GALLERY
INTRODUCTION
Vermont-based and nationally acclaimed artist Valerie Hird explores the connections between cultures and their environment as a meditation on the ambiguities of our contemporary world. In her first solo exhibition at the BCA Center, Hird presents a provocative visual exploration of humanity’s shared myths. The artist envisions a fantastical garden where untamed and uncivilized nature becomes a metaphor for the pressures weighing on societal systems.
Through a diverse vocabulary of colorful patterns and iconic symbols gathered and reimagined, Hird explores personal and collective identity – weaving together social, cultural, and political themes in a range of media. In this selection of new and recent work, Hird moves forward and backward across time and memory as she reflects on the illusion, disruption, and disarray within contemporary society. The Garden of Absolute Truths features large-scale paintings, animated video, and three-dimensional sculpture commissioned specifically for the exhibition.
— Heather Ferrell, Curator and Director of Exhibitions
FLIGHT, 2020 watercolor 22 x 44 x 1.25"
ALICE’S HOUSE, 2020*
wood, gears, screws, foam core, watercolor on Arches paper, ink, printed matter on rice paper, Optimum Plexiglas, electrical wire, LEDs, batteries, magnets 28 x 12 x 6 ½"
TRANSITION, 2020*
wood, gears, screws, foam core, watercolor on Arches paper, ink, printed matter on rice paper, Optimum Plexiglas, electrical wire, LEDs, batteries, magnets wall-mounted sculpture 28 x 12 x 6 ½"
NEW MEDIA, 2020*
wood, screws, foam core, watercolor on Arches paper, ink, printed matter on rice paper, Optimum Plexiglas, electrical wire, LEDs, batteries, magnets 28 x 14 x 6 ½"
BOXED IN, 2021* wood, gears, screws, foam core, watercolor on Arches paper, ink, printed matter on rice paper, Optimum Plexiglas, electrical wire, LEDs, batteries, magnets wall-mounted sculpture w/ cleat, side crank, light 28 x 16 x 6 ½"
WHAT DID HAPPEN TO ALICE?, 2020 single-channel video, hand-drawn digital animation (12 min)
Animation: Martin De Geus
Editor: Max Ethan Miller Score Composed and Performed by: Mary Bonhag
THE EMPEROR’S NEW CLOTHES, 2022 ink, original watercolor on Stonehenge paper, printed matter on rice paper, museum board, foam core, wood, glue, Optimum Plexilgas, magnets, wire, LEDs, 26 x 16 x 6 ½"
THE SECRET GARDEN, 2022 ink, original watercolor on Stonehenge paper, printed matter on rice paper, the atrical gels, museum board, foam core, wood, glue, Optimum Plexilgas, magnets, wire, LEDs 26 x 16 x 6 ½"
The Garden of Absolute Truths, 2022 (detail)THE NIGHTINGALE’S EYE, 2022 ink, original watercolor on Stonehenge paper, museum board, foam core, wood, glue 2-way mirror, wide-angle lens, Optimum Plexiglas, magnets, wire, LEDs 20 x 14 x 27"
GULLIVER’S TRAVELS, 2022 ink, original watercolor on Stonehenge paper, printed matter on rice paper, theatrical gels, museum board, foam core, wood, glue, Optimum Plexilgas, magnets, wire, LEDs 20 x 14 x 27"
SOURCE CODE, 2016-ongoing watercolor on Stonehenge paper 42.5 x 119' (6 x 9" each, 94 total)
THE CHILD OF THE PURE UNCLOUDED BROW, 2019 watercolor, oil, and graphite on Arches paper 22 x 16 x 1.25"
THE GARDEN OF ABSOLUTE TRUTHS, 2022 single-channel video, hand-drawn video animation (6:11 min) Animation: Martin De Geus Score Composed by: Kara Gibbs
SEEDLINGS I AND II, 2015 oil on monotype 24 x 16 x 1.25" each
ORIGINATION I, 2014 oil on linen 96 x 120"
ORIGINATION II, 2014 oil on linen 96 x 120"
ETERNAL KNOT, 2013 oil on linen 48 x 60"
LAND MYTH I AND II, 2010-11 from the installation, Fifth Day oil on gessoed paper 16 x 16" each
*Box structure and crank mechanics fabricated by Michael Zebrowski
All works available for sale. Price upon requests.