MM 2385412 – Mason, Isolarion: Rituals of Resonance

Partitur

Christian Mason

Isolarion: Rituals of Resonance for Orchestra

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Christian Mason

Isolarion: Rituals of Resonance for Orchestra

Printed in Germany

II

Isolarion: Rituals of Resonance was commissioned by Lucerne Festival for the Lucerne Festival Academy 2013 (Artistic Director: Pierre Boulez). The world premiere took place at the KKL Lucerne on 7 September 2013 by the Lucerne Festival Academy Orchestra under the direction of Gergely Madaras within the scope of Lucerne Festival, Summer 2013.

Movement I (p. 1–27) is dedicated to Pierre Boulez Movement II (p. 28–49) is dedicated to George Benjamin Movement III (p. 50–60) is dedicated to Gergely Madaras

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III

Orchestra 3 Flutes (2nd doubling Alto Flute, 3rd doubling Piccolo) 3 Oboes (3rd doubling Cor Anglais) 3 Clarinets in Bb (2nd doubling Clarinet in Eb, 3rd doubling Bass Clarinet) 3 Bassoons (3rd doubling Contrabassoon) 6 Horns in F 4 Trumpets in Bb (1st and 2nd doubling Piccolo Trumpet in Bb) (+ mutes: straight, harmon, cup) 2 Tenor Trombones (+ mutes: harmon, cup, plunger) Bass Trombone (+ mutes: harmon, cup, plunger) Tuba Percussion (6 players)* Player 1: Crotales, 2 large Chinese Cymbals (c. 20”, 22”), 2 Bongos, 2 Timbales Player 2: Glockenspiel 1, 2 medium Chinese Cymbals (c. 16”, 18”), 3 Congas, 4 Tom-toms Player 3: Glockenspiel 2, Anvil, Almglocken, 3 Suspended Cymbals (small, medium, large), Bass Drum Player 4: Vibraphone, 2 Tam-tams (medium, large) Player 5: 12 Bell Plates (chromatic octave), 5 Triangles (ranging from small – large), Xylophone, Bass Drum Player 6: 12 Tuned Thai Gongs (chromatic octave), Marimba Harp Piano Celesta Violin I (8 desks) Violin II (7 desks) Violas (6 desks) Violoncellos (5 desks) Double Basses (4 desk)

Score in C with the usual octave transpositions Duration: approx. 22 minutes

IV

Performance Notes General

Percussion / Harp / Piano / Celesta

REPEAT FRAGMENT: unsynchronised, tempo ad lib. = the boxed material should be repeated continuously at any tempo within the indicated range (chosen by individual players). Players should avoid synchronisation and a wide variety of tempi should occur simultaneously.

5 triangles (player 5) need to be mounted such that they can be struck in rapid succession with a single motion.

tie from note to rest = let ring until sound has decayed or until damping is indicated.

glissandi = a line connecting two notes always indicates a glissando, even if the word is not printed. These should be performed continuously over the notated duration. senza vib. = no vibrato poco vib. = a little vibrato molto vib. = intense vibrato, in most cases wider/deeper (approximately a quarter-tone above written pitch) and faster than “normal” vibrato, unless otherwise specified in the score (e.g. “fast and narrow”).

Woodwind Whistle Tones (W.T.) = the flutes should improvise whistle tones freely on the specified fingering, the notated contours are only an approximate example, not a precise indication.

ped. buzz (see harp Letter F) = buzzing string sound caused by pedal being moved to half-position at the point that the following symbol occurs:

quasi-bisbigliando = random arpeggiation of the given pitches, imitating the harp technique bisbigliando.

Strings ord. = ordinary bow position. poco sul pont. = play slightly closer to the bridge than normal, for a brighter sound. sul pont. (Sp.) = play close to the bridge, producing a balance of overtones and fundamental. molto sul pont. (Msp.) = play almost on the bridge, producing more overtones than fundamental. rapid irregular trem. (quasi morse code) = trem. with irregular rhythms imitating morse code. flautando = light fast bow stroke to create airy flute-like sound. gliss. on nat. harm. = slide between natural harmonics. harmonics ad lib. (see viola and cello at Letter I) = any high harmonic on the indicated string will give an acceptable pitch, the gestural energy of rapidly jumping between notes should be emphasised.

1/2 breath tone (in flutes) = a balanced mix of pitched sound and breath noise. overblow (in flutes) = increase air pressure to produce harmonics above the notated pitch. flz. = flutter tongue

Brass breath sound: “sss...” (no pitch) = blow through instrument to produce pitchless coloured air noise. cuivre = brassy sound + = stopped/closed o = open rapid wah-wah +o+o = a timbral trill between open and closed positions with a harmon mute. flz. = flutter tongue overtone gliss. (natural tuning) = slide up notes of harmonic series without adjusting the natural tuning. quasi-improvisatory (see horns Letter E) = the exact notated rhythm is less important than the global effect of irregular alternation between pairs of pitches in multiple simultaneous tempi. rip = very rapid gliss. from low to high note.

In cases where vibrato is notated (such as at Letter D in the Cello parts) it should be interpreted as a continuously evolving sound starting senza vibrato and reaching up to a minor 2nd at its widest, as below:

A Flutes 1.2.3.

Clarinets in Bb 1.2.3.

Bassoons 1.2.3. Contrabassoon (Bsn. 3)

Grand, Ceremonial q = 40

 4  4

Oboes 1.2.3.







4  4









3 4

4  4









3 4

 4 4









3 4

 4  4

 



pp

overtone gliss.   .    gliss  f

 4  4   

  



ff

p

�z.

4  4

  gliss.

Tuba

 



 

p



 44





 4  4

    ff

 

p









p

f

Bell Plates (Perc. 5)

Tuned ai Gongs (Perc. 6)

Harp

4   4

p

f

    f

   

p

f



 





 

fff  44   

     





  





A

       f

p





  

 



   

           4          4



     



p

  4    4  f

f



   

f



p

p

f



  

 

 

 4   4 7 desks 4.5. II

       

f

     











p





  





  

3

 

s. glis

3 4

p

          p f



3 4

 p

3 4 

3 4

fp 3







 







 



p

  



3 4



o 

 

f

3 4



p

o

 

f

p

   

 

f

REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)

 

p

f



    

         

f

 

p

 

3 4

p

f



  



 



 

 

p





 

f





  



      

 

 





    

 

3 4

ff

   

  









3 4

 43  43







3 4







3 4





3 4





3 4





3 4

p

p



p

 

3 4

 

REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)

  

p

 



 





 



f



  





  







   

p

    

  

 

 



f

 





div. pizz.

  7

 7

II 7

ff non-div. Molto sul pont.

   

ff non-div. ord.

 44    ff

 4   4  

Molto sul pont.

ff

ff

   

    

f





f





f

pp

change bow seamlessly ad lib.

