notburied,justplanted||AntonioTourgeman
MotherNature||CoraBurch
Monolith||CoraBurch
OfMarsandMen||KarinaGuaderrama
Photographs||MayaBamford
TotrulyloveLA ||YasminAmin
UNIVERSAL ||AntonioTourgeman
“Cinderella”||AntonioTourgeman
ThreeOddSisters||AbbyPeterson
ToLearnfromthePast||GriffinProcter
Untitled||CatherineCruz,EmaKato,OliviaPink
Untitled||KaylaHenderson,JackKern,BrandonSadkin
TheLake||NickD’Alessio,TrippDuff,EdwardZilberberg
LeaveUsAlone||CoraBurch
DamarisLewis||OliviaPink
HelloStranger,||CaitlinKim
It’sthesolitudethatslaysyou||HonorPatey
WhyIWriteCreate||EllaRosenson
animaginarymomentintime||ZohaPattanaik
MonteVerità||CoraBurch
IfHeKnew?||AntonioTourgeman
home||ZohaPattanaik
APaintingofDove||ZohaPattanaik
Fifteen||Anonymous
writingaboutLove||CaitlinKim
Photograph||OliviaPink
unblissfulignorance||AntonioTourgeman
Blinds||CoraBurch
Photographs||PaulinaJoseph
TableofContents
3 5 6 7 8 9 12 12 13 14 16 17 18 19 20 21 22 24 26 27 28 30 31 32 33 35 36 37 39 1
EditorialCommittee
CaitlinKim
KarinaGuaderrama
OliviadeCastro
AntonioTourgeman
CoraBurch
ReubenBarbarash
EllaRosenson
ChristopherNg
FacultyAdvisors
Ms O’Driscoll
Mr.Kohn
FrontCover
OliviadeCastro
KarinaGuaderrama
CaitlinKim
BackCover
CaitlinKim
2
notburied,justplanted downthestreet andaroundthecornerlives theheartofthecity. beatingcolorsofredandorangeandyellow, controlledsunrise,fencedinsurprise rootsnowveins,embeddedin theearth’scrust.
con dent, ourish treesprovideshade forthechildrenbornofspring. bouncinginthegrass,leisurely. handscoveredinmud andforeheadcoatedwithfreshdew embroideredoveralls,throughthericketygate-it calls.
downthestreet,pathssprawlenclosed.
inthemeadows, notasoulafraidofsoil, noturmoil,privateprosperity. thetrailendshere, fretnot, ndanother followthe owers, greens,bluesandpinks. orescentand oral. petiteandsweet distantmurmursoflife echothroughbarkandleaf. downthestreet,carsrush, butherecheeksonlyblush kneesbend,meetingthestone. greetingsandsalutations, watergently owsfromagenerouscan, sitdown, inorganicmatterandmineral. clay,moldashelter.
feedingintopots,exhibitofcreationandof growth.
ceramicleavesdustonpalm, notabother,jeanreplacessoapeasy.
batheinthesun, whileyoucan. vinesandpines,stretchingspine. rummagethroughpockets,digdeep needisavirtue, spenditwisely.
ashovelisagardener’sweapon, pickavegetable,thecloudsarewarning. fogisthickening,tighterandtighter struggleforair, hideinthegreenhouse.
thegreenhousewillprovidesafety, siftthroughthemist, thebrownsfadeinthedirt, wilt,shiver.waterweighsthepreciouslily down spadesnowdull, vasesnowunderpressure, crack,smack
thecarsspeedingnowmoreapparent, turningthroughminds, runningredlights. layingpavementoverearth’slungs, cumulonimbuscloudsshroud blinding,theairissolid
greenhousesshatter, lowhanging,theearthlosesbreath. atmospherebeckoned, itimposesheavyoverplants whomforgothowtoexhaletoolongago. prehistoric,nowcategorizedendangered.
3
rememberthenatureofnature decidethatwhensleepfades, gardenswillberestored. sunswillriseagain. childrenwillfrolicinweather, nomattertheaether pathswillbeforgedagain. owerswillknowthenourishment waterprovidesoncemore. wakeup letyoureyesopennow. feelthebreezeasdandelions spreadtheirallergens don’tholdbackyoursneeze, takeinthesunasit praisesyou. hardshipisalways rewarded otherslayaroundyou, coveredintheearth’shands. itsyourturntowakethemup. opentheireyes
breakthemfreefromthegreenhouse showthemthateternalspring isaprivilege. letthemsharplyinhale asthemorningdew burnsaway.
wakethemup, beforetheseasonsblend andbeforetheechoesofscientistsringtrue listenandyellunapologetically. bethesun.
-AntonioTourgeman
4
MotherNature -CoraBurch
5
Monolith
Naturecontaineditscreature, theindustrialgrayskylineheldclosewithgreen, withyoungstrengthlikethearmsofafather ashetameshisnewborn’s ailingarms, likesteelbeams,likejackhammers, adevelopingbodythatseemstorecoverfromeverythingjustas birdslacktheconsciencetocurlupanddie, springingagain, yinghigher.
Theprotectivegreengrewoverconcrete, uprooteditscreature’s dangerousredbrickworkandroads, gaspedandbrokeupthesidewalkto upliftitselfskywardlike parentstrytokeeptheirkidsgoodpeople, patiencethinbutlovetoothick toletthehammerspuncturethrough, thoughtheheadachesarepounding, thecompassiscracking, anddirectionhasanewbornblur asdoorsclosethemselves, sewninwithneedles, threadedonthe ngers ofchildrenindustrialized, turned-outpockets,white agsall productsofearth’suntamedchild, anevolutionspunsofaritdevolved.
Thehammersbroketheconcreteminds ofmycousin’sparentswhoreallytried. Shejustdoeswhatshewantsnow, anuntamedconcretemonoliththoughtlesslyrocketing justlikemanintotheblackstar-prickedsky, unregulatedandemptychested, deadintheeyes.
6
-CoraBurch
OfMarsandMen
Therocketscamelikedrums,beatinginthenight
TherocketswereAmerican
ThemenwereAmerican
[Therestoftheworld]watchedtheRomancandlesleavethembehind Buriedinwar
Shouldwegoatall?
Therocketstoodreadyforthe ring
Shouldn’twesolveourownsinshere?
Marsisopeningup
It'safrontiernow
LikeintheolddaysonEarth
Aren’twerunningfromourliveshere?
