Boston Compass #91

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s t on o b

# 91

c om p a s s navigating you to underground above ground and all around awesome happen ings in the Greater Boston ar ea

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70mm WIDE SCRE FEST EN IVAL 2017

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gra photo Warhol ART Andy ery @MASS l l a ent's G - 10/21 Presid 8/14

raised the bar when it comes to STACKED gigs. From the Lilypad in Cambridge, to ONCE in Somerville, to the basement of Deep Thoughts in JP, Illegally Blind has been the puppet master pulling strings and enticing our ears with eclectic, eyebrow raising, engaging i ip P h in f t. m thing Everybody, Everything focuses on Andy 0 ir 3 b / , 9 e , a @ Somerville Theatre 9/20-10/1 ore episodes of musical mayhem. It all culminates in IB’s 9/28 a lun m v a d , n Warhol's obsessive fascination with capm a a e re annual Fuzzstival - a 3 day menagerie of multifacetud boston c half sour, rick r Before the Somerville turing the people and things that he used Th , ed talent from all ends of the indie underground. This eatre’s upcoming 70 s MM & Wi- to create the world around him. The exhibidescreen Festival, it’s kal mark time for a refresher on year’s tinnitus inducing test of wills takes place at Camthe format. tion draws from 19 out of the thousands of Boston still has a few people bonkers enough bridge Elks (Night 1), the aforementioned ONCE (Night photographs that he took throughout his I definitely need one to book shows floating around the venues, 2) and finally Somerville ARTfarm (Day 3) to squeeze every so often. lifetime, including photographs of shoes galleries, basements, and assorted “under out the last couple drops of summer this city has left. A 70MM print of film from the early years of his career, everyday is twice the size of the rock” alleyways where it’s still possible to ALSO - I wanna give a s/o to all the amazing bands, the stan- scenes captured on the streets, and moddard 35MM and is hig her resolution. 70MM find good, honest, awe-inspiring music these artists, comedians, performers, and more taking part in itself is els, sports stars, and celebrities who visited actually 65MM wid e, with 5MM worth days. But one has stood out in recent times. Waking Windows Portland! If you’re not going to be at of perforat- him at his famous NYC studio The Factory. ed edges for sound. Due to its size, it str His name is Jason Trefts, but more people Fuzzstival, take a trip to the Maine coast on the 29th etches the size of the aspect A man who famously said, “I think evratio to something know him as the man behind Illegally Blind; and 30th to absorb all the anomalous amalgamations. much wider. eryone should like everyone,” and “It’s not --MICHAEL ACHILLE who for the last several years has consistently In plain English: 70MM what you are that counts, it’s what they provides for a large r, bet- think you are,” Warhol mixed a sly pessiter-quality image wit NOTES FROM THE CREW h sharper detail and greater mism with a sense of naive innocence, and with Sinai Sampson-Hill sound. both attitudes are on display here. “The I’m full of contradictions. For example, I’m very introverted, but I love meetSomerville Theatre is world fascinates me. It’s so nice, whatever one of the few natio ing new people and socializing. So when I was presented with the opportuninal theatres it is,” reads the first quote given in the with somewhat reg ula r 70MM showings ty to join the volunteer coordination team (a.k.a. THE MASS), I was simultaoutside of exhibition. Similarly, Warhol creates a type an auteur’s latest pre stige release. During neously super excited and apprehensive. Somerville of distance in his work to at once alienate Theatre’s 70MM an d Widescreen Festi You want me as the first point of contact for new val, they’ll THURS 7/13- the viewer. screen a variety of mo and fascinate dern films—Wonder Wo folks who want to join the Hassle? An org I don’t man, Top SUNWarhol’s Gun, and The Dark 7/30 @photographs are strategicalCrystal—as well as even know much about? Alright, let’s see how it goes. sics— 70MM clasLawrence of Arabia MFA ly ‘cropped,’ or purposefully directed to and 2001: A Space Od Since accepting that role, I’ve met some amazing folks withyssey. a point of focus that shows the artist’s inin and outside of the org. The core is a group of hard-work- In a s newly-elected French Prestime when we can wa tention. The composition of Warhol’s photch movies at any mo ing, passionate human beans and I love seeing new folks on the Emmanuel Macron proment ident tiniest of screens, the tographs are kept simple and clean, and re is something so spec light up when they realize how cool the org really is. Talking abou his country internationalial motes t Some props are included only when appropriate. Theatre. It harkens hisrville summer, about the Hassle is one of my favorite things to do now!when ly as a haven of innovation and back to a time movie ing and mo Intense eye-contact in each photograph vie watching were gra Of course, coordinating people has its challeng-remarkthe goNational creativity, the Boston French nd, ab le expe gives the impression that you are looking riences. Whether yo Park Service’s es. That’s why I’ve been helping create an organizational structure for the Hassle so it ne Film Festival offers Americans u’re a movie rd or a casual watch into the ‘true’ self of the subject that the Salem Maritimeer, you’ll find it breath can be the best org it can be. All the work I do within BH is challenging but so rewarding be- to an artistic state of the union. taking sit in the main theatr camera captured. National Histor- e, in front of this cause I’m surrounded by people who care about the arts as much as I do…at least un-scr Long considered one of the best immense een, and lose yourself Located in the President's Gallery on ic Site is home to in shadow, light, an til I get tired and have to take some time alone to “recharge” (introverts, am I right?). French film festivals here in the d sound. the 11th floor of MassArt's Tower Building, eight AugmentSo if you’re interested in volunteering with us, catch us at the next hang on the Esplanade on Septhis exhibit brings a light, precise, and reed Reality (AR) tember 5th from 6 to 9! I’ll be there of course to answer your questions and get you in the loop. I cannot freshing touch to a quiet space good for sculptures for If you can’t make it, no worries! Shoot us an email at volunteer@brain-arts.orgThe and we can chat. recommend Augmented Landscape, an outdoor exhibicontemplation. Gallery hours are: Mon Peace! the experience tion presented by the Boston Cyberarts Gallery. Sat 9:00 am - 5:00 pm. enough. -- MARYAM YOON

