD

ISSUE NO. 3T

2017

THE

hidden south THE LOST TOWN

THE BLIND PIG

MATERIAL GIRLS

THE BACK SWAMP

Ashleigh Coleman shares her fascination for Rodney, MS

$6.95

Display Until 11/24/2017

Putting it all together with the quilters of Geeâ&#x20AC;&#x2122;s Bend, AL

Celebrating everything pig at a supper club in Asheville, NC Life in the ever-changing Atchafalaya Basin, LA

David Phelps

The Bluegrass Standard asked David, “What’s the best gift you’ve ever given, and the best gift you’ve ever received?”

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“Forgiveness is the answer for both,” said David. “It is definitely a gift. When you receive it, you realize what a great gift it is. When you say, “I forgive you,” a burden is lifted, and you can move forward with your life.”

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For GRAMMY and Dove Award-winning artist David Phelps, a man of faith and a faithful family man, the birth of Christ is not a time of year; it’s an everyday celebration. And gospel music is not merely music, but insightful messages shared from the spirit. For 20 years, David blended his powerful tenor voice with the Gaither Vocal Band and in March 2017 released his project, Hymnal, through Gaither Music. But due to the demands placed on him as artist and father, David decided to leave the Gaither Vocal Band to concentrate fulltime on his solo career and his family. “Part of that decision was artistic, and part was that I have two teenage boys and I want to be with them before they move off,” said David. He and his wife Lori have two sons and two daughters; Callie is 22, Maggie Beth, 20, Grant, 17, and Coby is 13. It’s not that David wasn’t focusing on his solo career. When he first joined the Gaither Vocal Band, he was in the middle of producing his first solo record and Bill Gaither told him to keep doing that. “He

has been so gracious to allow my solo career to grow beside the vocal band the whole time,” said David. “God has been blessing us and it’s been so rewarding.” Departure from the Gaither Vocal Band, David explained, was more “stepping into something already going on and making that my main thing.” His family has always traveled with him, when they were available, “which is nice when you’re out on the road for a little while.” When he and Lori married, David was traveling on a small scale, so they’ve seen it grow together. “She’s been a part of the growth in my career from the get-go,” he said. “She’s always been very gracious and there’s no guilt in it,” but the couple keeps communication open to discuss the times he’s been away too much. Currently, Maggie Beth travels with him fulltime. “It’s fun to watch that grow and see her gain confidence and vocal stamina. Of course, she’s my baby, too, so that makes it very special.” Son Grant plays many different instruments and is getting very good at this point, said David. “It’s going to be interesting to see how he blossoms with that.”

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David did not come from a professional musical family, but music saturated his home life. His parents, Mary Ella and Gene, had season tickets to the opera, but “we never missed Dolly Parton when she came to town. We had that and everything else in between.” Before his parents retired,

Mary Ella, was a college professor holding a PhD in English, and Gene was a CPA teaching finance at college level. “I come from educators and I showed up one day and said, ‘Hey, I want to do music,’ and kind of broke the mold a little bit.” The predominant driving factor in his family, however, was faith. Mary Ella played the piano and sang in the choir. Gene was a deacon. “We were in church every time the doors were opened. And it was just a natural thing that faith and music intermingled.” It was also natural to talk about spiritual things and that “has just grown in me naturally.” Being a parent now, David and Lori keep faith front and center in their home, encouraging their children to grow in their own faith. “My oldest daughter is living in Birmingham now and is leading worship on Sunday mornings. So, it’s definitely growing past this generation.” David grew up in a time when contemporary Christian music was coming into its own and artists like Russ Taff and Amy Grant greatly influenced him. Yet, rock bands like Journey and Queen, “were very influential to me, as well. It was across the board,” said David.

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David claims no particular style or genre, so his work remains “across the board” and eclectic, with songs like “No More Night,” “Little White Church,” with a bluegrass feel, “What a Wonderful World,” and even Puccini’s "Arias.” This year encompassed his Journey of Faith tour, which highlighted the Hymnal album, as well as song favorites he’s done over the years. The Phelps annual barn bashes are held on their Tennessee farm, in... well… not exactly a barn, but a concert venue renovated years ago for David’s first Christmas video. The Bash started about ten years ago as a two-day Labor Day event. They added Barn Bash Summer Nights and a three-day Christmas Barn Bash. Plus, this year marks the 19th annual Christmas tour. “We’ll do that through December and step back into the Journey of Faith Hymnal tour in January and continue through the spring,” said David. “I’ll probably go back into the studio early next year and start a new project.” Although the Holiday Season remains busy for the Phelps family, “it’s a time of year that we remember the gift given to us by our savior,” said David. “You smell Christmas dinner in the morning and you think this is so great, not just because of the food, but because you

know family is going to be here in the house, and it’s going to be so loud with conversation that you can’t get a word in edgewise. That’s the glory of the season.”

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The Sowell Family

LuLu Roman

Chosen Road

Carolina Blue Kevin Pace & The Early Edition

Backline

My Brother's Keeper

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Eric Isbell, father and leader of bluegrass gospel band The Isbell Family, started learning piano and guitar at twelve, but soon embraced musical instruments that led him not just to the style of bluegrass, but a connection to embrace his heritage and an avenue to preach his faith. “Bluegrass and Country style music is my heritage,” Eric said. “My grandpa Jesse Isbell

was one of eleven children, and most of them played multiple stringed instruments. My grandparents had nine children, twenty grandchildren and I've lost count on the great grandchildren, I think it’s in the twenties. But out of all Grandpa's offspring, only myself and my children play bluegrass! My grandpa gave me my first banjo and fiddle when I was fifteen. He gave me my first mandolin when I was twenty, and a Gibson Mastertone banjo when I was twentythree.”

s u e k Li

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ou t i s i V

Fast forward to June 2000, when Eric became a pastor, a mere three years after marrying his wife Rachel. Then, after extensive pastor duties on the road for more than a decade while raising their two kids Autumn and Kaleb, he and Rachel proposed a novel idea to her father: Eric would stay in town and minister through music as assistant pastor, while Dad became pastor. The plan worked.

I hear banjos, fiddles, mandolins, etc., I hear happiness and that's what we want to present. That's not to say that we don't do songs that are soul moving, but we really like performing those toe-tapping songs.

“I have always believed that God doesn't give you a talent to do something and not expect you to use that talent,” Isbell explained about the band’s growth and extensive schedule. “When I started to see our children taking so much interest in music, I realized that this is what we needed to be doing as a family. I do think playing, singing and traveling has made us even closer, and at times showed us how much closer to God we need to get. (laughs) We enjoy what we do, and think that's important. I count myself a blessed man to be able to have this in common with my wife and children.

