Street life images by brian dry

Page 1

Street Life by Brian Dry

Body of Images


Ann Summer’s Big Issue


Candidate name: Brian Dry Title of the theme: Street Portraiture Informa2on on the research undertaken and influences ? The influence for all of my street life portraiture comes from Bill Cunningham of the New York Times. He has a page called ‘On The Streets’ every month where he takes photos of people wearing interesEng cloths or just looking interesEng in some way or another. I have placed background informaEon in my scrapbook. I have chosen Colchester and London as locaEons for my street life photography. I was unable to get exactly what I was looking for but then street life you never know what will be happening in the next few seconds. That’s the excitement of street portraiture. Having the camera on the right manual seKngs and ready for what might appear right in front of you. For all the images in this collecEon, the same principals apply for the research and influenEal concept of this project. The prepara2on and planning undertaken ? I wanted to take the pictures in aNernoon light to add to the ambience and the Eme of year helped dull the surroundings to match the black and white contrast I am aNer. All the pictures were taken under these condiEons. Camera: Canon 7d (my primary camera) Lens: Canon 24-­‐70 2.8 L (I chose this lens for the zoom feature to 70mm and considering that most of the people will be moving in a dull light, the f.2.8 would allow me to take faster shots to avoid camera shake or movement blur) A camera back pack was used to keep both hands free and the equipment. The back pack is masked as a normal back pack so not to adverEse that it holds expensive gear. From a safety angel, I avoided standing in roads to get the shot or suddenly stopping in crowded places in the middle of the walkway. In some cases, Oxford Street for example, I stood in shop doorways or recesses to get away from the throng of moving people. How the equipment was used to capture images ?


Why the final images were selected? I selected this image because of the irony between a woman, obviously down on her luck and looking to make some money from selling the big issue and the background of Ann Summers, a wealthy organisa2on surrounding her background. The polar opposites of vanity and need, sexual desires versus food on the plate, a background skimpy underwear against the foreground of 4 layers of clothes. I liked the contrast in the untold stories and the subject relates to the street theme. What Relevant documenta2on where used? No documentaEon was required for this image. However, I paid the lady £2 for aNer the shot was taken as a thank you. Health and safety, legal and ethical considera2ons.


H & S: No flash was used. All considera2on was taken for those around me and those who were the subject of the images. Legal: No legal documents were required as all the photos were taken in a public place Ethical Considera2ons: I did not take any pictures of any people who appeared vulnerable i.e. wheelchairs, disabled or having a carer.


Dancing Boy


Candidate name: Brian Dry Title of the theme: Street Portraiture Informa2on on the research undertaken and influences ? The influence for all of my street life portraiture comes from Bill Cunningham of the New York Times. He has a page called ‘On The Streets’ every month where he takes photos of people wearing interesEng cloths or just looking interesEng in some way or another. I have placed background informaEon in my scrapbook. I have chosen Colchester and London as locaEons for my street life photography. I was unable to get exactly what I was looking for but then street life you never know what will be happening in the next few seconds. That’s the excitement of street portraiture. Having the camera on the right manual seKngs and ready for what might appear right in front of you. For all the images in this collecEon, the same principals apply for the research and influenEal concept of this project. The prepara2on and planning undertaken ? I wanted to take the pictures in aNernoon light to add to the ambience and the Eme of year helped dull the surroundings to match the black and white contrast I am aNer. All the pictures were taken under these condiEons. Camera: Canon 7d (my primary camera) Lens: Canon 24-­‐70 2.8 L (I chose this lens for the zoom feature to 70mm and considering that most of the people will be moving in a dull light, the f.2.8 would allow me to take faster shots to avoid camera shake or movement blur) A camera back pack was used to keep both hands free and the equipment. The back pack is masked as a normal back pack so not to adverEse that it holds expensive gear. From a safety angel, I avoided standing in roads to get the shot or suddenly stopping in crowded places in the middle of the walkway. In some cases, Oxford Street for example, I stood in shop doorways or recesses to get away from the throng of moving people. How the equipment was used to capture images ?


Why the final images were selected? I came across a boy randomly dancing to music being played by a Eastern European. The contrast between the boy who looked slightly too clean cut and judging by his dress style and appearance, would not expect to be dancing in the street to a street musician’s music. An example of the unexpected street life. What Relevant documenta2on where used? No documentaEon required in this public place. Health and safety, legal and ethical considera2ons.