017 IVAL 2 Y BLIND T S Z Z LL FU ILLEGA peach ring, Y B D E , s, dresses RESENT

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MOMENT OF CLARITY

w i t h o u r n ew f r i e n d s . . . . Release Your Rights The Power of Public Records when dealing with Law Enforcement

—NICK PERRY

PLACES YOU CAN HANG:

RODNEYS BOOKSTORE In our culture of expanding surveillance, we are constantly encouraged to report suspicious activity to authorities. What can be done when the people you want to hold account- As the convenience of the interable are the police themselves? In partnership with Boston Hassle, MuckRock presents Release Your net has made me less inclined Rights, a project meant to subvert that attention from our fellow citizens towards law enforcement. to seek out music and movies on physical media and fashion YOU Knowing your rights can empower you to challenge police misconduct toward you and those around you. What was never really my thang, used can you do if your friend is arrested at a protest, a cop confiscates your camera, or an officer asks for your im- bookstores have become the migration papers? Using policies collected from Boston, Somerville and Cambridge police departments, we primary means of satisfying will create a pocket-sized guide to inform people not only of their rights during a police encounter, but the cor- my inner cultural fetishist, and responding public records that are created. These cards are meant to be accessible in stressful situations Rodney’s in Central Square has - they will fit in your pocket or wallet, and, as opposed to a digital platform, will not require you to pull up a screen. become my go-to whenever I need to scratch that itch. Under the Massachusetts Public Records law, anyone can access public documents from feder- In the increasingly gentrified al agencies - this includes the police. We encourage you to file for records presented on the cards, as neighborhood, Rodney’s stands well as develop your own requests when you witness questionable police actions! Take charge and use as a bastion of haphazard, idiosyncratic character. Upon walking in, one these cards to educate yourself and ensure your public servants are held responsible for their actions. can see bookshelves for sale, vintage posters, and assorted curiosities and knick-knacks from who knows where, not to mention the piles of books. If you want greater autonomy when dealing with law enforcement know that crucial information is at your fingertips. Your While there are the standard sections — fiction, poetry, assorted special engagement can help better balance the power structure between you and law enforcement. Learn more at muckrock.com. interests — half the fun of shopping here is digging through the ever changing, unsorted piles of second-hand tomes, picking out a few familiar or eye de catching titles. g n s Lo @s ign by And it’s a good selection too. While the store eagerly accepts donations of books in exchange sey g.com o a l e C iar by dralon t t for store credit, much of the stock is hand-picked from book fairs by owner Shaw Taylor. And ya r s a san know, the place just has a cool atmosphere. The employees all seem to have great taste in mucas sic, playing anything from cool jazz to classical to indie rock, and the patrons form an eclectic mix of post-collegiate intellectuals alongside some of the neighborhood’s funkier denizens. Like many small businesses, Rodney’s almost closed a few years ago due to increasing rent, but so far since then it’s managed to stay afloat. Let’s hope it’s not going anywhere anytime soon. -JOHNATHAN WAUHKONEN Unless otherwise indicated, THIS PROGRAM IS SUPPORTED IN PART BY A GRANT FROM THE BOSTON CULTURAL the Compass is licensed under a Creative Commons AttribuCOUNCIL, A LOCAL AGENCY WHICH IS FUNDED BY THE MASSACHUSETTS CULTURAL tion 4.0 License (CC BY) COUNCIL, AS ADMINSTRATED BY THE MAYOR'S OFFICE OF ARTS + CULTURE THIS PAPER IS AN ONGOING PROJECT OF BRAIN ARTS ORGANIZATION, INC., A 501(C)(3) NONPROFIT. PLEASE CONSIDER DONATING TO, VOLUNTEERING OR OTHERWISE SUPPORTING US: BRAIN-ARTS.ORG OR BOSTONHASSLE@GMAIL.COM


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