Menaremen,unfortunately
Nomatterwhattheirshape
SurelytheLordwillunderstandthat[we]aredoingthisforHim
-KarinaGuaderrama
7
-MayaBamford 8
“ToTrulyLoveL.A.”
“TotrulyloveLA,youhavetoseeitwithdifferenteyes”(Section3)[1]
Youknowthatfeelingofsittingatadinnertablewithyourfriends,familyorevenwith strangers?Ofcoursethepeoplemakethetable,butit’sreallymorethanjustthat,andmorethanthe dinneryou'resharing.Thetime…theplace…andthefamiliarfacesareallwhatmakethetable.Ididn’t realizeIhadadinnertabletocomebacktountilthedayIreceivedawelcomingnodfromafamiliar faceinPalisadesPark,orwhenIwasbeingcalledoverbyanicknamegiventomebybreakdancers,“hey Curly,Curly…comewatchthismove!”
GoingtoSantaMonicaPierwaslikecominghometoafulldinnertableafteralongday. Althoughametaphoricaltable,westillfeastedonstrangeinteractionsand“goodvibes”MySanta Monicabelongedtome;she’supforgrabs,butyouhavetoearnyourbelonginginherdinnerly1 embrace,youmust ghttoknowher…insandouts…thesamewayyoumust ghttonotbeforgotten byherrevolvingdoorofconsumers.IrealizedshewasmineafterIknewshehadseenallmyfaces,my manymoods,mydi erentsidesthroughtheages
WhenIaminSantaMonica,IstillfeellikeIamtwelvesmellingmarjuanasmokeforthe rst time.WhenIaminSantaMonica,IforeverfeellikeI'menteringarecurringfeverdreamasIlandby thebeach Andallofthistothinkshewasmyhome,mytherapy,mylover,mymother,myfriend the samewaysheisaplaying eldforamanlookingtoplaycatandmousewithsomeunsuspecting women,orthesamewaytheelderlycoupleeatingicecreamonabenchmourntheirSantaMonica becomingahomeforL.A’shomelesspopulation.Butdon’tforget,thosehomelesshavehertoo, probablymorethanyou
IfSantaMonicaisthefeelingofadinnertablewithhercastofcharacters,shewritesopen invitations.I’dliketointroducemydinnertable…beginningwith“Tips''and“King.”TipsandKing weretwobreakdancerswhowerealwaysatthePier’sentrancepopping,lockinganddoingback ips forcasheveryweekonSaturdaysandSundayswithoutfail,rainorshine TipsandKingwere19,that’s themostpersonalinformationIhaveaboutthem.IcameupwithTipsbecausetheendsofhishair werebleached,andKingwasalreadyusingthatnameforhisdancing.ImetthemwithAthena,my childhoodbestfriend,backwhenwewere13. Theyusedtopretendandjokethattheythoughtwe were18,butIlookbackandknowtheyknewourexactagesbasedonthewaywetalked Next,wehave “thenativeguy.”BeyondbeinganativeSantaMonican,hewasalsoNativeAmerican,hewasthere mostweekendsandsomeweekdayafternoonstoo.Hewouldlayonthegrassofthepierentrancepark, crushleavesinhishands,inhalethearomaandnearlynodo whilelookingatthesky.Hede nitely understoodwesharedadinnertableashewouldgivemeawelcomingnoduponarrivalassoonasour tablewasset.Atourtable,wealsohavetwohomelesswomen,CeceandRoberta.I’dneverseenthem interactsoitmaybeinsensitivetogroupthemtogether,buttheydidsharetheareatheyinhabitanda
9
friendshipwithme.Ceceappreciatesgroceriesasshestillhaskidstofeed,butRobertadoesn'tknowif shehasgrandchildren,soshedoesn'tmindMcDonald’sandafewsparedollars.Someofthestreet vendorsevenhadaplaceatourtable,astheyweren'tjustclockingintoSantaMonica,theywereliving SantaMonicainthewaytheyinteractedwiththerestofus.
SantaMonicaisfemininewithherownmystiqueandaloofness.AfterCovidher ameseems particularlydim,onlytorealizehowmuchhottersheburnswhenyou'reupclose.Sheislikeamother, somehowalsolikealover,likeafriend;whicheverhandholdersheneedstobecomethatday,shedoes withafamiliarembraceasonewalksthroughhercolorfulstreets.AsIarrivetoday,andItakeherin,all thesmellsofurineandgasolinecontrastingwithburningporkandmarijuanasmoke,Ifeelthesame comfortIalwayshave.Sheheldmyhandeverydayofthesummerbeforehighschool,shespunme aroundthroughmy rstboyfriend,straighttomy rstbreakuprightunderoneofherlovingpalms Shewentfrombeingmyandmychildhoodbestfriend’splace,toawaitinggroundformetocome backonceadecade-longfriendshiphadended.Shewatchedmyyoungselfgeto ereddrugsforthe rst time,andshesawmerightbeforeshegotupandbecameo limitsforalmosttwoyears Iwaitedfor hertoo,youknow SomuchhadchangedbythetimeImethersaltybreathagain Icomebackwith newfriendsto ndwithreliefthatshe’sstillmine.
AsIwalkthroughtheboardwalk,Isee ashinglightsand uorescentcolorscontrastedby metersofadarkanddeepseapeekingthroughthe oorboards The rsttimeIfeltSantaMonica’s holdonme,truly,physically,wasmy rsttimeridingthePaci cDragonafterFrancine’s8thbirthday, whereIcriedandscreamedtogeto theride.Thenexttime,Iwas13andmyfriendhadbetme whoeverscreamed rsthadtopayforourfairtickets.Itookheruponthis,disregardingmypast trauma Oncewereachedthefullspeedofthedragon,Iwaspetri edandbitingmytongueastonotlet outashriekofterrorandinthatmomentIrealizeditwasalloutofmycontrol,soIletgo…physically andmentally.Iletgoofeverything,allmyworriesmeltedawayasthebackofmythighsunpeeledfrom thehotplastictoaplacewithnogravity,asthehotocean'sairblewinmyfaceandweswung downwards Therestofourdaywas lledwithrepeateddragonrides,baconwrappedhotdogs,and catcalls…Ihadmy rstrealtasteofSantaMonicaandfromthatdayon,IknewIwasaddicted.