   7

 7

 

 



pp

f

 7 



  p

 

 

. gliss

     

3 4 3 4

change bow seamlessly ad lib.



pp

f



p

ff

 

ord.

p





 

   

sul pont.

 





 

 

pp





o

       p

o

3 4   

sul pont.





3 4









    p







   

3 4 3 4

p

3

 

f



pp













3 4

3 4

sfz



    p

   pp



3 4

3 4



sfz

ff

 



f



  7

 

p

change bow seamlessly ad lib.

 

f

    

    

sfz

II

 

    

p

  

sul pont.

arco



  



pp

rapid irregular trem. (quasi morse code)

 44    

p

p

 7

rapid irregular trem. (quasi morse code)



 

REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)

   

f

p

desks 6.7.

Double Bass

 

3







ff

Violoncello

 

3



f

fp



p

 

ff

4  4



p

f

     



 4   4 7rapid irregular trem. (quasi morse code)

Viola

fp



     



desks 1.2.3 II

4  4

 

pp





Grand, Ceremonial q = 40

f

Violin II



 

p

  

 





  4    4 f p  4     4



f

   



ff







                         pp







 4  4 

  





REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)



ff



fp



ff

 4    4   

 



 4     4 

REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)

Violin I

 o



p

REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)

Celesta

 



3

sim.

p

f

 



4  4

Piano

p

     f         p f 



      f       f         

pp

f





REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)           4                  Glockenspiel 2  4 (Perc. 3)  f

f



o

REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)                      4 Glockenspiel 1  4 (Perc. 2)  f

p





f

. gliss

   



ff



 

 o



 4   4



p

   

p



arco

2 Tam-tams (Perc. 4)



 



ff

o

pp

Crotales (Perc.1)

a2

p

 44   



f

1.2. 3.4.

 

  44   

ff

      



p

ff

Bass Trombone (Tbn. 3)



  

ff

Trombone 2



 4   4  

ff

Trombone 1

3 4



2.4.6

Trumpets in Bb 1.2.3.4.

Christian Mason, 2012/13/15



1.3.5. �z.

Horns in F 1-6

Isolarion: Rituals of Resonance I









3 4

Christian Mason 2 5

Cbsn. (Bsn. 3)

 3  4  

f

p



3

 



p

o



f













3  4

    















g li ss.



ff

3  4

Tpt. 1.2.3.4.

   

 

 

ff

 43

Tbn. 1

 43

Tbn. 2

 43

B. Tbn. (Tbn. 3)

p

 43

    

  

 

   

 

f

f

 

3



 



��.

  

f







o

 







f



p







p

p

  

 

   



f

 



 

  

 



f

  

  





 o



f

 



  



f

f



 3  4   





 3    4    





 3 Pno.  4  





T. gongs (P.6)

 







ff

ff

o

 3     4 

Bell pl. (P.5)

  





mf



f



2 Tam-tam (P.4)

 





f



       

ff





p



   

    

f

 

p

REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)

   3 Glock. 2 (P.3)  4    p

  





REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)



  

o



 

 



ff

3

o

 

 



3

o  

 



f

  ff  



f

 

 

o

 

  

o



  

     

o





f

  



f

    3 Glock. 1 (P.2)  4   

3   4

   



 



f

 3  4

 



f



     

 

o

   

ff

Crot. (P.1)



 3  4 Hn. 1-6

Tba.

 



ff

Hp.

ff

ff

3  4

Cel.



3  4

 

 











 

 



 



REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)



p

 

f

  

p

  

f

   

 

Vln. I

3  4 3  4

Vln. II



 



f

3  4

 

3  4 Vc.

 43



  

 



f

     p

   

pp



ff

  

 43    ff

  





  

f



  



f

  7



  

ff

 

pp

rapid irregular trem. (quasi morse code)     7

 

ff

  

sul pont.







sfz

  

f

f

p

pp

ff





 

 

f

Molto sul pont.

Db.





  

rapid irregular trem. (quasi morse code)

 



f

p

3  4

 43

  

 

p

  

p

sul pont.

Vla.





p

REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)

 3  4

 

















sfz

 o  o

 

p

 

p

o

o

ord.



p

3





mf

Wb. 2796



 o



Isolarion: Rituals of Resonance 3 8

 







4 4

Fl. 1









4 4

Fl. 2









4 4

Ob. 1.2.3.









4 4

C. A. (Ob. 3)









4 4

Eb Cl. (Cl.2)









4 4

Cl. 1 in Bb









4 4

Cl. 3 in Bb









4 4









4 4

Picc. (Fl. 3)

Bsn. 1.2.3

Cbsn. (Bsn. 3)







  

f

f

  



Hn. 1-6

 



  

Tpt. 1.2.3.4.

p

     f      f

       

   

  

f

 

Tbn. 1



B. Tbn. (Tbn. 3)





p

Tba.















  

  

   





3









   



f



pp

 

f

     

     

  

  

  

 



 

  



ff







3  

 

3

pp



 

 

 



f



 





 

ff

f



    ff 

 

  

 o

      

   



f

o

f

    



f

   



 



p



    

  



fp



f

       













f

 



  



 



fp

4 4



 

f

f





   

ff





   

4 4

    

4 4

ff

ff

 





 

f





 







pp



  

f



f

pp



 

f





 

4 4 4 4

o



4 4



4 4

p

o 3

4 4

p



fp

f

 

Leseprobe      

pp

   

  

3

pp

f

Crot. (P.1)



pp

f



��.

  

 

pp



p

Tbn. 2

 

 

 o



 

o





f

4 4

4   4 4   4 2 Tam-tam (P.4)

Bell pl. (P.5)

T. gongs (P.6)

 

Sample page to vibraphone



mf

      f

    





4 4





4 4





4 4





4 4





4 4

f

   Hp.      f  Pno.      f

  





      7   

Vln. II

  7





Molto sul pont.

   ff

 

   7

   7

rapid irregular trem. (quasi morse code)

  7

ff

 pp

 o

 



pp

f





 

pp

Wb. 2796



 



4 4 4 4

4 4 4 4

ord.

  

4 4

4 4

pp

    7

Db.



4 4

 

4 4

Christian Mason 4

B Picc. (Fl. 3)

 11  4   4

4    4     ��.

       

    

ff

6

4    4 

��.

Fl. 2

5

 

 1.2.  4   4  

Eb Cl. (Cl.2)

ff

 

 

 

��.

��. 4    4 

 

 

 

3

4   4   

Hn. 1-6

Tba.









 

 

 44

 o

 

ff



3.5.

3

  





   sfz  ��.    sfz    ��.

  

ff

 p

 

 4   4



 

 











 

3

 

3



ff

  



    ff  









 

 

 

 

 

 

     sfzp    sfzp 



 

   



 



 

 

       

   

 

p

o



  



f

 4   4 









        

p



  

ff

   

















   

   





  





 



 4     4  f

 4  4  f   44  Hp.   f   4  Pno.  4  f  

Cel.

