Bukowskis | Important Spring Sale No 625 | Asian Sale| June 2020

Viewing: May 28 – June 2, Berzelii Park 1, Stockholm Auction: June 4, Arsenalsgatan 2, Stockholm

You might be wondering about a specific item, would like to book a private viewing or ask us about our upcoming auctions? We will be happy to answer your questions.

Specialist Asian Ceramics & Works of Art, Europan Ceramics and Glass Cecilia Nordström +46 (0)73 940 08 02 cecilia.nordstrom@bukowskis.com

Head of Consignment & Sales Department, Fineart.

Specialist Furniture, Decorative Arts & Asian Ceramics Björn Extergren +46 (0) 706 40 28 61 bjorn.extergren@bukowskis.com

Cover: A gilt copper alloy figure of Akhsobya buddha, Tibet, 15th Century. A blue and white lotus vase, 17th Century.

A pink scgrafitto vase, Qing dynasty with Qianlong mark. A gilt copper alloy figure of Boddhisattva, Tibeto–chinese, 18th Century, marked Da Qing Qianlong Nian jingzao. A celadon glazed blue and white vase, Qing dynasty, Kangxi (1662–1722). A red glazed dish, 17th Century with Chenghua mark. A famille rose vase, Qing dynasty, 19th Century.

A nephrite double fish snuff bottle with stoppers, Qing dynasty (1664–1912). A neprite snuff bottle with stopper, Qing dynasty, 19th Century. A hardwood altartable, Qing dynasty (1664–1912).

Wednesday June 3

From 12 pm (CEST) Number Furniture and Decorative Arts

1 � 111

Silver, Objects of Vertu

112 � 164

Carpets and Textiles

165 � 225

Glass

226 � 242

European Ceramics

243 � 249

Important Prints

250 � 329

From 3.30 pm (CEST) Number Art

330 � 548

Thursday June 4

From 11 am (CEST) Number Art

330 � 548

Asian Sale

549 � 812

From 3 pm (CEST) Jewellery

Number 813 � 990

Pre–registration.

Please note that to be able to bid at the Asian Sale you are required to pre– register for this auction and pay a deposit of minimum SEK 50 000 on request.

Kindly observe that the pre–registration applies to everybody, also already existing clients.

It will not be possible to bid at our Asian Sale without pre–registration. This applies to all forms of bidding: online bidding, telephone bidding, absentee bidding and in–person bidding in the sale room.

All clients must submit a completed pre–registration application form at

least three (3) days prior to the start of the auction. Bukowskis will not be able to accommodate first–time bidders within three (3) days of the auction.

For further information regarding the pre–registration application please contact us on preregistration@bukowskis.com or in person at our Customer Service Desk, located at Arsenalsgatan 2, Stockholm.

Estimates are given in Swedish kronor (SEK) and € (EUR). Bukowskis general terms and conditions for buyers and sellers, bidding instructions, and special terms and conditions for individual lots can be found at bukowskis.com

From the Collection of Emil Hultmark (1872–1943).

Emil Hultmark was one of the co–founders of the ‘Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

549. A elegant pottery figure of a court lady, Tang dynasty (618–907).

Standing elegant figure, long robe with puff arms and long sweeping armcuffs.

Elaborate hairdue, rich in traces of being paited. Height 35,4 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting. Emil Hultmark purchased it from the Bukowskis sale after Rådman Richard Hultmark, 26–27 februari, 1936. Depicted in the catalogue on pl 31. Lot no 89. sold for the sum 510:– to Dr E Hultmark. Commented in the catalogue at it comes form Lo Yang, Honan.

Literature: Bukowskis catalogue 1936, lot 89. Depicted in the catalgue. Sveriges Allmänna konstförening, Emil Hultmarks samling, Stockholm 1942. Exhibition lot no 324. Depicted in the catalogue pl 25.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

550. A Transitional Wucai Vase, 17th Century.

Trumpet shaped, the decoration devided into three sections, the two lower ones decorated with flowers, the top part decorated with a scene from court depicting the emperor and empress seated on thrones in front of a screen. Height 47,5 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 30 000 – 50 000 / EUR 2 790 – 4 650

551. A celadon glazed blue and white vase, Qing dynasty, Kangxi (1662–1722).

Modeled in the form of archaic gu vase, painted to the exterior with the Eight Horses of Mu Wang galloping, grazing, and lounging amidst pine trees, the horses’ coats variously decorated in underglaze blue, underglaze red, and white slip, all reserved against a celadon–green glazed ground, the interior white, the base with a double circle in underglaze blue. Height 45 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Literature: Depicted in Svenska Hem i ord och bild 1936, page 190.

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

552. A red glazed dish, 17th Century with Chenghua mark.

Decorated in underglaze blue with lotusflowers against a red ground. Diameter 16 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Previously in the collection of Hans Öström, no 1667. Marked with label.

