PERSONAL PORTFOLIO

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IN THIS PORFO LIO IS BORJA COLOM´S WORK @BORJACOLOM+34649011255

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ARCHITECT ARTIST AND CINEMATOGRAPHER BORJA COLOM BORJACOLOMBOFARULL@GMAIL.COMBORJACOLOM.COMBOFARULLL SHOWN

EVERY PICTURE

BACHELOR IN 2016-2020ARCHITECTURE,

ITALIAN BASIC

AutoCad: High Rhinoceros: High Photoshop/Illustrator/Indesign: High Lumion: High Procreate: High ArchiCad: Mediu Sketchup: High Premiere/After Effects: High Unreal Engine: Mediu Web Design: High Blender :

3 COMPUTERLANGUAGESEXPERIENCESTUDIESSKILLSIEUNIVERSITY

ARTIST OF ART EXHIBITION CORNER SERIES, CASA DECOR, MADRID JUNE-JULY 2021

GUMUCHDJIAN ARCHITECTS, LONDON FEBRUARY-JUNE 2018 FLUENT

ARTIST AND CURATOR OF ART EXHIBITION LIQUID ARCHITECTURE, GARNA, MADRID DECEMBER 2020

SPANISH NATIVE ENGLISH

UNIVERSIDAD ANÁHUAC CDMX, FALL SEMESTER 2019

PUBLICITY VIDEO PRODUCTION, SPAIN SOLOIO, GLOVALNIEVE, WINEX, POMPEI, MINTERRAIL, BIENMESABE

ARTIST AND CURATOR OF ART EXHIBITION ABSTRACT ARCHITECTURE, DODAK, MADRID MAY 2021

CNS RECUERDO MADRID, HIGHSCHOOL 2014-2016

ZULUAGA ARQUITECTOS, MADRID NOVEMBER 2021- APRIL 2022 CO-FOUNDER OF NOMULABS SEPTEMBER 2021-2022

INTERIOR DESIGN VIDEO PRODUCTION, ALMERIA BAHIO HOTEL, NIJAR 2021

SIMPLICITY SHAPED INTO MY OWN STYLE. TREASURING THE UNTHINKABLE IN ORDER TO FIND UNIQUENESS

Through out the last years I have aimed to achie ving things that seemed different from the or dinary. Showing something so different and so “yourself” to the world and not failing on the attempt only pushes you forward into giving your best at any time.

PROJECT INDEX 1. F. A. I. S. U, 2021 2. Vatnsbraut, 2019 3. The Drone City, 2020 4. The Library, 2019 5. The Bolom Chair, 2021 6. The Gallery House, 2020 8. Liquid Achitecture, 2022 31272319151107

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7 2021

The figure of the artist is provided with a residence in order to plan and create the artwork on site. Thus, all the artwork exhibited at the museum is created in order to work with the architecture surrounding it, MADE IN SITU.

ARTIST

PROJECT SITE PLAN ENTRANCE TO

One of the fields in which we find La Patacona most outcasted from the heart of Valencia was the cultural network. The closest museum to the site is located 50 minutes away by public transport leaving a massive void in the neighbourhoods cultural education. Not only lacking in cutural needs, La Patacona contains a small amount of public spaces apart from the beach and some in between residence small plazas.

FAISU PFG BORJA COLOM ARTIST STUDIO ART PIECE MUSEUM ARTIST STUDIO ART PIECE MUSEUM ART PROCESS

One of the fields in which we find La Patacona most outcasted from the heart of Valencia was the cultural network. The closest museum to the site is located 50 minutes away by public transport leaving a massive void in the neighbourhoods cultural education.

