2012-2015 Portfolio Southern California Institute of Architecture Chi Hung Leung (626)620-3105 Brandon_Leung@Hotmail.com
Portfolio Introduction After two years studying in SCI-Arc, I gain lots of knowledge about architecture. Before I get into the development of my portfolio and experience with my education, I would like to begin with the definition of Architecture. By defining architecture, we learn that it is an art and technique of designing and building, as distinguished from the skills associated with construction. The practice of architecture emphasizes spatial relationships, orientation, the support of activities to be carried out within a designed environment, and the arrangement and visual rhythm of structural elements, as opposed to the design of structural systems themselves (see civil engineering). Appropriateness, uniqueness, a sensitive and innovative response to functional requirements, and a sense of place within its surrounding physical and social context distinguish a built environment as representative of a culture’s architecture. Therefore, architecture requires students to have a multiple, diverse insight and perspective to come up with a well-concluded design. The SCI-Arc diverse curriculum has taught me lots of things that I need to learn in different areas. For instance, the goals of GS Humanities I were to let students become familiar with the methods by which cultural values are transmitted by societies through their artistic heritage; and learn methods of representation, including symbolism, metaphor and allegory. Students were tasked with making connections between different modes of expression and phases of cultural development. Through the understanding of this course, I realize that portfolio is like an artistic heritage which is a platform for people to exchange thoughts. When I was preparing my portfolio, I put in a lot of efforts to organize courses systematically and show how each project was developed so others will be able to understand them. The course also teaches me the way to connect things through different modes of expression. Therefore, when I was structuring my portfolio, I utilized different techniques to express what I want to convey in each project either by graphics or words. Without taking this course, It would be difficult for me to come up with creative solutions when I was designing the structure of my portfolio. The way my work is represented is also based on the knowledge that I had accumulated in one of the CS courses, Intro to Urban System as well. The format of this course is a historical survey of urban design from the past 150 years, from 1860 to 2010. Urban systems by themselves are singular and limited and are often the responsibility of a specific engineering or social discipline. Therefore, the course emphasizes on the strategic integration of Urban systems as it is the domain of the architect-planner and the bewildering variety of integrated systems will be framed and explained through the lens of this survey. One of the things that I can get out of this class is the varieties of organizational strategies and rigid disciplines. Thus, when I was designing with the way my work is representing, I created a rigid layout to follow and applied certain logics to it. Over last couple semesters, I learned that drawings and models are representational tools to express my designs and communicate with others. Even though the fact that we were not designing realistic buildings yet, I am aware of the importance of the structure and tectonics and I tried to address them as much as I could in each project most of the times. To me, drawings show the details of programs and tectonics of the project mainly while Models focus on the visual rhythm and structural components of the project and its visualization. I also realized that computer softwares such as grasshopper and other CAD tools are essential because it helps students to express different ideas. In the near future, I will utilized the knowledge that I have been exposed to move towards my thesis as each course would contribute a certain degrees of unique, valuable lessons to my insight. I recognize that the needs of absorbing information from cross-media platforms and multi-perspective standpoints, as they are the essential nutrients for students to form a well-thought, distinctive language in my future education.
2A Studio Page 10 - 17
2B Studio Page 18 - 27
3A Studio Page 28 - 37
3B Studio Page 38 - 49
4A Studio Page 50 - 67
4B Studio Page 68 - 83
5A Studio Page 84 - 95
VS The Ornamental Dimension Page 96 - 99
AS Environmental System I Page 100 - 103
AS Environmental System II Page 104 - 107
West Broadway Street
Thompson Street
The musicTAUT is a non-profit project. It contains 3 theaters for student and public use, and classes for up to 720 students. 56,236 SQ FT 11 Floors 3 Theaters 500 Seats 1A Construction Type A1, A3, B Occupancy Types
1’-0” = 0’ - 1/32”
SITEplan
SKINpanelization
AS Difficult Sites Page 108 - 111
FRONTelevation
SKINtexturalization
recognized around the world as the spearhead of acoustical academia, consistently ranking in the top 5 globally with their world-renown Master of Music (M.Mus) and Master of Arts in Pedagogy of Music Theory (MA.MusT). The new facility, a mere three blocks from their current home, will allow them to comfortably double the student body: three new theatres enable student performances to be kept in house, with the addition of 15 classrooms, 10 large practice rooms and 6 recording studios to facilitate the arts. These new spaces are also available for public use, to better integrate the school into its neighboorhood.The NewYorkMusicInstitute is pursuing LEED gold on the musicTaut project, as it is commited to bettering the world around them; here, music is taught.
Permeable Roof 2' x 2' panel
Permeable Roof
2' x 2' panel
Radiant Floor 4" OC
A
Concrete
Primary Structure
24' steel pipe
structural floor
Secondary
6" x 6" steel member
Metal Decking
3" corrugated steel
Tertiary
3" x 3" steel member
I-beam
W18 x 119/W10 x 112
Panel
4' x 8' expanded mesh panel
MICROchunk_B
Hanging Ceiling gypsum board
Radiant Floor
4" OC
Catwalk 30" width
Concrete
structural floor
Glass
double-glazed
MICROchunk_A
D
Mullion
aluminum window frame
Metal Decking
3" corrugated steel
I-beam
W18 x 119/W10 x 112
Primary Structure 24' steel pipe
Hanging Ceiling
gypsum board
Secondary
6" x 6" steel member
Glass
double-glazed
Tertiary
3" x 3" steel member
Mullion
aluminum window frame
C
Panel
4' x 8' expanded mesh panel
Interior Finish
GFRG
Permeable Roof 2' x 2' panel
B
AS Integrated Facades Page 112 - 121
3D FLOORend_C
3D WALLsection_D
Panel
4' x 8' expanded mesh panel
Tertiary
3" x 3" steel member
Secondary
Primary Structure
6" x 6" steel member
Secondary
24' steel pipe
Panel
0.065" @ 500,000 ohms/ft²
Tertiary
gloss coat acrylic concrete sealer
Catwalk
Extruded Polystyrene Foam
Radiant Floor
Grade1
Concrete
10' OC
Metal Decking
interior panel
I-beam
30" width
Mullion
W18 x 119/W10 x 112
Hanging Ceiling
4" OC
Glass
structural floor
24' steel pipe
Primary Structure
6" x 6" steel member
Waterproof Membrane
4' x 8' expanded mesh panel
Finish coat
3" x 3" steel member
Rigid Insulation
30" width
Shotcrete
4" OC
Primary Steel Cage
structural floor
GFRG
3" corrugated steel
Catwalk
W18 x 119/W10 x 112
I-beam
aluminum window frame
Radiant Floor
gypsum board
Concrete
double-glazed
Metal Decking
3" corrugated steel
Hanging Ceiling
gypsum board
RENDEREDsection
FLOORend
3
WALLsection
1
2
THEATRE 902
9TH FLOOR
9TH FLOOR
EL112'-0"
EL 112’-0”
THEATRE 801
8TH FLOOR
AS Design Documentation Page 122 - 149
Occ. Type Sq Ft
# People Occ. Type Sq Ft
B
9046
90
B
9046
90
B
7116
71
B
7116
71
# People
B
7687
77
B
7687
77
B
9743
97
B
9743
97
B
9934
99
B
9934
99
B A1 A3
4169 41 50 Seats 50 1500 100
B A1 A3
4169 41 50 Seats 50 1500 100
B
3369
34
B
3369
34
B
706
7
B
706
7
B
577
6
B
577
8TH FLOOR
EL97'-11"
EL 98’-0”
CLASS ROOM
7TH FLOOR
7TH FLOOR
EL84'-0"
EL 84’-0”
6TH FLOOR
6TH FLOOR
EL70'-0"
EL 70’-0”
5TH FLOOR
5TH FLOOR
EL56'-0"
EL 56’-0”
CLASS ROOM
4TH FLOOR
4TH FLOOR
EL42'-0"
EL 42’-0”
CLASS ROOM
3RD FLOOR
3RD FLOOR
EL 28'-0"
EL 28’-0”
CLASS ROOM
2ND FLOOR
2ND FLOOR
EL14'-0"
EL 14’-0”
STREET LEVEL
STREET LEVEL EL 0’-0”
EL 0’-0”
LOBBY
East Elevation 1’-0” = 0’ - 1/16”
EXIT TO STREET
TRANSVERSEsection
EXIT TO STREET
SIDEelevation F
G
177'-4 3/4"
125'-6"
165'-6"
B
C
D
E
105'-6"
65'-6"
B A1 A3
2048 20 75 Seats 75 1500 100
B A1 A3
B
8350
B
83
6
EXIT TO STREET
2048 20 75 Seats 75 1500 100 8350
83
Return Air
I-Beam
Stand Pipe
Supply Air
I-Beam
Sprinkler
Outside Air
Rolled Steel
Fire Control Room
Mechanical Unit
Concrete
W10 x 112
W18 x 119
10' OC
A
36'-6 3/4"
FIREegress
Foundation
ADAaccess FIREsprinkers
9TH FLOOR EL112'-0"
THEATRE 902 CLASS ROOM
HVAClayout
8TH FLOOR
STRUCTURALaxon
EL97'-11"
CLASS ROOM
7TH FLOOR EL84'-0"
F
THEATRE 801
177'-4 3/4"
165'-6"
C
D
E
125'-6"
105'-6"
B
F
A
177'-4 3/4"
36'-6 3/4"
65'-6"
165'-6"
F
C
D
E
105'-6"
125'-6"
B
65'-6"
C
D
E
B
A
177'-4 3/4"
36'-6 3/4"
165'-6"
105'-6"
125'-6"
A
36'-6 3/4"
65'-6"
6TH FLOOR EL70'-0"
$ $ $ $
Structural Steel Rolled Steel Rib
$ $ $
25,607,736 1,743,588 27,351,324
$ $ $
3,915,480 5,612,188 9,527,668
3
Facade_Pipe Structure
PRACTICE ROOMS
CLASSROOM
2
RECORDING
CLASS ROOM
OPEN TO BELOW
Concrete Floor Shotcrete+GFRG
CLASSROOM
STUDENT LOUNGE
LOBBY CLASSROOM
PRACTICE ROOM
PRACTICE ROOM
SteelSystem_Structural Steel
33'-0"
CONCERT HALL 202
33'-0"
33'-0"
EL 28'-0"
RECORDING
PRACTICE ROOM MAIN THEATER
CLASS ROOM
3RD FLOOR
$924 @ 27,714 ft
Shell_Concrete Floor
$120 @ 32,629 SF
SystemAssembly_Sprinklers
$120 @ 95,012 SF
Sprinklers HVAC
OFFICE FACULTY OFFICES 1
1
1
Facade_Panel Structure
Core Glazing Finishes EL 0’-0”
$/SF 560
Costs Shell Costs Land Costs
Comission 18% 18%
Contingencies Estimation Construction
Margin 5% 10%
Total $6,048,000
$6,048,000
SystemAssembly $ $ $
SOFT COSTS Total $9,888,484.88 $1,088,640.00
11,032 8,160 19,192
$10,977,124.88
CONTINGENCIES Total $2,746,801.36 $5,493,602.71
$8,240,404.07
$21.40 @ 10,600 ft
LOBBY
STREET LEVEL
LAND COSTS Lot Size 10,800SF
Shell
_Core
$3.50 @ 3,152 ft
LOBBY 2ND FLOOR EL14'-0"
3,614 226,840 3,185,100 3,415,554
SteelSystem
2
2
CONCERT HALL 303
53'-0"
53'-0"
4TH FLOOR EL42'-0"
$1.91 @ 1892 ft
PRACTICE ROOM
CLASSROOM
CLASS ROOM
53'-0"
CONCERT HALL 303
Facade
Pipe Structure Panel Structure Expanded Mesh
3
3
5TH FLOOR
EL56'-0"
CONCERT HALL 101
Interior+Finishes $ $ $ $
11,401,440 1,107,925 2,112,924 12,509,365
OVERALL PROJECT COST Category Land Cost Shell Cost Soft Cost Contingency
Total $6,048,000.00 $54,936,027.00 $10,977,124.88 $8,240,404.07
$80,201,555.95
TOTAL SHELL COSTS $
Facade_Expanded Mesh $100 @ 31,851 SF
AS Smart Sustainable SYstem Page 150 - 173
LONGITUDINALsection
FIRSTfloor
THIRDfloor
SEVENTHfloor
SteelSystem_Rolled Steel Ribs
$462 @ 3,774 ft
Shell_Shotcrete+GFRG $172 @ 32,629 SF
SystemAssembly_HVAC
54,936,027
_Glazing
$2 @ 4,080 ft
$65 @ 17,045 SF
LOAN COSTS Loan $80,201,555.95
COSTanalysis
Chi Hung Leung Architecture
Consultant: Pavel Getov Jay Vanos
AS Construction Document Page 174 - 213 No.