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

553. A blue and white Transitional jar, 17th Century.

Decorated in blue and white with a mythical beast in a garden. Height 27,5 cm.

Wooden cover accompanies the piece.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790

554. A blue and white lotus vase, 17th Century.

Pearshaped on a tall flared foot, tall neck with bulbshaped top, decorated in a contionus lotus scroll.

Height 33,5 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

555. A blue and white dish, Qing dynasty, Kangxi (1662–1722).

Deep decorated with fishes amidst seaweed. Diameter 38,5 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Exhibitions: Sveriges Allmänna Konstförening, Emil Hultmarks Samling, Stockholm 1942, Lot 409.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

556. A blue and white jar with cover, Qing dynasty, Kangxi (1662–1722).

Ovoid shape, decorated with antiques within roundels against a background of cracked ice and cherry blossom. Cover decorated with a mythical beast within the roundel. Height 23,5 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

557. A blue and white jar, Qing dynasty, Kangxi (1662–1722).

Ovoid with cracked ice and cherryblossom decoration. Height 21,5 cm.

Wooden cover accompanies the vase.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

558. An imari jar, Qing dynasty, Kangxi (1662–1722).

Ovoid shape, decorated in imari colours. Height 22 cm.

Wooden cover accompanies the piece.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

559. A flambé glazed Meiping vase, Qing dynasty, 18th Century.

Meipingshape. Height 16,5 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

560. A flambé glazed vase, Qingdynasty, 19th Century.

Dropshaped with tall neck, flambéglaze. Height 43,5 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

561. A flambé glazed censer, Qing dynasty, 19th Century.

Round, inteiror in white glaze. Height 8 cm. Diameter mouth 10 cm.

Wooden stand accompanies the piece.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

562. A famille rose flower pot, Qing dynasty, circa 1900.

Decorated with a garden of peonies. Diameter 31 cm. Height 24,5 cm.

Wooden stand accompanies the piece.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

563. A ritual bronze vessel, presumably Han dynasty (206 BC–220 AD).

Round with a band at its waist and a raised foot. Interior with archaic characters.

Diameter 17 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Literature: Depicted in Svenska Hem i ord och bild 1936, page 191.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

564. An archaistic bronze vessel with cover, presumably Ming dynasty (1368–1644).

Decorated in relief with stylized dragons and tathiemasks. Height with handle up 33,5 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

565. A bronze scultpure of a water buffalo, Ming dynasty (1368–1644).

Reclining water buffalo. Lenght 10,5 cm. Height with wooden stand 7,5 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

566. A gilt bronze figure of Amithaba Buddha, Ming dynasty (1368–1644).

The Amitabha Buddha is cast with prominent urna above a slightly aquiline nose, eyes serenely downcast, pendulous earlobes framing a full face beneath a coiffure of tight curls and ushnisha, the robe overhanging both shoulders carefully chased with floral designs along the hem and his undergarment held in place by a bow–tied belt below the chest marked with a svastika. He sits in dhyanasana with his hands in dhyana mudra. The figure still with traces of pigment in the face. Height 16,5 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 40 000 – 60 000 / EUR 3 720 – 5 580

567. A gilt bronze figure of Dakini, Tibeto–Chinese, 19th Century.

Narodakini. the female divinity in Dharmapala is depicted drinking blood from akapala (skull cup), the other hand holding a karttrka(chopper), skull necklace and staning on a lotus throne. The small figures that she usually is depicted stepping on is missing.

Height 12 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

568. A rock crystal brush washer, Qing dynasty, 18th/19th Century.

Ruyishape with a central sculpture of a fish. Handles in the shape of lingzhi fungus with ringhandles. Lenght 14 cm. Height 3,4 cm. Carved wooden stand accompanies the piece.

Height with stand 8,2 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co– founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

569. Two agathe cups and a censer with cover, Qing dynasty.

Cut decoration, the censer with a finial in the shape of a buddhist lion.

Height 4–9 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

570. A sculpture of two fishes, Qing dynasty or older.

Carved in the shape of two fishes. Length 15 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

571. A carved nephrite sculpture, Qing dynasty.

Cut decoration with a bat and flowers. Measurement 6 x 4 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

572. A red lacquer snuff bottle, Qing dynasty, Qianlong (1736–95).

Cut decoration of figure scenes in landscape to both sides. Height 7,2 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co– founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

573. Two Chinese hair pins, Qing dynasty, 19th Century.

Decorated with dragon. Lenght 13 cm. Box accompanies.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co– founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 3 000 – 5 000 / EUR 280 – 470

574. A silk embroidery, Qing dynasty, 19th Century.

Decorated in gold with a dragon, phoenix bird, peaches, shou character and sylized dragons against a red ground. Measurement 50 x 170 cm.