Autumn, now sixteen, and Kaleb, now fourteen, round out the fourperson lineup of The Isbell Family, a band with five albums and 1576 performances in just six years, with approximately 1,200 in retirement homes in sixteen different states. With Rachel’s strong vocals and the kids playing multiple instruments, the family shows no sign of straying from their mission, but they may slow down the touring schedule a bit.

“Our style has been referred to by some as ‘the happy music of the Isbells.’ I know there are a lot of sad songs in bluegrass, but when

When I preach, I strive to preach a message that either challenges or encourages the listener, and our songs are an extension of that.”

“We just recently finished our longest tour of the year, 53 concerts in 44 days,” Eric said. “We will probably never do over 300 in a year again because we choose not to for our health. We have learned for us, at this time, that two one-hour shows a day is comfortable. I try to not book any

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more than that a day, but sometimes we do three or four retirement homes in a day. If I do, I only schedule one day like that in a week. I also try to schedule two days off a week and sometimes three. It doesn't always happen, but I try. We've all stayed fairly healthy, and that helps a lot!”

songs. This album has electric guitar on some songs, a cello on two songs, and what I love about this album is the twin fiddles we have on a few songs.”

With their latest album CHANGE THE WORLD, released in March of 2017, Eric explored some more involved production work, including instruments not previously heard on an Isbell Family album. “I told our producer that we wanted keep the sound and style similar, but we wanted to add some different elements to different

“I have always loved playing music, singing and writing songs. I honestly never thought I would be doing this for a living, but it happened and people seem to really enjoy our sound. We truly feel blessed by our Heavenly Father to be doing what we love, and sharing the Gospel with the world through music they and we enjoy!”

Overall, Eric seems honestly surprised at his success in music.

The Isbells celebrate Thanksgiving and Christmas with hearty meals with both sides of their family, and then being home on Christmas morning. “We usually spend Christmas Eve with Rachel's family and mine on the evening of Christmas Day. Our tables will be spread with homemade cornbread chicken dressing, dumplings, ham that has my special homemade glaze that has mixture of pineapple juice, honey, brown sugar, and butter, oven roasted turkey injected with creole butter, homemade sweet potato casserole, green beans simmered in onion and bacon, corn, mac and cheese, mashed potatoes, homemade rolls, biscuits. “There will be homemade desserts starting with pumpkin rolls, Italian crème, chocolate mousse and many homemade candies. I think we all look forward to the food, but also embracing each other, because you never know when someone will be missing from the family circle down the road.”

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Larry Sparks

Larry Sparks has been on the road longer than some reading this article have even been alive. With over 50 years of playing gospel and bluegrass, it’s a no-brainer to say Sparks knows a thing or two about music.

What is it that gives him such longevity? He thinks one vital ingredient is having true grit. “They can just chew you up and spit you out,” Sparks said, of working in the music business. “You’ve gotta be strong, you’ve gotta wanna do it. Are we men...or mice?”

A 2015 inductee into the IBMA Bluegrass Music Hall of Fame, he’s performed at the Grand Ole Opry, and on television shows such as “Austin City Limits” and “Song of the He said aside from having drive, it’s Mountains.” He’s toured with his band, The important for performers to set themselves Lonesome Ramblers, in the U.S., Canada and apart. Japan. 42

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“I have a style, a different way of singing and playing,” he said. “It’s important to have a recognizable look.”

“All of our instruments are not electric,” he said. “If you start plugging in, you’re gonna lose what it’s about.”

Part of that “look” is a special guitar his fans have come to recognize. He said he’ll always play it.

And what it’s about -- at least for Sparks -- is staying true to traditional roots.

“It sounds like my voice,” he said, of his 1954 D-28 Martin guitar. “It’s toned like my voice. I knew that when I got it back in the ‘60s. I’ve played this guitar for over fifty years. Not too many musicians play an instrument that long.” Perhaps another reason for Sparks’ longevity is that he knows himself. He stays pure and traditional, despite trends or changes over time.

“This music is probably the worst I’ve ever heard if it’s not played right,” he said. “You can’t fudge any in bluegrass.” Sparks speaks almost as if he were a founding father of his genre. “I’m threescore and ten,” he said, describing his age. Although he got started after the genesis of bluegrass, in a sense, the concept isn’t all

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that far off. It’s the folks such as Sparks -who have been touring over fifty years and are closer to the original pulse of the genre’s origins -- that are best suited to continue it. “The goal is to be able to carry this music on,” he said. Another goal is to perform again on the Grand Ole Opry stage. “I’ve been there several times,” he explained. “And I’m here...I’m a phone call away.” Sparks said he’s always respected the Opry and its featured entertainers. He understands the world needs to change with the times, and “they probably have to add new stuff.”

He sees himself, however, as one of those who can perhaps help carry the traditional roots of this great venue forward. “Who is going to do it?” he asked, halfrhetorically, half trying to sell himself. “Who is going to be qualified to do that? And not only that, but to have a heart for the Opry?” For now, though, he’s looking forward to his yearly break from the road. He and the band average about a hundred dates a year. They travel by tour bus, so having feet on the ground at home is always good during holidays. “I take off December and January,” Sparks said. “That’s time to work on new songs and maybe record, and tie a lot of loose ends together.”

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Like him!

Sparks treats his career as a business, but tries to “have fun with it, too.” “I enjoy the whole shebang,” he said. “It’s in me. It’s in my bloodstream, and in my mind and heart.” He has three projects on the horizon, saying, “I have plans to do another gospel album, another bluegrass album, and another with just me and the guitar and the bass.” He just may work on these projects a bit while enjoying the holidays.

As a Christian, Sparks’ faith leads him in the choices he makes and he thinks he has been blessed. “If you can make it work, you’re blessed, because it’s a real tough business,” he said. He also gives credit to his fans for keeping him going this long.

“The fans are very important to me,” he said. “Bluegrass people are just real good people.”

