Tom Woodward, Max Stettner, Vince Leigh, and Allan Sko
ISSUE #547 RELEASE DATE
Thursday, 3 October
EDITORIAL DEADLINE Friday, 20 September
ADVERTISING DEADLINE Wednesday, 25 September BMA is independently published.
WHO: Blindsided
WHAT: Covers with a twist
WHERE: Shadows Night Club
WHEN: Saturday, 31 August
It’s BlindSided, dear, but not as you know it. It is lots and lots of bloody great rock songs, and who are you to resist four guys singing a Britney song!? It’s coming to you at Canberra’s newest live music venue, Shadows Night Club. One of the region’s hardest-working covers bands, Blindsided prides itself on playing a saucy mix of retro rock and hits with a twist. Time to get BlindSided!
WHO & WHAT: Lakeside At 5 with Rachael Thoms
WHEN: Fri, 27 September, 5:30pm - 7:30pm
TICKETS: Entry by donation
A graduate of the ANU School of Music with degrees in jazz and classical vocal performance, Rachael is one of a new breed of versatile vocalists. She has received multiple awards and scholarships and has performed in many of Australia’s cultural institutions. She is currently completing her PhD, researching jazz vocal pedagogy and improvisation at the Australian National University School of Music, where she is a lecturer and voice teacher.
WHAT: Massive dance party throwback
WHERE: Old The Canberra Times Building, Pirie Street, Fyshwick
WHEN: Sat, 14 September, 12pm - 10pm
TICKETS: Final release $140 via intix.com.au
Well now… THIS is different! A line-up consisting of timeless anthems celebrating a golden era of dance music. Located at the historic old The Canberra Times building and featuring two stages in an industrial environment with innovative scaffolding & stage designs. Featuring Sneaky Sound System, Mousse T., Bagraiders, The Potbellez, Kid Kenobi and a HEAP more.
Five-piece indie folk band, Freelings, set audiences alight with the duelling guitars, high-spirited rhythm, soaring violin and rich harmonies that fuel their original sets, with two storytellers switching between instruments and inspirations. New single, Drinking with Poseidon, showcases their trademark vibrant harmonies and danceable folk energy, with past connections explored and reminisced, backed by warm, acoustic timbre. Supported by Alec Randles (Kopesetic), Freelings will fill Smith's with inviting vibrations, playful banter, and infectious energy.
WHO: Frente! w/ Evan Buckley
WHAT: Oz alt fok-pop heroes
WHERE: Belconnen Arts Centre
WHEN: Saturday, 28 September
From the beer-soaked carpet of Fitzroy’s Punters Club to massive stages worldwide, Frente!’s blend of alt, folk-pop has always set them apart. Known for the honesty of their performances, quirky riffs, and thoughtful song structures, Frente! gifted us such gems as Ordinary Angels, Labour of Love, Accidentally Kelly Street, and their acoustic take on New Order’s Bizarre Love Triangle.
They make a fine feature on the Smith’s@Belco program, with Simon’s guitar work drawing logical comparisons to Smiths’ Jonny Marr and The Sundays’ Dave Gavurin, while Angie blazed a trail for singing in her native Aussie accent over the American vernacular of the day.
WHO: Nighfest
WHAT: Music + Comedy + Arts + Lights
WHERE: Commonwealth Park
WHEN: 3 - 6 October, 6:30pm to 10:30pm
Another year, another cracking Nightfest line-up. Commonwealth Park, illuminated by vibrant colours, plays host to an amazing program of live music & comedy on two stages comprising over 32 different acts, captivating cabaret in the Kazador Tent, roving entertainment, market stalls and fantastic food and drinks. After the Spiegeltent sell-out last year, 2024 sees the new Kazador tent hosting the adults only (18+) Kiss Bang cabaret, revelling in all things risque, silly and hilarious, combining comedy, circus, burlesque and cabaret delectably smashed together to give a wildly entertaining ride.
Spring is here! Can you smell the flowers’ perfume in the air? Can you hear the music wafting from the venues? Well, my friend, you could be toe-tapping to these gigs over the next few weeks.
If you’re looking for the perfect way to end winter, I present you with a night of brassy, folky, dancy local music!
On Saturday , 31 August , Brass Knuckle Brass Band (street funk brass), The Lonely Fates (indie/folk/country) and This Way Orkestra (afro-funk/jazz/reggae) are joining forces for a big fat energetic dance party.
Head on down to Live at the Polo from 7pm to enjoy this event. Grab your ticket ahead of the night via Humanitix for $30 (concession price available).
Country pop local Leila is releasing her debut 5-track EP Uncover on Sunday , 8 September , at Gang Gang Cafe With her full band in accompaniment, Leila will share her new songs, some covers dear to her heart, as well as unreleased originals.
Leila’s songs are beautifully soulful, and she writes in a way that connects her lyrics to others. NeonHoney , another incredible singer/songwriter from Canberra, will be opening the afternoon.
NeonHoney will be performing at Dragon Dreaming this year, so this is a chance to catch her in a more intimate setting. Doors will open at 3pm, and you can grab your ticket now via Humanitix for $25.
Ooo, what’s this? A free double header! Doxxed is a local 6-piece ska band playing all the songs you know and love with an uplifting, funky twist, and XACTO will be performing the infectious post-punk pop of Swindon’s finest, XTC.
It’s all happening at The Pot Belly on Saturday , 14 September . Doors at 8pm, and the price, once again, is free!
Canberra’s own indie/country sensation, Tom Woodward , is celebrating the release of his album, Revolving Doors . Tom has been, in his own inimitable words, “sentenced to a wandering life by a sardonic and hilarious God” and has been “laughing, crying, and singing about it ever since.”
Tom has lived many wondrous adventures over the years, from a two-month-long coastal hike ending in a hospital visit to getting kicked out of the USA. Hear the tales and the talent on Sunday , 22 September , 4pm, at Live at the Polo
What’s more, an epic selection of Canberra’s finest past, present, and future have been assembled to celebrate: Happy Axe , Julia Johnson , Konrad Lenz , and Evan Buckley with special appearances will be made by James Nichols
Sam Fiddian
You can grab a ticket for $25 from the Humanitix website.
Looking further forward... You’ve heard of local legends, Witchskull , of course. Well, they have something special coming up for you...
Over the month of October , they will be performing at Baso every Saturday to celebrate their 10th anniversary! Performing a different album from their catalogue each week, you can buy a ticket to one show for $20 or see them all for a bargain of $50. These can be purchased via Oztix. Doors open at 7pm each Saturday.
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And that’s a wrap on this edition. Get out there, enjoy the tunes, and remember your tissues if you get hay fever! See you in the next one - Jannah
How’d your musical journey start?
I was obsessed with "pop" music from a young age, but pop music was very different then. I first heard Bowie, Van Morrison, Marianne Faithful, and Laurie Anderson on my Dad's reel-to-reel player in the '80s.
I used to make up albums in my head all day, and finally learned to play guitar in my early teens. I have been writing songs, recording, and performing ever since.
Describe your sound:
It's evolved from a Dylan-esque folk homage to a more customised hotchpotch of classical, dark country, and dirgey rock balladry inspired by the geographical and emotional landscapes I have inhabited. Australian Gothic, maybe?
Key tracks should people check out?
You Will Win In The End is a succinct manifesto of my worldview and my musical aspirations.
I hate platitudes. They feel so insincere because, deep down, most of us know they’re rarely true. That's how it feels to tell yourself you'll be ok and win in the end as your world collapses around you. And hey, you may win.
Maybe you already won.
Anyway, that song and the new record's title track, Revolving Doors, are a poetic farewell to the relationships made and lost under the fog of alcoholism or life in general.
Influences?
Vincent Van Gogh is an unlikely fitness and wellness motivator. He used to walk everywhere, all over Europe, lugging his shit around. It kept him strong, despite his malnourishment and mental health issues.
Memorable experiences?
I always draw a blank when I try to remember memorable things.
I mostly remember highly insignificant incidents, like when I was listening to And Justice For All, and my cousin was like, 'Dude, this music's really old'. That was back in 1994, six years after the album came out.
Also, getting deported from America. That one's hard to forget.
What do you love about the scene?
I didn't cave. I kept my cool as I got threatened with five years jail for "defrauding the US Federal government".
So, I signed a false confession.
I only freak out now when I think about what would have happened if I hadn't deleted my friend's jokey WhatsApp msgs about assassinating Trump.
What are your plans for the future?
I'd like to make music and be comfortable with the whole social aspect of it. Since quitting alcohol two years ago, it’s a struggle just to walk into a venue and talk to people.
What makes you laugh?
My close friends. Stupid memes. The Ozzyman Reviews YT channel. What pisses you off?
Probably dipshits in authority and passive-aggressive bureaucrats. Anything else you'd like to add?
The current rental situation in Australia is a crime against everything good in the world.
I actually love open mic nights. Everyone's really supportive, and you hear a lot of intriguing outsider stuff you don't usually see on a proper bill.
I've recently been catching cheap public transport around the country just to meet all the oddballs inhabiting the open-mic landscape.
Proudest moments?
Weirdly, it would have be getting deported from America.
I went there on an ESTA visa to hang out with friends, go bushwalking, and play some guitar with hillbillies. The customs people treated me like I was Julian Assange's wingman.
Where can people check you out?
Revolving Doors will go live on all streaming services around 30 August. I’ll launch my new album at Live at The Polo on Sunday, 22 September, at 4pm. Tickets via Humanitix.