ARTISTS RESIDENCE ARTISTS STUDIO EXHIBITION AREAS INSIDE BODEGAS EXHIBITION AREAS THE SPINE

DESIGN STRATEGYLINEARCIRCULATIONONESINGLESPINESUCCESFULINEXHIBITIONSPACES SPINE BUILDING THE CIRCULATION IS MADE PHYSICAL INTO THE SPINE BUILDING. THE WAY IN COLLIDES WITH THE WAY OUT CREATING DIFFERENT SPACES IN/OUT THE SPINE IS MANTAINED AS THE PATH EXCEEDS ITS LIMITS. PRIVATE CREATIONCREATOR PUBLIC The design of the whole compound begins with the path, a linear circulation takes the shape of a spinal building that crosses and orders the whole compound. FULLFILL THE PROJECT AIMS TO FULLFILL THE NEEDS OF THE NEIGHBOURHOOD BY INTEGRATING A PUBLIC PLAZA AND A LARGE PARK NEXT TO THE COMPOUND RELATION THE CIRCULATION STRIP DIVIDES THE PUBLIC FORM THE PRIVATE AND CONNECTS THE CREATOR WITH THE CREATION + + THE EXISTING BODEGAS VINIVAL, ACTING AS THE HEART OF THE PROJECT THE SPINE TRANSVERSAL TO THE EXISTING LEADING THE CIRCULATION CREATINGLANDSCAPEAPLAZA,A PARK AND COVERING THE ADDITIONAL PROGRAM EXISTING MUSEUM + RESIDENCE + PLAZA MUSEUM + RESIDENCE

ART PROCESS

DESIGN STRATEGY PLAZA

STUDIO ART PIECE MUSEUM ARTIST STUDIO ART PIECE MUSEUM

Not only lacking in cutural needs, La Patacona contains a small amount of public spaces apart from the beach and some in between residence small plazas.

FAISU PFG BORJA COLOM

SITE ANALYSIS

DESIGN STRATEGY

The figure of the artist is provided with a residence in order to plan and create the artwork on site. Thus, all the artwork exhibited at the museum is created in order to work with the architecture surrounding it, MADE IN SITU.

SITE ANALYSIS

The proposal is named FAISU after Fabrica de Arte In Situ ( On site art factory ) and its based on a new perspective to the art process

DESIGN STRATEGYLINEARCIRCULATIONONESINGLESPINESUCCESFULINEXHIBITIONSPACES SPINE BUILDING THE CIRCULATION IS MADE PHYSICAL INTO THE SPINE BUILDING. THE WAY IN COLLIDES WITH THE WAY OUT CREATING DIFFERENT SPACES IN/OUT THE SPINE IS MANTAINED AS THE PATH EXCEEDS ITS LIMITS. PRIVATE CREATION PUBLIC The design of the whole compound begins with the path, a linear circulation takes the shape of a spinal building that crosses and orders the whole compound. FULLFILL THE PROJECT AIMS TO FULLFILL THE NEEDS OF THE NEIGHBOURHOOD BY INTEGRATING A PUBLIC PLAZA AND A LARGE PARK NEXT TO THE COMPOUND RELATION THE CIRCULATION STRIP DIVIDES THE PUBLIC FORM THE PRIVATE AND CONNECTS THE CREATOR WITH THE CREATION + + THE EXISTING BODEGAS VINIVAL, ACTING AS THE HEART OF THE PROJECT THE SPINE TRANSVERSAL TO THE EXISTING LEADING THE CIRCULATION CREATINGLANDSCAPEAPLAZA,A PARK AND COVERING THE ADDITIONAL PROGRAM EXISTING MUSEUM + RESIDENCE + PLAZA MUSEUM + RESIDENCE

The proposal is named FAISU after Fabrica de Arte In Situ ( On site art factory ) and its based on a new perspective to the art process

THE PROPOSAL IS NAMED FAISU AFTER FABRICA DE ARTE IN SITU ( ON SITE ART FACTORY ) AND ITS BASED ON A NEW PERSPECTIVE TO THE ART PROCESS. AS AN OPPOSITION TO THE REGULAR PROCESS IN WHICH THE ARTIST, LOCATED IN HIS STUDIO, CREATES AN ART PIECE WHICH IS LATER EXHIBITED ON A MUSEUM, THE PROPOSED CONCEPT EMBRACES THE WHOLE PROCESS IN ONE ARCHITECTURAL COMPOUND, LEFT EXPOSED TO THE INCOMING VISITORS. THE GURE OF THE ARTIST IS PRO VIDED WITH A RESIDENCE IN ORDER TO PLAN AND CREATE THE ARTWORK ON SITE. THUS, ALL THE ARTWORK EXHIBITED AT THE MUSEUM IS CREATED IN ORDER TO WORK WITH THE ARCHITEC TURE SURROUNDING IT, MADE IN SITU.