“I just keep it a family-oriented thing,” he said, about his Christmas celebration. “We just have a good time and enjoy the holidays.” THE BLUEGRASS STANDARD

Visit Larry's website! 45

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Redeemed Quartet: I Am Redeemed ÂŠ 2017 Shelby Campbell

Gospel music has been a part of bluegrass since Bill Monroe and the bluegrass boys got their start in the 1940s. As the genre developed, almost every bluegrass act included gospel in their shows and albums, and many artists even specialized in gospel music. Bluegrass music, generally, is a rich American tradition that is not widely-enough appreciated. Even as many music genres has shifted gears over the years, bluegrass continues in its pure, traditional form. From bluegrass music, we have been blessed with some of the most talented artists like Russell Moore, Alison Krauss and Rhonda Vincent. They have made the Appalachian sound into something both traditional and contemporary. There is, however, something truly pure and compelling about bluegrass music made from sincere religious devotion - and that is exactly what we are blessed with when we hear Redeemed Quartet. A quartet made up of two sets of brothers from southeastern Indiana, the band has sung together since July 2014 and is made up of Ben Duncan on lead; his brother, Nate Duncan,

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on tenor; Caleb Koble on baritone; and his brother, Josh Koble, on bass. The two families have known each other for quite some time. The band – however – has a more unique origin story. After visiting North Carolina to see The Inspirations perform, many people asked the boys if they had ever sung together. Fast forward to Indiana - the boys decided to give singing together a try. Thus, Redeemed Quartet was born. The band’s mission is to live completely for Christ and reach others with His glorious gospel. I had the pleasure of chatting with Redeemed Quartet about the band itself, their favorite experiences singing and what’s to come.

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The Bluegrass Standard: Tell me a little bit about your band, about when you got your start performing together? Redeemed Quartet: We started singing together in 2014 at ages 16, 17, 18 and 19. We went to hear a number of gospel groups singing together in North Carolina, and we noticed that we were the only people in our age group attending. Many people thought we must be singers. We had never really thought about it, but we decided to try singing some of the old gospel songs for a year and see how it went. Three and a half years later we are still singing together as a group!

Redeemed Quartet: I Am Redeemed TBS: What is your favorite part of this experience together? RQ: We have had the opportunity to travel all across the US and Canada - even as far north as Alaska, sharing the Gospel of Jesus Christ through song. Many testimonies could be shared of how the Lord has reached hearts through the music. It is worth it all if just one soul can be touched by the hand of Jesus. TBS: What is your main goal/mission on what you want to do with your music? RQ: We desire to lift up the mighty Name of JESUS wherever we go, for He deserves all the glory. It is our prayer that we can keep Him in focus, and the singing as a ministry first and foremost. TBS: Anything new on the horizon for Redeemed Quartet? RQ: You will have to wait and see! (But let me tell you, it will be well worth the wait!) TBS: Anything else you would like to tell Redeemed Quartet fans who want to keep up with upcoming music? RQ: Folks can visit our website, www.RedeemedQuartet.com to order CDs or visit our calendar of events. They can also find our videos on Facebook or our YouTube channel.

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Music Barn Balsam Range Balsam Range is: Buddy Melton (fiddle, lead and tenor vocals), Darren Nicholson (mandolin, octave mandolin, lead vocals, baritone and low tenor vocals), Dr. Marc Pruett (banjo), Tim Surrett (bass, dobro, baritone and lead vocals), and Caleb Smith (guitar, lead & baritone vocals). The five original members are all acoustic musicians and singers from western North Carolina. They thoughtfully and respectfully adopted the name of a majestic range of mountains that surround part of their home county of Haywood, NC where the Great Smoky Mountains meet the Blue Ridge, the Great Balsam Range. The group’s ascent to the top of the Bluegrass world has left a well-marked trail of success since the band’s inception in 2007. One of the genre’s most award-winning artists in recent years, they have garnered ten International Bluegrass Music Association Awards on the heels of six critically acclaimed albums. Balsam Range has left audiences spellbound while headlining major festivals from coast to coast, selling out venues across the nation, and appearing multiple times at the Grand Ole Opry. Balsam Range's latest - It's Christmas Time - is a specially priced EP with songs ranging from longtime favorites to carols with ancient Appalachian roots. Get your copy from their website balsamrange.com

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Music Barn Dale Ann Bradley Recently nominated for what would be her sixth IBMA “Female Vocalist of the Year award,” this newest offering continues the tradition with songs like “Southern Memories.” While not specifically autobiographical, Dale Ann calls it “very true for so many in my childhood community. I never hopped a train,” she said, “but I thought about it.” On “I’ll Just Go Away,” she is joined by long-time friend Vince Gill for a soul-wrenching duet. The addition of Gill just scratches the surface of the many excellent musicians included in these tracks. Of particular note are Tina Adair and Deanie Richardson, who along with Dale Ann, Gena Britt, and Beth Lawrence, comprise 2017 IBMA nominee for Emerging Artist, Sister Sadie. Her latest project on Pinecastle Records is called Dale Ann Bradley. Dale Anne Bradley is a rare talent that imprints her own sound while adapting to the traditional bluegrass form. Bradley has a rich tone, a breathless Southern phrasing and a gift for telling a story in her songs. "Dale Ann Bradley" features only two songs "Southern Memories" and "Now and Then (Dreams Do Come True)" co-written with Jon Weisberger) written by Bradley herself. Her choice of material is flawless, matching her voice with the temperament of bluegrass music. Bradley has called on a strong collection of sidemen (and women). She duets with Vince Gill on "I'll Just Go Away," a Carter Stanley staple. Charley Cushman's counterpoint banjo on this song adds a layer to an already sweet combination. Stanley gets further treatment on "Our Last Goodbye," as does Conway Twitty on "If You Were Mine to Lose." This self-titled CD "Dale Ann Bradley", on Pinecastle Records, displays her music and soul with aptitude, sentiment, response and passion. One is just held captive by the nostalgic lyrics to songs with memorable tunes making it an immediate favorite. THE BLUEGRASS STANDARD

Music Barn Kim Robins

â&#x20AC;&#x153;Raining In Baltimoreâ&#x20AC;? Heading to Baltimore? Take an umbrella because it's "Raining in Baltimore." Kim Robins' release is a mix of progressive bluegrass, country and traditional sounds. The liner notes read like a who's who of bluegrass heroes. Produced by Ron Stewart and Rickey Wasson, they also provide banjo, guitar, fiddle and vocal work alongside other fine talents like Adam Steffey on mandolin and Shannon Slaughter singing baritone as well as Harold Nixon on bass. Wasson's daughter, Alicia, sing tenor alongside Robins. Bill Castle and Dave Carroll lend their writing talents with "Blue Yesterdays" coming from Castle and "The Love That We'd Once Known," a heartache tune from Carroll. Robins herself pens three songs, including the title track, as well as "She's Just Like You" and "Bitter Game." Look out for the Lightning to strike on "Eye for An Eye" a good ole' revenge song written by Kim Fox. Look both ways for her country flair on "My Baby Thinks He's a Train," a hit for Roseanne Cash from years ago. "Raining in Baltimore" is full of stories. The title track tells about a country girl feeling alone in the big city and longing to be back home, while the slow ballad, "A Dream," unfolds a better reality while asleep, before waking to find it was sadly, just a dream. "Winchester Road" shows off Stewart's fantastic fiddle playing to a fast banjo roll (also from Stewart). The Dolly Parton favorite, "Sacred Memories" has the honor of wrapping up the project with a solid gospel tune and vocal performance from Robins. The talent assembled for "Raining In Baltimore" is evident. Each talent is like a cloud in the sky bringing them all together makes an outpouring, uprising, whirlwind kind of storm. 54