Provenance: From the Collection of Emil Hultmark (1872–1943). Emil Hultmark was one of the co–founders of the ’Kinaklubben’ (China Club) in Stockholm in the 1920’s with Carl Kempe (1884–1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine ’Svenska Hem i ord och bild’ in the 1930’s, which provide us with a fascinating window into this golden age of European collecting.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

From the Collection of Gustaf Wallenberg (1863–1939).

From the Collection of Gustaf Wallenberg (1863–1939).

The collection was acquired between 1906 and 1918 when Wallenberg was the Swedish Envoyé in Tokyo.

From 1907 he was also accredited for Beijing. Thence by descent.

576. A pink scgrafitto vase, Qing dynasty with Qianlong mark.

575. A gold splashed bronze vase, Qing dynasty, presumably 18th Century or older.

Baluster shape with flared rim and tall foot. Archaistic decoration around the body with stylized dragons, taothieh masks and a three clawed dragon around the body. Archaistic character to base. Height 32 cm.

Provenance: From the Collection of Gustaf Wallenberg (1863–1939). The collection was acquired between 1906 and 1918 when Wallenberg was the Swedish Envoyé in Tokyo.

From 1907 he was also accredited for Beijing. Thence by descent.

Exhibitions: The black and white images shows Gustaf Wallenberg as well as one of his residences with a photo of the interior at the residence. The one depicted is the one in Tokyo.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

576. A pink scgrafitto vase, Qing dynasty with Qianlong mark.

Baluster shape with tall neck and flared rim, painted in bright famille rose enamels with flowers agaist a bright pink sgrafitto ground. The interior and base in turkoise. Rim gilded. Height 32 cm.

Provenance: From the Collection of Gustaf Wallenberg (1863–1939). The collection was acquired between 1906 and 1918 when Wallenberg was the Swedish Envoyé in Tokyo.

From 1907 he was also accredited for Beijing. Thence by descent.

Literature: The black and white images shows Gustaf Wallenberg as well as one of his residences with a photo of the interior at the residence. The one depicted is the one in Tokyo.

Estimate: SEK 30 000 – 50 000 / EUR 2 790 – 4 650

577. A set of seven blue and white dishes, Japan, 18th Century.

Decorated in preief with an elegant couple in palace garden with a poem by the Tang poet Meng Haoran. Diameter 21 cm.

Provenance: From the Collection of Gustaf Wallenberg (1863–1939). The collection was acquired between 1906 and 1918 when Wallenberg was the Swedish Envoyé in Tokyo. From 1907 he was also accredited for Beijing. Thence by descent.

Exhibitions: The black and white images shows Gustaf Wallenberg as well as one of his residences with a photo of the interior at the residence. The one depicted is the one in Tokyo.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

578. A set of three silver frames, Japan and China, early 20th Century. The large one marked Miyamoto Shoko, Tokyo.

Measurment the large one decorated with bamboo 14,5x19,5 cm. Diameter the round one with dragon 14 cm.

Measurement the small one with bats. 12 x 15,5 cm.

Provenance: From the collection of Johan Hultman (1876–1958. Hultman was a Swedish diplomat, in 1911 he became the Swedish Envoyé in Shanghai. He returned once more to Asia after a post in Germany, and was the Swedish Envoyé in Japan and China 1928–37, Siam included from 1931. Bukowskis has previously sold items from this collection.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

579. A set of three silver trays, unidentified makers mark, early 20th Century.

The trays are oval, almost melon shaped, with a leaf in relief. Lenght 11,5 cm.

Three odd cups accompanies the lot.

Provenance: From the collection of Johan Hultman (1876–1958. Hultman was a Swedish diplomat, in 1911 he became the Swedish Envoyé in Shanghai. He returned once more to Asia after a post in Germany, and was the Swedish Envoyé in Japan and China 1928–37, Siam included from 1931. Bukowskis has previously sold items from this collection.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

580. A three piece silver garniture, Thailand, circa 1900.

Richly decorated with leafves and deities. The bowls are carried by elephants.

Height of the small tazzas 13,5 cm. Diameter of bowl 12 cm. Height of the large tazza 28 cm. Diameter of bowl 29 cm.

Provenance: From the collection of Johan Hultman (1876–1958. Hultman was a Swedish diplomat, in 1911 he became the Swedish Envoyé in Shanghai. He returned once more to Asia after a post in Germany, and was the Swedish Envoyé in Japan and China 1928–37, Siam included from 1931. Bukowskis has previously sold items from this collection.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

The Collection of Ingenjör Gösta Nordstrand and his wife Valborg Nordstrand From the Collection of Ingenjör Gösta Nordstrand and his wife Valborg Nordstrand, born Ahlmark. Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. The black and white photograph shows the apartment of Valborg Nordstrands parents arpartment and the big bronze censer next to the cabinet. Her father were Oscar Ahlmark (1859– 1934). Thence by descent.

581. A large bronze censer with cover, presumably late Ming dynasty (1368–1644).

With four character mark to base. Tripod with raised handles, cover with a finial in the shape of a buddist lion, archaistic decoration in relief. Height 67,5 cm.