Vln. I







  

 

 









4   4 4   4 

Db.



 44

 

ff

         ff









 

               sfzp       



 



mf

p





 

p



f

 

 

 





p







p



    



  p    sfz     sfz 











   

  

 

 



  



   

 

f

p



         ff

          

              

ff



   

��.

  







f



   

   

 

  

f





  

p

f

              

                

 

pp

REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)









REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)





3

 



 

f

mf

    





3



 

ff





3

 

3

    

     ff  

 





 



   



















p

           

ff

 



























f



f

 



 



 

f





p

  mf

 



f

 



 



REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)



  















p









REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)

p

 

p

 

pp

Molto sul pont.



f







 4   4 Vln. II

f

  

f



f

f

mf



p

 

o



B

  4   4  f 4   4 



   f  



T. gongs (P.6)

4   4  f 4   4 



3





  



f

ff

pp

ff

 



ff

            ff              



p

 



p

sfzp

3





3









Sample page

 4    4   





p

 

6

     

      p p

 

   



ff

                       f

ff

mf





5

3

   

   

                  

o



o

f

Bell pl. (P.5)



f



 

f



 

 

   

ff



fpp



 



f



 

        

3

ff





   

   p







f



     





  



         



p

 

      f  

 

fp



ff

  

 

 

f

1.



  4  Glock. 1 (P.2)  4    

Vib. (P.4)



p



3

pp

fpp

Glock. 2 (P.3)





  

ff

 

f

  

 



     

Leseprobe



2.4.6.

fp

Crot. (P.1)



        

3

f

ff





  o

 44

 

 

 

pp

 4   4  

 44

B. Tbn. (Tbn. 3)

 

      ff   



 44 

Tbn. 2

  

p

 

3

1.2. a2

ff

Tbn. 1

f

  

 

 



4  4 

Tpt. 1.2.3.4.

 

ff

 4  4

  ffp   4    4 

 

 

f



 44 

Bsn. 1.2.3

 

 o

ff

Cbsn. (Bsn. 3)

 

 o

ff

Cl. 3 in Bb



f

4    4 

Cl. 1 in Bb

ff

f



ffp

��.

  

 

p

ff

     

 

 

      





ffp

 4  4 

ff

    

p

4  4  

C. A. (Ob. 3)

f

   

 

 o

ff

Ob. 1.2.3.

��.



ff

Fl. 1



 

f

f

 



  

p

 

p



  

   



 

 



pp

 mf

  pp







mf ord.



p

 

pp

 o





Wb. 2796

 mf

Isolarion: Rituals of Resonance

Picc. (Fl. 3)

13           



           

Fl. 1









f

  





   

3



         



                                          p                         

Ob. 1.2.3.

C. A. (Ob. 3)

Eb Cl. (Cl.2)



  

 

  

Cl. 1 in Bb

 

  

   

3



Bsn. 1.2.3









 

 

3

 

 

     

 

          

       

 

     

        

                     

           

     





                  5    5  

     





B. Tbn. (Tbn. 3) Tba.





pp

Crot. (P.1)

mf







  Glock. 2 (P.3)   







p

f

 

 

  

  

 

p

 



p

Vib. (P.4)

p

f

ff







3    

Hp.

Pno.



p

    

p



p

 













REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)



 

 

   



   





Cel.





f

 

f





f

   

Vln. I



 

f

 

 

  

p





p





p

  

Vla.

Vc.

Db.



 

5

 

 

 

6

 

 

 

 

 

 

 

 

6

                  

       

 

    



       



         p



 

p

 

 



 

p

f

 



 

 





 







 

   

 p

 o     sfzpp o   

 

     

p



     

      ff





pp

     

3 4

  

ff

 

  



mf

  



 

3 4

fp 5

  

 

ff

 

5

  

 

   

  

ff

   

  

   

 5    5

   

  

fp

      





 

 

3



           

     



   

p

3 4

3 4 3 4



 

3 4

3 4





3 4

3 4

fp



3 4

3 4







3 4

 

  

 



p



3 4



 

3 4

          

ff

p

5

                     

  

        

ff



3 4 3 4 3 4



3 4



3 4



3 4









3 4

  









3 4

  









3 4









3 4

rapid irregular trem. (quasi morse code)

  7

mf rapid irregular trem. (quasi morse code)

 

                    



fp



3 4

  

   

  7

ff

fp



 

         

 

3 4

3 4

 



  

3 4

    

5



          

        

     

   

o  

 

3 4

        

 

 o  

sfzpp

take bright/hard beater

    

ff

 

fp

     

 

 

5 5

3 4 

 

         

   

ff

 



           

    

      5        

    

 

5

 



pp



 

p



   Vln. II

   

5

 



p



pp

 

5



  



ff

 





 

Sample page   

REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)



 

  

5



p



 

3

p





 





                                 

 Bell pl.  (P.5)   T. gongs  (P.6) 

ff

     



REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)

  



fp

REPEAT FRAGMENT: unsynchronised, tempo ad lib. (q = 40 - 80)

 

 



pp



    Glock. 1 (P.2)   

 

ff

5

mfp

   







pp

   

p

 

5

 

ff

Leseprobe





 

  

   

fp

3



p

 







ff

pp

ff

 



 





p

   

 

 

  



p

f



 

  

6

mfp

 

3

ff

     

                                          p       Hn. 1-6       sfzp sfzp               sfzp sfzp              Tpt. 1.2.3.4.                  f            Tbn. 1 Tbn. 2

 

p



p

3

     

ff

p

pp

  

  









3    

f

                      

 

f

p

 

 

f



           

Cl. 3 in Bb

Cbsn. (Bsn. 3)

   



 

 

ff Fl. 2

 

5

     

ff

3

f

     

 7   7

















3 4 3 4

rapid irregular trem. (quasi morse code)

pp



3 4

pp



Molto sul pont.

 

 

  

 

p





    fp

 p

Wb. 2796

  

3



   

3 4 3 4 3 4

Christian Mason

C

6

 3  4 1.2.

 43

Fl. 1.2.3

 



15

Picc. (Fl. 3)

Incandescent

ff sempre

     ff sempre

 43   

C. A. (Ob. 3)

 

  

5

 

5



  

5

ff sempre

 43

Eb Cl. (Cl.2)

1.3.

 



ff sempre

   

 43

Bb Cl. 1.2.3.