Description
Date
Terms 3.81% @ 15yr
Monthly Payment $548,775
2A Studio
Project Overview Fire Protection Water Reservoir Location: South Antelope Valley, CA
Individual Project Instructor: Eric Kahn Sep - Dec 2012 If cube is 3D, knot is 2D, and Root is 1D, Knoop is a transitional transformation from volume to line. The figure is anexct which means two similar things separated by a slightly different dissimilitude from each other. All figure and roots are not the same in the knoop project. For example, there is an origin between knot and roots. Following the origin, there are two groups of similar roots. Even though they look the same, they have different amounts of arrayed branches. This project explores the integration between DIscrepancy and Dissimilitude. DIscrepancy refers to The state or quality of being discrepant; difference; inconsistency. It is also an instance of difference or inconsistency: There are certain discrepancies between the two versions of the story. On the other hand, dissimilitude has the similar meaning of disimilarity which means differences. It can also refer to a point of difference.
12 2A Studio | Fire Protection Water Reservoir
2A Studio|Bridge to Nowhere Water Station
17
2A Studio | Fire Protection Water Reservoir
13
Drawings
14 2A Studio | Fire Protection Water Reservoir
2A Studio | Fire Protection Water Reservoir 15
Text | Text
Text | Text
17
2B Studio
Project Overview Los Angeles Art Museum
Building Parts Diagram
Location: Little Tokyo, Los Angeles, CA Part 1
2B Studio
Part 2 Part 3 Part 4
Individual Project Instructor: Jenny Wu Jan - Apr 2013 The primiary interest of this project is to create a continuous spatial experience that is composed by a folded circulating gesture. Through the explorations of parts-to-whole relationship, the museum is composed by five diffierent parts. The architectural form of this museum encourages people to enter the building through its tail, and it will lead people all the way to the top floor of the whole museum. The secondary circulation lead people from the undergraound level to converge with the main circulation in the lobby. The secondary emphasis of this project is to create an architectural from that emerges from the ground gradually. This is why the spatial sequence of the museum starts in the underground level, and ends in the air.
20 2B Studio | Los Angeles Art Museum
Part 5 Part 6 Part 7
2B Studio | Los Angeles Art Museum
21
Drawings A
Small Photo DN
Large Photo Studio
Studio
DN
DN
Bo okstore UP UP
UP
Main Lobb y UP DN
Gallery
A
22 2B Studio | Los Angeles Art Museum
2B Studio | Los Angeles Art Museum 23
Drawings
10
5b
50’
11
50’
7 3 9 14’
3’
14’
4
1
5a
8
-7’ 2
24 Text | Text Section A-A @1/16” = 1’ - 0”
2
3’
6
BIBLIO CAD
1 2 3 4 5a,5b 6 7 8 9 10 11
Small Photo Studio Large Photo Studio Roof Passageway Outdoor Cafe Indoor Cafe Lobby Secondary Lobby Temporary Exhibition Space Gallery Restroom Kitchen
-7’
Text | Text 25
Rendered Section
26 Text | Text
Text | Text
27
3A Studio
Project Overview Pier 26 Natatorium
Structure Diagram
Mechanical Spaces Diagram
Location: Embarcadero, san francisco, CA 3A Studio
Primary A-Frame
Pump Station
Secondary Supportive A-Frame
Tertiary Supportive One Way Frame
Group Project Instructor: Christopher Korner Sep - Dec 2013
Circulation Diagram
Cistern
This project explores the relationship between structural morphology and overall building mass and organization in the design of a natatorium located on a pier in The Embarcadero in San Francisco. The proposal for this project is to create a multiplatform megastruture natatorium in order to form a modern, relaxing water pool experience while conserving the historic context of the surrounding environment. The inspiration is the Tokyo Bay Project by Kenzo Tange. Without altering the site, the natatorium is like a floating island that sits on top of the original pier columns so as to preserve the existing cultural context. The programs are located inside the giant A-frames with secondary structures supporting the pools. The beginning and the end of structure are composed by repeating A-frames structures. The middle section of the project consists a series of gathering pools in which the idea was from the gathering hot springs from nature. It also has water slides underneath the gathering pools, with several waterfalls coming off from different pools.
30 3A Studio | Pier 26 Natatorium
Level 3 Circulation Level 2 Circulation Level 1 Circulation LEVEL iii Matrix Diagram
LARGE POOL 15’ -3’ DEPTH / INTERIOR / COLD WATER / FRESH / LEISURE LARGE INDIVIDUAL POOLS 10’ DEPTH / EXTERIOR / WARM WATER / FRESH / LEISURE
Program Diagram
LARGE POOL 3’ - 15’ DEPTH / INTERIOR / COLD WATER / FRESH / LEISURE
2 SMALL + 2 WADING POOLS 3” - 8’ / EXTERIOR / WARM WATER / FRESH / LEISURE
LEVEL ii Matrix Diagram
LARGE POOL 15’ - 3’ DEPTH / INTERIOR / WARM WATER / FRESH / RECREATION
LARGE SLIDE 6” DEPTH / EXTERIOR / WARM WATER / FRESH / RECREATION
MEDIUM POOL 3’ - 10’ DEPTH / INTERIOR / COLD WATER / FRESH / LEISURE
LARGE POOL 3’ - 15’ DEPTH / INTERIOR / WARM WATER / FRESH / RECREATION 2 SMALL + 2 WADING POOLS 3” - 8’ / INTERIOR / COLD WATER / FRESH / LEISURE
LEVEL i Matrix Diagram
MEDIUM POOL 10’ DEPTH / INTERIOR / COLD WATER / FRESH / FITNESS
Large Swimming Pools Medium and Small Swimming Pools
Swimming Pool Placement Diagram
MEDIUM POOL 10’ DEPTH / INTERIOR / COLD WATER / FRESH / FITNESS
B
C
A
A
B
Third Level Floor Plan 1/32” scale
B
C
A
C
A
B
C
First Level Floor Plan 1/32” scale
3A Studio | Pier 26 Natatorium 31
Drawings
B
C
B
C
A
Second Level Floor Plan 1/32” scale
32 3A Studio | Pier 26 Natatorium
Third Level
Second Level
First Level
High Tide Low Tide
Section A 1/16” scale
3A Studio | Pier 26 Natatorium 33
Drawings
Third Level
Second Level
First Level
High Tide Low Tide
tion C 2” scale 34 3A Studio | Pier 26 Natatorium
Third Level
Second Level
First Level
High Tide Low Tide
Section B 1/32” scale 3A Studio | Pier 26 Natatorium 35
36 Text | Text
Text | Text 37
3B Studio
Project Overview School of Music Location: manhattan, new york Morphology A: Single Curved Mass
Primary program is bounded by single curvature planes to generate a morphology of creased edges and curved surfaces.
Group Project Instructor: Darin Johnstone Jan - Apr 2014 For the concept of this music school project, we used two different morphologies to different the performance spaces with from the typical programs. We wanted to bring out the continuity and the dynamics aspect of the performance space in the music school. THerefore, the theater spaces are connected to each other continuously. The appearance of the external facade came from the internal floor plan datum and the levels of importance. The more important of the internal program is, the more coffers and windows would be attracted to it. Because the largest theater is located at the right half of the music school, The right half of the external facade expresses a very intensed characteristic. This is why the right half of the external facade are appeared to be more dramatic and denser than the left half of the facade. On the other hand, we also want to connect the internal public spaces with the site environment. This is why we chose the combination of windows and coffer so as to support our argument. 40 3B Studio | School of Music
Morphology B: Prismatic Shell
quadrilateral tesselations envelope the auxiliary program to create an exterior prismatic skin.
Morphology A+B: Nested
The negative void from the impacted morphologies enables access to light wells and spatial affects.
Bound Theatres
Academic
Administrative
Program Massing
Acoustical
Circulation
Public
A
120’
120’
108’
108’
95’
95’
83’
83’
69’
64’
50’
50’
45’
45’
32.5’
22’
14’
12.75’
A
3B Studio | School of Music
41
Drawings
120’
108’
95’
83’
68’
55’
40’
27’
Section A-A @ 1/16" = 1'-0"
42 3B Studio | School of Music
A
120’
120’
108’
108’
95’
95’
83’
83’
69’
64’
50’
50’
45’
45’
32.5’
22’
14’
12.75’
A 3B Studio | School of Music
43
Drawings
44 3B Studio | School of Music
3B Studio | School of Music
45
Drawings
46 3B Studio | School of Music
Text | Text
47
Photos
48 Text | Text
Text | Text
49
4A Studio
Project Overview City Operations Location: Downtown Los Angeles, CA 4A Studio Group Project Instructor: Alexis Rochas Sep - Dec 2014 Existing LA Zoning
New 2D Zoning
Website: http://brandonleung.wix.com/studio4a Description: We looked at the downtown Los Angeles Zoning Map and discovered that it’s The existing zoning map of downtown Los Angeles is figural and each zone is well segregated from each other. There are four basic zoning which are residential zone, commercial zone, industrial zone, and green space. For instance, green space includes parks and public spaces while residential zone has residential houses, and apartments, etc. We have the idea that each city block even a single building has its own zoning. Through manipulating and redistributing the ratios between different zonings, each one square mile microzones will produce a variety of different results. We Also have the idea that the city won’t behave in a concentrated metropolis, but it could potentially be like a distributed metropolis, in which all of the one square mile microzone samples are all separated from each other.
52 4A Studio | City Operations
Existing Zoning New smapling Zoning
4A Studio | City Operations 53
1D Zoning Zoning describes the control by authority of the use of land, and of the buildings thereon. Areas of land are divided by appropriate authorities into zones within which various uses are permitted. 1D ZONING represents the zoning in ratio percentage. 2D ZONING represents the zoning in area. 3D ZONING represents the zoning in volumn. 4D ZONING represents the zoning changes through time. Time is the fourth dimension.
In a 1D perspective, we focus on manipulating and redistributing the ratios between different zonings.
54 4A Studio | City Operations
2D Zoning In a 2D zoning perspective, we replace the existing zoning with multiple zonings.
Existing Zoning
New Zoning
4A Studio | City Operations 55
2D Zoning We sampled one sq. mile grid of the zoning map and mix with different zonings area by changing the ratio between different zones. The process was to take away a certain percentage of a particular zone out and replace with equal amount of other zones.
56 4A Studio | City Operations
Existing Microzone Zoning
Existing Microzone Zoning
Existing Microzone Zoning
New Microzone Zoning
New Microzone Zoning
New Microzone Zoning
This image is showing the plan of all of the microzones.
4A Studio | City Operations 57
3D Zoning This 3D perspective shows the zoning changes from a big chunk of single zoning into multiple types of zoning
58 4A Studio | City Operations
3D Zoning These images are showing different iterations of striation and porosity in different buildings according to their zoning type.
4A Studio | City Operations 59
Zoning Massing
Industrial: Less Striation Low Porosity
60 4A Studio | City Operations
Commercial: Less Striation High, Large uniformed Porosity
Zoning Massing
Green Space: Less Striation No Porosity
Residential: Exaggerated Striation Moderate Dynamic Porosity
4A Studio | City Operations 61
Microzone Massing
62 4A Studio | City Operations
Microzone Massing
4A Studio | City Operations 63
Building Zoning
64 4A Studio | City Operations
4D Zoning In order to contain one million people, we expect the city to grow within a few decades through a 4D zoning perspective.
4A Studio | City Operations 65
Concentrated Metropolis
We have 3 approaches of how city would behave in the future to contain one million people. They are condensed metropolis, distributed metropolis and intermediate scale between condensed and distributed metropolis. This is the condensed metropolis, and we have 4 iterations for it.