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Music Barn Kristy Cox “I Still Pray" Mountain Fever Records is pleased to announce the release of "I Still Pray" from Kristy Cox. "I Still Pray" is a track from Kristy's upcoming album due for release in 2018 and is the perfect sentiment for this special time of year. Written by Australian born songwriter, Kasey Chambers, "I Still Pray" is right at home in the very capable vocal arms of fellow Australian, Kristy Cox. Here, listeners will enjoy Kristy's powerful, yet tender treatment of what will likely be one of bluegrass music's new favorite a cappella gospel songs. Joined by Donna Ulisse, Jerry Salley, and Josh Swift, this quartet melds perfectly, sweetly reflecting the subject of which they sing. Consumers may purchase "I Still Pray" through various digital outlets. Kristy's debut album for Mountain Fever Records will be available in 2018. For more information on Kristy Cox, visit www.kristycox.com or www. mountainfever.com. From a young age, Kristy Cox captured plenty of attention with her distinct singing style and positive nature, resulting in opportunities to open shows for major acts and making regular festival and television appearances across Australia, Europe, and the US. In 2015 she was selected as an official showcase artist for the International Bluegrass Music Association (IBMA) where she began drawing the attention of music industry professionals. With a string of #1 hits on radio and country music television in Australia, Kristy has also made headway on the US bluegrass charts in recent years. Her last two projects, produced by Grammy® winner Jerry Salley, were very well received, making strong appearances throughout 2016 on album and songs charts. 2017 kicked into high gear when she won “Bluegrass Recording of the Year” from the Country Music Association of Australia, and also made the IBMA Awards second ballot in several categories. THE BLUEGRASS STANDARD

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Music Barn Mike Bentley “All I've Got” Power-packed with a tremendous lineup of wellrespected musicians, songwriters, and studio professionals behind him, the highly anticipated solo project from Mike Bentley is now out and on everyone’s play list. The current single “Someone Else” featuring a duet with Charli Robertson of Flatt Lonesome and vocal harmonies by Ronnie Bowman are smooth, silky and heartbreaking all at the same time. The mix of bluegrass and gospel is a true testament to what it means for an artist to lay it on the line and put his fingerprint on the bluegrass industry. With songs like “What Are You Doing Here”, “Homeless” and “Train” leaves one thinking about today, tomorrow and the past sitting on a porch swing pickin’ the guitar. Wayne Taylor, writer of “Someone Else ”, has found the perfect artist for this song. Mike has been one of my favorite vocalists for a long time. The entire CD is compiled of a tasteful blend of song choices that Mike and his producer, mandolin player, Alan Bibey, came up with together, in an effort to appeal to a broad range of listeners. The studio musicians include, Bibey on mandolin, Wyatt Rice on guitar, Justin Jenkins on banjo, Rob Ickes on Dobro, Shawn Lane on fiddle, Jason Moore on Bass and Rod Smith on banjo on one track. ALL I'VE GOT is available on Mike's website for purchase. I encourage everyone to add this one to their collection.

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Music Barn Remington Ryde Do you ever remember sitting on your grandmother’s porch listening and talking to one of your music idols and hearing all about his career and travels in the music industry? Well Ryan Frankhouser does and it was James King. James loved the music of the Stanley brothers, fell in love with bluegrass and began bringing his music to the fans. Before James King died he told Frankhouser how much he loved the music of Remington Ryde and please carry on his music and their sound. The band’s first release on Pinecastle Records is an album dedicated to "the bluegrass storyteller," James King. Pennsylvania based bluegrass band Remington Ryde has signed with Pinecastle Records for its latest project, “A Storyteller's Memory” released November 3, 2017. The album is a tribute to the late bluegrass artist James King and includes some of King's most beloved songs including “Thirty Years of Farmin’,” “Bed by the Window,” “A Few Old Memories,” “Leavin',” and a song bandleader Ryan Frankhouser wrote and dedicated to King’s memory titled “Mr. King.” The album also includes a bonus track “It’s a Cold Cold World” sung by King in 1989. To all of us in Remington Ryde, James King was one of the greatest singers of all time and we want to help his music live on forever." Bluegrass crowd-pleasers, Remington Ryde has been together for 12 years and is one of the most popular bands among bluegrass fans today. The band performs over 100 shows each year. Their distinct sound and old-time flair can be attributed to the bluegrass-rich area of Pennsylvania from which they hail and borrow their name. Frankhouser is a founding member of Remington Ryde in addition to his talents on guitar and lead vocals. His showmanship and chemistry with the audience turns fans into family. The band is rounded out by Billy Lee Cox on banjo, Warren Blair on fiddle, Stanley Efaw on mandolin and Richard Egolf on bass. This CD is a must in everyone’s collection. THE BLUEGRASS STANDARD

Music Barn The Farm Hands “Colors" The “Farm Hands” are one of the most exciting and talked about band in Bluegrass Music. At the 2017 Bluegrass Music Awards, the Farm Hands were named ENTERTAINER OF THE YEAR and for a third consecutive year bluegrass music's GOSPEL BAND OF THE YEAR! Since their inception in 2010, they have received over 50 national awards and nominations. Their YouTube videos, Facebook, and Twitter pages have thousands of followers. They are one of the busiest touring bands in bluegrass, performing over 150 dates per year. For anyone who has seen them in concert, none of this comes as a surprise. The Farm Hands is one of the most exciting and talented bands in bluegrass music. The group features 4 award winning singers, musicians and songwriters, including two long time veterans of Nashville's Grand Ole Opry. TIM GRAVES - Dobro DARYL MOSLEY - Bass and Songwriter KEITH TEW - Guitar DON HILL - Banjo "COLORS" is the current release featuring the #1 single, "RURAL ROUTE" and 2 songs that reached Top 5 on the charts: "The Bible In The Drawer" and "They Don't Make 'Em Like My Daddy Anymore."