Today,Icamehomefordinneranditfeelslikethepieris nallyreturningtoherpre-COVID atmosphere.Somethingisliving;liferesidesinthesestreets,walls,andalleyways.Icanfeelherwarm embraceaskingmeifIamhungry OfcourseIam,Irespondthroughmyinvitingeyes,rightasa strangemanasksmeifIwanttosmoke.Ikindlyturnhimdownashecontinuestocomplimentme.I say“thankyou”andinterrogatehiminthenameofliterature.I ndoutthismanistwicemyageand hasseentheinsideofajailcellduetoafewfelonysentences.WewalkasItrytokeepmydistance.The manisoriginallyfromFlorida,andnowheissellingfentanylonthestreetsofLA Iaskhimwhyheis here,andherespondswith“I’malwayshere,everySunday,mostlytohollaatbitches.”IregardedSanta Monicawithafeelingofmistrust,almostasifthiswasherin delitytome,butthenIremembered
10
howoneplacecanbelongtoanumberofpeopleindi erentways.AsMadonnaasshemaybe,the whoreisstillaliveinher,pursuingotherrelationshipswiththedownanddirtyofL.A.
NowthatI’vebeeninvestigatingthischaracterforabouthalfanhour,Icanfeelhe’dliketo takeitoutofthecity,SantaMonica.Whathedoesn’tknowisthat,asnativetoLosAngelesasIam, SantaMonicaismyplaying eldandwhateverIpickupwhileIamwithherImustnottakewithme. Aswehaverules,meandthiscity.Heroceanbreezepicksupasifit’sherwayofsayinggoodnight,I watchastheshopkeepersonThirdStreetlockupforthenight,andafewlingeringrodentsscurryout ofsight.“Whatcolorareyourpanties?”arethevulgarwordsthatawakenmefrommytrance.It'sthe coldtruthofknowingthatthisloveissharedevenwithscum,theonlythingthatprotectsmylovefor herisherdiscretionandoursecrecy.Itisonlybetweenmeandthecity.AsIdesertthemaninaseaof people,Iwalktheevenroadsandsidewalksbacktomycarandbeginthedrivehomeonthestrangely unoccupiedroads.SantaMonicafollowsmehome,theechoesofhercrowdslingerinmyearcanals, theoceanbreezeandsandparticlespollutemyhair,thesmellofcigarettesconsumesmynostrils,and thethoughtofdinner oodsmyhead -YasminAmin
11
-AntonioTourgeman
UNIVERSAL
Cinderella
12
-AbbyPeterson
13
Nowadays,thereisatrendinsocietytoeschewthoseartworkswhichhavebeencommonly consideredcornerstonesofcultureforcountlesscenturiesandintroducecurriculumswhichcount thesekernelsofcreativityascancerouskillersofthecriticalthinkingofclassesofkids.Now,whilethere certainlyissomewisdomtobefoundinthissystemicself-re ection,itisoftenusedtojustifythe disregardingofpieceswhichhavehelpedshapeandde nethemodernworld'sview,oftentimesforthe better.Oneofthesetexts,Homer'sTheOdyssey,hasbeentakenoutofschoolsacrossthecountry,even whentranslatedcarefullybysuchaccreditedscholarssuchasEmilyWilson.Thoughthezeitgeistof thisdayistoridethiswaveofculturalvandalism,TheOdysseygivesmoretoitsreaderthanittakes,and therearenumerousreasonswhy
Firstly,thelanguageofthisepicisundeniablysomeofthemostcolorful,poetic,andvividone couldever nd.Theentiretextissprinkledwithlengthysimiles,detaileddescriptions,andthoughtful connectionswhichaddmultiplelayersofdepthtoanotherwiseantiquatedpieceofliterature composedbyamanwhosupposedlycouldn'tevensee Itisimportanttonote,though,thatwhilethis accountofOdysseus'sjourneyswasconjuredupbyamindwholackedtheabilitytogazeuponthe world,itslinesallowtheirreaderstoconjureupimagesoftheeventsastheyunfold,evenwhenthey seemhardforamortaltocomprehend Oneexampleofthisiswhenthedeceasedsoulsofthesuitors aredescribedas"squeaking/likebatsinthesecretcranniesofacave"(245-6) Thisgivesreadersa glimpseofthefearfulanddespairingspiritsoftherecentlydeceasedsuitors,squealingastheyattempt toprocesstheirdamnationtoforeverbetrappedoutsidethegatesoftheunderworld.Suchstrong imagerygivesnewmeaningtootherwiseboringscenesandropesthereaderintotheemotionsofthose depicted.Itcannotbedeniedthatthecreativewordingofthistexthasthepowertoinspiremanyan aspiringwritertoadoptsomeofHomer'sstyleandaddlush,descriptivepassagesintotheirowntexts. TheauthorialabilityofHomer,however,isnottheonlystrengthofTheOdyssey,asmuchof itsimpactliesinitstense,action-packedstory Ratherthangotherouteofmanycontemporaryworks andsmackthereaderwithinnumerablelinesofuncreative,overlyo ciousdialogue,TheOdyssey shovesitsappreciatorsstraightintothethickoftheaction,nevershyingawayfromthedetailswhich grantthepoetryitsmomentum.Readerscanseethisperfectlyexpressedinthetitularcharacter's slaughterofthesuitorsinfestinghishome Odysseus,bowinhand, resashotdirectlyatoneofthe foremostofhisunwantedguests,Antinous,withthearrowcleanlypricinghisthroat,afterwhich,"He oppeddowntothesideandhiscupslipped/outofhishand.Adoublepipeofblood/gushedfrom hisnostrils"(22.17-19).Thisfrankdepictionoftheviolenceinvolvedinthehero'srampagegivesa senseofurgencyandthrilltothescene HadHomeroptedtostrayawayfrommoregruesomedetails, hisworkwouldmostlikelyhavelackedtheforcewithwhichito ersupitsactionscenes,makingfora
ToLearnfromthePast
14
signi cantlylessinterestingtale.Luckily,thiswasnottheroutehetook,andtheworldleftwithastory whichcanserveasanexcellentexampleofwhatafast-paced, ght- lledadventureshouldlooklike.
