American & Southern | March 13, 2025
1001
John R. Johnston (Ohio/Maryland/New Jersey, 1826-1895)
On the Shenandoah, 1863, signed and dated lower left “John R. Johnston/Bolt. 1863”, oil on canvas, 30-1/2 x 60-3/4 in.; gilt wood frame, 40 x 69-1/4 x 4-1/2 in., heavy craquelure, crackle, inpainting, lined, surface dirt; frame with wear and abrasions
Provenance: From the Estate of Charles E. Scarlett, Jr., contents of Whitehall, a National Historic Landmark, Annapolis, MD; Alex Cooper Auctioneers, October 06, 2018, $8,500, lot 1046; Private South Carolina Collection
Estimate: $2,000 - $4,000
1002
Attributed to Conrad Wise Chapman (American, 19th/20th century)
A Cotton Mill, circa 1900, unsigned, oil on canvas, 15 x 32 in.; gilt wood frame, 23 x 40 x 3-1/4 in., relined and recently cleaned, crackle; frame with light wear and abrasions
Provenance: Pook and Pook Auctions, Downingtown, Pennsylvania, June 20, 2020, lot 26 (label hanging verso); Private South Carolina Collection
Estimate: $1,000 - $1,500
1003
Ralph Albert Blakelock (American, 1847-1919)
Landscape with Waterfall, signed lower right “R.A. Blakelock”, oil on canvas, 16 x 24-1/4 in.; fine period carved gilt wood frame, 25-1/2 x 34 in., wax lined, areas of retouch, stabilized crackle; frame with small losses and wear commensurate with age
Provenance: Fenn Galleries Ltd., Santa Fe, New Mexico, (label verso); Coe Kerr Gallery, New York, NY, (label verso); Private Collection
Estimate: $4,000 - $6,000
University of Nebraska Blakelock Inventory no. 903, labelled verso.
Exhibited: Collector’s Choice, Mississippi Museum of Art, Jackson, Mississippi, November 27, 1979-January 6, 1980 (label verso).
1004
Alvan Fisher (American, 1792-1863)
By the Water’s Edge, oil on canvas, 36-1/2 x 48-1/2 in.; period carved gilt wood frame, 45 x 57 x 2 in., lined, stabilized crackle, yellowed varnish; frame with wear and losses
Provenance: Kennedy Galleries, New York, NY (label verso); Heritage Auctions, May 7, 2016, sold $3,125.; Private South Carolina Collection
Estimate: $4,000 - $6,000
1005
Otto Sommer (American, 1811-1911)
Birch Tree Near the Palisades, signed lower left “Otto Sommer N.Y. 1867”, oil on canvas, 47 x 37-1/2 in.;
reproduction gilt wood frame, 54-1/2 x 45 in., lined, areas of retouch; frame with abrasions
Provenance: Private Collection, North Carolina
Estimate: $12,000 - $18,000
1006
Elizabeth Gilbert Jerome (Connecticut, 1824-1910)
Tropical Landscape, 1869, signed and dated lower left “G Gerome 69”, oil on coarse canvas, 30 x 49-3/4 in.; painted wood edge frame, 30-3/4 x 50-1/2 in., 1-1/4 inch scratch through canvas at lower center, various wear at edges, including crackle and paint loss, tiny tears, loose canvas, stretcher marks, surface dirt, yellowed varnish; frame with missing section lower right, wear
Provenance: Private Collection
Estimate: $20,000 - $30,000
1007
Severin Roesen
(German/America, 1815-1872)
Abundant Still Life, circa 1865, unsigned, 30 x 40 in.; original ornate carved gilt wood frame, 42 x 52 in., lined, areas of retouch; frame in good condition overall, some cracking, re-gilt
Provenance: Purnell Art Company, Baltimore, Maryland, 1982. This lot is accompanied by a facsimile of the original sales receipt, Mrs. Vincent McCabe, York, Pennsylvania
Estimate: $28,000 - $48,000
This lot is accompanied by a recent letter from Judith O’Toole, the renowned expert on Roesen’s work, authenticating and discussing it in great detail, calling it “...an exceptional example of an authentic work by Severin Roesen.” It is also accompanied by a much earlier letter from Dr. William Gerdts, dated 1980, also authenticating and discussing the work.
1008
William Harnett (American, 1848-1892)
Still Life with Apples and Wine Glass, 1876, signed and dated lower right “WM Harnett 1876”, oil on canvas 10 x 14 in.; fine reproduction gilt wood frame, 21-1/4 x 25-1/4 in., original stretchers and canvas, areas of retouch, stabilized crackle; frame with wear and losses
Provenance: Berry-Hill Galleries, New York, NY, (label verso); Godel & Co., New York, NY, (label verso); Sotheby’s, New York, NY, September 25, 2018, sold for $7,000.; Private South Carolina Collection
Estimate: $6,000 - $8,000
1009
Charles Lanman, Mountainous Landscape (American, 1819-1895)
Mountainous Landscape, signed and dated lower right “Lanman 1855”, oil on canvas, 28 x 43 in.; fine period gilt wood frame, 41-1/2 x 54-3/4 in., lined, stabilized crackle, areas of retouch; frame in good restored condition, tiny losses
Provenance: A Southern Collection
Estimate: $10,000 - $20,000
1010
John F. Kensett
Grand Tower, Mississippi River, Peninsula from Right, 1868, unsigned, inscribed lower left “Grand Tower May 4th 68”, pencil on paper, sight 2-1/8 x 7 in.; gilt wood frame, 8-1/2 x 13-1/4 in., not examined out of sealed frame, small areas of apparent tape burn just visible under mat at upper edge, apparent area of roughly torn edge just visible under mat at lower left; frame with wear
Provenance: Hirschl & Adler Galleries, New York, NY (label verso); Babcock Galleries, New York, NY (label verso); The Collection of Clare and Jared Edwards, West Hartford, Connecticut
Estimate: $900 - $1,200
1011
William Louis Sonntag, Sr. (New York/Ohio, 1822-1900)
The Day is Done, 1882, signed lower right “W.L. Sonntag 82”, oil on canvas, 12 x 20 in.; fine ornate carved gilt wood frame, 22 x 30 in., original canvas and stretchers, crackle, surface dirt; frame with small minor losses to gilt and decoration
Provenance: Private Collection, Charleston, South Carolina; Private South Carolina Collection
Estimate: $4,000 - $6,000
1012
Frank H. Shapleigh (American, 1842-1906)
Old Kitchen, Bartlett, New Hampshire, signed lower right “F.H. Shapleigh 1891.” and signed and inscribed verso, oil on canvas, 10 x 16 in.; period carved gilt wood frame, 131/2 x 19-1/2 x 1-1/4 in., original stretcher and tacking edge, two patches with three points of retouch, crackle; frame with wear and losses
Provenance: Collection of Walter Hotchkiss, Homestead, Florida; Brunk Auctions, Asheville, North Carolina, May 17, 2014, lot 252, sold for $4,200; Private Collection, Florida
Estimate: $4,000 - $6,000
For similar interiors and a discussion of his kitchen scenes, see Shapleigh, Frank H., James L. Garvin, Donna-Belle Garvin, and New Hampshire Historical Society. 1982. Full of Facts and Sentiment : The Art of Frank H. Shapleigh : A Loan Exhibition, October 15-November 28, 1982. Concord, N.H., Hanover, N.H.: New Hampshire Historical Society; Distributed by University Press of New England, ill. pp. 54-55.
1014
1013
Turned and Chip Carved Wainscot Armchair Pennsylvania or Continental, early 18th century, geometric compass star relief carved back, carved arm tops, plank seat, walnut throughout, with a tapestry woven loose cushion, 43 x 22-1/2 x 22 in., generally good condition, joints are slightly loose, cracks to plank seat, typical wear at arm tops
Provenance: Sotheby’s, New York, January 22nd, 2011. Lot 222 for $2,375; Property from the John B. Schorsch Collection
Estimate: $500 - $700
American William and Mary Diminutive Painted Gate Leg Table
New England, 18th century, in mixed woods with later Spanish brown paint, single dovetailed drawer, ring and baluster turnings, on original turned feet, 25-1/2 x 12 x 30 in., opens to 40-1/2 in., possible restorations obscured by later paint (color variation at top), formerly fitted with casters, now removed, typical surface distress and some minor losses
Provenance: Collection of Susan McKay and Peter Field, sold August 18th, 2018, Northeast Auctions, lot 109; Property from the John B. Schorsch Collection
Estimate: $1,000 - $2,000
1015
Rare Early American Windsor Candle Stand in Old Surface late 18th/early 19th century, with octagonal top on a distinctive turned support with broadly splayed turned legs, 26 x 21 x 21-1/2 in., excellent condition overall, shrinkage crack and minor warping to top, top has been cleaned somewhat, rest has early apparently untouched painted surface, old crack at one leg
Provenance: Property from the John B. Schorsch Collection
Estimate: $2,000 - $3,000
1016
American William and Mary Paint Decorated Miniature Chest probably Pennsylvania,18th century, poplar throughout with dark brown paint, partially dry scraped back to salmon pink, dovetailed case and five dovetailed drawers, turned feet, 17-1/2 x 16-1/2 x 10 in., brasses replaced, paint is of unknown age (secondary surfaces with gray wash), bumps and wear to drawer facings with some breaks and distress at dovetails
Provenance: Elliot and Grace Snyder, sold Delaware Antiques Show, 2022
Estimate: $3,000 - $5,000
1018
1017
American William and Mary Gate Leg Dining Table probably Massachusetts, 1730-1750, maple and other mixed woods with traces of early red paint, ring and baluster turnings, single dovetailed drawer, old mellow surface, 28 x 16-1/2 x 42 in., opens to 45-1/2 in., generally good condition, scattered woodworm damage overall, some warping and pest damage to top, top with some small patches from previous attachments, drawer pull replaced, scars from previous additional hinges, now removed, one minor loss at rule joint, two turned feet are restored, other possible restorations
Provenance: Property from the John B. Schorsch Collection
Estimate: $1,500 - $2,500
William and Mary Banister Back Armchair with Mushroom Grips probably Connecticut, mid 18th century, with a double arch crest, boldly turned mushroom hand grips, double sausage turned front stretchers, old dry black paint surface, 47 x 27-1/2 x 19 in., later black paint, scattered chips and losses at turnings crest, appears to be re-pinned
Provenance: Property from the John B. Schorsch Collection
Estimate: $600 - $900
1019
Early American Red Painted Hutch Table New England, possibly New Hampshire, late 18th/19th century, retaining an early red wash, white pine throughout, scrubbed battened removable top tilting over a bench form base with hinged seat and open compartment, 30 x 53 x 35-1/2 in., good structural condition, scrubbed top, typical surface wear and bumps especially at edges
Provenance: Purchased at the Maine Antique Show from Richard Suydam Antiques in Bar Harbor in 1994; Private Collection, McLean, Virginia
Estimate: $1,000 - $1,500
1020
American William and Mary Carved Banister Back Side Chair New England, 18th century, carved crest and turned finials, rush seat ring and baluster turned stretchers, 45 x 18 x 16 in., old refinishing, minor face patches at back, crest likely re-pinned, crack and glue repair at one rear stile
Provenance: Property from the John B. Schorsch Collection
Estimate: $300 - $500
1021
William and Mary Four Drawer Chest
British or American, 17th century, oak and pine construction, on turned feet, traces of early red paint, oak drawer sides with dovetail and rose head nail construction, brass drop handles with cotter pins, 36-1/2 x 39-1/2 x 22-1/2 in., brasses replaced, drawer fronts with plugged holes, losses and wear to finish throughout, resurfaced with red color, backboards at base loose, staining and scratching, top possibly reset with associated scars, frame in need of stabilizing
Provenance: Property from the John B. Schorsch Collection
Estimate: $600 - $900
1022
American William and Mary Walnut Gate Leg Table 18th century elements, ring and baluster turnings, 29 x 44 x 15 in., opens to 50-1/2 in., drawer replaced and top associated, frame is otherwise in good condition with original feet, with typical shrinkage cracks and minor losses
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $600 - $900
1023
Fine Delaware Valley Queen Anne Walnut Dressing Table, ex. Bill DuPont, 18th century, with molded top, deeply shaped skirt with central whale tail, three dovetailed drawers with pierced brasses, top drawer with false triple front, trifid feet, mellow brown color, 29-1/4 x 33-1/2 x 21 in., whale tail drop is restored, cracks and shrinkage separations to top with one later brace at underside, small vertical moldings on top drawer restored, minor loss at corner of top drawer facing, appears to retain its original pierced brasses
Provenance: Collection of Bill DuPont; G.K.S. Bush, early 1980s; Florida Private Collection; Sold Sotheby’s New York, January 23, 2023 lot 1046 for $8,800 Estimate: $6,000 - $9,000
1025
1024
Fine New England Queen Anne Black Painted Open Armchair probably North Shore Massachusetts or Portsmouth, 18th century, deeply shaped crest and scrolled arms, deeply shaped rams horn hand grips, turned stretchers and Spanish feet, old black paint, rush seat and loose dark red wool cushion, 42-3/4 x 23-1/2 x 19 in., minor breaks and repairs at crest rail attachment, crack and repair at one rear stile with later screw repair, old loss to lamination at front stretcher, modern rush seat, black paint is old, but second surface, old loss at top of one arm support
Provenance: According to consignor, formerly Henry Francis DuPont Collection; ex Bill Samaha; Elizabeth Stvan, Williamsburg, Virginia
Estimate: $2,000 - $3,000
New England William and Mary Oval Tea Table with Stretcher Base 18th century, oval top over ring and baluster turned legs with box stretcher, original turned feet, maple and birch, 25-3/4 x 30 x 24-3/4 in., repair to one lower leg at joint with stretcher with associated patch, otherwise very good condition, cracks, shrinkage separation, and stains to top, top with some possible retouch to red stain, old refinishing
Provenance: Elizabeth Stvan, Williamsburg, Virginia
Estimate: $1,200 - $1,800
1026
Queen Anne Highly Figured Tiger Maple High Chest of Drawers
Pennsylvania or coastal Connecticut, 18th century, figured maple throughout with chestnut secondary, scalloped skirt, and trifid feet, 71-1/4 x 40-1/4 x 21-1/4 in. , upper case formerly fitted with feet, now removed, and lowercase appears to be second period, brasses replaced, typical minor surface wear and distress
Estimate: $2,000 - $3,000
1027
Two New England William and Mary Banister Back Chairs 18th century, comprising a side chair with pierced and carved crest, double turned front stretchers together with a related open armchair, 46 x 18 x 15 in. and 44 x 22 x 21 in., side chair good condition, overall scattered minor pest damage, surface wear; armchair with black paint over earlier gray scattered wear and paint losses, especially at arms
Provenance: Property from the John B. Schorsch Collection
Estimate: $500 - $700
1028
Rare William and Mary Black Painted Octagonal Candle Stand first half 18th century, molded octagonal top over a ring and baluster turned support with X form base, mixed woods, 25 x 14 x 14 in., scrubbed top with natural distress from knots, later back black paint shrinkage cracks to standard old loss, side of one foot, other possible repairs
Provenance: stickers at underside for Christie’s and Skinner; Property from the John B. Schorsch Collection
Estimate: $1,200 - $1,800
Apparent accession number at underside “SC-2285”.
