WILLIAM COYLE University of Virginia School of Architecture Portfolio - 2022
CON TE N TS
04
THE NEW COLLECTIVE COMMONS
14
A TRADE SCHOOL FOR CULINARY ARTS
24
CHAPULTAPEC PARK SECTION 3
34
NOMADIC MINIMAL DWELLING
Spring 2021 | Instructor: Katie Stranix
Fall 2020 | Instructor: Peter Waldman
Fall 2022 | Instructor: Mario Schjetnam
Spring 2022 | Instructor: Ehsan Baharlou
T H E N EW C OLLECTI VE COMMONS UVA SoA | ARCH 3020 | Spring 2021 Studio: The Student Center as Civic Anchor at UVA Location: Charlottesville, Virginia
The New Collective Commons ties into existing physical and social networks of the Charlottesville community, enhancing the relationship between Charlottesville residents and University students. Located at the intersection of academic buildings, student housing, and residential neighborhoods, the site presents the opportunity to serve local stakeholders as both a student-oriented building and a community center. The proposal hybridizes civic amenities and academic spaces with the aim to blur existing lines of separation between the student body and broader Charlottesville community. The proposed development contains programmed study, library, and auditorium spaces, along with deliberately unprogrammed space to be informed by evolving community needs. The form consists of two blocks with circulation cores inside. A second story bridges the two blocks and creates a connection point to the upper terrace of the site. Interior voids bring light to the lower levels and act as visual connectors between floors. An inhabitable green rooftop and sunken courtyard offer a variety of communal spaces for students and community members to share and enjoy.
4
5
01. Site
02. Initial Massing
The existing site includes a parking lot, basketball courts, as well as the Dell pond. The site is located at the intersection of student housing, academical buildings, and Charlottesville neighborhoods.
The massing strategy embraces existing circulation routes students take to traverse the site while minimizes uneeded parking and maximizes greenspace.
03. Bridge
04. Rotate
A bridge to the upper terrace of the site as well as a cantalieverd second story creates a better circulation flow and connects ground level spaces.
Rotating the structure allows for specific views of the Dell, park, and upper terrace to be framed ultimately enhancing the sites unique qualities.
05. Dig
06. Extend
A central courtyard allows for light to enter the subteranean level, while creating a space for students and Charlottesville residents to cohabitate.
Refelecting pools connect the exterior spaces to the Dell pond further situating the building in its surrounding landscape.
6
Axonometric with surrounding context
7
View from top floor corridor
8
Subteranean floor plan
Ground floor plan
Top floor plan
Roof plan
9
View from top floor study spaces
10
Section A
Section B
Section C
11
View from sunken courtyard
12
13
A T R A D E SC HOOL FOR CULI NARY ARTS UVA SoA | ARCH 3010 | Fall 2020 Studio: Vertical Mobility Location: New York City, New York
The Trade School for Culinary Arts stands at the intersection of commerce, culture, practical study, and public enjoyment. Tasked with rethinking a traditional trade school, the proposal’s metabolic design facilitates organic exchange across floors, spaces, and use cases. The layout acts as the connective tissue for farmers, butchers, and bakers; apiarists, craftsmen, and candlestick makers; culinary students, consumers, and passers-by, to engage in the symbiotic interactions embodying the host—New York City’s—ethos. From the basement-level subway terminal, visitors enter a farmers’ market inspired reception hall, further opening into a double height vendor area. A “fire pit” at the heart of the space fulfills both aesthetic and functional roles. The light of the flame pierces upwards, sharply illuminating the atrium’s central void, while simultaneously softening visitors’ optical transition from the subway’s cold overhead fluorescence to the grotto’s ambient warmth within. The fire powers an open-flame cooking range, marking centerstage for culinary seminars and acting as the cynosure for butchers and chefs to showcase their talents when the space transitions
14
to a feasting hall at night. Just as respiration circulates oxygen through the body, the grotto’s design circulates activity through the shops in the basement, and upwards towards the second floor cafe. With additional access to Chrystie Street, the cafe acts as a membrane connecting the building to the city’s street level. From street level, the upper plates of the building extend gradually towards Sara Roosevelt park, like saplings instinctively growing towards the sun. From the top floor, the rooftop Sara Roosevelt Park opens onto the elevated promenade. Unobstructed by shade from the urban canopy, the park doubles as an agricultural space supporting community-garden style farm plots for culinary students to cultivate their “school supplies” and community members to enjoy the abundance of nature. Even when all gardeners and park-goers have returned home, the ecosystem is dutifully tended by the building’s only full time residents— bees inhabiting the rooftop apiary—providing resources for the cooks, bakers, and candlestick makers to refine their products for use in the classroom and market below.