Thoughthetextualaspectsofthepoemmaybemoreobviousreasonstoreadit,thehistorical valueofthisworkisnearlyunmatched.Homero ersusaglimpseofwhatArchaicGreeklifewould havelookedlike,andthebeliefsandvaluessaidGreekswouldhaveheld.Aclearexampleofthis time-testedcross-culturalinsightisthevividdepictionoftheprotagonistconstructingaraft.Insteadof doingwhatmodernauthorsmight,andskipoverthedetailswhichwouldmostlikelybelostontheir audience,Hometellsusmuchaboutthespeci csofthevessel'screationbythetext'snamesake, Odysseus."Heheapedtheboatwithbrush,andcaulkedthesides/withwickerwork,tokeepthewater out./Calypsobroughthimfabricforasail,/andheconstructedthatwithequalskill./Hefastened upthebraces,clewsandhalyards,/andusinglevers,launchedheronthesea"(5256-261) This, obviously,grantsamodernreaderknowledgeandunderstandingofhowtheirancestorswouldhave constructedboats,butalsoallowsakeenhistoriantogleanthatseafaringwasimportantenoughtothe inhabitantsofAncientGreecethattheaverageenjoyerofthispoemwouldhavebeenabletomake senseofthesecomplexdetails Itcertainlyprovidesaninsightfulwindowintothepast
Allinall,thislengthyepicgivestoitsreaderssomuchintheformofitsskillfulcomposition,its tactfuluseofimagery,anditsancientperspective.Thoughitcertainlyhasitsdetractors,TheOdyssey istrulyoneofthehighestqualitypiecesofliteratureeverconceivedofandshouldcertainlyremainon thedesksofstudentsacrosstheworld.
15
-Gri nProcter
ThefollowingthreepiecesareexcerptedfromanassignmentcompletedinMr.Kohn’sAmerican Literatureclass.Studentswrotepoetryaboutthelake anditspower inMarilynneRobinson’snovel, Housekeeping TheyusedalinefromanEmilyDickinsonpoemoftheirchoicetoconnectthetwoauthors’ sensibilities.
Thethingsthatnevercancomeback,areseveral–
Thesilence–roars–wereachout–whydoesthewaterhold?
Foreverboundtothemysteriousdarkness
Are ection–oursouls–lonely–canwecomeout?
Oncealiveandfree–nowinthewater–
Alive–thendrawntothewater--trapped--inthedarkofthenight–Our nalrest–contentwithourfate
Acceptance–wecan'tchange– thewaterholdsusforever
16
-CatherineCruz,EmaKato,OliviaPink
TheWind tappedlikeatiredMan
TheWind initssolitude
TheWater islovedbut
TheWater swayinglikeadrunkard
Standing alone
MyJudgmentalgaze MyLecturingvoice
Butshe’sunabletochange
Myfather’spresencedrawsmein acalmingsensation
Heclearsmymind escapingreality
ThecloserIget thegreaterconnectionIfeel
Apartofme it’salwaysbeenandalwayswillbe
People atthewater'sedge
Goingtoenjoythelake’shistory
Thelakeisabeautiful mysteriousplace
Ialwayswonder what’sinsidethislake
Followher,followher su ocatinginmyhead.
17
-KaylaHenderson,JackKern,BrandonSadkin
TheLake
Thoughdarkandmurky
Seethebeautyandlightintheripplesofwater
I’minthegentlebreezethatrustlestheleaves
Thewarmthfromthesunonyourbacksismyembrace
Donotdwellinthedarknessofmycruelact
Openyourpetalsandturntowardthesun
Therearenoanswersinthedepths
Oursecretsremainhere
Donotmournme,mysoulisfree
ForIamhereamonggreatcompany
Thetrainis lledwithpeople
Ourdestinationisallthesame
Wetravelthroughthecountryside
trees ybyourwindow
Thetrainentersasmalltownunknowntomost
Its lledwithlittlehouses
Eachplaceisitsownlittlehome
Wetravelacrossanoldwoodenbridge
Thetrain ieso thetrack
Nowsittingatthebottomofthelake
Thisplaceisnowourhome
Everythingismountainsandlakes, Peaksandtroughs
Flowingwaters,roughandcalm
Deepesta ectionfortherockyhills,nowtrappedinthe uidwaters
Expandingthepalateforeternallife
Eternalheaven,constantlylookingatthetruestlove
Gonebutmaybenot?
Nowweareone,
Foreverconnected
TheWorldisnotaconclusion.
18
-NickD’Alessio,TrippDu ,EdwardZilberberg
19
LeaveusAlone -CoraBurch
20
DamarisLewis - OliviaPink
HelloStranger, helloperson, alienatedilluminatedwindows atelevision ashesdisarraysofpictures littlepeople
oraretheyhorses
dartacrossthescreen watchingtomakeoutthe oatingentities seemsliketrespassing
helloneighbor, connectedbyasynchronizedrobberyoftime isitourstospend orisitsimplyborrowed
thirtyfeetand 1 2 3 storiesbridgeourgap evennight’slimelightshiesaway
hellofriend, thewitcheswanttheirhourback forwehavetakenitforourselves isittheirspellsthatkeepmeawake orthatlullmeo tosleep
hellostranger, whatkeepsyouupthisevening?
-CaitlinKim
21
Ididn’tlikeher.
“It’sthesolitudethatslaysyou”
Shewasahardpersontolike,foramultitudeof reasons:theattention-seeking,thegloryhounding,thehaughtyattitude She gotonmynervesandleftmeseethingwithfrustration
Nobodyelseinthegradelikedherverymucheither,and theycertainlydidn’tbeataroundthebushaboutit.Thesecondshecameupin conversationtherewereafewpointedwordsandaknowingglancesharedbetween usall
Andyet,shewasmyfriend.
Atleastbymiddleschoolstandards,shewas.Wesat togetheratlunch,playedtogetheratrecess,Ilistenedtohermonologuing aboutherimaginaryboyfriendthatwenttoadi erentschool Everything seemed nebetweenus,at rstglance
Itwasneartheendoftheyearwhenithappened.
Iremembersittinginthecarnexttoher,talkingabout nothinginparticular.Wehadbeenpickedupfromschoolbyhermother,and wereheadingtooneofourhouses-Ican’trememberwhich Shewassayingsomething,andIrememberjustlookingat herandrealizingthatIdidn’tcare.Itwasn’treallyafriendship,tome.I don’tknowwhatshethoughtofme,butIdidn’tlikeher.Iwantedhertobe friendswithme,butIdidn’twanttobe friendswithher.
Itsoundscruel,whenputsobluntly.Butinallhonesty, it'snotasthoughanyoneelsewantedtobefriendswithhereither.
Inmymind,therewasa
di erence,inarelationship,betweenhavingandbeinghad Icouldhave stoppedbeingfriendswithherandneverspokentoheragain,becauseshe wasn’tgivingmewhatIwantedinafriendship-butatleastshewasgiving.Really, outofeveryoneIknewatthetime,shewastheonlyonewhowasgiving.
