Bryan Hadley Design Portfolio

ARCHITECTURE + URBAN DESIGN

B r y a n

Alexander

Hadley

Selected Works Bryan

A.

Hadley

( 3 4 7 ) 3 0 4 - 1 6 6 7 bryan.a.hadley@gmail.com br yanahadley.wordpress.com/

Omnific: adjective 1. creating all things; having unlimited powers of creation.

Hi! Bryan Hadley received a Master of Architecture from University of Oregon in 2016, and before that, a Master Urban Planning from the State University of New York at Buffalo. His focus is community development through public art, education, affordable housing, and urban design.

All images and writing contained herein property of Bryan A. Hadley.

Copy + distribution strictly prohibited without express written permission of the author. Š 2016 Bryan A. Hadley

2

Bryan enjoys architecture as an I hope you enjoy reviewing the intersection between art and samples found in the pages which science, between people and the follow. natural environment. He seeks to join beauty and performance while creating environments that are comfortable, meaningful, healthy, and delightful.

Contents: 1.

Granville Island Performing Arts Center

pg. 4

2.

Contra Costa County Courthouse

pg. 10

3.

Oregon Center for a Regenerative Future

pg. 16

4.

Old Paths Bible Baptist Church

pg. 24

5.

Broadway-Fillmore Neighborhood Master Plan

6.

Chicago Tiny Homes Design Competition

7.

Coat Tree

8.

Emerald Village Eugene - Domus Parva

pg. 28

pg. 32

pg. 36

pg. 38

3

ARCHITECTURE / URBAN DESIGN + ENVIRONMENTAL ACOUSTICS

4

Granville Island Performing Arts Center University of Oregon, Architecture Design Studio, Study Abroad Vancouver Program Spring 2014 Media: - Sketchup - Kerkythea (rendering) - Photoshop - Drawings (Pen, Marker, Colored Pencil) - Physical Model (Chipboard) Tasks - Master Planning - Programming - Charrettes - Site Analysis Description: This mid-size performing arts center is designed to anchor and bring life to the south-east end of Railspur Avenue, a pedestrian thru-corridor on Granville Island in Vancouver, BC. Intended as a linkage connecting waterfront and cultural points of interest, the building open on both ends to encourage visitors to meander through as they circumnavigate the island.

As visitors move into, and through the building, they gain views of where they have been, where they may go, and to observe others moving about the island.

Key views along Railspur and across False Creek to Downtown Vancouver.

The two theaters invoke the hulking masses of freight-ships, a subtle homage to the island’s industrial history. The undulating rythm of the roof fills the great hall with natural light. Artist residences and shops reinforce the linkages between historical and contemporary occupations on the island.

5

6

7

The large theater offers visitors spectacular views over the island and across False Creek to downtown Vancouver.

8

The program includes a large theater with full acoustics + lighting for performances that seats about 500750, a smaller ‘black-box’ style theater for about 200. Reception is situated between, and parking / services below.

Artists workshops and residences line up along an alley to the west, creating a pedestrian connection from the end of Railspur to the waterfront.

9

ARCHITECTURE / URBAN DESIGN

10

Contra Costa County Courthouse University of Oregon, Architecture Design Studio, Summer 2015 Media - Rhino / V-ray - AutoCAD - Photoshop - Illustrator - Chipboard / glue Designed to anchor a newly designated public plaza in Hollywood, situated on Cahuenga Blvd between Sunset Blvd and Fountain Ave, near other points of interest such as the LA Film School and The Dome.

It was a major goal of this project to parallel the drama and spectacle of Hollywood in its new courthouse.

There is a French expression for the spatial experience that preceeds entry into the courtroom. Known as the ‘Salle Des Pas Pardus’ it is more than a lobby – it is an emotionally charged, combined procession and place characterized by anticipation, reflection, greif, anxiety, and perhaps, regret.