1029
Delaware Valley Ladder Back Rocking Chair with a Shaker Rocking Chair, Delaware Valley example with five slat back, early split seat, dark brown paint plaid seat cushion, 46-1/2 x 23 x 23 in.; no. 5 Shaker rocking chair with stencil mark, original varnish surface and later velvet upholstery, 37 x 23 x 28 in., ladder back with later rockers, distressed surface paint with later retouch; Shaker good overall with wear and abrasions to old surface, crest attachment is loose
Provenance: Property from the John B. Schorsch Collection
Estimate: $400 - $700
1030
Fine New England Queen Anne Oval Tavern Table in Early Red Paint probably Massachusetts, 18th century, with oval pine top with large overhang over a base with dramatically splayed legs, turned button feet, appears to be a single board top, 25-1/2 x 36-3/4 x 27-1/2 in., excellent condition overall, early red paint possibly over traces of dark blue or black, typical stains and wear to top, feet formerly fitted with casters now removed, very minor cracks to feet, no leg repairs found
Provenance: Ex Marguerite Riordan; Elizabeth Stvan, Williamsburg, Virginia
Estimate: $2,000 - $3,000
1031
New England Queen Anne Figured Walnut Veneered High Chest
Coastal Massachusetts, 18th century, walnut and maple with pine secondary, figured veneers, batwing brasses, the upper case with map drawer over five additional drawers, serpentine skirt, mellow old surface, inside backboard of lower case with chalk inscription (possibly signature) 68 x 38-1/2 x 21 in., brasses are replacements, typical scattered veneer cracks, repairs, and losses, minor cracks at joint of one front leg
Estimate: $3,000 - $5,000
1032
Queen Anne Mahogany Marble Top Tea Table 18th century elements, with rectangular variegated marble top, deeply shaped skirt, cabriole legs with slipper feet, 27-1/4 x 27-1/2 x 20 in., later marble top, frame with possible alterations and some color variation
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $400 - $700
1033
Pennsylvania Walnut Queen Anne Bible Box circa 1740-50, dovetail construction, with hinged lid, engraved escutcheon, and four turned feet, 9-3/8 x 18-3/4 x 14-1/4 in., scratches and abrasions to surfaces, crack to base board, surface dust/accretion, discoloration to metal elements, some separations throughout, notable to underside of lid on left side border
Provenance: HL Chalfant American Fine Arts & Antiques, West Chester, Pennsylvania; Private Texas Collection
Estimate: $1,000 - $2,000
1034
American Queen Anne Oval Tea Table in Early Red Paint
New England, 18th century, two board oval top over a frame with turned legs and pad feet, the frame retaining early dry red paint, 27 x 34 x 25-1/2 in., very good condition, scrubbed top with minor shrinkage separation, minor losses and water damage at foot bottoms
Provenance: Property from the John B. Schorsch Collection
Estimate: $1,200 - $1,800
1035
An Assembled Set of Eight New England Queen Anne Paint Decorated Dining Chairs, 18th century, each of similar form with vasiform splat and rush seat, two arm and six sides, tallest armchair, 43 x 28 x 19 in., all are generally sound and ready for use, some with later paint, one armchair with break and repair at hand grip, one side chair with modern rush style seat, one side chair with ended out feet
Provenance: Property from the John B. Schorsch Collection
Estimate: $1,000 - $2,000
1036
The Peabody Family Fine New England Queen Anne Figured Walnut High Chest of Drawers, Boston area, early 18th century, highly figured walnut veneers with double herringbone banded inlay, maple case sides, the drawers set with original engraved brass pulls, scalloped front and side skirts, acorn skirt drops, well-formed cabriole legs with pad feet, 63-1/2 x 39-1/4 x 21-3/4 in., in a fine state of preservation with original brasses, typical checking and minor repairs to veneers, some finish work, one side bed molding replaced and one small backboard replaced, acorn drops possibly restored, no leg or foot repairs found
Provenance: Captain Richard Peabody (1731 MA - 1820 MA); Samuel Peabody (1775 MA - $1859 MA); Enoch Wood Peabody (1822 NH - 1874 NY); Rushton Peabody (1867 NY - 1954 NY; Eugenia Peabody (1903 NY - 1977 CT), aunt of consigner; Private Savannah, Georgia Collection; Private South Carolina Collection
Estimate: $6,000 - $9,000
1037
New England Queen Anne Cherry High Chest of Drawers
Connecticut River Valley, 18th century, cherry with pine and oak secondary, dovetailed drawers flanked by fluted pilasters, cabriole legs with pad feet, 74 x 41 x 22-1/2 in., rebuilding and repairs throughout and possibly a marriage, lower legs are spliced, brasses replaced, some rebuilding to drawer secondary, top center drawer likely restored, acorn drops replaced, other restorations and repairs
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $800 - $1,200
1038
Fine Pair of Massachusetts Queen Anne Walnut Balloon Seat Side Chairs Boston, circa 1760, each with solid splat over a compass seat with period slip seat, blocked and turned stretchers, 40 x 22 x 21 in., excellent condition with only minor bumps and surface wear, modern upholstery in good condition
Provenance: C. L. Prickett Antiques; From a Private Arizona Collection
Estimate: $2,500 - $3,500
1039
Fine Massachusetts Queen Anne Figured Mahogany Dressing Table probably Boston, circa 1760, dense highly figured mahogany, dovetailed drawers with white pine secondary, cabriole legs with pad feet, 32 x 34-1/4 x 19-1/4 in., good condition overall, brasses and turned drops replaced, knee return blocks replaced, some later bracing at underside of top, some slight checking to legs and other typical surface flaws
Provenance: C. L. Prickett Antiques, purchased December 2004, and accompanied copy of evaluation at $42,500; From a Private Arizona Collection
Estimate: $5,000 - $7,000
1040
Massachusetts Queen Anne Figured Walnut High Chest of Drawers Boston area, circa 1740, figured mahogany veneers with double herringbone banding, uppercase with map drawer over five dovetail drawers, on scalloped skirt and cabriole legs, 65-1/2 x 38 x 21 in., brasses replaced, legs are laminated and likely restored, bed molding possibly restored, break and repair to facing of map drawer, other typical veneer cracks and repairs, minor loss at one knee return, shrinkage cracks at case sides, other scattered flaws
Provenance: Property from the John B. Schorsch Collection
Estimate: $1,000 - $2,000
1041
Two Similar William and Mary Banister Back Armchairs
New England, 18th century, each with double arched crest over banister back, one with double turned front stretcher, both with rush seats with loose cushions, single stretcher example with black over earlier red paint, the other in Spanish brown paint, 48 x 24 x 22 in. and 48 x 25 x 20 in., black example in good condition, original feet and finials, typical surface distress; brown example with old repair at one banister, probably later color
Provenance: Property from the John B. Schorsch Collection
Estimate: $300 - $500
1042
Nantucket Attributed Brace Back Windsor Armchair 18th/19th century, with a scroll ear crest, shaped hand grips, traces of early green paint, mixed woods with walnut, hickory, and shaped white pine plank seat, baluster turned arm supports, 39-1/2 x 28 x 19 in.; together with a black and gold painted Windsor side chair, black paint over earlier red, 36-1/2 x 19 x 14-1/2 in., armchair in good structural condition, plank seat with later butterfly patch at underside, old refinishing with some traces of green paint; side chair with later paint with surface wear and scattered losses, old surface loss at back of crest, possibly as made
Provenance: (armchair) Northeast Auctions, August 3rd, 2012, lot 771 for $1,300; Property from the John B. Schorsch Collection
Estimate: $500 - $700
1043
New England Queen Anne Maple High Chest of Drawers 18th century, with scalloped skirt and cabriole legs with pad feet, 64-1/2 x 38-1/2 x 21 in., brasses replaced, rear feet pieced and with one small loss, strip patches at drawer facings, crack at back of one front leg, finish distress
Provenance: Private South Carolina Collection
Estimate: $800 - $1,200
1047
Two Pairs of Knife Blade Brass and Iron Andirons
1044
English Delft Blue and White Posset Pot, probably London, 17th/18th century, in decoration of bird and floral scene, curved spout and flat scrolled handles dashed in blue, 5-3/4 x 9 x 7-1/2 in., surface dirt and accretion, anomalies, firing flaws, pinholes, glaze voids, lacking lid, chipping throughout, notably along rims and edges, hairlines, cracks, repairs, and areas of retouch to body, breaks and repairs to handles (see blacklight), spider crack to base
Provenance: Private Texas Collection
Estimate: $800 - $1,200
1045
English Delft Blue and White Lobed Dish, probably London, late 17th century, the interior and rim in decoration of Chinoiserie figures among shrubbery, 1-1/4 x 8-3/8 x 8-3/8 in., anomalies, pinholes, glaze voids, and stilt marks, some chipping and wear to rim, one notable chip, some crazing/hairlines to rim and base
Provenance: Private Texas Collection Estimate: $400 - $600
1046
English Delft Blue and White Plate with Mealtime Prayer probably London, 18th century, with figural and scrolled cartouche surrounding portion of prayer “3/on these thy bount’ous liberallitie”, 1-1/8 x 9 x 9 in., anomalies, pinholes, and glaze voids, chips along rim (two notable at underside), stilt marks, scratches to surface, hairlines/crazing
Provenance: Winsor Antiques, Woodbury, Connecticut (label); Private Texas Collection Estimate: $800 - $1,200
American, 18th/19th century, each with brass urn form finial atop iron bodies, larger 20 x 8-1/2 x 15-1/2 in., surface dirt and accretion, rust and corrosion, some pitting and discoloration to brass
Provenance: Property from the John B. Schorsch Collection
Estimate: $500 - $700
1048
Rare and Important Jonas Weber Painted Pine Box (Lancaster County, Pennsylvania 1810-1876), in polychrome painted decoration featuring typical house and trees, the sides and lid painted with flowers, all atop yellow ground, 3-1/8 x 5-1/2 x 3-3/8 in., some loss to painted surface, surface dirt/accretion, some discoloration, scratches, slight checking to wood at base, slight separations at seams
Provenance: Pennypacker Auction Centre, Reading, Pennsylvania (accompanied by copy of receipt dated May 21, 1973 for $825); Private Collection, McLean, Virginia
Estimate: $5,000 - $7,000
A similar example sold at Jeffrey S. Evans & Associates, Mt. Crawford, Virginia, November 18, 2021, lot 1076 for $42,500, see: https://www.liveauctioneers.com/item/115569327_ rare-and-important-jonas-weber-lancaster-co.
Another example sold at Pook & Pook Inc., Downingtown, Pennsylvania, Americana & International Auction- Session
Three, September 27, 2024, lot 1077 for $8,125, see: https:// live.pookandpook.com/online-auctions/pook/jonas-weberpainted-dresser-box-6610120.
1049
Large and Exceptional Compass Artist Paint Decorated Dome Lidded Box Lancaster, Pennsylvania, early 19th century, dovetailed construction, poplar throughout, in brilliant shades of red and white and blue, compass flowers and red speckled paisleys, open interior, original hinges and tin latch, 10-3/4 x 16-3/4 x 9-3/4 in., expected surface wear to painted decoration, cracks to domed lid with some sliver losses, bumps and minor chips at corners and edges, surface dust/accretion, lacking tin hasp
Provenance: Private Collection, McLean, Virginia
Estimate: $25,000 - $35,000
https://live.brunkauctions.com/auctions/brunk/americansouthern-march-13-2025-17377/catalog#catalog
1050
Compass Artist Painted Dome Lidded Box
Lancaster, Pennsylvania, early 19th century, dovetail construction, in red and white pinwheel decoration atop light blue ground, with iron latch, 4 x 5-3/8 x 4 in., scattered loss to painted decoration, cracks to domed lid, chip and loss to underside at one corner, some slight separations, minor warping, rust, and corrosion to iron, surface dirt/ accretion
Provenance: Pennypacker Auction Centre, Reading, Pennsylvania (accompanied by copy of receipt dated May 21, 1973 for $525); Private Collection, McLean, Virginia
Estimate: $5,000 - $7,000
A similar example is pictured in The Compass Artist of Lancaster County, Pennsylvania by Wendy A. Cooper, Patricia Edmonson, and Lisa M. Minardi, Figure 1a, see: https://chipstone.org/article.php/597/ American-Furniture-2009/The-Compass-Artist-of-Lancaster-County,Pennsylvania.
Another similar example sold at Sotheby’s New York, Important Americana: The Charles and Olenka Santore Collection, January 19, 2023, lot 184 for $9,450.
1051
Fine Folk Art Paint Decorated Dome Lidded Box
probably Pennsylvania, early 19th century, white pine construction, the exterior decorated with polychrome panels of floral motif, the interior in cream painted ground, 4-1/8 x 5-7/8 x 3-7/8 in., some rubbing and loss to painted surface, notably on dome lid, scratches and abrasions, small chip to front left corner, surface dirt/ accretion, discoloration
Provenance: Pennypacker Auction Centre, Reading, Pennsylvania (accompanied by copy of receipt dated May 21, 1973 for $3,200); Private Collection, McLean, Virginia
Estimate: $3,000 - $5,000
1052
Frank Finney Attributed Carved Polychrome Folk Art Pipe Box (American/Virginia, b. 1947), painted soft wood, raised decoration featuring flower pot and two birds, 19-1/2 x 9-3/8 x 5 in., surface dirt and accretion, some chipping and loss to painted surfaces throughout, minor wear to wood
Provenance: Jeffrey S. Evans & Associates, Mt. Crawford, Virginia, November 19, 2022 lot 2228 for $2,900
Estimate: $1500 - $2,500
1055
Three American Sheet Iron Silhouette Weathervanes, probably 19th century, comprising: Archangel Gabriel with trumpet, 9-1/2 x 21-3/4 in.; angel holding tray with bottle and chalice, 29 x 19-1/2 in.; Native American with hatchet, 24 x 12 in., warping, rust, and corrosion, surface dirt/accretion, signs of outdoor use; large angel with multiple repairs, remnants of painted surface
Provenance: Property from the John B. Schorsch Collection
Estimate: $800 - $1,200
1056
1053
Fine American Paint Decorated Dome Top Box attributed to Manchester, Vermont, circa 1835, in vibrant original paint decoration, poplar and white pine, domed lid with open interior, the front inscribed “HL Purdy”, 9 x 16-3/4 x 9 in., very good condition overall with surface wear to paint, typical edge wear and bumps, minor shrinkage crack at top Provenance: with copy of receipt from JewettBerdan Antiques, purchased at the New Hampshire show in 2015 for $11,500. The receipt notes that HL Purdy was a merchant in Manchester, Vermont.
Estimate: $3,000 - $5,000
1054
Folk Art Signed and Dated Paint Decorated Box
New London, Connecticut, of rectangular form, the body in floral decoration with central cartouche framing “Elizabeth Cotter/New London/1835”, lid in decoration of landscape with two houses, 3-1/4 x 6-3/8 x 3-3/4 in., lid detached at hinges, general wear, cracks, and loss to wood, some separation at seams, loss to painted decoration, surface dirt and accretion
Provenance: Property from the John B. Schorsch Collection
Estimate: $800 - $1,200
American Carved and Painted Pine Figure of Jenny Lind
circa 1850, remnants of original blue and white paint, upright figure wearing a flounced dress, her hands hidden in a muff, 11 x 4-1/4 x 3-3/4 in., notable loss to carving at face, loss and discoloration to painted surface, large chip at bottom left, large crack and chip to back right, surface dirt and accretion
Provenance: Sotheby’s, New York, Sale 5620: The American Folk Art Collection of Mr. And Mrs. H. John Thayer, October 23, 1987, Lot 101 sold for $715, accompanied by copy of catalog listing; Property from the John B. Schorsch Collection
Estimate: $400 - $600
Jenny Lind (1820-1887) was a Swedish opera singer, known as the “Swedish Nightingale,” famed for her crystal-clear voice and charitable work. She gained international fame through a U.S. tour organized by P.T. Barnum, captivating audiences with her performances.
1058
Framed Pennsylvania Song Bookplate Fraktur Dated 1822
1057
Pennsylvania Folk Art Initialed Slide Top Box
19th century, in red, black, and green painted floral and bird decoration atop yellow ground, initialed on one side
“MH”, 3-1/2 x 4-1/4 x 8-5/8 in., rubbing, crackling, and loss to painted surface, some scratches and abrasions, some chipping at edges, slide lid sits slightly off center, some separations at seams, surface dirt/accretion
Provenance: Pennypacker Auction Centre, Reading, Pennsylvania (accompanied by copy of receipt dated May 21, 1973 for $2,500); Private Collection, McLean, Virginia
Estimate: $1500 - $2,500
hand painted polychrome bird perched on a branch with leaves, surmounted by German fraktur which translates to “This song book belongs to Veronica Rohrer. Written on the 15th day of April in the year of our Lord Jesus Christ, 1882.”, sight 6-5/8 x 3-7/8 in.; paint decorated wood frame with raised corner blocks, 8-5/8 x 5-7/8 x 1-1/8 in., toning and staining to paper, some minor loss to paint, minor wrinkling, small tear above “Dieses”; later frame, in overall good condition
Provenance: Private Collection, McLean, Virginia
Estimate: $600 - $900
1059
Folk Art Carved and Painted Native American Weathervane early 20th century, vintage painted wood and sheet iron figural weathervane, copper feather headdress, mounted on rough cut wood stump, 33-3/8 x 24-1/2 x 6-1/2 in., surface dirt and accretion, general wear commensurate with outdoor use, warping and dents, loss, rust and corrosion to metal elements, paint losses, middle feather, repair at neck, other possible restorations, base unstable Estimate: $500 - $700
1060
American Carved and Paint Decorated Herring Gull ex. Stephen Score early 20th century, life sized example, jointed construction with robust solid white pine body, finely carved with detailed feathering, nail supports at wings, layers of grey and white paint, terminating in grey painted cast iron legs and feet, on make-do base, 21 x 45 x 21 in., scattered chipping and retouch to paint, wear at tail feathers, area of loss to side of beak, some separation at joints but very stable, old in fill at some joints with cracking
Provenance: Purchased from Stephen Score at the York, Pennsylvania Antiques show in 2022. Estimate: $5,000 - $7,000 Per the consignor, this was purchased at the York Antiques Show in 2022 from Stephen Score of Boston, Massachusetts. Included in our photographs is an image of Mr. Score at the New Hampshire Antique Dealer’s Association show, standing proudly next to this folk art carving.
1061
Monumental Carved and Painted Advertisement Sign, “Cooperstown Textile School”, mid 20th century, hand painted red and black text atop pale yellow ground, 20 x 97-3/4 x 3 in., surface dirt and accretion, wear commensurate with outdoor use, flaking and loss to paint throughout Estimate: $300 - $500
1063
American Child Size Federal Blanket Chest in Early Red Paint, late 18th/early 19th century, white pine throughout, hinged lid with open interior with lidded till, brownish red grain painted surface, batwing brass escutcheons, 15-1/2 x 27 x 11-1/2 in., good condition with early paint, typical surface wear and bumps, especially at edges and moldings, probably original escutcheon (not removed), one hinge for lid is loose
Provenance: Property from the John B. Schorsch Collection
Estimate: $400 - $700
1062
Fine New England Federal Flame Birch Inlaid Bow Front 12-Panel Chest, Massachusetts or New Hampshire, 17901810, with inlay top over four highly figured drawers with rosewood banding, D shape skirt and tall French feet, very good condition overall, brasses are period replacements, typical cracks and scattered veneer repairs at skirt, scattered beading repairs and other typical minor repairs and surface flaws
Provenance: Nathan Liverant and Son Antiques, purchased January 2011 (accompanied by copies of writeup); Private Collection, Blacksburg, Virginia
Estimate: $3,000 - $5,000
◉This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.
