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ARCHIVE { selected works of } [ BRUCE TING-YU CHEN ]
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INTRODUCTION
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INTRODUCTION
To me, the design process is like an archive. It is to capture the time, aesthetics, classification of the subject. I would like to classify them by color, time or subject. Therefore, I use this idea in my portfolio to narrative my journey in these years.
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CONTENTS [ 01 ]
[ A NIGHT WALK IN TENDERLOIN ] PAGE 08 — 09
[ 04 ]
«Print Design
[ 02 ]
[ KIDD TALK ] PAGE 30 — 31
[ 03 ]
PAGE 36 — 37 «Identity / Print Design / Digital Design
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PAGE 54 — 55 «Identity / Packging Design
[ 05 ]
[ SAVAGE PAYBACK ] PAGE 66 — 67 «Identity / Print / Digital Design
«Print Design
[ BLOODY MOON ]
[ BITE ]
[ 06 ]
[ A NEW WAY TO PLAY ] PAGE 96 — 97 «Identity / Print / Digital Design
TA B L E O F C O N T E N T S
[ 07 ]
[ EVERY TEARDROP IS A STORY ] PAGE 126 — 127 «Print Design
[ 08 ]
[ EROTIC SKIN ] PAGE 136 — 137 «Print Design
[ 09 ]
[ MONEY MONSTERS ] PAGE 158 — 159 «MFA Thesis
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TENDERLOIN AT NIGHT
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0 T 1 4 9 2 in o l r de
n e
P R O J E C T / / T E N D E R L O I N AT N I G H T
COLOR SWATCHES
[ OBJECTIVE ] To make a book about your a day of life. And using unique styles, ways or senses to keep this visual diary. [ APPROACH ] As a resident living in the Tenderloin, San Francisco. And I want to document a night walk in this area. Many people have prejudice about Tenderloin, that makes me interest in discovering Tenderloin at night. In this project, I use my own black and white photography to capture the real night scene. Combing with the breaking structure graphic elements to depict feeling of walking in the Tenderloin.
[ 01 ]
PROJECT TITLE
DESIGN / PHOTO
Tenderloin at Night
Bruce Ting-Yu Chen
TYPOGRAPHY SPECIMEN
COURSE
Helvetica Neue
Experimental Typography
HISTORICAL EMPHASIS
INSTRUCTOR
2013
Stan Zienka
CATEGORY
TIME FRAME
4 WEEKS
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P R O J E C T / / T E N D E R L O I N AT N I G H T
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P R O J E C T / / T E N D E R L O I N AT N I G H T
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P R O J E C T / / T E N D E R L O I N AT N I G H T
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P R O J E C T / / T E N D E R L O I N AT N I G H T
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P R O J E C T / / T E N D E R L O I N AT N I G H T
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P R O J E C T / / T E N D E R L O I N AT N I G H T
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P R O J E C T / / T E N D E R L O I N AT N I G H T
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P R O J E C T / / T E N D E R L O I N AT N I G H T
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P R O J E C T / / T E N D E R L O I N AT N I G H T
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KIDD TALK
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P R O J E C T / / K I D D TA L K
COLOR SWATCHES
[ OBJECTIVE ] To design a poster for a designer who you like. About the exhibition of the designer's works and a lecture. [ APPROACH ] Chip Kidd is one of my favorite graphic designers. I admire his design styles, including collage, comic elements, and retropective style. To mimic the main aesthetics of chip kidd, I use my self, hand-drawing illustration in a poster first. Then using photography of the poster with a retrospectic comic style adjustments and combinations in the poster.
