Travis County Courthouse--Comprehensive Studio

STUDIO REPORT ARCH 609 CO M P R E H E N S I V E T R AV I S CO U N T Y CO U R T H O U S E AU S T I N , T E X A S B R I T TA NY H O D G E S AU S T I N G R I F F I S

PREDESIGN

PREDESIGN

P R E C E D E N T S - B R I T TA NY These precedents analyze common human nature’s regard for things of timeless beauty. These images can maybe be remarked as “cliché” and that is precisely the reason for them to be precedents. Their esteem is part of a commonality that has been in existence throughout time.

Mountain ranges are timeless because of their range spatial enclosure. The spaces created from below in the valley in comparison to the lack of enclosure and instead infinite vista on top, make mountains an innately interesting and almost addictive landscape. In the valley, the horizontal expanse may be wide, but it is relatively narrow in comparison to the

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vertical expanse of the height of the mountain.

The Taj Mahal stands, not as anything spatial, but simply as a composed image. This view is all encompassing, self-explanatory, and more than anything, balanced and symmetrical. This symmetry makes a complicated and decoratively dense image to be more comprehensible.

The landscape of the Cliffs of Moher could be likened to a mountain range, but the space is completely different. Instead of enclosure, it is simply the infinite and the abrupt end of infinite

PREDESIGN

PAT T E R N Brittany

Enclosure and boundary is studied through line weights and depths in this patterned layered with complexities because nothing is ever as simple as it seem. This complexity can be likened to changes and morphing that happens over time, just like mountains changing. The boundary lines are varying and do not create perfect spaces. The dashed lines are infinitely dashed, meaning each dash is made up of more dashes. Are the edges created legible edges? Are the edges boundaries? The irregular blocks of color move independent as a counter action to the implied direction of the lines as a way to question whether movement must be in accordance to boundary and enclosure movement or whether it can move against it and create its own paths.

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SECTION DESCRIPTION

PRECEDENTS Austin

We gravitate towards one another, and are influenced by the people we surround ourselves with.

The decisions which we make throughout life have the highest impact on our perception of self; one is never far from bad or good, we are closer than we realize.

Although similar through action, many difference still pervade; comparison is simpler from further away.

Community is timeless, is it inevitable and it is permanent. We

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form ideas, which translate into institutions. Institutions are always able to fail, they must be constantly scrutinized, maintained. These actions allow us to continually evolve our understanding of self.

We must understand that the differences between those inside and outside of good is constantly changing as well. The rule of law is fickle and strong—it contradicts itself.

PREDESIGN

PAT T E R N Austin

Although all humans are markedly difference, changed by our perception and intersection with the specific worlds in with we encounter, the differences are also subtle. The pattern connects to this concept through truncating different conic sections with a similar circular form. The larger forms are algorithmically filled with the same shape in a random, scattered pattern. The interstitial space becomes as importance as the filled space, and gradually increases in importance the further from the center of the form it travels—the form dissipates to empty space. The larger form is repeated over and over throughout the full pattern, addressing the concept at multiple scales and complexities. Each scale of the pattern is similar and different.

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PREDESIGN

OBJECT Austin

Explorations into the difference between solid / void led in the transformation of the pattern from two dimensions to three. The embedded concepts and visual identity of the pattern were translated into the object by first dissecting the creation of the solid forms. They were truncation of the object no longer relied on a spherical cut plane, instead transitioning to a flattened cut plane. The introduction of concrete into the form making required the object to denote a perimeter boundary. The solid objects are now subtracted from the material form; solid becomes void. The void space extends past the object in more viscerally than it did previously, the interior voids now have the ability to change with light.

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PREDESIGN

SITE The courthouse acts as a mediator between the opposing, yet interdependent, bodies of the populous and tribunal. One city block of downtown Austin is dedicated to the courthouse and master plan development. The block sits to the south of Republic Square Park, one of four city parks in the original street plan of the City of Austin. The square aims to become a civic center for the city, and is currently anchored by the Austin Federal Courthouse. The addition of the Travis County Courthouse and

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future mixed-use, residential tower will provide amenities for a wide range of uses and people—helping the site to manifest as an important urban hub because of the coalescing of these diverse groups. Three oak trees reside in the southwest corner of the park, termed the Founding Oaks, the original deeds of Austin were drafted in the shade of the trees. The project focuses its frontage towards the civic and historical importance of Republic Square and the Founding Oaks.

