STUDIO REPORT ARCH 609 CO M P R E H E N S I V E T R AV I S CO U N T Y CO U R T H O U S E AU S T I N , T E X A S B R I T TA NY H O D G E S AU S T I N G R I F F I S
PREDESIGN
PREDESIGN
P R E C E D E N T S - B R I T TA NY These precedents analyze common human nature’s regard for things of timeless beauty. These images can maybe be remarked as “cliché” and that is precisely the reason for them to be precedents. Their esteem is part of a commonality that has been in existence throughout time. Mountain ranges are timeless because of their range spatial enclosure. The spaces created from below in the valley in comparison to the lack of enclosure and instead infinite vista on top, make mountains an innately interesting and almost addictive landscape. In the valley, the horizontal expanse may be wide, but it is relatively narrow in comparison to the
003
vertical expanse of the height of the mountain. The Taj Mahal stands, not as anything spatial, but simply as a composed image. This view is all encompassing, self-explanatory, and more than anything, balanced and symmetrical. This symmetry makes a complicated and decoratively dense image to be more comprehensible. The landscape of the Cliffs of Moher could be likened to a mountain range, but the space is completely different. Instead of enclosure, it is simply the infinite and the abrupt end of infinite
PREDESIGN
PAT T E R N Brittany
Enclosure and boundary is studied through line weights and depths in this patterned layered with complexities because nothing is ever as simple as it seem. This complexity can be likened to changes and morphing that happens over time, just like mountains changing. The boundary lines are varying and do not create perfect spaces. The dashed lines are infinitely dashed, meaning each dash is made up of more dashes. Are the edges created legible edges? Are the edges boundaries? The irregular blocks of color move independent as a counter action to the implied direction of the lines as a way to question whether movement must be in accordance to boundary and enclosure movement or whether it can move against it and create its own paths. 004
SECTION DESCRIPTION
PRECEDENTS Austin
We gravitate towards one another, and are influenced by the people we surround ourselves with. The decisions which we make throughout life have the highest impact on our perception of self; one is never far from bad or good, we are closer than we realize. Although similar through action, many difference still pervade; comparison is simpler from further away. Community is timeless, is it inevitable and it is permanent. We
005
form ideas, which translate into institutions. Institutions are always able to fail, they must be constantly scrutinized, maintained. These actions allow us to continually evolve our understanding of self. We must understand that the differences between those inside and outside of good is constantly changing as well. The rule of law is fickle and strong—it contradicts itself.
PREDESIGN
PAT T E R N Austin
Although all humans are markedly difference, changed by our perception and intersection with the specific worlds in with we encounter, the differences are also subtle. The pattern connects to this concept through truncating different conic sections with a similar circular form. The larger forms are algorithmically filled with the same shape in a random, scattered pattern. The interstitial space becomes as importance as the filled space, and gradually increases in importance the further from the center of the form it travels—the form dissipates to empty space. The larger form is repeated over and over throughout the full pattern, addressing the concept at multiple scales and complexities. Each scale of the pattern is similar and different. 006
PREDESIGN
OBJECT Austin
Explorations into the difference between solid / void led in the transformation of the pattern from two dimensions to three. The embedded concepts and visual identity of the pattern were translated into the object by first dissecting the creation of the solid forms. They were truncation of the object no longer relied on a spherical cut plane, instead transitioning to a flattened cut plane. The introduction of concrete into the form making required the object to denote a perimeter boundary. The solid objects are now subtracted from the material form; solid becomes void. The void space extends past the object in more viscerally than it did previously, the interior voids now have the ability to change with light. 007
PREDESIGN
SITE The courthouse acts as a mediator between the opposing, yet interdependent, bodies of the populous and tribunal. One city block of downtown Austin is dedicated to the courthouse and master plan development. The block sits to the south of Republic Square Park, one of four city parks in the original street plan of the City of Austin. The square aims to become a civic center for the city, and is currently anchored by the Austin Federal Courthouse. The addition of the Travis County Courthouse and
008
future mixed-use, residential tower will provide amenities for a wide range of uses and people—helping the site to manifest as an important urban hub because of the coalescing of these diverse groups. Three oak trees reside in the southwest corner of the park, termed the Founding Oaks, the original deeds of Austin were drafted in the shade of the trees. The project focuses its frontage towards the civic and historical importance of Republic Square and the Founding Oaks.