In this courthouse, the Salle Des Pas Pardus occupies the north-facing front of the building – a clear expanse from ground floor to the ceiling 6 stories up. As visitors climb through the space they are move first toward views of Hollywood and its famous hills before bending back toward the central atrium, implicitly retracing their steps as they climb ever higher. Each court level operates a mezzanine that encircles the atrium, allowing occupants to pace or linger as they await the legal process.

11

Pu b

lic

Se

cu

re

Level 5: ADJUDICATION

Ad m

ini

- Courts E+F - Salle des pas pardus - Judges’ chambers E+F Pu b

lic

Se

cu

Level 4: ADJUDICATION

re

Ad m

ini

- Courts E+F - Salle des pas pardus - Judges’ chambers E+F Pu b

lic

Level 3: ADJUDICATION - Courts E+F - Salle des pas pardus - Judges’ chambers E+F

Level 2 Mezzanine: ADMINISTRATIVE - Files - Print / photocopy - Open offices

Level 1: SERVICES - Public entry - Clerks - Law library - Family law

Ground Level: OPERATIONS - Prisoner entry and holding - Administrative entry - Administrative parking

12

str ati ve

Se

cu

re

Ad m

ini

str ati ve

str ati ve

N. CAHUENGA BLVD.

PARKING GARAGE

DE LONGPRE AVE.

MUSEUM FIREFIGHTER’S MEMORIAL

PUBLIC OUTDOOR AREA

EN

HU

CA

FILM ACADEMY

N. GA

PUBLIC OUTDOOR AREA

D.

BLV

FIRESTATION

COURTHOUSE STEPS

Use Homewood Avenue for Vehicular Sallyport

HOMEWOOD AVE.

HOLLYWOOD COURTHOUSE

FOUNTAIN AVE.

CITY HALL

REFLECTING POOL

N. CAHUENGA BLVD.

COLE AVE.

CITRUS TREES

Vehicular entry to secure parking area

DETACHED RESIDENCES

13

14

The walls and ceilings of the court anterooms are sloped to compress space and create an illusion that, as one enters a courtroom, the building is closing in.

High ceilings on the other side of the door bring relief and natural light into the room before sloping down toward the Judge’s bench. High on the front wall a hidden clerestory brings in more natural light, illuminating the judge and highlighting the power and prestige of his or her position.

The project involves a sophisticated program and tripartite circulation system. The building must

simultaneously allow for prisoners to be brought in and out of the courtrooms through secure channels without encountering judges and administrators or the public. A further complication was the need to bring jurors into a semi-public, semi-private area at the intersection of each.

It quickly became evident that the most efficient way to design for all of the supportive functions of courts would be to group them in pairs. Following that realization, this project became an exercise in symmetry, and the program was juggled until it fit the neat confines

dictated by the axial rigor of the courtsets.

The building was now serving the admistrative requirements quite well but it was lacking a kind of dynamic progression to enhance the visitor experience, so it became necessary to break the line. The grand stairs were offset and canted to bring visitors across the implied axis as they climb to the entrance. An orange grove and reflecting pool were added to remind visitors of the area’s agricultural heritage and the preciousness of a limited water supply.

15

ARCHITECTURE / URBAN DESIGN

16

Oregon Center for a Regenerative Future University of Oregon, Architecture Design Studio, Fall 2015 Submitted AIA COTE Top Ten for Students 2015-16 This project is the result of a collaboration with two very talented students in my class, Bonnie Jean Domiguez, and Katherine Ogilvie. To develop renderings for the competition submission we enlisted the help of another colleague, Hieu Vo. My Role(s): - Concept design - Response to urban context - Programming, - Plan / section graphics.