Provenance: From the Collection of Ingenjör Gösta Nordstrand and his wife Valborg Nordstrand, born Ahlmark.

Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. The black and white photograph shows the apartment of Valborg Nordstrands parents arpartment and thebig bronze censer next to the cabinet. Her father were Oscar Ahlmark (1859–1934). Thence by descent.

Estimate: SEK 75 000 – 100 000 / EUR 6 970 – 9 300

582. A bronze tripod censer, Qing dynasty, 17th/18th Century.

Tripod with high handles. Archaistic design around the sides. Height by handle 27 cm.

Provenance: From the Collection of Ingenjör Gösta Nordstrand (1905–1985) and his wife Valborg Nordstrand, born Ahlmark. Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. Thence by descent.

Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790

583. A famille rose and cappuciner brown jar, Qingdynasty, Qianlong (1736–1795).

Ovoid shape. Height 22 cm.

Provenance: From the Collection of Ingenjör Gösta Nordstrand and his wife Valborg Nordstrand, born Ahlmark.

Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. The black and white photograph shows their apartment and the big bronze censer. Thence by descent.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

584. A nephrite double fish snuff bottle with stoppers, Qing dynasty (1664–1912).

Cut decration. Height with cover 6,3 cm.

Provenance: From the Collection of Ingenjör Gösta Nordstrand (1905–1985) and his wife Valborg Nordstrand, born Ahlmark. Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. Thence by descent.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

585. A neprite snuff bottle with stopper, Qing dynasty, 19th Century.

Round flattened shape, cut decoration in the shape of wicker/bamboo. Height 6,5 cm.

Provenance: Purschased at Viktoria Lindström Antik, 23/12 1961. From the Collection of Ingenjör Gösta Nordstrand (1905–1985) and his wife Valborg Nordstrand, born Ahlmark. Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. Thence by descent.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

586. A snuff bottle with stopper, Qing dynasty, 19th Century.

Green glass. Cut decoration. Height 6 cm.

Provenance: From the Collection of Ingenjör Gösta Nordstrand (1905–1985) and his wife Valborg Nordstrand, born Ahlmark. Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. Thence by descent.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

587. A red glass snuff bottle with stopper, Qing dynasty, 19th Century.

Cut decoration to one side with a bird in a landscap, the other side with a bat above waves. Height 6,5 cm.

Provenance: Purchased at Viktoria Lindströms Antikhandel, 15/1–1960. From the Collection of Ingenjör Gösta Nordstrand (1905–1985) and his wife Valborg Nordstrand, born Ahlmark. Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. Thence by descent.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

588. A peking glass snuff bottle with stopper, Qing dynasty, 19th Century.

Flattened round shap, decorated with horses and pine. Height 7,5 cm.

Provenance: Purschased at Viktoria Lindströms Antikhandel, 18/4 1960. From the Collection of Ingenjör Gösta Nordstrand (1905–1985) and his wife Valborg Nordstrand, born Ahlmark. Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. Thence by descent.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

589. A carved snuff botlle with cover, Qing dynasty, circa 1900.

Cut decoration with flowers in relief, finial in the shape of a bird. Height 9,5 cm.

Provenance: From the Collection of Ingenjör Gösta Nordstrand (1905–1985) and his wife Valborg Nordstrand, born Ahlmark.

Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. Thence by descent.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

590. A inside painted snuff bottle with stopper, China, circa 1900.

Painted decoration of scholars in a landscape. Height 6 cm.

Provenance: From the Collection of Ingenjör Gösta Nordstrand (1905–1985) and his wife Valborg Nordstrand, born Ahlmark. Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. Thence by descent.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

591. A culptured object and a nephrite figure of a dog, Qing dynasty, 19th Century.

Decorative piece cut with bats and hapiness symbol. The figurine in the shape of a reclining dog. Lenght 4–5 cm.

Provenance: From the Collection of Ingenjör Gösta Nordstrand (1905–1985) and his wife Valborg Nordstrand, born Ahlmark. Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. Thence by descent.

Estimate: SEK 3 000 – 4 000 / EUR 280 – 380

592. A Japanese okimono and Netsuke, Meiji period (1868–1912).

Sculptured in the shape of a man with a rat on his shoulder. Signed. Lenght 4,5 cm. The other in the shape of a face. Height 4,5 cm.

Provenance:From the Collection of Ingenjör Gösta Nordstrand (1905–1985) and his wife Valborg Nordstrand, born Ahlmark.

Gösta had a great interest in Asian Art, a lot of the pieces were purchased at Victoria Lindström Antikhandel, Grevturegatan 28, Stockholm in the 1960s. Thence by descent.