15
An Almanac of Connective Tissues The collage studies explore qualities of New York City. The strict grid of the city creates a metering system within the structure of each collage. Central Park is represented as a void, reading in section as a vertical atrium. The section of Bramante’s Tempietto corresponds to the grid of New York City with a central void and cave like basement reminiscent of the subway system. The cave like basement becomes a grotto esque gathering space.
16
17
From Frame to Plane A series of concept models, informed by the initial collage iterations, explore the relationships between gravity and lightness, frame and plane, and opacity and translucency. Materials such as glycerin, rockite, eggshell, waterbottle, toothpicks, and wooden dowels were used to achieve spatial and physical qualities.
18
19
Exploded axon with surrounding context
20
Section through center void and subway connection
21
Longitudanal section
22
23
C H A PU LTA PEC PARK SECTI ON 3 MASTERPLAN & PAVIL ION PROPOSAL UVA SoA | ARCH 4010 | Fall 2021 Studio: Mexico City Location: Chapultapec Park, Mexico City, Mexico
The Chapultapec Park Section 3 Master Plan proposal aims to navigate the sites challenging topographical, ecological, and hydrological conditions while reviving the park’s rich historical significance to Mexico. Chapultapec Park is one of the largest parks in the Americas. With a history spanning the Aztec Empire, Colonial Spain, and present day Mexico, the park is a critical source of cultural identity for Mexico City and Mexico as a whole. Chapultapec Park sections 1 and 2 have undergone significant master planning efforts, however, section 3 still stands in disrepair. Phase two of the studio dives into an individual site development. The site intervention proposal aims to create a communal space showcasing Mexican culture through an open air theater inspired by Aztec art and architecture. A terraced garden reintroduces native plant species that have been taken over by invasive species throughout the park, while simultaneously creating a space for rest and relaxation.
24
25
1435
Chapultapec Forest to Mexico City. A gunpowder manufacturing plant was there until 1784.
Emperor Itzcoatl had his portrait carved into cliff face and later successors followed suit
Aztecs Arrive at Chapultapec ca. 1250
Hydraulic System Introduced 1466
Moctezuma I orders for a double aqueduct to be built from Chapultapec to the Tlaxpana.
independence from Spain and Chapultapec was abandoned.
known as "child Heroes" used the castle as his defend the castle from a imperial residence after foreign invasion in a enlarging it as well as heroic act. forming Italian style gardens.
Palace Construction Begins 1785
Christian Chapel Constructed 1521
The Chapel of Saint Michael the Archangel was built on the top of the hill where the Temple of Huizilopochtli stood.
Castle Used as Presidential Home 1859
Viceroy Matias de Galvez begins construction of a neoclassical style palace on top of the hill.
Miguel Miramon was the first Mexican President to use the former castle as an official presidential home.
1900/1901
New roads, fountains, and pools were built and renovations were made on the greenhouse and zoo, done for the Mexican Independence Centennial.
1974 The third section of Chapultapec Park was added.
Rector Ciudadano the Second Section is Formed of the Park 2002 2008
Second Section to Fideicomiso Pro Master plan for Fourth Bosque is Formed the First Park Added Section to 1987 1962 Section of the Park Added The second section of 2021 Park Chapultepec Park was added. 2004
Forest Transformation 1890
Jose Limantour transforms the forest to look like Bois de Boulogne in Paris, France.
Mario Schjetnam creates a master plan for the first section of the forest focusing on the recovery of the environment.
CHAPULTAPEC PARK TIMELINE Pre-HispanicPeriod Period(1250 (1250 a.c. a.c. -- 1466) 1466) Pre-Hispanic
Viceregal Period Period (1521 (1521 -- 1785) 1785) Viceregal
Independent Mexico Mexico (1821 Independent (1821 -- 1867) 1867)
Restored Restored Republic Republic and and Porfiriat Porfiriat (1872 (1872 -- 1896) 1896)
Section 2 Added
Section 1 Created Complex for Ritual and Astrological Observations 1435
Chapultapec Forest Given to Mexico City 1530
Emperor Itzcoatl had his portrait carved into cliff face and later successors followed suit for Complex
30
Ritual and Astrological Observations 1435
20
Emperor Itzcoatl had his portrait carved into cliff face and later successors followed suit
10
Mexico Gains Independence 1821
Charles V gave Chapultapec Forest to Mexico City. A gunpowder manufacturing plant was Chapultapec there until 1784.
Mexico gains independence from Spain and Chapultapec was abandoned.
Charles V gave Chapultapec Forest to Mexico City. A gunpowder manufacturing plant was there until 1784.
Mexico gains independence from Spain and Chapultapec was abandoned.