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Music Barn Wilson Banjo Co. “Spirits in the Hills" Wilson Banjo Co. has released their album Spirits in the Hills, with "Ain't No Grave" as their first single. "Wilson Banjo Co. vocalist Sarah Logan’s voice is crisp, clear and hauntingly beautiful. Sarah’s vocal mastery of the song “Ain’t No Grave” is nothing less than amazing. The melodic tone will mesmerize you and make you feel you are right there with her in a field of wildflowers waiting on the trumpet to sound. In addition, fans will appreciate the vocal variety on the album with all the band members contributing and Sarah Logan on lead. Track 14 “When He Reached Down His Hand” written by G. E. Wright with a short opening by their dear late friend Larry Jefferson who used to play for Charlie Moore and also Curtis Blackwell. Steve dedicated the "Spirits in the Hills" album to him and got the recording of Larry Jefferson singing that song from his daughters for the album. Larry begins the song and it leads into the band continuing. The arrangement of this song is brilliant. Just Brilliant. Wilson Banjo Co. is a hard driving Bluegrass band from South Carolina, founded by Steve Wilson, Banjo picker & Master Luthier. Steve not only picks the banjo but builds custom Wilson banjo's. He also does vintage guitar repairs and restoration. Steve is part of the team at Wilson Pickins Promotions, is an engineer at Bonfire Recording Company and Studio, a division of Pinecastle Records. Personnel featured on Spirits in the Hills include Steve Wilson on banjo, Joey Newton on guitar, Sarah Logan on fiddle, Brandon Couch on Mandolin, Dylan Armour on Dobro, and Michael David Branch on bass. Special guests on the album include Shannon Slaughter, Alan Bibey, Glen Crain, and Stephen Hudson. The Wilson Banjo Co. gives you traditional bluegrass at its finest. THE BLUEGRASS STANDARD

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S U E T G E R C A H S

Ear Trumpet Labs “Edwina” model microphone description and specifications Edwina is a medium-large diaphragm (26mm) condenser microphone designed for live vocal use. The physical design features a bracket-mounted pivoting head which allows flexibility in positioning, from a side address ‘lollipop’ configuration to a full end address. The body and head feature a distinctive early-industrial design aesthetic, and are made largely from standard plumbing and electrical hardware. The head basket incorporates a very effective silk and stainless steel mesh pop filter as well as Sorbothane shock and vibration damping to minimize handling noise. The capsule is a Chinese-made electret condenser individually tested and selected – roughly 30% of capsules are rejected for not meeting design criteria. The circuit is a transformerless FET with fully balanced output and EMI noise suppression. Other electrical components in the signal path are highest quality metal film resistors, polypropylene and polystyrene capacitors, and individually tested, hand-matched and biased transistors and JFETs. The circuit includes bass rolloff to compensate for proximity effect as well as high frequency EQ to avoid harshness and sibilance issues and help control feedback. The cardioid polar pattern, headbasket design, and tuned electronics all work together to make a very stable live mic that excels in difficult, loud stage environments without feedback but still puts through an extremely natural, un-hyped vocal sound. Edwina is warm without boominess even when the singer is very close, but keeps an even, detailed response when used to mic groups or instruments up to 4 feet away. Despite being designed for live vocal use, Edwina is very popular with studio engineers for use on drum overheads, acoustic guitars, banjo, mandolin, speaker cabinets, room micing, and of course vocals. Live sound engineers also love it for overheads, acoustic instruments, horns, and guitar cabs. Sensitivity: 14 mv/Pa Noise Floor: 22 db(A) Output Impedance: 150 ohms 64

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Ear Trumpet Labs “Josephine” model microphone description and specifications Josephine is a medium-large diaphragm (26mm) condenser microphone designed for live vocal and ensemble use. The design features a spherical stainless steel mesh headbasket springsuspended in a large copper ring. The sculptural design is reminiscent of early broadcast microphones, and is made largely from standard hardware elements. The head basket incorporates a very effective silk and foam pop filter as well as Sorbothane shock and vibration damping to minimize handling noise. The capsule is a Chinese-made electret condenser with additional acoustic damping. Capsules are individually tested and selected – roughly 30% of capsules are rejected for not meeting design criteria. The circuit is a transformerless FET with fully balanced output and EMI noise suppression. Other electrical components in the signal path are highest quality metal film resistors, polypropylene and polystyrene capacitors, and individually tested, handmatched and biased transistors and JFETs. The circuit includes moderate bass rolloff to compensate for proximity effect, and high frequency EQ to avoid harshness and help control feedback. The cardioid polar pattern, headbasket design, and tuned electronics all work together to make a very stable live mic with an extremely natural sound and good feedback rejection. Josephine is optimized for use by singers or acoustic ensembles from 6” to 48” away. The styling, form-factor, and sound are ideal for period swing or jazz vocalists or single-mic techniques with bluegrass or traditional musicians, with significantly better feedback rejection than the LDCs typically used in these applications.

Sensitivity: 12 mv/Pa Noise Floor: 23 db(A) Output Impedance: 150 ohms

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just "Don't you think maybe it's g that about past time you restrun old mandolin?" 66

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Visit our website!

Breath-taking harmonies bringing a tear to your eye - that is the overwhelming emotion you receive when you hear Southern Raised. A phenomenal group of three sisters and a brother, they have been sweeping the country with their incredible and unique sound. These string-wielding siblings deliver music that amazes audiences young and old with harmonies that touch the soul. Bringing spirit to their songs with their own fresh sound, they have the distinct ability to cross genres— winning the hearts of all who hear them. They have played for the past decade with the main goal of being “committed to the Lord, each other and bringing their music to the people.” Whether you have seen them in person or just heard one of their songs, you know without a doubt they accomplished this goal. 68

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Although the siblings grew up in classical music, they grew up in Arkansas and later moved to the Ozark Mountains of Missouri where acoustic music strongly influenced them. Southern Raised was created in 2007 and is made up of Lindsay on bass and harmony; Sarah on banjo and tenor; Emily on fiddle, mandolin and lead vocals; and Matthew on lead guitar and bass vocals. These siblings create a progressive sound spanning from country and bluegrass to Celtic and classical. They’re talented, energetic, and they’re Southern Raised. This band gives you an experience in bluegrass you never imagined, and you hear Beethoven’s 5th like never before—the blending genres create a sound nothing short of breathtaking. Collectively, Southern Raised has received nominations from Singing News Fan Awards, Diamond Awards, Front Porch Fellowship and an incredible 32 SPBGMA nominations. They have been featured on RFD TV’s Larry’s Country Diner, Gospel Music Showcase and RFD TV’s Music City Show. While the siblings were young, their parents prayed for a family ministry—something He surely gave them. They grew up learning classical music, but never believed that would be their ministry. Boy, were they wrong. In 2007 while visiting Silver Dollar City in Branson, MO, they found themselves drawn to the harmonies and joy of bluegrass music. “We believe, looking back, that Southern Raised is the answer to our parents’ prayers so many years ago,” said THE BLUEGRASS STANDARD