Estimate: SEK 7 000 – 10 000 / EUR 650 – 930

The Collection of Wivica Ankarcrona Borell Bukowskis has been entrusted to sell part of the vast collections of Art and Antiques after Wivica Akarcrona Borell (1935–2019). The foundation of the collection was laid by Rear Admiral/Flag officer Sten Ankarcrona (1861–1936).

Ankarcrona first got a taste for the Asian Art while following his fathers’s footsteps serving as ’enseigne de vaisseau’ for the French navy ‘la Royale’ during the years 1885–1889, when his Fregatt sailed in the area. Ankarcrona continued to ad on to the collection, later in life when he was sent on a special mission to Japan in 1923. He brought back vast collections of lacquer, bronzes, textiles, ceramics.

In 1911 the family moved to the mansion like duplex next to Sturegatan in Stockholm. The elegant home and their summer house at Brevik by Ersta– viken where Ankarcrona created a Japanese garden (1923–27) and even set up a complete Japanese building was documented in the the magazine ‘Svenska Hem i ord och bild’ in 1928, which provide us with a fascinating

window into this golden age of European collecting. The guest book contains signature of the Swedish king Gustav VI Adolf as well as the Japanese crown prince, later Emperor Akihito.

Stens son Sten S:son Ankarcrona (1904–1981, continued the tradition of collecting, amongst other things Swedish 18th Century furniture and art, pieces that worked well with family heirlooms from the Bergenstråhle, Bohnstedt, Cassel, Mörner and Lybecker families.

Wivica was married to Ulf Borell, appointed physician to the Swedish royal family. She was a loyal visitor to the auctions and museums around the world.

Her friends and family also know her as an opera habitué who never missed a new set. Her apartment was located at the top floor of the house by Sturegatan, in the elegant apartment new additions and finds from the auction scene mixed with old family heirlooms, many that can be seen in the magazine article of 1928.

593. A Korean bowl, Koryo, 14th Century.

Decorated in white and black against a celadon ground.

Height 7 cm.

Provenance:The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

594. A bronze ritual wine vessel (gu), presumably late Mingdynasty (1368–1644).

The trumpet–shaped neck of the slender vessel is cast in low relief, with four blades willed with leiwin rising form a band of angular dragons.

Height 33,5 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

595. A pair of celadon vases with gilt bronze mounts, Qing dynasty, 18th Century.

Bronze mounts later. Balustershape. Height 22,5 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

596. A set of 10 custard cups with covers, Qing dynasty, Jiaqing (1796–1820).

Decorated in blue and gold with monogram and garlands.

Height 8,5 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

597. An altar table, Qing dynasty.

Measurement 128 x 31 x 89 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

598. A hardwood kang table, China, early 20th Century.

Measurement 80 x 41,5 x 35 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Literature: Depicted in Svenska Hem i ord och Bild, 1928, Amiralen och Fru Sten Ankarcronas hem, Kommendörsgatan 2, and their summer house, this table depicted at the summer house in their Japanese house, see page 65.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

599. A Chinese wooden cabinet with two porcelain placques, early 20th Century.

Two doors with porcelain placques, behind the doors one shelf. Height 127 cm. Lenght 105 cm. Dept 51 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

600. A wooden stand with a cabinet, late Qing circa 1900.

With shelves on different levels. Measurment stand 56 x 23 x 31 cm.

Measurement cabinet 76 x 22 x 56 cm. Total Height 107 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

601. A Chinese kang table, early 20th Century.

Carved decoration. Measurment 36 x 51 x 80 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

602. A red lacquered box with cover, Qing dynasty, 19th Century.

Rectangular shape, decorated in red, gold and black with figure scenes in a landscape. Measurement 42x33x15 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

603. Two Chinese sculpured nephrite objects, Qing dynasty.

Lenght 5,2–5,5 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

604. Three hairpins, Qing dynasty, 19th Century.

Decorated with kingfisher feathers, stones, nephrite, korall, pearls.

Lenght with pin 11–17 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

605. An embroidered silk robe, Qing dynasty, 19th Century.

Embroidered in bright colours and gold against a coral red ground with five clawed dragons chasing the flaming pearl. Lenght back 137 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

606. An album with 12 paintings by Qing dynasty artists, circa 1900. Attributed to Zhang Jian, Shou Ping, Yang Jin, after.

Textile clad folder with 12 paintings laid on a silk clad background.

Measurment folder folded 28,5 x 37 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

607. Two Japanese Kakiemon dishes, Edo. Diameter 18,8 cm.

608. A pair of blue and white gilt coral red bowls, Japan, 19th Century.

Provenance: The Collection of Wivica Ankarcrona Borell.