Forest Given to Mexico City 1530
End Endof ofDiaz DiazEra Era&&20th 20thCentury Century(1900 (1900--1987) 1987)
Mexico Gains Independence 1821
Infrastructural Improvements for Castle as an Mexican Mexican Imperial American War Residence Independence 1846 Celebration 1864 In 1847, military cadets Maximilian of Habsburg 1900/1901 known as "child Heroes" used the castle as his
Section 3 Added
21st 21stCentury Century
Section 4 Added
defend the castle from a imperial residence after New roads, fountains, and pools were built and renovations were foreign invasion in a enlarging it as well as Infrastructural made on the greenhouse and heroic act. forming Italian style zoo, done for the Mexican Improvements for Castle as an gardens. Independence Centennial.
Third Section to Park Added The Consejo Master Plan for Rector Ciudadano the Second Section 1974 The third section of is Formed of the Park Chapultapec Park was 2002 2008 added.
New roads, fountains, and pools defend the castle from a imperial residence after were built and renovations were foreign invasion in a enlarging it as well as made on the greenhouse and heroic act. forming Italian style zoo, done for the Mexican gardens. Independence Centennial.
Third Section to Park Added The Consejo Master Plan20.13 for 18.45 Rector Ciudadano the Second Section 1974 15.65 The third section of is Formed of the Park 13.02 Chapultapec Park was 2002 2008 added.
Mexico City Population
Mexican Imperial American War Residence 1846 1864
Mexican Independence Celebration In 1847, military cadets Maximilian of Habsburg 1900/1901 known as "child Heroes" used the castle as his
21.78
8.83 5.47
3.36
0
0.02
1250
1950
Aztecs Arrive at Chapultapec ca. 1250
Hydraulic System Introduced 1466
Christian Chapel Constructed 1521
Hydraulic System Introduced 1466
Christian Chapel Constructed 1521
Moctezuma I orders for a double aqueduct to be built from Chapultapec to the Tlaxpana.
Aztecs Arrive at Chapultapec ca. 1250
Moctezuma I orders for a double aqueduct to be built from Chapultapec to the Tlaxpana.
Palace Construction Begins 1785
The Chapel of Saint Michael the Archangel was built on the top of the hill where the Temple of Huizilopochtli stood.
Viceroy Matias de Galvez begins construction of a neoclassical style palace on top of the hill.
Palace Construction Begins 1785
The Chapel of Saint Michael the Archangel was built on the top of the hill where the Temple of Huizilopochtli stood.
Viceroy Matias de Galvez begins construction of a neoclassical style palace on top of the hill.
1960
1970
1980
1990
2000
2010
2020
Castle Used as Population (millions) Presidential Home 1859
Forest Transformation 1890
Second Section to Fideicomiso Pro Master plan for Fourth Bosque is Formed the First Park Added Section to 1987 1962 Section of the Park Added The second section of 2021 Park Chapultepec Park was added. 2004
Castle Used as Presidential Home 1859
Forest Transformation 1890
forest focusing Second Section to Fideicomiso Pro the Master planonfor Fourth recovery of the Bosque is Formed the Park Added Section to the First environment. 1987 1962 Section of the Park Added The second section of 2021 Park Chapultepec Park was added. 2004
Miguel Miramon was the first Mexican President to use the former castle as an official presidential home.
Miguel Miramon was the first Mexican President to use the former castle as an official presidential home.
Jose Limantour transforms the forest to look like Bois de Boulogne in Paris, France.
Mario Schjetnam creates a master plan for the first section of
Jose Limantour transforms the forest to look like Bois de Boulogne in Paris, France.
Mario Schjetnam creates a master plan for the first section of the forest focusing on the recovery of the environment.
CHAPULTAPEC PARK TIMELINE Pre-Hispanic Period (1250 a.c. - 1466)
Viceregal Period (1521 - 1785)
Independent Mexico (1821 - 1867)
Restored Republic and Porfiriat (1872 - 1896)
Section 2 Added
Section 1 Created
Complex for Ritual and Astrological Observations 1435
30 30
Emperor Itzcoatl had his portrait carved into cliff face and later successors followed suit
20 20
Chapultapec Forest Given to Mexico City 1530
Charles V gave Chapultapec Forest to Mexico City. A gunpowder manufacturing plant was there until 1784.
Mexico Gains Independence 1821
Mexico gains independence from Spain and Chapultapec was abandoned.
End of Diaz Era & 20th Century (1900 - 1987)
Section 3 Added
Infrastructural Improvements for Mexican Independence Celebration In 1847, military cadets Maximilian of Habsburg 1900/1901 known as "child Heroes" used the castle as his Castle as an Mexican Imperial American Residence MexicoWar City Population Mexico City Population 1846 1864
defend the castle from a imperial residence after foreign invasion in a enlarging it as well as heroic act. forming Italian style gardens.
New roads, fountains, and pools were built and renovations were made on the greenhouse and zoo, done for the Mexican Independence Centennial.