H & S: No flash was used. All consideraEon was taken for those around me and those who were the subject of the images. Legal: No legal documents were required as all the photos were taken in a public place Ethical ConsideraEons: I did not take any pictures of any people who appeared vulnerable i.e. wheelchairs, disabled or having a carer.


Enough


Candidate name: Brian Dry Title of the theme: Street Portraiture Informa2on on the research undertaken and influences ? The influence for all of my street life portraiture comes from Bill Cunningham of the New York Times. He has a page called ‘On The Streets’ every month where he takes photos of people wearing interesEng cloths or just looking interesEng in some way or another. I have placed background informaEon in my scrapbook. I have chosen Colchester and London as locaEons for my street life photography. I was unable to get exactly what I was looking for but then street life you never know what will be happening in the next few seconds. That’s the excitement of street portraiture. Having the camera on the right manual seKngs and ready for what might appear right in front of you. For all the images in this collecEon, the same principals apply for the research and influenEal concept of this project. The prepara2on and planning undertaken ? I wanted to take the pictures in aNernoon light to add to the ambience and the Eme of year helped dull the surroundings to match the black and white contrast I am aNer. All the pictures were taken under these condiEons. Camera: Canon 7d (my primary camera) Lens: Canon 24-­‐70 2.8 L (I chose this lens for the zoom feature to 70mm and considering that most of the people will be moving in a dull light, the f.2.8 would allow me to take faster shots to avoid camera shake or movement blur) A camera back pack was used to keep both hands free and the equipment. The back pack is masked as a normal back pack so not to adverEse that it holds expensive gear. From a safety angel, I avoided standing in roads to get the shot or suddenly stopping in crowded places in the middle of the walkway. In some cases, Oxford Street for example, I stood in shop doorways or recesses to get away from the throng of moving people.


How the equipment was used to capture images ?

Why the final images were selected? The Christmas shopping season and this is an image of a woman who has obviously had enough. It may be the realisaEon of how much has been spent or just exhausEon but the picture is of a person who in shopping terms has had enough.


What Relevant documenta2on where used? No documentaEon required in this public place. Health and safety, legal and ethical considera2ons. H & S: No flash was used. All consideraEon was taken for those around me and those who were the subject of the images. Legal: No legal documents were required as all the photos were taken in a public place Ethical ConsideraEons: I did not take any pictures of any people who appeared vulnerable i.e. wheelchairs, disabled or having a carer.


He Just Disappeared Sergeant


Candidate name: Brian Dry Title of the theme: Street Portraiture Informa2on on the research undertaken and influences ? The influence for all of my street life portraiture comes from Bill Cunningham of the New York Times. He has a page called ‘On The Streets’ every month where he takes photos of people wearing interesEng cloths or just looking interesEng in some way or another. I have placed background informaEon in my scrapbook. I have chosen Colchester and London as locaEons for my street life photography. I was unable to get exactly what I was looking for but then street life you never know what will be happening in the next few seconds. That’s the excitement of street portraiture. Having the camera on the right manual seKngs and ready for what might appear right in front of you. For all the images in this collecEon, the same principals apply for the research and influenEal concept of this project. The prepara2on and planning undertaken ? I wanted to take the pictures in aNernoon light to add to the ambience and the Eme of year helped dull the surroundings to match the black and white contrast I am aNer. All the pictures were taken under these condiEons. Camera: Canon 7d (my primary camera) Lens: Canon 24-­‐70 2.8 L (I chose this lens for the zoom feature to 70mm and considering that most of the people will be moving in a dull light, the f.2.8 would allow me to take faster shots to avoid camera shake or movement blur) A camera back pack was used to keep both hands free and the equipment. The back pack is masked as a normal back pack so not to adverEse that it holds expensive gear. From a safety angel, I avoided standing in roads to get the shot or suddenly stopping in crowded places in the middle of the walkway. In some cases, Oxford Street for example, I stood in shop doorways or recesses to get away from the throng of moving people.


How the equipment was used to capture images ?

Why the final images were selected? There is comedy in this capture of a protester walking around the opposite side of the policeman who has turned around looking for him. The image has a rebellious message showing contempt for authority. An example of random street photography.


What Relevant documenta2on where used? No documentaEon required in this public place. Health and safety, legal and ethical considera2ons. H & S: No flash was used. All consideraEon was taken for those around me and those who were the subject of the images. Legal: No legal documents were required as all the photos were taken in a public place Ethical ConsideraEons: I did not take any pictures of any people who appeared vulnerable i.e. wheelchairs, disabled or having a carer.