Ihadbeensousedtobeing had,tobeingreliantonotherpeople,thatIclungtotheideathatour friendshipwasbeingdictatedonmyterms.Itwasanentirelysel sha air. Shewasthenewgirl,andIwasdesperateforaconnection.Ourfriendshipwas morelikeacompromise,thananything
Thisrevelationastothenatureofourrelationshipmademerealize,though,thatIwasn’tjust thereformeanymore.Itwasn’taboutwhatIwanted.BecauseifIwas,thenIwould haveleftonceIrealizedthatIwasn’thappy.
Ithadgraduallybecomeabout her,too Isawmyselfinher Icouldn’tstopbeingfriendswithherbecauseI wouldbeleavingheroutinthecold.AndIdidn’tjustwanttotakefromher,
22
becauseIknewwhatitwaslike.Iwouldbenobetterthanthepeoplewhohad doneittome.Abandonmenthurts,itcurlsinyourchestanddragsyoutothe oor,andtosubjecthertothatwouldn’tjustbetoomuchforher,itwould betoomuchforme
Peopledon’talwaysrealizethatshowingempathyfor othersisn’tjustsomethingthatyoucandopassively.Caringaboutother peopleisanactiveexperience-ittakesalotofe ort Becausethepeople whoneedsupportthemostareusuallytheoneswhoaren’tgettingitinthe rstplace.
23
WhyIWriteCreate
“OfcourseIstolethetitleforthistalk,fromGeorgeOrwell”,eloquentwordsI’venowstolen fromJoanDidion.Anyways…
Isincerelyenjoycreatingfantasticalworlds.It’saninclinationI’vealwayshad,evenwhenIwas young.Iwrotepoemswriting‘whale’as‘wayle’insecondgrade,shortstoriesofmyfriendsandme beingPokémonmastersinfourth,andamusicalaboutCleopatrainsixth Inbetweeneachofthose, mychildhoodfriendsandImadeourownuniverses,buildingfromiMoviemagicandcrafting charactersfromcardboardboxes.Onlyourlittlegroupoffour:Ellie(mybestfriendsincetwo),Josh (myyoungersibling[they/them]),Brookie(Ellie’slittlesisterandJosh’sbestfriend),andme.We expressedcreativityinallwayswecould,fromsewingsongsmimickingourbelovedTaylorSwiftto knittingstoriesfromnothing.Wejusthadto.Itwasn’tachoice,wecravedthecamera,lights,andglory ofadorationshonedownonusbyourparents.EllieandIsatbehindthecamera,directingandwriting, whileJoshandBrookieacted.
Wecontinueddownthisprettypathofcreationforourwholechildhood Ilovedit,evenif pullingJoshfromtheirLegos(to lm)becameincreasinglydi cult.Followingtheendofmovie making,Icontinuedcreating.IkeptwritingandmakingvisualsIpleased.Afteracrushonanartkid,I movedtodrawing Turnedout,Ilovedit Iheldpencilsmorethanthehandsofthekidwhooriginally gotmeinterested Idealtwithagooddealofdiscomfortinmiddleschool,keepingtomyself ButI didn’tneedaperfectsociallife,Ihadmyideas.Soon,creatingpeopleandplacesgotmethroughthe day.Drawing,writing,submergingincreativitywasaspurofthemomentwhereI’dseeacoloror objectthatmademethink Mylifewasamovie,withmyfootstepshavingmusicalcues,mybrain addingmoreshapesandcolorstotheworld,andlifewasbecominganadventuretobehad.Everything inmyeyesbecamesubtlybeautiful.Asmya nityforthebeautyoftherealworldgrew,sodidmy curiosityaboutstylizedshows,movies,games,andmoreweremade.Ilookedbetweeneachline, readingscripttoscript,essaytoessay Iinteractedwithfandomsasmuchaspossible, ndingsolacein thecommunitiestheybuilt.
Oneday,itdawnedonme.Writingandartwerewithinmygraspandsomeday,Icouldmake thesamecommunitiesthatkeptmewarmandsafethroughmiddleschool.Icouldhelppeoplelikeme. Theoneswhoneededthatchildlikewonder The“vain,sel sh,andlazy”GeorgeOrwellsandJoan DidionsandTerryTempestWilliamsoftheworld,whocry‘why’whileideas yintowriting(Orwell 7).Thelonelykids.TheoneswhoheardLegoscrashingagainstthewalls.
Quarantineeventuallyhitattheendofeighthgrade.Ilovedit-atleastforsometime.I attendedclass,slept,calledmyfriends,drew,andwrote Creativitygushedfrommelikeafaucet Imet newkidsinmyclassandbondedoverthecontentweconsumed.Iwroteformyfriends,Idrewfor themtoo:Self-inserts,multi-fandomAUs(alternateuniverses),OCs(originalcharacters)togxgand
24
mlm(girlxgirlandmenlovemen).Eatingfandomsmorevigorouslythanfood,andIexpendedmore energyoncreatingthanIdidonhighschool.Whenlifethrewmeforaloop,I’dreplayacomforting worldinmymind Notquitetherapyormedication(whichIhavenow),butitfeltlikeenough Headphonesblockedscreamingandfootsteps.Thehallsofmyhousewererelativelyechoey,somyears aren’tquitethesameastheywerepre-covid.Playlistsblasted,keystyped,andleadslidondesks.
Writingisthechildofalossofinnocence,notthefather(referringtoTa-NehishiCoates’Betweenthe WorldandMe)
Manyfandomsanddrawingsandpoemsandstorieslater,Iwasstillcreating.Imadeuniverses ontheashesofmysibling’sbrokenLegos.Evenifthecauseofthenewregressionwasduetoalossof control,writingandartwerealwaysinmygrasp,notthehospital.
I’vehadissues
I’macreator,afterall.
Yet,Ihatedtheloudnoisesoutsidemydoor,soI’dputonmyheadphonesandsleeptothebeat of‘MyLittlePony’and‘TheGoodPlace’ Neveroutloud,though But,whenI’dwakeupandtryto gooutsidemyroom,myfeethurtfromtheLegos ‘Idon’tactuallyneedfoodrightnow’
Thepenwould yintomyhand,andI’ddraw.Communicatethroughstoryboards,colors,and singularwordsadorningthetipofthepage(clippingonthedesk).
Thattimewashappy
Itwasnot.