PREDESIGN

CO N C E P T The law is imperfect. It acts as a symbol of authority, yet falls privy to the bias and flawed nature of the populace who controls it and those who it controls. The courthouse is an accumulation of the forces behind and below the law. This accumulation concentrates at the pinnacle node of the law: the courtroom. The courtroom is the object in a field of obscured perceptions.

Obscurities are translated into the architecture by blurring the lines between public and secure within this courthouse. Instead of the boundaries between these entities being hidden by their separation of the courtroom, which is the traditional layout of the courthouse, the secure and restricted areas are exposed behind a veil of translucency. The public areas physically reach through in plan to break the barrier of security, leaving the courtroom disconnected in space and the public able to perceive a blurred reality of the system that supports the law and the ones that break it.

This obfuscated boundary occurs at the single wall behind which the sheriff passes on one floor and the prisoners are led on another to their decreed fate in the courtroom. Both

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of these passages are exposed to the public behind a channel glass wall. The theatrics of this passage confuses and reveals the hidden mechanisms of the law system.

The mystics of this passage beg the public to question their own relationship to the law.

Most transitions between public and secure are shrouded behind veils of translucency, as aforementioned, or behind brief solidity. The courtroom is the sole exception. Suspended amid veils, the solid mass hovers.

It awaits the apex action of the law: the staged systematic procedure.

Those who it waits for, await it’s own hidden and looming judgment.

It encompasses the pinnacle purpose of the courthouse and is thus treated independently from its programmatic context. In lieu of translucency is impenetrable solidity. The transition at the public’s boundary is not one of visual blurring. Instead, it is a stark contrast of dark and light, impending enclosure and airy transcendence. The public and secure coalesce after the journey of obscurity into a space that exposes one to the other in impending finality. Though they are exposed, the public remains secreted under a dark overhang. The theatrics of the courtroom continue to be on display.

PREDESIGN

I N I T I A L CO N C E P T S K E TC H E S

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PREDESIGN

F O G : U N D E R S TA N D I N G S PAT I A L O B S U R I T Y One is unable to fully understand the environment they exist within; only able to focus on portions, or understand a blurry version of the whole. The accumulation of particles create solid forms, which both obscure our view and reveal what we see. Perceptions are fogged. The edge is unforeseen until the buzz dies abruptly. It is inevitable that the particles are never seen the same way; yet they are identifiable by this very quality. Existing patterns are distorted, new patterns emerge, the definitive fades in and out of distinction.

The sequencing of Fog represented the culmination of the pattern and object studies. Combining the sequencing and spatial qulities of Brittany’s pattern, the solid-void relationships apparent in Austin’s pattern and object, and the combined studies of institial space represented in both individual’s patterns. The video clips are overlaid with ambient, urban noises; they grow to a deafening volume before sharply receading.

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PREDESIGN

P R O G R A M M AT I C G R A D I E N T The program of a courthouse is split into three circulation categories: secure, restricted, and public.

Because of this unique aspect specific to courthouse design, program was thought of as the intermingling and blending of these three programs into a gradient of security. This gradient was as conspicuously as possible through the finishing and solidity of the walls. The secure was to be felt as most solid, while the public would be most transparent. The courtroom would remain independent as a solid mass, though meant for the public, would read completely differently than the rest of the design of the building.

012

PREDESIGN

Intial concept massing model; understanding negative space around masses.

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PREDESIGN

O B S C U R E D FAC A D E The courthouse is visceral in nature, its edge blurred, nonexistent. Density near the courtroom gives way to openness near the perimeter; the exterior layer must scarcely circumscribe the built form from the external.

Understanding the relationship of the courtroom masses in space is guided though the articulation of the exterior façade. The front creates a constantly changing understanding of the courtroom forms. The individual passersby’s

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understanding of the building changes based on their proximity and position near the building. The triangulated design of the fins shifts as the viewer moves through space.

This effect is compounded by the shifting cross section of the fins at each floor plate; sections based on highlighting viewing angles towards and from the courtrooms.

Solar radiation is intercepted by the fins before contacting the glazing behind.

DESIGN

DESIGN

Intermediate programs recede to reveal the cour troom masses, creating exterior terraces.

016

DESIGN

The plinth rise from a ramp, allowing accessibility and a gradual promenade in congruence with the landscape

Two basketball//tennis cour ts along the south edge allow for a playful use of the site to compliment the peaceful nature of Republic Square Park

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DESIGN

Site Plan Phase 1 1:100

The courthouse is raised off the ground on a plinth of Texas limestone, creating a sense of ascension for the courthouse visitor.