Media: - Sketchup - Photoshop - Illustrator - Marker / pencil Goal: To fulfill the 10 sustainability measures as put forward by the AIA Committee On The Environment Top Ten design competition: 1. Design and Innovation 2. Regional / Community Design 3. Land Use and Site Ecology 4. Bioclimatic Design 5. Light and Air 6. Water Cycle 7. Energy Flows + Energy Future 8. Materials and Construction 9. Long Life, Loose Fit 10. Collective Wisdom + Feedback Loops On the urban scale, the Regenerative Center is envisioned as a new anchor at the intersection of the recently completed Tillicum Crossing over the Willamette River in Portland, Oregon, and the ped / bike esplanade along its western edge.

17

The building is intended as a place for public discovery and learning, experimentation and development. It is designed to showcase sustainable building strategies, including natural ventilation, daylight, green-roof, shading via seasonal vegetative change, water catchment and reuse, and geothermal.

An early sketch of the concept.

Inside, the building fosters the growth of innovative small businesses by providing flexible workspaces for design, development, manufacture, demonstration and sale of goods. These goals are supported with bio tech and rapid prototyping facilities, as well as a large exhibition space, and a storefront, which faces a recently constructed lightrail terminal.

OREGON MUSEUM OF SCIENCE + INDUSTRY (OMSI)

Large sliding doors enable the incubators to expand outward into the corridors and the gardens beyond.

PLACE FOR FOOD CARTS A EVENTS

As much as the building is for its occupants it is our intention that it should primarily serve a larger public, and we have given the building a number of features toward that end.

RE-ESTABLISH RIPARIAN ZONE WITH NATIVE REEDS + GRASSES

1. The roof touches down to the ground at the soutwestern corner, inviting visitors to climb it. As they wind around the green house to the north side they are given a rewarding view of the river and downtown Portland.

2. The native gardens are completely open and visitors are encouraged to linger in them, enjoying the sights, sounds, and scents as they learn about native plant life-cycles.

3. Houseboats are intended for visiting researchers, and the dock is designed to welcome all visitors to the waterfront.

A

4. Food trucks engage visitors at the northwest corner of the site.

5. The greenhouse and lecture hall offer spaces for live and demonstrations.

FIRST FLOOR + SITE PLAN SCALE: (ft)

0

18

5 10 15

25

50

100

OBSERVATION PLATFORM.

B RESTROOMS

ADMINISTRATIVE OFFICES INCUBATOR OFFICE

INCUBATOR OFFICE

INCUBATOR OFFICE

INCUBATOR OFFICE

INCUBATOR OFFICE

IRRESISTABLE STAIR / ELEVATOR

A

A

RAMP OF DISCOVERY

SECOND FLOOR PLAN SCALE: (ft)

5 10 15

25

50

100

B

B

0

OMSI PARKING LOT

PRESERVE EXISTING TREES AT NORTH BORDER

CONNECT WITH OMSI PARKING

PERMEABLE PAVEMENT

AT PARKING AND LOADING AREA

RESTROOMS

COMPACT VEHICLES

TEST-KITCHEN

INCUBATOR WORKSHOP

INCUBATOR WORKSHOP

INCUBATOR WORKSHOP

INCUBATOR WORKSHOP

INCUBATOR WORKSHOP

LOBBY ESPLANADE (EXISTING)

LECTURE HALLS

STOR / EXP. SPACE

IRRESISTABLE STAIR / ELEVATOR

INCUBATOR EXHIBITS

INCUBATOR EXHIBITS

INCUBATOR EXHIBITS

INCUBATOR EXHIBITS

RESTROOMS + SERVICE AREAS

WORKSHOP A RAPID PROTOTYPING

EXISTING LIGHTRAIL STATION

WORKSHOP B BIOTECH

INCUBATOR EXHIBITS

TEST-KITCHEN SPILLOVER

A

RECEPTION MAIN ENTRY

CAFE DECIDUOUS VINES ON SOUTH FACADE ASSIST SUMMER SHADING + GIVE SEASONAL VARIETY AGRICULTURAL (PRODUCE)