66 4A Studio | City Operations
Distributed Metropolis
4A Studio | City Operations 67
4B Studio
Project Overview Superposition Location: Los Angeles, CA 4B Studio Group Project Instructor: Peter Testa Jan - Apr 2015 Description: The studio has 4 thematics; corner, section, enclosure and our research on PLAN in architecture. In conventional 3D modeling the plan is understood as discreet, separate and individual lateral cuts through a body. In our project we propose a reading of the plan as both continuous and discontinuous. Where plans are conventionally cut in a static and stratified way, we argue that plans can be understood as connected no matter how different they are and that they may be freely relocated within the building. In our work plan is understood as a series of cuts that can be recombined and sequenced, similar to the way key frames in an animation sequence can be edited/composited /superposed for new effects. This approach also supports the idea of multiple resolutions within a single plan, with higher or lower resolution in particular areas or elements of the plan. Each floor plan contains a great deal of information, as we superpose them new information is generated. Superposition takes place via separation and reconstitution of plan states.
70 4B Studio | Superposition
The drawings on the right and bottom are created by the robotic arms. We Overlay several different colors and thickness of the lineweights to achieve superpostion in order to represent the idea of floor plan should be both continous and discontinuous.
THe physcial models on the right are created by the robitc arms. We created the original toolpath based on the floor plan of Mansion Square House Building for robotic extruding pattern. After we extrude to a certain height, we take a plan view picture of the extruded physical model and put it into Photoshop to post-process the images. After the post processing procedure is done, we edit the new toolpath based on the images and extrude the new tool path again. This process is done repeatedly. During this repeated looping process, information will be transferred across different medium and produce a different results. For example, when the robotic arms are extruding our toolpath, they would create a slightly different route which is different than the digital toolpath. They also input more information to the physical model by creating multiple types of textures and extruded conditions to it. After documenting the physical model, the information from the physical model will be transferred to the digital version of the model. At this stage, we are able to manipulate the information. When we got a certain amount of tool paths pictures, and physical model, we would shuffle the plans and images of different chunk models and create a new result. The result will include a physical and a digital model that reveals the transformation of the process. The physical model will be related to the digital model, model pictures, and tool paths by sharing similar characteristics.
4B Studio | Superposition 71
Robotic Drawings
724B Studio | Superposition
4B Studio | Superposition
73
Robotic Drawings
744B Studio | Superposition
4B Studio | Superposition
75
Robotic Drawings
764B Studio | Superposition
4B Studio | Superposition
77
Robotic Drawings
784B Studio | Superposition
4B Studio | Superposition
79
Robotic Drawings
804B Studio | Superposition
4B Studio | Superposition
81
Physical Model
824B Studio | Superposition
4B Studio | Superposition
83
5A Studio
Project Overview San Paulo Museum of Art
Shape is... Adaptable It eliminates information and it is often at lowe resolution.
Graphic It avoids the rhetorical excess of geometric form or expressive mass, it exhibits the immediacy of the graphic
Location: Bela Vista, Brazil Zaha hadid Building and Ground Relationship Diagram
5A Studio
Hans Hollein Building and Ground Relationship Diagram
Building To Ground relationship
Individual Project Instructor: Elena Manferdini Sep - Dec 2015
Translating SHape into Museum diagram
Site Plan
Description: This project divides the site into two halves. One half is for the public to gather while another half of the site filters public circulation into the museum through the corridors between the sites. The public space is represented in black while the private space is represented in red. The site has a hierarchy between public-public and private-public area by raising up private-public area and leaving public area at the ground level. The project introduces cultural diversity by raising up the private-public spaces from the public spaces The site has a thick ground to filter the public to enter to the building without moving through the building. It also has a big public space which has access to the building. After the public circulation being filtered into the building, the private circulation was drawn upward. Because the ground level promotes public circulation, its programs are also public too. As people moving upward, they will experience the spaces and the building differently because some are private dominant spaces and vice versa.
2D Shape Diagrams
Section
3D Shape Diagrams
86 5A Studio | San Paulo Museum of Art
Section
Elevation
Axon
Physical Skin Model
Floor Plan
Physical Naked Model
5A Studio | San Paulo Museum of Art 87
Diagrams
After I read Somol’s 12 reasons to get back into shape, I became very interested in using several of them as my concept. Shape is also adaptable as it eliminates information and it is often at low resolution. Shape is Graphic which avoids the rhetorical excess of geometric form or expressive mass, it exhibits the immediacy of the graphic. Having these two reasons on my mind, I started to explore different shapes and their relationship with ground. For the orientation of the shape, I am interested in placing the object on the ground obliquely as most buildings are either horizontal or vertical. The shape has been divided into three parts based on horizontal, vertical and oblique ground planes.
88 5A Studio | San Paulo Museum of Art
For the shape and ground relationship, I am merging Zaha Hadid and Hans hollein’s approaches on the building being accessible at different spatial level and building spaces being part of the ground and advance them.
Exhibition Space Private Circulation
Multifunctional Space Office
Public Circulation
5A Studio | San Paulo Museum of Art 89
Midterm Physical Model For the surface finish treatments. I utilized red and purple as my main color scheme because I want to create a hierarchy among different parts of the color-dipped object. I also want to use the color scheme to manipulate the relationship between different spaces. Ground is represented by the greyscale texture.
90 5A Studio | San Paulo Museum of Art
Floor Plan
5A Studio | San Paulo Museum of Art 91
Sections
92 5A Studio | San Paulo Museum of Art
5A Studio | San Paulo Museum of Art 93
Renderings
94 5A Studio | San Paulo Museum of Art
5A Studio | San Paulo Museum of Art 95
VS The Ornamental Dimension
Project Overview Final Project
3A Seminar
Individual Project Instructor:Ramiro Diaz-Granados Sep - Dec 2013 This project produces something beyond surface relief where certain elements begin to emerge from the surface on the brink of detaching itself altogether. This is an ornamental panel that turns into a column essentially. The concept of the ornamental panel is to express the idea of growth and transformations. The panel started with a repetitive pattern in the left at first. As the gradient goes from the left to right, the panel adjusts to the new paradigms gradually. The changes in forms, colors, textures, and sizes are intended to contribute an influence to the original panel. By incooperating multivalence into the design of the ornamental panel, it does not just hold asethetic aspects but it also contains an unique set of values and contents.
98 The Ornamental Dimension | Final Project
The Ornamental Dimension | Final Project 99
AS Environmental System I
Project Overview farnsworth house Renovation Location: San Francisco, CA 3A Seminar
Enviromental Systems I farnsworth house
Interior Walls
Enclosed Volume Glass Perimeter
Group Project Instructor: John N Bohn Sep - Dec 2013
Flat Concrete Slab Roof
Steel Column
Concrete Floor Slab
Semi - enclosed Space
Concrete Floor Slab
We begin with an understanding of basic thermodynamics and climatic conditions of the site. Then, we examine the fundamental issues of passive energy systems as they apply to architectural production and performance. After we compute the physics of the buildin environment, basic environmental conditions and human comfort, we then relocate and renovate the precedent studies in order to improve the thermodynamics performance.
Meng_chenxiang chang_patrice Kalas_Michael Leung_Brandon
Solar,shadow,material composite Enviromental Systems I
Enviromental Systems I
farnsworth house
farnsworth house
Enviromental Systems I farnsworth house
Interior Walls
Enclosed Volume Glass Perimeter
Flat Concrete Slab Roof
Steel Column
Concrete Floor Slab
Semi - enclosed Space
Concrete Floor Slab
Enviromental Systems I farnsworth house
Enviromental Systems I farnsworth house
Enviromental Systems I farnsworth house
June 21, 2013, 1:00 PM SOLAR PATH
high speed
Low speed
Solar,shadow,material composite
102 Environmental System I | Farnsworth House Renovation
Enviromental Systems I
Enviromental Systems I
Enviromental Systems I
farnsworth house
farnsworth house
farnsworth house
Enviromental Systems I farnsworth house
Interior Walls
Enclosed Volume
June 21, 2013, 1:00 PM SOLAR PATH
Glass Perimeter
high speed
Flat Concrete Slab Roof
Low speed
Steel Column
Concrete Floor Slab
Semi - enclosed Space
Concrete Floor Slab
wind diagram
Environmental System I | Farnsworth House Renovation
103
AS Environmental System II
Project Overview Case Study: Raiffeisenhaus Wien.2 Case Study Raiffeisenhaus Wien.2 Tower Location: Vienna, Austria
Vienna, Austria An automated shading system in between the layers of the double facade optimizes thermal efficiency, but can be over-ridden by employees to better suit their preferences.
The RHW.2 Office Tower is the world‘s first Passive House office tower, with its certification coming from three main factors: •thermal efficiency of the well-insulated double facade •daylighting to reduce electrical lighting requirements •advanced mechanical systems
3B Seminar
The tower is only 60 feet deep, allowing natural daylight to penetrate far into the interior from both sides, with the inner layer having operable windows to allow natural ventilation. Occupancy and brightness sensors in each office reduce light and cooling loads, while using local site resources to further reduce costs: about 60% of the heating needs are fufilled from the waste heat of a neighboring data center, and water from the adjacent canal is used for cooling in the summer.
Group Project Instructor: Ilaria Mazzoleni & Russell Fortmeyer Jan - Apr 2014 In this class, we learned how the surrounding environment would have an effect on the building. The environmental factors such as lighting, air circulation and the ambient noise level would have a relationship with the performance-driven architectural designs. In this particular case study, we learned how to use mathematical formulas to figure out the total amount of natural ventilation area, and how it moves throughout the whole building. Arnold Kim, Melody Javaherian, Chi Hung Leung
106 Environmental System II | Case Study
3B3B Environmental Systems II
Ilaria Mazzoleni / Russell Fortmeyer Instructors
Spring 2014
Case Study: Raiffeisenhaus Wien.2
Vienna, Austria Case Study: Raiffeisenhaus Wien.2
Vienna, Austria Second Skin Fixed Windows
Air Handling Unit
Air Handling Unit
Inner Layer Operable Windows
3’ gap between layers for insulation and ventilation Floor area within 20’ of an openable window
Winter
Summer
Entraining preheated air in Winter
Case Study: Raiffeisenhaus Wien.2 Arnold Kim, Melody Javaherian, Chi Hung Leung
Exhausting heat in Summer
Typical Floor Plan Arnold Kim, Melody Javaherian, Chi Hung Leung
3B Environmental Systems II
Ilaria Mazzoleni / Russell Fortmeyer Instructors
Spring 2014
Vienna, Austria 3B Environmental Systems II
Ilaria Mazzoleni / Russell Fortmeyer Instructors
Spring 2014
Environmental System II | Case Study 107
AS Difficult Sites
AS/DS Address:
Mitigation Square Footage:Strategies: Building Massing / Vertical Barrier Zoning: Distance to Freeway:
Project Overview Imperial Hwy
105 FWY West
Air
Po
llu
tio
n
105 FWY East
fro
m
th
eF
re
ew
ay
120’
Mitigation Strategy Research
Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’
L-Shaped Building Massing with Vertical Barrier
Imperial Hwy t
s
ft/
Alabama St
36
Antwerp Ave
Success Ave
Location: Compton, CA
E 117th S
E 118th St
105 FWY West
SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone
3B Seminar
Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’
Unmodified Building Massing without Vertical Barrier
105 FWY East
Imperial Hwy
36
s
ft/
105 FWY West
llu
tio
n
105 FWY East
fro
m
th
eF
re
ew
ay
120’
Po
120’
Air
E 117th S
t
s
ft/
Alabama St
36
Antwerp Ave
Success Ave
Group Project Instructor: Darin Johnstone Jan - Apr 2014
E 118th St
SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone
tio
n
v
105 FWY East
fro
m
Pre
th
eF
re
ew
ay
120’
llu
t
s
ft/
E 118th St
SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone
Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’
O-Shaped Flat Roof Building Massing without Vertical Barrier
E 118th St
Imperial Hwy
105 FWY West
Po
llu
tio
n
SCI Arc / Applied Studies Seminar: Difficult Sites / Instruct
105 FWY East
fro
m
th
eF
re
ew
ay
120’
Air
Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’
U-Shaped Building Massing without Vertical Barrier Imperial Hwy t
ft/
Alabama St
36
Antwerp Ave
Success Ave
E 117th S
s
105 FWY West
Po
llu
tio
n
105 FWY East
fro
m
th
eF
re
ew
ay
120’
Air E 118th St
SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone
Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’
O-Shaped Flat Roof Building Massing with Vertical Barrier Imperial Hwy
fro
105 FWY East
m
E 117th S
t
th
eF
re
ew
ay
120’
n
ft/s
tio
36
llu
Alabama St
Po
Antwerp Ave
Success Ave
105 FWY West
Air
t
s
ft/
Alabama St
36
Antwerp Ave
Success Ave
E 117th S
E 118th St
E 118th St
110 Difficult Sites | Mitigation Strategy Research
t
Alabama St
36
Antwerp Ave
E 117th S
E 117th S Alabama St
Po
ind
gW
in ail
105 FWY West
Air
Success Ave
In this class, we want to find out whether it is possible to build a residential project that is located very close to major freeways in Los Angeles. Typically speaking, the city of Los Angeles would not allow anyone to build the houses on the lands that are very close to major freeways due to air pollutions heath concerns. We then analyze the environmental data and ran CFD ins order to stimulate a realistic environment and study the relationship between air movement and air pollutions. Based on the environmental research, each of us would come up with a mitigation strategy design, which is verified by the CFD model at the end.