It’s Not Right Bill


Candidate name: Brian Dry Title of the theme: Street Portraiture Informa2on on the research undertaken and influences ? The influence for all of my street life portraiture comes from Bill Cunningham of the New York Times. He has a page called ‘On The Streets’ every month where he takes photos of people wearing interesEng cloths or just looking interesEng in some way or another. I have placed background informaEon in my scrapbook. I have chosen Colchester and London as locaEons for my street life photography. I was unable to get exactly what I was looking for but then street life you never know what will be happening in the next few seconds. That’s the excitement of street portraiture. Having the camera on the right manual seKngs and ready for what might appear right in front of you. For all the images in this collecEon, the same principals apply for the research and influenEal concept of this project. The prepara2on and planning undertaken ? I wanted to take the pictures in aNernoon light to add to the ambience and the Eme of year helped dull the surroundings to match the black and white contrast I am aNer. All the pictures were taken under these condiEons. Camera: Canon 7d (my primary camera) Lens: Canon 24-­‐70 2.8 L (I chose this lens for the zoom feature to 70mm and considering that most of the people will be moving in a dull light, the f.2.8 would allow me to take faster shots to avoid camera shake or movement blur) A camera back pack was used to keep both hands free and the equipment. The back pack is masked as a normal back pack so not to adverEse that it holds expensive gear. From a safety angel, I avoided standing in roads to get the shot or suddenly stopping in crowded places in the middle of the walkway. In some cases, Oxford Street for example, I stood in shop doorways or recesses to get away from the throng of moving people.

How the equipment was used to capture images ?


Why the final images were selected? Two elderly men talking in a street in Colchester. You can’t here what they are saying but the face tells a story that things are not right in the world. ‘It’s not right Bill’ might just be the sentence. Wise and endearing less and less you see elderly people stop and just talk in the street.

What Relevant documenta2on where used?


No documentaEon required in this public place. Health and safety, legal and ethical considera2ons. H & S: No flash was used. All consideraEon was taken for those around me and those who were the subject of the images. Legal: No legal documents were required as all the photos were taken in a public place Ethical ConsideraEons: I did not take any pictures of any people who appeared vulnerable i.e. wheelchairs, disabled or having a carer.


Hot Dog Man


Candidate name: Brian Dry Title of the theme: Street Portraiture Informa2on on the research undertaken and influences ? The influence for all of my street life portraiture comes from Bill Cunningham of the New York Times. He has a page called ‘On The Streets’ every month where he takes photos of people wearing interesEng cloths or just looking interesEng in some way or another. I have placed background informaEon in my scrapbook. I have chosen Colchester and London as locaEons for my street life photography. I was unable to get exactly what I was looking for but then street life you never know what will be happening in the next few seconds. That’s the excitement of street portraiture. Having the camera on the right manual seKngs and ready for what might appear right in front of you. For all the images in this collecEon, the same principals apply for the research and influenEal concept of this project. The prepara2on and planning undertaken ? I wanted to take the pictures in aNernoon light to add to the ambience and the Eme of year helped dull the surroundings to match the black and white contrast I am aNer. All the pictures were taken under these condiEons. Camera: Canon 7d (my primary camera) Lens: Canon 24-­‐70 2.8 L (I chose this lens for the zoom feature to 70mm and considering that most of the people will be moving in a dull light, the f.2.8 would allow me to take faster shots to avoid camera shake or movement blur) A camera back pack was used to keep both hands free and the equipment. The back pack is masked as a normal back pack so not to adverEse that it holds expensive gear. From a safety angel, I avoided standing in roads to get the shot or suddenly stopping in crowded places in the middle of the walkway. In some cases, Oxford Street for example, I stood in shop doorways or recesses to get away from the throng of moving people.


How the equipment was used to capture images ?

Why the final images were selected? The hot dog seller in his tradiEonal uniform could be from the 70s. The street trader brings some atmosphere to the market and to the old streets of Colchester.


What Relevant documenta2on where used? No documentaEon required in this public place. Health and safety, legal and ethical considera2ons. H & S: No flash was used. All consideraEon was taken for those around me and those who were the subject of the images. Legal: No legal documents were required as all the photos were taken in a public place Ethical ConsideraEons: I did not take any pictures of any people who appeared vulnerable i.e. wheelchairs, disabled or having a carer.


