Boston Compass #147

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An Independent Arts and Culture Guide

How to Celebrate Juneteenth in Boston: Black Bostonians Rallying for our Shared Experience

Actors’ Shakespeare Project Presents The Bomb-itty of Errors!

Boston has relied on the work and creativity of its Black population to thrive and grow since its foundation. Juneteenth is a time to honor our ancestor’s lives, labor, and resistance, and there are plenty of opportunities to do so in the city this year! We’ve compiled some of them for you below. “A New Afro Latino Beat Poet”- Boston Public Library, June 17th 12:30pm Visit the Boston Public Library on the 17th and experience a spoken word and musical performance from one of the most visible and talented young poets from Boston, Qadir Shabazz, whose meticulously delivered and thoughtfully-written poetry will be accompanied by the musical musings of Jazz instrumentalist Lone Sol. Spoken word poetry speaks for itself (literally), but experiencing a skilled wordsmith vibe onstage with a tuned-in musician will convince you that such an event is an entirely different experience of both Black art forms. The Juneteenth Joy Festival, Hyde Park, June 18th 11:00-2:30pm Pull up to Hyde Park on June 18th for a day of Performances, exhibits, and vendors! Admittance is free. The Juneteenth Joy Festival organizers of the West Fairmount Hill neighborhood are well versed in creating meaningful community events with a focus on justice. They will also be hosting two Juneteenth Joy pre-events! More info can be found at Westfhcommunity.org, or their Eventbrite page for tickets to pre-events. continued on page 2…

After a pause due to the Omicron variant, Actors’ Shakespeare Project (ASP) continues its 18th season with a “reboot” of the regional premiere of The Bomb-itty of Errors. The production will be performed at The Charlestown Working Theatre (CWT) in Charlestown, MA. Performances run until June 26, 2022. This will be ASP’s second return to live theatre following the Covid-19 pandemic shutdown in March of 2020. ASP is delighted to present its next show at its home base. The Bomb-itty of Errors has been on ASP Artistic Director Chris Edwards’ list of shows to program since he arrived to helm the organization in 2017. Edwards has a deep relationship with the piece, having performed in it on tour as well as directed it in both New York and Las Vegas. “Growing up in the ‘80s,“ Edwards says, “I was a child of the hip-hop cultural movement. The art form was exciting and empowering. It gave me a creative outlet and helped me to express myself with passion. This play is a love letter to hip hop and an ode to Shakespeare. Using The Comedy of Errors as a framework, Bomb-itty takes that plotline, characters, and much of the language and “remixes” it. It’s a throwback to a time when hip-hop practitioners focused on ‘moving the crowd’ and bringing the community together for a celebration of life and a hope for a better future, no matter color, creed, or culture. We selected this title as part of this post-Covid season because we need a space to come together, laugh, and be joyful amidst the tumultuousness of the last two years. I have never worked on a show with such broad appeal as Bomb-itty, which is so important as we experience being together in a shared space again.” For more information about the history and development of The Bomb-itty of Errors, visit: www.bomb-itty.com and www.actorsshakespeareproject.org

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Notes From the Crew Hello hello! I’m Prakhya (also known as @verifiedspicequeen) one of the newest faces here at BCN. I started writing here because I wanted a way of contributing to both the world and my local community at the same time. I wanted the two of them to integrate and make sure more people locally knew about what was going on around the world and vice versa. I started curating content on Instagram because I wanted to center the joy of learning about other cultures and especially highlight issues that most people haven’t heard of before. With my own family surviving religious violence during Partition in Hyderabad I became motivated to learn more about Indigenous and marginalized groups in the greater region and began to see patterns and connected threads. I started my journey here by talking to Boston about the Amazigh community and it was so great that the piece became so widely circulated and warmly received. I got to party it up with the Kurds in Providence for Newroz, ringing in the new year. Weaved within that, was one of the most harrowing and powerful stories I could share about the Yezidi people who had faced 73 genocides. I was inspired by how Indigenous people from different parts of the region build stronger resistance together. As heavy as this work sometimes gets, I’m ultimately driven by learning about all the weird, funny, and whimsical aspects that make Indigenous cultures and religions unique and all the reasons they are worth preserving. —Prakhya

LAYOUT DESIGN:

Phoebe Delmonte: p.1, 4, 5 Hannah Blauner: p.2, 3, 7 Adrian Alvarez: p.6, 8 THIS PROGRAM IS SUPPORTED IN PART BY A GRANT FROM THE BOSTON CULTURAL COUNCIL, A LOCAL AGENCY WHICH IS FUNDED BY THE MASSACHUSETTS CULTURAL COUNCIL, AS ADMINSTRATED BY THE MAYOR'S OFFICE OF ARTS + CULTURE


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