PREDESIGN
CO N C E P T The law is imperfect. It acts as a symbol of authority, yet falls privy to the bias and flawed nature of the populace who controls it and those who it controls. The courthouse is an accumulation of the forces behind and below the law. This accumulation concentrates at the pinnacle node of the law: the courtroom. The courtroom is the object in a field of obscured perceptions. Obscurities are translated into the architecture by blurring the lines between public and secure within this courthouse. Instead of the boundaries between these entities being hidden by their separation of the courtroom, which is the traditional layout of the courthouse, the secure and restricted areas are exposed behind a veil of translucency. The public areas physically reach through in plan to break the barrier of security, leaving the courtroom disconnected in space and the public able to perceive a blurred reality of the system that supports the law and the ones that break it. This obfuscated boundary occurs at the single wall behind which the sheriff passes on one floor and the prisoners are led on another to their decreed fate in the courtroom. Both
009
of these passages are exposed to the public behind a channel glass wall. The theatrics of this passage confuses and reveals the hidden mechanisms of the law system. The mystics of this passage beg the public to question their own relationship to the law. Most transitions between public and secure are shrouded behind veils of translucency, as aforementioned, or behind brief solidity. The courtroom is the sole exception. Suspended amid veils, the solid mass hovers. It awaits the apex action of the law: the staged systematic procedure. Those who it waits for, await it’s own hidden and looming judgment. It encompasses the pinnacle purpose of the courthouse and is thus treated independently from its programmatic context. In lieu of translucency is impenetrable solidity. The transition at the public’s boundary is not one of visual blurring. Instead, it is a stark contrast of dark and light, impending enclosure and airy transcendence. The public and secure coalesce after the journey of obscurity into a space that exposes one to the other in impending finality. Though they are exposed, the public remains secreted under a dark overhang. The theatrics of the courtroom continue to be on display.
PREDESIGN
I N I T I A L CO N C E P T S K E TC H E S
0010
PREDESIGN
F O G : U N D E R S TA N D I N G S PAT I A L O B S U R I T Y One is unable to fully understand the environment they exist within; only able to focus on portions, or understand a blurry version of the whole. The accumulation of particles create solid forms, which both obscure our view and reveal what we see. Perceptions are fogged. The edge is unforeseen until the buzz dies abruptly. It is inevitable that the particles are never seen the same way; yet they are identifiable by this very quality. Existing patterns are distorted, new patterns emerge, the definitive fades in and out of distinction. The sequencing of Fog represented the culmination of the pattern and object studies. Combining the sequencing and spatial qulities of Brittany’s pattern, the solid-void relationships apparent in Austin’s pattern and object, and the combined studies of institial space represented in both individual’s patterns. The video clips are overlaid with ambient, urban noises; they grow to a deafening volume before sharply receading.
0011
PREDESIGN
P R O G R A M M AT I C G R A D I E N T The program of a courthouse is split into three circulation categories: secure, restricted, and public. Because of this unique aspect specific to courthouse design, program was thought of as the intermingling and blending of these three programs into a gradient of security. This gradient was as conspicuously as possible through the finishing and solidity of the walls. The secure was to be felt as most solid, while the public would be most transparent. The courtroom would remain independent as a solid mass, though meant for the public, would read completely differently than the rest of the design of the building.
012
PREDESIGN
Intial concept massing model; understanding negative space around masses.
013
PREDESIGN
O B S C U R E D FAC A D E The courthouse is visceral in nature, its edge blurred, nonexistent. Density near the courtroom gives way to openness near the perimeter; the exterior layer must scarcely circumscribe the built form from the external. Understanding the relationship of the courtroom masses in space is guided though the articulation of the exterior façade. The front creates a constantly changing understanding of the courtroom forms. The individual passersby’s
014
understanding of the building changes based on their proximity and position near the building. The triangulated design of the fins shifts as the viewer moves through space. This effect is compounded by the shifting cross section of the fins at each floor plate; sections based on highlighting viewing angles towards and from the courtrooms. Solar radiation is intercepted by the fins before contacting the glazing behind.
DESIGN
DESIGN
Intermediate programs recede to reveal the cour troom masses, creating exterior terraces.