Lived In


Candidate name: Brian Dry Title of the theme: Street Portraiture Informa2on on the research undertaken and influences ? The influence for all of my street life portraiture comes from Bill Cunningham of the New York Times. He has a page called ‘On The Streets’ every month where he takes photos of people wearing interesEng cloths or just looking interesEng in some way or another. I have placed background informaEon in my scrapbook. I have chosen Colchester and London as locaEons for my street life photography. I was unable to get exactly what I was looking for but then street life you never know what will be happening in the next few seconds. That’s the excitement of street portraiture. Having the camera on the right manual seKngs and ready for what might appear right in front of you. For all the images in this collecEon, the same principals apply for the research and influenEal concept of this project. The prepara2on and planning undertaken ? I wanted to take the pictures in aNernoon light to add to the ambience and the Eme of year helped dull the surroundings to match the black and white contrast I am aNer. All the pictures were taken under these condiEons. Camera: Canon 7d (my primary camera) Lens: Canon 24-­‐70 2.8 L (I chose this lens for the zoom feature to 70mm and considering that most of the people will be moving in a dull light, the f.2.8 would allow me to take faster shots to avoid camera shake or movement blur) A camera back pack was used to keep both hands free and the equipment. The back pack is masked as a normal back pack so not to adverEse that it holds expensive gear. From a safety angel, I avoided standing in roads to get the shot or suddenly stopping in crowded places in the middle of the walkway. In some cases, Oxford Street for example, I stood in shop doorways or recesses to get away from the throng of moving people.


How the equipment was used to capture images ?

Why the final images were selected? The old hat, the scruffy beard, the ‘lived in’ appearance all point to a down and out on the streets of London unEl you come to the chains around his neck. Now you have a man who wants to appear like a street character, can afford to appear like a street character. But, is really far from being a street character. Perhaps an eccentric character?


What Relevant documenta2on where used? No documentaEon required in this public place. Health and safety, legal and ethical considera2ons. H & S: No flash was used. All consideraEon was taken for those around me and those who were the subject of the images. Legal: No legal documents were required as all the photos were taken in a public place Ethical ConsideraEons: I did not take any pictures of any people who appeared vulnerable i.e. wheelchairs, disabled or having a carer.


Picture of Health


Candidate name: Brian Dry Title of the theme: Street Portraiture Informa2on on the research undertaken and influences ? The influence for all of my street life portraiture comes from Bill Cunningham of the New York Times. He has a page called ‘On The Streets’ every month where he takes photos of people wearing interesEng cloths or just looking interesEng in some way or another. I have placed background informaEon in my scrapbook. I have chosen Colchester and London as locaEons for my street life photography. I was unable to get exactly what I was looking for but then street life you never know what will be happening in the next few seconds. That’s the excitement of street portraiture. Having the camera on the right manual seKngs and ready for what might appear right in front of you. For all the images in this collecEon, the same principals apply for the research and influenEal concept of this project. The prepara2on and planning undertaken ? I wanted to take the pictures in aNernoon light to add to the ambience and the Eme of year helped dull the surroundings to match the black and white contrast I am aNer. All the pictures were taken under these condiEons. Camera: Canon 7d (my primary camera) Lens: Canon 24-­‐70 2.8 L (I chose this lens for the zoom feature to 70mm and considering that most of the people will be moving in a dull light, the f.2.8 would allow me to take faster shots to avoid camera shake or movement blur) A camera back pack was used to keep both hands free and the equipment. The back pack is masked as a normal back pack so not to adverEse that it holds expensive gear. From a safety angel, I avoided standing in roads to get the shot or suddenly stopping in crowded places in the middle of the walkway. In some cases, Oxford Street for example, I stood in shop doorways or recesses to get away from the throng of moving people.

How the equipment was used to capture images ?


Why the final images were selected? The contrast of an overweight man siKng on a wall having obviously having devoured street food with the image of Natural Health almost overwhelming the image conveys the contrast I look for in street photography. If he turns around and sees the ‘IBS’ sign, will it aaache any thoughts between that and the hot dog he has just consumed.

What Relevant documenta2on where used?


No documentaEon required in this public place. Health and safety, legal and ethical considera2ons. H & S: No flash was used. All consideraEon was taken for those around me and those who were the subject of the images. Legal: No legal documents were required as all the photos were taken in a public place Ethical ConsideraEons: I did not take any pictures of any people who appeared vulnerable i.e. wheelchairs, disabled or having a carer.