 

Cbsn. (Bsn. 3)







 

 



  

 

ff sempre

 

 

  









  



1.2.  3  4

Tbn. 1.2.3.

cuivre

3  

 

 

 

  



  







 







5

 



 



 

   



3

 



 3 4   ff sempre  3    4 







3

 

 

  

   

 

 

 

 















 

 





 



 

 







3

  



 



3

  



  





 



  





    

 

 

  

   

    

3

 

 



 

  





3







 

  

   

 



   

5

 



  

  



 

   

  

 3

  



 





   







  









  



    

3

ff

 3    4  

 

 

 

    

p



 

ff

  

3



3

 











 

3

 3  4  

    

3

3

3

  

3



ff

  



3



   

           

3

Sample page  

ff

 3   4     ff

 43 



3

 ff   3    4       rapid irregular trem. (quasi morse code) 3  Cel.  4 7 

rapid irregular trem. (quasi morse code)





      7

   7

  7



ff

C Incandescent

rapid irregular trem. (quasi morse code)

ff rapid irregular trem. (quasi morse code)

ff

    43 7



   7

   7

  7

  7

  7

  7

7  

7     7

ff

Vln. II



 

 



3





   43 7

 

3

ff

ff

Vln. I

 

 

 

ff

 3 Glock. 2 (P.3)  4     

  3 7  4



p

3

Pno.







Hp.

 





T. gongs (P.6)

  



ff

   

ff



p

 

5



 3   4  



3





Bell pl. (P.5)



  



 3   4 

Vib. (P.4)

 



 

ff

Glock. 1 (P.2)

 

     

3

Leseprobe

   

5

ff

Crot. (P.1)



  

3

 





3

ff sempre

 3 4  

B. Tbn. (Tbn. 3)

 

 

ff sempre

Tba.

  

5

ff sempre

Tpt. 1.2.3.4.

 

3

  

     43       ff sempre



a2



con vib.

 

  

3

3

5

 3  4

2.4.6.

 



ff

 3  4



3

ff

Hn. 1-6

 

  



3



 

 



3

 



 3 1.3.5.  4  



5

 

 3  4 



   

 

  

1.2.

Bsn. 1.2.3

 



5

  3  4  

Ob. 1.2.3.

  

 

ff sempre

1.2.



5

  

  

 



 3     47

  7   7

   7

ff

 3   47

7  

ff

sempre molto sul pont.

Vla.

 43  

ff sempre

Vc.

ord.   3  4

ff sempre II III

Db.

  3   4   sffz

3

  



  



3





 



 



5

    5

  

7    3



3



 



 

 



 

3

  

   





5

  

 

  

  5

 

 



 





3

 



 

 3

3

   p

Wb. 2796

sffz

p

Isolarion: Rituals of Resonance 

 



 

  

 

  

   

   

 

 

  







 



 

  

 

17

Picc. (Fl. 3)

 



Fl. 1.2.3

Ob. 1.2.3.

C. A. (Ob. 3)

Eb Cl. (Cl.2)



Bb Cl. 1.2.3.



Bsn. 1.2.3



Cbsn. (Bsn. 3)















p



     

 

 







Tba.

Crot. (P.1)

Glock. 1 (P.2)

Glock. 2 (P.3)

Vib. (P.4)

Bell pl. (P.5)







 





   ff

 

    

 

    

   

     

  

 

     





 

      

      

  

      

  

 2  4  

 

      



   

 

  



3





   

2 4  

 

 



 2  4



 

  

  



  2 4 



   





   





   

3

3



2 4

 

ff



2 4

 

ff

  

3







  

 

 

3



 



   

    

 

  

  

 



 

 



3

 

 

3





 













 















 



2 4

  

   

   

 

   

   

  

      

 

 



   





           Pno.  7 











Cel.

Vln. I

Vln. II

Vc.

   7

   7

   7

  7

   7    7

4 4



 ��.     

   





 

4 4

 

��.

4 4

5





 

4 4

 

4 4

ff





4 4   

  

2 4   

 

   

 2  4 

   

2 4



4 4

4 4

to chinese cymbals

4 4 to tam-tams

4 4 4 4



4 4



2 4   

4 4

4 4

   7

  7

 2  4  7

4 4

   7

 2  47

4 4

  7

  7

2  4  7

4 4

    7

  7

  7

2  4  7

4 4

   7 

   7

2  4  7

4 4

   7

2 4

  7

4 4

   7     7   7

   7

 

3

   

    

     

 3







3

 

 



  3





  

 

 



5 3

 



 



 

sffz

  





3



  



 

3

 

5

  

3









 



2 4  

 



2  4  

3

3

sp.

p

  

 

 



5

   

  





4 4 4 4



5

  

poco sp.

Db.

   



   27 4

7    Vla.

ff

 2   4

2 4

      7

4 4

 

��.

   

 

Hp.

ff





4 4

 

2  4 

3

T. gongs (P.6)

p

Sample page 



4 4

p

2 4

 

   

4 4





2 4 

ff



4 4

��.

 2   4 

 

p

��.

2 4

3





 

3



 

    

 



4 4

��.

2 4  

3

     

4 4

p





4 4

��.

 

 

 

    

  2  4

 

p

  



        







��.    



3





7

��.

 2  4

3

5





  



   

  

3

3

p



  

p

3







   

3





  



3

 

 



 

Leseprobe

 

   

  

B. Tbn. (Tbn. 3)









3

Tbn. 1.2.3.

  

ff

  

Tpt. 1.2.3.4.



ff

p

Hn. 1-6

  



 

 2  4  

Msp.

p

sffz

Wb. 2796

sffz

p

ord.   

sffz



4 4

Christian Mason 8  4          Picc.  (Fl. 3)  4      20



Whistle tones (W.T.)



o

5 4 



Fl. 1





4           4             





Whistle tones (W.T.)



p

Fl. 2

Ob. 1

Ob. 2

C. A. (Ob. 3)

4  4



4  4 4  4

Hn. 1-6

Tpt. 1.2.3.4.

 

3

 

o





5 4

5 4



4 4







5 4





5 4



4 4







5 4



5 4



4 4







5 4



4 4





5 4



4 4





p













5 4  o



3

4 4    

5 4  o



5 4  o







4 4





"sss..."

p



4 4





"sss..."

4 4





4 4



p

5 4  o



p



p

p





p

4  4 Db.

4  4 



p

4 4

p mf arco p mf arco p mf arco p

mf





5(exact duration) 4 



5 4

  



5 3 4    

o o o    

o

3





5 4



4 4



5 4



4 4







5 4



4 4



5 4



4 4







5 4



4 4

4 4







5 4



4 4

4 4





"sss..."

5 4

 o

4 4







5 4



4 4

4 4





"sss..."

5 4

 o

4 4







5 4



4 4

4 4





"sss..."