The western frontage optimizes the slower traffic of San Antonio Street is used for the secure and restricted entrances into the plinth.

The plinth bows to the public realm of Republic Square, giving nod to the importance of the Founding Oaks. This bow opens the northern frontage of the plinth to the public, inviting them into the unsecured law center on the ground floor. The plinth ramps upwards towards its full height creating an accessible ramp for entering the main courthouse functions. The ramp ascends simultaneously on both the interior and exterior of the courthouse, allowing entrance from both Fourth Street and the plaza and gardens.

018

DESIGN

Site Plan Phase 2 1:100

In the second phase of the development, street-level store frontage and the entrance to the tower is planned to wrap Guadalupe and Third Street. The second phase and tower are pulled to the southeastern corner of the site in order to maximize the daylight which falls on Republic Square throughout the year, as well as provide ample sunlight for the plaza space which wraps upwards between the tower and courthouse development.

The entrances to the subterranean parking remain hidden from the relatively slow traffic on Third Street.

The gardens are designed in order to allow for minimal disturbance when the second phase of the project is realized. Most of the gardens will remain, with the tower pushing in from the east. The southern third of the site will have multi-functional courts and spectator seating.

This will eventually become the commercial development of phase two.

019

DESIGN

Pa r k i n g Typical Plan 1/32" = 1'-0" P1 -12’ - 0”; P2 -24’ - 0”; P3 -36’ - 0” NOTE: Public parking spaces on levels P1 and P2 transition to restricted parking in phase 2. Restricted parking on P3 remains during phase 2. The restricted elevator is accessible on P3, and is indicated by dotted lines.

UP DN

*Restricted Elevator

DN UP

020

DESIGN

L e ve l 1 1/32" = 1'-0" 0’ - 0”

PUBLIC

03

01 02 03 04 05

01

Public Law Center Law Guidance Conference Rooms Atrium + Main Entrance Women’s Restroom Men’s Restroom

RESTRIC TED 02

06 Law Center Breakroom 07 Loading + Recieving

02

SECURE

06 04

05

08 Vehicle Sallypor t 09 Sheriff Storage

10

SUPPORT + MECHANICAL

UP

09

10 11 12 13

DN

11

08

11

13

07

UP DN

021

Electrical Room + Shaft Mechanical Shaft Custodial Closet Boiler Room

DESIGN

L e ve l 2 1/32" = 1'-0" 12’ - 6”

PUBLIC 13

01

02

17

16

04

14 14

05

04

23

07 Men’s Restroom 08 Security Checkpoint 09 10 11 12

22 06

19

Ceremonial Cour troom Soundlock Public Waiting Space Attorney Conference Room Audio + Visual Storage Women’s Restroom

03

15

19

01 02 03 04 05 06

07

22

26

Jur y Jur y Jur y Jur y

Assembly Selection Checkin Kiosk Selection Ser vice + Clerk Storage

24 18

RESTRIC TED

UP DN

25

25

20 21

06

13 14 15 16 17

Judge’s Office + Conference Room Judge’s Watercloset + Robe Closet Shared Kitchenette + Workroom Law Clerk Judge’s Reception

18 19 20 21

Jur y Jur y Jur y Jur y

10 07 09 11

12

08

Conference Room Watercloset Recption Storage

SECURE 22 Holding Cell 23 Secure Soundlock

SUPPORT + MECHANICAL 24 Electrical Room + Shaft 25 Mechanical Shaft 26 Custodial Closet

022

DESIGN

L e ve l 3

OPEN TO BELOW

1/32" = 1'-0" 28’ - 6”

PUBLIC 01 Sheriff Public Lobby 02 Women's Restroom 03 Men's Restroom

04 OPEN TO BELOW

05

RESTRIC TED

06

04 Breakroom 06

05 06 07 08 09 10

01 07 OPEN TO BELOW

06

09

08

02

06

03

09

06

18

OPEN TO BELOW

11 12 13 14 15

UP

10

17

17 15

11 14

15

14

12

11

11 15

15

16 Electrical Room + Shaft 17 Mechanical Shaft 18 Custodial Closet

15

14

15

14

15

11 15 15

15

15

15

15

DN UP

023

Secure Soundlock Prisoner Processing Galley Isolation Holding Cell Holding Cell

SUPPORT + MECHANICAL

15

13 14

15

SECURE

16 DN

Super visor Office Sheriff Office Open Office Gun Locker Watercloset Security Command