Purchased at Bukowskis, spring auction sale 2004, lot no 1424. (…)

Interior decorated with a bird in landscape. The outside decorated with birds in gold against a coral red gound. Diameter 16 cm.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

609. A Japanese wooden and lacquered table screen on a blue and white Ming dynasty porcelain base.

The wooden screen decorated with cranes in silver and gold, Japan, 19th Century. Measurement wooden part 28,5–21,5 cm. The blue and white porcelain stand, is decorated iwth lotus and flower scrolls. Measurment 31 x 11,5 x 5 cm. Total Height 27,3 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Literature: Depicted in Svenska Hem i ord och Bild, 1928, Amiralen och Fru Sten Ankarcronas hem, Kommendörsgatan 2, see page 53.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

610. A Japanese lacquered box with four drawers, Meiji period (1868–1912).

Richly decorated in gold and silver against a black ground.

Measurment 21,5 x 16 x 16 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

611. A Japanese lacquered cabinet, Meiji period (1868–1912).

Decorated with landscapes against a golden ground.

Measurement 24 x 24 x 15,5 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

612. A Japanese miniture lacquer cabinet, Meiji period (1868–1912).

With writingset, marks and trays.

Measurment 22 x 19 x 12 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

613. A Japanese heater/teaburi, Meiji period (1868–1912).

With heating tray, cover and three drawers. Measurment 21 x 23 x 23 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Exhibitions: Exhibited 1931, Svensk Japanska sällskapet. Utställning av Japansk konst i Konstnärshuset, Stockholm. Lot no 516. Then belonging to konteramiral J. T. C. Ankarcrona. Depicted in the catalouge .

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

614. A Japanese lacquered box with cover, Meiji period (1868–1912).

Decorated with landscape scenes. Measurment 28 x 28 x 10 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

615. A Japanese lacquered bundai table, Meiji period (1868–1912). Signed.

Decorated in gold with flowers and stylized patterns. Measurment 62 x 36 x 15 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Literature: Depicted in Svenska Hem i ord och Bild, 1928, Amiralen och Fru Sten Ankarcronas hem, Kommendörsgatan 2, sid 42.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

616. A Japanese instrument, wood and lacquer, Meiji (1868–1912).

Gilded decoration with flowers. lenght 43 cm. Japanese wooden box accompanies this piece.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

617. A Japanese lacquered and gilded metal panel, late Meiji, early 20th Century. Signed.

Landscape motif, with a pagoda. Measurement with frame 51 x 42 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Literature: Depicted in Svenska Hem i ord och Bild, 1928, Amiralen och Fru Sten Ankarcronas hem, Kommendörsgatan 2, sid sid 46.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

618. A Japanese eight panel screen, Meiji period (1868–1912).

Decorated with figure scenes from court life. Measurment 86 x 27,5 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

619. Two Japanese Netsukes, Meiji period (1868–1912).

620. Two Japanese wooden netsukes, Meiji period (1868–1912).

One in the shape of a deamon, the other in the shape of a creel.

Lenght 4–5 cm.

In the shape of a sea shell with a landscape inside. Lenght 4 cm.

The other in the shape of a mouse seated on top of a nut. Length 4 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

621. A pair of Japanese bronze vases, Meiji period (1868–1912). Signed.

Bambushaped, decorated with bamboo in silver.

Height 15 cm. Metal flowers accompanies this piece.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

622. Six Japanese scrolls, ink and colour on paper, Meiji (1868–1912).

Depicting mythological beasts, scenes with geishas and figures on road, some scared. Image size each 114 x 43 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Literature: Depicted in Svenska Hem i ord och Bild, 1928, Amiralen och Fru Sten Ankarcronas hem, Kommendörsgatan 2, see page 52–53. Here described as depicting allegories over weather gods creating thunder, snow, rain, hail etc.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

623. A Japanese Makimono, early 20th Century.

17 different scenes, one of them a pair of westerners kneeling in front of a warlord. Measurment of each scene 26 x 37 cm. Total measurment of makimono 33 x 720 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

624. Kawase hasui (1883–1957), color woodblock print.

Japan, ‘Heirin Temple, Nobidome’.

Nobidome Heirinji Temple. Measurment leaf 27x40 cm.

Measurement with passepartout 33 x 48 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Exhibitions: Kawase Hasui (1883–1957) is regarded by many as one of the most talented Japanese landscape artist of the 20th Century. His prints are characterized by their serenity of mood and flawless composition. While his landscapes are markedly modern, they yearn for a Japan past and rest upon traditional virtues of delicacy, poise and restraint. Watanabe was the first to recognize his artistic genius, and Hasui soon became the most popular artist working for this prestigious publisher. Hasui travelled widely in Japan and his subjects are based on quick sketches and watercolours taken from nature. Unfortunately, during the earthquake of 1923, all of his woodblocks and over 200 sketches were destroyed, which makes his early works scarce and in great demand today.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

625. Kawase Hasui (1883–1957), color woodblock print. Japan, ‘Snow’.

Snow at the Nezu Gongen Shrine in Tokyo. Measurment leaf 26 x 39. Unframed. Measurment with accompanying passepartout 33 x 48 cm.

Provenance: The Collection of Wivica Ankarcrona Borell.