Antwerp Ave
Imperial Hwy
Success Ave
Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’
Unmodified Building Massing with Vertical Barrier
SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone
SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone
Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’
Road Dispersion Model
Distance from the freeway to the vertical barrier Distance from the freeway to the site.
Distance from the freeway to the site.
PM 2.5 concentration vs distance from the center of road with vertical barrier
PM 2.5 concentration vs distance from the center of road without vertical barrier
SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone
Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’
O-Shaped Round Roof Building Massing with Vertical Barrier
Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’
O-Shaped Round Roof Building Massing without Vertical Barrier
Imperial Hwy
Imperial Hwy
105 FWY West
105 FWY West
Ai
ol
rP
lu
tio
n
fro
105 FWY East
m
ol
lu
tio
n
105 FWY East
fro
m
th
eF
th
eF
re
ew
ay
re
ew
ay
E 117th S
t
ft/s
Alabama St
36
ft/s
E 118th St
Antwerp Ave
Success Ave
t
Alabama St
36
Antwerp Ave
Success Ave
E 117th S
120’
rP
120’
Ai
E 118th St
SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone
SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone
Difficult Sites | Mitigation Strategy Research
111
AS Integrated Facade
Project Overview Final Project
Wind Tunnel Analysis
Facade Performance vs. Season Evaluation
Location: Kuala Lumper, Malaysia Summer Have the most dry days The least humidified season Fall Have the most wet days The most humidified season Winter
3A Seminar Individual Project Instructor: Greg Otto, Won Hee Ko Sep - Dec 2013 Description: Our final project is to design a facade of a building.We begun with analyzing the site along with the local climate. Then we chose one of the buildings which is located in the site and designed facade based on our research.
Spring Have high precipitation days
North East Most direct solar radiation
South East Minor solar gain Most wind load
South West Minor solar gain
North West Most direct solar radiation
Limit excessive sunlight Enable Air ventilation to create air circulation
Enable air ventilation
Enable air ventilation
Limit excessive sunlight Enable Air ventilation to create air circulation
Enable air ventilation
Enable air ventilation
Utilize HVAC control System Should have an enclosed environment to avoid rain and the huge wind load
Most direct solar radiation
Most direct solar radiation
Gain as much solar radiation Limit excessive sunlight as possible while and maintain a good maintaining internal heat thermal insoluation good insoluation
Limit excessive sunlight and maintain a good thermal insoluation
All facades have very similar level of solar radiation level
Most wind load
Enable air ventilation
Minor solar gain Most wind load
All facades have very similar level of solar radiation level
Most wind load Maintain a good thermal and moisture insoluation
Maintain a good thermal and moisture insoluation
Maintain a good thermal and moisture insoluation
Facade Information : Elevation System: Unitized Curtain Wall System
Facade Information : Section
Site: Kuala Lumpur, Malaysia Kuala Lumpur, malaysia, 3°7'N, 101°32'E, 22 m (72 ft) Kuala Lumpur has a tropical wet climate (Köppen-Geiger classification: Af ) with no dry or cold season as it is constantly moist (year-round rainfall). According to the Holdridge life zones system of bioclimatic classification Kuala Lumpur is close to the tropical moist forest biome. The annual average temperature is 26.6 degrees Celsius (79.8 degrees Fahrenheit). Total annual Precipitation averages 2366.2 mm (93.2 in). Annual sunshine averages 2228 hours.
Building: The Avare, Kuala Lumpur Type: : Luxury Residential complex
114 Integrated Facade | Final Project
Minor solar gain Gain as much solar radiation as possible while maintaining internal heat good insoluation
Maintain a good thermal and moisture insoluation
Facade Information : Floor Plan
Analysis and Diagrams Solar Gain and Solar Radiation Diagram
June 21st @ 12pm
Incidental Solar Radiation Solar Gain Sep 21st @ 12pm
Dec 21st @ 12pm
March 21st @ 12pm
Exploded Axon Diagram Building Structure
Inner Supporting Structure Tinted Double Glass Unit
Solar Panel
Solar Planel Frame
Integrated Facade | Final Project 115
Integrated Facade Final Project Chi Hung Leung Site: Kuala Lumpur, Malaysia Building: The Avare, Kuala Lumpur System: Stick system
116 Integrated Facade | Final Project
Wind Tunnel Analysis
Integrated Facade | Final Project 117
Site: Kuala Lumpur, Malaysia Kuala Lumpur, malaysia, 3°7'N, 101°32'E, 22 m (72 ft) Kuala Lumpur has a tropical wet climate (Köppen-Geiger classification: Af ) with no dry or cold season as it is constantly moist (year-round rainfall). According to the Holdridge life zones system of bioclimatic classification Kuala Lumpur is close to the tropical moist forest biome. The annual average temperature is 26.6 degrees Celsius (79.8 degrees Fahrenheit). Total annual Precipitation averages 2366.2 mm (93.2 in). Annual sunshine averages 2228 hours.
Facade Performance vs. Season Evaluation
Summer Have the most dry days The least humidified season Fall Have the most wet days The most humidified season Winter
South East Minor solar gain Most wind load
South West Minor solar gain
North West Most direct solar radiation
Limit excessive sunlight Enable Air ventilation to create air circulation
Enable air ventilation
Enable air ventilation
Limit excessive sunlight Enable Air ventilation to create air circulation
All facades have very similar level of solar radiation level
Enable air ventilation
Enable air ventilation
Most direct solar radiation
Most direct solar Minor solar gain radiation Gain as much solar radiation
Spring Have high precipitation days
Utilize HVAC control System Should have an enclosed environment to avoid rain and the huge wind load
Enable air ventilation
Minor solar gain Most wind load
All facades have very similar level of solar radiation level Maintain a good thermal and moisture insoluation
118 Integrated Facade | Final Project
Most wind load
Gain as much solar radiation Limit excessive sunlight as possible while and maintain a good maintaining internal heat thermal insoluation good insoluation
Building: The Avare, Kuala Lumpur Type: : Luxury Residential complex
North East Most direct solar radiation
Limit excessive sunlight and maintain a good thermal insoluation
as possible while maintaining internal heat good insoluation
Most wind load Maintain a good thermal and moisture insoluation
Maintain a good thermal and moisture insoluation
Maintain a good thermal and moisture insoluation
Facade Information : Elevation
Facade Information : Section
System: Unitized Curtain Wall System
Integrated Facade | Final Project 119
Facade Information : Floor Plan
Analysis and Diagrams Solar Gain and Solar Radiation Diagram
June 21st @ 12pm
Incidental Solar Radiation Solar Gain Sep 21st @ 12pm
Dec 21st @ 12pm
March 21st @ 12pm
120 Integrated Facade | Final Project
Exploded Axon Diagram Building Structure
Inner Supporting Structure Tinted Double Glass Unit
Solar Panel
Solar Planel Frame
Integrated Facade | Final Project 121
AS Design Documentation
Permeable Roof 2' x 2' panel
Permeable Roof
2' x 2' panel
Radiant Floor 4" OC
A
Concrete
Primary Structure
24' steel pipe
structural floor
Secondary
6" x 6" steel member
Metal Decking
3" corrugated steel
Tertiary
3" x 3" steel member
I-beam
W18 x 119/W10 x 112
Panel
4' x 8' expanded mesh panel
Hanging Ceiling gypsum board
Radiant Floor
MICROchunk_B
4" OC
Catwalk 30" width
Concrete
structural floor
Glass
double-glazed
MICROchunk_A
D
Mullion
aluminum window frame
Metal Decking
3" corrugated steel
I-beam
W18 x 119/W10 x 112
Primary Structure 24' steel pipe
Hanging Ceiling gypsum board
Secondary
6" x 6" steel member
Glass
double-glazed
Tertiary
3" x 3" steel member
Mullion
aluminum window frame
C
Panel
4' x 8' expanded mesh panel
Interior Finish
GFRG
Permeable Roof 2' x 2' panel
B
3D FLOORend_C Panel
3D WALLsection_D
4' x 8' expanded mesh panel
Tertiary
3" x 3" steel member
Secondary
Primary Structure
6" x 6" steel member
Secondary
24' steel pipe
Panel
0.065" @ 500,000 ohms/ft²
Tertiary
gloss coat acrylic concrete sealer
Catwalk
Extruded Polystyrene Foam
Radiant Floor
Grade1
Concrete
10' OC
Metal Decking
interior panel
I-beam
30" width
Mullion
W18 x 119/W10 x 112
Hanging Ceiling
4" OC
Glass
structural floor
24' steel pipe
Primary Structure
6" x 6" steel member
Waterproof Membrane
4' x 8' expanded mesh panel
Finish coat
3" x 3" steel member
Rigid Insulation
30" width
Shotcrete
4" OC
Primary Steel Cage
structural floor
GFRG
3" corrugated steel
Catwalk
W18 x 119/W10 x 112
I-beam
aluminum window frame
Radiant Floor
gypsum board
Concrete
double-glazed
Metal Decking
3" corrugated steel
Hanging Ceiling
gypsum board
FLOORend
RENDEREDsection
3
WALLsection
1
2
THEATRE 902
9TH FLOOR
9TH FLOOR
EL112'-0"
EL 112’-0”
THEATRE 801
8TH FLOOR
Occ. Type Sq Ft
# People Occ. Type Sq Ft
B
9046
90
B
9046
90
# People
B
7116
71
B
7116
71
B
7687
77
B
7687
77
9743
97
99
8TH FLOOR
EL97'-11"
EL 98’-0”
CLASS ROOM
7TH FLOOR
7TH FLOOR
EL84'-0"
EL 84’-0”
6TH FLOOR
6TH FLOOR
EL70'-0"
EL 70’-0”
5TH FLOOR
9743
97
B
9934
99
B
9934
B A1 A3
4169 41 50 Seats 50 1500 100
B A1 A3
4169 41 50 Seats 50 1500 100
B
3369
34
B
3369
34
B
706
7
B
706
7
B
577
6
B
577
6
5TH FLOOR
EL56'-0"
EL 56’-0”
CLASS ROOM
4TH FLOOR
4TH FLOOR
EL42'-0"
EL 42’-0”
CLASS ROOM
3RD FLOOR
3RD FLOOR
EL 28'-0"
EL 28’-0”
CLASS ROOM
2ND FLOOR
2ND FLOOR
EL14'-0"
EL 14’-0”
STREET LEVEL
STREET LEVEL EL 0’-0”
EL 0’-0”
LOBBY
B
B
East Elevation
EXIT TO STREET
1’-0” = 0’ - 1/16”
EXIT TO STREET
B A1 A3
TRANSVERSEsection
SIDEelevation G
177'-4 3/4"
F
165'-6"
125'-6"
B
C
D
E
B
105'-6"
65'-6"
2048 20 75 Seats 75 1500 100 8350
83
B A1 A3 B
EXIT TO STREET
2048 20 75 Seats 75 1500 100 8350
83
Return Air
Stand Pipe
Supply Air
Sprinkler
Outside Air
Fire Control Room
Mechanical Unit
I-Beam
W10 x 112
I-Beam
W18 x 119
Rolled Steel
10' OC
A
36'-6 3/4"
Concrete
Foundation
Project Overview BAM
Final Booklet
B
Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
Location: New York, CA
PROJECTdescription The TAUT Institute of Music is a non-profit project. It contains 3 theaters for student and public use, and classes for up to 720 students. 56,236 SQ FT 11 Floors 3 Theaters 500 Seats 1A Construction Type A1, A3, B Occupancy Types
Permeable Roof 2' x 2' panel
Permeable Roof 2' x 2' panel
Radiant Floor 4" OC
Primary Structure 24' steel pipe
Concrete
structural floor
Secondary
6" x 6" steel member
Metal Decking
3" corrugated steel
musicTAUT is the new home of the NewYorkMusicInstitute. The NewYorkMusicInstitute is recognized around the world as the spearhead of acoustical academia, consistently ranking in the top 5 globally with their world-renown Master of Music (M.Mus) and Master of Arts in Pedagogy of Music Theory (MA.MusT). The new facility, a mere three blocks from their current home, will allow them to comfortably double the student body: three new theatres enable student performances to be kept in house, with the addition of 15 classrooms, 10 large practice rooms and 6 recording studios to facilitate the arts. These new spaces are also available for public use, to better integrate the school into its neighboorhood.The NewYorkMusicInstitute is pursuing LEED gold on the musicTaut project, as it is commited to bettering the world around them; here, music is taught.