[ 02 ]
PROJECT TITLE
DESIGN / ILLUSTRATION
Kidd Talk
Bruce Ting-Yu Chen
TYPOGRAPHY SPECIMEN
COURSE
Trade Gothic Next
Type System
HISTORICAL EMPHASIS
INSTRUCTOR
2012
David Hake
CATEGORY
TIME FRAME
4 WEEKS
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P PRROOJ JE EC CT T/ /: K I D D TA L K
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P R O J E C T / / K I D D TA L K
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BLOODY MOON
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MUSEUM
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WEREWOLF
PROJECT// BLOODY MOON
COLOR SWATCHES
[ OBJECTIVE ] To draw lots a topic, and develop a system design project based on the topic. [ APPROACH ] My topic is wolf. After I do some researches and conceptual development, I want to focus on the interesting relationship between human and wolf. And I decide to create a werewolf museum, which not only collecting the films, documents about werewolf, but the stories of werewolf, the relationship and misunderstanding between human and wolf.
[ 03 ]
PROJECT TITLE
DESIGN / ILLUSTRATION
Bloody Moon
Bruce Ting-Yu Chen
TYPOGRAPHY SPECIMEN
COURSE
Avenir, Clarendon, Gotham
Conceptual Development
HISTORICAL EMPHASIS
INSTRUCTOR
2012
Michele Ronsen
CATEGORY
TIME FRAME
Identity / Print / Digital
4 WEEKS
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PROJECT// BLOODY MOON
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PROJECT// BLOODY MOON
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PROJECT// BLOODY MOON
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PROJECT// BLOODY MOON
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PROJECT// BLOODY MOON
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PROJECT// BLOODY MOON
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PROJECT// BLOODY MOON
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BITE
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PROJECT// BITE
COLOR SWATCHES
[ OBJECTIVE ] To choose a delicatessen shop, rebrand and make a packaging set for them. [ APPROACH ] Bite is an Italian American deli shop located between Nob Hill and Tenderloin. It serves tasty food made of fresh ingredients. The goal is to introduce Bite to urban young people, I create a modern, unique, stylish pattern and apply into system design and packaging for promotion.
[ 04 ]
PROJECT TITLE
DESIGN / PHOTO
Bite
Bruce Ting-Yu Chen
TYPOGRAPHY SPECIMEN
COURSE
Aachen, Gotham, Martens
Packaging Design 2
HISTORICAL EMPHASIS
INSTRUCTOR
2014
Thomas McNulty
CATEGORY
TIME FRAME
Identity / Print / Packaging
5 WEEKS
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PROJECT// BITE
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PROJECT// BITE
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PROJECT// BITE
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PROJECT// BITE
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SAVAGE PAYBACK ENTER YOUR IMAGE HERE.
« A M A R T I N S C O R S E S E F I L M F E S T I VA L
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P R O J E C T / / S A V A G E P AY B A C K
COLOR SWATCHES
[ OBJECTIVE ] This is a project to choose a film director and create a film festival. The students are asked to find out a thread, witch is a connection between the selected films. And students have to design a visual system and products based on the thread. [ APPROACH ] I choose Martin Scorsese as my director. "Savage Payback" is the title I choose for the selected four films, which are the best expression of typical violent aesthetic. They are Mean Street (1974), Taxi Driver (1976), Goodfellas (1990), and The Departed (2008). All of my designs are followed the thread: The outcasts of the city living on the fringes confront dangers threatening their survival and take desperate measures to escape destruction and exact revenge. Because all the selected film were set in urban cities, I use the city elements, the textures of urban city as the visual element. And then deconstruct them and make a new composition for the main visual elements of my project.