5 4

 o

4 4







5 4



4 4

arco



4 4







5 4



4 4

 

o

3

 o 

 

 o   o

p non trem.



 o

p non trem.



p

   p

f

f

f

f

f

 o

f

 o



5 4

 



5 4



4 4







5 4



4 4

 



5 4



4 4







5 4



4 4

 



5 4



4 4







5 4



4 4





5 4



4 4





5 4



4 4





5 4



4 4

5 4



4 4

p f arco p f arco

p f arco p

f



4 4

f

 

5 4



 





5 4



5 4

3   4     4

4 4



        3

4 4





 

 

 



 

o o o 4 4   

o

o 

 o 





 p 3 o 4 4 

o 



4 4





3

 



43 4



ff

o 3 5    4 o 5  4 

5 4



4  4



5 4



4 4

p

4 4 4 4

ppp

f





4 4

        3

4 4

3



o o o 4 4   

o

 o 

  o 

3



5 4



5 4



4 4



5 4





5 4

 ff

 

 





p

 5  4



4 4



4 4

ff

3o o   o o 

p

43 4   p 3 o 4 4 

ff

 

  



o  o

 

3   4     4

5 4





 

p



5 4



  o 

f

 



p

ff

ppp

5 4



ff

p

 

5 4

  

3



5 4



p

5 4

p

 p 3 o  

f

 o



4 4

ff

3

p non trem.

o 5  4

ff

5 4   ff  5 o 4  

  o 

ff



4 4



4 4

5 4



4 4



5 4



4 4



5 4



4 4







4 4







4 4





5 4



4 4



5 4



4 4



o 

5 4 

solo arco



p



solo arco



p

IV arco

  o



p



 o

p

f



Sample page



pizz. o   

4 4

 o

o





5 4

solo II

4 4

 o



 



3

II arco



5 4



      

o  

5 4

"sss..."

4 4



solo









  f o







 





 o

o

Breath sound: "sss..." (no pitch)

p



p

 44

5 4

 o

o

Breath sound: "sss..." (no pitch)

5 4  o





pizz. IV solo



4 4

5 4

Vc.

4 4









 o

o

Breath sound: "sss..." (no pitch)

5 4  o





solo

5 4

5 4



 44

4 4



4 4









 44

5 4



5 4

Vla.



4 4







 o



4  4





4   4

ppp

4 4

5 4



Vln. II



"sss..."



rall. trem. 4   4 7 ppp rall. trem.  4  4 7 ppp 4  rall. trem.  47

5 4

4 4

4 4



4 4

4 4







solo



ff



5 4



4  4













5  4



5 4

solo



picc. tpt. 4Tpt. 1 and 2 take  4







 o



4  4



5 4



Vln. I



"sss..."

 4  4



p sotto voce



4 4

3 Sus. Cym. (P.3)

4  4

3





solo

4 4    

5 4



solo

solo





4 4



4 4





 4  4

 3





 

5 4

4 4



p

 3

 o

5 4

4  4



5 4



Cel.



4 4



p

4 4





3

4 4

5 4

4   4







2 Chin. Cym. (P.2)

4 Pno.  4  

5 4



o

Breath sound: "sss..." (no pitch)











o

Breath sound: "sss..." (no pitch)









4 4



 4  4



 o



T. gongs (P.6)

4 4

Leseprobe



 

4 4



 o

o

5 4  o







 4  4 



5 4



Bell pl. (P.5)

5 4

o

4   4

2 Tam-tam (P.4)



4 4



o

p Breath sound: "sss..." (no pitch)







1. solo

p Breath sound: "sss..." (no pitch)







5 4

p sotto voce Breath sound: "sss..." (no pitch)









2 Chin. Cym. (P.1)



p

o o o o o o o o oo o o o o o o o 5 4  o o o o o o o o o o o oo o o o o o 5 4 



5 4  o arco 5 4 

Tba.

o o  p o o 

4 4





p



p sotto voce



 44

p



o



 44

B. Tbn. (Tbn. 3)

solo



 44

Tbn. 2









 44

Tbn. 1







4  4







4  4





4       4             

4  4





 

 4  4

o oo o o oo o o oo 5o 4 4   4 p o oo o o oo o o oo 5o 4 4   4



4      4             

 44 Bsn. 1.2.3 



5 4

p

Cl. 3 in Bb





p

Cl. 1 in Bb

4 4



p

         4  4         

Eb Cl. (Cl.2)

Whistle tones (W.T.)

o oo o o o o oo o o o o o oo oo o 5 4 4    4 o



p

p

       4  4         

o oo o o oo o o oo





3

 45 o



5 4



5 4

 o

5 4



5 4 

3

 



ff



4 4



4 4





4 arco 4 



4o 4   f o 4 4

 o

arco p

pizz. o    44 f



p







 ff

 



5  4

p

f

 



5  4

 o



5 4

 o



5 4 

p

f

f

o 

Wb. 2796

 o

o arco I

o 

ff





f







 

p

pizz.



p

arco p

pizz. o    44 f

5 4    



4 4



4 4

5 o 4 



4 4



5  4

 3      

 o

o 5   4







3 5 4        

 o o      3





p

4o 4   f o 4 4



ff

p

4 arco 4   pizz.



p





 

arco I

p

 o 

o   



o   

ff

ff

ff

ff



o 5   4 ff





4 4



4 4



4 4

Isolarion: Rituals of Resonance 9

D Mysterious  4   4



ord.

32

Picc. (Fl. 3)



tr.

   

pp espress.

4  4

o 

o 

pp

f

o 

o 

senza vib.

4  4

Fl. 2

3   

Ob. 1

4  4

Ob. 2

pp





3

pp

  

o 

ord.

Eb Cl. (Cl.2)

4  4

Cl. 1 in Bb

Cl. 3 in Bb

4  4





Picc. Tpt. (Tpt. 1)

pp

   

senza vib.

pp

p con sord: harmon wah-wah

3 3

 

o  o 

con sord: harmon

con sord: harmon wah-wah

Glock. 2 (P.3)

3

o

 o  o

o  o  o  o  o  o  5

6

  o  o  o  o  p

5

 o





pp

f



o

3

mf

6 o  o  o  o  o  o 

mf











   



 



   

7

o

3





  

 

o

6





o





 o  o 3









 o  o  o 



3 4

o    p

 o  o  3 4 5

o  o  o  o  o  o  o  o   3 4

6

mf



7

p

 o 

  



6

 

o

o

 

o

3

p

 

 

o

    o  o  o  o  o

mf

5

p

3 4

o

3

p

  

ff

ff

5

5

5



 

  43



pp

 o  o  o  o  o          

3 4

ff

pp



5

3 4  

 5

f

p



mf



3

6

o  o  o        

o  o  o  o  o  o  o  o  o  o  o  o   7

5

mf



3

p

o  o  o  o  o  o  o  o  

fp

6



f

fp





 



pp

pp



o 

3 4

 3  4





3 4

 44











3 4

 4   4    p

 



 

 4  4

4  4

p

f



Sample page 







tutti



   

 p



poco sul pont. senza vib.





p



 

3 4





3 4





3 4

p

 

tutti





 

pp

4  4  

 

ppp

    

Molto sul pont.



ppp

vib.







 

   









4desk 4  4



4desk 5  4



Molto sul pont.









ppp







3





      

 Molto sul pont.





ppp

Wb. 2796

  

 43

 

3 4 3 4



3 4 3

5









  

3 4

3     4





ppp

ff



    

3 4 3 4



ff

ff



ppp

        





Molto sul pont.

ppp



5



        



ff





ppp

ppp

vib.

ppp





 

 



5

   

ff

4desk 3  4

   

  

ppp

ff



 



ord. con vib.