The Cone Player


Candidate name: Brian Dry Title of the theme: Street Portraiture Informa2on on the research undertaken and influences ? The influence for all of my street life portraiture comes from Bill Cunningham of the New York Times. He has a page called ‘On The Streets’ every month where he takes photos of people wearing interesEng cloths or just looking interesEng in some way or another. I have placed background informaEon in my scrapbook. I have chosen Colchester and London as locaEons for my street life photography. I was unable to get exactly what I was looking for but then street life you never know what will be happening in the next few seconds. That’s the excitement of street portraiture. Having the camera on the right manual seKngs and ready for what might appear right in front of you. For all the images in this collecEon, the same principals apply for the research and influenEal concept of this project. The prepara2on and planning undertaken ? I wanted to take the pictures in aNernoon light to add to the ambience and the Eme of year helped dull the surroundings to match the black and white contrast I am aNer. All the pictures were taken under these condiEons. Camera: Canon 7d (my primary camera) Lens: Canon 24-­‐70 2.8 L (I chose this lens for the zoom feature to 70mm and considering that most of the people will be moving in a dull light, the f.2.8 would allow me to take faster shots to avoid camera shake or movement blur) A camera back pack was used to keep both hands free and the equipment. The back pack is masked as a normal back pack so not to adverEse that it holds expensive gear. From a safety angel, I avoided standing in roads to get the shot or suddenly stopping in crowded places in the middle of the walkway. In some cases, Oxford Street for example, I stood in shop doorways or recesses to get away from the throng of moving people.


How the equipment was used to capture images ?

Why the final images were selected? London streets are full of unusual characters and a hooded man with a mask playing a traffic cone shouldn’t be an excepEon but the contrast of the night and the colour of the cone caught my eye along with the fact that absolutely nobody was taking a blind bit of noEce of this guy making a terrible flatulent like noise from this cone.


What Relevant documenta2on where used? No documentaEon required in this public place. Health and safety, legal and ethical considera2ons.

H & S: No flash was used. All consideraEon was taken for those around me and those who were the subject of the images. Legal: No legal documents were required as all the photos were taken in a public place Ethical ConsideraEons: I did not take any pictures of any people who appeared vulnerable i.e. wheelchairs, disabled or having a carer.



Candidate name: Brian Dry Title of the theme: Street Portraiture Informa2on on the research undertaken and influences ? The influence for all of my street life portraiture comes from Bill Cunningham of the New York Times. He has a page called ‘On The Streets’ every month where he takes photos of people wearing interesEng cloths or just looking interesEng in some way or another. I have placed background informaEon in my scrapbook. I have chosen Colchester and London as locaEons for my street life photography. I was unable to get exactly what I was looking for but then street life you never know what will be happening in the next few seconds. That’s the excitement of street portraiture. Having the camera on the right manual seKngs and ready for what might appear right in front of you. For all the images in this collecEon, the same principals apply for the research and influenEal concept of this project. The prepara2on and planning undertaken ? I wanted to take the pictures in aNernoon light to add to the ambience and the Eme of year helped dull the surroundings to match the black and white contrast I am aNer. All the pictures were taken under these condiEons. Camera: Canon 7d (my primary camera) Lens: Canon 24-­‐70 2.8 L (I chose this lens for the zoom feature to 70mm and considering that most of the people will be moving in a dull light, the f.2.8 would allow me to take faster shots to avoid camera shake or movement blur) A camera back pack was used to keep both hands free and the equipment. The back pack is masked as a normal back pack so not to adverEse that it holds expensive gear. From a safety angel, I avoided standing in roads to get the shot or suddenly stopping in crowded places in the middle of the walkway. In some cases, Oxford Street for example, I stood in shop doorways or recesses to get away from the throng of moving people.


How the equipment was used to capture images ?

Why the final images were selected? Colchester street life. This girl stands out from the crowed in her 1940s pearls and fashion. She wants to be different but unlike some people who wear less cloths to be noEced, she just puts on different cloths and stands out in the streets in her own way.


What Relevant documenta2on where used? No documentaEon required in this public place. Health and safety, legal and ethical considera2ons. H & S: No flash was used. All consideraEon was taken for those around me and those who were the subject of the images. Legal: No legal documents were required as all the photos were taken in a public place Ethical ConsideraEons: I did not take any pictures of any people who appeared vulnerable i.e. wheelchairs, disabled or having a carer.