Photo by Konrad Lenz
I can be found at Tom Woodward Music on Facebook.
By Allan Sko
It’s been a long time between drinks but—thank the Gaudy Gods!—producer, performer, singer, MC, and mother to us all, Bambi Valentine and her KREWD Productions, is BACK with a capital B-A-C-K. Along with overseeing her brother Tom Woodward’s imminent album launch at Live at the Polo, Bambi has cooked up a l’il summin’ special for us trash-starved denizens.
With the tantalising theme of Glittering Garbage, The Gaudy Ball’s halls shall be filled with the joy and splendour of its perfectly pitched performers. Featuring Venus Mantrap, Frankie McNair in full Tabitha Booth mode, Lea Docks’ Guy Alias, DJ Tachérie and, natch, Bambi Valentine herself, this is shaping up to be a Ball y’all’ll be enthralled with.
So, what gives!? Why so long to satiate us suppering lewd KREWD-sters?
“Ahhh, well… I stopped producing over Covid,” Bambi reveals. Fair.
“I didn’t adapt to the online market at the time,” Bambi continues.
“I ended up moving into the Education and Disability sector, with my performance art taking a back seat.
Well, it’s damn good to have her back. Bambi feels the same.
“I’ve really missed performing on stage and being able to nourish it and put the work in,” she enthuses. “I just didn’t have the energy to work 40-50 hours a week, and as a single parent with disabilities as well.”
But the bugle blast of The Arts is a strong one, and Bambi is nothing if not tenacious.
“So, I have now taken a step back from employment to return to the arts and entertainment industry. In Canberra, you need to create your own opportunities and produce your own shows to stay relevant and collaborate with the people you want.
“I always strive for connection with my audience. I try to match their engagement and let them in on the thing. With that comes a vulnerability and honesty in my storytelling I don’t see enough of. I sometimes struggle with the interpersonal, and on stage is where I feel most comfortable and able to connect. My closest friendships were forged through the arts, which you see from my talk about the performers on board, particularly Frankie and Lea.”
“And taking on (brother) Tom’s album launch was a chance to reconnect with the live music scene as well... feeding my love of merging art forms and creating multi-platform experiences.”
For more on the lovely Tom Woodward, flick to the Artist Profile on page 13. But not before poring further over The Gaudy Ball! And given the wealth of talent on display, it is set to be a riproaring of an eve.
As a veteran of the Arts for many-a year now—having booked and/or collaborated with a dizzying list of tippity-top talent— how did Bambi go about selecting such a line-up?
“I’m a massive fan girl of Venus Mantrap, but I’ve never worked with them before,” Bambi reveals. “I definitely created that opportunity for myself.
“Frankie and I have a friendship spanning well over a decade, and I was extremely keen to bring her home for some KREWD fun again,” she continues. “Her character, Tabitha Booth, is perfect for the theme.
“Guy and I are also good mates with a solid working partnership going on. We love touring and developing shows together. And Tachérie? Who else can get a party boogie’ing like that babe?
- BAMBI VALENTINE
“They were the first I asked for the Gaudy Ball. Bambi takes a deserved moment to bask in what she has created.
“I can’t think of a better, more appropriate line-up,” Bambi beams proudly.
“We have the new with Venus and Tachérie, the current with Alias, and the legendary in Frankie, all KREWD performers perfect for the theme.”
Ahhhh, yes, the theme! The Glittering Garbage Gaudy Ball. Where’d that come from?
“I’m a big fan of alliteration… Ummm… and I’m too poor to buy anything that’s not cheap? I love sparkly stuff? I dunno.”
Good enough for me. Bambi, however, elaborates further.
“Gaudy allows you to indulge in the camp and colourful without taking yourself too seriously or accidentally being tacky. It’s best to be unashamedly trashy.”
And no party production would be complete without the KREWD Kween herself, who may delight us with somewhat of a tall order.
“I’ll be MC’ing and will perform as well,” Bambi says to my great relief. “The Polo is a big enough performance space to maybe even do something extra-extra.
“I will likely be sparkling up on stilts,” she reveals. “I have a beautiful costume made by Empress Eyrie that is part of a duo with my KREWD Sister, Anna Judith, for our characters Luna and the Evening Star.
“I’ll wear the costume if Anna doesn’t mind. Regardless, I’ll bring out something sparkly and spankin’ new.”
The Players VENUS MANTRAP
Venus is so captivating on stage with well-thought-out performances. They’ve got that extra power and energy that just draws you in, mastering the art of dynamic stillness.
I can not and do not want to take my eyes off them for a second. And Venus thy’re so incredibly warm and approachable! They exude a deeply comforting/at ease presence on stage as both performer and host (see their Cult Classics at the NFSA and their hugely popular and highly life-affirming Six Degrees of Separation for proof).
Frankie’s comedy timing is unmatched. The best in the business, and very easy and natural to feed off.
We worked together a lot when KREWD first entered the scene with our friends Lucy Boon, Miriam Slater (ICKY) and, later on, Jolene Mifsud (InkBits). Then, Frankie and Miriam developed Sweaty Pits, which divulged more into that absurd comedy world I love. Then Frankie moved to Melbourne and took the scene by storm. When I saw Frankie’s fabulous character, Tabitha Booth, I knew she’d be perfect for Gaudy (not that I’d EVER call Tabitha gaudy to her face...).
Lea often says, “I just want to dress up with shiny things and be a dickhead” and not have to deal with social politics. Lea Docks’ drag king character, Guy Alias, is our gaudiest sweet bean, and can be seen at their regular Drag Cabaret nights at Smith’s Alternative. I feel like Guy came out of nowhere with an unmatched energy and a genuine want for others to shine, giving newbies the spotlight time and offering her time.
Lea’s a huge motivating kick up my butt to upskill and have fun creating. Guy’s the best MC in Canberra, but I probably shouldn’t advertise that because I’m MC’ing the Gaudy Ball, ha.
I first boogied to DJ Tachérie at a Glitterbox party at Flazeda, produced by InkBits. Tachérie is great at working within a theme and being a living-breathing boogie machine. I can’t get off the dancefloor with Tachérie is DJ-ing, and I always go home with my spirits lifted at the end of their set.
I’m excited to have Tachérie on board a KREWD Production for the first time. I hope it’s the start of a flourishing working relationship and friendship.
FRANKIE McNAIR
TABITHA BOOTH
GUY ALIAS
DJ TACHéRIE
Be That As It M A YA
Maya Cummings, aka MAY-A, makes her Canberra performance debut this October as one of Stonefest’s headliners. She’s come a long way in a short time with plenty of mountain still to climb, and BMA is here to celebrate her journey both current and future.
Precocious is but one happy descriptor you could use MAY-A.
Born and raised in Byron Bay, Maya Cummings had a mind for expression when only in her single-digits. By age 13, she moved to Sydney with family and soon became a handy YouTuber, eventually landing the same social media manager as Troy Sivane, an artist she greatly admired on the platform.
“I became obsessed with people making random videos about their life,” she says. “Back then, I didn’t know exactly what I wanted to do, but I knew I wanted to make stuff.”
At 18, she neatly sidestepped the addictive stats-chasing and insecurity-summoning life of a YouTube to release her first single, Fool’s Paradise, which was swiftly followed by Apricots and Time I Love to Waste
But it was in 2019 that MAY-A hit an early (very early) career milestone when she topped triple j’s Hottest 100 with her feature on Flume’s anthemic Say Nothing.
“Everything for me has been super lucky,” she told Harper’s Bazaar Australia’s Dani Maher, gesturing to where the word is
tattooed over her throat. “Everything has fallen completely into place for me, which I do feel guilty about sometimes.
“Everyone just kept being like, ‘I believe in you.’ And I just kept being like, ‘Why?’”
This monumental achievement, especially for one so young, attracted the expected rush in interest. It also came with something MAY-A was not expecting.
Suddenly, media and fans alike were afire with the notion that MAY-A had potentially become the first openly queer artist to win the Hottest 100, not to mention only the seventh woman. The realisation was a mixed blessing.
“It felt good and really bad,” MAY-A admits, “because you’re like, ‘Why is this still like this?’
“But I hope this is just the beginning of opening up more for the queer community and for people to expand their mindset of what they listen to.”
She soon recognised the impact she could have on future generations, and she hopes it can be positive.
“I have all these grand ideas about what I want to be and where I want to be and who I want to be, but I feel like I just keep surprising myself and going in different directions. So I really, really have no idea. I just know that I want to be authentic.”
After MAY-A’s first EP — 2021’s Don’t Kiss Ur Friends — which focused on a figuring out of sexuality and maturity, her follow up fittingly channelled these self-imposed questions, emboldening her sense of self.
“What artist do I want to be?” MAY-A mused of the project. “What do I want to experiment with sound-wise?”
Her first two singles of 2023 feel like a stern middle finger to expectation. The fiery alt-rock of Sweat You Out My System and the wry pop of Your Funeral made her mindset clear.
“It’s as if Phoebe Bridgers covered a Bo Burnham comedy song,” MAY-A says knowingly.
“I was trying to be all sentimental and real,” she hastens to add, “but I wasn’t really going through anything too much at that point in time. “I wasn’t debilitatingly sad or feeling anything in the extreme, it was, ‘Let’s write something stupid and goofy’.”
Side stepping between EDM anthem, “weird rock”, and pure pop — that’s the work of an artist perennially trying to push themselves. MAY-A says she’s constantly learning, including on her recent tours in the US, UK, and Europe.