016
DESIGN
The plinth rise from a ramp, allowing accessibility and a gradual promenade in congruence with the landscape
Two basketball//tennis cour ts along the south edge allow for a playful use of the site to compliment the peaceful nature of Republic Square Park
017
DESIGN
Site Plan Phase 1 1:100
The courthouse is raised off the ground on a plinth of Texas limestone, creating a sense of ascension for the courthouse visitor. The western frontage optimizes the slower traffic of San Antonio Street is used for the secure and restricted entrances into the plinth. The plinth bows to the public realm of Republic Square, giving nod to the importance of the Founding Oaks. This bow opens the northern frontage of the plinth to the public, inviting them into the unsecured law center on the ground floor. The plinth ramps upwards towards its full height creating an accessible ramp for entering the main courthouse functions. The ramp ascends simultaneously on both the interior and exterior of the courthouse, allowing entrance from both Fourth Street and the plaza and gardens.
018
DESIGN
Site Plan Phase 2 1:100
In the second phase of the development, street-level store frontage and the entrance to the tower is planned to wrap Guadalupe and Third Street. The second phase and tower are pulled to the southeastern corner of the site in order to maximize the daylight which falls on Republic Square throughout the year, as well as provide ample sunlight for the plaza space which wraps upwards between the tower and courthouse development. The entrances to the subterranean parking remain hidden from the relatively slow traffic on Third Street. The gardens are designed in order to allow for minimal disturbance when the second phase of the project is realized. Most of the gardens will remain, with the tower pushing in from the east. The southern third of the site will have multi-functional courts and spectator seating. This will eventually become the commercial development of phase two. 019
DESIGN
Pa r k i n g Typical Plan 1/32" = 1'-0" P1 -12’ - 0”; P2 -24’ - 0”; P3 -36’ - 0” NOTE: Public parking spaces on levels P1 and P2 transition to restricted parking in phase 2. Restricted parking on P3 remains during phase 2. The restricted elevator is accessible on P3, and is indicated by dotted lines.
UP DN
*Restricted Elevator
DN UP
020
DESIGN
L e ve l 1 1/32" = 1'-0" 0’ - 0”
PUBLIC
03
01 02 03 04 05
01
Public Law Center Law Guidance Conference Rooms Atrium + Main Entrance Women’s Restroom Men’s Restroom
RESTRIC TED 02
06 Law Center Breakroom 07 Loading + Recieving
02
SECURE
06 04
05
08 Vehicle Sallypor t 09 Sheriff Storage
10
SUPPORT + MECHANICAL
UP
09
10 11 12 13
DN
11
08
11
13
07
UP DN
021
Electrical Room + Shaft Mechanical Shaft Custodial Closet Boiler Room
DESIGN
L e ve l 2 1/32" = 1'-0" 12’ - 6”
PUBLIC 13
01
02
17
16
04
14 14
05
04
23
07 Men’s Restroom 08 Security Checkpoint 09 10 11 12
22 06
19
Ceremonial Cour troom Soundlock Public Waiting Space Attorney Conference Room Audio + Visual Storage Women’s Restroom
03
15
19
01 02 03 04 05 06
07
22
26
Jur y Jur y Jur y Jur y
Assembly Selection Checkin Kiosk Selection Ser vice + Clerk Storage
24 18
RESTRIC TED
UP DN
25
25
20 21
06
13 14 15 16 17
Judge’s Office + Conference Room Judge’s Watercloset + Robe Closet Shared Kitchenette + Workroom Law Clerk Judge’s Reception
18 19 20 21
Jur y Jur y Jur y Jur y
10 07 09 11
12
08
Conference Room Watercloset Recption Storage
SECURE 22 Holding Cell 23 Secure Soundlock
SUPPORT + MECHANICAL 24 Electrical Room + Shaft 25 Mechanical Shaft 26 Custodial Closet
022
DESIGN
L e ve l 3
OPEN TO BELOW
1/32" = 1'-0" 28’ - 6”
PUBLIC 01 Sheriff Public Lobby 02 Women's Restroom 03 Men's Restroom
04 OPEN TO BELOW
05
RESTRIC TED
06
04 Breakroom 06
05 06 07 08 09 10
01 07 OPEN TO BELOW
06
09
08
02
06
03
09
06
18
OPEN TO BELOW
11 12 13 14 15
UP
10
17
17 15
11 14
15
14
12
11
11 15
15
16 Electrical Room + Shaft 17 Mechanical Shaft 18 Custodial Closet
15
14
15
14
15
11 15 15
15
15
15
15
DN UP
023