[ 05 ]
PROJECT TITLE
DESIGN / PHOTO / ILLUSTRATION
Savage Payback
Bruce Ting-Yu Chen
TYPOGRAPHY SPECIMEN
COURSE
Cyclone, Univers
Integrated Communication
HISTORICAL EMPHASIS
INSTRUCTOR
1976–2006
Christopher Morlan
CATEGORY
TIME FRAME
Print / Packaging / Digital
15 WEEKS
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P PRROOJ JE EC CT T/ /: S A V A G E P AY B A C K
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P R O J E C T / / S A V A G E P AY B A C K
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P R O J E C T / / S A V A G E P AY B A C K
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P R O J E C T : S A V A G E P AY B A C K
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P R O J E C T / / S A V A G E P AY B A C K
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P R O J E C T / / S A V A G E P AY B A C K
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P R O J E C T / / S A V A G E P AY B A C K
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P R O J E C T / / S A V A G E P AY B A C K
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P R O J E C T / / S A V A G E P AY B A C K
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P R O J E C T / / S A V A G E P AY B A C K
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P R O J E C T / / S A V A G E P AY B A C K
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P R O J E C T / / S A V A G E P AY B A C K
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A NEW WAY TO PLAY
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P R O J E C T / / A N E W W AY T O P L AY
COLOR SWATCHES
[ OBJECTIVE ] To choose a dead, defunct and dying brand, revive them a new life. The new direction must follow the brand soul and the original brand essence. Then make a system design. [ APPROACH ] SEGA is a video game development company. However, people only assume SEGA as a home video game company. I want to bring back the brand soul, the enjoy of playing to this creative company. Encourage clients to go outside and apply the spirit in business, management using imagination in playing. To find a new way to play, to love to play again.
[ 06 ]
PROJECT TITLE
DESIGN
A New Way to Play
Bruce Ting-Yu Chen
TYPOGRAPHY SPECIMEN
COURSE
Vitesse, Tungsten
Nature of Identity
HISTORICAL EMPHASIS
INSTRUCTOR
1940-2040
Hunter Wimmer
CATEGORY
TIME FRAME
Identity / Print / Digital
15 WEEKS
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P R O J E C T / / A N E W W AY T O P L AY
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P R O J E C T / / A N E W W AY T O P L AY
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P R O J E C T / / A N E W W AY T O P L AY
2x
0.5 x
2x
x
0.75 x
0.75 x
0.5 x
0.5 x
15.75 x
x
3x
3x
3x
0.5 x
0.5 x
0.75 x
3x
0.5 x
0.5 x
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P R O J E C T / / A N E W W AY T O P L AY
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P R O J E C T / / A N E W W AY T O P L AY
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P R O J E C T / / A N E W W AY T O P L AY
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P L AY P R O JPERCOTJ/E/ CAT :N AE WN EWWAYW TAY O TP OL AY
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P R O J E C T / / A N E W W AY T O P L AY
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P R O J E C T / / A N E W W AY T O P L AY
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P R O J E C T / / A N E W W AY T O P L AY
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P L AY P R O JPERCOTJ/E/ CAT :N AE WN EWWAYW TAY O TP OL AY
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EVERY TEARDROP IS A STORY
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PROJECT// EVERY TEARDROP IS A STORY
COLOR SWATCHES
[ OBJECTIVE ] To create an experimental typography poster for a song. Try to catch the feeling of the song and express out visually. [ APPROACH ] I pick Teardrop, a song from one of my favorite British bands, Massive Attack. I take photos from projector to catch the movement of fluid water. For me, the gloomy color is a good reflection on the feeling of the song.
[ 07 ]
PROJECT TITLE
DESIGN / PHOTO
Every Teardrop is a Story
Bruce Ting-Yu Chen
TYPOGRAPHY SPECIMEN
COURSE
Minion Pro, Chaparral Pro
Experimental Typography
HISTORICAL EMPHASIS
INSTRUCTOR
1998
Stan Zienka
CATEGORY
TIME FRAME
4 WEEKS
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PROJECT// EVERY TEARDROP IS A STORY
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PROJECT// EVERY TEARDROP IS A STORY
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PROJECT// EVERY TEARDROP IS A STORY
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P R O J E C T / / E VPERROYJ TE EC AT R: DS RA O V AP GI ES PAAYS BT O AC R KY
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EROTIC SKIN
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PROJECT// EVERY TEARDROP IS A STORY
COLOR SWATCHES
[ OBJECTIVE ] Drawing ballots to pick a topic, which is choosen by other classmates. To use different approach in design about an unfamilier topic. [ APPROACH ] The future of the lingerie is the topic from drawing lots in class. As a man, I want to bring a different sense for the project, I decide to use scientific way to depict this topic. Comobining vivid magenta with black as the main color. And I use black and white photos as the main visual elements with my own vector illustration in the book.