1064
American Federal Figured Walnut Child-Sized Chest of Drawers early 19th century, walnut with white pine secondary, four dovetailed drawers on French feet, 27 x 27 x 16-3/4 in., front feet replaced, rear feet original, brasses replaced (no plugged holes), typical stains and surface wear with one small area of infill at top, some minor losses to drawer lips
Estimate: $800 - $1,200
1065
American Cherry and Parcel Ebonized Kas late 18th century, exaggerated stepped cornice, paneled doors and stiles, shelved interior with drawer, base with deep drawer flanked by diamond molding, large bulbous ebonized feet, dovetailed and rose head nail construction, poplar secondary wood, 74 x 73 x 27-1/4 in., structurally sound, losses, bumps, and scratches to surface throughout, scratching to left door panel, resurfaced
Provenance: Property from the John B. Schorsch Collection
Estimate: $1,500 - $3,000
1066
American Oak and White Pine
Candlestand, possibly early 18th century, circular top over octagonal column support, with cross base, signed “DL” to underside of base, with later iron supports at top and base, pin construction at top support, 24-1/2 x 14 x 14 in., checking to top, staining to top, wear along edges, wear and losses to base
Provenance: Property from the John B. Schorsch Collection
Estimate: $500 - $700
1067
Classical Mahogany and Upholstered Arm Chair probably American, circa 1820, turned and reeded legs on brass casters, flared wingback, rolled arms, red and black plaid wool upholstery, 45 x 30 x 32 in., sturdy construction, frame not fully examined, fading to fabric, patched hole, two stains,slight tear to back fabric, wear and scratches to wooden legs
Provenance: Property from the John B. Schorsch Collection
Estimate: $600 - $900
1068
“Linsey Woolsey” Whole Cloth Quilted Bed Cover
New England, late 18th/early 19th century, whole cloth top face of dark blue glazed wool (callimanco), hand stitched floral and diamond pattern in central field, scale pattern border, wool backing, attached label with pencil inscription, “Peggy Westerfield Collection/glazed woolen quilt/homespun and dyed/ from the Walt Cole/Moody Family, Circa 1800/Thomaston - ME”, 104-3/4 x 90-1/2 in., good condition overall with glazing intact, minor moth damage along edges and some minor losses to backing
Provenance: Gift of Jason and Peggy Westerfield; Property from the Brooklyn Museum
Estimate: $600 - $900
1069
Fine Set of Eight Federal Carved Mahogany
Urn Back Dining Chairs, attributed to Samuel Kneeland and Lemuel Adams, Hartford, Connecticut, circa 1795, comprising: two arm and six side chairs, each with fine black horse hair upholstery with brass tacking, largest 38 x 22 x 20 in., very good condition, one with minor glue repair at crest rail, one with small break at splat, other typical minor bumps and wear, some light scratches and wear to horse hair
Provenance: Collection of Dudley and Constance Godfrey; Sold Sotheby’s, New York, January 18, 2018 lot 803 for $11,250; Private South Carolina Collection
Estimate: $6,000 - $8,000
1070
Federal Cherry Blocked and Serpentine Chest of Drawers
Massachusetts or Connecticut, late 18th or early 19th century, cherry and maple with white pine secondary, graduated dovetailed drawers with pale blue painted interiors, period brasses, 33-1/2 x 36-1/4 x 21-3/4 in., period brasses possibly original, feet pieced approximately two in. (one rear foot with piece off but present), scattered surface wear, including some abrasions at top
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $800 - $1,200
1071
Federal Gilt and Inlaid Eglomise Mirror
19th century, with highly figured book matched mahogany, shell patera inlaid base, scrolled pediment with central urn, 64 x 25 in., restorations and repairs with paint retouch and regilding with flaking and losses overall, veneer cracks and distress with some surface losses, eglomise plate repainted and backed onto gilding, mirror plate replaced, other repairs
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $500 - $700
1072
New England Chippendale Maple Tall Chest
probably Connecticut or Rhode Island, late 18th century, maple with chestnut secondary, large bat wing brasses and escutcheons, original dovetailed feet, 55-1/2 x 39 x 19-1/2 in., generally good, original feet with some patches and later blocking, minor repair at one drawer lip, probably original brasses and escutcheons
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $500 - $1,000
1073
American Federal Inlaid Cherry Lolling Chair circa 1800, tall back with rounded crest rail, line inlaid arm supports, gold, blue, and green striped silk upholstery, 47 x 24 x 24 in., frame not examined under upholstery, minor repairs at arm attachments, prior upholstery tack marks visible at arms, scratching and rubbing to surface, stains and fraying to upholstery
Provenance: Property from the John B. Schorsch Collection
Estimate: $500 - $700
1074
American Federal Figured Mahogany Candle Stand
circa 1815, highly figured single board mahogany top with shaped corners, tilting on a baluster turned pedestal base, mahogany throughout, 29-1/2 x 24 x 17-1/2 in., cracks and screw repairs at base at leg attachments, repairs at wooden hinge and distress at top of block, center top with plugged hole from previous screw, now removed
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $300 - $600
1075
American Chippendale Walnut Stretcher Based Tavern Table
Middle Atlantic states, 18th century, molded walnut top with large overhang, single dovetailed drawer with poplar secondary, baluster turned legs and stretchers, 25-1/4 x 36 x 24 in., top with separation at joint and some warping (large braces at underside of joint, top possibly associated, not removed for exam), finish distress and losses especially at top, formerly fitted with casters, now removed (some associated cracks at original feet)
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $500 - $700
1076
New England Federal Urn Carved Mahogany Dining Chair
Rhode Island or Connecticut, 1790 to 1810, retaining an old, probably original surface with urn and rosette carved back, serpentine front seat rail over the rail upholstery with brass tacking, 38-1/2 x 21-1/2 x 21 in., excellent condition with old, probably original surface, minor chip at shoe, other surface bumps and wear, especially at front legs, modern upholstery in good condition
Provenance: Collection of Constance and Dudley Godfrey, sold Brunk Auctions, March 23rd, 2018, lot 324
Estimate: $300 - $500
1077
Fine American Chippendale Figured Mahogany Block Front Knee Hole Bureau, Boston, Massachusetts, circa 1770, mahogany with white pine secondary, original bold batwing brasses and escutcheons, tombstone door and dovetailed drawers, bracket feet, early Worcester, Massachusetts history, 30 x 36 x 20-1/4 in., excellent condition, appears to retain its original brasses, top with plugs from later screw attachments, original feet and most blocking, with copy of old appraisal from Levy Galleries for $90,000
Provenance: Drawer with early label “This mahogany locker was owned by Captain Samuel Brooks, first of the name in Worcester, Mass. ...”; Bernard and S. Dean Levy, New York (with label inside top drawer); From a Private Arizona Collection
Estimate: $6,000 - $9,000
1078
American Federal Inlaid Figured Mahogany Sideboard middle Atlantic states, 1790-1810, three dovetailed drawers with poplar secondary over four cabinet doors, line and geometric inlays, front legs inlaid with bellflower chains, 40 x 65-1/2 x 22-1/2 in., top resurfaced and likely restored and with later plugged screw attachments, brasses replaced, bellflower chains possibly of a later date
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $800 - $1,200
1079
New England Chippendale Candle Stand in Old Surface probably Massachusetts, late 18th century, mahogany throughout with old dark brown painted surface, molded top with cusped corners, 25 x 16 x 15-1/2 in., surface paint old but likely not original, repair with infill and distress at one leg attachment, typical surface wear to top
Provenance: Ex Howard and Priscilla Richmond; Elizabeth Stvan, Williamsburg, Virginia
Estimate: $800 - $1,200
1080
Fine Massachusetts Chippendale Block Front Mahogany Chest
Boston, circa 1765, figured mahogany with large batwing brasses and escutcheons, dovetailed construction, original bracket feet, 30-1/4 x 36 x 21 in., very good condition overall, period brasses are replacements, front foot with facings ended out approximately four in., feet are otherwise generally good with most original blocking
Provenance: From a Private Arizona Collection
Estimate: $7,000 - $10,000
With old appraisal from Bernard and S. Dean Levy for $90,000
1081
Fine Chippendale Plum Pudding Mahogany Drop Leaf Table
American or British, late 18th century, highly figured mahogany throughout, on tall tapered square legs, probably walnut gates and pine rails, 28-1/2 x 11 x 34 in., opens to 31-1/2 in., reconfigured or top associated, good structural condition, scattered pest damage overall
Provenance: Property from the John B. Schorsch Collection
Estimate: $400 - $600
1082
American Chippendale Figured Mahogany Blocked and Serpentine Chest Massachusetts, 18th century, figured mahogany with white pine secondary, pierced brasses and escutcheons, ball and claw feet, 31 x 36 x 21-1/2 in., brasses replaced, period feet have been reset and knee returns restored, large patch at right side of top, other cracks and warping to top with some color retouch, other typical cracks and surface wear
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $2,000 - $3,000
1083
American Chippendale Figured Mahogany Block Front Chest Massachusetts, 18th century, molded top over four graduated blocked drawers, shell carved skirt drop, ball and claw feet, bottom of a chest on chest, 34-1/2 x 44-1/2 x 23-1/2 in., top is replaced and appears to be lowercase of a chest on chest, period brass are possibly original, original feet and blocking
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $800 - $1,200
1084
American Federal Tiger Maple Miniature Blanket Chest early 19th century, highly figured maple with white pine, dovetailed box, hinged lid with open interior, serpentine skirt and turned feet, 13 x 18-1/2 x 9-1/4 in., good condition overall, top has been resurfaced and with warping correction at underside (appears to be original), original skirt and feet, typical bumps and wear
Provenance: Private Collection, McLean, Virginia
Estimate: $400 - $600
1085
New England Chippendale Carved and Figured Mahogany Serpentine Desk
Coastal Massachusetts, probably Salem, late 18th century, highly figured mahogany throughout, fitted desk interior over four serpentine drawers, finely constructed, shell carved skirt drop, ball and claw feet, probably original batwing brasses and escutcheons, 43-1/2 x 45 x 24 in., excellent condition overall, minor cracks and repairs at fall board hinges, original feet and most blocking with minor repairs, probably original brasses
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $1,200 - $1,800
1088
1086
American Federal Inlaid Cherry Desk and Bookcase late 18th/early 19th century, figured cherry with poplar secondary, inlaid pediment over oval inlaid paneled doors opening to an adjustable shelved interior, fitted desk interior, original French feet, probably original brasses inscribed “Peace”, 84 x 44 x 22 in., hinge patches at fall board, scattered patches and repairs at feet, very minor repairs at drawer lips, typical shrinkage crack at fall board, other typical surface flaws
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $1,000 - $2,000
1087
Fine American Federal Figured and Inlaid Mahogany Pembroke Table, probably New York, 1790 to 1810, highly figured mahogany throughout, oval top with two drop leaves, single dovetailed drawer with poplar secondary, bookend and husk inlaid tapered legs, 28-1/4 x 22 x 40-1/2 in., very good condition overall, stains and water spots to top, scattered minor inlay losses at edges, probably original brass drawer pull
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $1,500 - $2,500
Chippendale Mahogany and Parcel Gilt Phoenix Figural Mirror
American or British, 18th century, scrolled and pierced pediment with phoenix, old distressed mirror plate with gilt surround, the backboard now covered with an 1848 New York newspaper, 38 x 20-1/2 in., breaks and repairs with restorations to crest, phoenix resurfaced, surface mildew, distressed mirror plate possibly original, not removed for exam
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $400 - $600
1090
American Federal Inlaid Mahogany Bow Front Chest
New England, circa 1800, inlaid top over four graduated inlaid dovetailed drawers on bracket feet, 36 x 41-1/2 x 22 in., very good overall with shrinkage cracks and minor warping to top, brasses replaced, original feet and blocking, minor inlay losses and repairs, possible corner patch at top
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $600 - $800
1089
Massachusetts Federal Inlaid Mahogany Tall Case Clock, Label for S. Curtis, Boston, 1790-1810, painted dial with seconds sweep and date aperture, eight day brass movement, back of dial with paper label “S. Curtis Clock Dial Manufacturer. Boston”, case with scrolled fretwork and brass finials, highly figured waisted case with fluted quarter columns and French feet, with a pendulum winder and two weights, 96 x 20-1/2 x 10 in., dial paint with even crackle, some color variation and scattered light abrasions, hood fretwork with one repair and resurfaced (possibly original), original saddle board (works and case appear to be a good match), shrinkage crack at base panel, bottom board replaced original feet
Provenance: old label inside door, “This clock belonged to Stuart James Park, 1773-1859 and was bought by him probably about 1812. Lawrence Park”; Private Collection, Blacksburg, Virginia
Estimate: $1,200 - $1,800
1091
American Chippendale Figured Mahogany Serpentine Chest
Massachusetts, late 18th century, figured mahogany with line inlay, four graduated dovetailed serpentine drawers with batwing brasses, on large boldly formed ball and claw feet, 32 x 39 x 21 in., good condition overall, brasses replaced, old varnish surface with some sun fading, original feet and most blocking
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $2,000 - $3,000
1092
Fine Massachusetts Figured Mahogany Card Table, possibly Seymour Boston, possibly shop of Thomas Seymour, 1815 to 1820, highly figured mahogany tops with reeded edges, turned and reeded trestle form base with brass casters, 30 x 36 x 17-3/4 in., opens to 35-3/4 in., overall good condition, breaks and repairs at two feet at caster attachments, casters replaced, veneer chips and losses at back of lower trestle, minor warping to tops
Estimate: $2,000 - $3,000
For a related table, see Mussey, Jr., The Furniture Masterworks of John and Thomas Seymour, catalog number 111.
1093
Attributed to George Hartwell Family Portraits (Massachusetts, 1815-1901)
Three Portraits; A Man with a Beard, a Woman with a Lace Collar, and their Daughter, in a Blue Dress; all unsigned, all oil on canvas, painted ovals, all 27-1/4 x 22-1/2 in.; all in matching reproduction burl wood veneer frames 34 x 29 x 1-3/4 in., all linen lined, stabilized crackle, areas of retouch, stretcher marks, all appear well conserved; frames with cracking, two with losses to burl veneer
Provenance: Collection of Allan Daniel, New Jersey; Northeast Auctions, Portsmouth, New Hampshire, August 6, 2011, as Prior Hamblin School; Property from the John B. Schorsch Collection
Estimate: $10,000 - $15,000
1094
Attributed to Lambert Sachs (German/American, 1818-1903)
Portrait of a Girl with Flowers and Boy with Hoop and Stick, painted circa 1875-95, unsigned, colourman stamp canvas verso “Goupil & Co. 366 Broadway, New York, G. ROWNEY & CO. Manufacturers D. Rathbone & Ce London”, oil on canvas, 50 x 40 in.; fine reproduction carved gilt wood and composition frame, 59 x 49 in., original stretcher bar and tacking edge, old patch repairs verso, areas of retouch, crackle; frame with minimal wear Provenance: Descended in the family of the sitters; Sotheby’s New York, Important Americana Including American Stoneware Assembled by Mr. and Mrs. Edwin Hochberg, January 21, 2011, sold for $17,500; Collection of C.L. Prickett; Brunk Auctions, Asheville, North Carolina, September 17, 2022, sold for $11,000, lot 1091, Premier Auction- Session II
Estimate: $7,000 - $10,000
1095
Washington’s Headquarters, after Gunther Hartwick (American, 1817-1899)
George Washington’s Headquarters at Newburgh, signed lower right “G. Hartwich. 1734”, oil on canvas, 25 x 30-1/8 in.; fine modern carved and gilt wood frame, 34-3/4 x 398-3/4 x 2-1/4 in., lined with wax and linen on old stretcher, crackle, scattered retouch; frame with abrasions
Provenance: Claude Harkins Collection of Washingtonia; Brunk Auctions, Asheville, North Carolina: Saturday, June 13, 2015, Lot 60, sold for $7,000, sold Private Collection, Florida
Estimate: $8,000 - $10,000
There is a print of Hartwick’s original, done by James David Smillie, in the collection of George Washington’s Mount Vernon, object number WB-37B2.
1096
John George Brown (German, 1831-1913)
The Best Dog, signed lower left “J.G. Brown N.A.”, oil on canvas, 24 x 16-3/4 in.; period carved gilt wood frame, 30-3/4 x 23 in., original canvas and stretchers, crackle, areas of retouch, canvas slightly loose; frame with wear and areas of loss
Provenance: Collection of Steve Stewart, Lake Lure, North Carolina
Estimate: $5,000 - $7,000
1097
New England Family Portrait (Connecticut or New York, 19th century)
Mother with Twins Elvira and Elmira, unsigned, partially illegible inscription pencil verso “...Hill, Hartland, Vermont/....children Elmira & Elvira”, oil on panel, 27 x 291/4 in.; red painted wood frame 27-3/4 x 30-1/4 x 1-1/4 in., pane; warping, areas of retouch, surface wear and grime; frame with wear, separation at corners, losses
Provenance: Liverant Antiques, Colchester, Connecticut; Harold Sack, New York, NY; Property from the John B. Schorsch Collection
Estimate: $1,000 - $2,000
1098
Thomas Sully
(American/Pennsylvania, 1783-1872)
Sybilla Persica, after Guercino, 1869, signed, titled, and dated verso “Copy of Sybilla Persica TS 1869 ”, oil on canvas, 30 x 25 in.; gilt wood and composition frame, 36-1/4 x 31-1/4 x 3-1/2 in., lined, stabilized crackle, areas of retouch; frame with wear
Provenance: Executor’s sale of the artist’s paintings, Philadelphia, 1872; Christopher Rockafellow; Mrs Anna Walker; Mrs Austin L Beaujou; Anslew Gallery, Inc.,1970; Palmetto Hall: The Jay P. Altmayer Family Collection; Lot 3355 Millea Brothers, May 2017, sold for $7,500.; Private South Carolina Collection
Estimate: $6,000 - $9,000
Literature: Biddle, Edward, Mantle Fielding, and Mantle Fielding. The Life And Works of Thomas Sully, 1783-1872, Philadelphia, 1921, number 425, page 385.
1099
James Edward Buttersworth (British/America, 1817-1894)
Ontario, An American Steam and Sail Ship of the Inman Line, signed lower right “J.E. Buttersworth”, oil on canvas, 20 x 26 in.; carved gilt wood frame, 22-1/2 x 28-1/2 in., lined, areas of retouch
Provenance: By Descent in the Fahnestock and Michalis Families, New York
Collected and enjoyed by three generations of a prominent New York family, the following art and objects were housed in the family residences in the Villard Houses on Madison Avenue, Fahnestock Park in the Hudson Valley, and their Summer house in Garrison, New York. The family enjoyed sailing and collected with that passion in mind, acquiring the Buttersworth paintings and other marine art largely in the 1960s and 1970s. Other fine art and objects from this storied family are also included in this auction.
Estimate: $4,000 - $6,000
Exhibited: The Sea Around Us, Nassau County Museum of Art, June 5-September 12, 2016 (label verso).