Tertiary
3" x 3" steel member
I-beam
W18 x 119/W10 x 112
A.0.0 COVERpage
Panel
4' x 8' expanded mesh panel
Hanging Ceiling gypsum board
Radiant Floor
4A Seminar
4" OC
Catwalk 30" width
Concrete
structural floor
BAM Thompson Street
La Guardia Pl
Golkar Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
TAUT
aluminum window frame
I-beam
W18 x 119/W10 x 112
Primary Structure 24' steel pipe
Hanging Ceiling gypsum board
Secondary
6" x 6" steel member
Glass
double-glazed
Tertiary
3" x 3" steel member
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
West Houston Street
B A M P
m
T
H A
Mullion Panel
4' x 8' expanded mesh panel
Interior Finish
A D
West Broadway Street
Thompson Street
A.0.2 SITEplan
1’-0” = 0’ - 1/32”
F
177'-4 3/4"
A
aluminum window frame
GFRG
Description:
C
D
E
165'-6"
125'-6"
B
105'-6"
BAM Golkar
A
36'-6 3/4"
65'-6"
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
3
music
53'-0"
THe students are required to produce a 9’x9’ drawing by the end of the semester. The drawing needs to incorporate multiple systems such as ADA, egress, fire sprinklers, and hvac systems, etc.
Metal Decking
3" corrugated steel
Mullion
Architects
music
Group Project Instructor: Scott Uriu, Pavel Getov Sep - Dec 2014
Glass
double-glazed
G
2
TAUT
MAIN THEATER
Houston St Performing Arts School, New York City 33'-0"
AS 3040 Fall 2014 Design Documentation
LOBBY
1
A B
A.1.0 FIRSTfloor F
G
177'-4 3/4"
125'-6"
B
C
D
E
165'-6"
105'-6"
65'-6"
THEATRE 902 CLASS ROOM
177'-4 3/4"
165'-6"
C
D
E
105'-6"
125'-6"
B
65'-6"
BAM Golkar
A
36'-6 3/4"
Architects 3
53'-0"
music
LOBBY
TAUT
8TH FLOOR
AS 3040 Fall 2014 Design Documentation
Golkar Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
EL97'-11"
CLASS ROOM
TAUT
7TH FLOOR EL84'-0"
THEATRE 801
6TH FLOOR EL70'-0"
Houston St Performing Arts School, New York City
5TH FLOOR
EL56'-0"
CONCERT HALL 303
CLASS ROOM
AS 3040 Fall 2014 Design Documentation
Primary structure 24ӯ steel pipe
Secondary
6” x 6” steel member
Tertiary
3” x 3” steel member
Panel
4’ x 8’ perforated aluminum
Radiant Floor 4” OC
Concrete
structural floor
Metal decking steel
4TH FLOOR EL42'-0"
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
I-beam
Houston St Performing Arts School, New York City
33'-0"
RECORDING
RECORDING
CLASS ROOM
2
CONCERT HALL 303
Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
BAM Architects
9TH FLOOR EL112'-0"
F
A
36'-6 3/4"
W18 x 119/W10 x 112
CLASS ROOM
3RD FLOOR EL 28'-0"
Hanging ceiling
CONCERT HALL 202
GFRG
Glass
2ND FLOOR EL14'-0"
double-glazed
1
LOBBY
Mullion
aluminium window frame
STREET LEVEL EL 0’-0”
A.1.1 THIRDfloor
124 Design Documentation | Final Booklet
CONCERT HALL 101
A.2.0 LONGsection
A.4.1 SMALLchunk
Panel
4' x 8' expanded mesh panel
BAM
BAM
Architects
Architects
Golkar
Golkar
Tertiary
3" x 3" steel member
Secondary
6" x 6" steel member
Primary Structure 24' steel pipe
Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
Waterproof Membrane 0.065" @ 500,000 ohms/ft²
Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
music
GFRG
interior panel
Houston St Performing Arts School, New York City
Houston St Performing Arts School, New York City
Catwalk
AS 3040 Fall 2014 Design Documentation
Finish coat
gloss coat acrylic concrete sealer
Rigid Insulation
TAUT
Extruded Polystyrene Foam
Shotcrete Grade1
Primary Steel Cage 10' OC
30" width
TAUT AS 3040 Fall 2014 Design Documentation
I-beam
W18 x 119/W10 x 112
Radiant Floor 4" OC
Concrete
structural floor
Metal Decking
3" corrugated steel
Return Air Hanging Ceiling gypsum board
Supply Air
Outside Air
Mechanical Unit
A.4.4 2DwallSECTION
A.7.0 HVACdiagram
BAM
Pipe Structure Panel Structure Expanded Mesh
$ $ $ $
Facade
3,614 226,840 3,185,100 3,415,554
SteelSystem
$ 25,607,736 1,743,588 Costs 24” $Diameter Steel Pipe 27,351,324 $ Shell Costs Costs 4’ x 8’ Expanded MetalLand Lathe
Architects
$1.91 @ 1892 ft
SOFT COSTS Comission 18% 18%
Total $9,888,484.88 $1,088,640.00
$10,977,124.88
Brandon Leung Factory weld Shell
Concrete FloorKim $ 3,915,480 Arnold Member Shotcrete+GFRG 7” x$7” Steel 5,612,188 Melody Javaherian 9,527,668 $
SteelSystem_Structural Steel
$924 @ 27,714 ft
Shell_Concrete Floor
$120 @ 32,629 SF
SystemAssembly_Sprinklers
_Core
$3.50 @ 3,152 ft
$120 @ 95,012 SF
music $
11,032 8,160 19,192
TAUT
Facade_Panel Structure
CONTINGENCIES Contingencies
Expanded Metal Lathe Estimation SystemAssembly W 1$x 10 $
1/2” Dual Glazing Radiant Floor Structural Floor W 1 x 10 W 2 x 10
6” x 6” Steel Member Paniz Golkar
Sprinklers HVAC
Br A M Pa
Total $6,048,000
$6,048,000
Golkar
Structural Steel Rolled Steel Rib
Facade_Pipe Structure
$/SF 560
Construction
Margin 5% 10%
Ceiling
Total $2,746,801.36 $5,493,602.71
3” x 1” Diameter Pipe
Core Glazing Finishes
Interior+Finishes $ $ $ $
11,401,440 1,107,925 2,112,924 12,509,365
Houston St Performing Arts School, New York City
OVERALL PROJECT COST Category Land Cost Shell Cost Soft Cost Contingency
Total $6,048,000.00 $54,936,027.00 $10,977,124.88 $8,240,404.07
$80,201,555.95
TOTAL SHELL COSTS
AS 3040 Fall 2014 $ 54,936,027 Design Documentation
Facade_Expanded Mesh
$100 @ 31,851 SF
Facade_Pipe Structure
$1.91 @ 1892 ft
SteelSystem_Rolled Steel Ribs
$462 @ 3,774 ft
Shell_Shotcrete+GFRG
$172 @ 32,629 SF
SystemAssembly_HVAC
_Glazing
$2 @ 4,080 ft
Pipe Structure Panel Structure Expanded Mesh
$ $ $ $
Structural Steel Rolled Steel Rib
$ $ $
Facade
3,614 226,840 3,185,100 3,415,554
$65 @ 17,045 SF
Terms 3.81% @ 15yr
Monthly Payment $548,775
LAND COSTS Lot Size 10,800SF
$/SF 560
Total $6,048,000
$6,048,000
SteelSystem 25,607,736 1,743,588 27,351,324
LOAN COSTS Loan $80,201,555.95
SOFT COSTS Costs Shell Costs
Comission 18%
Total $9,888,484.88
m
T
H A
AS D
$8,240,404.07
3” x 3” Steel member
$21.40 @ 10,600 ft
G
A
LAND COSTS Lot Size 10,800SF
B
Design Documentation | Final Booklet 125
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
PROJECTdescription The TAUT Institute of Music is a non-profit project. It contains 3 theaters for student and public use, and classes for up to 720 students. 56,236 SQ FT 11 Floors 3 Theaters 500 Seats 1A Construction Type A1, A3, B Occupancy Types
musicTAUT is the new home of the NewYorkMusicInstitute. The NewYorkMusicInstitute is recognized around the world as the spearhead of acoustical academia, consistently ranking in the top 5 globally with their world-renown Master of Music (M.Mus) and Master of Arts in Pedagogy of Music Theory (MA.MusT). The new facility, a mere three blocks from their current home, will allow them to comfortably double the student body: three new theatres enable student performances to be kept in house, with the addition of 15 classrooms, 10 large practice rooms and 6 recording studios to facilitate the arts. These new spaces are also available for public use, to better integrate the school into its neighboorhood.The NewYorkMusicInstitute is pursuing LEED gold on the musicTaut project, as it is commited to bettering the world around them; here, music is taught. 126 Design Documentation | Final Booklet
A.0.0 COVERpage
INDEX A.0.0 4.0.1 A.0.2 A.1.0 A.1.1 A.1.2 A.2.0 A.2.1 A.3.0 A.3.1 A.4.0 A.4.1 A.4.2 A.4.3 A.4.4 A.4.5 A.4.6 A.5.0 A.5.1 A.5.2 A.6.0 A.6.1 A.6.2 A.7.0 A.7.1 A.8.0
COVER PAGE GENERAL NOTES SITE PLAN FIRST FLOOR THIRD FLOOR SEVENTH FLOOR LONG SECTION SHORT SECTION FRONT ELEVATION SIDE ELEVATION BIG CHUNK SMALL SECTION THEATER CLOSEUP 3D WALL SECTION 2D WALL SECTION 3D FLOOR DETAIL 2D FLOOR DETAIL STRUCTURE DIAGRAM SKIN UNROLL SKIN PANELIZATION ADA ACCESS RESTROOM DETAIL EGRESS ROUTES HVAC DIAGRAM SPRINKLER DIAGRAM COST ANALYSIS
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
Design Documentation | Final Booklet 127
BAM La Guardia Pl
Thompson Street
Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
West Houston Street
West Broadway Street
Thompson Street
128 Design Documentation | Final Booklet
F
125'-6"
105'-6"
BAM Golkar
A
36'-6 3/4"
65'-6"
Architects 3
53'-0"
165'-6"
B
2
MAIN THEATER
Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City
33'-0"
177'-4 3/4"
C
D
E
AS 3040 Fall 2014 Design Documentation
LOBBY
1
Design Documentation | Final Booklet 129
F
177'-4 3/4"
165'-6"
C
D
E
B
105'-6"
125'-6"
BAM Golkar
A
36'-6 3/4"
65'-6"
Architects 3
music
PRACTICE ROOMS 53'-0"
PRACTICE ROOM
CLASSROOM CLASSROOM
2
PRACTICE ROOM CLASSROOM
STUDENT LOUNGE
CLASSROOM
PRACTICE ROOM
PRACTICE ROOM
AS 3040 Fall 2014 Design Documentation
OFFICE FACULTY OFFICES 1
130 Design Documentation | Final Booklet
TAUT
Houston St Performing Arts School, New York City
33'-0"
OPEN TO BELOW
Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
F
G
177'-4 3/4"
125'-6"
165'-6"
B
C
D
E
105'-6"
65'-6"
A
36'-6 3/4"
BAM Golkar
Architects
9TH FLOOR EL112'-0"
THEATRE 902 CLASS ROOM
8TH FLOOR
Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
EL97'-11"
CLASS ROOM
TAUT
7TH FLOOR EL84'-0"
THEATRE 801
6TH FLOOR EL70'-0"
Houston St Performing Arts School, New York City
5TH FLOOR
EL56'-0"
CONCERT HALL 303
CLASS ROOM
AS 3040 Fall 2014 Design Documentation
4TH FLOOR EL42'-0"
CLASS ROOM
3RD FLOOR EL 28'-0"
CONCERT HALL 202
2ND FLOOR EL14'-0"
LOBBY
STREET LEVEL EL 0’-0”
CONCERT HALL 101
Design Documentation | Final Booklet 131
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
9TH FLOOR EL 112’-0”
music
8TH FLOOR EL 98’-0”
TAUT
7TH FLOOR EL 84’-0”
Houston St Performing Arts School, New York City
6TH FLOOR EL 70’-0”
AS 3040 Fall 2014 Design Documentation