BOTANICAL / HERBAL

LOBBY

GREENHOUSE. RESEARCH, EXHIBITION + EVENTS

DEMONSTRATION GARDENS

RETAIL CISTERN

COVERED BICYCLE PARKING

PNW NATIVE PLANTS WATER LEVEL PORTAL

ESPLANADE CONNECTOR (EXISTING)

B

‘FREE’ ART WALL

PUBLIC VIEWING PLATFORM. (GREEN ROOF) SHELTERED EXHIBITS ON LOCAL ECOLOGY AND STAIR + RAMP TO WATERFRONT BELOW

ROOF EMERGES FROM GROUND PLANE. VISITORS ENGAGE RAMP OF DISCOVERY TO VIEWS OF WILLAMETTE RIVER AND PDX.

DOCK + PUMPING STATION FOR HYGROTHERMAL

TILLICUM CROSSING EXISTING BUS STOP OPERA OFFICES

19

COMBINED NATURAL LIGHT AND VENTILATION

PHOTOVOLTAIC ARRAY

GREEN ROOFS W/ NATIVE PLANTS

BREATHE

DISCOV

INTAKE (LOW)

CONNECT COMBINED STACK VENTILATION + HYDROTHERMAL

20

CONNECT

DR

CONNECT

IN

BAND OF SUN EQUINOXES (MAR 21 - SEPT 21) SOLAR ALTITUDE = 46 DEG BAND OF SUN SUMMER SOLSTICE (JUNE 21) SOLAR ALTITUDE = 70 DEG * FULL EXPOSURE EXCEPT WINTER MONTHS, WHEN GENERALLY TOO CLOUDY FOR SOLAR COLLECTION

EXHAUST (HIGH)

VER

REAM

MAKE

NSPIRE

SECTION 0

5 10 15

SCALE: (ft) 25

50 (feet)

100

21

The greenhouse is a living laboratory, and it provides ample fresh air. It blends the transition between inside and nature, and provides an exhibition space for larger demonstrations.

22

The hallway is a place for informal gatherings. It is an intersection where people share and inspire. Large decorative sliding doors open to reveal show-cases of the latest innovations happening inside the incubator spaces.

23

ARCHITECTURE / ENVIRONMENTAL ACOUSTICS

24

Old Paths Bible Baptist Church Acoustic Sciences Corporation Design: 2012 Completed: 2013, Rochester, NY Media: - Sketchup - AutoCAD - Illustrator Description: Acoustical Design of a new choir loft, pulpit, and band area. The goal was to embrace reflections to reinforce performers as part of an unamplified public address strategy at Old Paths Baptist Church in Rochester, NY. I attended the grand opening at the Christmas mass in 2013 to hear the results. I received nothing but gratitude from the reverend and the musical director who said the choir are singing more jubilantly and confidently than ever before.

Images courtousy of ASC and OPBPC.

25

86 ft.

1 ft.

1 ft.

24 ft.

3 ft.

18 ft.

30 ft.

3 ft.

18 ft.

up

9.

1.

6.

3.

4.

2.

9.

5.

Code mandates 1:20 slope for ramp;

open for movement between spaces

If stage is 21in. high, need 35ft. of horizontal run

8.

PLAN VIEW

FRONT SECTION ELEVATION (FROM CONGREGATION)

26

up

17ft.

25 ft.

7.

75 ft.

OLD PATHS BAPTIST CHURCH

30 ft.

1.

2.

3.

4.

5.

6.

7.

8.

9.

SECTION ELEVATION (FROM THE RIGHT SIDE)

Floor slopes 1 foot drop over a 75ft. horizontal run

NEW BLDG. DESIGN

THE CHOIR

KEY

BAPTISTERY ORGANIST PIANIST CHOIR PREACHER ORCHESTRA BACK ROOM CONGREGATION ADA RAMP

27

02.23.2012

Tunnel under choir connects both sides

URBAN DESIGN / MASTER PLANNING

pre 1950: Growth and Background:

The the growth of broadway fillmore has always been linked with the Polish and Central European catholic communities of Buffalo.