Exhibitions: Kawase Hasui (1883–1957) is regarded by many as one of the most talented Japanese landscape artist of the 20th Century. His prints are characterized by their serenity of mood and flawless composition. While his landscapes are markedly modern, they yearn for a Japan past and rest upon traditional virtues of delicacy, poise and restraint. Watanabe was the first to recognize his artistic genius, and Hasui soon became the most popular artist working for this prestigious publisher. Hasui travelled widely in Japan and his subjects are based on quick sketches and watercolours taken from nature. Unfortunately, during the earthquake of 1923, all of his woodblocks and over 200 sketches were destroyed, which makes his early works scarce and in great demand today.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

626. Kawase Hasui (1883–1957), color woodblock print. Japan, ‘Souvenirs of Travel II’.

‘River Yana’, from serie ‘Souvenirs of Travel II’. 38,5 x 26,5 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Exhibitions: Kawase Hasui (1883–1957) is regarded by many as one of the most talented Japanese landscape artist of the 20th Century. His prints are characterized by their serenity of mood and flawless composition. While his landscapes are markedly modern, they yearn for a Japan past and rest upon traditional virtues of delicacy, poise and restraint. Watanabe was the first to recognize his artistic genius, and Hasui soon became the most popular artist working for this prestigious publisher. Hasui travelled widely in Japan and his subjects are based on quick sketches and watercolours taken from nature. Unfortunately, during the earthquake of 1923, all of his woodblocks and over 200 sketches were destroyed, which makes his early works scarce and in great demand today.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

627. Kawase Hasui (1883 – 1957), color woodblock print. Japan, ‘Souvenirs of Travel I’.

Kude Beach in Wakasa Province (Wakasa Kude no hama), from the series Souvenirs of Travel I, 38,6 x 26 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Exhibitions: Kawase Hasui (1883–1957) is regarded by many as one of the most talented Japanese landscape artist of the 20th Century. His prints are characterized by their serenity of mood and flawless composition. While his landscapes are markedly modern, they yearn for a Japan past and rest upon traditional virtues of delicacy, poise and restraint. Watanabe was the first to recognize his artistic genius, and Hasui soon became the most popular artist working for this prestigious publisher. Hasui travelled widely in Japan and his subjects are based on quick sketches and watercolours taken from nature. Unfortunately, during the earthquake of 1923, all of his woodblocks and over 200 sketches were destroyed, which makes his early works scarce and in great demand today.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

628. Kawase Hasui (1883–1957), colour woodblock print. Japan, ’Night Rain’.

Night Rain, Teradomari, from the series Souvenirs of Travels, 38,5 x 26 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Exhibitions: Kawase Hasui (1883–1957) is regarded by many as one of the most talented Japanese landscape artist of the 20th Century. His prints are characterized by their serenity of mood and flawless composition. While his landscapes are markedly modern, they yearn for a Japan past and rest upon traditional virtues of delicacy, poise and restraint. Watanabe was the first to recognize his artistic genius, and Hasui soon became the most popular artist working for this prestigious publisher. Hasui travelled widely in Japan and his subjects are based on quick sketches and watercolours taken from nature. Unfortunately, during the earthquake of 1923, all of his woodblocks and over 200 sketches were destroyed, which makes his early works scarce and in great demand today.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

629. Kawase Hasui (1883–1957), colour woodblock print. Japan, ‘Souvenirs of Travel I’.

‘The Mishima River in Mutsu Province’, from Souvenirs of Travel I, 38,5 x 26 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Exhibitions: Kawase Hasui (1883–1957) is regarded by many as one of the most talented Japanese landscape artist of the 20th Century. His prints are characterized by their serenity of mood and flawless composition. While his landscapes are markedly modern, they yearn for a Japan past and rest upon traditional virtues of delicacy, poise and restraint. Watanabe was the first to recognize his artistic genius, and Hasui soon became the most popular artist working for this prestigious publisher. Hasui travelled widely in Japan and his subjects are based on quick sketches and watercolours taken from nature.

Unfortunately, during the earthquake of 1923, all of his woodblocks and over 200 sketches were destroyed, which makes his early works scarce and in great demand today.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

630. Utagawa Hiroshige (1797–1858), colour woodblock print, Japan, 19th century.

‘Pine of Success and Oumayagashi, Asakusa River’, from serie One Hundred Famous Views of Edo. 36,5 x 24 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Exhibitions: Kawase Hasui (1883–1957) is regarded by many as one of the most talented Japanese landscape artist of the 20th Century. His prints are characterized by their serenity of mood and flawless composition. While his landscapes are markedly modern, they yearn for a Japan past and rest upon traditional virtues of delicacy, poise and restraint. Watanabe was the first to recognize his artistic genius, and Hasui soon became the most popular artist working for this prestigious publisher. Hasui travelled widely in Japan and his subjects are based on quick sketches and watercolours taken from nature. Unfortunately, during the earthquake of 1923, all of his woodblocks and over 200 sketches were destroyed, which makes his early works scarce and in great demand today.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

631. Kawase Hasui (1883–1957), colour woodblock print. Japan, ‘Souvenirs of Travel II’.

Arashiyama in Kyoto. Spring. 38,9 x 16 cm.