1100
William Clark of Greenock, Maritime Painting (Scottish, 1803-1883)
The Paddle Steamer Vulcan Sailing Out of the Clyde, signed lower left “W. Clark/1830”, oil on canvas, 30 x 44-1/2 in.; gilt wood and composition frame, 38-3/4 x 53-1/4 x 4 in., lined, some crackle, scattered retouch; frame with abrasions
Provenance: Private South Carolina Collection
Estimate: $2,000 - $3,000
1101
1849 Street Scene Chappaqua, NY (American, 19th century)
signed lower left “Otto Ficht 1849”, oil on canvas, 24-3/4 x 30 in.; natural wood frame, 29-3/4 x 35-1/2 in., old linen lining, crackle, surface dirt, areas of retouch; frame with wear and separation at corners
Provenance: By descent in the family of the owner of the home in the painting; Collection of Michael Carlebach, Asheville, North Carolina Estimate: $1,800 - $2800
1102
American School Still Life Painting (19th century)
Watermelon, pineapple, cherries, pears, oranges on a fancy-painted marble top server, circa 1850, unsigned, oil on canvas, 14-1/8 x 17-3/4 in.; 19th century wood frame, 17 x 20-7/8 x 1-1/2 in., lined with linen, restretched on new stretcher, crackle, retouch; frame with abrasions commensurate with age
Estimate: $1,000 - $2,000
1103
Alexander Helwig Wyant (American, 1836-1892)
Forest Interior, signed lower left, oil on canvas, 14 x 10 in.; , laid on board, surface dirt, yellowed varnish; frame with wear, losses, re-gilt
Provenance: Private Collection, Virginia
Estimate: $800 - $1,200
1104
Harry Roseland (New York, 1866/68-1950)
Warming by the Hearth, circa 1895, signed and possibly (indistinctly) dated lower right “Harry Roseland ..?”, oil on canvas, 10 x 24 in.; ornate period carved gilt wood frame, 19 x 23 in., original stretchers and canvas, appears recently cleaned and varnished; frame with some cracking commensurate with age, appears re-gilt, at least one small loss to decoration
Provenance: Private South Carolina Collection
Estimate: $5,000 - $7,000
1105
Gilbert Gaul (American, 1855-1919)
Impressionist Scene, South Nashville, circa 1895, signed lower right “Gaul”, inscribed in pencil panel verso “South Nash”, oil on panel, 12-1/2 x 16 in.; fine reproduction gilt wood frame, 19-3/4 x 23-1/4 in., tiny areas of retouch; frame in very good overall condition
Provenance: Private Middle Tennessee Collection; Case Auctions, August 5, 2017, as “South Nashville”, sold for $3600; Private South Carolina Collection
Estimate: $3,000 - $5,000
1107
New England Chippendale Highly Figured Mahogany
Serpentine Chest, coastal Massachusetts, late 18th century, highly figured single board mahogany top with serpentine front and cusp corners over four graduated serpentine drawers, dovetailed construction with pine secondary, original batwing brasses and original bracket feet, fan carved central skirt drop, 32 x 38-1/4 x 221/2 in., excellent condition overall, original brasses, original feet and most blocking, with one later brace at back and other very minor repairs, light abrasions and one shrinkage crack to top, lacking one brass bale, other typical minor flaws
Provenance: John Walton, illustrated in the magazine Antiques, May 1977; Private Virginia Collection
Estimate: $4,000 - $6,000
1106
Henry R. Rittenberg
(American, 1879-1969)
Kitchen Still Life, 1922, signed upper right “Rittenberg”, also inscribed in paint canvas verso, “dedicated and dated ‘To My Best Friend / F. Loving Preston / Henry R. Rittenberg / winter 1922”, oil on canvas, 30 x 25 in; fine reproduction gilt wood frame, 33 x 38 in., crackle, stretcher marks, original canvas and stretchers; frame with abrasions
Provenance: Christie’s, New York, March 18, 1983, lot 269; Alexander Gallery, New York, NY; Richard Manoogian, Gross Pointe, Michigan; Masco Corporation, Taylor, Michigan; Sotheby’s, July 30, 2016, sold for $1,375; Private South Carolina Collection
Estimate: $2,000 - $4,000
1110
American Federal Candle Stand in Old Surface
New England, early 19th century, rectangular top with deeply shaped corners on a baluster support, old varnished surface, probably cherry throughout, 27-3/4 x 21-3/4 x 16 in., in good condition with varnish distress, minor separations at leg attachments, top slightly loose
Provenance: Elizabeth Stvan, Williamsburg, Virginia
Estimate: $500 - $700
1108
Fine New England Federal Porringer Top Candle Stand in Old Surface 1780-1800, old dark brown grain painted surface, deeply shaped porringer top, on tripod base, paint possibly an early second surface, minor chips to legs at attachment with base, one leg with old breakout with repair and later nail, period iron spider
Provenance: Elizabeth Stvan, Williamsburg, Virginia
Estimate: $800 - $1,200
1109
Set of Four New England Chippendale Mahogany Side Chairs
coastal Massachusetts, probably Salem, 1760 to 1780, each with pierced splat, cabriole legs with distinctive pad feet, slip seats with pink damask upholstery, 37 by 23-1/2 by 19 in., very good condition overall, some replaced knee returns, cracks and repairs at one rear style at joint with seat rail, other scattered cracks at leg attachments and some possible repinning, upholstery is generally good
Provenance: Ex. Shaker Square Antiques; Elizabeth Stvan, Williamsburg, Virginia
Estimate: $1,200 - $1,800
1111
American Chippendale Tiger Maple Slant Front Desk
New England, late 18th century, very highly figured maple throughout, fitted desk interior, dovetailed drawers, bracket feet, 40-3/4 x 37 x 19 in., brasses and feet replaced, corner patch at one drawer facing, patch at fallboard lock, old refinishing with surface wear
Provenance: Purchased from Scott Frazier, Lincolnville, Maine, July 1st, 1992 at Quarter Cape Antiques for $4,500; Private Collection, McLean, Virginia
Estimate: $1,200 - $1,800
1112
Fine American Federal Birch Octagonal Candle Stand probably New Hampshire, early 19th century, octagonal top with baluster turned support on tall graceful legs, pegged leg mortises, 26 x 19-1/2 x 19-1/2 in., very good condition, some stains and surface wear to top
Provenance: Property from the John B. Schorsch Collection
Estimate: $500 - $700
1114
American Sheraton Tiger Maple Ladies Work Table
New England, early 19th century, figured maple and other mixed woods, two dovetail drawers, reeded legs and turned feet, 28-1/2 x 17-1/4 x 17-1/4 in., stains and surface distress to top, typical cracks and repairs at banding, probably original brasses, crack and repair at one front leg
Provenance: Property from the John B. Schorsch Collection
Estimate: $400 - $600
1113
Federal Figured and Inlaid Mahogany Serpentine Chest
New England, 1790 to 1810, figured mahogany with white pine secondary, dovetailed serpentine drawers, original bracket feet, 34 x 38-3/4 x 20-3/4 in., good condition overall, brasses replaced, original feet and blocking, typical bumps and wear
Provenance: Purchased from the Virginians, Fredericksburg, Virginia, January 1973, for $4250; Private Collection, McLean, Virginia
Estimate: $800 - $1,200
1115
New England Federal Figured Mahogany Sideboard
circa 1815, sometimes called a whiskey sideboard, with two central doors and eight drawers, figured veneers with line inlay, shaped backsplash and skirt, white pine secondary throughout, 48 x 44 x 21 in., good structural condition, brasses replaced (no plugged holes), cracks, chips and losses to skirt veneer, some finish wear to top, scattered losses to drawer beading, some veneer losses, and other distress at door and drawer facings
Provenance: Property from the John B. Schorsch Collection
Estimate: $600 - $900
1117
1116
Pair of New England Federal Flame Birch and Inlaid Card Tables probably early 19th century, each with highly figured inlaid serpentine skirts, turned and reeded legs, 28-3/4 x 361/4 x 17-1/2 in., Scattered repairs and rebuilding
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $1,000 - $1,500
New England Chippendale Figured Mahogany Desk and Bookcase
Massachusetts, 18th century, upper case with tombstone paneled doors with fluted pilasters opening to a fitted and shell carved interior, lower case with fitted desk interior, bold batwing brasses and escutcheons, 101 x 43-1/2 x 21-1/4 in., brasses and feet replaced, upper and lower cases probably a marriage, finials replaced, some fading to lower case, bed molding replaced, other scattered repairs and surface flaws
Provenance: From a Private Arizona Collection
Estimate: $2,000 - $3,000
1118
Fine New Hampshire Federal Chest in Early Red Paint
Salisbury area New Hampshire, circa 1790, possible Dunlap family attribution, the maple case with early dry salmon/pale red paint, dovetailed graduated drawers, cabriole legs and pad feet, one drawer with inscription OCT 1826 (likely a later inscription), 36-1/4 x 37-3/4 x 19 in., very good condition overall, brasses replaced with some associated retouch at drawer facings, other scattered retouch to early paint (paint is possibly original or an early second surface?)
Provenance: Found in Contoocook, New Hampshire; Elizabeth Stvan, Williamsburg, Virginia
Estimate: $3,000 - $5,000
1119
American School, Early Portrait of a Lady (American, late 18th/early 19th century)
An Elegant Lady in a Red Shawl, unsigned, oil on canvas, 30 x 24-3/4 in.; dark wood frame 33-3/4 x 28-1/2 x 1-3/4 in., original stretchers and canvas, canvas loose, crackle, areas of flaking and loss, retouch; frame with wear and losses
Provenance: Property from the John B. Schorsch Collection Estimate: $2,000 - $4,000
1120
Pastel Portrait of Solomon Dickenson (American, 19th century)
Brigadier General and Maryland State Senator (1778-1838), unsigned, pastel on paper, sight 20 x 15 in.; period carved gilt wood frame 26 x 21 x 1-3/4 in., not examined out of sealed frame, strong color, water staining at lower edge; frame with wear and losses
Provenance: By descent in the Dickinson family to the present owner; Ann Dickinson Dale, Princeton, New Jersey (according to label verso); Freeman’s, November 15, 2022, sold for $500.; Private Texas Collection
Estimate: $800 - $1,200
According to prior auction records, Solomon Dickenson was a Major in the 12th Maryland Brigade during the War of 1812; a Brigadier General in the Maryland Militia; and a Maryland State Senator in 1836.
1121
Pair of 19th Century Portrait Miniatures (American or British)
Finely painted, early 19th Century Lady and Gentleman, watercolor on vellum, not visibly signed, 3-3/4 x 3 in.; pressed brass frame 4-1/2 x 3-1/2 in., the gentleman with area of loss at lower right some wear at edges, the lady with some paint irregularity lower right; both in frames that lack complete stays to secure backing
Provenance: Private Collection
Estimate: $800 - $1,000
1122
Primitive Ice Skating Scene (American, 19th century)
signed and dated lower left “G. Knight Feb.1895”, old paper label canvas verso “Skating on the ...1895/George Knight “, oil on canvas, 25 x 29-3/4 in.; reproduction gilt wood frame, 30 x 35 in., canvas with possible old reinforcement of shellac or something similar, surface abrasions, stretcher marks, surface dirt; frame with abrasions
Provenance: Americana Antique and Art Gallery, Oxford, MD.; Private Collection, McLean, Virginia
Estimate: $700 - $900
1124
Manner of Sully Portrait (American, 19th century)
Portrait of a Lady in a Red Dress, unsigned, oil on panel, 17-1/2 x 13 in.; fine burlwood frame, 21 x 16-1/2 in., crackle, appears stable overall, recently varnished
Provenance: Private Collection
Estimate: $800 - $1,200
1123
Samuel Metford, Interior with Silhouettes (American, 1810-1896)
signed “Samuel Metford, November 28, 1846” (see note), watercolor and graphite on paper, 14 x 19-1/2 in.; carved gilt wood frame, 16 x 21-1/2 in., toning, staining assorted surface creases commensurate with age; frame with wear and small losses
Provenance: Jack & Ray Van Gelder, Conway House Antiques, Conway, Massachusetts (label verso);.Christie’s, New York, January 21, 2011, Important American Furniture, Folk Art, English Pottery, Rugs & Prints, sold for $1,875; Property from the John B. Schorsch Collection
Estimate: $1,000 - $2,000
There is an illegible signature at lower left. A clipped advertisement attached to backing attests to the signature.
1125
Erastus Salisbury Field (American, 1805-1900)
Portrait of a Boy and a Girl, each holding a book, unsigned, circa 1835, oil on canvas, 30 x 24 in. oval; reproduction painted and gilt wood frame 33-1/4 x 27 x 1-1/2 inch oval., laid on board, stabilized crackle, repaired tears, retouch, surface dirt; frame with wear
Provenance: Sotheby’s, New York, January 20, 2017, Important Americana including Property from the Collection of Joan Oestreich Kend, lot 4388, sold for $7,500; Property from the John B. Schorsch Collection
Estimate: $5,000 - $7,000
1126
Folk Portrait, Young Girl (American, 19th century)
in a Blue and Red Dress, unsigned, oil on canvas, 40 x 27-1/4 in.; gilt wood frame 45-1/2 x 32-1/4 x 1-1/2 in., strip lined, puncture at middle right, crackle, stretcher marks, surface dirt, yellowed varnish; frame with wear, re-gilt
Provenance: Dean Wilson Antiques, Fort Defiance, Virginia, 1973; Private Collection, McLean, Virginia
Estimate: $700 - $900
1127
18th Century Portrait of a Girl (American, 18th century)
Portrait of Jane Cyningham with Pink Ribbons, circa 1720-50, unsigned, originally inscribed with sitter’s name, oil on canvas, 24-1/2 x 19-1/2 in.; period dark wood frame, 30 x 25 in., old linen lining, stabilized crackle, areas of retouch; frame with wear, small losses
Provenance: Joe Kindig Jr. & Son, York, Pennsylvania, 1973. This lot is accompanied by the original bill of sale for $2,500.; Private Collection, McLean, Virginia
Estimate: $4,000 - $6,000
1128
Fine Federal Inlaid Mahogany Pembroke Table probably New York, 1790-1810, oval top with two drop leaves, single bowfront drawer with poplar secondary, bookend and husk inlaid tapered legs, 28-3/4 x 31 x 20-1/2 in., good condition and integrity overall, some patches and repairs at hinges and rule joints, scattered veneer patches and repairs
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $1,500 - $2,500
1129
American Federal Inlaid Figured Mahogany Serpentine Sideboard
Middle Atlantic states, probably New York, 1790-1810, figured mahogany with line inlay, inlaid escutcheons, 39-1/2 x 72 x 28 in., restorations and repairs throughout, top resurfaced at underside and possibly replaced, feet have been tipped, some rebuilding to secondary surfaces, other restorations, probably original brasses
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $800 - $1,200
1130
Simon Willard Attributed Massachusetts Federal Rocking Ship Tall Case Clock Roxbury, 1800-1810, painted dial signed “Simon Willard Roxbury”, three rocking ship movement, seconds sweep and calendar dial, brass eight day movement, waisted case with reeded quarter columns set with large brass capitals on tall feet, two weights, pendulum, 94-1/2 x 19-1/2 x 10-1/2 in., restorations to dial paint and signature, repaint with flaking and losses at rocking ship background, patch and repair at fretwork (fret work possibly restored), minor shrinkage crack at base panel, one small molding element off but present, original feet, saddle board likely replaced, works and case possibly associated
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $2,000 - $3,000
1132
1131
Large New York Chippendale Mahogany Dining Table 1760 to 1780, pine rails and oak gates, oval top with two drop leaves, ball and claw feet, traces of early surface, 293/4 x 59-1/2 x 20 x 58-1/2 in., excellent condition, old loss at one rear toe, minor stains and ware to top
Provenance: Elizabeth Stvan, Williamsburg, Virginia
Estimate: $2,000 - $3,000
Fine Phyfe Attributed New York Federal Figured Mahogany Work Table
Attributed to the Shop of Duncan Phyfe, 1805-1810, hinged top opening to a compartmented interior over a false drawer and a central reeded door, on turned legs and brass casters, 29-1/2 x 25 x 15-1/4 in., excellent condition overall, scattered minor stains and discoloration, including at central door, lacking small brass escutcheon, interior with traces of early paper
Estimate: $1,500 - $2,500
A very closely related example is illustrated in Peter Kenny, Duncan Phyfe: Master Cabinetmaker in New York, plate 7 pages 168-169.
1133
Early Philadelphia Paint Decorated Windsor Armchair Pennsylvania, second half 18th century, in old Spanish brown paint over earlier black, ring and baluster turnings, deeply shaped plank seat, 28 x 29 x 20 in., in very good condition with old dry paint surface, typical wear at arm tops, minor cracks to stretchers, minor break at one arm support, other typical surface wear
Provenance: Private Virginia Collection
Estimate: $3,000 - $5,000
1134
American Chippendale Figured Walnut Dish Top Candle Stand Pennsylvania, 18th century, in old surface, single board figured dished top, tripod base with baluster turned support, 27-1/2 x 21-3/4 x 22 in., old dry surface, edge losses to top molding with one associated crack, some color retouch at legs, original iron spider
Provenance: Elizabeth Stvan, Williamsburg, Virginia
Estimate: $1,200 - $1,800
1135
Fine Pennsylvania Chippendale Tavern Table in Early Red Paint, Pennsylvania, 18th century, with removable battened top, finely scalloped skirts on all sides, single dovetailed drawer, original turned feet, fine old paint surface with red, orange, and white mixed woods (poplar and pine with oak poplar battens and cherry legs?), scrubbed top, 30 x 48 x 30-1/2 in., very good condition and integrity, scrubbed top with deep abrasions from use, surface wear and paint losses (some areas possibly dry scraped?), drawer lacking central divider Provenance: Himmelrich Sale, Penny Packer Auctions (with copy of receipt), Redding, Pennsylvania, purchased May 21st, 1973, lot 139 for $4,400; Private Collection, McLean, Virginia
Estimate: $4,000 - $6,000
1137
1136
Pennsylvania Chippendale Walnut Dish Top Candle Stand
Philadelphia area, 18th century, walnut throughout with single board dished top on birdcage support, tripod base with compressed ball standard, mellow surface, 28-1/2 x 19 x 18-1/2 in., birdcage somewhat loose, top with five central plugged holes (top was formerly screwed down), crack and repair at wooden hinge, battens reset, top with minor shrinkage cracks and edge wear
Provenance: labeled at underside “This table belonged to Sarah Reeves. She married Jeremiah Parson. Their daughter Harriet married David Cooley(?)...”; Consignor notes indicate purchased from the estate of John C. Fremont, first territorial governor of Arizona and political opponent of Abraham Lincoln, sold William A. Smith Auctions, May 25th, 1972; Private Collection, McLean, Virginia
Estimate: $1,000 - $1,500
Philadelphia Chippendale Carved Mahogany Side Chair in Old Surface 1760-1780, with carved crest rail and pierced splat, shell carved knees and ball and claw feet, fluted rear stiles, green damask upholstery, 40 x 21 x 21 in., patch and repair at joint of crest rail to right stile, one rear leg spliced approximately nine inches, repinning and distress at rear seat rail joints, minor chips and checking at rear stiles, slip seat replaced, modern green damask upholstery in good condition
Provenance: Joe Kindig; Property from the Collection of Dudley and Constance Godfrey
Estimate: $3,000 - $5,000
1138
American Coin Silver Saucepan possibly 18th century, round ogee form, covered spout, turned wooden handle, lid with wood and acorn finial, marks for “LB/Co” and pseudo hallmarks, 6-1/2 x 10-1/4 x 5-1/4 in., old lacquer finish, repaired pin in handle, wooden finial possibly replaced, light scratches, and wear
Provenance: Elizabeth Stvan, Williamsburg, Virginia
Estimate: $1,000 - $2,000
1139
Three Piece New York Coin Silver Tea Service
American, late 18th century, oval forms with engraved decoration, teapot with wooden handle, William Garret Forbes (New York, NY, working 1773-1809), 39.38
oz. T. gross weight, 7-1/4 in. teapot with matching covered sugar, and creamer, layered lacquered finish (not smooth) with spots of loss, monograms removed (no weakness), creamer handle repaired
Provenance: Elizabeth Stvan, Williamsburg, Virginia
Estimate: $800 - $1,200
1140
American Coin Silver Water Pitcher, Haddock, Lincoln & Foss, Boston, mid 19th century, urn form with bead and Greek key decoration, scroll handle, no monogram, marks for Haddock, Lincoln & Foss (Boston, Massachusetts, working 1857-1868), 34.22 oz. T., 14 in., base rim bent and does not sit flat, possible repaired dent on main body, wear, small dents, and wear
Provenance: Elizabeth Stvan, Williamsburg, Virginia
Estimate: $600 - $1,200
1142
Brass Steam Engine Locomotive Form Jewelry Casket
1141
Large Treen Burlwood Bowl 19th century, probably ash, 7-3/4 x 19-3/4 x 19-1/2 in., scattered cracks throughout, notably along rim, surface dust/accretion
Provenance: Property from the John B. Schorsch Collection
Estimate: $500 - $700
circa 1900, with lid, on studded and black lacquered wood base with drawer, 6-1/2 x 8 x 5-3/8 in., surface dirt and accretion, discoloration to brass elements, spots of scratching, chipping, and loss to lacquer, and wear to corners of base, drawer sticks
Provenance: Property from a Private Chicago Estate
Estimate: $500 - $700
1144
1143
Boston Street Fire Club Fire Bucket Dated 1826 painted leather reads “BOSTON STREET/S. PITMAN(?)/FIRE CLUB/ SALEM(?)/1826” in yellow and green pigment, red painted rim, possibly later leather top handle, iron rings with remnants of pigment, 14-1/4 x 9-1/2 x 10 in. (to top of rings), surface dirt and accretion, cracking, chips, and losses to paint affecting text and image, flaking, cracking, and losses to leather, some rusting to metal elements, fluoresces under black light possibly due to wax or varnish
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $800 - $1,200
Fire Bucket dated 1794, “From Flames I Rise” probably New England, polychrome painted leather in central decoration of phoenix rising from a bowl of flames surrounded by bow, foliate motif, and banderols reading “S. FROTHINGHAM./EX. FLAMMIS. 1784 RESURGO”, black painted leather top handle, black painted iron rings, 13-3/4 x 8-3/4 x 10-1/2 in. (to top of rings), surface dirt and accretion, cracking overall, chips to paint affecting text and image, flaking, and losses to leather, notably at ears/mounts, rubbing and loss of paint to handle, rubbing and loss of paint at rings, fluoresces under black light possibly due to wax or varnish
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $600 - $900
1145
Fire Bucket and Fireman’s Helmet
American, 19th century, comprising: probably Portsmouth, New Hampshire, black leather fireman’s helmet with gilt brass eagle finial marked “Anderson & Jones”, rim embossed with scrollwork, each comb segment with embossed triangle surmounted with fleurs de lis, interior band inscribed “7 1/4...” and possibly signed, 8-1/4 x 14-1/2 x 11-3/8 in.; painted leather fire bucket marked “A. HARTWELL/No. 1”, leather handle attached with iron rings, red, white, and black paint, 14-1/8 x 8-1/2 x 8-7/8 in., surface dirt and accretion, cracking and flaking to leather; helmet with loss to black finish, small tears near eagle finial, break to rim strut and associated 1-3/4 in. tear, tear to interior fabric band; bucket with flaking, chipping, and loss to paint, some pitting and corrosion to handle rings
Provenance: Ron Bourgeault; Property from the John B. Schorsch Collection
Estimate: $500 - $700
1146
American Coehorn Mortar on Stand possibly 19th century, bronze Coehorn mortar mounted on modern wood and metal stand, 9 x 9-1/2 x 9 in. overall, barrel 5-1/4 in., bore 2 in., fuse hole through to barrel, some verdigris and discoloration to bronze, general wear to wood base
Provenance: Private Collection, Elon, North Carolina
Estimate: $800 - $1,200
flowers, opposite side with American eagle and E PLURIBUS UNUM, baleen stays, brass fittings, 41 in. overall , stays are slightly warped and inoperable, fabric missing, older repair to tip of handle (some glue residue present), surfaces with expected rubbing or bruising
Provenance: Collection of William Dykes, Wiscasset, Maine
Estimate: $700 - $900
For a similar example, see Dan Morphy Auctions, July 12, 2022, lot 1051.