Candidate name: Brian Dry Title of the theme: Street Portraiture Informa2on on the research undertaken and influences ? The influence for all of my street life portraiture comes from Bill Cunningham of the New York Times. He has a page called ‘On The Streets’ every month where he takes photos of people wearing interesEng cloths or just looking interesEng in some way or another. I have placed background informaEon in my scrapbook. I have chosen Colchester and London as locaEons for my street life photography. I was unable to get exactly what I was looking for but then street life you never know what will be happening in the next few seconds. That’s the excitement of street portraiture. Having the camera on the right manual seKngs and ready for what might appear right in front of you. For all the images in this collecEon, the same principals apply for the research and influenEal concept of this project. The prepara2on and planning undertaken ? I wanted to take the pictures in aNernoon light to add to the ambience and the Eme of year helped dull the surroundings to match the black and white contrast I am aNer. All the pictures were taken under these condiEons. Camera: Canon 7d (my primary camera) Lens: Canon 24-­‐70 2.8 L (I chose this lens for the zoom feature to 70mm and considering that most of the people will be moving in a dull light, the f.2.8 would allow me to take faster shots to avoid camera shake or movement blur) A camera back pack was used to keep both hands free and the equipment. The back pack is masked as a normal back pack so not to adverEse that it holds expensive gear. From a safety angel, I avoided standing in roads to get the shot or suddenly stopping in crowded places in the middle of the walkway. In some cases, Oxford Street for example, I stood in shop doorways or recesses to get away from the throng of moving people.


How the equipment was used to capture images ?

Why the final images were selected? What do we want....Nothing, When do we want it....Now! Only in London. A random, lonesome protester protests about nothing. Or, perhaps protesEng that he has forgoaen a marker pen. London street life.


What Relevant documenta2on where used? No documentaEon required in this public place. Health and safety, legal and ethical considera2ons. H & S: No flash was used. All consideraEon was taken for those around me and those who were the subject of the images. Legal: No legal documents were required as all the photos were taken in a public place Ethical ConsideraEons: I did not take any pictures of any people who appeared vulnerable i.e. wheelchairs, disabled or having a carer.


Wired


Candidate name:

Brian Dry

Title of the theme: Street Portraiture Informa2on on the research undertaken and influences ? The influence for all of my street life portraiture comes from Bill Cunningham of the New York Times. He has a page called ‘On The Streets’ every month where he takes photos of people wearing interesEng cloths or just looking interesEng in some way or another. I have placed background informaEon in my scrapbook. I have chosen Colchester and London as locaEons for my street life photography. I was unable to get exactly what I was looking for but then street life you never know what will be happening in the next few seconds. That’s the excitement of street portraiture. Having the camera on the right manual seKngs and ready for what might appear right in front of you. For all the images in this collecEon, the same principals apply for the research and influenEal concept of this project. The prepara2on and planning undertaken ? I wanted to take the pictures in aNernoon light to add to the ambience and the Eme of year helped dull the surroundings to match the black and white contrast I am aNer. All the pictures were taken under these condiEons. Camera: Canon 7d (my primary camera) Lens: Canon 24-­‐70 2.8 L (I chose this lens for the zoom feature to 70mm and considering that most of the people will be moving in a dull light, the f.2.8 would allow me to take faster shots to avoid camera shake or movement blur) A camera back pack was used to keep both hands free and the equipment. The back pack is masked as a normal back pack so not to adverEse that it holds expensive gear. From a safety angel, I avoided standing in roads to get the shot or suddenly stopping in crowded places in the middle of the walkway. In some cases, Oxford Street for example, I stood in shop doorways or recesses to get away from the throng of moving people.


How the equipment was used to capture images ?

Why the final images were selected? A girl doo-­‐de-­‐dooing loudly along the street. The volume can’t be captured in an image but the acEon can be seen in the shape of the mouth and the fact that she is totally aware of the shot makes no difference at all. The depth of the people in the background give prominence to the subject.


What Relevant documenta2on where used? No documentaEon required in this public place.

Health and safety, legal and ethical considera2ons. H & S: No flash was used. All consideraEon was taken for those around me and those who were the subject of the images. Legal: No legal documents were required as all the photos were taken in a public place Ethical ConsideraEons: I did not take any pictures of any people who appeared vulnerable i.e. wheelchairs, disabled or having a carer.


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