The economic growth and peak of the neighborhood was linked with heavy industry and manufacturing.

The loss of these jobs had a significant impact on the vitality of the neighborhood.

1950 - 60s Demographics:

32,590 persons

27,527 persons/sq.mi.

92.4% white

1970 - 80s Demographics:

16,509 persons

Employment: 55.8% heavy industry

11,931 persons/sq.mi.

68.6% white 30.2% black 1.2% other

Housing:

5% vacancy

Employment: 34% heavy industry 15% unemploymed

source: US Census Bureau, 1950 census

Housing:

15% vacancy source: US Census Bureau, 1980 census

1925

28

1950

1980

Broadway / Fillmore Neighborhood Master Plan University at Buffalo Shrinking Cities Urban Design Seminar 2010 In Collaboration with:

1990 - present Demographics:

10,631 persons 7,683 persons/sq.mi.

22.8% white 71% black 2.1% asian 3.9% other

Employment: 14% heavy industry 20% unemploymed Housing:

27% vacancy source: US Census Bureau, 2000 census

Future?

Dan Nead Kyle Mastalinksi Michael Moch Description: “Is our American obsession with growth so pervasive that a community would rather fail at being large than succeed at being small?�

- Dan Kildee This was an ambitious urban design research and master planning project for the Broadway Fillmore neighborhood in Buffalo, NY. The basic premise was to study the effects of post-industrial decline and propose strategies to capitalize upon existing assets to restore vitality to the neighborhood.

Our phased implementation proposal focused on linking existing transportation and park infrastructure, and flexible policy to engage creative ways of using vacant land for urban farming and recreation throughout the neighborhood.

2010

29

30

Phase 1: Install a parkway system from MLK Park along Fillmore avenue, ending at Broadway Objective: Raise and stabalize property values along a key corridor within the neighborhood Phase 2: Extend the parkway system south and east to existing green at the Central Terminal, install greenspace access and outdoor plaza for the Broadway Market Objective: Foster further investment along parkway and provide a viable multi-modal linkage to assests within the neighborhood ph e

as

Phase 3:

1

Utilize existing vacant rail infrastructure to link neighborhood with Buffalo light rail system, Re-use Central Terminal as highspeed rail hub between Toronto and NYC.

e

as

ph

Objective: Provide more efficient and attractive linkages to destinations outside of the neighborhood, (convert the neighborhood into a transport hub and market hub)

2

Phase 4: Develop existing networks of ad-hoc pedestrian paths through abandoned and vacant lots

e

as

ph

Objective: Redefine and revitalize arterial neighborhood, whether it be providing pedstrian linkages with residences, openspace or urbanfarms

3 or e

fill m

broa dw ay

pla

za

w ay

br oa d m ar

broa dw ay

t

ke

or e

m

fill pad

erew ski

central term

inal

key

parkway (stage 1) parkway (stage 2) light rail (stage 1) light rail (stage 2) high speed rail pedestrian path residential mixed-use green space

n

31

ARCHITECTURE

32

Little by Little: Tiny Empowerments AIA Chicago Tiny Homes Design Competition 2015 In Collaboration with: Ashley Tuffo Nicola Fucigna Overview This design was submitted for the Chicago Tiny Homes Design Competition in 2015. The design was a collaborative effort with two talented friends. I created the renderings and floor plan graphics shown here.

Media AutoCAD Illustrator Sketchup Photoshop

33

STREET 16'-0" 8'-6"

7'-9"

7'-2"

PATIO 7'-6" 6'-0"

FLIPDOWN CTR

3'-0"

ADA

BIKE STOR.

28'-3"

ADA

8'-0"

ADA REF

BATHRM.

FLIPDOWN CTR HWH

7'-9"

ADA

PATIO

COURTYARD

AREA: 336 SF 34

Description: Having a place of one’s own is an important rite of passage. Equally important is a nurturing community.