QONKHGDCBAJPRSUVXZ3321 WQONKGEDCBALPRSUVYZ 4. 10. 11. 12. 15.14.13. 5. 6. 7.8. 8. THEEXISTINGPROPOSALESTABLISHES A CLEAR CONTRAST BEWEEN THE EXISTING AND THE SPINE IN WHICH THE TWO MATERIALS (BRICK AND CONCRETE) STABLISH A RELATIONSHIP BRICK CONCRETE ENTRANCE AND EXIT CENTRAL EXHIBITION SPACE AND PARTITIONS LIGH OPENING THE SPACES INSIDE OF LAS BODEGAS ACTS AS THE HEART OF THE EXHIBITION SPACES. THE POINT OF ENTRANCE AND THE EXIT, WHERE THE CREATORS AND THE CREATION COLLIDE IN ONE SINGLE SPACE. 1. ENTRANCE 2. LOCKER ROOM 3. RECEPTION 4. CENTRAL OPEN SPACE 5. PARTITIONS 6. WC 7. ARTIST STUDIO 1. 2. 3. 5.5.5. 5. 5. 4. 7. 6. THE SPINE LANDS ON THE TERREAIN AS A FOREIGN OBJECT COLLIDING WITH THE THE EXISTING WINERY AND WITH THE CURRENT METHOD OF ART EXHIBITION. THE PHYSICAL DISRUPTION IS CAUSED WHEN THE SPINE CROSSES TRANSVERSALLY THE BODEGAS WHILE THE ABSTRACT COLLISION WITHIN THE EXHIBITION METHOD IS TACKLED THROUGH THE PROCESS OF CONCIEVING AND EXHIBITING THE ARTWORK. FOR THE FIRST TIME THE ARTWORK IS PRODUCED SPECIFICALLY FOR A PARTICULAR EXHIBITION SPACE.PROGRAMTHE SPINE. 2.SCULPTURE1.VISITORSPLAZA PARK 3. ENTRANCE 4. RECEPTION 5. CENTRAL EX. SPACE 6. COMUNICATION RAMPS 7. DARKROOMS 8. EX. GARDENS 9. WC 10.ARTISTSARTISTS LOBBY 11. MUSEUM OFFICE 12. WC 13. COMMON ROOM 14. I+D LAB 15. MACHINERY LAB WINDOW ART STUDIO SEMI-OPAQUE SEMI-TRANSPARENT THE SPINE THE CIRCULATION PATH FOR THE MUSEUM VISITORS IS GUIDED THROUGH A SET OF RAMPS LOCATED AROUND THE INTERIOR PERIMETER OF THE SPINE, STARTING AND NISHING INSIDE OF THE BODEGAS. AT SPECIC POINTS, IT ALLOWES THE VISITORS TO ACCESS THE DIERENT DOORS

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MADRID, SPAIN

CITIES OF THE PRESENT HAVE INCREASED DRAMATICALY IN TERMS OF GROWTH. INCOMING POPULATION REPRE SENT A THREAT TO THE INCREMENTATION OF TRAFFIC, POLLUTION AND ENERGY WASTE.

THE PROJECT PROPOSES THE CREATION OF A NEW NEIGHBOURHOOD IN THE EMPTY PLOT OF CHAMAR TIN, MADRID AS AN OPPORTUNITY TO INTRODUCE A DRONE-EFFICENT COMUNITY THAT COULD LEAD TO A BIGGER SUSTAINABLE IMPACT IN THE CAPITAL.