5TH FLOOR EL 56’-0”
4TH FLOOR EL 42’-0”
3RD FLOOR EL 28’-0”
2ND FLOOR EL 14’-0”
STREET LEVEL EL 0’-0”
East Elevation 1’-0” = 0’ - 1/16”
132 Design Documentation | Final Booklet
BAM Permeable Roof 2' x 2' panel
Permeable Roof 2' x 2' panel
Radiant Floor 4" OC
Primary Structure 24' steel pipe
Concrete
structural floor
Secondary
6" x 6" steel member
Metal Decking
3" corrugated steel
Tertiary
3" x 3" steel member
I-beam
W18 x 119/W10 x 112
Panel
4' x 8' expanded mesh panel
Hanging Ceiling gypsum board
Radiant Floor 4" OC
Catwalk 30" width
Concrete
structural floor
Glass
double-glazed
Metal Decking
3" corrugated steel
Mullion
aluminum window frame
I-beam
W18 x 119/W10 x 112
Primary Structure 24' steel pipe
Hanging Ceiling gypsum board
Secondary
6" x 6" steel member
Glass
double-glazed
Tertiary
3" x 3" steel member
Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City
Mullion
aluminum window frame
Panel
4' x 8' expanded mesh panel
Interior Finish GFRG
AS 3040 Fall 2014 Design Documentation
A.4.0 BIGchunk Design Documentation | Final Booklet 133
Primary structure 24ӯ steel pipe
Secondary
6” x 6” steel member
Tertiary
3” x 3” steel member
Panel
4’ x 8’ perforated aluminum
Radiant Floor 4” OC
Concrete
structural floor
Metal decking steel
I-beam
W18 x 119/W10 x 112
Hanging ceiling GFRG
Glass
double-glazed
Mullion
aluminium window frame
134 Design Documentation | Final Booklet
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
Design Documentation | Final Booklet 135
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
136 Design Documentation | Final Booklet
A.4.3 3DwallSECTION
Panel
4' x 8' expanded mesh panel
Tertiary
3" x 3" steel member
Secondary
6" x 6" steel member
Primary Structure 24' steel pipe
Waterproof Membrane 0.065" @ 500,000 ohms/ft²
Finish coat
gloss coat acrylic concrete sealer
Rigid Insulation
Extruded Polystyrene Foam
Shotcrete Grade1
Primary Steel Cage 10' OC
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
GFRG
interior panel
Houston St Performing Arts School, New York City
Catwalk
AS 3040 Fall 2014 Design Documentation
30" width
I-beam
W18 x 119/W10 x 112
Radiant Floor 4" OC
Concrete
structural floor
Metal Decking
3" corrugated steel
Hanging Ceiling gypsum board
A.4.4 2DwallSECTION Design Documentation | Final Booklet 137
Primary Structure
24' steel pipe
BAM Golkar
Secondary
6" x 6" steel member
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
3" x 3" steel member
music
Panel
Houston St Performing Arts School, New York City
Tertiary
4' x 8' expanded mesh panel
TAUT AS 3040 Fall 2014 Design Documentation
138 Design Documentation | Final Booklet
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar 1/2” Dual Glazing 24” Diameter Steel Pipe
Radiant Floor
4’ x 8’ Expanded Metal Lathe
Structural Floor
Factory weld
W 1 x 10
7” x 7” Steel Member
W 2 x 10
6” x 6” Steel Member
Ceiling
Expanded Metal Lathe W 1 x 10 3” x 3” Steel member
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
3” x 1” Diameter Pipe
A.4.6
Design Documentation | Final Booklet 139
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
I-Beam
W10 x 112
I-Beam
W18 x 119
Rolled Steel 10' OC
Concrete Foundation
140 Design Documentation | Final Booklet
A.5.0 STRUCTUREdiagram
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
Design Documentation | Final Booklet 141
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
142 Design Documentation | Final Booklet
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
Exit to Public Way
Design Documentation | Final Booklet 143
BAM Golkar
Architects 3'-0"
music
TAUT
5'
-0
"
3'-9"
Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
5'
-0
"
3'-0"
6'-0"
144 Design Documentation | Final Booklet
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
Exit to Public Way
Exit to Public Way
Occ. Type Sq Ft
# People
B
9046
90
B
7116
71
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
B
7687
77
B
9743
97
B
9934
99
B A1 A3
4169 41 50 Seats 50 1500 100
B
3369
34
B
706
7
B
577
6
B A1 A3
2048 20 75 Seats 75 1500 100
B
8350
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
83 Design Documentation | Final Booklet 145
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
Return Air
Supply Air
Outside Air
Mechanical Unit
146 Design Documentation | Final Booklet
BAM Golkar
Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar
music
TAUT
Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation
Stand Pipe
Sprinkler
Fire Control Room
Design Documentation | Final Booklet 147
BAM
Pipe Structure Panel Structure Expanded Mesh
$ $ $ $
Structural Steel Rolled Steel Rib
$ $ $
Facade
3,614 226,840 3,185,100 3,415,554
Golkar
Facade_Pipe Structure
SteelSystem 25,607,736 1,743,588 27,351,324
Architects
$1.91 @ 1892 ft
Lot Size 10,800SF
Brandon Leung
Costs Shell Cos Land Cos
Shell
Concrete FloorKim Arnold Shotcrete+GFRG
$ 3,915,480 $ 5,612,188 Melody Javaherian 9,527,668 $
SteelSystem_Structural Steel
$924 @ 27,714 ft
Shell_Concrete Floor
$120 @ 32,629 SF
SystemAssembly_Sprinklers
_Core
$3.50 @ 3,152 ft
$120 @ 95,012 SF
Paniz Golkar
music
Sprinklers HVAC
SystemAssembly $ $ $
11,032 8,160 19,192
TAUT
Facade_Panel Structure
$21.40 @ 10,600 ft
Core Glazing Finishes
Continge Estimatio Construc
Interior+Finishes $ $ $ $
11,401,440 1,107,925 2,112,924 12,509,365
Houston St Performing Arts School, New York City
Category Land Cos Shell Cos Soft Cost Continge
TOTAL SHELL COSTS
AS 3040 Fall 2014 $ 54,936,027 Design Documentation
Facade_Expanded Mesh
SteelSystem_Rolled Steel Ribs
$100 @ 31,851 SF
$462 @ 3,774 ft
Shell_Shotcrete+GFRG
$172 @ 32,629 SF
SystemAssembly_HVAC
Facade_Pipe Structure
$1.91 @ 1892 ft
Pipe Structure Panel Structure Expanded Mesh
$ $ $ $
Structural Steel Rolled Steel Rib
$ $ $
Concrete Floor Shotcrete+GFRG
SteelSystem_Structural Steel
$924 @ 27,714 ft
Shell_Concrete Floor
$120 @ 32,629 SF
SystemAssembly_Sprinklers
$3.50 @ 3,152 ft
_Glazing
$2 @ 4,080 ft
Facade
3,614 226,840 3,185,100 3,415,554
25,607,736 1,743,588 27,351,324
Total $6,048,000
$6,048,000
SystemAssembly $ $ $
SOFT COSTS Costs Shell Costs Land Costs
Comission 18% 18%
Total $9,888,484.88 $1,088,640.00
$10,977,124.88
3,915,480 5,612,188 9,527,668
_Core
Facade_Panel Structure
$/SF 560
Shell
$120 @ 95,012 SF Sprinklers HVAC
LAND COSTS Lot Size 10,800SF
SteelSystem
$ $ $
Loan $80,201,5
$65 @ 17,045 SF
11,032 8,160 19,192
CONTINGENCIES Contingencies Estimation Construction
Margin 5% 10%
Total $2,746,801.36 $5,493,602.71
$8,240,404.07
$21.40 @ 10,600 ft
Core Glazing Finishes
Interior+Finishes $ $ $ $
11,401,440 1,107,925 2,112,924 12,509,365
OVERALL PROJECT COST Category Land Cost Shell Cost Soft Cost Contingency
Total $6,048,000.00 $54,936,027.00 $10,977,124.88 $8,240,404.07
$80,201,555.95
TOTAL SHELL COSTS $
Facade_Expanded Mesh
SteelSystem_Rolled Steel Ribs
Final @ 3,774 ftBooklet 148 Design Documentation |$462
$100 @ 31,851 SF
Shell_Shotcrete+GFRG
$172 @ 32,629 SF
SystemAssembly_HVAC
$2 @ 4,080 ft
_Glazing
$65 @ 17,045 SF
54,936,027
LOAN COSTS Loan $80,201,555.95
Terms 3.81% @ 15yr
Monthly Payment $548,775
A.8.0 COSTanalysis
Design Documentation | Final Booklet 149
AS Smart Sustainable System
Project Overview AS Smart Sustainable System
Wind Rose Diagam
Location: SCI-Arc Firm Name : Archigram Building Name : ArchiDynamic Brandon Leung Ryan Wang Dong Kwak Rafael Rama
4A Seminar
DOUBLE-LAYER SKIN DIAGRAM
Group Project Instructor: Jamey Lyzun Sep - Dec 2014
Spring & Fall
Winter
Summer
GLASS WINDOW FRAME VERTICAL BEAM
CONCRETE SLAB STEEL DECK I-BEAM
STEEL EXTERIOR FACADE VERTICAL BEAM PLASTIC TUBE HORIZONTAL BEAM WINDOW FRAME(STEEL) I-BEAM CONCRETE SLAB STEEL DECK CONCRETE PLYWOOD VAPER CONTROL LAYER I-BEAM
CONCRETE PLYWOOD VAPER CONTROL LAYER FIBERGLASS OR CELLULOSE INSULATION IN STUDE SPACE
Description:
West Elevation
VERTICAL BEAM DRY WALL CONCRETE GYPSUM BOARD GYPSUM BOARD(CLADDING)
FIBERGLASS OR CELLULOSE INSULATION IN STUDE SPACE DRY WALL CONCRETE HVAC GYPSUM BOARD(CLADDING)
Detail Drawing of the Second Skin and the Window
The final project was to remodel SCI-ARC and developed a few sustainable systems such as greywater recyclable program and stormwater collection system based on Shanghai Climate research.
Second Skin Structure Detail Axon
N
A-1
B-1
A-1. CAFETERIA A-2. LECTURE HALL A-3 MEETING ROOM A-4 CLASSROOM A-5TEMPORARY LIVING QUARTERS B-1. FITNESS CENTER
Area Function SCI-Arc
ART A RT D DISTRIC ISTRIC
Today the Arts District remains the home of artists, arts enterprises and many employed in L.A.s film and television industry. The Southern California Institute of Architecture (SCI-Arc), resides in the 110 year old, quarter mile-long (0.40 km) former Santa Fe Freight Depot that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014. Designed by Michael Maltzan Architecture (MMA), a Los Angeles based architecture firm.
Area Movement
ART DISTRIC
The Arts District occupies the eastern side of Downtown Los Angeles, USA. Its borders are Alameda Street on the west, the 101 freeway on the north, the LA River to the east, and 10 freeway to the south. The Arts District is filled with older industrial and former railroad buildings. In 1981, the City of Los Angeles passed its "Artist in Residence" or "AIR" ordinance, which allowed residential use of formerly industrial buildings - artists had long used such spaces as living quarters illegally, and the AIR law sought to bring this practice into legality and regulation.