0 0
0.02 0.02
1250 1250
3.36 3.36
26
Population (millions) Population (millions)
1950 1950
5.47 5.47
1960 1960
Section 4 Added
Third Section to Park Added The Consejo Master Plan for Rector Ciudadano the Second Section 1974 The third section of is Formed of the Park 21.78 Chapultapec Park was 2002 2008 20.13 21.78 added. 13.02 13.02
10 10
21st Century
15.65 15.65
18.45 18.45
20.13
2000 2000
2010 2010
8.83 8.83
1970 1970
1980 1980
1990 1990
2020 2020
A series of lines - waterways, floodplains, hill tops, ravines, view corridors, roads, possible site intervention locations and circulation
27
The initial masterplan, informed by the historical timeline of Chapultapec Park and site analysis
28
Chapultapec Park Section 3 Masterplan Proposal 1. Entrance Pavilion 2. Toltec Site 3. Parking 4. Aztec Site 5. Spanish Colonial Site 6. Mexican Independence Site 7. Vendor Area 8. Present Day Future Site 250 m
Final masterplan with location of site for further development
29
A
B
Roof plan ROOF PLAN
0’
5’
10’
20’
Section A
30
Floor plan FLOOR PLAN 100’
0’
5’
10’
20’
Section B
31
Model (scale 1:32)
32
Exterior facade
Interior theater space
33
N O M A D IC MI NI MAL DWELLI NG UVA SoA | ARCH 4020 | Spring 2022 Studio: Emerging Advanced Technologies Location: Siteless
The Nomadic Minimal Dwelling offers a solution to the overcrowding and surging housing costs in areas affected by the ‘zoom boom’ by providing a modern alternative to current mobile home typologies. With the opportunity to work remotely due to the Coronavirus, areas with good outdoor recreation have seen big city challenges in small towns. An influx of people moving to these destinations has caused housing prices to increase. In turn, many locals of these areas are forced to relocate. The proposal allows those moving from a big city to a scenic destination the ability to do so without exacerbating the housing issue. The expandable, offgrid, home offers a permanent feel for a temporary condition. The client can purchase or rent the Nomadic, move it to their desired destination, live and work from the home remotely, and pack it up and leave the location whenever they desire. While positioned as a solution to the covid ‘zoom boom’ housing issue, the Nomadic can also serve as a temporary ADU. The hydraulic foundation allows for the structure to be situated with no permanent foundation making it a desirable alternative to permanent ADUs.
34
35
Elevations (packed, unpacked)
Plans (packed, unpacked)
The Nomadic is transported in the folded up form by road as it conforms to roadway height and width regulations. The packed dimensions allow the unit to be parked in standard parking space. The Nomadic mechanically unfolds into the living form with programmed spaces (kitchen, living, bathroom, bedroom, office) defined by the foldable core.
36
PACKED CORE The core is in the packed configuration during transport. All funriture is housed within.
UNPACKED CORE The core is unpacked to define programmed space within.
37
CORE CUSTOMIZATION Clients have the ability to customize the core based on their specific needs. The core unit has the ability for 1-4 beds.
01.
06.
11.
16.
Packed trailer
Roof and floor panels lock into place on beams
Secondary glass wall units unfold
Interior core is manually unfolded
02.
07.
12.
17.
38
Doors open, hydraulic foundation deploys, wheels fold under, trailor hitch retracts
Sunshades slide out of roof cavity, wifi antenna unfolds
Secondary glass wall units unfold
Wall is unfolded from core seperating office from bedroom
03.
08.
13.
18.
Hydraulic beams s foundation s
Sunshades lo wifi antenna l
Seconda unit
Murphy murphy d
swing out, secondary supports deploy
ock into place, locks upright
ary glass wall ts unfold
bed unfolds, desk unfolds
04.
09.
14.
19.
05.
Hydraulic beams lock into place, staircase unfolds
10.
Interior glass wall panel unlocks
Secondary glass wall units unfold
Furniture is unpacked from interior core storage areas
39
Roof and floor panels unfold
Interior glass wall panel slides on tracks embeded in floor and roof
15.
Secondary glass wall units lock into place
20.
Unpacked dwelling
Section A
Section B
Section C
40
SOLAR PANELS
WIFI ANTENNA
RETRACTABLE SUN SHADE SOLAR BATTERIES
FOLDABLE CORE
TOILET PLUMBING SHOWER DRAIN SINK PLUMBING HYDRAULIC FOUNDATION FOLDING STAIRCASE
GREY WATER TANK FRESH WATER TANK FOLDING WHEEL HYDRAULICS FOLDING WHEEL WELL
Exploded axonometric
41
William ‘Briggs’ Coyle email: wbc9mhd@virginia.edu phone: (703) - 963 - 6642 personal website: www.briggscoyle.com University of Virginia School of Architecture