Lindsay. “He was preparing us through classical music for something we didn't even know lay ahead.” With classical music training, Southern Raised credits early influences like Bach and Beethoven, which molded them as acoustic musicians and vocalists. “Vocally, the sweet, delicate tones of Alison Krauss, the power and strength of Sonya Issacs, the warmth and richness of Becky Issacs, and the souring, soulful sound of David Phelps were all huge influences on Southern Raised as a band as well,” Lindsay said. Southern Raised’s sixth album, titled Make A Difference and released in 2014, got the band a great deal of recognition. It was helmed by Gaither Vocal Band’s Kevin Williams and engineered by 7-time Grammy winning producer Bil VornDick. Producing countless albums for artists such as Alison Krauss, Ralph Stanley and Marty Robins, VornDick gave Southern Raised the touch they had been searching for. 69

“They thrill me with their singing and playing. They intrigue me with their ideas. They inspire me with their love for the Lord and each other. In short, they are amazing,” Kevin Williams said. Southern Raised also loves to create music videos at beautiful locations to share with their fans and have filmed everywhere from trails in Tennessee to Barbara Mandrel’s mansion: they love every second. The band believes that God allowed them opportunities in music, so they could be His vessel. They credit their success and opening doors to God. “Seeing people saved with God’s transforming power at work is the best reward,” Lindsay said. “We want the music to be a carrier, a vessel to bring God’s power, grace, mercy and message of healing and salvation to the listener. When you are privileged to see this happening, that is so fulfilling.” Southern Raised signed with Stowtown Records in 2016 and released their first album, “Another World,” with them in May.

Favorite Holiday Traditions: "Some in particular are our tradition of reading the Christmas Story as a family, baking an assortment of goodies and taking them to neighbors on Christmas Eve. We usually deliver these all wrapped in blankets on our RTV and sing carols for each neighbor too! It really is special. We always make a special coffee cake Christmas morning, which is also our Mom's Birthday! Decorating our home for Christmas is a definite favorite, we really get into the spirit of the season!” Favorite Holiday Meals: "Each Christmas Eve we gather for what has become a very special tradition. A meal of broccoli cheese soup, side salad, cheese biscuits and carbonated grape juice. Ahhh....gathered around the lights and candles sparkling and twinkling and hearts glowing! This is a very special meal!” Favorite Memories of Giving and Receiving: "We enjoy reaching out to neighbors and friends, inviting them to a Christmas meal or gathering or hosting our annual Christmas Party. These are special moments where all gathered are giving and receiving in special ways to each other, even though we sometimes don't realize it." 70

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For most musicians, being separated from family is one of the downsides of living the creative life. For Jeff and Sheri Easter, their many decades spent on the road have been filled with fun, love, and a whole bus full of people who share a similar musical – and literal – DNA.

Easter Brothers, which are still singing today, and Sheri’s mother, Polly, was a member of The Lewis Family, which was in the business for 58 years. Both basically grew up traveling with musical relatives.

Six-time Dove Award winners, the couple has also received two Grammy nominations. The list of additional award nominations and wins – including three from the SPBMA – is too long to recount.

“We are fortunate to do what our family did before us,” Sheri said. “We’re an exceptionally close family.” The couple’s three children – Morgan, Maura, and Madison – were essentially raised immersed in gospel, and hanging around the

Both grew up in musical families that played – and stayed – together. Jeff is the son of one of the 72

The Easters set out on their own as a duo in 1988 and have carried on this “family together” tradition with their own children, who have always been no further away than the distance a tight harmony can travel.

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stage. The Easter’s oldest daughter Morgan eventually decided to join her parents in the spotlight as a third part vocalist, and now at age 24, has just “kept it in the family” by marrying the Easters’ drummer, Landan Smith. Rounding out the close-knit group is musician Jared Easter, Jeff’s second cousin (who plays steel and acoustic guitar, mandolin, and banjo), and younger daughter Maura, a twelve-year-old who tells jokes, sings, and does other things to make people smile. The couple’s oldest, son Madison, traveled with the family until a few years ago, when he and his wife Shannon set off on their own as a singer/ songwriter duo.

those old hymns Sheri uses to connect with a woman who performed herself for many years. Her mother lives directly across the street from their home in Lincolnton, Georgia, so the most important venue in Sheri’s life lies just a few footsteps away. “It’s the songs we sing to my mama every night,” Sheri said. “It’s a very personal album.” Sheri said Christmas is always reserved for food and family. It’s always been special, because she said while growing up, “it was the only time my family was home.” Now, she and Jeff relish the holidays with their own kids.

“When we leave from home, we pretty much take our family with us,” Jeff said. The years of childhood are precious, which is why the Easters’ newest album – the 10-track “Sing it Again,” released in September – is influenced by the nostalgia of childhood.

when she started.

“Christmas has always been a big deal for us,” she said. “I have been known to put up eight Christmas trees!” She could just never stop

Although she doesn’t go in for such excess these days, she still pays more than ample homage to the finery of the holidays.

“It’s a ‘brand new’ record of ‘old’ songs,” Jeff said. “It’s part hymns and part old favorite songs “We still do a big Christmas with at least three trees,” she said. we were raised on.” Sheri describes the highly personal nature of the CD. “These are songs that meant something to us growing up,” she said. “There is something to be said about the songs before you knew adulthood...before you knew heartache and pain.” Because the songs are so meaningful, Sheri makes sure they are sung to her mother. Now bedridden and unable to communicate, it’s

Jeff, Sheri and their family do about 200 dates a year. With that kind of schedule, they’ve performed everywhere from high school auditoriums, civic center and churches to The Sydney Opera House. They sing on cruise ships. They perform each year at Dollywood and Silver Dollar City. They’ve sung at the Grand Ole Opry. If fans want to catch them, “We’ve got incredible opportunities here, there and yonder,” said Sheri, adding that, “We are very blessed to be able to travel as a family unit.”