Secure Soundlock Prisoner Processing Galley Isolation Holding Cell Holding Cell
SUPPORT + MECHANICAL
15
13 14
15
SECURE
16 DN
Super visor Office Sheriff Office Open Office Gun Locker Watercloset Security Command
DESIGN
22
L e ve l 4
28
23
30
30
27
1/32" = 1'-0" 42’ - 6”
30
28
21 23
PUBLIC
29 16
13
18
25
01 02 03 04 05 06
09
26
17 19
18
24
07 Men’s Restroom 08 District Clerk Lobby 09 Pretrial Lobby
08 12 14
31 06
RESTRIC TED
07
35
31 33
10
OPEN TO BELOW
DN UP
34
34 30
11
District Cour troom I Soundlock Public Waiting Space Attorney Conference Room Audio + Visual Storage Women’s Restroom
10 11 12 13 14 15
Judge’s Office + Conference Room Judge’s Watercloset Shared Kitchenette + Workroom Law Clerk Judge’s Recption Judge’s Terrace [Exterior]
03
16 Jur y Conference Room 17 Jur y Watercloset 18 Jur y Storage
04
02
01
03
04 05 DN UP
19 20 21 22 23 24 25 26 27 28 29 30
District Clerk Receptionist Cashier Room Open Work Area Manager Office Administrator Office Records + Exhibit Storage HIgh-volume Copy + Mailroom Storage + Workroom Shared Staff Lounge Shared Staff Watercloset Pretrial Reception Work Area Pretrial Officer Office
SECURE 31 Holding Cell 32 Secure Soundlock
SUPPORT + MECHANICAL 33 Electrical Room + Shaft 34 Mechanical Shaft 35 Custodial Closet
024
DESIGN
L e ve l 5 1/32" = 1'-0" 56’ - 6”
OPEN TO BELOW
04
05 08
PUBLIC
02 09
04
01
10
01 02 03 04 05 06
District Cour troom II Soundlock Public Waiting Space Attorney Conference Room Audio + Visual Storage Women’s Restroom
07 Men’s Restroom 11
12
03
RESTRIC TED
17
15 14
16
14
16
06
07 20
18 OPEN TO BELOW
DN UP
13 19
08 09 10 11 12
Judge’s Office + Conference Room Judge’s Watercloset Shared Kitchenette + Workroom Law Clerk Judge’s Reception
13 Jur y Conference Room 14 Jur y Water Closet 15 Jur y Storage
19
SECURE 16 Holding Cell 17 Secure Soundlock
SUPPORT + MECHANICAL
OPEN TO BELOW
18 Electrical Room + Shaft 19 Mechanical Shaft 20 Custodial Closet OPEN TO BELOW
025
DN
DESIGN
Longitudinal Building Section 1/32” = 1’-0”
The traditional concept and layout of courthouses is broken in this design concept. Public and restricted are not separated by the courtroom. Instead, they are strung together by pulling the public space through to the opposite side of the building, at least visually. This is manifested in the horizontal light wells that separate the courtroom masses from the vertical circulation. Not only does this action allow light to penetrate through the building, it disconnects the courtroom from the rest of the program, highlighting it’s objectivity, and it allows the public to directly perceive of the actions taking place in the restricted areas. Light wells are only unable to exist where the secure holding cells must connect to the courtrooms. Instead, the prisoner’s passage to the courtroom is exposed in a blurry veil behind frosted glass. The public visually connects the prisoner’s passage to the theatrics of the law, though they remain constrained to the confines of their inability to completely see or understand what is happening. Where the courtrooms become completely isolated from other program, the exterior glazing is permitted to pull back to the end of the functional program. This creates a carving effect, allowing the courtroom masses to be exposed on the exterior more clearly in some areas, while still veiling other areas of the mass. The variable layering over the mass and carving away of the rigid orthogonal shell of the exterior reveals and hides different areas of the courtroom masses and its surrounding program. This erratic obscurity of visual perception is congruent to one’s understanding of the law and the actions taking place within the courthouse.
026
DESIGN
Tra n s ve r s e B u i l d i n g S e c t i o n 1/32” = 1’-0”
027
DESIGN
East Elevation 1/32” = 1’-0”
028
DESIGN
North Elevation 1/32” = 1’-0”
029
DESIGN
We s t E l e v a t i o n 1/32” = 1’-0”
030
DESIGN
South Elevation 1/32” = 1’-0”
031
DESIGN
The cour troom forms protrude into the atrium space; the ramp decends towards the main entrance.