“We learned a lot about crowd control and how to really get them to be part of the experience,” she recalls. “Someone once told me that all live music is an exchange of energy. I try to think about that every single time.”
As far connecting with an audience goes, MAY-A would love to give greater awareness to what female and queer artists can achieve. She cites artists such as Phoebe Bridgers, Bikini Kill and 070 Shake for eventually expanding her perspective of the limitless bounds of female artistry beyond that of Swifty-itis.
“I spent so long thinking I can’t make certain music as it’s not
“I really wanted to experiment with my vocal tone and try different ways to sing,” she continues. “When I started, I was just writing for the words, rather than using my voice as an instrument or experimenting with different sounds.
“I was inspired by a lot more electronic influence, and a lot more band influence, than just a singer/songwriter kind of project.”
As a result, we get MAY-A in rapping mode on the aforementioned Sweat You Out My System, while the twisted LOLA and Stint-co-produced Guilty Conscience (he of Gallant, Jessie Ware and MØ past work) both nod to 070 Shake.
MAY-A’s favourite is the brooding Superior Liar, a coming-fullcircle track, of sorts, inspired by the early Radiohead she would listen to at an early age.
“I wanted to go a bit darker with this EP. It’s kinda where the world is right now – not necessarily in a bad way, but we’re a bit more angry than we were four years ago, which I’ve noticed reflected in the music.
“A lot of the songs are posed as “relationship songs” but they’re more about the emotion.”
Ultimately, MAY-A is bolstered by a number of drives; that of self-examination, experimentation of her musical communication, and of embraced representation. All of which will be proudly on display in October when she takes to the Stonefest stage.
On the 5 Seconds of Summer tour, she and her all-woman band were approached by numerous young female fans (some with their mothers) all of whom were in awe of their stage presence.
“These young girls are watching a group of women open up before a group of men and being like, ‘Holy shit... I can do that as well!” MAY-A says, somewhat in awe herself.
“If I can do anything to inspire young women to get into the music industry, to get into lighting, sound, anything — that’s the most important thing I think that I’m focused on right now.
“We need more of it, and I think the time is now.”
MAY-A performs at Stonefest on the University of Canberra Lawns on Saturday, 19 October, along with Teenage Dads, Mansionair, Great Gable, The Buoys, Lucy Sugerman, Sonic Reducer, Wallabindi and more. Tix are $99 + bf via Moshtix.
METALISE
[THE WORD ON METAL] WITH JOSH NIXON [DOOMTILDEATH@HOTMAIL.COM]
The tinnitus still rings in my ears from a massive week that saw Hellhammer from Switzerland, Viscera Infest from Japan, Thou and Full of Hell from the USA, and Voodoo Acid Space Kings rebranding the Polish White Eagle Club. Plenty more where that came from, as it’s time to look forward to spring.
Regarding ringing ears, The Baso seems to have joined forces with former The Greenroom audiologist, Garry Peadon. I’m pretty sure that was a new in-house PA system I spied with my little ears. It sounded absolutely monstrous there.
Taking their opportunity to run that new PA through its paces, locals Immorium stepped up big time with their latest album, Rose Water Black, which came out in July.
Big shout out to Roy for the insane artwork. Just take a look at it!
Speaking of Blackfarm Records vinyl, Sunshine Coast power trio Emu released their debut album through Australia’s best underground French record label.
Guitarist/vocalist Connor Mitchell sent me a self-titled 6-track record in July, and I was blown away at how well these guys have nailed the power boogie of ‘70s Sabbath-adjacent bands like Sir Lord Baltimore, Budgie, and Captain Beyond.
The lads have been taking their melodic death metal on the road to celebrate. The hometown show lands at The Baso on Saturday, 30 August and wraps up a monthlong campaign taking the new material interstate, which will no doubt sharpen the tools.
The new material is expansive, epic and ambitious in scope, and it sounds massive. Get yourself a copy of the record and get along to the show. Congratulations, lads, on an impressive quality release.
Saturday, 30 August also sees the digital release of the long (long, looooong) awaited 3rd full-length from Pod People. The 30th will make available pre-orders for a limited deluxe vinyl release French label Blackfarm. The 6-track full-length was recorded in Toyland and Goatsound Studios in Melbourne and was produced, in part, by the band and, in large part, by a generous grant through artsACT.
We drenched this record in our blood, sweat and tears; we hope you dig it. We’ll have some launch shows in the near future, too.
As usual, Connor’s guitars are beyond reproach, and the rhythm section is superb. But Connor’s vocals really step up on this one, channelling Billy Thorpe via Dave Wyndorf. Groovy as all get out, give it a crack.
A welcome announcement in the last month from Melbourne’s King Parrot, who once again take flight around the nation in November, and they’re migrating with a flock of killer bands for the whole shebang.
The USA’s Weedeater is back for the entire 11-date tour, which hits The Baso on Sunday, 10 November. Domestic species also in for the ride include 2-piece doom favourites Astrodeath and Melbourne maniacs Choof. A huge tour with much fun to be had.
The Pot Belly has been on a roll of great shows. Seeing other venues expanding the options for bands and punters is awesome. The beers are always great, and so is the entertainment quality.
Saturday, 31 August, Acid Amora & The Dark Clouds and Acrolysis hit the stage.
Also, Pilots Of Baalbek are still redeeming their frequent flyer points and hit The Pot Belly on Friday, 6 September, with Drugs In Sport, Sick Fizz, and Moot adding to the in-flight entertainment.
Essence Festival is having a red hot Aussie crack at promoting not just the festival itself but also the capital and its surroundings.
A multi-tiered approach to promote the festival has been deployed, incorporating what to see and do in the ACT on the weekend of the 27th and 28th of September in a bid not just to promote the line-up - and a killer line-up it is! - but the region.
This is taking queues from Dark Mofo and how the event brings the whole city into focus.
We love artistic ambition here at BMA, and when you accompany that with Abramelin, Impetuous Ritual, Altars, Whitehorse and Carcinoid, to name but a very few of the two nights, well... It’s a big thumbs-up from Metalise, too.
Show your support; a ticket at The Baso website today. The festival of the skull is also rapidly approaching, with Witchskull, fresh from their performance with Triumph of Death, taking up residency in the back room
at The Baso in October, playing an album in full each night over four successive weeks. The four events can still be attended at one low ticket price; check out the band’s socials or the Baso ticket site for a ticket today.
Up the Hume, there are a few international tours of note. Iron Maiden is back in Australia in September and play Sydney on the 12th and 13th.
Undeath has a fun triple header with Melb’s Gutless and US band Resin Tomb on Saturday, 21 September.
And I’m sure prog metal fans already have their tickets for Monolith on Sunday, 10 November. Headlined by Coheed & Cambria with sets from Periphery, Leprous, Intervals, Novelists, and Silver Fang in the bargain.
Only some of the passport-carrying thrashers are missing the ACT, though. Italians Rhapsody of Fire and Swedan’s Dream Evil are at The Baso on Friday, 1 November, and countrymen Enforcer is here on Saturday, 23 November.
O, yes indeedy... Heavy music is alive and well, folks. See you up the front.
CSO DOWN SOUTH - BRILLIANT BRASS
TUGGERANONG ARTS CENTRE
THU, 5 SEP, 6PM - 7PM (BAR FROM 5PM) $38/$32 VIA VENUE
HOT POT STORIES
AT TUGGERANONG ARTS CENTRE
SAT, 21 SEP, 2PM – 4PM - FREE, ALL WELCOME
CSO Down South returns to TAC with a selection of brilliant brass treasures. The CSO Brass Quintet triumphantly presents the Overture from Mozart’s inimitable and timeless masterpiece, The Magic Flute; the vibrant harmonies and dynamic rhythms of eclectic English composer Sir Malcolm Arnold; a glide into Koetsier’s Brass Quintet; then a visit to Bach’s intricate and expressive Fugue in G minor before finishing on the modern classic by Leonard Cohen, Hallelujah. This soul-stirring finale is sure to provide an unforgettable musical experience.
INTERGALACTIC-THEMED D&B PARTY
THE VAULT - SAT 28 SEP, 8PM SUN 29 SEP, 3AM
Dress up as an astronaut, alien, or robot for a night of immersive theatre, electrifying beats, and cosmic adventure within the depths of The Vault. Blast off into a space where reality bends to an intergalactic drum ‘n’ bass soundscape. There will be alien encounters as an otherworldly being wanders among you, offering free drinks and intel on the night's events. There will be epic DJ sets as top D&B pilots fuel your interstellar journey with heart-pounding beats. And there will be the Grand Finale: witness a triumphant moment of the spaceship finally taking off. Celebrate your collective victory as the night sky explodes with dazzling lights and confetti!
Ten storytellers bring stories of their ancestors to the stage in a curated program presented by Canberra Slam and IDioM. Join MC and poet Andrew Cox for an afternoon of cultural storytelling. Hear personal stories about the power of the people who shape our lives and enjoy a rich smorgasbord of short stories, all shared in a spirit of openness, courtesy, and respect.
LLEWELLYN HALL - FRI, 4 OCT, 8PM $85.05 - $91.65 VIA TICKETEK
Whether violently smashing open a watermelon on Taskmaster (delivering an outstanding sound effect) or solving problems with friend and fellow comic Tom Davis on the banteriffic, big-warm-hug of a podcast that is Wolf & Owl, Romesh Ranganathan has gifted me countless hours of mirth. After a sell-out tour in 2022, Romesh is back with a brand-new show examining the human condition. Are people inherently good? Is charity always positive? Does hustling equal success? Or is it all a load of old rubbish we've made up to keep us needlessly working hard? Join Romesh as he examines all this and more, providing no real answers, but plenty of laughs.