Today the Arts District remains the home of artists, arts enterprises and many employed in L.A.s film and television industry. The Southern California Institute of Architecture (SCI-Arc), resides in the 110 year old, quarter mile-long (0.40 km) former Santa Fe Freight Depot that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014. Designed by Michael Maltzan Architecture (MMA), a Los Angeles based architecture firm.
Challenges face the Arts District today, not least of which is the loss of inexpensive lofts to developers who have converted some former loft and studio buildings into condos. Community leaders are struggling to balance the economic opportunities offered by gentrification with the need to preserve the character of the Arts District as a creative community that has made contributions to the cultural and economic well-being of Los Angeles for decades.
ART DISTRIC
Today the Arts District remains the home of artists, arts enterprises and many employed in L.A.s film and television industry. The Southern California Institute of Architecture (SCI-Arc), resides in the 110 year old, quarter mile-long (0.40 km) former Santa Fe Freight Depot that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014. Designed by Michael Maltzan Architecture (MMA), a Los Angeles based architecture firm.
PUBLIC TRANSPORTATION HIGH DENSITY TRAFFIC MEDIUM DENSITY TRAFFIC LOW DENSITY TRAFFIC
152 Smart Sustainable System | Project Overview
Pedestrian
Solar Radiation Diagram Wind Tunnel Diagam
DOUBLE-LAYER SKIN DIAGRAM
Rainwater Collecting System & Greywater Recycling System
Because of the very strong sunlight on the south and west facade of the building, we add a second skin onto it. The second skin is a perforated skin with thousands of tubes, in order to reduce the direct sunlight. The second skin not only gives sustainable effect, but also gives a special visual effect with the variety of size of the perforations. These tubes can also rotate up and down, in order to reduce or gain sun light in different seasons. During spring and fall, the tubes stay straight so the reduction and gain from the sunlight is balanced. During Summer, because of the high temperature which is cost by the longer time of sunlight, the tubes are rotated downward to reduce the direct sunlight, so the interior of the building can stay cool. During Winter, because of the low temperature which is cost by the shorted time of sunlight, the tubes are rotated upward to gain the direct sunlight, so the interior of the building can stay warm.
Shanghai is a rainy city, especially in summer. Therefore, we put a lot of rainwater collecting tanks on the roof of the building and also under the ground. The rainwater collecting tanks provides fresh water to the bathrooms, so students can use the collected rainwater to flush the toilet and wash hands. The mastershield collects rainwater for the cisterns which are buried underground. The cistern underground and the tanks on the roof all provides water to the bathrooms and all of them are connected through the pipes, and there are also small tanks in side the walls to store water for the bathrooms. We are also interested in recycling the greywaters from the toilets and sinks, there are cisterns underground to collect the greywater to irrigate the grass and flowers.
MASTERSHIELD
Smart Sustainable System | Project Overview SPRINKLER
153
Firm Name : Archigram Building Name : ArchiDynamic Brandon Leung Ryan Wang Dong Kwak Rafael Rama
154 Smart Sustainable System | Final Project
SCI-Arc
ART DISTRIC
The Arts District occupies the eastern side of Downtown Los Angeles, USA. Its borders are Alameda Street on the west, the 101 freeway on the north, the LA River to the east, and 10 freeway to the south. The Arts District is filled with older industrial and former railroad buildings. In 1981, the City of Los Angeles passed its "Artist in Residence" or "AIR" ordinance, which allowed residential use of formerly industrial buildings - artists had long used such spaces as living quarters illegally, and the AIR law sought to bring this practice into legality and regulation.
Today the Arts District remains the home of artists, arts enterprises and many employed in L.A.s film and television industry. The Southern California Institute of Architecture (SCI-Arc), resides in the 110 year old, quarter mile-long (0.40 km) former Santa Fe Freight Depot that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014. Designed by Michael Maltzan Architecture (MMA), a Los Angeles based architecture firm.
Smart Sustainable System | Final Project 155
Area Function
ART A RT D DISTRIC ISTRIC
Today the Arts District remains the home of artists, arts enterprises and many employed in L.A.s film and television industry. The Southern California Institute of Architecture (SCI-Arc), resides in the 110 year old, quarter mile-long (0.40 km) former Santa Fe Freight Depot that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014. Designed by Michael Maltzan Architecture (MMA), a Los Angeles based architecture firm.
Today the Arts District remains the home of artists, arts enterprises and many employed in L.A.s film and television industry. The Southern California Institute of Architecture (SCI-Arc), resides in the 110 year old, quarter mile-long (0.40 km) former Santa Fe Freight Depot that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014. Designed by Michael Maltzan Architecture (MMA), a Los Angeles based architecture firm.
156 Smart Sustainable System | Final Project
Area Movement
Challenges face the Arts District today, not least of which is the loss of inexpensive lofts to developers who have converted some former loft and studio buildings into condos. Community leaders are struggling to balance the economic opportunities offered by gentrification with the need to preserve the character of the Arts District as a creative community that has made contributions to the cultural and economic well-being of Los Angeles for decades.
ART DISTRIC
PUBLIC TRANSPORTATION
Pedestrian
HIGH DENSITY TRAFFIC MEDIUM DENSITY TRAFFIC LOW DENSITY TRAFFIC
Smart Sustainable System | Final Project 157
Wind Rose Diagam
158 Smart Sustainable System | Final Project
Wind Tunnel Diagam
Smart Sustainable System | Final Project 159
Solar Radiation Diagram
160 Smart Sustainable System | Final Project
DOUBLE-LAYER SKIN DIAGRAM
Spring & Fall
Summer
Winter
GLASS WINDOW FRAME VERTICAL BEAM
CONCRETE SLAB STEEL DECK I-BEAM
STEEL EXTERIOR FACADE VERTICAL BEAM PLASTIC TUBE HORIZONTAL BEAM WINDOW FRAME(STEEL) I-BEAM CONCRETE SLAB STEEL DECK CONCRETE PLYWOOD VAPER CONTROL LAYER I-BEAM
CONCRETE PLYWOOD VAPER CONTROL LAYER FIBERGLASS OR CELLULOSE INSULATION IN STUDE SPACE VERTICAL BEAM DRY WALL CONCRETE GYPSUM BOARD GYPSUM BOARD(CLADDING)
Detail Drawing of the Second Skin and the Window
FIBERGLASS OR CELLULOSE INSULATION IN STUDE SPACE DRY WALL CONCRETE HVAC GYPSUM BOARD(CLADDING)
Second Skin Structure Detail Axon
Smart Sustainable System | Final Project 161
N
A-1
B-1
A-1. CAFETERIA A-2. LECTURE HALL A-3 MEETING ROOM A-4 CLASSROOM A-5TEMPORARY LIVING QUARTERS B-1. FITNESS CENTER
162 Smart Sustainable System | Final Project
N
A-2
A-3
A-4
A-4
A-1. CAFETERIA A-2. LECTURE HALL A-3 MEETING ROOM A-4 CLASSROOM A-5TEMPORARY LIVING QUARTERS B-1. FITNESS CENTER
Smart Sustainable System | Final Project 163
N
A-5
A-5
A-1. CAFETERIA A-2. LECTURE HALL A-3 MEETING ROOM A-4 CLASSROOM A-5TEMPORARY LIVING QUARTERS B-1. FITNESS CENTER
164 Smart Sustainable System | Final Project
WATER TANK
N
Smart Sustainable System | Final Project 165
Rain Water Collection Cistern
Wind Turbine Area
Gathering + Green Space
Rain Water Collection Cistern
166 Smart Sustainable System | Final Project
PV Cells enveloped Bridge
Smart Sustainable System | Final Project 167
168 Smart Sustainable System | Final Project
LEED
ACCESS TO QUALITY TRANSIT
CERTIFICATE
Intent: To encourage development in locations shown to have multimodal transportation choices or otherwise reduced motor vehicle use, thereby reducing greenhouse gas emissions, air pollution, and other environmental and public health harms associated with motor vehicle use. Requirements : Locate any functional entry of the project within a ¼-mile (400-meter) walking distance of existing or planned bus, streetcar, or rideshare stops, or within a ½-mile (800-meter) walking distance of existing or planned bus rapid transit stops, light or heavy rail stations, commuter rail stations or ferry terminals. The transit service at those stops and stations in aggregate must meet the minimums listed in Tables 1 and 2. Planned stops and stations may count if they are sited, funded, and under construction by the date of the certificate of occupancy and are complete within 24 months of that date. Sci arc has Multiple bus stops in the surroundings in less than ¼-mile walking distance, however with the pedestrian bridge proposed, It will induce the students to walk across busy first street. towards south where are located multiple restaurants and cafe shops.
Smart Sustainable System | Final Project 169
LEED
WATER EFFICIENCY Rainwater Management
CERTIFICATE
Intent: To reduce runoff volume and improve water quality by replicating the natural hydrology and water balance of the site, based on historical conditions and undeveloped ecosystems in the region.
Abundance - Rainfall in Shanghai is abundant with 129 rainy days annually. Average annual rainfall is about 1,143.5 mm, placing Shanghai about equal to Vancouver in terms of precipitation.
Requirements : In a manner best replicating natural site hydrology processes, manage on site the runoff from the developed site for the 95th percentile of regional or local rainfall events using low-impact development (LID) and green infrastructure.
Seasonal Variability - The monthly rainfall in Shanghai varies greatly from month to month. Fifty percent of rainfall typically occurs between June and September during what are known as ‘plum rains,’ ‘typhoon season,’ or flood period. During this heavy rain period, average rainfall reaches 590 mm! As well, on an average of three days per year, Shanghai experiences torrential rains, during which more than 50 mm of rain fall in a single day.
Use daily rainfall data and the methodology in the U.S. Environmental Protection Agency (EPA) Technical Guidance on Implementing the Stormwater Runoff Requirements for Federal Projects under Section 438 of the Energy Independence and Security Act to determine the 95th percentile amount.
Geographic Variability - The spatial distribution of rainfall in Shanghai county is uneven with urban areas receiving a greater annual rainfall than the surrounding areas. Within the urban region, the amount of rain decreases from south to north.
Manage on site the annual increase in runoff volume from the natural land cover condition to the postdeveloped condition.
170 Smart Sustainable System | Final Project
LEED
INDOOR WATER USE REDUCTION
CERTIFICATE
Intent: To reduce indoor water consumption. Requirements : Building Water Use For the fixtures and fittings listed in Table 1, as applicable to the project scope, reduce aggregate water consumption by 20% from the baseline. Base calculations on the volumes and flow rates shown in Table 1. All newly installed toilets, urinals, private lavatory faucets, and showerheads that are eligible for labeling must be WaterSense labeled (or a local equivalent for projects outside the U.S.). Commercial Fixtures, fittings, and Appliances
Current Baseline (IP units)
Current Baseline (Sl Units)
Water closets (toilets)*
1.6 gallons per flush (gpf )
6 liters per flush (lpf )
Urinal*
1.0 (gpf )
3.8 lpf
Public lavatory (restroom) faucet
0.5 gpm at 60 psi
1.9 lpm at 415 kPa
Private lavatory faucet*
2.2 gpm at 60 psi
8.3 lpm at 415 kPa
Kitchen faucet
2.2 gpm at 60 psi
8.3 lpm at 415 kPa
Showerhead*
2.5 gpm at 80 psi per shower stall
9.5 lpm at 550 kPa per shower stall
* WaterSense label available for this product type gpf = gallons per flush gpm = gallons per minute psi = pounds per square inch lpf = liters per flush lpm = liters per minute kPa = kilopascals
Smart Sustainable System | Final Project 171
Rainwater Collecting System & Greywater Recycling System Shanghai is a rainy city, especially in summer. Therefore, we put a lot of rainwater collecting tanks on the roof of the building and also under the ground. The rainwater collecting tanks provides fresh water to the bathrooms, so students can use the collected rainwater to flush the toilet and wash hands. The mastershield collects rainwater for the cisterns which are buried underground. The cistern underground and the tanks on the roof all provides water to the bathrooms and all of them are connected through the pipes, and there are also small tanks in side the walls to store water for the bathrooms. We are also interested in recycling the greywaters from the toilets and sinks, there are cisterns underground to collect the greywater to irrigate the grass and flowers.