032
DESIGN
Spectators sit beneath a lower ceiling—enhancing the theatrical nature of the concave cour troom.
033
DESIGN
The translucency of the cour thouse changes during the course of a day. It reads as more solid than void during the day . . .
034
DESIGN
. . .and inversely reveals the cour troom forms come sunset.
035
SYSTEMS
SYSTEMS
MECHANICAL + STRUCTURAL The structure of the building is mainly composed of HSS columns and wide flange beams supporting composite metal decking. The sizing was based upon the intention to add three stories during phase two of the development. Concrete is used for the underground parking garage columns, foundation walls, and slab. A dilemma of how to span the expanse of the courtroom revealed an opportunity to make the courtroom masses structural. This was done by curving the columns, to correspond to the curving of the courtroom. They are connected via ring beams on every floor, with the other beams tying into them, allowed at any point. This concept was confirmed with a structural engineer. Lateral forces are resolved with moment frames and CMU shear walls of the two stairwells The air handlers are located on the roof in an open-air enclosure. Sound and vibration isolators would be used to prohibit the disruption of the courtroom below. This placement would allow for easy expansion during phase two. The boiler room and transformer are on ground level, venting to the exterior through the limestone plinth wall. Chilled water is brought over from the chiller on the block west of the site. 037
0’
23 80’
Pa r k i n g E g r e s s 1:50 Door Capacity
Door Width
Stair Width
Corridor Width
STAIR #1
150
34”
48“
54”
STAIR #2
150
34”
44“
54”
45
90 ’
140’ 140’ 40’
0’
23
+45’
11
33
0’
22
TAIR #2
140’
80’
TAIR #1
SYSTEMS
G r o u n d L e ve l E g r e s s 1:50
038
Door Capacity
Door Width
Stair Width
Corridor Width
150
34”
48“
54”
150
34”
44“
54”
SYSTEMS
45
70’
90’
122
90
’
140’ 35
+70’
40’
+55’
+45’
90
’
11
33
22
22
0’
0’
220 90’
+70’
L e ve l 2 E g r e s s 1:50
th
90’
122
70’
25’
+90’ 56
+70’
35
+55’
35
90
22
’
0’
0’
22
220 90’
+70’
L e ve l 3 E g r e s s 1:50
039
80’
23
SYSTEMS
90’ 25’
73
85’
+90’ +65’
56 35
35
0’ 22
0’ 22 80’
80’
23
70’ 71
+40’
L e ve l 4 E g r e s s 1:50
90’
75’ 73
71
+65’
+80’
85’
35
+85’
35
0’
0’
22
22 80’
80’
70’ 71
+40’
L e ve l 5 E g r e s s 1:50
040
SYSTEMS
L e ve l 4 R C P, Ty p. 1/32" = 1'-0" 28’ - 6”
041
SYSTEMS 5
4
(2) Gypsum board, painted Light gauge channel WF column, 12’ o.c. Light gauge channel 1/2” Plywood substrate Vapor barrier 3” Rigid insulation 1” Air gap with mounting clip 2” High density foam 3/8” Spray applied composite bronze 4
Steel strut attached to concrete, aluminum clad Steel horizontal, aluminum clad Steel ver tical, aluminum clad Custom per forated metal profile screwed to ver tical
8X6X3/8 HSS tube S.S. shoe for structural glass fin Fireproofing Glazing 3
2
Stretch membrane ceiling
1
3
Pecan wood paneling Metal stud wall Bracket through to structure Cove lighting above and below
2
Carpet 1/2” Plywood 6” Raised floor on peds Metal stud 2”High denisty foam 3/8” Spray applied composite bronze Painted round steel column, filled with concrete 1
Structural glass fin and glazing
Concrete foundation wall 3” Rigid insulation Coarse gravel Ear th
042
SYSTEMS
Structural silicon Insulated glazing in recessed S.S. glazing channel Structural glass fin beyond Limestone tile in bed of mortar Blocking Aluminum flashing
Structural silicon Insulated glazing in recessed S.S. glazing channel Structural glass fin beyond Limestone tile in bed of mortar 1 Blocking 1/2” = 1’-0” Aluminum flashing Waterproof membrane Aluminum coping Limestone roof pavers on peds TPO roofing, mechanically fastened 4" Minimum sloped rigid insulation 5" Composite metal decking HSS framing S.S. Glazing channel Steel angle Insulated glazing Waterproof membrane Light gauge metal furring Aluminum coping Prefinished metal fascia Limestone roof pavers on peds Gypsum ceiling TPO roofing, mechanically fastened 4" Minimum sloped rigid insulation 5" Composite metal decking HSS framing S.S. Glazing channel Steel angle Insulated glazing WF column Light gauge metal furring (2) Gypsum board, painted Prefinished metal fascia Light gauge metal furring Gypsum ceiling Carpeting on sheathing 6" Raised flooring peds