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From the Back Porch: Hands

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ÂŠ 2017 Keith Barnacastle

They tied my shoes and pulled on my boots.

Grandpa, some ninety plus years, sat feebly on the patio bench. He didn't move, just sat with his head down staring at his hands. When I sat down beside him he didn't acknowledge my presence and the longer I sat, I wondered if he was OK.

They have been dirty, scraped and raw, swollen and bent.

Finally, not really wanting to disturb him but wanting to check on him at the same time, I asked him if he was OK. He raised his head and looked at me and smiled. "Yes, I'm fine. Thank you for asking," he said in a clear strong voice.

They were uneasy and clumsy when I tried to hold my newborn son. Decorated with my wedding band they showed the world that I was married and loved someone special. They trembled and shook when I buried my parents and spouse and walked my daughter down the aisle. They have covered my face, combed my hair, and washed and cleansed the rest of my body.

"I didn't mean to disturb you, Grandpa, but you were just sitting here staring at your hands and I wanted to make sure you were OK," I explained to him.

They have been sticky and wet, bent and broken, dried and raw.

"Have you ever looked at your hands," he asked. "I mean really looked at your hands?" I slowly opened my hands and stared down at them. I turned them over, palms up and then palms down. No, I guess I had never really looked at my hands as I tried to figure out the point he was making. Grandpa smiled and related this story: "Stop and think for a moment about the hands you have, how they have served you well throughout your years. These hands, though wrinkled, shriveled, and weak have been the tools I have used all my life to reach out and grab and embrace life. They put food in my mouth and clothes on my back. As a child my mother taught me to fold them in prayer.

to fold in prayer.

And to this day, when not much of anything else of me works real well, these hands hold me up, lay me down, and again continue

These hands are the mark of where I've been and the ruggedness of my life. But more importantly it will be these hands that God will reach out and take when he leads me home. And with my hands He will lift me to His side and there I will use these hands to touch the face of Christ." I will never look at my hands the same again. But I remember God reached out and took my grandpa's hands and led him home. When my hands are hurt or sore I think of Grandpa.

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Lily Isaacs never dreamed that she’d one day tour the world singing Gospel music. “Why would I?’ she asks. “I was a Jewish girl born in Germany after World War II to Polish-born Jews who survived the German Holocaust.” The family moved to New York in 1949, when Lily was just two years old, and she spoke Yiddish until she was in grade school. In 1969, she met Joe Isaacs, the son of a Pentecostal preacher who was one of 19 children. He was playing with the Greenbriar Boys, a bluegrass band, in Greenwich Village. The couple married, and Lily accepted Christ as her Lord and Savior in 1971 at Joe’s brother’s funeral in Ohio. “So you can understand why, as a young person, I could never have imagined I’d be singing Gospel music!” Lily says she always had show business in her blood. As a child, she studied theatre and performing in the Bronx, and as a teenager signed a contract with Capitol Records and recorded an album with a friend. 78

But it was the birth of their three children that really set the course for Lily’s performing life. “God blessed me with three very talented children.” In time, she became the matriarch of one of the bluegrass world’s most endearing groups, The Isaacs. The family group began singing together 35 years ago. Based out of Hendersonville, Tennessee, the family spends over half the year on the road, and untold hours in the studio, yet they still love spending time together. “We fight like any other family, but in the end, we all love each other and we always have each other’s back.” Joining Lily in the group are son Ben, and daughters Rebecca Isaacs Bowman and Sonya Isaacs Yeary. They play their own acoustic instruments and are sometimes backed by other band members. There is no doubt that being related contributes to the sweet harmonies The Isaacs produce when singing together. All have beautiful, rich voices that easily stand alone, but when they harmonize together, the sound is heavenly. Most of their songs are inspired by their strong

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faith. Their shows are relaxing, but never boring. Each song explores the human condition through the lens of a believer. The song “Why” asks the question we all ask after going through a trial in life, whether it be storms, terrorism, or illness. “He Understands My Fears” is a country-Gospel tune acknowledging that, as humans, we hurt, yet God is here and understands our fear and pain. Lily Isaac is a 30-year breast cancer survivor, and it’s from that experience that she wrote “I’m Gonna Love You Through It.” Recorded by Martina McBride, it has become an anthem of sorts to those going through cancer. And “A Little Bit of Heaven” is a peppy tune that declares a little bit of heaven is found in every Gospel song. The Isaacs are frequent performers on The Grand Ole Opry and are often seen on the Gaither Homecoming Videos and Concert Series. They have performed in several countries on just about every continent, in venues that range from large arenas to country churches. Their travel schedule is mind-boggling, yet they all make time for family.

“We have some pretty strong holiday traditions. We celebrate both Hanukkah and Christmas, because I want to pass on the traditions of my family to my grandchildren. We light the Menorah together and say a prayer in Hebrew. “On Christmas Eve, or whenever we can all get together, we have a 25-year tradition of having lasagna and apple pie. On Christmas morning, we all gather together, and before we open gifts, we say a family prayer and each of the grandchildren take a turn in reading part of the Christmas story. The youngest is six now, so he can read, and the oldest is 21. “Then each person in the room says something they are thankful for since the last Christmas. It’s a special time. I feel especially blessed to do what I do, and to do it with my talented family.”

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“We live pretty close to each other,” says Lily, who adds that the family enjoys spending time together even when they’re not on the road, especially during the holidays. THE BLUEGRASS STANDARD

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THE CHURCHMEN - God Holds Tomorrow ÂŠ 2017 Keith Barnacastle

The Churchmen began in 1989 with a bunch guys who wanted to sing for their church. Then the word got out about having them come to perform at other churches. They made a commitment to one another to fulltime singing and spreading the gospel word. Initially they did a lot of cover songs at first mostly from The Easter Brothers and Doyle Lawson. Now their set list consists of original songs with a few cover songs. Their Southern Gospel style, a four-part harmony, along with the sound of bluegrass instrumentation, gives them a unique sound that has gained attention all across the country and abroad. The group consists of Christian men, each of whom feels that he was personally called by God into this music ministry. Over the past 28 years the band has been fortunate to bring in great musicians, singers and writers, so that original works could be produced. This gave the band a way to build their fan base and have a devoted following. One of the blessings of the Churchmen was the addition of Carroll Arnn into the group about 5 years ago. The group feels he is one of the best song writers. He produces messages that need to get out to the people, a message of the ministry that the Churchmen feel needs to be heard. 80