1148
Civil War Era Hand Sewn 24 Star American Flag dark blue wool canton with double appliqued cotton stars, sewn over cotton hoist retaining original loops, two retaining leather ties, cotton binding throughout, 42 x 50-1/4 in.; overall in frame, 52-1/2 x 60-1/4 in., evidence of extended use or battle wear, fading and discoloration throughout, older patches or stitched repairs, particularly at fly end, possibly shortened, threadbare areas, tears, losses, upper hoist loop an old rope replacement (possibly in the period), not removed from frame for examination
Provenance: Jeff Bridgman American Antiques, York, Pennsylvania; Jeffrey S. Evans & Associates, Mount Crawford, Virginia, June 23, 2018, Lot 1113, sold for $7,605; Private South Carolina Collection
Estimate: $3,000 - $5,000
1149
Benjamin Harrison Silk Portrait Flag silk campaign flag with overprint portrait of the 1892 Republican incumbent, facsimile signature below, 6-1/2 x 10-1/2 in., overall good, bold color, typical light folds, corners with what appears to be pinholes only evident when backlit
Provenance: Private Collection, Fletcher, North Carolina
Estimate: $500 - $700
1150
Large Near Pair of Intaglio Glass Hurricane Shades
American or British, 19th century, in surrounding grape vine decoration, taller 22-1/4 x 9 x 9 in., accretion, inclusions, air bubbles, fleabites, chips along base and some scratching throughout commensurate with age and use; taller example with defect affecting part of bottom decorative border likely as made; wider example with scratch to bottom rim
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $1,000 - $1,500
1153
1151
Pair of American Federal Brass Andirons 19th century, brass columns surmounted by urn form finials, spurred feet, iron billet bar, 23-7/8 x 10-1/2 x 18 in., surface dirt/accretion, corrosion discoloration, and verdigris, some nicks to brass
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $600 - $900
1152
Large Pair of Hurricane Glass Shades
American or British, 19th century, of typical baluster form, 21-3/8 x 7-1/8 x 7-1/8 in., accretion, inclusions, air bubbles, fleabites, chips to bases and some scratching throughout commensurate with age and use
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $300 - $500
14 Copper and Brass Kettles, Bowls, and Pots some pieces copper plated, comprising: four kettles of various sizes, one with impressed mark to base and side of spout, one with lid hinge, brass lid finials, three with brass handle arms, largest 12-1/2 x 9 x 12-1/2 in.; one chocolate pot, wood handle, 9-1/8 x 7-1/2 x 11-1/2 in.; three saucepans, one impressed “CARMICHAEL RANGE CO.” near rim, largest 8-1/2 x 26 x 12-1/4 in.; two copper hanging cook pots, wrought iron handles, larger 14-1/8 x 20-3/8 x 17-3/4 in.; one brass hanging cook pot, wrought iron handle, 20-1/4 x 29 x 27-1/4 in.; two confectioner bowls, wrought iron side handles, one with mark “The WM. EDWARDS CO./BAKERS SUPPLIES/CLEVELAND” and impressed “18” on handles, one with brass plaque “Best Ever Made/BYRNES & KIEFER/1128 PENN AVE./PITTSBURG, PA.”, larger 9-1/2 x 26 x 20-3/4 in.; one riveted copper vat, 16-3/8 x 27-1/2 x 27-1/4 in., surface dirt and accretion, dents and knicks, some minor warping, discoloration, corrosion, and verdigris to metal, areas of brass solder; chocolate pot with handle loose and slightly chipped; brass cook pot with cracks and solder repairs to lip; one saucepan with approximately 1 in. of plating worn off at rim
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $500 - $700
1155
1154
Large Federal Brass and Wire Fire Screen
19th century, brass trim over steel grate, wire scroll decoration at center, 24-1/4 x 57-1/4 x 13-5/8 in., scattered scratching, knicks, and dents to brass trim, some warping to steel grate, rust, verdigris, and corrosion, surface dirt and accretion
Provenance: Northeast Auctions, Portsmouth, New Hampshire, Memorial Day Weekend Auction Day 1, May 25, 2013, lot 142 for $1,200 (accompanied by copy of receipt); Property from the John B. Schorsch Collection
Estimate: $500 - $700
Eight Historical Blue Staffordshire Plates with American Scenes British, 19th century, each in blue and white transfer decoration, comprising: Baltimore Courthouse attributed to Henshall and Co. of Longport, titled to underside of rim, 7/8 x 8-5/8 x 8-5/8 in.; Boston Statehouse, 7/8 x 10 x 10 in.; Chief Justice Marshall, 7/8 x 8-1/8 x 8-1/8 in.; View of Trenton Falls, titled and impressed on base “...Wood & Sons Burslem ...”, 7/8 x 7-7/8 x 7-5/8 in.; crest of New York, the base with impressed mark “T Mayer Store/Warranted”, 1 x 10 x 10 in.; village scene with figures, 1-1/8 x 10-1/4 x 10-1/4 in.; figure holding shield that reads “peace/plenty”, the base with impressed mark “Clews Staffordshire Warranted”, 7/8 x 10-1/4 x 10-1/4 in.; harbor scene titled “Landing of Gen Lafayette/At Castle Garden New York/16th August 1824”, the base with impressed mark “Clews Staffordshire Warranted”, 7/8 x 10-1/8 x 10-1/8 in., anomalies, pinholes, and crazing, discoloration, surface dirt/accretion, abrasions and scratches; Baltimore Courthouse with cracks to base, notable discoloration; Boston Statehouse with notable crazing; peace/plenty with repairs and retouch along rim
Provenance: (Baltimore Courthouse) Hantman’s Auctioneers and Appraisers, February 22, 1997 lot 258 (with copy of receipt for $125); Private Collection, McLean, Virginia Estimate: $600 - $900
1156
New England Redware Jug with Tricolor Glaze 19th century, ovoid jug with rounded foot, ribbed handle, and flat spout, the body decorated in splotches of sponged manganese, rust, and green, 8-1/4 x 7-3/4 x 8-3/8 in., surface dirt/accretion, scattered crazing, pinholes, and glaze voids, some chipping to foot, scratches
Provenance: Private Collection, McLean, Virginia
Estimate: $800 - $1,200
1157
Four Pennsylvania Slip Decorated Redware Plates and a Milk Bowl
19th century, comprising: near pair of small plates with wavy slip decoration, 1-5/8 x 7-1/2 x 7-1/2 in.; plate with dark slip inscription reading “Jones”, 1-1/2 x 9-1/4 x 9-1/4 in.; plate with slip inscription reading “May”, 1-5/8 x 10-1/4 x 10-1/4 in.; milk bowl with black, green, white, and beige slip decoration, 4-3/8 x 13 x 13 in., some with scratches, wear, and loss to glaze to interiors; one small plate with chips to rim; May plate with notable chip to slip decoration and body, large chip to base, plate fluoresces under blacklight - likely restored; milk bowl with chips to rim, hairline to rim and base
Provenance: Private Texas Collection
Estimate: $800 - $1,200
1158
New England Folk Art Framed Ship Diorama
19th century, carved and painted model of a three masted ship under full sail, a painted American flag topping back mast, the background in painted decoration of hilly landscape with houses, held in a period shadowbox frame with scrolled crest, 25-1/2 x 35 x 5 in., some loose and lacking elements at interior, surface dirt/accretion, some discoloration, crackling to painted background, bumps and abrasions to frame, separations at seams, cracks and repairs to scrolled crest
Provenance: Estate of William D. Carlebach, Mystic, Connecticut; Collection of Michael L. Carlebach
Estimate: $600 - $900
1160
Large Framed Shellwork Composition
20th century, large rectangular composition of shells, decoration of four anchors and two spirals, 27-1/2 x 37-3/4 in.; carved wood shadowbox frame, 31 x 41-1/8 x 5-1/2 in., one loose piece at interior, surface dust/accretion; some bumps and abrasions to frame, gilt fillet with cracking and loss to veneer, some separations at seams
Provenance: Property from the John B. Schorsch Collection
Estimate: $800 - $1,200
1159
Folk Art Framed Ship and Landscape Diorama
American, early 20th century, carved and painted scene featuring two masted steamship flanked by two houses with figures in yards beside the sea, of wood, cotton, and twine construction, held in painted wood shadowbox frame, 22 x 363/4 x 5-3/8 in., some loose and lacking elements at interior, notably one of leftmost gentleman’s arms, surface dirt/accretion, bumps and abrasions to frame
Provenance: Northeast Auctions, Portsmouth, New Hampshire, Marine, China
Trade & Historical Americana Auction - Day 1, August 17, 2013, lot 275 for $1,900
(accompanied by copy of receipt); Property from the John B. Schorsch Collection
Estimate: $600 - $900
1161
Folk Art Carved and Painted Sperm Whale
20th century, possibly by Clark G. Voorhees, Jr. (Connecticut/Vermont, 1911-1980), not apparently marked, black painted body with white teeth and glass eyes, 14-5/8 x 36 x 3 in., crackling, flaking, and loss to painted surface, break and repair to fin, some checking and cracks to wood
Provenance: Northeast Auctions, Portsmouth, New Hampshire, Marine, China Trade & Historical Americana Auction - Day 1, August 18, 2012, lot 291 for $3,700 (sold as Clark Voorhees, accompanied by copy of receipt); Property from the John B. Schorsch Collection
Estimate: $500 - $700
1163
1162
After John Blake White, Sweet Potato Dinner (Pennsylvania, 1808-1897)
Gen. Marion, in His Swamp Encampment Inviting a British Officer to Dinner, published by the Apollo Association for Promotion of Fine Arts in the U.S., 1840, after John Blake White, (American/South Carolina, 1781-1859), John Sartain, engraver, image 16-1/2 x 20-1/4 in., sheet 18-3/4 x 22-5/8 in.; black painted print frame, 24-1/4 x 28-1/4 x 1 in., not examined out of frame, floated, some small tears along edges; frame with minimal wear
Provenance: The Philadelphia Print Shop (information sheet verso); Rob Shaw Gallery, West Cola, South Carolina (stamp verso); Private South Carolina Collection
Estimate: $500 - $700
The Apollo Association was an early American art union that promoted American artists by commissioning and distributing prints through a subscription service. “The Sweet Potato Dinner” was the inaugural print produced by the Apollo Association, depicting a historical scene of Revolutionary War General Francis Marion, also known as the “Swamp Fox” for the guerilla tactics he used in South Carolina, meeting with a British commander.
Frederic Sackrider Remington (American, 1861-1909)
Five Head/Character Studies, each one signed, mounted together, the largest 5-1/2 in., the smallest 4-1/2 in.; gilt wood frame, 17 x 13-1/2 in., each one approximately 90% laid down to backing, toning, all with torn or cut edges; frame with Provenance: Old Print Shop, New York, NY, (label verso); By Descent in the Fahnestock and Michalis Families, New York Collected and enjoyed by three generations of a prominent New York family, the following art and objects were housed in the family residences in the Villard Houses on Madison Avenue, Fahnestock Park in the Hudson Valley, and their Summer house in Garrison, New York. The family enjoyed sailing and collected with that passion in mind, acquiring the Buttersworth paintings and other marine art largely in the 1960s and 1970s. Other fine art and objects from this storied family are also included in this auction.
Estimate: $2,400 - $3,400
1164
Henry Bacon
(Illinois/New York, 1866-1924)
Donald MacRae House, signed in ink lower left, “with the compliments of H. Bacon”, watercolor and ink on paper board, 15-3/4 x 26 in.; wooden silver gilt frame, 181/2 x 28-1/2 x 1 in., toned, light foxing, mounted to mat, mat burn, mat with toning; frame with wear and abrasions, some separation at corners
Provenance: Private Collection
Estimate: $4,000 - $6,000
Henry Bacon was an American Beaux-Arts architect best known for overseeing the design and engineering of the Lincoln Memorial in Washington, D.C. The house, designed by James Brite and Henry Bacon, was constructed in Wilmington as a prime example of the Shingle style. It now serves as the parish house for St. James Episcopal Church. Originally built for Donald MacRae, a captain in the Second Regiment of the North Carolina Volunteers, the home is situated within the Wilmington Historic District.
1165
Henry Albert Botkin Painting (American, 1896-1930)
Along the River, circa 1929, signed in pencil lower left “Botkin”, watercolor and india ink on paper, sight 13-1/2 x 15 in.; gilt wood frame, 20-1/2 x 22 in., not examined out of mat, mat glued together, tacking hole upper right corner, slight warp to paper at top edge; frame with wear and losses to gilt
Provenance: Private South Carolina Collection
Estimate: $1,000 - $2,000
1166
Franklin Boggs (Wisconsin/Indiana, 1914-2009)
New Trailer Thresher, 1942, signed and dated lower right “Franklin Boggs 42”, oil on canvas, 30 x 40 in.; carved gilt wood frame, 33-3/4 x 43-3/4 in., original stretcher and canvas, surface dirt; frame with wear and abrasions
Provenance: Case Auctions, July 18, 2019, sold for a hammer price of $7,500.
Estimate: $7,000 - $9,000
Exhibited: Associated American Artists, New York, NY, n.d. An announcement for the inclusion of this painting in the exhibition, showing a photograph of the work, was printed in the Knoxville News Sentinel on March 28, 1943. A photocopy of same is attached at the back of the frame.
