AN INDEPENDENT ARTs & CULTURE GUIDE
issue art by: @artbyinde
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July 4th, join Black Lives Matter Boston to lament, honor, EE me and other tenants realized that our STR and celebrate the lives of Black womxn.” 3pm, Nubian Square. E S March to the Boston Commons. Only later did I remember that July 4th artist studio building, Joy St. Studios, was being sold HO was Independence without notifying any of the artists. We were disturbed by W Day. But my realization was a hollow one (see Frederick “ this lack of transparency, and the past couple of months Douglass’ “What to the Slave is the Fourth of July?”). When Christopher we have been organizing and advocating for our Columbus was beheaded in the North End on June 10th, the message was right to exist here in Somerville. At this point, the clear. Our leaders have been our enemies all along. BIPOC activists and H RC 3PM fate of the building is up in the air, and we fear that we those acting in solidarity will have to reorganize power. In Boston and MA LY, Q. M U may lose our spaces like so many others have in the city. BL F J AN S beyond, QTBIPOC movements have consistently displayed radical O I Obviously much bigger issues are happening alongside strength in the face of White Supremacy. “After an unfulfilled list of 4TH NUB @ my own. Black people are currently fighting for their right demands by BLM in 2015,” members of the Boston Black and Latinx to be alive, and here I am talking about losing my studio Pride Committee recently wrote, “we have started a campaign to space, which I am privileged to have in the first place. In demand that all 6 members of the Boston Pride Board resign, to truth, the same force that is killing BIPOC is the same force be replaced by a majority QTBIPOC board by August 31st.” Last that is evicting artists from their spaces and people from their month, Athena Vaughn of Trans Resistance organized a vigil and homes. It is capitalism, which as a value system upholds white march in Franklin Park, drawing thousands. “It’s time for Black supremacy, funds the polices, and defunds valuable community Trans excellence to lead OURSELVES,” she wrote. Once again, assets like the arts, education, affordable housing, etc. The whiteness has betrayed the radical collectivist vision. The Black gentrification of Boston has destroyed many beloved cultural spaces, and Brown led Justice Youth and Power Union marched for police artist spaces included, and has left entire communities displaced. This divestment and reinvestment in the community. 40 miles south, is why artists, especially white artists like me, need to be a part of the the Mashpee Wampanoag Tribe is battling the Trump administration’s Black Lives Matter movement. We need to be a part of this pro-black, rejection of their federal recognition status. Nearby, in predominantly White, anti-police, anti-capitalist movement because not only is it the correct affluent Brookline, Chiuba Obele is suing the police department. Calls for divestment thing to do, it directly affects us. It’s the system that’s fucking us all over, have followed. “We are anti-capitalist” says Movement for Black Lives. “We disrupt that is killing people, displacing communities, and defunding essential the Western-prescribed nuclear family…” writes Black Lives Matter. These are things like education. We need to be out there in the streets fighting our leaders. In this town, many White people will say “Black Lives Matter.” alongside our BIPOC friends, not only for their rights but against the But too few will fight to achieve capitalist machine at large. We need to take this seriously and figure out —Stephen Grigelevich its logical ends… ways to use our privilege to benefit the movement. We need to make ourselves uncomfortable and have hard conversations with our white families and friends. And we need to ask ourselves the following questions as well: What can we do as artists to defend our spaces from gentrification? How can we use our voices to make sure Get ready for the shayde—and the aura—this summer. Bosthat spaces are accessible to the community at large? How do ton-based rapper Red Shaydez is releasing Feel the Aura, a followup alwe especially make our spaces accessible to BIPOC artists, who bum to her 2016 debut Magnetic Aura.The new project features “They Call Me are most often displaced by gentrification? What are we doing as Shaydez,” an unreserved self-introduction of sorts. Red’s confidence is on full display artists to actively combat capitalism, the root of all these problems? as she paints an authentic picture of her dynamic artistry. Storytelling is front and center I know we all feel helpless when we are faced with removal from of much of Red Shaydez’s music, which makes it no surprise that she’s a creator within many our safe artists havens. But we need to start taking the proverbial bull mediums and has titles including recording artist, mentor, and visionary. Red is a Fitchburg State by the horns and begin the process of making our voices heard—the University graduate with a degree in film and video, and had big plans for a multimedia release with voices of white artists standing in solidarity with our black comrades who Feel the Aura. She had developed and written a script for a movie of her life story that ties in all of have recently taken to the streets to push back against decades of inequity. her projects thus far, but unfortunately the COVID-19 pandemic has halted production for now. Luckily We need to be fully involved in activism. We need to push back against we still get to watch The Aura Sessions: Behind the Shaydez, a series featuring Red and the artists and corporate greed. We need to write letters to our elected officials. We need producers off the new album, giving us a glimpse into the writing and recording process in the signature to engage in peaceful protest. We need to challenge the status quo, which red light room. It was also recently announced that a mini movie Red made called Little Sabrina, which is in Boston for too long has been aggressive development and the resulting also a track off of Magnetic Aura, was selected for screening at the Roxbury International Film Festival. A displacement. Your daily life should be changing to support the movement, commitment to the local community of creators is apparent in Red’s art. Feel the Aura includes a host of Bosand if you’re not sure how to do that, the folks at Brain ton-based features and producers, including Oompa, Rilla Force, Kasia Lavon, and more, and the entire album Arts Org would be happy to consult you as to how you is engineered and mixed by International Show of SOE Complex in Weymouth. The album comes out July 27, can best fit in! Email info@brain-arts.org or message but until then, stay tuned to Red Shaydez’s social media for The Aura Sessions and pull through the virtual album them on social media. —Danielle Lauretano release party on July 26. —Cassie Capewell
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RTIST’S CALL TO A ISM: AN A In early May, CTIO L A T I N! CA P
REFLECTION ON THE EETS!”: A MOVE R T S MEN ? OUR The symbolism almost escaped me. “On
LAYOUT DESIGN: PHOEBE DELMONTE |p.1,4,& 5 HANNAH BLAUNER |p.2 AUDREY SUTTER |p.3 ADRIAN ALVAREZ |p.6 & 8 JULIA BARONI |p.7
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THIS PROGRAM IS SUPPORTED IN PART BY A GRANT FROM THE BOSTON CULTURAL COUNCIL, A LOCAL AGENCY WHICH IS FUNDED BY THE MASSACHUSETTS CULTURAL COUNCIL, AS ADMINSTRATED BY THE MAYOR'S OFFICE OF ARTS + CULTURE