2 1/2” = 1’-0”
WF column (2) Gypsum board, painted Light gauge metal furring WF column beyond Carpeting on sheathing WF ringpeds beam 6" Raised flooring Steel angle
Compressive filler Limestone roof pavers on pedestals Rigid insulation Aluminum angle Limestone paver 3/4" Setting bed Compacted gravel Compressive Roof drain filler Concrete roof slab pavers on pedestals Limestone Rigid insulation Aluminum angle Limestone paver 3/4" Setting bed Limestone coping, Compacted gravel anchored to concrete 3" Rigid insulation Limestone panel Roof drain Steel angle Concrete slab Galvanized steel brackets Steel strut, aluminum clad, bracketed back to HSS tube. Flashed and waterproofed continuously around strut Limestone coping, anchored concreteback to Steel vertical, aluminum cladtobracketd 3"steel Rigidstrut insulation Limestone panel Custom perforated metal profile, screwed Steel angleto vertical Galvanized steel brackets Steel strut, aluminum clad, bracketed back to HSS tube. Flashed and waterproofed Light gaugearound metal furring continuously strut 1/2" Plywood sheathing Steel vertical, aluminum clad bracketd back to Peel/stick waterproofing steel strut flashing Aluminum Waterproof membrane Custom perforated metal profile, 1" Air gap with mounting clips screwed to vertical 2" High density foam 3/8" Spray applied bronze Limestone roof pavers on pedestals Recessed can light in paver Light gauge metal furring 1/2" TPOPlywood roofing, sheathing mechanically fastened Peel/stick waterproofing 4" Minimum sloped rigid insulation Aluminum flashing Composite metal decking Waterproof membrane 1" Air gap with mounting clips 2" High density foam 3/8" Spray applied bronze Limestone roof pavers on pedestals Recessed can light in paver
043
Aluminum flashing Limestone coping Waterproofing membrane WF column beyond Limestone roof pavers on pedestals WF ring beam TPO roofing, mechanically fastened Steelinsulation angle 4" Minimum sloped rigid Gypsum board ceiling on metal studs Roller shade Aluminum flashing Limestone coping
TPO roofing, Steel angle mechanically fastened 4"S.S. Minimum glazing sloped channelrigid insulation Composite metal decking Insulated glazing Aluminum clad steel tie-back strut, beyond. Glass continuous to top of tie-back Composite metal decking with concrete parapet Steel angle HSS framing Structural glass fin head channel beyond Prefinished Steel angle metal fascia attached to slab edge and furringchannel S.S. glazing
TPO roofing, mechanically fastened Insulated glazing 4" Minimum sloped rigid insulation Light gauge metal furring 5" Composite metal decking Prefinished metal fascia framing Gypsum HSS ceiling Waterproof membrane S.S. Glazing channel Aluminum Steelcoping angle Limestone roof pavers on peds Insulated glazing TPO roofing, mechanically Light gauge metalfastened furring metal fascia 4" MinimumPrefinished sloped rigid insulation ceiling 5" CompositeGypsum metal decking HSS framing WF column S.S. Glazing channel (2) Gypsum board, painted Steel angle Light gauge metal furring Insulated glazing Carpeting on sheathing Light gauge metal furring metal fascia 6" Raised Prefinished flooring peds WF column Gypsum ceiling (2) Gypsum board, painted Light gauge metal furring Carpeting on sheathing
SYSTEMS
6" Raised flooring peds
3
WF column WF column beyond (2) Gypsum board, painted WF ring beam Light gauge metal furring Steel angle Carpeting on sheathing
1/2” = 1’-0”
6" Raised flooring peds WF column beyond
WFflashing ring beam Aluminum angle LimestoneSteel coping Waterproofing membrane Limestone roof pavers on pedestals TPO roofing, mechanically fastened 4" Minimum slopedWF rigid insulation column beyond Aluminum flashing Gypsum board ceiling on metal studs WF ring beam Limestone coping Roller shade Waterproofing membrane Steel angle