MASTERSHIELD
SPRINKLER
Greywater Recycling Cistern
Greywater Recycling Cistern
Rainwater Collecting Cistern
172 Smart Sustainable System | Final Project
Greywater Recycling Cistern
Rainwater Collecting Cistern
DOUBLE-LAYER SKIN DIAGRAM Because of the very strong sunlight on the south and west facade of the building, we add a second skin onto it. The second skin is a perforated skin with thousands of tubes, in order to reduce the direct sunlight. The second skin not only gives sustainable effect, but also gives a special visual effect with the variety of size of the perforations. These tubes can also rotate up and down, in order to reduce or gain sun light in different seasons. During spring and fall, the tubes stay straight so the reduction and gain from the sunlight is balanced. During Summer, because of the high temperature which is cost by the longer time of sunlight, the tubes are rotated downward to reduce the direct sunlight, so the interior of the building can stay cool. During Winter, because of the low temperature which is cost by the shorted time of sunlight, the tubes are rotated upward to gain the direct sunlight, so the interior of the building can stay warm.
South Elevation
West Elevation Smart Sustainable System | Final Project 173
AS Construction Documents
Chi Hung Leung Architecture
Consultant: Pavel Getov Jay Vanos
No.
Description
Date
Chi Hung Leung
Project number Date Drawn by Checked by
Project Number Issue Date Author Checker
A1.01 Scale
4/22/2015 3:17:40 PM
Residential House Site Axonometric
Project Overview Final Booklet
Sheet List
A1.00 A1.01 A1.02 A1.03 A2.00 A2.01 A2.02 A2.03 A2.04 A3.00 A3.01 A3.02 A3.03 A3.04 A3.05
Location: Los Angeles, CA
A3.06 A4.00 A4.01 A4.02 A4.03 A5.00 A5.01 A5.02 A5.03 A6.00 A6.01 E1.00
E1.01
E1.02
Chi Hung Leung Architecture
3
Consultant: Pavel Getov Jay Vanos
General Notes and Drawing Symbols Site Plan Site Axonometri c SIte Section - North Site Section - East Control Plan First Floor Plan Second Floor Plan Third Floor Plan Roof Plan Rendered Section Section 1 Section 2 Section 3 Section 4 Wall Section Details of Wall Section West Elevation North Elevation East Elevation South Elevation Enlarged Plan Kitchen Kitchen Elevation Enlarged Plan Bathroom Bathroom Elevation Door and Window Schedule Wall Types and Schedule First Floor Plan Electrical Plan Second Floor Plan Electrical Plan Third Floor Plan Electrical Plan
1
9
A4.01 1
1
No.
Description
Date
A1.03
1
1
A3.01
A3.04 34' - 7 7/32"
Chi Hung Leung
8
Residential House Cover Page
Drawn by
A0
3D View 0
A3.03
15' - 6"
Scale
DN
UP
1
Project Number Issue Date Author Checker
Project number Date
Checked by
1
2
0' - 0"
A0.5
Sheet Name Cover Page 3D Views Interior Rendering Parcel Profile Navigate LA Site Plan with Tax Assessor Map
10' - 1"
A0.3 A0.4
4/22/2015 3:16:32 PM
Sheet Number A0 A0.1 A0.2
4B Seminar Lobby R
9
R
Chi Hung Leung Architecture
7
Consultant: Pavel Getov Jay Vanos
4' - 0"
1 A1.02
Group Project Instructor: Jay Vanos, Pavel Getov Jan - Apr 2015
1
5
A3.02
1
6
A1.02
7
R
8
Date
A4.00
1
1
Library
Bedroom
7
8
6
Chi Hung Leung Residential House Site Section - East
A3.02
3/16" = 1'-0"
R
R
A1.03 Scale
R
Checked by
4/22/2015 3:17:42 PM
Drawn by
Description:
1
Project Number Issue Date Author Checker
Project number Date
A4.02 -
20' - 3 1/8"
Description
R
No.
29' - 8 1/8"
R
4
R
1
9
A4.01 1
Chi Hung Leung Architecture
Bathroom 6
5
5' - 5"
2
R
3
9' - 2 7/8"
3' - 9 27/32"
THe students are required to produce a revit-based digital model and a set of tecnical drawings.
1 A3.01 Consultant: Pavel Getov Jay Vanos
8
4
1 A3.03
7 1
19' - 0"
A1.02
1
15' - 7 7/32"
5' - 4 5/8" 0' - 0 29/32"
A4.02 -
A4.00 1
No.
Description
Date
1
6 1 A3.02
A4.03
5
4
Chi Hung Leung Residential House Control Plan 1
Date Drawn by Checked by
4/22/2015 3:17:43 PM
Project Number Issue Date Author Checker
Project number
A4.03
A2.00 1/4" = 1'-0"
Scale
Chi Hung Leung Architecture
Consultant: Pavel Getov Jay Vanos
Chi Hung Leung Architecture
Consultant: Pavel Getov Jay Vanos
3
2
1
9 Room Schedule
A4.01
11' - 0"
A3.01
Garage Bedroom Bathroom Living Room Kitchen Bathroom Library Bedroom Lobby Bathroom Closet Bedroom Closet Bedroom Lobby Bathroom Mechanical Room
5' - 4 5/8"
1 A3.04
1
8 1
47
A3.03
Bathroom
1 R
3
R
5' - 2"
R
R
2
3
15' - 6"
Bedroom 2
48
Number
Area
A1.03
23' - 7 7/32"
1
Name
1
1
58
1 2 3 4
506 SF 195 SF 92 SF 580 SF
5 6 7 8 9 10 11 12 13 14 15 16 17
112 SF 159 SF 537 SF 353 SF 464 SF 180 SF 118 SF 614 SF 109 SF 323 SF 272 SF 142 SF 63 SF
Chi Hung Leung Architecture
Consultant: Pavel Getov Jay Vanos
UP
7
No.
Description
Date
1 A1.02
1 R
R
57
2
Description
Date
16' - 1"
No.
1
28' - 1"
Garage
A4.02 -
R
R
R
A4.00 1
Living Room
1
4 R
6
1
No.
Revision 1
Description
Date 4-18-15
1 A3.02
45
12' - 0"
R
R
Kitchen
1
3D View 1
2
3D View 2
19' - 0"
Chi Hung Leung
5 10' - 6 31/32"
Residential House 3D Views
10' - 4 7/8"
4
Chi Hung Leung
Date
Project number Date Drawn by Checked by
Project Number Issue Date Author Checker
A2.01 Scale
176 Construction Documents | Final Booklet
1/4" = 1'-0"
Drawn by Checked by
A0.1 Scale 4/22/2015 3:17:43 PM
5' - 0"
1 A4.03
Project Number Issue Date Author Checker
Project number
Residential House First Floor Plan
Chi Hung Leung Residential House Interior Rendering Project Number Issue Date Author Checker
Project number Date Drawn by Checked by
A0.2 Scale
4/22/2015 3:16:40 PM
W
39
4/22/2015 3:16:37 PM
42
REF.
DW
5
9 3
9
3
Keynote Legend
06 11 00.H1
Key Value
Level 4a 31' - 0"
Level 4a 31'Roof - 0" 30' - 0" Level 4 30' - 0" 5 A3.06
1 A3.06
level 3 28' - 0"
Level 4a 31'Roof - 0" 30' - 0" Level 4 30' - 0"
06 11 00.B12 Roof 06 11 00.B12
Roof 30' - 0"
Chi Hung Leung Architecture
30' - 0"
Level 4 30' - 0"
Level 4 30' - 0"
level 3 28' - 0"
level 3 28' - 0"
Chi Hung Leung Architecture
06 13 23.C2
level 3 28' - 0"
Consultant: Pavel Getov Jay Vanos
06 11 00.B12 Consultant: Pavel Getov Jay Vanos
06 11 00.B12
5
First Detail of Second Callout of Section 2 1" = 1'-0" 1
3
Level 3 22' - 0" Level 3 20' - 0"
Detail of Callout of Section 2 1" = 1'-0"
Level 3 20' - 0"
6 A3.06
06 11 00.B12
2 A3.06
Level 3 20' - 0"
Level 3 20' - 0" 06 13 23.C2
Level 2 15' - 0"
06 11 00.B12 06 11 00.B12
Description
Date
No.
Level 2 10' - 0"
7 A3.06
6
3
2
Second Detail of Callout of Section 2 1" = 1'-0"
3
9 9
Level 2 12' - 0" 06 11 00.B12
Chi Hung Leung
Level 1 0' - 0"
Project Number Issue Date Author Checker
Project number Date Drawn by Checked by
1
A3.05
Callout of Section 2 1/2" = 1'-0"
1/2" = 1'-0"
Scale
Level 1 0' - 0"
Level 2 10' - 0"
Level 1 0' - 0"
06 13 23.C2
Residential House Details of Wall Section
Level 1 0' - 0"
Project number Date Drawn by
7
Checked by
Third Detail of Second Callout of Section 2 1" = 1'-0" 8
Fourth Detail of Second Callout of Section 2 1" = 1'-0"
3
Third Detail of Callout of Section 2 1" = 1'-0"
4
Scale
As indicated
Chi Hung Leung Architecture
Consultant: Pavel Getov Jay Vanos
Description
Date
No.
Chi Hung Leung
Project Number Issue Date Author Checker
Project number Date Drawn by Checked by
A0.3
Description
Date
Chi Hung Leung
Residential House Parcel Profile
Scale
Project Number Issue Date Author Checker
A3.06
Fourth Detail of Callout of Section 2 1" = 1'-0"
Chi Hung Leung Architecture
No.
Chi Hung Leung
Level 1 0' - 0"
Consultant: Pavel Getov Jay Vanos
Residential House Navigate LA Site Plan with Tax Assessor Map Project Number Issue Date Author Checker
Project number Date 4/22/2015 3:17:00 PM
Second Callout of Section 2 1/2" = 1'-0"
Level 1 0' - 0"
06 11 00.B12 06 11 00.B12
06 11 00.B12 06 11 00.B12
4/22/2015 3:17:52 PM
4 A3.06
8 A3.06
Level 2 10' - 0"
06 13 23.C2
Residential House Wall Section
Level 1 0' - 0" Level 1 0' - 0"
Date
Second Detail of Second Callout of Section 2 1 1/2" = 1'-0"
3 A3.06
Level 1 0' - 0" Level 1 0' - 0"
Description
4/22/2015 3:17:54 PM
No.
Level 2 12' - 0" Level 2 10' - 0"
Drawn by Checked by
A0.4 Scale
4/22/2015 3:17:19 PM
Level 2 15' - 0"
2
Keynote Text
06 11 00.B12 06 11 00.H1 06 13 23.C2
Level 4a 31' - 0"
Construction Documents | Final Booklet 177
Technical Drawings
178Construction Documents | Final Booklet
Construction Documents | Final Booklet
179
180Construction Documents | Final Booklet
Construction Documents | Final Booklet
181
182Construction Documents | Final Booklet
Construction Documents | Final Booklet
183
184Construction Documents | Final Booklet
Construction Documents | Final Booklet
185
186Construction Documents | Final Booklet
Construction Documents | Final Booklet
187
188Construction Documents | Final Booklet
Construction Documents | Final Booklet
189
190Construction Documents | Final Booklet
Construction Documents | Final Booklet
191
192Construction Documents | Final Booklet
Construction Documents | Final Booklet
193
194Construction Documents | Final Booklet
Construction Documents | Final Booklet
195
196Construction Documents | Final Booklet
Construction Documents | Final Booklet
197
198Construction Documents | Final Booklet
Construction Documents | Final Booklet
199
200Construction Documents | Final Booklet
Construction Documents | Final Booklet
201
202Construction Documents | Final Booklet
Construction Documents | Final Booklet
203
204Construction Documents | Final Booklet
Construction Documents | Final Booklet
205
206Construction Documents | Final Booklet
Construction Documents | Final Booklet
207
208Construction Documents | Final Booklet
Construction Documents | Final Booklet
209
210Construction Documents | Final Booklet
Construction Documents | Final Booklet
211
212Construction Documents | Final Booklet
Construction Documents | Final Booklet
213