BEHIND THE SCENES OF
AT THE MILL THEATRE
We're Sammy Moynihan and Marlene Radice, co-founders of The Seeing Place, a theatre company dedicated to creating bold, politically charged work that challenges the status quo. Our latest production, The Cut by Mark Ravenhill, is one of the most compelling and thought-provoking shows we've ever tackled, and we can't wait to share it with you at The Mill Theatre in Fyshwick.
Set in a dystopian society where a mysterious procedure known as "The Cut" is both feared and revered, the play explores the harrowing choices individuals must make between compliance and resistance. This chilling procedure serves as a powerful metaphor for how power, control, and personal freedom are manipulated by those in authority.
The Cut aims to be not just a play, but an experience that will challenge your perceptions and leave you questioning the world around you.
Working on The Cut has been one of the most invigorating experiences of our careers. Ravenhill's script is a masterpiece, offering a rich tapestry of themes that resonate deeply with our times. It challenges societal norms and forces us to confront the uncomfortable truths of how easily morality can shift under the influence of the media and government.
Exploring shifting societal views has driven our production, pushing us to create something genuinely bold and thoughtprovoking.
One of the most exciting aspects of this production is our choice to feature an all-female cast. Women often carry the emotional weight in personal and societal contexts, making their portrayal of these characters particularly poignant. Seeing women in roles traditionally dominated by men, especially in positions of power, adds another layer of complexity. This shift challenges the audience's perceptions and adds a new dynamic to the play's deep exploration of authority and control.
The dynamic between the cast members—Ali Clinch, Maxine Beaumont, Diana Caban Velez, and Hannah Tonks—has been nothing short of electric. Each actor brings a unique interpretation to their role, and their compelling chemistry has elevated the entire production.
Our decades-long collaboration has been rooted in a shared passion for creating theatre that entertains along with provoking thought and conversation.
Working together on The Cut has allowed us to tap into that synergy, combining our strengths to push the boundaries of what theatre can be. Marlene's expertise in sound design has added depth to this production, allowing us to explore the themes of The Cut in new and innovative ways. Our shared history and mutual trust have enabled us to take creative risks, ensuring this production is as impactful as possible.
Sammy's experiences in Palestine profoundly influenced this production. Working with The Freedom Theatre in Jenin opened his eyes to the incredible power of theatre as a tool for resistance and storytelling.
The resilience of the Palestinian people, their stories of struggle, and their unyielding spirit are ever-present in our work In many ways, The Cut is an extension of those experiences, a way to continue the conversation about power, control, and the human spirit's ability to endure.
The Israeli-Palestinian conflict is a stark example of how media and government can influence and manipulate societal
views on morality. People's sense of right and wrong around this issue has shifted so much over the years, often swayed by the narratives that are pushed onto us. The Cut captures this manipulation of morality so powerfully, and it's one of the reasons why this play resonates so profoundly with us.
Thanks to Lexi Sekuless's incredible support, the Mill Theatre has been the perfect venue for this production. The theatre offers us the space to experiment and push the boundaries of what this play can be, with the space's intimacy allowing for a palpable connection between the actors and the audience, making every performance a unique experience. Lexi and the theatre staff have been instrumental in giving us the freedom to explore and take risks without feeling constrained.
This production has been a labour of love, a culmination of years of collaboration, experience, and a shared vision for what theatre can achieve. We can't wait for audiences to see what we've created.
We're confident The Cut will entertain and spark conversations long after the curtain falls.
Join us at The Mill Theatre and be part of something special. This is not just a show; it's a powerful statement on our world. Sammy and Marlene xoxo
THE DROP
[THE WORD ON EDM/DANCE MUSIC]
WITH AEGIPAN SAMARAWICKRAMA - AEGIPAN101@GMAIL.COM
G’day dancefloor denizens!
Chief Lunatic and Ordained Bass Minister Pan ‘ere, back with another low-down on Canberra’s burgeoning EDM scene.
It’s been a wild couple of months in the ‘Berra, hasn’t it? The temperatures have been low, but our spirits have been high, and there hasn’t been a shortage of solid gigs to stomp our feet to.
Those keeping up with underground goings-on would well know that Headz are Rolling threw two Royal Rollers free gigs at Reload during July, featuring a slew of local talent, including Baxter, Crooked Sounds, Killadon, Notes N Keys and, of course, Tidy & Samwise themselves.
The beauty of these pay-free parties is that you get bass-curious folks walking through the door as well as all of those beautiful, familiar faces that we love, and the money that would have been spent on a ticket can go towards a couple of extra drinks or even a feed next door at Token.
With another Royal Rollers in late August and again in early September, it’s shaping up as a significant boost for the scene’s vitality and growth.
Speaking of Headz gigs, how nuts was Mark N? It’s damned cool seeing selectahs spinning good ol’ fashioned vinyl.
demand drum and bass selectahs, Bailey’s career reaches as far back as the movement’s early days. Do not miss it!
FKING HOT was... well... fking hot! Took me a good couple of days for my body to recover; holy smokes what a workout that was. The night featured a great diversity of genres, from house to techno to drum ‘n’ bass. If you enjoyed Symonston Greyhound Club as a venue, hit up the Vision Music Festival there on Saturday, 14 December. Line-up is still TBA, but with Vision at the helm, it’s sure to be a ripper of a party.
We were also treated to two stages jam-packed with homies’ killer beats. Burley Bassweight kicked the night off with a most delectable set, up-andcomer Baxter followed up with his dependably grin-inducing styling, and Loose Cannon shook things up following Mark N’s legendary performance.
Believe it or not, the Headz crew have another absolute cracker on the horizon, this time in the guise of UK’s Bailey, who will play the Pot Belly on Friday, 18 October. One of the world’s most in-
On Saturday, 14 September, the old Canberra Times building along Pirie Plaza in Fyshwick is being repurposed for The Times Music Festival.
This one’s an absolute blast from the past, as we’ve got Sneaky Sound System, Bag Raiders, Mousse T., The Potbelleez, Nick Skitz, Kid Kenobi and a heap more coming to town.
Reliving times past while making new memories sounds like a damned fun time if you ask me.
Finally, on Saturday, 2 November, we’ve got Subterranean Soundscapes at Transit Bar, celebrating Halloween with a night of dark techno. Yxshi, Jordos, Mules, Bebn, and Sersh are set to take us through a spectacularly spooky night.
Here’s one most will be unable to attend but deserves a shout-out nonetheless – former columnist and seriously talented dude Kazuki, along with seven Australian and New Zealand artists on the Late Night Music label, are
a part of this year’s Amsterdam Dance Event. And they’re bringing an incredibly creative project...
They’ve stripped the music from the iconic Kubrick film 2001: A Space Odyssey, and created a reimagined soundtrack for it, both of which will be played in a cinema decked out in designs inspired by the film. I reeeeally wish I could jet over to that part of the globe to check it out! Such originality deserves to be celebrated.
Finally in show news, it is my great honour to give a big shout-out to the international and interstate female DJs, producers, and singer-songwriters performing at this year’s Dragon Dreaming Festival.
Paige Julia from NZ, Dela Moon from the US, Juman from NSW, with congratulations and a warm welcome to the Hatchling Competition winners:
release from our wonderful homies. Less than a week after release, The Lost Soul sat at #27 on the Beatport charts, so clearly, they’re doing something right!
At August’s end, Soliq Records release Humanizm’s The Collective Singularity EP, featuring three original mixes and three remixes of those tracks by Lightcamo, JNTN, and Synaptic (IN).
Everything Soliq is worth your time, mustering up serious talent for its releases and parties.
It’s been seven long years since the first Kosmological Conspiracy comp came out, but the second has arrived! Kos.Mos.Music presents a subgenre showcase, incl. atmospheric, techstep, liquid, drumfunk, jungle, and deep drum ‘n’ bass. AND it’s the first of two carefully curated volumes, so no seven-year itch this time.
LUCIDREAM AMELIE ECOLOGY
- LUCIDREAM, Producer Winner
- VIXXIE, DJ Winner
- Amelie Ecology, Performer Winner
- Zuki, Visual Artist Winner
- Obsqura, Cultivators of Nonsense & The Woosah Space, Handmade Winners
- 30.5mm, Photographer Winner
- Emrys McNamara, Art Install Winner
The Hatchling Competition is an innovative way to kickstart newcomers’ careers and get fresh blood at the festival. You love to see it.
With gigs touted, it’s time to feast on some new tunes!
United Beats Records released the 2nd instalment of the Next Generation comp back in July, featuring a stack of psytrance artists with tracks set to wreak havoc on many-a dancefloor.
Most notable among them are local duo Biscuit Bytes with their Pantastic tune The Lost Soul. We’re all super proud of this first
D’ya like your drum ‘n’ bass filthy? Gnarly? Brutal, even? Then Leaf ’s SOUNDCLASH EP is right up your alley. This is MY kind of drum and bass –ripper breaks and thick, thick bass. This one’s going straight to the car stereo to further rattle the speakers’ screws.
Chomping at the bit for the extra hypnotic? Look no further than Ritual Resonance by Porat. This deep, proggy psytrance is emotive and full of tribal energy. Porat’s been developing quite the signature sound, once again delivering pulsating grooves and massive atmos.
Honourable mentions for shorter releases go out to Artmis track Goblin Land, bringing back the old-school psytrance sound with modern energy, and Electric Universe, with their powerful-as-hell, Mongolia.