[ 08 ]
PROJECT TITLE
DESIGN / ILLUSTRATION
Erotic Skin
Bruce Ting-Yu Chen
TYPOGRAPHY SPECIMEN
COURSE
Myriad Pro, Chaparral Pro
Type System
HISTORICAL EMPHASIS
INSTRUCTOR
2012-2042
David Hake
CATEGORY
TIME FRAME
4 WEEKS
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PROJECT// EROTIC SKIN
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PROJECT// EROTIC SKIN
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MFA THESIS
M EET T HE M ON EY M ON ST ER S
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MONEY MONSTERS
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COLOR SWATCHES
[ OBJECTIVE ] Design a money management app for 9-to-12 year old kids and their family. To encourage kids to do saving. [ APPROACH ] Money Monsters is my MFA thesis project. I create a money management app which can be connected with a toy bank. You can use app to set a saving goals and manage money. I want to gamify the saving process and make money management more accessible for kids.
[ 09 ]
PROJECT TITLE
DESIGN / ILLUSTRATION
Money Monsters
Bruce Ting-Yu Chen
TYPOGRAPHY SPECIMEN
COURSE
Klavika, Lunatix
MFA Thesis
HISTORICAL EMPHASIS
INSTRUCTOR
2013-2015
Phil Hamlett, Carolina de Bartolo
CATEGORY
TIME FRAME
APP / Identity / Print /
2 YEARS
Packaging / Digital
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P R O J E C T // M O N E Y M O N S T E R S
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THANK YOU
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ACKNOWLEDGEMENT
[ MY LOVELY FAMILY ] Thank my mom, my grand father in law, and my grand mother. Without your support, I can not transfer my major from Law to Graphic Design and go studying in the United States. I am grategul for your complete support. To my mom, you are my hero, my best friend and my mentor. Thank you for your teaching of art and design in my early childhood. Although you always want me to study Architecture, you still give me good advice in this journey of design. I wish I can make you proud. To my grand mother in law. Living in the United States alone is not easy for me, thank you for the many talks in the past years, it is warm and gives me lot of power to stand up after every frustrating time. To my grand father in law. I miss you so much and I really really hope to share my stories of this journey with you. I believe you must look at me somewhere in heaven.
[ MARY SCOTT ] Executive Director of Graphic Design, Academy of Art University [ PHIL HAMLETT ] Graduate Director of Graphic Design Academy of Art University And every instructors, classmates, friends I met at the school of Graphic Design, Academy of Art University, San Francisco.
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INSTRUCTOR
A GRADUATE GRAPHIC DESIGN PORTFOLIO
Mary Scott
Selected works of Bruce Ting-Yu Chen
TITLE OF BOOK
GRADUATE STUDENT OF THE ACADEMY
Archive
OF ART UNIVERSITY 79 New Montgomery Street (5th Floor)
PHOTOGRAPHY
San Francisco, California, USA
Bruce Ting-Yu Chen Printed and bound in the USA BOOK BINDERY Blurb
ALL RIGHTS RESERVED Copyright © 2015 Bruce Ting-Yu Chen
COVER PAPER
No part of this publication can be reproduced without
Image Wrap Matte Finish
express permission from Bruce Ting-Yu Chen.
TEXT PAPER
MORE ABOUT BRUCE TING-YU CHEN
Proline Uncoated 100#
www.bruce-tingyu-chen.com tingyo.chen@gmail.com
TYPOGRAPHY Blender SOFTWARE Adobe Creative Suite CC 2015
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+1 415 529 8225
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