DESIGN

22

L e ve l 4

28

23

30

30

27

1/32" = 1'-0" 42’ - 6”

30

28

21 23

PUBLIC

29 16

13

18

25

01 02 03 04 05 06

09

26

17 19

18

24

07 Men’s Restroom 08 District Clerk Lobby 09 Pretrial Lobby

08 12 14

31 06

RESTRIC TED

07

35

31 33

10

OPEN TO BELOW

DN UP

34

34 30

11

District Cour troom I Soundlock Public Waiting Space Attorney Conference Room Audio + Visual Storage Women’s Restroom

10 11 12 13 14 15

Judge’s Office + Conference Room Judge’s Watercloset Shared Kitchenette + Workroom Law Clerk Judge’s Recption Judge’s Terrace [Exterior]

03

16 Jur y Conference Room 17 Jur y Watercloset 18 Jur y Storage

04

02

01

03

04 05 DN UP

19 20 21 22 23 24 25 26 27 28 29 30

District Clerk Receptionist Cashier Room Open Work Area Manager Office Administrator Office Records + Exhibit Storage HIgh-volume Copy + Mailroom Storage + Workroom Shared Staff Lounge Shared Staff Watercloset Pretrial Reception Work Area Pretrial Officer Office

SECURE 31 Holding Cell 32 Secure Soundlock

SUPPORT + MECHANICAL 33 Electrical Room + Shaft 34 Mechanical Shaft 35 Custodial Closet

024

DESIGN

L e ve l 5 1/32" = 1'-0" 56’ - 6”

OPEN TO BELOW

04

05 08

PUBLIC

02 09

04

01

10

01 02 03 04 05 06

District Cour troom II Soundlock Public Waiting Space Attorney Conference Room Audio + Visual Storage Women’s Restroom

07 Men’s Restroom 11

12

03

RESTRIC TED

17

15 14

16

14

16

06

07 20

18 OPEN TO BELOW

DN UP

13 19

08 09 10 11 12

Judge’s Office + Conference Room Judge’s Watercloset Shared Kitchenette + Workroom Law Clerk Judge’s Reception

13 Jur y Conference Room 14 Jur y Water Closet 15 Jur y Storage

19

SECURE 16 Holding Cell 17 Secure Soundlock

SUPPORT + MECHANICAL

OPEN TO BELOW

18 Electrical Room + Shaft 19 Mechanical Shaft 20 Custodial Closet OPEN TO BELOW

025

DN

DESIGN

Longitudinal Building Section 1/32” = 1’-0”

The traditional concept and layout of courthouses is broken in this design concept. Public and restricted are not separated by the courtroom. Instead, they are strung together by pulling the public space through to the opposite side of the building, at least visually. This is manifested in the horizontal light wells that separate the courtroom masses from the vertical circulation.

Not only does this action allow light to penetrate through the building, it disconnects the courtroom from the rest of the program, highlighting it’s objectivity, and it allows the public to directly perceive of the actions taking place in the restricted areas. Light wells are only unable to exist where the secure holding cells must connect to the courtrooms. Instead, the prisoner’s passage to the courtroom is exposed in a blurry veil behind frosted glass. The public visually connects the prisoner’s passage to the theatrics of the law, though they remain constrained to the confines of their inability to completely see or understand what is happening.

Where the courtrooms become completely isolated from other program, the exterior glazing is permitted to pull back to the end of the functional program. This creates a carving effect, allowing the courtroom masses to be exposed on the exterior more clearly in some areas, while still veiling other areas of the mass. The variable layering over the mass and carving away of the rigid orthogonal shell of the exterior reveals and hides different areas of the courtroom masses and its surrounding program. This erratic obscurity of visual perception is congruent to one’s understanding of the law and the actions taking place within the courthouse.

026

DESIGN

Tra n s ve r s e B u i l d i n g S e c t i o n 1/32” = 1’-0”

027

DESIGN

East Elevation 1/32” = 1’-0”

028

DESIGN

North Elevation 1/32” = 1’-0”

029

DESIGN

We s t E l e v a t i o n 1/32” = 1’-0”

030

DESIGN

South Elevation 1/32” = 1’-0”

031

DESIGN

The cour troom forms protrude into the atrium space; the ramp decends towards the main entrance.