As with the previous column, I’m also gifting a couple of non-EDM earworms for extra sonic diversity: Fresno band Farooq is an all time fave. Lovers of angry, groovy, metallic hardcore simply MUST check out their The Heat LP. It’s a wall-to-wall masterpiece of frenzied riffs and meaty breakdowns with fiery, poignant lyrics from highly talented frontman Daniel Dominguez.
Dark Nordic folk group Heilung released their second live album and accompanying concert film Lifa: Iotungard. This music is engineered to alter your consciousness with hypnotic chanting, powerful rhythms, and lyrics pulled from dead, ancient languages. They’re touring Oz in November, too, and I can happily attest that there are few live shows that are more transcendental and thunderous.
That’s all from me for this issue. As always, drop me a line if you have any juicy leads for me to cover, and I’ll see you on the dancefloor!
“4-day festival passes are in high demand. A ticket means not only your participation; it’s a contribution to the festival’s vibrant atmosphere. Keep creating art, and we look forward to being inspired by your work.”
- Max Stettner, Dragon Dreaming co-Director
Regardless of your background or gender, being a working artist is harder than ever. Living is increasingly expensive, and options to play, perform or exhibit your art are evaporating. In the unhealthy environment of heightened compliance and regulation, pandemic restrictions and economic instability, many festivals have ceased over the past two years, and with them go the many opportunities for all arts. This has compounded the existing inequities in the representation of diversity. Standing strong and shifting this paradigm by intentionally booking gender-diverse established artists is Dragon Dreaming, who are “super excited to be bringing to Austalia the world’s pioneer, earthshaking, EDM/D&B/bass music producers/DJs.”
Let’s get to know them a bit better, shall we?
dela Moon is a resident and organizer of the Moontribe Collective, whose legendary full moon gatherings have long been at the core of Southern California’s underground electronic music scene.
Her fiery sets under the full moon birthed a new generation of dnb-lovers and cemented her place in SoCal’s dnb scene. She is renowned for her mutli-genre range which bridges the dnb, bass music, techno, and festival scenes. Drawing these progressive influences into each environment she faces, her sets are infused with energy and raw emotion that surpasses the thresholds of any single genre.
The super talented soulful Australian producer/singersongwriter & producer JUMAN, crafts compelling compositions that speak of love, and the nuances of being human. Her music is a textural amalgamation of lo fi, electronic, R&B and neo/future soul, leading with her powerful vocals.
After dropping a series of non chronological releases, her latest Album `Love is All` was featured on Band Camps `Best of Soul releases in June 2022`. JUMAN has been playing her way around the festival circuit of Australia, performing shows at Splendour In The Grass and Strawberry Fields, to name a couple, and recently played as support act for Peaches and Ladi6.
Says Paige Julia, of her recent Anathema EP relase: “It’s four slices of my jungle aesthetic aimed firmly for the dancefloor sound system, engineered to vibrate skin.”
The talented queen wields many-a genre, giving her the upper hand in musical creativity, honing her focus on the ever-evolving bass scene, with dancefloor devastsaing results. This musical aptitude has caught the eye (and ear) of tastemakers such as giants UKF, Deep, Dark, and Dangerous, and 1985 Music. Her music has reached the masses and her following has spread like wildfire.
Eager to continually kinder the flame she’s sparked, Julia’s returned to 1985 Musicfor her jungle-heavy artist debut, Anathema, her set at Dragon is set to blaze.
In more nurturing news, 2024 marks the inaugural Dragon Dreaming The Hatchling competition that aims to platform future careers in the arts. With an epic 330 submissions and over 9000 community votes, the pool of prizes for winners include: – a set of Audio-Technica headphones
– a paid set/exhibition at the 2024 Dragon Dreaming Festival – one photo package + three short reel videos of your set/art at the festival from a pro photographer – mentorship with a professional in your field post event (Producer/DJ
- Pspiralife, Performer - Karina Flow, Visual Art - Visionary Art by Messiah, Photography - Mikey Hearson, Art Install - Amigo and Amigo – a 3m x 6m covered stall space for 3 winners to share/run space together (hand-made jewellers only)
- NIGHT CLUB21 East Row , Canberra , ACT 2601
SINGLE IN FOCUS
PEACH LANE METAL [ ]
Peach Lane, the indie-pop trio hailing from Canberra, has been quietly, almost surreptitiously, crafting a distinct musical presence since their formation in 2018. Madeleine, Pierre, and Hannah have steadily built a reputation, not with bombast or bravado, but with a meticulous, almost conspiratorial, attention to detail.
Their style of contemporary synth-pop is punctuated by sagacious production choices that draw upon the spectral influence of The xx, Lorde, and Bon Iver. Peach Lane’s offerings blend live and electronic textures, creating a happy-sad ambience—a term which, much like the band, defies conventional interpretation.
Since their scintillating debut Take This Day, they’ve been on a path of exploration, extending their reach across state lines and continually expanding their creative horizons.
Their latest track, Metal, begins with an evocative, stuttering intro—a shimmering that feels like the first crack in a mirror. This gives way to an intimate vocal that slices through the sonic ether, setting the stage for a groove tinged with a shuffle beat and layered with a soulful, contemplative band dynamic.
The song navigates through a landscape of poignant interludes—like the pulse of a kick drum that interrupts, only to yield back to a vocal performance that is at once assured and unguarded. It leads into a bridge, or perhaps an alternate verse, dense with stirring sonic waves, vocal incantations, and surges that release an emotional undertow.
The track revolves around its central melodic motif, a hypnotic, sophisticated invitation yet tinged with an unceremonious melancholy. The lyrical imagery is potent and arresting, as shown in the agonizing sweep of lines:
You’re a high-rise I’m a skylight when the sun sets you won’t find me
In all its solitary focus and unsuspecting power, Metal is a testament to Peach Lane’s ability to transform simplicity into something achingly seductive—a quiet revelation.
With its inspired performances, most notably the lead vocal, the track is alluring in its restraint, compellingingly introspective, and rewardingly disarming.
VINCE LEIGH
SOPHIE EDWARDS TRANSIENCE [ ]
With a finesse and confidence to challenge the conventional, performer/songwriter/producer Sophie Edwards again channels her energy into crafting bold and unapologetic songs.
Her journey from the hallowed halls of Berklee College of Music to the sunburnt stages of Australia is marked by an impressive series of accolades. Airplay on triple j Unearthed, triple j Unearthed Spilt Milk comp win, shows at Stonefest, Groovin the Moo, AND a Kimbra collab all underscore her growing influence.
Oh, and her Young Australian of the Year 2023 nom for championing non-male creatives speaks volumes to her impact beyond the music.
Her latest EP, Transience , is an exploration of the ethereal and the earthly, a collection that melds contemporary production with an almost confessional intimacy.
Opening track, 4kInMyBrain , sets the tone with a haunting keys intro before diving into a groove that pulses with hypnotic energy. Sophie’s versatile and arresting vocals navigate the track’s textures with a deft touch.
Oh No! follows with an atmospheric blend of vocals and pads, soon joined by a muted guitar. The refrain, Too much too soon echoes the song’s seductive pulse, while the half-time
section and surprise drops add a layer of complexity. The ambient outro lingers, leaving a resonant echo in its wake. Chest strips it back to focus on the power of the acoustic guitar and Sophie’s raw, restrained vocals. The vulnerability found here, especially in the higher notes, cut through the track’s simplicity with a stark, emotional clarity.
Four Walls and A Telephone offers a consistent groove, where a melodic ease with intertwining vocal parts creates a soothing, intricate production. The evolving dynamics make for a listening experience that is both fluid and engaging.
The title track, Transience , is the EP’s atmospheric pinnacle. The verses are shrouded in an ambient soundscape, with a chorus that lays bare Sophie’s vocal prowess. The meticulous production ensures every lyric and note reverberates with intent and emotion. Transience is a study in contrasts: bold yet intimate, contemporary yet reaching for the timeless.
Sophie Edwards has crafted an EP showcasing her technical prowess— in writing, producing, and performing—while revealing her talent for forging personal connections through her music.
This release solidifies her standing as a noteworthy and promising new force in the Australian music scene
VINCE LEIGH
EP IN FOCUS
SPACEMAN AFRICA THE MUSICAL
IT’S NOT ROCKET SCIENCE [ ]
Spaceman Africa, the comedic rock provocateur from Canberra, Australia, is a maestro of mischief in a musical world of his own invention.
Pioneering the “Rock & LOL” genre, he mixes sharp wit with earworm melodies, crafting songs that encapsulate life’s absurdities. His narratives leap from a drunken name change in Ireland to the foolhardy bravado of fire-breathing, all the while underpinned by a merry band, Spaceman Africa the Musical. This entourage has carried him through a series of 2023 singles, culminating in the 2024 album Full of Plates and Screws. Now, he returns with a piano-driven EP, as audacious as it is introspective.
The opening track, I’ve Now Got Big Jugs , thrusts us into the world of clinical trials, in which Spaceman once treaded as a young, wandering soul. The title alone brims with bravado, daring listeners to confront its eccentricity head-on.
Here, Spaceman plays the fool, but the kind who knows exactly what he’s doing. It’s a romp through the chaos of medical research, where the mishaps are as inevitable as they are bewildering.
Stripped back to a stark piano, the song becomes a theatre of the absurd, a critique cloaked in laughter. Spaceman’s zeal for the ludicrous is unmistakable, a contagious joy that turns the mundane into a bawdy bacchanal. As the piano and shuffle groove swirl, you’re invited to partake in a madcap narrative where the stakes are low, but the pleasure is palpable.