Whilemyartgrewgrayer,theLegosbecameincreasinglybright.Aestheticsbecameband-aids, writingbecameevasion,andartwasashammadebymyclaymind.Ineededtocreate,butIhadshitto dealwith
It’sbeenawhile-I’vehealedagreatdealsincethen.Idon’tcreatetoescapeanymore,butto sinkintothecommonparadisemeshedwithmyreality.
Stillsaturatedandjarring,I’velearnedtorebuildwithLegos.
-EllaRosenson
25
animaginarymomentintime
atall gurestandsbeforemybedroom
hissilhouetteprojectingarathercalmillusion
quitetheoppositeofthetemperedmanthatstoodinthisdimensionofmyreality,unfortunately oureyesrarelymet
blameitontheheightdi erence
ormaybehisfaultsand aws
atraceofhumannature
takeyourpick
heneverseemedtoacknowledgethemanyways
piercingmetimeandtimeagain
butohhealthewoundstheysaid
buysomeacetoneandadamppapertowel
noreasontopainthimfoul
alwaysblamedforspillingaquafabricpaintonhisfavoriteredtee
he'sbloodtheysay
can'tholdagrudge,butIpray
formyyouthbackamidtheobliviousslumber
butthesunshonethroughadi erentlensthisday,theshadowscastingwhatseemedtobeagrinacross hisface
luringmeintothekitchenwithagentleraspytone,similartothatofscorchedlavenderhoney spreadacrossthepastellemontablelayathicksliceofcoconutcreampie,myfavorite adomedwithtwosilverforksengravedwith owersontheends
besidethemsattwocupsofpepperminttea
oneforhimoneforme
Ididn'tthinkhewaslisteningwhenIreadthearticlealoudabouthowvocalistsshoulddrinkmore pepperminttea,ormaybeIdidn'tthinkhecared.
thebutterycrustcrumbledonmytastebudsandhesmiled ararebreathsharedwithmydad,lackingdialogue,lackingapprehensive,quickbreathsinandout, lackingthecomfortingtensionthatsooftencausedmyshoulderstogrowsore.
Thoughonlyamoment,IwishIhaditpaintedandframedtoadmirefrombehindtheglass.
-ZohaPattanaik
26
MonteVerita -CoraBurch 27
IfHeKnew?
AmonologueinspiredbyDaphneDuMaurier’sshortstoryMonteVerita,alookintothemindofAnna
Rememberthepath.Idid.WhatifIforgotit?NoIcouldn’t,noIwouldn’t.Themoonlitmy wayagainandagain,nightafternight But,howcouldIrelyonher?Iknew,whenheisnot,themoon isthere.Inthecornerofmymind,thedarknessofthesky.Shebroughtafaithintomylifelikeno other.Theallknowingcelestialbody.Iprayedtoher,stepafterstep.OnthemountaintopiswhereI craveandwhereIhike.Hergazelaiduponmypaleskinforevermore.Apilgrimagelikenoother,where myfateisontheline Therigidmountainsshieldedmybeingmetaphysicallyandthesnowveiledme exquisitely.
Whatifheknew?Hewouldn’t,hecan’t.Imadesuretobequiet,IknowIwasquiet.Infact, I’mpositive.Butwhatif…No.Thereisnodoubtnow,Anna.You’retoofarintothis.Themoonis leavingsoon,toosoon,alltoosoon Ineededtogetgoing Idid Mybarrenfeetwereencasedindirt andsnowandnature’smuck…yuck.Icouldn’tletmyfeetdrag,Iheldmyfairelbows,nowblusheda perfectpink.Everythingaboutmypastledmetothisnight.Fragile.Ididn’tletmycourageshatter. Theiciclespitterpatteredfromthecavernsandravines.Thecontoursandthecli s.Victorwould’ve neverunderstoodtheimperfectionsandperfectionsofVerità
Myfeetarecallousednow.Behindthecurtainofsnowfall,throughtheleavesandthetrees,the pathledmehere.Tonow.Mykneesaregivingoutbutnothingcanstopmefromchasingmyimmortal infatuation Itakeadeepbreathandsherevealsmeeternity Shebroughtmetoeverythingand nothing Tomyheart’sdesire,andtoahomeIwaseversofamiliarwith Frommybalcony,frommy window,Iusedtofantasizeaboutsuchadream.But,nowit'sallreal,inmyfrostbitclutches.A clearinginthemountains,andamongthesummitsinhabitsthem.Thechildrenofhercycleandher phases Thechildrenofnorules,nobounds,butofcoursemoral,orratherlackof
Victor.AsI’vea rmed,nowayVictorcould’veknown.Heknows.Hedoesn’t.Heknows. Anna,hedoesn’t!Whatifhedoes?Theprizeissoclose…Yet,hereIwas.Let'stakeamomentof re ection.Ihikeupthismountainandforwhat?Abandoneverything,you,him,myself,mymortality. ButhereIam,again Thiswall,unclimbableofcourse,slitsforeyes-itwelcomesmewithasmileanda rmhand.Pickingmeupfromthiscageofabody.SworntominimalismIwas,Ineverwasonefor muchword.Sheshinesaspotlightontomyfrailheart.I'mascendingbutnotforlong.Thewallseems alltootallnow,immeasurable.Mywholebeinglongedforthem.Devotedashell,Iwas.Whatifthey rejectme?WhatifI’mnotworthyenough?Whatifmye ortswerenothingbutsnow akesmelting intomypalm?
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Victor,stoppeckingatmyconsciousness.Youlayinbed,comfortable,serene.Indreams, youareawayfromtheharshtruthofthismountain.Ihavefaithinyou,Victor…muchlikeImust nd myown Victor,yourheartcomplimentsmineperfectly WhenIseeyou,mymindnolongerwishesto searchfortheimpossible.No.WhenI’mlostinthought,you shmeoutwithyourcarefulhook.I mustadmit,I’vehadmydoubts.Victor,mydearest.I'mcaughtinthisperpetualcross re,mylove. Everlastingpeace…No!Husband!Happilyeverafter…No!!EverythingIcouldeverwant…VICTOR! Butwhatif Annafocusonthetarget Annathisiswhatyou’vebeenwaitingfor,prayingfor Ugh,amomentofrealization!Ididn’t,Icouldn’thurthim.Couldn’tlethimknow,wouldn’t. Timeisticking,theiceisdripping.Themooniswarmnow,thebloodinmybody ows,woah.Her gazeburnsthroughmyskeleton,ohhowriveting.Nothingmattersnowbutherandthemandme,no notmejustthem Ohwhatahighthisis Intoxicating,thething,theplace,everythingI’vewaitedso patientlyforishere.She’shere,she’shere.Themoonincarnate.Thegatesfallopenlikethesnow akes justdid.Shreddingthroughthedarkness,I'mbrightnow!Enlightenment,theytakemypalms.