032

DESIGN

Spectators sit beneath a lower ceiling—enhancing the theatrical nature of the concave cour troom.

033

DESIGN

The translucency of the cour thouse changes during the course of a day. It reads as more solid than void during the day . . .

034

DESIGN

. . .and inversely reveals the cour troom forms come sunset.

035

SYSTEMS

SYSTEMS

MECHANICAL + STRUCTURAL The structure of the building is mainly composed of HSS columns and wide flange beams supporting composite metal decking. The sizing was based upon the intention to add three stories during phase two of the development. Concrete is used for the underground parking garage columns, foundation walls, and slab. A dilemma of how to span the expanse of the courtroom revealed an opportunity to make the courtroom masses structural. This was done by curving the columns, to correspond to the curving of the courtroom. They are connected via ring beams on every floor, with the other beams tying into them, allowed at any point. This concept was confirmed with a structural engineer. Lateral forces are resolved with moment frames and CMU shear walls of the two stairwells The air handlers are located on the roof in an open-air enclosure.

Sound and vibration isolators would be used to prohibit the disruption of the courtroom below. This placement would allow for easy expansion during phase two. The boiler room and transformer are on ground level, venting to the exterior through the limestone plinth wall.

Chilled water is brought over from the chiller on the block west of the site.

037

0’

23 80’

Pa r k i n g E g r e s s 1:50 Door Capacity

Door Width

Stair Width

Corridor Width

STAIR #1

150

34”

48“

54”

STAIR #2

150

34”

44“

54”

45

90 ’

140’ 140’ 40’

0’

23

+45’

11

33

0’

22

TAIR #2

140’

80’

TAIR #1

SYSTEMS

G r o u n d L e ve l E g r e s s 1:50

038

Door Capacity

Door Width

Stair Width

Corridor Width

150

34”

48“

54”

150

34”

44“

54”

SYSTEMS

45

70’

90’

122

90

’

140’ 35

+70’

40’

+55’

+45’

90

’

11

33

22

22

0’

0’

220 90’

+70’

L e ve l 2 E g r e s s 1:50

th

90’

122

70’

25’

+90’ 56

+70’

35

+55’

35

90

22

’

0’

0’

22

220 90’

+70’

L e ve l 3 E g r e s s 1:50

039

80’

23

SYSTEMS

90’ 25’

73

85’

+90’ +65’

56 35

35

0’ 22

0’ 22 80’

80’

23

70’ 71

+40’

L e ve l 4 E g r e s s 1:50

90’

75’ 73

71

+65’

+80’

85’

35

+85’

35

0’

0’

22

22 80’

80’

70’ 71

+40’

L e ve l 5 E g r e s s 1:50

040

SYSTEMS

L e ve l 4 R C P, Ty p.

1/32" = 1'-0" 28’ - 6”

041

SYSTEMS 5

4

(2) Gypsum board, painted Light gauge channel WF column, 12’ o.c.

Light gauge channel 1/2” Plywood substrate Vapor barrier 3” Rigid insulation 1” Air gap with mounting clip 2” High density foam 3/8” Spray applied composite bronze 4

Steel strut attached to concrete, aluminum clad Steel horizontal, aluminum clad Steel ver tical, aluminum clad Custom per forated metal profile screwed to ver tical

8X6X3/8 HSS tube S.S. shoe for structural glass fin Fireproofing Glazing 3

2

Stretch membrane ceiling

1

3

Pecan wood paneling Metal stud wall Bracket through to structure Cove lighting above and below

2

Carpet 1/2” Plywood 6” Raised floor on peds Metal stud 2”High denisty foam 3/8” Spray applied composite bronze Painted round steel column, filled with concrete 1

Structural glass fin and glazing

Concrete foundation wall 3” Rigid insulation Coarse gravel Ear th

042

SYSTEMS

Structural silicon Insulated glazing in recessed S.S. glazing channel Structural glass fin beyond Limestone tile in bed of mortar Blocking Aluminum flashing