This is followed by I’ve Got Five Needles in My Butt Cheek , a title that defies decorum with a grin, revealing a saga of physiotherapeutic misadventure. The tale unfolds with a piano that seems to channel the spirits of countless barroom pianos before it— boisterous, unapologetic, and wonderfully unsophisticated.
Spaceman’s voice comes in, his delivery both candid and convivial, recounting the farcical overreach of an eager therapist. The sparse arrangement, just piano and voice, leaves no room for artifice; it’s a direct line to the humorously painful truth of dry needling gone awry.
The Threesome That Never Was closes this triad with a shift in tone. A pensive piano is joined by a narrative drenched in unfulfilled desire and the comedy of errors. The title says it all, really: an almost-there tale of erotic escapade, where every near-miss is a testament to premature celebration.
tinged with the melancholy of missed opportunities, yet always ready with a wink and a nudge. The song becomes a paradox—a lamentation that’s also a joke, an anticlimax that’s somehow more
On this EP, Spaceman Africa navigates the line between parody and pathos with the ease of a self-aware jester. It’s a study in absurdity, a laugh that knows
He’s the rogue minstrel of a world that’s lost its mind, and we’re all
The Extraordinary Ordinary Days
Billed as the ‘best musical you’ve never heard of’, Ordinary Days is coming to The Q, and if you’ve been looking for something uplifting to propel you from winter to spring, we may have found it. That’s because Ordinary Days – playing at The Q from 5-7 September – is no ordinary musical.
By Beatrice Smith - Managing Editor, Her Canberra
“I think when most people think musical theatre, they think of jazzy musical numbers, razzle-dazzle, you know,” explains Vanessa Valois, who plays Deb in Ordinary Days. “This musical is not that.
“It’s small, intimate – like watching your favourite TV show with your favourite characters and going on an intimate journey with them.”
Billed as a “hug’ of a musical”, Ordinary Days centres on four characters and follows their New York City-based lives over a handful of days, ample time to form a deep connection.
There’s Warren, the struggling artist; Deb, the driven graduate student; and Jason and Claire, a couple taking the bold step of moving in together for the first time.
While Ordinary Days is a “sung-through” musical, Vanessa says it’s easier to describe it as a play because of the “gorgeous music and underscoring” and each character's personal, relatable storylines.
Characters such as her role of Deb, who Vanessa describes as searching for her place in the world.
“She’s got huge ambition but doesn’t know how to get there or what she truly wants. She only knows that she wants to do something great,” Vanessa explains. “So, she’s going 100 miles an hour trying to get to something great without really taking stock of whether she’s enjoying the process or even wants to be on that journey in the first place.”
Not only is this four-person show a heart-warming treat for audiences, but Vanessa says it was also a creative joy
for the cast and crew. In fact, the production was like a warm rock to cling to in the choppy seas of 2020, with first rehearsals taking place during the Covid lockdowns in 2020. During a time when larger productions ground to a halt, the comparatively small cast offered a lifeline.
“It made me just cherish every rehearsal,” Vanessa enthuses. “It was such a privilege to be rehearsing something and being in a room with people who are just wildly talented.”
Four long years later, Ordinary Days is finally able to be staged as part of The Q Locals series.
Vanessa couldn’t be happier.
“The ultimate takeaway from this musical is about finding the beauty in everyday things; catching those small glimpses of life that are gorgeous, and embracing that.
“It’s a different show,” Vanessa says in closing. “It’s not a show you see [being staged] often. But it is so beautiful.”
Ready to end your winter with a warm hug? Tickets to Ordinary Days are on sale now via The Q, Queanbeyan Performing Arts Centre. From 5-7 September, $30 – $59.90 via venue
THU 29 AUGUST
[Film] What Ever Happened To Baby Jane?
A classic take on sibling rivalry and a pivotal film for Hollywood stars Bette Davis and Joan Crawford. 6pm, $16/12 via NFSA
NFSA ACTON (ARC CINEMA)
Friendly Jordies: A Call to Neck Beards
Following the success of A Tale As Old as Rome, Jordan is back with his latest attempt to convince anyone who disagrees with him about very niche conspiracy theories is wrong. 6:30pm, $50 via OzTix
THE BASO
Chris Cain (USA)
US Blues guitar master Chris Cain returns to the HGC. Offering up a soulful stew of Memphis style electric blues, his powerfully deep vocals & blues guitar riffs are unforgettable; reminiscent of the legendary BB King & Albert King. 8pm, $48.02 to $68.92 via Humanitix
HARMONIE GERMAN CLUB
FRI 30 AUGUST
Night at the MuseumPLAY!
Get your game on for a night of neon, mixtapes, skate stunts and epic dance moves as we rewind to the '90s for Night at the Museum PLAY! 6:30pm, tickets $25-$30 +bf via Eventbrite
NATIONAL MUSEUM OF AUSTRALIA
Immorium
Poised to wear that crown of World Class Metal is melodic death metal band Immorium as they announce their first ever tour of Australia in August 2024. 7pm, tickets $24.50 via OzTix
THE BASO
Tori ForsythPast and Present Tour
Come down to The Polo for a night of songs, stories and country music. If you're a fan of Zach Bryan and Kacey Musgraves, you will love Tori Forsyth. 7pm, tickets $20 via Humanitix
LIVE AT THE POLO
RedHookBreaking Up With Tour
It's been 16 months between Soju shots, but this August and September, Sydney/Eora-based alt-rock powerhouse RedHook will be supersizing the party with their biggest headline shows to date. 7:30pm, $40.53 via Moshtix
UC HUB
Cult Classics with Venus Mantrap - A Nightmare on Elm Street
If Nancy doesn’t wake up screaming, she won’t wake up at all. Includes an introduction and live performance by Venus Mantrap, local drag artist and culture warrior. 8pm, tickets $16/14 via NFSA
NFSA ACTON (ARC CINEMA)
Sarah Stewart - Midwife Crisis trial show
Sarah Stewart is a seasoned midwife who is going to be dishing dirt on life, love, and the labour ward. Supported by Caitlin Maggs and Jelin Jiang. 8pm, $15 via Smith's Alternative SMITH'S ALTERNATIVE
Chris Harland Blues Band
The simplest formula. The maximum impact. The Chris Harland Blues Band has the command and the precision to nail every number they play. Every CHBB set remains a memorable, musical event, revisiting the best of the blues standards: B.B. King, Buddy Guy, Muddy Waters et al. 8pm, free entry
DICKSON TAPHOUSE
SAT 31 AUGUST
[Film] Cool Hand Luke
Old-school Hollywood fun and classic quotes abound in this cherished prison chain-gang drama. 1pm, $16/12 via NFSA NFSA ACTON (ARC CINEMA)
[Film] In FabricSpotlight on Ari Wegner
A killer dress haunts its wearers in this acclaimed fantasy horror from Peter Strickland. Part of a four-film spotlight on pioneering Australian cinematographer Ari Wegner. 6pm, $16/12 via NFSA NFSA ACTON (ARC CINEMA)
Jazz Haus: Jeremy Rose Quartet
ARIA Award winning Jeremy Rose is a prolific saxophonist, composer and educator from Sydney and will showcase his incredible talent at the next Jazz Haus event. 7pm, $45 / $38 via TicketTailor TUGGERANONG ARTS CENTRE
Dane Simpson –Always Was, Always Will Be… Funny
Dane comes from a long line of funny buggers. A wise-cracking Dad, a cleverly cutting Mum, hilarious grandparents, and generations of jokers, pranksters and yarnspinners. Now Dane is here, putting the ‘Rad’ into ‘traditional’. 7pm, $25 FUN TIME PONY
Brass Knuckle + Lonely Fates + This Way Orkestra
A night of sonic awareness as three local bands take to The Polo stage to create heavy brass, folk, and dance floor energy. 7pm, $20/$25 via Humanitix
LIVE @ THE POLO
HEDY! The Life & Inventions of Hedy Lamarr
Unearth the truth behind how Hedy, a glamorous actress, could create an invention which launched today's wireless technology revolution! 7:30pm, $29 - $35 + bf via venue THE STREET THEATRE
SUN 1 SEPTEMBER
FILM + MUSIC: Reggae + Roots Edition w/ Zambezi Sounds + Trojan Records
Documentary
Local community radio station
ArtSound FM teams up with Live @ The Polo and Clandestino to offer a unique afternoon of film and live music! You'll be treated to a film screening (with popcorn!) and local music. Film at 12pm, live music from 2pm - 4:30mpm, $20$30 via Humanitix
LIVE @ THE POLO
Best of BrassMagic & Miracles
Celebrate Father's Day with CSO Brass at Albert Hall. Enjoy music from Mozart's The Magic Flute, quintets by Koetsier and Arnold, rare motets by Aleotti, and Cohen's iconic Hallelujah. 2pm, $16-$52 via CSO website
ALBERT HALL, YARRALUMLA
Melbourne Ska Orchestra w/ Chutney