Everythingisquiet Myhearthasnoreasontobeatanymore Mylungsbreatheforthemnotforme Purity Finally,mycravingswererewarded,ohscintillatingone Exhilarated,Iam!Whatif They aren’t.Whatifthisinsobrietyisaterrible,ohanalltooterribleruse?Whatifthisisallasickjoke?What ifIturnedbacktoVictor?WhatifIdidn’tclimbthemountain?Whatifshedidn’texist?Whatif…she does
29
-AntonioTourgeman
Home
Mymom'smasalachai luresmeintoherlonging, Lostspecklesofourmotherland Noweverchanging,growing
Thepreviousnight'ssourtensionlingersonmytongue, Eventuallyputtoeasebythehushofthemorningsun. Idon'tknowifIhaveasolehome, Idon'tknowwhypeopleask, SometimestheoneIbelievedbefore occupiedbytheoverwhelmingpresenceofher. Somberolivemelodiesmaskthemidnightblue
Driftoutmywindow
alonelygifttomyprettyneighbor
-ZohaPattanaik
30
APaintingofDove
Thesapphiremistholdsherplaceinoursky
Weigheddownbyunripenedbloom elds
Atwinkleofmidasbrushedwatercolorstreaksitswayacrossthedampenedcanvasinacurvednature, primingtheobserverforanarticulateexperienceoffantasy
Asmulberrytonesandsprigmintpigmentfollowinthefootstepsofthoseabove
Beneathliesstolenlandnoonebotherstore ecton
DespitetracesoftheblessedgatherersandchildrenOfourperennialmother,conqueredamongthe presenceofmankind
Treesdripdilutedsapaswemourntogetherasone,intertwinedinthisglimpseofdefeat
Thewistfuldovelongsforherlover,lostintherockyseaofladiesandlust
Enchantedbygoddessesentangledinbutterybooksleeves
LuredbyPoseidon'scursesuchlovelinesscannothaveitall
Inreparations,hermaidensweavetogetheranamethysthalo
Prayingthatthesoftscentoffadedwisteria
Willlurehertosleeponcemore.
Trappedingoldleaf,afoetodefeatSheremainsfrozeninasatis edtrance
Pointed ngersjudgeandtouch
Male gureswon'tgiveup
Objecti edandsexualized
Nolongerasymbolofwanting.
-ZohaPattanaik
31
Fifteen
Fifteenisbig, u y,sparklydresseswithtiarasandbailes
Fifteeniswomanhoodandmylastmuñeca
Fifteenisapartythatlastsallnight
Fifteenisgettingyourpermit
Fifteenisfreedom
That’swhat fteenshouldbe
Fifteenwascryinginthebathroomonmybirthday
FifteenwasdraggingmysisteralongwhereverIwent,likeshewasaballandchain
Fifteenwaslongdaystrappedinmyroom,sittingonzoom
That’swhat fteenwas
F*** fteen
-Anonymous 32
writingaboutLove
i’veunderestimatedwritingaboutLove nothingi’vewrittenisaboutLove
neverWhyILove,WhoILove,WhatILove neverabouthowIwanttobeLoved howmytasteinLovewasruinedbyHollywood howtheyde nedmyexpectationsforLove howrosesareredvioletsareblueandIwantto fallinLovewithyou
neveraboutpastinfatuation tossingandturningintactiletension palpablepoisonouspassion eeingtheforbiddenfruitoffoiledfriendship
neveraboutthesacrednessofmusic whereBillycan’t ndagirl andRickwantshisgirl andFreddiepleadslethimgo
butican’twriteaboutLove that’sforthewisemenwhosayonlyfoolsrush in fortherosethatwouldsmellassweetbyany otherword forthegirlwho’sstandinginfrontofaboy askinghimtoloveher
Loveisforthedreamer
Loveisforthequarterbackandthecheerleader
Loveisforthegirlnextdoor
Loveisforthegirlthat’ssmart butnottoosmart
forthegirlthat’sdumb
butnotan“airhead”
buti’mahopelessromantic
forthegirlthat’sstrong butnotstrongheaded forthegirlthat’sweak butnotcodependent butwhatifiwanttoLove tobeLoved toLove you tobeLovedbyyou
whatifiwantsomeone someonewho’snottoocooltoholdmyhand andsayareyoufreefridaynight?
andyouwon’tjudgeme forwearingthesameshirtthreetimes becauseidon’tlikemanyothers
andlet’sgetfoodbut onlyeatoverthekitchensink becauseneitherofuswillwanttocleanthemess
andyouwillLovemeand Lovemeforalliamand Lovemewithmy awsinsteadofinspiteof themand sayyouneverneedabecauseexceptbecauseyou Loveme
butidon’tknowwhatthatfeelslike ipretendtobetough
andidon’tneedsomeonetomakemewhole andi’mindependent andi’m newithjustplatonicfriends
33
andijustwanttobeLoved andiwanttohaveaspecialthingwithsomeone special
andtheonlyonethatknowsthatistheguyin thetiktokonmyforyoupagethatthealgorithm thinksiswhatiwanttoseewiththegirlsinthe commentssaying“omghowdidyouknow”and “didn’thavetocallmeoutlikethat”whenfor suretheguyhasnotacluewhoyouare sohowcaniwriteaboutLove youknowthe can’thelpfallingin allyouneedis struckbyyourelectric cananybody ndmesomebodyto
Love
-CaitlinKim
34
35
-OliviaPink
unblissfulignorance -AntonioTourgeman
36
Blinds
WhenCalliopewokeupshecouldn’tfeelherlegs.Shefeltlikesomeonehadinjectedasedative intoherlowerbodyandnumbedherallthewayfromtheelasticlineofherunderweardowntoher toes,makingherfeetandcalvesandkneesandthighsfullupwithvicioustingling Thisallfelt incrediblyunfair,especiallybecauseshedidn’thavetheenergytoopenhereyesortakeo herblanket Itwastoocoldandshewasonlywearingshortsandatanktop,becausewhenshewenttosleeptheheat wasonbutsomewherebetween11:30PMandnow––whichshethoughtfeltlikemaybeseven,her eyeswereshutsoshecouldn’tseeherclockbutsometimesthelightkindofcreepsupunderyour eyelidslikehoney––ithadstopped
Shetriedtoopenhermouthandgroanoryawnorwhatever,likepeoplealwaysdowhenthey wakeuponTVinthesitcomsandmurdermysteriesand“feel-good-shows”shewatched––Calliope didn’tlikemovies,theywerealwayssolonghermindwouldwander––butallthatcameoutwasasoft croaklikeaweakfrog
Herlegsstillfeltlikeshook-upsprite––she ungherblanketo herselfandshotupstraight, eyes yingopen.Itwassodarkshecouldhardlyseeherownhands.Insteadshefoundthewhiteblur behindherblindsfromthemotion-sensorlightacrossthestreet,andwatchedtheslattedbeamsfrom passingheadlights ashthroughherwindowsacrossthewalls,likestraight-edgeghosts.Thoseusedto scareherwhenshewaslittle
Calliopeshookherheadandlookedaroundagain,makingouttheoutlinesofherdresserand bookshelf…herdesk…theedgeofherbed.Shecouldfaintlyseehergreatgrandma’sneedlepointonher wallbutitwas ickeringinandoutoffocuslikeacameralens,sosometimesitwasthereand sometimesitwasjustablankyellowwall,egg-yolkgray-greeninthishalf-light Shelookeddownather legs.