Structural silicon Insulated glazing in recessed S.S. glazing channel Structural glass fin beyond Limestone tile in bed of mortar 1 Blocking 1/2” = 1’-0” Aluminum flashing Waterproof membrane Aluminum coping Limestone roof pavers on peds TPO roofing, mechanically fastened 4" Minimum sloped rigid insulation 5" Composite metal decking HSS framing S.S. Glazing channel Steel angle Insulated glazing Waterproof membrane Light gauge metal furring Aluminum coping Prefinished metal fascia Limestone roof pavers on peds Gypsum ceiling TPO roofing, mechanically fastened 4" Minimum sloped rigid insulation 5" Composite metal decking HSS framing S.S. Glazing channel Steel angle Insulated glazing WF column Light gauge metal furring (2) Gypsum board, painted Prefinished metal fascia Light gauge metal furring Gypsum ceiling Carpeting on sheathing 6" Raised flooring peds

2 1/2” = 1’-0”

WF column (2) Gypsum board, painted Light gauge metal furring WF column beyond Carpeting on sheathing WF ringpeds beam 6" Raised flooring Steel angle

Compressive filler Limestone roof pavers on pedestals Rigid insulation Aluminum angle Limestone paver 3/4" Setting bed Compacted gravel Compressive Roof drain filler Concrete roof slab pavers on pedestals Limestone Rigid insulation Aluminum angle Limestone paver 3/4" Setting bed Limestone coping, Compacted gravel anchored to concrete 3" Rigid insulation Limestone panel Roof drain Steel angle Concrete slab Galvanized steel brackets Steel strut, aluminum clad, bracketed back to HSS tube. Flashed and waterproofed continuously around strut Limestone coping, anchored concreteback to Steel vertical, aluminum cladtobracketd 3"steel Rigidstrut insulation Limestone panel Custom perforated metal profile, screwed Steel angleto vertical Galvanized steel brackets Steel strut, aluminum clad, bracketed back to HSS tube. Flashed and waterproofed Light gaugearound metal furring continuously strut 1/2" Plywood sheathing Steel vertical, aluminum clad bracketd back to Peel/stick waterproofing steel strut flashing Aluminum Waterproof membrane Custom perforated metal profile, 1" Air gap with mounting clips screwed to vertical 2" High density foam 3/8" Spray applied bronze Limestone roof pavers on pedestals Recessed can light in paver Light gauge metal furring 1/2" TPOPlywood roofing, sheathing mechanically fastened Peel/stick waterproofing 4" Minimum sloped rigid insulation Aluminum flashing Composite metal decking Waterproof membrane 1" Air gap with mounting clips 2" High density foam 3/8" Spray applied bronze Limestone roof pavers on pedestals Recessed can light in paver

043

Aluminum flashing Limestone coping Waterproofing membrane WF column beyond Limestone roof pavers on pedestals WF ring beam TPO roofing, mechanically fastened Steelinsulation angle 4" Minimum sloped rigid Gypsum board ceiling on metal studs Roller shade Aluminum flashing Limestone coping

TPO roofing, Steel angle mechanically fastened 4"S.S. Minimum glazing sloped channelrigid insulation Composite metal decking Insulated glazing Aluminum clad steel tie-back strut, beyond.

Glass continuous to top of tie-back Composite metal decking with concrete parapet Steel angle HSS framing Structural glass fin head channel beyond Prefinished Steel angle metal fascia attached to slab edge and furringchannel S.S. glazing

TPO roofing, mechanically fastened Insulated glazing 4" Minimum sloped rigid insulation Light gauge metal furring 5" Composite metal decking Prefinished metal fascia framing Gypsum HSS ceiling Waterproof membrane S.S. Glazing channel Aluminum Steelcoping angle Limestone roof pavers on peds Insulated glazing TPO roofing, mechanically Light gauge metalfastened furring metal fascia 4" MinimumPrefinished sloped rigid insulation ceiling 5" CompositeGypsum metal decking HSS framing WF column S.S. Glazing channel (2) Gypsum board, painted Steel angle Light gauge metal furring Insulated glazing Carpeting on sheathing Light gauge metal furring metal fascia 6" Raised Prefinished flooring peds WF column Gypsum ceiling (2) Gypsum board, painted Light gauge metal furring Carpeting on sheathing

SYSTEMS

6" Raised flooring peds

3

WF column WF column beyond (2) Gypsum board, painted WF ring beam Light gauge metal furring Steel angle Carpeting on sheathing

1/2” = 1’-0”

6" Raised flooring peds WF column beyond

WFflashing ring beam Aluminum angle LimestoneSteel coping Waterproofing membrane Limestone roof pavers on pedestals TPO roofing, mechanically fastened 4" Minimum slopedWF rigid insulation column beyond Aluminum flashing Gypsum board ceiling on metal studs WF ring beam Limestone coping Roller shade Waterproofing membrane Steel angle