CONNECTORCITIZENS.OF DISTRICTS PUBLIC INFRASTRUCTURE MULTIPLE USE AREAS URBAN APPROACH

DRONE CITY

FROM THE URBAN TISSUE TO THE DEVELOPMENT OF THE RESIDENTIAL BLOCKS THE DRONE IS PRESENT AT EVERY POINT. BESIDES THE PROPOSAL ESTAABLISHES SECON DARY OPTIONS TO FULFIL THE NEEDS OF THE REST OF THE

THE RESIDENCES

THE HIVE

THE CONTROL TOWERS ACT AS NESTS FOR THE DRONE TECHNOLOGY AS THE DRONE CHARGING PODS BUILD UP IT´S FACADE. THESE TOWERS SHOULD BE BUILT AROUND THE CITY AS A WAY TO ENLARGE THE DRONE NETWORK

THE URBAN TISSUE

THIS NEIGHBOURHOOD REPRESENTS THE EVOLUTION INTO A MORE SUSTAINABLE FUTURE. LARGE WALKABLE SPACES TO REDUCE THE USE OF MOTOR-POWERED DEVI CES, INTRISEC AND HUMAN SCALE RESIDENTIAL BLOCKS CONTAINING COMMERCIAL AREAS AT THE GROUND FLOOR TO MANTAIN THE STREET LIFE...

1600 RESIDENCES 190 HAB/HA

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THE GALLERY HOUSE

WATCH AT BORJACOLOM.COM/HOME

THE PROJECT REVOLVES AROUND THE LEARNING OF UNREAL ENGINE AS A RENDERING TOOL, USING MULTIPLE DAY/NIGHT ATMOSPHERES, LIGHT ENTRANCES, REFLECTIONS AND TEXTURES.

THE PROJECT IS CREATED WITH THE INTENTION TO ELABORATE A SPACE THAT IS LATER ABLE TO CREATE REALISTIC RENDERING IMAGES. IN ADDITION TO THE IMAGES CREA TED A CINEMATOGRAPHIC MOVIE IS CREATED:

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ART COLLECTION

THISPIECE.BRIDGE

LIQUID ARCHITECTURE

Arquitectura Líquida, collective exhibition , Alcuz cuz Gallery, Marbella 2021

The Line Series, Solo Exhibition. COCK, Madrid 2018

Abstritectura, collective exhibition , Dodark Studio, Madrid 2021

BETWEEN THE PHYSICAL SPACE AND THE PICTORIC RELIES ON TWO PRINCIPAL ELEMENTS, WATER AND LIGHT, GIVING THE STATIC ARCHITECTURE SPACES A SPARK OF LIFE AND MOVEMENT. EACH OF THE ARTWORKS PERTAINING TO THE COLLECTION PROVIDES THE VIEWER WITH A WAY OUT, A DISCRETE EXIT THAT INVITES YOU TO WALK THROUGH THE REPRESENTED SPACE ONTO A NEW REALITY.

BASED ON A SIMPLIED PERSPECTIVE OF REALITY AND TAKING COLOR AS A FUNDAMENTAL TOOL IN COMPOSITION, THE COLLECTION ARQUITECTURA LÍQUIDA IS CREATED WITH THE OBJECTIVE OF TRANSFORMING THE CANVAS INTO A THRESHOLD, NOT ONLY INTERACTING WITH THE VIEWER BUT ALSO WITH THE SPACE THAT SURROUNDS THE ART

Arquitectura Líquida, collective exhibition , Museo Algeciras, Cádiz 2022

Capa Collection x Carlota Perez de Castro , Warehou se, Madrid 2021

Arquitectura Líquida, collective exhibition , Garna Gallery, Madrid 2020

ArquitecturaEXHIBITIONSLíquida, collective exhibition , Missony Art Fest, Barcelona 2022

Corner Series, collective exhibition , Casa DECOR, Madrid 2021

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BORJACOLOMBOFARULL@GMAIL.COMBORJACOLOM.COM@BORJACOLOM+34649011255CONTACTINFO

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