Bendingthemintobutter yandrunningherhandsdownhertwo-days-unshavedskin returnedthesensethatshewasn’tinsane.Shefeltascabfromaweekagostartingtofadeandpickedat it,butitwashealedoverenoughthatitdidn’tbleed,justleftbehindalayerofrawskinthathurtto scratchat Shewiggledhertoesandfoldedoverthequiltsand eece,likethepagesofanopenbookgive themselvesuptogravity.Evenstoriesgettiredsometimes,shethoughttoherself,andwantedtoscratch thatthoughtdownbutlackedtheenergy.Ohwell,itwould’vemadeanicelyric.
Forabriefmomentshebecameawareofherhearingandturnedo thewhitenoiseonher nightstand,realizingthatitwasoverlappingwiththesoundofrainoutside Itwasnewrain,ithadn’t beenfallingforlong,shecouldsomehowtell,andthatremindedhertochecktheclock.Shepressed her ngersintothebuttonuntilitlituphotpink,illuminatingablack4:42AM.Partofherwantedto gobacktobedandpartofherwantedtobelikehergrandmotheronca eineandstayupuntilshe heardthebirdschirping She rstheardthatstorywhenshewas veyearsoldandsomehowitnever lefther HerSpanishteacherinthesixthgradetoldher veandelevenwerethebestagestopickupa newskill,somaybeitwasthesamewithbasicmemories,thattheyjuststuckalittlebetter.Aweird fever-dreamimageofSpanishvocab ashcardsbeingglue-stickedtoherchestmadeCalliopeshakeher headagainandslideoutofbed.
37
Shestumbledsomewhatunbalancedtoherwindowandyankedtheslattedblindsopen,soshe couldnumblyprythemapartabitwithhercold ngersandstandthereinthewhiteglow,hertan, peachskinlookingasgray-greenasthewallsinthedim
Calliopepushedherbrownhairbehindherears Itwasthickandmattedfromsleepingonit dry,andshecouldfeelthewavesshealwayswishedwerealittlemoretexturedsittingunderalayerof goldenfrizz.Assheexhaledandsmelledherownsweet-sickbreath,sherememberedkissingEmery backinmiddleschoolandherperfectblackcurls,andthatprettystraightsmiletellingherthatshewas beautiful Foralittlewhileitmadeherproudofthechestnutmopherparentsgaveher,andshe realizedthatherlittlebrotherwasn’tteasingwhenhewantedtobraidherhair.ItlasteduntilEmery wenttoadi erenthighschoolthanherself,andshecouldn’tfeedhergirlfriendwitha rmations anymore.
Self-lovewasatreeyouhadtotendyourself,saidCalliope’sauntonce,drunkatthanksgiving, bentoverabanister.Hercousinwasreadingtarotandthedevilcameup,andhesuggestedshewakeup andstopherdrinkingproblem.Itledtoawholeexistentialcrisisandbytheendofittheywerepassed outonthecouch,andallthelittlekidsmadeagameofdroppingcandyontheirbreathingskeletons. Little,ignorantCalliopewasoneofthem,smellingtheredwineontheirlips, veyearsoldinajade dresssprinklingbrowniecrumbsovertheirbackslikealms Whentheywokeup,theywereso confused.
Therainsoundedgood.Shecouldhearthelowerfrequencyasithitthegroundinbigdrops, ploppingontoleavesandthepaversdownthefrontwalk.Therewasasoftbreezemakingthewind chimessoftlysoundontheo beats,notdrivenatall,echoingthesongssheusedtoimproviseinher bedroomtoastu edanimalaudienceandthefamilydigitalcamera.Itdidn’tmatterwhereitwentorif nooneheardit.
Calliopestoodthereforanotherlongwhile,notlookingbackatherclock.Shejustwatchedthe skyslowlygetalittlelighterbetweenthebambooslats,paintedinhorizontalwhitestripeslikea moonlight ag Shewatchedthecarshumbyandsplashthefairway,wateringhermother’sroses A feelingroseinCalliope’sthroatthatshedeterminedlaysomewherebetweenacryandnauseaanda yawn.Itwasfamiliar––shefeltitallthenightsshewokeupinhercribandcalledforherparents,over andovertiltheyheardherabovethewhitenoiseineveryroom.Itwastheembarrassmentofhavingto callsomanytimes Thefearthattheycouldn’thearher Feelingsickfrombeinghungry,and exhaustion.Itwastimetogobacktobed.
Calliopeclimbedbackundertheblankets.Herlegsfeltnumbfromthecold.Shecheckedthe clock––itwas5:03.
Shewantedtopinchherselffornotwritingthatlyricdown Stu didn’tstickin sixteen-year-oldheads,whichshethoughtwasstupidwhensixteenwaselevenplus ve.Itwouldjust gowherealltheothermissinglyricswent,tosomevoid-likerecessinhersubconscious.Maybeitwould comebacktohersomedayasshestoodagainatawindowfortherain,orwatchedaneedlepoint icker againstegg-yolkwalls Asshefeltherunshavedlegsorgoldenfrizz Orassherememberedheraunt’s drunkenself-loveacceptancespeech
Sleepcreptintoherheadlikehoney.
-CoraBurch
38
-
39
PaulinaJoseph
40