Limestone roof pavers on pedestals TPO roofing, mechanically fastened 4" Minimum sloped rigid insulation Gypsum board ceiling on metal studs Aluminum flashing Roller shade Limestone coping Waterproofing membrane Limestone roof pavers on pedestals TPO roofing, mechanically fastened HSS tube 4" Minimum sloped rigid insulation WF column Gypsum board ceiling on metal studs TPO roofing, mechanically fastened Roller shade 4" Minimum sloped rigid insulation Blocking as needed Metal decking HSS tube 1/2” = 1’-0” WF column TPO roofing, mechanically fastened 4" Minimum sloped rigid insulation Blocking as needed Metal decking

4

HSS tube WF column TPO roofing, mechanically fastened 4" Minimum sloped rigid insulation Blocking as needed Metal decking

5 1/2” = 1’-0”

044

Limestone panelstrut continuously around Steel angle Steel vertical, aluminum clad bracketd back to steel Galvanized strut steel brackets Steel strut, coping, aluminum clad, bracketed back Custom perforated metalanchored profile, Limestone to concrete to HSS tube. Flashed and waterproofed screwed to vertical 3" Rigid insulation continuously around strut Limestone panel Steel vertical, aluminum clad bracketd back to Steel angle steel strut LightGalvanized gauge metal furring steel brackets Custom perforated metal profile, 1/2" Steel Plywood sheathing screwed to vertical strut, aluminum clad, bracketed back Peel/stick to HSSwaterproofing tube. Flashed and waterproofed Aluminum flashingaround strut continuously Waterproof membrane 1" AirSteel gap vertical, with mounting clipsclad bracketd back to aluminum Light gauge metal furring steel strut 2" High density foam 3/8" Spray applied bronze 1/2" Plywood sheathing Custom perforated metal profile, Limestone roof pavers on pedestals Peel/stick screwed towaterproofing vertical Aluminum flashing Recessed can light in paver Waterproof membrane 1" Air gap with mounting clips TPO roofing, mechanically fastened 2" High density foam 4" Minimum sloped rigid insulation 3/8" applied LightSpray gauge metal bronze furring Composite metalroof decking Limestone pavers on pedestals 1/2" Plywood sheathing Peel/stick waterproofing Recessed can light in paver Aluminum flashing Waterproof TPO roofing,membrane mechanically fastened 1" Air gap with mounting clips 4" Minimum sloped rigid insulation 2" High density foam Composite metal decking 3/8" Spray applied bronze Limestone roof pavers on pedestals Steel angle Recessed can light in paver S.S. glazing channel Insulated glazing TPO roofing, mechanically fastened Aluminum clad steel tie-back strut, beyond.

Minimumto sloped insulation Glass 4" continuous top ofrigid tie-back Composite decking Composite metalmetal decking with concrete parapet Steel angle Steel S.S. angle glazing channel HSS framing Insulated glazing Structural glass fin head channel beyond Aluminum clad steel tie-back strut, beyond.

Prefinished metal fasciatoattached to slab edge Glass continuous top of tie-back and furring Composite metal decking with concrete parapet Steel angle Steelframing angle HSS S.S. glazingglass channel Structural fin head channel beyond Insulated glazing Prefinished metal fascia attached to slab edge Aluminum clad steel tie-back strut, beyond. and furring 3/8" Spray applied bronze Glass continuous to top of tie-back 2" High density foam Composite metal decking with concrete parapet Aluminum flashing Steel angle Peel/stick waterproofing HSS framing 1" AirStructural gap and mounting clip channel beyond glass fin head 3" Rigid 3/8"insulation Spray applied bronze Prefinished metal fascia attached to slab edge Waterproofing membrane and furring 2" High density foam 1/2" Sheathing Aluminum flashing 1" Light gauge metal channel Peel/stick waterproofing WF ring beam 1" Air gap and mounting clip 3" Rigid insulation Waterproofing membrane 3/8" Spray applied bronze 1/2" Sheathing 2" High density foam 1" Light gauge metal channel Aluminum flashing WF ring beam Peel/stick waterproofing

1" Air gap and mounting clip 3" Rigid insulation Waterproofing membrane 1/2" Sheathing 1" Light gauge metal channel WF ring beam