For those who have lacked a secure space to store their belongings, this is a powerful and exciting life-style change.

This design is intended to produce a safe, flexible, and supportive environment for young individuals to realize their potential in a place they can finally call home.

Individual tiny ‘Row-homes� are grouped to engage the street, and open onto a courtyard with a community garden.

All face the common house; a flexible gathering + meeting space with shared amenities such as a bike workshop + tool room, garden shed, library, and laundry.

Parking spaces on the south double as a 1/2 court for basketball. Trellises hold deciduous vegetation to provide sunshading and visual delight with seasonal change.

The 320 sq. ft. units are ADA accessible, and include full-size refrigerator, bathtub, stove, and oven. They also include an outdoor shed, sized for a bike, entry closet, bedroom closet, nightstand, kitchen cabinetry, and cubbies beneath the bed and window seat.

35

FURNITURE / WOOD - WORKING

36

Coat Tree Gift Christmas, 2015 Overview As a gift for my girlfriend, I designed the coat tree to be freestanding, self-bracing and use a minimum of metal parts.

Anticipating a move later in the year, the coat tree has no glued joints so it can be dissassembled.

Materials Western Red Cedar Brass hardware Danish Oil Finish

37

ARCHITECTURE

38

Emerald Village Eugene Domus Parva Pro-Bono with Square One Villages Design 2015-2016 Overview One in a community of tiny homes contributed by Eugene area architects, Domus Parva is designed for a single adult, is FHA compliant and is passively heated and cooled.

Media Revit Sketchup AutoCAD Photoshop Illustrator Description One of the goals of this project is to explore energy efficiency from a costsavings to operate stand-point. Toward that end the building incorporates passive heating and cooling strategies.

For heating, south-facing glass and a concrete slab floor creates a thermal mass. For cooling stack and cross ventilation strategies are employed.

A loggia on the south side creates a private outdoor space. Deciduous vines create shade in the summer season.

The project is currently in permitting and fund-raising stages. If funds allow, it is my goal to do a super-insulated envelope with about R-40 walls and R-60 roof. Due to the typical number of cloudy days experienced in a typical Pacific Northwest winter season, I would like to install a radiant system in the floor as a backup supplement the passive solar thermal mass strategy.

39

BANDS OF SUN: Winter: Full Sun

DEC. 21 @ NOON 0’

2’

4’

8’

16’

Spring: Partly Shaded by Vines

ELEVATION: SOUTH

0’

2’

4’

8’

16’

8’

16’

MARCH 21 @ NOON 0’

2’

4’

8’

16’

Summer: Fully Shaded by Roof + Vines Stack Vent.

Cross Vent.

JUNE 21 @ NOON 0’

2’

4’

8’

16’

Autumn: Partly Shaded by Vines

FLOOR PLAN

0’

SEPT. 21 @ NOON

40

0’

2’

4’

8’

16’

2’

4’

FEATURES + 224 s.f. (Includes Envelope); + South orientation for passive solar heating of thermal mass (conc. floor); + Pergola covers personal outdoor area; + Deciduous vines provide adequate shade in summer, permit light in winter, and offer seasonal variety; + Cross + Stack Ventilation possible; + Daylight Factor ~ 4 in all seasons; + Accessible per Fair Housing Act; + Flexible sleeping area can be enclosed via curtain or opened to living areas; + Rainwater catchment and watering system for vines and optional garden

ELEVATION: EAST

0’

2’

4’

8’

16’

Site schematic courtesy of Andrew Heben and Square One Villages

41

THANK YOU FOR LOOKING

Bryan

A.

Hadley

( 3 4 7 ) 3 0 4 - 1 6 6 7 bryan.a.hadley@gmail.com br yanahadley.wordpress.com/

© 2016 Bryan A. Hadley

Omnific: adjective 1. creating all things; having unlimited powers of creation.