1167
George Pearse Ennis (New York, Maine, 1884-1936)
Washing Day, circa 1925, signed lower right “Ennis”, watercolor on paper, 22-3/4 x 18-1/2 in.; gilt wood frame, 31-3/4 x 27-1/2 in., hinged in at top edge, minimal fading; frame with wear
Provenance: Private South Carolina Collection
Estimate: $1,000 - $2,000
1168
Two Quaker Watercolors, One Signed J. Cruickshank Smith (American, 19th/20th century)
Two naive watercolors: Friends (Quaker) Meeting in The Barn, 1865, signed and dated lower right “By J. Cruickshank Smith / 1865”, inscriptions in lower area with names of characters and other descriptions, watercolor and pencil on paper, image 7-3/8 x 9-5/8 in.; black wood frame, 11-3/4 x 13-3/4 x 5/8 in.; interior scene with figures and dog, story inscribed in upper margin “J.B.S. Makes up his mind to spend part of the sum-mer with the Doctor and borrows Debbys [sic] travelling trunk to put up a few thing:”, lower margin inscribed “Don’t be Scared!”, unsigned, watercolor and pencil on paper, sight 7-1/2 x 9-1/2 in.; black wood frame, 11 x 13 x 5/8 in., light toning, creases, not examined out of frames, “Friends Meeting” floated on backing, small losses at edges; frames with wear and abrasions
Provenance: Property from the John B. Schorsch Collection
Estimate: $1,000 - $1,500
1169
A. Hale Johnson (Massachusetts/New Jersey, 20th/21st century)
New England Coast, signed lower right “A. Hale Johnson”, oil on Masonite, 10-1/2 x 20 in.; painted wood frame, 15-3/4 x 25-1/2 in., painting in very good condition; frame with minimal wear, painted wood liner with some streaks of green accretion
Provenance: Private Collection
Estimate: $800 - $1,200
1171
Johann Berthelsen
(Danish/New York/Connecticut, 1883-1972)
Washington Square in Winter, 1938, signed lower right Johann Berthelsen”, also inscribed in pen board verso “Washington Square in Winter 1938 Johann Berthelsen”, oil on canvas board, 10 x 8 in.; gilt wood frame, 16-1/2 x 14-3/4 in., rough surface, apparently from uneven ground, surface dirt layer; frame with minimal wear
Estimate: $1,000 - $2,000
1170
Johann Berthelsen (Danish/ New York/Connecticut, 1883-1972)
General Sherman Statue, Grand Army Plaza, New York City, signed lower right “Johann Berthelsen”, oil on Masonite, 16 x 20 in.; ornate gilt wood frame, 24-1/4 x 28-1/4 in., crackle, surface dirt layer, yellowed varnish; frame with abrasions
Estimate: $2,000 - $3,000
1172
Two American Diminutive Painted Cottage Chests
19th century, each pine construction, comprising: green painted chest of drawers with gold accents, oval mirror atop four drawers, 27 x 18 x 12 in.; eight drawer chest with combed and floral painted decoration, 14 x 17-3/4 x 9-3/4 in., scratches, bumps, and abrasions, losses to painted surfaces; green painted example with later paint
Provenance: Property from the John B. Schorsch Collection
Estimate: $500 - $700
1173
Chippendale Upholstered Wingback Chair
American or British, probably late 18th century, flared sides, rolled arms, straight leg, upholstered blue and white checkered fabric and down cushion, velvet lining to back, 45 x 32 x 27 in., frame not examined, overall good condition, some bumps and wear to finish, formerly fitted with casters, some stains to upholstery on wing
Provenance: Property from the John B. Schorsch Collection
Estimate: $400 - $700
1175
1174
Connecticut Chippendale Shell Carved Desk late 18th century, fitted desk interior with shell carved prospect door, batwing brasses and escutcheons, dovetailed construction, original ogee bracket feet, 42 x 44 x 20 in., sun fading and finish wear, some color variation, brasses replaced, original feet with some breaks and repairs and later blocking
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $800 - $1,200
American Federal One Drawer Stand in Old Surface early 19th century, apparently birch throughout, false drawer, top with quarter round corners, finely tapered legs, 27 x 18 x 13-1/4 in., excellent condition with old surface, stains and wear to top, with central shrinkage crack and some warping
Provenance: Elizabeth Stvan, Williamsburg, Virginia
Estimate: $400 - $600
1176
Pennsylvania Chippendale Carved Walnut Desk on Frame probably 19th century, diminutive form with fitted desk interior, deeply scalloped skirt, shell carved knees and trifid feet, 39-1/2 x 31 x 19-1/2 in., possible reconfiguring or rebuilding (some construction anomalies, side skirts are laminated, etc.), period brasses are probably replacements (no plugged holes), scattered typical shrinkage cracks and surface wear
Estimate: $1,000 - $1,500
1177
American Queen Anne Walnut Drop Leaf Table probably Massachusetts, 18th century, walnut and maple with maple gates and pine rails, cabriole legs and pad feet, 27 x 47 x 15-1/2 in., good structural condition, refinished, minor edge wear to feet, typical shrinkage cracks and surface wear to top with scattered scratches
Provenance: Old accession number at underside, 1930-93-1
Estimate: $400 - $700 1178 - Withdrawn
1179
American Folk Art Carved and Painted Plaque circa 1910, painted black, decoration of a farmer and plow horse carved in relief inset within a square lipped frame, 17-1/2 x 21-1/2 x 1-1/4 in., surface dirt/ accretion, some bumps and abrasions, slight loss to painted surface
Provenance: Chris Huntington, New Vernon, Maine; John Keith Russel, South Salem, New York; Skinner’s, Boston, Massachusetts, American Furniture & Decorative Arts, November 4, 2007, Sale 2384, lot 962; Mark and Susan Laracy; Sotheby’s New York, Important Americana, January 18, 2018, lot 1293 for $1,500; Private South Carolina Collection
Estimate: $1,000 - $2,000
1180
David Y. Ellinger Attributed Paint Decorated Box (American, 1913-2003) of rectangular form with hinged lid, the exterior decorated with polychrome birds and flowers atop cream ground, the interior lined in quilted fabric, 12 x 19-1/2 x 12-3/8 in., some chipping and loss to wood and painted surface, notably along edges, some separations at seams, stains and tears to interior fabric
Provenance: Property from the John B. Schorsch Collection
Estimate: $800 - $1,200
1181
Saul Steinberg Rug Tapestry (New York, 1914-1999) Persian Rug, circa 1970, designed Persian rug motif with nude odalisque figures and a cat, wool, 6 ft. 10 in. x 9 ft. 2 in., plush pile in good condition overall, mounted to wooden hanger
Provenance: Private Collection of John Williams
Estimate: $3,000 - $5,000
Saul Steinberg, a noted 20th century illustrator, was enjoyed through his philosophical caricatures for the New Yorker
1182
Extensive Suite of Vintage Wicker Patio Furniture 20th century, Heywood Wakefield style, 21 assorted pieces of dark finished wicker, unmarked and unlabeled, including a long sofa, 80 x 22 x 36 in.; a long console table, 72 x 21 x 30 in.; a smaller settee ;two rocking chairs; three arm chairs; four petite side chairs; four assorted side or coffee tables; a planter with liner; a foot stool; a small stand; a floor lamp, with wicker and fabric shade; a hamper; together with covers for long sofa and console table; assorted pillows and cushions; Heywood Wakefield electrified table lamp, 29 x 19 x 19 in., all with the expected wear commensurate with age and outdoor use; hamper of a lighter color; not all seats have cushions; one round table with extensive breaks and loss at side.
Provenance: Property from the John B. Schorsch Collection
Estimate: $2,000 - $3,000
1183
Set of Ten Chippendale Style Carved Mahogany Dining Chairs, 20th century, in the Philadelphia taste, with gothic backs and marlboro legs, yellow damask upholstery, 38-1/2 x 25 x 23 in., side chair 38 x 22 x 21 in., good structural condition with typical surface bumps and wear, upholstery with extensive stains and fading
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $1,000 - $2,000
1184
West Indies Classical Carved and Figured Mahogany Server, Jamaica, circa 1830, highly figured mahogany veneers, four dovetailed short drawers centering a drapery carved panel, carved and faceted legs, dovetail drawers with mahogany secondary, 36 x 47 x 22 in., very good condition, some stains and wear to top, typical cracks and repairs to veneer banding
Provenance: Plaque underneath indicates previously owned by George C. Seybolt, President/Emeritus of the Boston MFA, 1968-1974, possibly exhibited c. 1978; Private Collection, Birmingham, Alabama
Estimate: $3,000 - $5,000
For an example with similar legs see four-post bed in Rose Hall Plantation, Jamaica, Michael Connors, “British West Indies Style: Antigua, Jamaica, Barbados, and Beyond,” Rizzoli, 2010, pg. 54-55.
1185
Two American Classical Mahogany Miniature Chests 19th century, comprising: an ogee molded example with stepped top, five dovetailed drawers, including an ogee drawer, dovetailed construction with mahogany secondary, 17 x 15 x 9 in.; together with a three drawer example in old surface with book matched veneers, scrolled skirt, dovetailed construction with white pine secondary, 15-1/2 x 15-3/4 x 9 in., both in good condition overall; the first with old varnish with surface scratches and some distress shrinkage, cracks at sides, other typical cracks and surface flaws; second example with old distressed varnish with scattered bumps and wear
Provenance: Property from the John B. Schorsch Collection
Estimate: $300 - $500
1186
American Classical Paint Decorated and Faux Grained Chest attributed to Maine, circa 1830, retaining a bold faux grained painted surface, four dovetailed drawers, flanked by faux painted tiger maple panels and polychromed split columns, case sides with faux painted tiger maple panels, paneled back, probably original pressed sandwich glass drawer pulls, poplar and pine construction, 60 x 19-1/2 x 48 in., excellent condition, appears to retain original drawer pulls, locks and painted surface, typical surface wear and bumps, especially at corners
Estimate: $1,500 - $2,500
1189
1187
Fine Baltimore Classical Mahogany and Marble Top Pier Table school of Camp or Needles, circa 1825, a fine table with original variegated white marble top, figured and ebonized skirt on carved and boldly reeded column form legs with ebonized ball feet, 36 x 40 x 20 in., ebonized feet replaced, otherwise excellent condition with original marble, marble with typical edge wear and minor stains, other minor flaws
Provenance: According to consignor notes, purchased from estate in Catonsville, Maryland in 2012; Private Collection, Birmingham, Alabama
Estimate: $3,000 - $5,000
For a similar pair see Christie’s New York, Important American Furniture, Folk Art and Prints Including American Folk Art from the Atwater Kent Museum of Philadelphia, October 3, 2007, Lot 127 Also see: Gregory Weidman, Furniture in Maryland, 1740-1940, The Collection of the Maryland Historical Society, Maryland Historical Society, 1985, fig. 141 and fig. 169.
1188
American Classical Paint Decorated and Faux Marble Dressing Table, Maine, 19th century, pale mustard and black paint with faux marble top, stencil decorated backsplash, two dovetailed drawers, turned legs, 38-1/2 x 35-1/2 x 19 in., surface dirt and accretion, rubbing, crackling, and loss to painted decoration throughout, crack to top panel at right side, some separation at top panel on left side, plug to backsplash, plug to front of left drawer
Estimate: $500 - $700
Diminutive Cow Horn and Faux Fur Upholstered Armchair American, possibly Chicago, late 19th century, unusual small scale form, created from assembled cow horns and now upholstered in faux fur, 40-1/2 x 25 x 26 in., typical scattered repairs and separations at joints of horns, including some later glue and nails, scattered foot and leg repairs, modern upholstery is generally good condition
Estimate: $600 - $900
1191
Gorham Chantilly Sterling Flatware, 83 Pieces
1190
International Royal Danish Sterling Flatware, 173 pieces
American, 20th century including eight 9-7/8 in. hollow handle knives, stainless blades; twelve 8-7/8 in. hollow handle knives stainless blades; eleven 6-3/8 in. hollow handle steak knives; nine 7-5/8 in. forks; twelve 7-1/4 in. forks; eleven 6-3/8 in. salad forks; twelve 5-1/2 in. cocktail forks; fifteen 4-1/8 in demitasse spoons; twelve 6 in. citrus spoons; sixteen 6 in. spoons; ten 6-3/4 in. spoons; eight 7-3/8 in. teaspoons, twelve 6-1/2 in. round soup spoons; six 8-3/8 in. oval soup spoons; fourteen 6-1/8 in. hollow handle spreaders; two piece salad set; 6-1/2 in. jelly server; 7-1/8 in. butter knife; 5-3/4 in. pickle fork, no monograms, all with marks for International, 169.84 oz. T. excluding hollow handle pieces; with wooden case, average wear
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $4,000 - $6,000
American, 20th century, including eleven 9-1/4 in. hollow handle knives, stainless blades; ten 5-7/8 in. solid handle spreaders; twelve 7-3/8 in. forks; eleven 6-3/8 in. salad forks; nineteen 5-3/4 in. teaspoons; five 6-1/4 in. round soup spoons; twelve 7-1/2 in. ice tea spoons; two 8-3/8 in. serving spoons; one 5-7/8 in. cheese scoop, all with monograms, marks for Gorham, 83.46 oz. T. excluding hollow handle pieces; with silver plate serving fork and wooden case, average wear
Provenance: Connecticut Private Collection
Estimate: $1,800 - $2,400
1193
1192
Pair of Sterling Oval Covered Serving Dishes American, 20th century, oval form with gadroon and shell borders, scroll handles, marks for Fisher, 73.72 oz. T., 3 x 11-1/2 x 9 in., both with dents, several spots of heavy tarnish, scratches, and wear
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $1,500 - $2,500
Five Sterling Table Items and Silver Plate Gravy Boat
Chicago Silver Co. footed cake plate; International, Lord Saybrook round tray; round Alvin tray; Wallace Rose Point small plate; small round tray, Lebkeucher & Co., most with monograms, 48.33 oz. T.; with Elkington silver plate gravy boat, 101/4 in. to 6-3/4 in., all with average wear
Provenance: Property from a Private Chicago Estate
Estimate: $1,000 - $1,500
1194
Gorham Sterling Tray
American, 1908, rectangular with rounded corners, reeded borders, monogram, marks for maker Gorham, “A4526” and retailer Spaulding & Co., 27.32 oz. T., 14-3/4 x 9-1/2 in., small dents and light scratches
Provenance: Property from a Private Chicago Estate
Estimate: $600 - $900
1195
Sterling Lighthouse Form Coffee Pot American, 20th century, lighthouse form with dome top, wooden handle, composite finial, monogram, marks for maker Watson and retailer Spaulding - Gorham, “Exemplar/ Circa 1730-1756/1 1/4 Pints”, 21.1 oz. T. gross weight, 10 in., light scratching and wear
Provenance: Property from a Private Chicago Estate
Estimate: $400 - $800
1196
Schofield Sterling Two Handle Trophy Baltimore, Maryland, early 20th century, urn form, two handles, reeded borders, inscribed on one side ”To/Helen Pickett Lathrop/From/The Beta Chapter/of the/ Fraternity/of/ Upsilon Phisigma Delta/April 10th 1912”, fraternity emblems on back side, marks for Frank M. Schofield Co., 21.39 oz. T.. 10-1/4 in., light scratches and minor wear
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $400 - $800
1197
Six Piece Gorham Plymouth Sterling Tea Service American, 1910-1912, urn forms, hot water with wooden handles, ivory and ceramic spaces, monograms, 110.84 oz. T. gross weight, including 13-3/4 in. hot water with matching coffee pot, teapot, covered sugar, creamer, and waste, hot water lacking burner; sugar finial bent; all with small dents, light scratches, and wear
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $2,500 - $3,500
◉This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.
1199
Set of Eight Stieff Sterling Tumblers
American, 1931, typical form, monogram, “LBB”, marks for Stieff, “0700”, 45.95 oz. T., 4-7/8 in., light scratches, rim dents, and wear
Provenance: According to consignor notes, purchased from grandson of William K. Bixby in 2010; Private Collection, Birmingham, Alabama
Estimate: $1,000 - $1,500
1198
Fisher Bradford Sterling Footed Bowl
American, 20th century, round with rolled rim and footed base, no monogram, marks for Fisher, “291”, 28.16 oz. T., 5-1/2 x 11-3/8 in., scratches and dents
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $600 - $900
1200
Large Gorham Sterling Revere Style Punch Bowl
American, 1957, round Revere form, footed, no monogram, marks for Gorham, “41663”, 74.56 oz. T., 7-3/4 x 14 in., light scratches and wear
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $1,500 - $2,500
1201
Gorham Sterling Revere Style Bowl with Glass Liner American, 1966, round Revere style with clear glass liner, no monogram, marks for Groham, “41661”, 33.12 oz. T. excluding glass liner, 5-3/8 x 10-3/8 in., silver with light scratches and typical wear; glass with small chip on rim
Provenance: Estate of Janet Blakeley, Weaverville, North Carolina
Estimate: $600 - $900
1202
Two Large Sterling Trays
American, 20th century, including cartouche form with reeded border, marks for Gorham, “A2796”, 19-1/4 in.; Fisher Kent round tray with gadroon border, monogram, 16-1/4 in., 86.99 oz. T. total weight, Gorham with numerous scratches on floor, both with scratches, and wear
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $2,000 - $3,000
1204
John Barger (American, born 1953)
1203
Louis Eilshemius (American, 1864-1941)
Untitled, Nude Bathing,1921, signed lower left “Louis Eilshemius”, dated lower right 1921, oil on printed sheet music, 12-1/4 x 9 in.; gilt wood frame, 21-1/2 x 17-1/2 x 1 in., hinged in at top edge, wear and small losses at top edge and corners; frame with wear
Provenance: Clare Walker Fine Art, Brooklyn, New York (label verso); Private Collection, Florida
Estimate: $1,000 - $2,000
Texas Wildflowers, signed lower right “John Barger”, oil on canvas, 24 x 36 in.; ornate gilt wood frame, 32-3/4 x 45 in., painting in good condition; frame with minimal wear
Provenance: Private Collection, Granbury, Texas
Estimate: $800 - $1,200
1205
Edward Middleton Manigault (American, 1887-1922)
Yellow Calla Lily, 1920, signed lower right “Manigault 1920”, oil on canvas, 24 x 18 in.; painted wood frame, 33 x 27 in., original canvas and stretchers, stretcher marks, paint rubbed under frame edges; frame with wear, abrasions, dents
Provenance: Mrs. E. Douglas Graydon; The Norton Museum of Art, West Palm Beach, Florida (label verso); Christie’s, New York, March 7, 2006, sold for $13,200; Driscoll-Babcock Gallery, New York, NY (label verso); Private South Carolina Collection
Estimate: $7,000 - $9,000
1206
Earl Biss, Jr (Crow, California/Montana, 1947-1998)
Aftermath, 1976, unsigned, inscribed with name, title, and date in pen on canvas verso, oil on canvas, 40 x 40 in.; gilt wood frame, 45-1/2 x 45-1/2 in., area of crackle/stretcher mark at upper left; frame with minor wear
Provenance: Private Collection
Estimate: $20,000 - $30,000
1207
Raymond Jonson, Watercolor #4 (New Mexico, Illinois/Iowa, 1891-1982)
Watercolor No. 4, 1941, signed and dated in image lower center “Jonson 41”, also signed, dated and titled board verso and on original backing paper, airbrushed watercolor on board, 29 x 26 in.; gilt wood frame, 31 x 31 in., painting in very good condition, un-painted lower margin with slight water staining; mat board with water staining at bottom; frame with minimal wear
Provenance: Private Collection, Morganton, North Carolina
Estimate: $5,000 - $7,000
1208
David Burliuk (Ukranian/New York, 1882-1967)
The Farmer’s Wife, signed lower left “Burliuk”, oil on canvas, 19 x 24 in.; natural wood frame, 26 x 31 in., linen lined, some crackle in areas of extremely thick impasto, surface dirt; frame with wear, gold paint on back side
Provenance: Private Collection
Estimate: $2,000 - $4,000
1209
Thomas Hart Benton, Planting (Missouri/Massachusetts/Kansas, 1889-1975)
1939, edition of 250, signed in pencil lower right “Benton”, Associated American Artists, publisher, lithograph, sheet 11-3/4 x 15-7/8 in.; gilt wood frame, 19-3/4 x 21-1/2 x 1 in., taped verso at two points with related stains through to front, full sheet, light toning; frame with abrasions
Provenance: To Benefit WNC Bridge Foundation
Estimate: $1,000 - $2,000
1210
Jane Wooster Scott (American, born 1920)
Ole Doc is Making his Daily Calls, signed lower right “Wooster Scott”, also titled, oil on canvas, 11 x 14 in.; framed, 15-1/4 x 18-1/2 in., surface in good condition; frame with minimal wear
Provenance: Private Collection, North Carolina
Estimate: $800 - $1,200
1211
Jane Wooster Scott (American, born 1920)
Special Delivery, signed and titled lower right “Special Delivery Wooster Scott”, oil on canvas, 24 x 30 in.; framed 31-1/2 x 37-1/2 in., surface in good condition; frame with minimal wear
Provenance: Private Collection, North Carolina
Estimate: $1,000 - $2,000
1212
Pair of Large Folio Currier & Ives Sporting Prints (Nathaniel Currier (1813-1888) and James Merritt Ives (1824-1895))
Life in The Woods, after Louis Mauer (New York,1832-1932), 1860: Starting Out, image 18-7/8 x 27-1/4 in.; Returning to Camp, image 18-5/8 x 27-5/8, both sheets 22 x 30 in., hand colored lithographs with gum arabic highlights; original stained wood frames, 27-1/2 x 35-1/2 x 1-1/4 in., both loose with strong color, some toning, stains, and minor losses in margins; frames with original wood backing boards, wear commensurate with age
Provenance: Property from the John B. Schorsch Collection
Estimate: $1,000 - $2,000
1213
Theresa Gloster (American/North Carolina, 20th/21st Century)
Two paintings: You Youngun’s Eat All Dat, signed lower right ”Theresa Gloster”, acrylic on board, 14 x 19 in.; wood frame with molded decoration, 15-1/4 x 20-1/4 x 1 in.; I Know It Was The Blood, signed lower center “Theresa Gloster”, acrylic on board, 12-1/2 x 15 in.; artist decorated frame, 15 x 17-3/4 x 1 in., ”You Youngun’s” with some peeling to paint from board at lower center, both with minimal surface dirt; ”You Youngun’s” frame with losses to composition
Provenance: Purchased from exhibition Center for Southern Culture, University of North Carolina Chapel Hill: https://americanstudies.unc.edu/caldwell-family-artistin-residence-2018-theresa-gloster/; Collection of Michael L. Carlebach
Estimate: $800 - $1,000
1214
Wurlitzer 500 A Jukebox
model 500 A, modern LED strip installed for light up effect, accompanied by box of records and assorted group of user manuals and collector magazines, 58 x 39 x 27 in., non working, most components appear to be present and original, frayed wires, speaker not wired in or seated properly, scuffs and scratches to wooden case, chrome components loose, removable back panel is loose, damage to one coin slot
Provenance: Private Collection, Asheville, North Carolina
Estimate: $600 - $900
1215
Tiffany Studios Favrile Pulled Leaf Vase
American, 20th century, trumpet form, gold iridescent footed vase with intaglio devil’s ivy design, inscribed “5695 H/L.C. Tiffany/Favrile” at base, 9-3/4 x 5-7/8 x 5-7/8 in., some surface dirt, some abrading to iridescence, largely at foot
Provenance: Private Collection
Estimate: $800 - $1,200
1216
Tiffany Favrile Iridescent Vase
American, 20th century, baluster form with flared rim, the base marked “L.C.T. Favrile 3376-P”, 17-1/2 x 7-1/8 x 7-1/8 in., chip to underside of rim, some air bubbles, anomalies, and scratches to surface, surface dust/accretion
Provenance: Private Collection, Bristol, Tennessee
Estimate: $1,000 - $2,000
1218
Pairpoint Puffy Poppy Lamp
1217
Tiffany Studios Twelve-Light Gilt Bronze Lily Lamp
American, early 20th century, twelve assembled floriform iridescent glass shades, each etched near top “L.C.T” or “L.C.T Favrile”, each approximately 4-1/2 x 2-7/8 x 2-7/8 in.; gilt bronze base, stamped on underside “29736/Tiffany Studios/New York”, 19-3/4 x 16 x 16 in., working at time of inspection, lacking one flame form bulb, some spotting, discoloration, and verdigris to base, shades with air bubbles, anomalies, and some wear to rims, surface dirt/accretion, lacking some screws at underside of base; four shades with cracks, one notably cracked and repaired, one shade stuck on base
Provenance: Private Collection, Virginia
Estimate: $5,000 - $7,000
American, early 20th century, reverse painted shade in decoration of poppies and foliage, apparently unsigned, 6-3/4 x 14-3/8 x 14 in.; patinated bronze trapezoidal base with raised floral decoration, the underside stamped “Pairpoint Mfg Co/P/3049”, 15-3/8 x 13 x 13 in., working at time of inspection, surface dust/accretion, some discoloration and verdigris, some scratches to glass shade, replaced wiring
Provenance: Collection of Jay Gould Williamson, Eastman, Georgia
Estimate: $5,000 - $7,000
1220
Rare Gustav Stickley Arts and Crafts Cathedral Bookcase Eastwood, New York, circa 1901, apparently unmarked, mitered mullions and cathedral arches, paneled sides, platform base, six adjustable interior shelves, 53-1/4 x 75 x 15 in., lacking escutcheons, minor chips and repairs at rear corner of top, top with other stains and wear, underside of center bottom with later support, two supports on left side of base have been professionally restored, original shelves, typical bumps and wear especially at lower moldings
Provenance: Rago Auctions, 2008; Richmond, Virginia Private Collection; Brunk Auctions, sold January 2016; Private South Carolina Collection
Estimate: $8,000 - $12,000
1219
Lebolt Sterling Round Tray Chicago, 20th century, round with reeded border, monogram, marks for Lebolt & Co., (Chicago, Illinois, working 1899-1983), “1022”, “Hand Beaten”, 32.93 oz. T., 14 in., scratches and wear
Provenance: Property from a Private Chicago Estate
Estimate: $600 - $900
1221
Arts & Crafts Oak Circular Side Table label for “J.M. Young & Sons, Camden N.Y.”, oak throughout, in old varnished surface, 30-1/4 x 28 in., good structural condition, some minor shrinkage separations, surface wear and finish losses from use overall, especially at top
Provenance: Private Collection, Fletcher, North Carolina
Estimate: $500 - $700
1222
Pair of Michigan Chair Company Armchairs Designed by Bernard Maybach circa 1910, each heavy construction in the Arts & Crafts taste with rush seats, oak throughout, each with partial label, 39-1/2 x 24 x 23-3/4 in., good structural condition, probably old refinishing with bumps and wear, surface abrasion at one arm top
Provenance: Private Collection, Fletcher, North Carolina
Estimate: $600 - $900
1223
Winfred Rembert (American/Georgia, 1945-2021)
Cotton Picking Scene with Self Portrait (bottom right corner), signed lower right “Winfred Rembert”, dye on carved and tooled leather mounted on wood, 36 x 26 in.; original modern black frame, 38 x 28 in., very good condition, with minor abrasions; frame with light wear especially at corners
Provenance: Private Collection, includes copy of bill of sale signed by Winfred Rembert
Estimate: $80,000 - $100,000
Born in rural Georgia and raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - $Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South - $was awarded the Pulitzer Prize in 2022. It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. He spent the next seven years in a chain gang. Remarkably, he met his future wife, Patsy while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings.
