ROBERT BOYNES In Plain Sight 7 July to 1 August 2015
ROBERT BOYNES In Plain Sight 7 July to 1 August 2015
As the title implies, the subject and content in this work is available to us all. It is clear. It is ubiquitous. Just because it is there, it does not mean that we see it. Peripatetic patterns of motion may be unseen or unsighted. By stopping this action or slowing it down, the viewer is invited to become part of the act, remembering glimpses or chance encounters that we would not normally scrutinise. At times there are media images that are seared into our brains and memory so clearly that we become dumb to their existence. These images are all around us. They are in plain sight.
Robert Boynes, ‘In Lock Step - Argo’ 2015, acrylic on canvas, 60 x 50cm
Robert Boynes, ‘Autopilot 1’ 2015, acrylic on canvas - diptych, 60 x 100cm
Robert Boynes, ‘Blikd Leading the Blind’ 2015, acrylic on canvas, timber - triptych, 120 x 321cm
Robert Boynes, ‘Couple - Colour’ 2015, acrylic on canvas, 60 x 50cm
Robert Boynes, ‘Ghosting’ 2015, acrylic on canvas, 60 x 50cm
Robert Boynes, ‘Gone Girls’ 2015, acrylic on canvas, 61 x 51cm
Robert Boynes, ‘In Lock Step - Heavy’ 2015, acrylic on canvas, 60.5 x 50cm
Robert Boynes, ‘In Lock Step - Entrance’ 2015, acrylic on canvas, 61 x 51cm
Robert Boynes, ‘In Lock Step - Light Shaft’ 2015, acrylic on canvas, 61 x 51cm
Robert Boynes, ‘It’s Not Them’ 2015, acrylic on canvas, timber - diptych, 120 x 161cm
Robert Boynes, ‘Negative Scan’ 2015, acrylic on canvas - diptych, 60 x 120cm
Robert Boynes, ‘Silver Service 2’ 2015, acrylic on canvas - framed, 120 x 80cm
Robert Boynes, ‘Silver Service’ 2015, acrylic on canvas, 61 x 51cm
Robert Boynes, ‘She’s Not There’ 2015, acrylic on canvas, timber - diptych, 120 x 113cm
Robert Boynes, ‘Split Screen’ 2015, acrylic on canvas, 75 x 60cm
Robert Boynes, ‘Stain’ 2015, acrylic on canvas - framed, 120 x 80cm
Robert Boynes, ‘Tent City’ 2015, acrylic on canvas, 120 x 120cm
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