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What holds the band together is the fact that Gerald material for an upcoming Harbour and Keith Clark have 28 years of their lives CD. The churchmen want invested in the group, building the band, establishing to get the message out that a fan base and spreading the gospel. With Carroll Arnn what they do has a purpose, they continue to put out scriptural base songs that have a and hope that the positive message, lift peoples message has helped spirit and help lead people people along the Gerald Harbour says: to Christ. way. They encourage “Anything Carroll Arnn writes The churchmen have those that haven’t the Churchmen will record and recorded on 3 different heard about the make our own.” labels, Mountain Home, Churchmen to look Pinecastle, and Mountain them up and listen to Fever for a total of 9 CD’s. They like to take about 2 years their songs. They have toured between CD’s to get the message and gospel out to their internationally as well as all fans from the CD. “God Holds Tomorrow” on the Mountain over the USA. Fever label 2017 is the current CD. The Churchmen have In the IBMA 2017 showcase plans to return to the studio late 2018 to record a new CD. rooms, the Churchmen The Churchmen “God Holds Tomorrow” is an exciting played a rewarding dynamic and powerful song that depicts 3 of Christ’s most experience which brought powerful, yet trying moments - alone on a hill. their music and message to “God Holds Tomorrow “is the 1st cd ever that was cut with the people. just band members and no guest musicians. What you The Churchmen taped a here on the CD is what The Churchmen can reproduce in Gospel Music Showcase with a concert. The 30th year of the band will be 2019, with that Guy Penrod in Dallas and anniversary and CD, the Churchmen would love to have special guest artists and musicians to join them in song and thoroughly enjoyed doing so. It will air early 2018 on praise. The Churchmen are very special in having a group Daystar TV, a worldwide of guys who have bonded and all share the same message, to bring Christ and Gods love to the fans. All the guys treat each other as brothers and care about each other deeply, even though not related. Gerald and Keith hold fulltime jobs and this is why they limit bookings to weekends. Everyone has other jobs to supplement their income which allows them to keep doing what they do - singing; playing music and bringing the message of Christ to others. The 2018 tour will be spreading the Gospel of Christ with the CD “God Holds Tomorrow” along with looking for new THE BLUEGRASS STANDARD

influence in sharing the Gospel all over the world. 81

The Churchmen feel that Gospel Music and the Word of Christ is essential in the mainstream bluegrass festivals in light of todayâ&#x20AC;&#x2122;s world events. They encourage and invite those promoters bringing the talent to book them. Keith Clark, sings lead, baritone and low tenor and plays a rock solid acoustic bass. He makes his home in Collinsville, Virginia. Gerald Harbour sings lead, baritone and bass, and plays the mandolin. He calls Martinsville, VA his home. Carroll Arnn, plays Banjo, Guitar, and Fiddle, sings vocals and is a very talented songwriter as well. Carroll lives in Danville, VA.

The Churchmen are a very talented group, who play and sing with the kind of harmony that keeps their fans listening and all of us wanting for more of that great gospel sound and spirit.

Daniel Greeson plays the fiddle. He is from Jamestown, NC but now also lives in the Johnson City, TN area. Jerry Haga runs the sound for the group and is a vital part of the band. Jerry is an outstanding musician in his own right, and has gained attention across the country as one of the premier sound men in the business. Jerry hails from Horsepasture, VA.

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Representing: Mike Bentley &

Cumberland Gap Connection Jeff Brown &

Still Lonesome Kristi Stanley

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Festival and Event Guide ~ December Dates

Event

Location

Fridays

Friday Bluegrass Night Blue Cypress Bluegrass

Fellsmere, FL

December 1-2

Balsam Range Art of Music Festival

Waynesville, NC

December 2

Honeymoon Island Bluegrass Festival

Dunedin, FL

December 6-9

Bluegrass Christmas in the Smokies

Pigeon Forge, TN

December 14-16

A Bluegrass Christmas Festival

Raleigh, NC

For links to websites for all of these festivals and their locations, check out our Events tab at TheBluegrassStandard.com!

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Festival and Event Guide ~ January Dates

Event

Location

Fridays

Friday Bluegrass Night Blue Cypress Bluegrass

Fellsmere, FL

January 4-6

New Year's Bluegrass Festival

Jekyll Island, GA

January 6-11

The Bluegrass & Blue Water Cruise

Charleston, SC to the Bahamas

January 12-13

SPBGMA Bluegrass Music Awards & Midwest Convention

Jefferson City, MO

January 12-14

BayGrass Bluegrass Festival

Islamorada, Florida Keys

January 18-21

YeeHaw Junction Bluegrass Festival

Okeechobee, FL

January 19-21

Blythe Bluegrass Festival

Blythe, CA

January 22-27

Caribbean Classic Country & Bluegrass Cruise

Jacksonville, FL

January 25-29

Danny Stewart's Bluegrass Cruise Week 1

Tampa, FL

January 27

Rock Crusher Canyon Bluegrass Festival

Crystal River, FL

SATURDAY DECEMBER 9TH, 2017 4PM & 7PM FIRST METHODIST CHURCH CHRISTIAN LIFE CENTER 300 West Main Street Louisville, MS 39339 We have relocated while our theater is being renovated!

2017 Carl Jackson’s

“HOME FOR CHRISTMAS” 

 



LARRY CORDLEJERRY SALLEYVAL STOREY JOHNNY RAWLSBRADLEY WALKERISAAC MOORE 

Join Carl & his very special guest,

ASHLEY CAMPBELL

daughter of legendary entertainer, Glen Campbell.

The 4PM AND 7PM SHOWS WILL SELL OUT FOR BOTH CONCERTS. TO PURCHASE YOUR “RESERVED SEAT” CONTACT THE LOUISVILLE, MISSISSIPPI CHAMBER.

TELEPHONE: 662-773-3921

Suits, Boots

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& Bluegrass

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Suits, Boots

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Fan photos from

& Bluegrass

across the country

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Suits, Boots

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Fan photos from

& Bluegrass

across the country

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Next Month...

from the Publisher's desk

At this time of year, we all reflect on what has gone on in our lives... and how far we have come. With your help, the Bluegrass Standard has become a lively part of the music community, and we look forward to a promising New Year! So tell us: what are we doing well, what do you like best â&#x20AC;&#x201C; and most importantly, where can we improve? Please let us know how we are doing, email

Becky Buller Molly Tuttle Brooke Aldridge Price Sisters

Editor@TheBluegrassStandard.com We hope you and yours find joy, kindness and forgiveness in this Holiday Season. Until next year, Keith Barnacastle - Publisher For the latest Bluegrass News, Event Schedules and more... visit our website, TheBluegrassStandard.com!

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