Following on the success of a monster 20th-anniversary tour, which included headline festival performances in Mexico and Indonesia, Melbourne Ska Orchestra return with their signature "International Ska" sound and energy-packed live show. 5pm, $66.30 via OzTix
THE BASO
Majak DoorFantasy Camp Tour
Psychedelic indie rock outfit
Majak Door will be embarking on their most ambitious and exciting headline tour yet. 5pm, tickets $29.99 via OzTix
THE BASO
TUE 3 SEPTEMBER
Bury Tomorrow (UK)
Exclusive Canberra Headline
Don't miss Bury Tomorrow as they make an exclusive Canberra stop. 7pm, tickets $54.90 via Moshtix
UC HUB
THU 5 SEPTEMBER
CSO Down South: Brilliant Brass
CSO Down South returns to Tuggeranong Arts Centre with a selection of brilliant brass treasures. 6pm, tickets $38/$32 via TicketTailor
TUGGERANONG
ARTS CENTRE
Big Dead - Pure As The Wine Dark Sea Tour with Lucy Francesca Dron & Lost Coast
Big Dead has developed a reputation as a group of sonic alchemists; ever changing and transforming disorder into harmony through their idiosyncratic writing and mesmerising live performances. 7pm, $24.50 via OzTix
THE BASO
Reece MastinOne Night Stands Tour
You know the name and you’ve heard the voice that never disappoints! Reece Mastin is back with a brand new show full of all your favourite hits from across his ever-growing catalogue and career. 7pm, $35.20 via OzTix
THE BASO
A Double Bill from Marcel and Katie Cole
Two shows, two performers, one ticket! Join mother and son Katie Cole and Marcel Cole as they preview their brand new solo shows for the first time ever before the Sydney Fringe! It will be rough, it will be raw and it will be a lot of fun. 7pm, $20/$10 via venue SMITH'S ALTERNATIVE
August: Osage County
A vanished father. A pillpopping mother. Three sisters harboring shady little secrets. When the large Weston family unexpectedly reunites after Dad disappears, their Oklahoman family homestead explodes in a maelstrom of repressed truths. 7:30pm, $42/$36/$30 ACT HUB
Ordinary Days
Refreshingly frank, fast-paced and funny, Ordinary Days is about making real connections in the city that never sleeps (but probably should at some point). Running 5 - 7 September, 7:30pm, from $30 via theq.net.au
THE Q - QUEANBEYAN PERFORMING ARTS CENTRE
FRI 6 SEPTEMBER
Straight Arrows Surface World Album Launch
Straight Arrows are exceptionally proud to present their brand new album Surface World! 7pm, $20 via Humanitix LIVE AT THE POLO
Liam Cooper's King of the Keys
Join Australia’s pianoman Liam Cooper for a thrilling live concert event to celebrate the music of Elton John, Peter Allen, Billy Joel, Stevie Wonder, Freddie Mercury, Ray Charles and more. 7:30pm, from $49.90 via theq.net.au
THE B - QUEANBEYAN PERFORMING ARTS CENTRE
DJ Paisa Salsa Night
First Friday of every month, Old Canberra Inn hosts a Salsa Night so get your grooves ready and be prepared to hit the dance floor! 8pm, free OLD CANBERRA INN
The Omnific - The Law Of Augmenting Returns
Australian Tour w/ Lune
To celebrate the release of The Omnific's brand new album, The Law Of Augmenting Returns, the world’s most prominent bass driven instrumental rock act will hit the road and take their awe inspiring live show across the nation this September. 8pm, $29.90 via OzTix
THE BASO
SAT 7 SEPTEMBER
Battle of the Breweries
Battle of the Breweries is back! Mountain Culture Beer Co. & Reckless Brewing Co will compete against each other to secure a spot in the grand final at the Dickson Taphouse. 12pm, free entry
DICKSON TAPHOUSE
Chicago - The Musical Murder, greed, corruption, exploitation, adultery, treachery … and All That Jazz. And so begins the international multiaward-winning musical. 2pm, $69.70-$199.90
CANBERRA THEATRE
'80s Tribute Night
Shananigans Entertainment is proud to present ten amazing acts performing over two stages, covering the likes of: Madonna, INXS, Cyndi Lauper, U2, Phil Collins, Tina Turner, Billy Idol, Divinyls, Violent Femmes, Devo and more. 7pm, $40 via OzTix
THE BASO
SUN 8 SEPTEMBER
Swing into Spring
Get ready to swing into spring with Leisa and the Keen Kats, Canberra’s littlest big band with a big sound! 2pm, $40 via venue
THE B - QUEANBEYAN PERFORMING ARTS
CENTRE
Leila - Uncover EP Launch ft NeonHoney
Leila celebrates the launch of her debut EP Uncover with her full band. NeonHoney will be opening the afternoon. 3pm, $25 + bf via Humanitix
GANG GANG CAFE
TUE 10 SEPTEMBER
Pauly FenechOutback Outlaw
Comedian Pauly Fenech’s 2-hour Outback Outlaw show features punter games, parody songs, stand-up and never-before-seen footage in a bourbon fuelled Boganomical Multimedia comedy spectacular. Plus, of course, his world renowned Thonging. 7pm, $40.30 via OzTix
THE BASO
WED 11 SEPTEMBER
Bleeding Through (USA)
Never say never. The renowned Bleeding Through is back to give you a dose of metalcore-razing like never before. 7pm, tickets $57 via OzTix
THE BASO
Late NovemberStay A While Tour
Come along to the UC Hub this September to catch Late November on their Stay A While east coast tour. 7pm, $24.90
UC HUB
Slap. Bang. Kiss. When their stories go viral and the whole world is watching, what will these young people do next? 7:30pm, tickets from $30 via theq.net.au
THE Q - QUEANBEYAN PERFORMING ARTS CENTRE
FRI 13 SEPTEMBER
Make Some Noise!
Make Some Noise! is a comedy concert for humans aged 4-400. Join the maestros of mirth Rich and Matt, as they belt out a bunch of songs with the LOLs turned up to 11. 6pm, from $25 via theq.net.au
THE Q - QUEANBEYAN PERFORMING ARTS CENTRE
90% HitsA 90s Tribute Show
90% Hits, the ultimate tribute band, are bringing back the nostalgia of the '90s. 7pm, $23.44 via OzTix
THE BASO
Charli XCX Brat Release Party - Canberra Attention Angels! Get ready to hear all your fav club classics
at our Brat Release Party. Superficial DJs will be spinning every song from Brat, as well as all your favourite Charli XCX tracks AND the best dancepop anthems all night long! 7pm, $20 via OzTix
THE BASO
Timebomb - The Leftards, Matriarch, Rawrus Tongue Political fun punkers The Leftards are joined by Canberra's finest, Matriarch, and the next-level rock stylings of Rawrus Tongue. 7pm, tickets $10 via OzTix
THE BASO CANBERRA
In A Nutshell: The Poetry of Violence
Join Artistic Director Peter Evans and a crack team of actors as they jump from scene to scene and play to play across Shakespeare's works, exploring the poetry of violence with relish and delight. 7pm, $40–$100 via Canberra Theatre
CANBERRA THEATRE
SAT 14 SEPTEMBER
64-Bit Big Band Videogame Music Night
Calling all denizens of the videogame world! Come out for a great night of videogame music past and present, performed by ConneXion Big Band and friends, and directed by Justin Buckingham. 4pm, $25 adult, and concession options, via Humanitix
HARMONIE GERMAN CLUB
Kirsty WebeckI'll Be The Judge Of That After selling out both her shows at Canberra Comedy Festival, we thought we’d better put on an encore performance. 7pm, $35
FUN TIME PONY
Festival 15
Join some of Canberra's finest up and coming bands for a high paced mixed bill showcase stretching across the two stages of The Baso. 7pm, $15 via OzTix
THE BASO
ENTERTAINMENT GUIDE
The Gaudy BallGlittering Garbage
Celebrating the art of Glittering Garbage in all of its forms, The Gaudy Ball promises to be an unashamedly extravagant night of performance art. Featuring the finest in drag, burlesque, cabaret and extreme silly business from Venus Mantrap, Frankie McNair, Guy Alias, DJ Tachérie and, of course, your hostess with the mostess, Bambi Valentine. 7pm, $25 presale, or $30 on the door (if available)
THE POLO
In A Nutshell:
The Poetry of Violence
Join Artistic Director Peter Evans and a crack team of actors as they jump from scene to scene and play to play across Shakespeare's works, exploring the poetry of violence with relish and delight. 7pm, $40–$100 via venue
CANBERRA THEATRE
XACTO and Doxxed
A fine double bill with the classic black-and-whitechecked ridiculously ska noises of Doxxed, followed by XACTO’s channelling of the intelligent, infectious post-punk pop of Swindon’s finest, XTC. Make plans for fun! 7:30pm, free entry THE POT BELLY
WED 18 SEPTEMBER
2024 ST. ALi
Italian Film Festival
The 2024 ST. ALi Italian Film Festival presented by Palace returns with a program of the best new Italian films and classic gems in Sydney, Melbourne, Brisbane, Perth, Adelaide, Canberra, Byron Bay and Ballina from 18 Sep to 23 Oct. 6:30pm, $22 via Palace Cinemas. Full program to be found at cinema website
PALACE ELECTRIC Creedence
Clearwater Collective
Celebrate the music of one of the world’s most iconic bands – from the songs they wrote, to the songs covered, to the songs they wrote for others. 7:30pm, from $49 via theq.net.au
THE B - QUEANBEYAN PERFORMING ARTS CENTRE
FRI 20 SEPTEMBER
DREAMS - Fleetwood
Mac
& Stevie Nicks Tribute
Surrender to the enchantment of Dreams, as we create a Fleetwood Mac Tribute spectacle with everything from outfits to choreography to guitar leads to harmonies and, of course, all their iconic songs.