After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s, after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases.
In 2000, Rembert had a well publicized show at the Yale University Art Gallery, and his 2010 coming out show at Adelson Galleries in New York received significant critical acclaim.
1224
Winfred Rembert (American/Georgia, 1945-2021)
In Shackles, inscribed and signed bottom right ”To Joe Reaves W Rembert”, dye on carved and tooled leather, 11-3/8 x 10-1/4 in.; black gallery frame, 14 x 12 in., some discoloration at top right corner, in the area of the cane and shoe; frame like new Provenance: By descent in the family of the artist’s sister
Estimate: $20,000 - $40,000 included numerous exhibitions and his 2010 coming out show at Adelson Galleries in New York.
Born in rural Georgia and raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - $Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South - $was awarded the Pulitzer Prize in 2022. It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. He spent the next seven years in a chain gang. Remarkably, he met his future wife, Patsy while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings.
After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s, after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases.
In 2000, Rembert had a well publicized show at the Yale University Art Gallery, and his 2010 coming out show at Adelson Galleries in New York received significant critical acclaim.
1225
Winfred Rembert (American/Georgia, 1945-2021)
Three Women, signed verso “Winfred Rembert”, dye on carved and tooled leather, 19-1/2 x 14 in.; metal frame, 20 x 14-1/2 in., surface is very good, bright color; frame with light wear
Provenance: By descent in the family of the artist’s sister
Estimate: $15,000 - $25,000
Born in rural Georgia and raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South - was awarded the Pulitzer Prize in 2022. It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. He spent the next seven years in a chain gang. Remarkably, he met his future wife, Patsy while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings.
After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s, after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases.
In 2000, Rembert had a well publicized show at the Yale University Art Gallery, and his 2010 coming out show at Adelson Galleries in New York received significant critical acclaim.
1226 Winfred Rembert (American/Georgia, 1945-2021)
Dr. King and Winfred, inscribed bottom right “W Rembert”, also inscribed “To Joseph and Lorraine Reaves from your Brother”, dye on carved and tooled leather, 8-3/8 x 12 in.; black gallery frame, 11 x 14 in., some scratches bottom edge; frame like new Provenance: By descent in the family of the artist’s sister
Estimate: $15,000 - $25,000
Born in rural Georgia and raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South - was awarded the Pulitzer Prize in 2022.
It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. He spent the next seven years in a chain gang. Remarkably, he met his future wife, Patsy while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings.
After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s, after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases.
In 2000, Rembert had a well publicized show at the Yale University Art Gallery, and his 2010 coming out show at Adelson Galleries in New York received significant critical acclaim.
1227
Jonathan Green (American, born 1955)
Purple Blanket, 2007, signed lower left “Jonathan Green”, oil on canvas, 18 x 24 in., painted wood frame, 20 x 26 in., surface is very good; frame with minor abrasions
Provenance: Sotheby’s March 3, 2021; Private South Carolina Collection
Estimate: $8,000 - $10,000
Purple Blanket is one of the last paintings in Green’s important Quilt Series executed in 2007. This group of vibrant paintings depicts the southern tradition of quilt making by the Gullah people.
In 2009, Green was presented with the Key of Life Award by the NAACP which recognizes artists whose work speaks to the ongoing crusade for human rights and social justice. He was joined in this honor by Elizabeth Catlett and Sam Gilliam, two acclaimed African American artists.
1228
William Melton Halsey
(American/South Carolina, 1915-1999)
Through the Trees, signed lower right “Halsey”, oil on canvas, 31-3/4 x 47-3/4 in.; modern wood frame, 34 x 49-3/4 x 1-1/4 in., surface in good condition, small pinhole anomaly/fray at very upper right corner; frame with light wear
Provenance: Charlton Hall Auctions, West Columbia, South Carolina, for $3,100, Thursday, July 21, 2016, lot 121; Artizom Frame and Gallery, Charleston, South Carolina (label on frame verso); Private South Carolina Collection
Estimate: $2,000 - $3,000
1230
Muriel Ehrman-Mandel
(American/North Carolina, 20th Century)
1229
William Tolliver
(American/Mississippi, born 1951-2000)
Untitled portrait, signed lower right “William Tolliver”, oil on canvas, 14 x 10 in.; black painted wood frame, 16-1/2 x 12-1/4 in., surface is very good, thick impasto and texture in tact; frame with scratches and light wear
Provenance: Estate of the Artist; Private Collection
Estimate: $1,500 - $2,500
“Untitled, Two Women”, signed verso, “Muriel Ehrman-Mandel”, oil on canvas, 36-1/2 x 40 in.; unframed, surface is very good
Provenance: Private Collection, Biltmore Forest, North Carolina
Estimate: $500 - $700
1231
Moravian Attributed Folk Art Painting (American, circa 1815)
Theorem style with children fishing, watercolor on paper, 11-1/4 x 13-1/4 in.; period wood frame, 14-3/4 x 16-1/2 in., paper with some stains and foxing, water damage that has been conserved; frame with light wear
Provenance: Collection of Carole Wahler, Knoxville Tennessee
Estimate: $1,000 - $1,500
1232
North Carolina Attributed Chippendale Walnut Tea Table probably eastern North Carolina, late 18th century, figured mahogany and walnut?, retaining a fine mellow old surface, with circular figured top tilting and rotating on a dovetailed box support, urn turned tripod based with slipper feet, 28 x 32 x 31-1/2 in., in fine condition with mellow old surface, undisturbed battens and original brass catch, typical minor shrinkage cracks and checking at pedestal
Provenance: Private Collection, Massachusetts
Estimate: $2,500 - $3,500 For related tables, see MESDA research files including S-12173.
1233
Southern Federal Carved Yellow Pine Mantle probably Southern states, 1790 to 1810, fireplace surround, yellow pine throughout, deep moldings with chipped decoration, fluted pilasters, 56 x 68-1/2 x 6-1/2 in., opens to 37-1/4 x 47 in., old resurfacing, scattered screw and nail holes from previous attachments, abrasions and edge wear at corners and moldings, other surface distress
Estimate: $500 - $700
1234
Rare North Carolina Federal Inlaid Walnut Cupboard Over Drawers, MESDA Provenance Piedmont, North Carolina, circa 1815, rare form with pierced and inlaid impediment centering a heart motif, paneled doors opening to a shelved interior, brass H hinges, lower case with five dovetailed drawers, yellow pine secondary throughout, original tall dovetailed bracket feet, light wood inlaid escutcheons, 93 x 33-1/2 x 18-1/2 in., original feet with scattered restorations and repairs, spurs restored, upper part of pierced pediment restored, brasses most likely period replacements (no plugged holes)
Provenance: This, MESDA notes, “chest and bookcase came from North Wilkesboro, North Carolina by way of marriage of Hallie Lenore to George Forrester in the middle of that town. She was from the Lenore family of Fort Defiance, North Carolina. It descended to her daughter who sold it to Margie Sommers, a dealer, thence to the donors to MESDA.”; Private South Carolina Collection
Estimate: $6,000 - $9,000 Former collection of MESDA, see reference number S-10036.
1235
Mouzon - An Accurate Map of North and South Carolina
Henry Mouzon (1741-1807) An Accurate Map of North and South Carolina with their Indian Frontiers..., Published May 30th, 1775, Samuel Turner Sparrow (engraver), Robert Sayer (Publisher), John Bennett (Publisher), engraving on laid paper with minimal hand colored highlights, sheet 41 x 55-1/2 in.; painted wood frame 53-1/2 x 68-1/4 x 1-1/4 in., laid on backing, mounted on mat with strips of archival tape hooked through mat, apparently trimmed to plate line at left and right edges, light toning, scattered light staining, and some areas of foxing throughout, some toning (likely from adhesive) along join lines, a few small tears and losses along top edge; frame with light wear and abrasions
Provenance: Charlton Hall, Sale 271, Lot 168A, June 2014, sold for $8,500; Private South Carolina Collection
Estimate: $7,000 - $10,000
Regarded as one of the most significant maps of the Revolutionary War period, Mouzon’s map of the Carolinas was consulted by American, English, and French commanders during the Revolution, with the personal copies of figures such as George Washington and Sir Henry Clinton now held in permanent collections. Though little is known about Mouzon’s life, his map became a landmark work which was consulted and copied widely after its publication due to its level of detail and accuracy. Literature: Cumming, William, North Carolina in Maps, pp. 21-22; Cumming, William, The Southeast in Early Maps, #450, pp. 449-450; Pritchard and Taliaferro, Degrees of Latitude: Mapping Colonial America, #44, figures 163, 164, pp. 208-211.
1236
Rare Southern Attributed William and Mary Figured Walnut Gate Leg Table probably coastal North or South Carolina, possibly Charleston area, early 18th century, figured walnut oval top with two drop leaves, ring and baluster turnings, single drawer with cypress secondary, 29 x 40-1/4 x 14 x 48-1/2 in., one leaf with scars at underside from previous braces, now removed, some possible re-pinning at frame joints, areas of later dark color, typical surface wear and flaws, minor warping to top, strip patch at lower edge of drawer facing, typical minor cracks at stretchers
Provenance: Elizabeth Stvan, Williamsburg, Virginia
Estimate: $5,000 - $7,000
For a related table, see Barquist, American Tables and Looking Glasses, catalog number 44. See also MESDA research file S-10894X, detailing a table with an eastern Pamlico area attribution. This table, and the table offered here, share the detail of an additional piece of wood applied to the frame at the connection point of the gate leg.
1237
South Carolina Federal Inlaid Mahogany Pembroke Table
American Federal Inlaid Mahogany Pembroke Table
Middle Atlantic states, 1790 to 1810, line inlaid top with two drop leaves, tapered legs, single dovetailed drawer, poplar and yellow pine secondary, 29-3/4 x 31-3/4 x 19-1/2 in., good condition overall scattered surface wear and minor finish spotting, some small surface holes in drawer facing minor inlay repairs, other scattered typical minor flaws
Provenance: Stonesifer Estate, Maryland; Private Collection
Estimate: $200 - $400
1239
1238
Charleston, South Carolina Attributed Federal Mahogany Butler’s Secretary probably South Carolina, 1800 to 1810, figured mahogany with white pine and cypress? secondary, two panel doors opening to a shelved interior, lowercase with fitted butler’s desk with leather lined writing surface over two cabinet doors, original French feet, 90-1/2 x 50-1/2 x 24-1/2 in., good condition overall, possibly original brasses (not removed), modern leather writing surface with some light wear, scattered minor veneer repairs, original feet, some scattered sun fading and other typical surface distress, some minor beading losses, one lower door with shrinkage crack and separation, one upper door with stuck lock
Provenance: Private Texas Collection
Estimate: $2,000 - $3,000
MESDA Documented Alexander Evins South Carolina Federal Inlaid Walnut Corner Cupboard Spartanburg County, 1795 to 1810, single case construction, walnut with light wood inlay, lower door panels with inlaid initials “AE” distinctive applied and inlaid pediment applique, yellow pine secondary, cut nail construction, 103 x 55 x 27 in., very good condition, undisturbed backboards with cut nails, appears to retain some of its original glass panes, original feet with scattered patches and repairs (rear foot replaced but original foot accompanies the lot), repair at center of lower molding, scattered minor patches to door frames, other typical minor cracks and surface flaws
Provenance: The MESDA file records that this cupboard was “made for and descended in the Alexander Evins, a Revolutionary War figure who migrated to Spartanburg County, South Carolina after the war. He’s buried at Nazareth Church Cemetery, Spartanburg County. The owner’s grandfather married the granddaughter of Alexander Evins in 1861.” Cupboard is accompanied by several letters from the Evins family regarding the corner cupboard and its provenance.; sold by Alan Christopher Antiques, February, 2019, accompanied by copy of receipt for $16,050; Private South Carolina Collection
Estimate: $4,000 - $6,000
Recorded by MESDA, file SEN-10918
1240
William Aiken Walker (Charleston, South Carolina, 1838-1921)
Key West Sponger, signed and dated in pencil lower right “May. 13. 1899. WAW.”, inscribed in pencil lower left ”Key West Sponger - Miami, Fla./ Darkes.”, pencil on paper, sight 7 x 5 in.; gilt wood and composition frame, 13-7/8 x 11-7/8 x 1-1/2 in., not examined out of archival frame, toned, some foxing, handling grime; frame with wear and abrasions
Provenance: Mrs. Cogswell, Charleston, South Carolina,1970; Sold at Potomack Auctions, Alexandria, Virginia, September 29, 2018 for $1,400; Private South Carolina Collection
Estimate: $1,500 - $2,500
1241
After William Tylee Ranney (American School, mid 19th century)
Marion Crossing the Pee Dee, not visibly signed, oil on canvas, 31 x 46 in; wood and composition reproduction frame, 37-3/4 x 52-3/4 in., crackle throughout, surface has been cleaned and has a modern varnish coat, lined and re-stretched, some retouch especially in the water; frame with light wear
Provenance: Private South Carolina Collection; Shannons Date: April 28, 2016; Purchased in 1928 from Kennedy Galleries, New York, by Preston Davie Estimate: $8,000 - $10,000
1242
Charles H. Kingsmore
(American/South Carolina, 1823-1873)
Portrait of a white haired gentleman, inscribed verso “Painted by Kingsmore Newberry 1855”, oil on canvas, 30 x 25-1/4 in.; gilt wood frame, 34-1/2 x 29-1/2 x 1 in., surface with crackle throughout, cleaned and lined; modern reproduction frame with light wear
Provenance: Private South Carolina Collection
Estimate: $1,000 - $1,500
1244
Thomas Satterwhite Noble (American, 1835-1907)
Cotton Dock, 1890, not visibly signed, oil on canvas, 14-1/4 x 18-1/4 in.; modern gilt wood frame, 19-1/2 x 23-1/2 in., good clean surface, some light wear at frame edge; frame with light wear
Provenance: Private South Carolina Collection; Rago Auctions, December 05, 2015; Collection of Dr. and Mrs. Peter S. Mueller
Estimate: $1,500 - $2,000
Exhibition: “Thomas S. Noble,” Greenville County Museum of Art, South Carolina, 1988 (label verso) University of Kentucky Art Museum (label verso)
1243
Helene DeLaunay, Missouri Confederate Painting (American, 19th Century)
Historical Portrait of Confederate Major Horace W. King (3rd Missouri Infantry), signed lower right “Helene DeLaunay 1886”, green pen inscription verso “Horace King/Surgeon In Forest Cavalry/from Missouri/Confed Army”, oil on canvas, 24 x 20 in.; period frame, 30 x 26 in., unlined, original frame and stretchers, old repair upper center, original tacking edge, surface cleaned with retouch in face and jacket; resurfaced frame with some losses to paint and composition
Provenance: A Cherokee Gentleman
Estimate: $1,000 - $1,500
Major King was a surgeon to CSA Confederate General Nathan Bedford Forrest (active in 1861 - $1862, present at several major battles including Battles of Shiloh and Vicksburg).