 

Senza vib. unless notated in all cello parts

vib.

 

  



 



5

p



desk 1 Molto sul pont.





pp

 

4    4 

4desk 2  4 

  p

 

p



4  4

 

 

f

 4  4 

4  4 

Vc.

5

5





ff





  

 

o

 





D Mysterious

Vla.

 

3 4



p

Vln. II

 o  o

mf







p

Vln. I



3

5

 Bell pl.  4  (P.5)   4 T. gongs (P.6)





 

  

3 4

 44

Tbn. 1

Tbn. 2

p



o

ff



pp



pp

f



 o

3

3

4  4 

Tpt. 4

  o 

o

o

pp

 

f

f



o

f

 

3 4

ff



Leseprobe 

f







pp



5 o o  

pp

 



p



mp



o

 

3 4

p

o

o

pp



f

wah-wah  4  o   4

Tpt. 3



   

5

f



o 

o  



pp

o 



pp

f

senza vib.

o

3





f



 o

o 

pp

 

4  4 

Picc. Tpt. (Tpt. 2)

o

pp

 senza  vib.

con sord: harmon   o  o  o

o  f

5 o o 





wah-wah

 4  4

o



p

f

pp espress.

4  4



o



f

4  4 

C. A. (Ob. 3)

 f

pp



senza vib.

     

pp

 

f



o 

f





mp

o

pp senza vib.

4  4



f

senza vib.

Fl. 1



 ppp

3 4

3 4

Christian Mason 10 36

Picc. (Fl. 3)

Fl. 1

Fl. 2

Ob. 1

Ob. 2

C. A. (Ob. 3)

 3  4

3  4

3  4

3  4 3  4

 











 



   

ff

p

ff

p

ff

p

ff

p

ff



 

  



    

 

   

Cl. 1 in Bb

Cl. 3 in Bb

Picc. Tpt. (Tpt. 1)

3  4 3  4

 

Tpt. 3

Tbn. 1

Glock. 2 (P.3)







 





3













 







 

3









 

3







 

3







 







 

6

o

    





 

3







3 o  4



o



o



o

o

 

o

pp

 



 

 

o

 

o 

 

o 

 

 

pp

 3  4 



p

 3   4

3







 

3







o

 

 o

 

  

 

o 



o

o







o

 

o

 

o 

 

o 

 

 

o 

o 

o 

 

o 

o 

 

o 

5

 

o 

 

o 

 o  o      

6

3  4   

 





  



o 

3

o 

 o  o  o      

 

 o  

7

o  o   











 





 



 

 

 

3  4    





3  4 

 

ppp







ppp

3



   

 

 

 





ppp

   

 

  





5

  mf

  

3

5

  





ff

  

mf

    ff

ppp









ppp

 ppp

ff





 

ppp

 



   



ppp





ff



ff

3  4  

 

 

 

 



5















To Tpt. in Bb





mfespress.





I

 

 



Sample page



o



3

o 





 

o



5



ppp



o

3

3     4  

3   4



o

To Tpt. in Bb



3



o



ff



o

o 

3   4 

3  4 

6

   

 

ff





mfespress.





5

 

o  con sord: harmon

T. gongs (P.6)

o 

3

3  4 

p

 o  o  o 

o

pp

pp

 3    4 



6

3

5

o

5



con sord: harmon  3  o  o  o  4



o

pp

 

o

7

 o



o



ff



7

pp

3  4   3    4







pp

o  o 



ff

Leseprobe  





ff

pp



  

ff



pp



ff

 



ff



     

o  3    o  o  o   4

3  4

 

 







Vc.

 



 3   4 

Vla.

     



pp

Bell pl. (P.5)

Vln. II

   



f

Vln. I



pp

fp

Tbn. 2



 



ff

fp

Tpt. 4

    



fp

Picc. Tpt. (Tpt. 2)

 



pp

3   4  3  4



pp

ff

Eb Cl. (Cl.2)

   

     

ppp

ff

Wb. 2796

Isolarion: Rituals of Resonance 11

Picc. (Fl. 3)

39   



p



Fl. 1



Fl. 2



Ob. 1



Ob. 2

C. A. (Ob. 3)

p

       pp

  

        pp





 3

 3





        pp

     

 



     



 



     

  

     











     

  

ff







 

tr.

 f

      

pp

4 4 4 4

4 4

4 4 4 4 4 4

4 4

ff

pp









  

ff

 

tr.







tr.

f



ff

     

 f

pp

    

tr.

f



3



  

 f

pp



3

tr.

     

  

Leseprobe

       pp

     

ff



   

pp



pp

     

pp

 3                  

           



ff





ff

pp











ff

pp



 



ff

 3                 





Cl. 3 in Bb

ff





Cl. 1 in Bb



 



Eb Cl. (Cl.2)



tr.

 f

4 4

4 4





4 4







4 4

 







4 4

Hn. 2









4 4

Hn. 3









4 4

Hn. 4









4 4

Hn. 5









4 4

Hn. 6









4 4









4 4









4 4







4 4







4 4







4 4

Bsn. 1.2.3

Cbsn. (Bsn. 3)

Hn. 1



Tbn. 1.2.3.

Tba.

2 Chin. Cym. (P.2)









 

Bell pl. (P.5)

  

T. gongs (P.6)

 

Vln. I

Vla.

3

  



 

  



 

  

  



  



    

Vln. II

Sample page  



  

  

  

 





ff



 

    





Vc.

 





ppp

 

      

 

    

     





ppp

 

 

4 4

  



4 4











 





ppp

Wb. 2796

ff



4 4 4 4

4 4



ppp

ppp

 



ppp

ff

ppp

  

p

ff



4 4

 

3



4 4

p

ff

 





4 4

  

4 4



ppp



4      4 ff

Christian Mason

E

12 42

Picc. (Fl. 3)

 4  4 5

 44 

Fl. 1

  



 44   44 



 44

Eb Cl. (Cl.2)

 44   4  4

Bsn. 1.2.3

Cbsn. (Bsn. 3)

           



5   5     

     



ff

3

 4 4

Tbn. 1.2.3.

Tba.