7pm, $43.35 via OzTix
THE BASO
Mamma Mia! The Musical Tribute Party
Attention all Dancing Queens, Super Troupers, Chiquititas and Fernandos… It’s time to say Thank You for the Music with us!
7pm, $20 via OzTix
THE BASO
Work, But This Time Like You Mean It
Canberra Youth Theatre's new show is an unhinged deep-fryer dive into the lives of overworked, underpaid, underaged wageslaves, trapped in a fried chicken time loop. It’s fricken tasty. 7:30pm, $20–$35 via Canberra Theatre Centre
CANBERRA THEATRE CENTRE
Electric Light Orchestra Show
This brilliant 6-piece show features some of Sydney’s finest musicians, and Dion’s voice will have you believing it’s Jeff Lynne up on stage. 8pm from $35 via theq.net.au
THE B - QUEANBEYAN PERFORMING ARTS CENTRE
SAT 21 SEPTEMBER
Work, But This Time Like You Mean It
Canberra Youth Theatre's new show is an unhinged deep-fryer dive into the lives of overworked, underpaid, underaged wageslaves, trapped in a fried chicken time loop. It’s finger-lingling good. Shows at 5pm & 7:30pm, $20–$35 via Canberra Theatre
CANBERRA THEATRE
Canberra Choral SocietyThis Shining Night
An early evening concert of beautiful choral music from North America. 6:30pm, $30 to $50 +bf via Trybooking WESLEY UNITING CHURCH, FORREST
The Letdowns + Guests
A night of punk rock featuring The Letdowns with support from The Strikeouts, The Pingers, and Matriarch. 7:30pm, $10 on door THE POT BELLY
Aloha From HawaiiElvis Presley Tribute
Join three remarkable performers on a spellbinding journey through the many eras of the legendary Elvis Presley. 8pm, from $49.50 via theq.net.au
THE B - QUEANBEYAN PERFORMING ARTS CENTRE
Dallas Frasca LP Launch
Expect a fierce and authentic collection of songs from the dazzling mind of Melbourne roots rock icon Dallas Frasca to celebrate the release of her new solo album, Force of Nature
With James Southwell. 9pm, $40 SMITH'S ALTERNATIVE
SUN 22 SEPTEMBER
Tom WoodwardRevolving Doors Launch Canberra-raised troubadour
Tom Woodward’s Australian gothic folk album will be launched amongst a line-up of legendary Canberra bands and artists, transporting the audience into the rustic dreamscape of Revolving Doors
4pm, $25 presale via Humanitix or $30 on the door
LIVE AT THE POLO
Work, But This Time Like You Mean It
Canberra Youth Theatre's new show is an unhinged deep-fryer dive into the lives of overworked, underpaid, underaged wage-slaves, trapped in a fried chicken time loop. It’s fricken tasty. 7:30pm, $20–$35 via Canberra Theatre Centre CANBERRA THEATRE
Joe Camilleri & The Black Sorrows
The joy of live music, the excitement of watching great performers, and the thrill of that old The Black Sorrows’ magic is what these gigs are all about!
Do not miss your chance to see tah 'Sorrows in action. 7:30pm, from $54.90 via theq.net.au
THE B - QUEANBEYAN
PERFORMING ARTS CENTRE
TUE 24 SEPTEMBER
Comedy Storytellers
Experience six captivating stories told by comedians Suma Iyer, Tim Bohm, Brad Knagge, Nivi Ivin, Dom and Marky Worthington. 7pm, $20 via OzTix
THE BASO
Charlie Musselwhite
@ The Zeppelin Room
Grammy-Award winning Charlie Musselwhite will be bringing his excellent touring band with him including Kid Andersen on guitar plus guest support Fiona Boyes. 7pm, $80-$85 via CBS website or $90 at the door
HARMONIE
GERMAN CLUB
WED 25 SEPTEMBER
Work, But This Time Like You Mean It
Canberra Youth Theatre's new show is an unhinged deep-fryer dive into the lives of overworked, underpaid, underaged wage-slaves, trapped in a fried time loop.
7:30pm, $20–$35 via venue
CANBERRA THEATRE
THU 26 SEPTEMBER
Hardcore vs Metal - Body Shirt, Wretched Arms, Inherit Nothing, Sertra
A night where hardcore and metal join forces to showcase some of the most exciting Oz talent from both genres. 7pm, $18.40 via OzTix
THE BASO
Work, But This Time Like You Mean It
Canberra Youth Theatre's new show is an unhinged deep-fryer dive into the lives of overworked, underpaid, underaged wage-slaves, trapped in a fried chicken time loop. It’s fricken tasty.
7:30pm, $20–$35 via Canberra Theatre Centre
CANBERRA THEATRE
Vanessa Larry MitchellTeardrops On My Dildo Fabulous, filthy and downright hilarious! Brace yourselves for a wild ride of side-splitting hilarity with the modern-day Queen of Sass. 8pm, $49 + bf via venue
THE STREET THEATRE
FRI 27 SEPTEMBER
Essence Metal+ FestivalDay 1
The inaugural Essence Festival is a diverse and extreme music festival spanning across two days. While metal is a core focus, it is curated to represent high-quality acts from other genres. Featuring Abramelin, Impetuous Ritual, Midnight Odyssey, Altars, Host, The Veil, Subterranean Disposition, and Delays Have Dangerous Ends. 2pm, $90 via OzTix (2-day pass)
THE BASO
ENTERTAINMENT GUIDE
Lakeside at 5: Rachael Thoms Trio
Versatile vocalist Rachael Thoms is joined by two of Canberra’s most sought-after musicians, guitarist Lachlan Coventry, and bassist Chris Pound in the next installment of Tuggeranong Arts Centre’s monthly jazz program: Lakeside at 5. 5:30pm, entry by donation on the door TUGGERANONG ARTS CENTRE
Work, But This Time Like You Mean It
Canberra Youth Theatre's new show is an unhinged deep-fryer dive into the lives of overworked, underpaid, underaged wage-slaves, trapped in a fried chicken time loop. It’s fricken tasty. 2pm, $20–$35 via Canberra Theatre CANBERRA THEATRE
SAT 28 SEPTEMBER
Drum & Space - Spacethemed D&B Party
Dive into a sci-fi party where your moves unlock the extraordinary. Dress up and immerse yourself in a night of electrifying beats and cosmic adventure. With top D&B DJs fuelling your journey. 9pm, $40 via Humantix
THE VAULT, DAIRY ROAD
Essence Metal+ Festival - Day 2
The inaugural Essence Festival is a diverse and extreme music festival spanning across two days. While metal is a core focus, it is curated to represent high-quality acts from other genres. Featuring Spire, Whitehorse, Carcinoid, Convulsing, Sow Discord, Luman ad Mortem, Malignant Aura, Mondernte (Iceland), Soma Plume, Blood of a Pomegranate, Black Aleph, Blight Worms, Wicked Sisters, Sulphur Garden, Cheap Coffins, and Street Trash. From 2pm, $90 via OzTix (2day pass)
THE BASO
Work, But This Time Like You Mean It
Canberra Youth Theatre's new show is an unhinged deep-fryer dive into the lives of overworked, underpaid, underaged wage-slaves, trapped in a fried chicken time loop. It’s fricken tasty. Shows at 5pm & 7:30pm, $20–$35 via Canberra Theatre Centre CANBERRA THEATRE
SUN 29 SEPTEMBER
Work, But This Time Like You Mean It
Canberra Youth Theatre's new show is an unhinged deep-fryer dive into the lives of overworked, underpaid, underaged wage-slaves, trapped in a fried chicken time loop. It’s fricken tasty. 1pm, $20–$35 via Canberra Theatre CANBERRA THEATRE
THU 3 OCTOBER
Toby Mobbs with Gia Ransome & Joel William Harrison
Albury singer-songwriter Toby Mobbs will be on the road for another national tour this October to promote his second album, In Between The Words 7pm,$13.30 via OzTix
THE BASO
FRI 4 OCTOBER
Stokesy Live
Head down to the George Harcourt for a Friday evening with solo artist Stokesy and friends. 6pm, free entry
GEORGE HARCOURT INN
DICE -
Midnight Zoo Album Tour
Announcing their biggest venues yet across Australia & New Zealand, the AU/NZ leg of the tour will make its way around a mix of regional towns and capital cities, kicking off in September. 7pm, tickets $45.40 via OzTix
THE BASO CANBERRA
DJ Paisa Salsa Night
First Friday of every month, Old Canberra Inn is hosting a Salsa Night so get your grooves ready and be prepared to hit the dance floor! 8pm, free OLD CANBERRA INN
Ray O'LearyYour Laughter Is Just Making Me Stronger
Deadpan delivery in an iconic grey suit paired with a sharp wit and awkward bravado. 7pm, $35.70 + bf via venue
THE STREET THEATRE
SAT 5 OCTOBER
Middle Kids
Grab your tickets to catch Middle Kids. 7pm, tickets
$69.90 via Moshtix
UC REFECTORY
Glenn Hughes Performs
Classic Deep Purple
Celebrating the 50th Anniversary of the album Burn played by THE Glenn Hughes, the former bassist, and singer of Deep Purple, known to millions as the ‘Voice of Rock’ and Rock and Roll Hall of Fame inductee. 7pm, $81.55 via OzTix
THE BASO
Witchskull Residency
Witchskull celebrate their 10th anniversary this October with a four-show residency performing each of their four LPs in their entirety over four separate Saturdays at The Baso's Abyss Bar. 7pm, tickets $20 via OzTix