1245
Rare American Red, White, and Blue Eagle and Heart Painted Lift Top Chest probably Southern states, underside of lid initialed and dated “IS/1803”, white pine throughout, hinged lid with open interior with till and hidden compartment, the case boldly painted with central heart flanked by spread wing federal eagles, the sides with white crescent moons on red ground, interior floor of bottom board with two inscribed peacock designs, underside of lid with several other illegible inscriptions including “Samuel C. ...yer” 24 x 49-1/4 x 21 in., paint surface dry scraped and with some associated paint losses and retouch, rear feet replaced, front feet with some patches and repairs, patches from additional hinges now removed, other scattered repairs
Provenance: Collection of Tony and Marie Shank; Deanne Levison; Private collection purchased 1996; Private Atlanta collection; Sold Brunk Auctions, July 9th, 2016, Lot 673 for $18,000; Private South Carolina Collection; Private South Carolina Collection
Estimate: $10,000 - $20,000
1246
Unusual American Queen Anne Walnut Dressing Table possibly Southern states, 18th century, walnut with poplar and white and yellow pine secondary, dovetailed drawers, the top with a large overhang, deeply shaped skirt, 29-1/2 x 35 x 20 in., good structural condition, top has been off and reset (butterfly patches and braces at back, not removed for exam), possibly original brasses (no plugged holes), minor crack to skirt with later brace at back, break and repair at one rear corner of top, top with abrasions and wear, some later color/over spray
Provenance: Said to have a Virginia family history
Estimate: $2,500 - $3,500
While the design of this dressing table is in keeping with Connecticut River Valley examples, the walnut primary wood, family history, and other details suggest it was perhaps made further south.
1247
Rare Southern Attributed Queen Anne Walnut Handkerchief Table 18th century, rare form, walnut with yellow pine, locking hinged lid with interior well, single drop leaf, pad feet, 28 x 35 x 17-1/4 in., opens to 35 in., wear to pad feet, distress and some later nails at joints to rear legs, top leaf with 2 in. strip patch, top with two additional hinges, other possible repairs, front corner on top with area of stain and deep finish loss
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $2,000 - $3,000
1251
Federal Inlaid Mahogany Games Table in Old Surface
1248
Southern Federal Cherry Sugar Chest 19th century, cherry with poplar secondary, hinged lid with open interior, dovetailed box on a conforming frame with square legs, 33 x 20-1/4 x 16-1/4 in., good integrity overall, one hinge reset and associated breakout and loss, some cracks and wear to top, other scattered surface distress, interior was never fitted with a divider
Estimate: $600 - $900
1249
Southern Federal Cherry Sugar Chest Kentucky or Tennessee, early 19th century, cherry with poplar and walnut secondary, hinged lid with divided interior with single dovetailed drawer, turned legs and feet, paneled back and sides, 30 x 35 x 18 in., good structural condition, some wear and stains to top, minor crack at one back leg, interior floor with some pest damage, other typical scattered flaws
Provenance: Private Collection, Birmingham, Alabama
Estimate: $1,200 - $1,800
1250
Fine Baltimore Federal Figured Mahogany Marble Top Mixing Table Maryland, circa 1815 to 1820, figured mahogany and cherry with oak and poplar secondary, removable top over a Egyptian marble slab, the back fitted for bottles, single dovetailed drawer, 32 x 20 x 22 in., very good condition overall, brasses replaced, removable cherry top with scratches and finish losses (appears to be old, but is possibly an early replacement), other typical minor surface wear and flaws
Provenance: Northeast Auctions, Portsmouth, New Hampshire, May 16, 2009, Lot 221 (accompanied by copy of invoice); Private Collection, Birmingham, Alabama
Estimate: $1,000 - $1,500
British or possibly Maryland, 1790 to 1810, fine mellow patinated surface, highly figured mahogany top, diamond inlaid legs, single dovetailed drawer, pine secondary with ash or elm gates, 29 x 37 x 18-1/4 in., very good condition with fine old surface, typical edge wear at legs and skirt, skirt with one two inch veneer patch, some warping to stationary top, minor sun fading and finish spotting
Provenance: Private Collection, McLean, Virginia
Estimate: $500 - $700
1252
American Chippendale Inlaid Walnut Lift Top Chest with Maryland History probably Maryland, 18th century, the front with inlaid initials “HD”, possibly for Henry Dodson of Talbot County, hinged lid with open interior with lidded till, poplar bottom board, original shaped bracket feet, 16 x 38 x 16-1/4 in., Very good condition, some cracks and minor repairs to lid, original feet with minor wear and repairs
Provenance: Accompanied by letter dated 1929, “The walnut chest you bought was brought to this country from England in 1732 by Henry Doddson? who settled in Talbot County. The chest goes back beyond this date.” The letter is from George W. Carey, Headquarters for Antique Furniture, St. Michael’s, Maryland. While the origin is clearly incorrect, the Maryland history and family name associated with this chest are likely accurate.
Estimate: $1,000 - $2,000
1253
Virginia Attributed Chippendale Walnut Dressing Table
Southern states, late 18th century, two dovetailed drawers, yellow pine secondary, shaped skirt and molded legs, mellow dark brown color, 28 x 34 x 18 in., good condition overall, top reset and fixed with later blocking (appears to be original, not removed for exam), knobs replaced and one small patch at old escutcheon
Provenance: Private Texas Collection
Estimate: $1,000 - $2,000
1254
Virginia Attributed Chippendale Walnut Desk and Bookcase
late 18th century, upper case with two paneled doors opening to a shelved interior with six compartments, fitted desk interior, fluted quarter columns, original ogee bracket feet, dovetailed construction, poplar and yellow pine secondary, 86 x 39 x 22 in., survives in very good condition, brasses replaced, fall board hinges replaced, strip patch to prospect door at hinges, original feet and blocking with minor breaks and repairs, probably original brass H hinges (not removed for exam), minor patch at one top side molding, strip patches at two drawer lips, other typical minor surface flaws and repairs
Provenance: Private Collection, Virginia
Estimate: $5,000 - $7,000
1255
Alice Ravenel Huger Smith (American/South Carolina, 1876-1958)
Heron in Flight, signed lower right “Alice R.H. Smith”, watercolor on illustration board, 9-1/4 x 12-1/4 in.; Arts & Crafts frame, 17 x 19-3/4 in., paper toned, good color; frame with light wear
Provenance: Private Collection
Estimate: $10,000 - $20,000
1256
19th Century Trigg Family Documents, Purchase of Negro Family
a complete and undisturbed packet of information pertaining to a court case filed in 1858 involving a dispute between Daniel Trigg, Connally Trigg, and Lilburn Trigg, of Washington County [Virginia], regarding the purchase of slaves, 14 separate but related documents spanning from 1836 to 1859, largest unfolded approximately 12 x 8 in., good overall, some light foxing and obvious folding, amazingly well preserved for the period
Provenance: Private Tennessee Collection Estimate: $800 - $1,200
Included are: a copy of the ruling regarding the 1836 purchase of “a family of negroes” - Ellen and her four children, separated and divided amongst the Trigg family; three separate and detailed interest statements showing payments due for a “partnership agreement” between the three men, shows interest paid on the slave purchase; account of items purchased on behalf of the slaves: shoes, calico, etc.; inventory of sales within the company to whom the brothers were employed; two 1859 depositions regarding the case; and five receipts pertaining to either the note due or amount borrowed to pay for the slaves
1258
1862 Petition: Free Man of Color to Enslave Himself
1257
1800 Virginia Land Grant, Signed by James Monroe, grant to Alexander Laughlin, a tract of land containing 120 acres in Washington County, “on the waters of Sinking Creek”, signed by Governor Monroe, on vellum with official seal, 12-1/2 x 15-3/4 in., good overall, folds, areas of discoloration
Provenance: likely descended through Holston Valley (Tennessee/Virginia line) settler families of Laughlin, King, Sharp, and Painter before coming to the present owner; Private Tennessee Collection Estimate: $400 - $600
We sold a very similar land grant, also signed by James Monroe, as Lot 274 in our July 13, 2023 auction. That document brought a hammer price of $650 and was on pulp, not vellum.
Henry Wilson’s petition to the Honorable Judge Samuel Fulkerson, Washington County [Virginia], Wilson makes a plea to choose enslavement over being deported to Liberia, single page on lined paper, with Wilson’s mark in lieu of signature, 12-1/4 x 8 in., good overall, folds and thin fold intersections, slight losses mostly around periphery
Provenance: Private Tennessee Collection
Estimate: $1,000 - $1,500
Judge Samuel Vance Fulkerson was the son of Abram Fulkerson, also a judge in Washington County. Samuel was a Colonel in the 37th Virginia Infantry and was killed in action at the Battle of Gaines Mill on June 28, 1862. A similar document requesting enslavement brought a hammer price of $3,200 at Fleischer’s auction of May 14, 2024. Written requests for enslavement are, obviously, quite rare and much less frequently encountered than a simple “Application to Remain,” which would preserve one’s newfound freedom.
Lot 38 from Fleischer:
https://www.liveauctioneers.com/item/173251506_free-black-woman-requests-a-master
1259
Southern Federal Inlaid Walnut One Drawer Table probably Piedmont, North Carolina, early 19th century, inlaid top, inlaid tapered legs, single dovetailed drawer, white pine secondary, 29 x 30 x 21-1/2 in., excellent condition, possibly original brasses, some slight sun fading and other minor surface distress
Provenance: Ronald C. Bauman, Inc., Centreville, Delaware, for $7,000 (accompanied by copy of receipt); Private Collection, Birmingham, Alabama
Estimate: $800 - $1,200
1260
Fine North Carolina Federal Paint Decorated Tabletop Cabinet attributed to Karsten Peterson, circa 1830, poplar and pine with scrolled pediment, dovetailed drawer, panel door opening to a fitted interior, original lock and hinges, turned feet, in original ochre, red, and green paint decoration, 29 x 18 x 11-1/2 in., excellent condition throughout, old dry paint surface with scattered wear, abrasions, and minor losses, some areas of possible retouch, minor chips to cornice, other separations and wear consistent with age and use
Provenance: Deanne Levison, Atlanta, Georgia, 1982; Tony Shank, Marion, South Carolina; sold Brunk Auctions, November 13, 2010, lot 138; John and Wanda Joiner; Private South Carolina Collection
Estimate: $4,000 - $6,000
1261
Southern Federal River Birch Serving Table in Old Surface probably Piedmont, South Carolina or Georgia, 19th century, river birch (by eye) and yellow pine with some elements possibly walnut, single dovetailed drawer, turned legs, old probably original varnished surface, 34 x 37 x 21 in., very good condition, no apparent height reduction, original lock, knobs replaced, surface wear and abrasions especially to top
Provenance: Private South Carolina Collection
Estimate: $1,000 - $1,500
1262
Rare Classical Figured Mahogany Marble Top Center Table
Virginia or New York, circa 1840, top of frame with inscription “John... Of Staunton, Hartley VA.”, figured mahogany with pine secondary, circular white marble top with scrolled pedestal base set on casters, 29-1/2 x 36 x 36 in., later marble top with breaks and repairs, scattered typical veneer repairs and flaws with some cracks at laminations and scattered color retouch, other minor surface flaws
Provenance: Sold Brunk Auctions, March 24th, 2018, lot 567 for $3,250; Private South Carolina Collection
Estimate: $1,500 - $2,500
1263
Baltimore Repousse Sterling Water Pitcher, Jenkins & Jenkins
Maryland, early 20th century, urn form with floral repousse decoration, twig handle, monogram on base, marks for Jenkins & Jenkins (Baltimore, Maryland, working 1907-1919/1924), 22.81 oz. T., 8-1/4 in., interior base with small dent and light wear
Provenance: Private Collection, Charlottesville, Virginia
Estimate: $1,000 - $1,500
1264
Monumental Signed Tennessee Basket dated 2009, signed on handle interior “Gary Carrell”, egg or buttocks basket, approximately 45 x 46 x 45 in., slight warping to handle and side, scattered splits and breaks to weave noticeable at interior, some splintering throughout, surface dust and accretion
Provenance: Private Collection, Bristol, Tennessee
Estimate: $700 - $900
1265
Claude Howell (American/North Carolina, 1915-1997)
Grey Days, signed lower left “Claude Howell”, 1940, oil on canvas, 20 x 24 in.; painted wood frame, 28-1/2 x 32-1/2 x 2-1/2 in., good clean surface, minor retouch; frame with minor losses and separation at corners
Provenance: Exhibited Wilmington, North Carolina, The Art of Claude Howell, UNC-Wilmington Cultural Arts Gallery, January 11-31, 2007; Leland Little Auction, Hillsborough, North Carolina, lot 1254, December 07, 2019, sold for $4,600; Private South Carolina Collection
Estimate: $4,000 - $6,000
1266
Lamar Dodd (American/Georgia, 1909-1996)
Monhegan Flower Garden No. 1, 1988, signed lower right “Lamar Dodd ‘88”, watercolor on paper, 18 x 24 in.; white sectional frame, 24-3/8 x 30-3/8 x 1 in., color and paper in good condition, slightly wavy, paper not examined out of frame; frame with some abrasions
Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation
Estimate: $2,000 - $4,000
Literature: Dodd, Lamar, William U. Eiland, Emily Ann Arthur, and Georgia Museum of Art. 1996. Lamar Dodd: The C.L. Morehead, Jr. Collection. Athens, Ga.: C.L. Morehead, Jr.; Monhegan Flower Garden No. 1, 1988 (pg. 109).
1267
Lamar Dodd (American/Georgia, 1909-1996)
Pawley’s Island, circa 1939, signed lower left “Lamar Dodd”, oil on canvas,14 x 23 in.; modern gilt wood frame, 19-1/4 x 28-1/4 x 2-1/4 in., canvas slightly loose with some stretcher marks, areas with small chips to paint, very minimal crackle; frame with light wear
Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation
Estimate: $3,000 - $5,000
Literature: Dodd, Lamar, William U. Eiland, Emily Ann Arthur, and Georgia Museum of Art. 1996. Lamar Dodd: The C.L. Morehead, Jr. Collection. Athens, Ga.: C.L. Morehead, Jr.; Pauley’s Island, circa 1939 (pg. 70).
Exhibited: Gallant Art Gallery, Anderson College, South Carolina, January 24th-February 24th, 1996, “Lamar Dodd’s South”, collection of C. L. Morehead Jr. (label verso)
1268
Lamar Dodd (American/Georgia, 1909-1996)
Monhegan, signed lower left “Lamar Dodd”, watercolor on newspaper, sight 21-1/2 x 14-1/2 in.; gilt wood frame, 31-3/4 x 24-3/4 x 1 in., good color, not examined out of frame, waviness to paper; frame with some wear
Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation
Estimate: $800 - $1,200
1271
Ben Long, Three Female Nudes (American/North Carolina, born 1945) three studies of the female nude: woman looking over shoulder, signed lower right with monogram “BL LXXIV”, red conte crayon on heavy primed paper, 14-1/4 x 10-1/2 in.; lower half study and full backside study, signed lower left with monogram “BL LXXVI”, red conte crayon on heavy primed paper, 15-3/8 x 11-1/4 in.; full profile study of woman leaning on chair, signed lower right with monogram “BL L??VI”, red conte crayon on heavy primed paper, 15-1/4 x 11-1/4 in.; all unframed, ”BL LXXVI” and “BL L??VI” with multiple pinholes at corners, ”BL LXXVI” with toning, “BL LXXIV” with some foxing, ”BL L??VI” with accretion lower center
Provenance: Private North Carolina Collection
Estimate: $1,500 - $2,000
1269
American School (American, 19th century)
Early View of Savannah, inscribed in walkway bottom left, “Savannah, J L”, inscribed verso in red “Savannah, Georgia 1848”, watercolor on paper, watermarked “Whatman 1849”, 10-1/2 x 14-1/2 in.; frame, 20-1/2 x 24 in., painting appears to have been laid down at one time, part of backing removed to reveal the inscription, some toning and wrinkles at edges, inscription on back shows through somewhat
Provenance: Private South Carolina Collection
Estimate: $2,000 - $4,000
1270
Ben Long, Three Male Nudes (American/North Carolina, born 1945) three studies of the male nude: profile study of man in chair with leg up, signed lower right with monogram “BL/IV.V. LXXII”, graphite on brown paper, 17-3-8 x 17-3/4 in.; study of man on one knee resting head on hand, signed lower right with monogram ”BL/LXXII”, graphite on brown paper, 13-1/4 x 9-3/4 in.; profile study of man crouching, signed lower right with monogram ”BL/LXXII”, graphite on brown paper, 12-3/4 x 105/8 in.; all unframed, all with varying amounts of creasing and folds, some smudging
Provenance: Private North Carolina Collection
Estimate: $1,000 - $1,500
1272
Southern Federal Style Inlaid Walnut Hunt Board 20th century, with two dovetailed drawers flanked by fan inlay, tapered legs, 40 x 48 x 18-3/4 in., good condition with scattered light bumps and surface wear
Provenance: Private South Carolina Collection
Estimate: $500 - $700
1273
Pair of vintage South Carolina Gamecock Iron Andirons probably 20th century, each in heavy solid cast iron with black finish, 15-3/4 x 10-1/2 x 22 in., good condition and ready for use, likely resurfaced (or possibly later castings)
Provenance: Private South Carolina Collection
Estimate: $500 - $700
1274
Connecticut Chippendale Cherry Bonnet Top High Chest Wethersfield area, 1760-1780, a fine example with excellent proportions, bonnet top centering a carved central finial plinth, two fan carved drawers, deeply scalloped skirts, appears to retain original brasses, 86 x 37 x 21-3/4 in., very good condition overall, finials are replaced, some restorations to central finial plinth, minor repairs at back leg joints (one appears to have mortise repair and later plugged screw, both with some color retouch), other typical surface flaws and wear
Provenance: Ginsburg & Levy, New York, 1966 (Benjamin Ginsburg indicated in a letter in 1966 that they had previously owned the high chest thirty years earlier and had just purchased it from an old customer); acquired by Colonial Williamsburg 1994; Property Deaccessioned by the Colonial Williamsburg Foundation, Williamsburg, Virginia; all proceeds to benefit the Collections Acquisitions Fund; Brunk Auction, March 26, 2022, lot 869, sold for $29,520
Estimate: $12,000 - $18,000