Limestone roof pavers on pedestals TPO roofing, mechanically fastened 4" Minimum sloped rigid insulation Gypsum board ceiling on metal studs Aluminum flashing Roller shade Limestone coping Waterproofing membrane Limestone roof pavers on pedestals TPO roofing, mechanically fastened HSS tube 4" Minimum sloped rigid insulation WF column Gypsum board ceiling on metal studs TPO roofing, mechanically fastened Roller shade 4" Minimum sloped rigid insulation Blocking as needed Metal decking HSS tube 1/2” = 1’-0” WF column TPO roofing, mechanically fastened 4" Minimum sloped rigid insulation Blocking as needed Metal decking
4
HSS tube WF column TPO roofing, mechanically fastened 4" Minimum sloped rigid insulation Blocking as needed Metal decking
5 1/2” = 1’-0”
044
Limestone panelstrut continuously around Steel angle Steel vertical, aluminum clad bracketd back to steel Galvanized strut steel brackets Steel strut, coping, aluminum clad, bracketed back Custom perforated metalanchored profile, Limestone to concrete to HSS tube. Flashed and waterproofed screwed to vertical 3" Rigid insulation continuously around strut Limestone panel Steel vertical, aluminum clad bracketd back to Steel angle steel strut LightGalvanized gauge metal furring steel brackets Custom perforated metal profile, 1/2" Steel Plywood sheathing screwed to vertical strut, aluminum clad, bracketed back Peel/stick to HSSwaterproofing tube. Flashed and waterproofed Aluminum flashingaround strut continuously Waterproof membrane 1" AirSteel gap vertical, with mounting clipsclad bracketd back to aluminum Light gauge metal furring steel strut 2" High density foam 3/8" Spray applied bronze 1/2" Plywood sheathing Custom perforated metal profile, Limestone roof pavers on pedestals Peel/stick screwed towaterproofing vertical Aluminum flashing Recessed can light in paver Waterproof membrane 1" Air gap with mounting clips TPO roofing, mechanically fastened 2" High density foam 4" Minimum sloped rigid insulation 3/8" applied LightSpray gauge metal bronze furring Composite metalroof decking Limestone pavers on pedestals 1/2" Plywood sheathing Peel/stick waterproofing Recessed can light in paver Aluminum flashing Waterproof TPO roofing,membrane mechanically fastened 1" Air gap with mounting clips 4" Minimum sloped rigid insulation 2" High density foam Composite metal decking 3/8" Spray applied bronze Limestone roof pavers on pedestals Steel angle Recessed can light in paver S.S. glazing channel Insulated glazing TPO roofing, mechanically fastened Aluminum clad steel tie-back strut, beyond. Minimumto sloped insulation Glass 4" continuous top ofrigid tie-back Composite decking Composite metalmetal decking with concrete parapet Steel angle Steel S.S. angle glazing channel HSS framing Insulated glazing Structural glass fin head channel beyond Aluminum clad steel tie-back strut, beyond. Prefinished metal fasciatoattached to slab edge Glass continuous top of tie-back and furring Composite metal decking with concrete parapet Steel angle Steelframing angle HSS S.S. glazingglass channel Structural fin head channel beyond Insulated glazing Prefinished metal fascia attached to slab edge Aluminum clad steel tie-back strut, beyond. and furring 3/8" Spray applied bronze Glass continuous to top of tie-back 2" High density foam Composite metal decking with concrete parapet Aluminum flashing Steel angle Peel/stick waterproofing HSS framing 1" AirStructural gap and mounting clip channel beyond glass fin head 3" Rigid 3/8"insulation Spray applied bronze Prefinished metal fascia attached to slab edge Waterproofing membrane and furring 2" High density foam 1/2" Sheathing Aluminum flashing 1" Light gauge metal channel Peel/stick waterproofing WF ring beam 1" Air gap and mounting clip 3" Rigid insulation Waterproofing membrane 3/8" Spray applied bronze 1/2" Sheathing 2" High density foam 1" Light gauge metal channel Aluminum flashing WF ring beam Peel/stick waterproofing
1" Air gap and mounting clip 3" Rigid insulation Waterproofing membrane 1/2" Sheathing 1" Light gauge metal channel WF ring beam