 4 4

6





senza sord. a3



Vln. I

Vln. II

  



            























6









  

 

  

 



 















   



6



  



 







   











 o

  



ff



 













5

  

3





3



ff











6









     



 















o 













5

 





























 





p 3



  5











3





ff



ff

f



p

o 

Sample page pp

6

 







  

p





 

 



7

7



p





p







  



ff

  

p

       





 o







  

p

  







6

 

   





ff

ff

ff

p

ff







     

          

5

3

  

ff

p

quasi-improvisatory 3

  

                



7

 



5





ff





ff

p

ff

7





           



5

 o



  



ff











 

o

 



pp

f



f

4 4 



f

    



 

5

ff

 





  

  

ff

3

p





 o

p

p

 44        

 

p

 

    ff 



   

4  4 



ppp



  

4   4 4  4 

ppp







ff

p

 



 

 

 

p









ppp







ppp





o

o

o

o 

o 

ppp

o

o

o

o

o

o 

o 

o o o o o o   4 o    4   



o   o  o o o o o o   o o o    

o

o

o

o

o

ff

o 

o 6

o  

o

o

o 

o 6

o

o

o



  

ff

ppp

o o o o o o o 

p

tutti div: desks 3.4. arco 6 III

 







o o o o  o  o  o 4   o o    4

 

ff



tutti div: desks 1.2. III

ff

ppp

     

4  4 

ff

5

  

5

ff

ff



3

    44 



 

 

  



  



 44  o  4  4

ff

 

ff

so beater

ppp

Db.



p

5

ff

Vc.





o

5

Vla.



quasi-improvisatory

 

 44  

 

 

ff

  

p

4  4

 4  4



3



p

ff

7







ff







7

 

E



   

p

ff







   44 

   T. gongs  (P.6)  Bell pl. (P.5)





ff

2 Chin. Cym. (P.2)

 

3



p

            

                   

ff

quasi-improvisatory

quasi-overtone gliss. ff (natural tuning)

Hn. 6





quasi-improvisatory



   



 44 



quasi-improvisatory

 

 44 

 



p

p

ff quasi-overtone gliss. (natural tuning)

Hn. 5





    

quasi-overtone gliss. ff (natural tuning)

Hn. 4

 



ff

6

 44 

  

 

     



p

 44 

Hn. 3

 



Leseprobe



ff overtone gliss. (natural tuning)

  

 

ff



3

 

p

a2

ff

                   

  

  

         



p

p

ff p overtone gliss. (natural tuning)

 



 

ff

 

ff

 4      4       44



p



 4  4  

Hn. 2



         

 

ff

           

ff overtone gliss. (natural tuning) quasi-improvisatory

Hn. 1

p

  

          

p

     

 44 

Cl. 3 in Bb



ff

5

Cl. 1 in Bb

  



p

5     

 44

C. A. (Ob. 3)

     



ff

 44 

Ob. 2

    

ff

5

Ob. 1

ff

ff

     5

Fl. 2

 



o o 

o 

o

6

p

o o o o o o o     6  ff

Wb. 2796

o

o

o

o 

o

o

o o o o o o 

o 

p 6

o 

o 

o 

o 

o

o

o 6

p

o  

o

o o o   6

o

o

Isolarion: Rituals of Resonance 13

Picc. (Fl. 3)

44    







ff



Fl. 1



Fl. 2



Ob. 1



Ob. 2



C. A. (Ob. 3)



Eb Cl. (Cl.2)



Cl. 1 in Bb



Cl. 3 in Bb



Bsn. 1.2.3

         



Hn. 1



tr.



tr.

p

p



     

ff

   



     

         



p







Tba.







     

2 Chin. Cym. (P.2) 2 Tam-tam (P.4)

 















6



rip



 

f

rip



 







  









 



p

p

6





  









 











7

















      p rip







5 3















     

 

 

 



 

ff

   





          



          



          

fff

fff







ff

fff

6





6





 

6

          



          

fff



 

ff

rip







fff

     

 

          



     





   



   

 7









  f

   







 



 



7







f

7













 

 



 

rip



f

p

 



f

 

  

rip

5

 

p rip

f

  

 

5

5 3



 

f





 

5



 3



p





rip

5









5

f









f



3

f





ff

 

ff

o

 

o

Sample page

 

o 



ff

o









 







molto sul pont.

  





   



 

 

  

p

ff

  



   



 







p





  

  



    



 

   

 



  

ff



ppp

ff



ppp

   

     













ppp





   



o

o

o

o

o

o

o

o

o

o 

o 

o o o

p

o

o

o 6

o

o p

o 



ppp

ff

o  o o



p

   

   

 

p







7

5

 

  

     



f

6

rip

f





 

Db.

          

f

 

Vc.

    



  





fff

f

  



           





p





  



  

Vla.

 





 

  

 



  



7

T. gongs (P.6)

Vln. II



 

     

f

      



    

Vln. I





p

p

Bell pl. (P.5)

 



 

     

Leseprobe



ff

 





p Tbn. 1.2.3.



 



fff





p

  



ff

f

Hn. 6

  



f

ff



 



fff

 

Hn. 5

   o f

p

f

Hn. 4



tr.

  



   o f

ff

         

 

Hn. 3



overblow



ff

   o f

ff

             

  

Hn. 2



overblow

p



 

       p

ff

Cbsn. (Bsn. 3)

         

o

o

o 6

o o 

o  o  6

o

o

o

o

o o o o 

f

o

o

o o o o  6

Wb. 2796

o  o  f

 o

o 

o

o 





o o o  o o o o o o o o    o o p

o 6

o o o  o o o o   o

o  6

p

6

o  o o 

o

o o

o

o o  o o 6

 o

o  o

Christian Mason 14 o

46

Picc. (Fl. 3)

    







Flute 3





take �ute

W.T.

o o o o

o o o oo

o

o o

5 4 

 o oo o o  o oo o o

p

o oo o o 5 4  p o oo o o 5 4 

4 4





W.T.

4 4





W.T.

4 4





W.T.

o oo o

3 4   p

o oo o o 3 4  

o o

o oo o o 3 4  

o o







W.T.







W.T.

Ob. 1







5 4



4 4





3 4



Ob. 2







5 4



4 4





3 4



C. A. (Ob. 3)



3 4



Fl. 1

Fl. 2



Eb Cl. (Cl.2)





 



    







5 4



f

 p

 

Cl. 3 in Bb

  



Bsn. 1.2.3

Cbsn. (Bsn. 3)

  



  pp

 

quasi lip trill

Hn. 1

  



ff



Hn. 3







            







 



6

    



6

4 4





3 4





4 4





3 4



5 4



4 4





3 4





5 4



4 4





3 4





5 4  o

4 4





3 4  o

p

3 4  o

p



3 4  o

p



3 4  o

p



3 4



Tpt. 2

3 4



Tpt. 1.2.3.4.

2 Chin. Cym. (P.1)







 

3 Sus. Cym. (P.3)

 

2 Tam-tam (P.4)

 

Vln. I







arco



 

 



fff

ppp





Vc.

p

4 4







4  4

5 4



4  4

Breath sound: "sss..." (no pitch)

5 4

pp

p



f



  

 

fff



ppp



p

5 4

arco p



f





f





p

 

4 4



p

4 4

f





4 4





f

4 4 p



5 4



5 4







f



p



p



3 4  o

p



3 4  o

p

f

p

 



3 4



3 4

arco p

 f





arco



p



p





3 4



5 4



4 4





3 4



5 4



4 4





3 4



5 4



4 4





3 4



5 4



4 4





3 4





5 4



4 4





3 4







arco p





f







5 4



4 4





3 4









5 4



4 4





3 4









5 4



4 4





3 4









5 4



4 4





3 4



5 4



4 4





3 4



5 4



4 4





3 4



Gestural intensity is more important than pitch accuracy. ese pitches are suggestions, but any high harmonics in this registral area will be musically effective.

 Db.



o  

unsynchronised rhythmically irregular alternation (quasi morse code)

o 

o  

o 

fff

o 

unsynchronised rhythmically irregular alternation (quasi morse code)

o  

o 

o  

fff

Wb. 2796

f



3 4

4 4







f



f

o

f

3 4

p

o

Breath sound: "sss..."







o

Breath sound: "sss..."





o

Breath sound: "sss..."

4 4

arco

o



3 4  o



o





o



5 4



o

 



pp

4 4



p

 

 

o

p

arco



rapid wah-wah o+o+o+o+

4 4

 p

5 4  o





Breath sound: "sss..."

o rapid wah-wah o+o+o+o+

o

Breath sound: "sss..."

o

5 4

5 4  o





Breath sound: "sss..."



Sample page 

  

4 4



p

Breath sound: "sss..." (no pitch)







5 4  o

5 4  o



  



Breath sound: "sss..." (no pitch)



o

p

Breath sound: "sss..." (no pitch)





  

3.4.



  

Vla.

pp



p

Vln. II

 



 

Breath sound: "sss..." (no pitch)

rapid wah-wah o+o+o+o+





2 Chin. Cym. (P.2)



4 4



take oboe

Breath sound: "sss..."

o

p

5 4  o



pp



Tbn. 1.2.3.

Tba.

 

Breath sound: "sss..." (no pitch)

2.4.6.



p

5 4  o







Breath sound: "sss..." (no pitch)





  



6

rapid wah-wah o+o+o+o+

Tpt. 1

p

3 4

quasi lip trill

ff



Hn. 1-6



f

p





             

p

   

Leseprobe

             5



p



clarinet 3 take bass clarinet



quasi lip trill

ff

Hn. 5



6





5 4



f













p





5 4

f

5 4





4 4

3

     

4 4

take clarinet in Bb



pp







pp Cl. 1 in Bb

o o

p

3

mf espress.

o o

o o





Isolarion: Rituals of Resonance 15

F Glowing, resonant Breathe discretely where necessary

52

o o

 4 Fl. 1.2.3   4 

o o o

o

 4   4

arco

2 Chin. Cym. (P.2)

3 Sus. Cym. (P.3)



p

4   4



 4  4



o o

o o

o o o o o o

o

4   4 

Bell pl. (P.5)

arco





so felt mallets



so felt mallets

 

 

 

 

pp



pp









p

f

 4   4 









 4  4 





4  4  





f

f

ff

 44   

sempre l.v.

ped. buzz.



sempre pizz. inside piano with plectrum



 

 ff    4 Cel.  4   



o

o o o

o



o

o o o

 

o o



3 4





3 4



3 4





3 4





3 4



3 4

ff

 

 





3 4





   

f



Leseprobe 

3 4



 



  

    

 







 

3 4

o

f

  



o o

mp





o o

o

o



mp



arco

p

o o o

o



scrape with metal



 4 Pno.  4

o o o





o



f

Hp.

o

p

2 Tam-tam (P.4)

T. gongs (P.6)



f

o o

o 

quasi f sempre

2 Chin. Cym. (P.1)

o

o



3 4

 

3 4



F Glowing, resonant  4   4

tutti (desks 1 -8) div: outer players II

 

f

3



I

II

I



o



II alternation sempre

o  

 

mp �autando espress.

 

o  

o





o



o   

 

 

o





o





o  o    o

 



3 4



5

3

5



Vln. I tutti (desks 1 -8) div: inner players pizz.

4   4 







  





 

 

tutti (desks 1 -7) div: outer players

pp espress.

4  4



4  4  desk 1.2.

sul pont. senza vib.

desk 5.6.

  44

I





f

 

pp �autando

o 

o

pizz.





sempre molto sul pont.

desk444 



 



f

ppp

tutti div: outer players gliss by bending/pulling string III 3

o

o  

f tutti div: inner players IV III

 44  pp

pp

mp





ppp

3 4



3 4

  f

p

ppp

p

ppp

o 



o 

o  

o 















 

p

ppp

p



ppp

 





 



p

ppp

  



3







p

 





3 o

o 



o 

change bow seamlessly ad lib.

o 

o 

o3 

o 

o 

o  

o 

o 

o 

pp

  f



 pp



o3 

o 

o 

I

 

   f

3

 

3  

 Wb. 2796









pp

 p













p

ppp





 

3 4 3 4

f



 3   4

p







3 4

3 4

ppp



3 4

pp

  

p

3 4



p





pp

o

pp



 



 44 







ppp

ppp

Db.



sempre molto sul pont.

sul tasto desk 5 senza vib.

o 4  4 

   









3 4



o



desk443 



 pp

 

p

f sempre

Vc.

- desk 7



pp �autando

desk 2  44 





p

ppp

4 o   4

- desk 7

3

sempre molto sul pont.

desk 1 I

 

3 4



Sample page o 



ppp





mp

pp espress.



IV





tutti (desks 1 - 7) div: inner players

desk 3.4.  44  



mp

Vln. II

Vla.

p

f

f

4  4



I



3



  f



3



3 4

3 4

Christian Mason 16

o oo o o o 56  3 Fl. 1.2.3   4  

o

o

o o

o

o

o

o

o

o

o o

o

o

o

o

o



o

o

o o

o

o

o

 3  4 









2 Chin. Cym. (P.2)

3   4 









 3   4

scrape

3 Sus. Cym. (P.3)













p

3   4 



arco

2 Tam-tam (P.4)

Bell pl. (P.5)

T. gongs (P.6)

Hp.

Pno.

f

p

p







f







 3  4 





3  4    ff  43    

















Leseprobe 





   3 Cel.  4    













o

 3   4







 f

 3    4 

 3  4

o

f



f

o



2 Chin. Cym. (P.1)

f

o

o

o

o

o



o







o



 



3



o





3

o 

 

f

5











Vln. I

3   4  



3



p





 



f

ff

3  4 Vln. II

3  4



 

f





f

3  4 

I

o 

3

o

pp �autando

 43  

 43 

o 





3

o









 43  

- desk 6







o 

o 



pp

p







 

p

ppp

o

o







o

 43  p

o 



o  

3

 

p

ppp

o 

mf







  



p





mf

pp

3

3 o 

o 

 Wb. 2796





o













mf

o 

o 

o 

o 

Db.











o 

mf

pp

pp

o 

o 

o



 





f

mf





 



pp



o 

 f

 



pp



o

ppp

o 



Sample page 

 43 

o 3  4 



pp