Provenance: The Collection of Wivica Ankarcrona Borell. (…)

Exhibitions: Kawase Hasui (1883–1957) is regarded by many as one of the most talented Japanese landscape artist of the 20th Century. His prints are characterized by their serenity of mood and flawless composition. While his landscapes are markedly modern, they yearn for a Japan past and rest upon traditional virtues of delicacy, poise and restraint. Watanabe was the first to recognize his artistic genius, and Hasui soon became the most popular artist working for this prestigious publisher. Hasui travelled widely in Japan and his subjects are based on quick sketches and watercolours taken from nature.

Unfortunately, during the earthquake of 1923, all of his woodblocks and over 200 sketches were destroyed, which makes his early works scarce and in great demand today.

Literature: Kendall Brown, Kawase Hasui: The complete woodblock prints, 2003, vol. II, p. 450, no. 319.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

632. Katsushika Hokusai (1760–1849), after, colour woodblock print, Japan, ‘Fujimigahara’.

‘Bishu Fujimi–ga–hara’, showcasing a man kneeling on the ground, making a large barrel, amongst harvested rice fields, Mt Fuji to the distant back. From the series ‘Thirty–six Views of Mount Fuji’. Image size 24,5 x 36,5 cm.

Literature: Clark, Timothy, 100 Views of Mount Fuji, London, BMP, 2001.

Timothy Clark, Hokusai: Beyond the Great Wave, London, Thames and Hudson, 2017.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

633. Katsushika Hokusai (1760–1849), after, colour woodblock print, Japan, ‘The Falling Mist Waterfall’.

The Falling Mist Waterfall at Mount Kurokami in Shimotsuke Province, from the series ‘A Tour of Waterfalls in Various Provinces’. Sheet size 37,5 x 25,5 cm.

Literature: Binyon, Laurence, A Catalogue of Japanese & Chinese Woodcuts Preserved in the Sub–Department of Oriental Prints and Drawings in the British Museum, London, UK, BMP, 1916

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

634. Two standing Japanese bronze sculptures of a Samurai and Bijin, Edo period (1603–1868).

Cast with elaborated decoration to their robes with cranes and phoenix birds amidst cloud formations. Height 42–43 cm.

Provenance: The Collection of Arne Nilsson, Sandviken. Purchased at Wiréns Antikhandel, Stockholm 11/9 1990.

Literature: Soames; Jenyns, Japanse porcelain: Figures of Bijin, have been popular and are often made in porcelain from the late 17th Century and onwards. Compare porcelain ones at pl 63.B.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

635. A set of five bronze tsubas, Japan, 19th Century.

Cast and gilded decoration. Two with traces of signature. Measurement approximately 6,2–7,5 cm.

Provenance: From the Collection of Knut Bohlin (1869–1956), Torö, Nynäshamn. Thence by descent. Bohlin became a Ph.D. in 1901, and in the same year an associate professor of botany at Stockholm University and an associate professor of biology and chemistry. He became principal of the Nya Elementarskolan in 1914. He made several scientific journeys. His scientific botanical research mainly concerns the microscopic freshwater algae.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

636. A Shibayama style silver filigree and lacquer fan, Meiji (1868–1912), signed.

Inlays in mother–of–pearl and bone. The work is centred by a Shibayama style landscape panel on a gold lacquer ground. Depicting passengers on in a dragon boat, with Mount Fuji to the background.

A red mark to the lacquer panel. Signed to the back of the silver. Height with handle 39,5 cm.

Width 29 cm.

Provenance: Signed Kōryōshū Yoshishige .

Exhibitions: The ’Shibayama technique’ was introduced by Shibayama Dosho in Japan in the 18th century. It was used exclusively on items for import to the West. Shibayama artists inlaid with microscopic pieces of inlay, elaborately carved and on a ground of lacquer, to stand out in relief.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

637. A large cast iron tea pot with cover, Japan, Meiji period (1868–1912). Interior of cover with signature.

Large, decorated in relief with leafves. Height with handle up 27 cm.

Length 24,5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

638. A lacquered bowl, Japan, Zohiko Company.

Shallow form, raised on three feet, exterior decorated in gold and takamakie with goldfish, ripples of water. Mark for Heian Zohiko.

Diameter 35,5 cm. Wooden box accompanies the piece.

Provenance: Purschased at Bonhams 2010.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

639. A Japanese Kutani dish, 20th Century.

Decorated with a fierce dragon amdist waves to one side, the other with a tiger in a garden. Diameter 40 cm.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

640. A large Japanese jar, 20th Century.

Decorated with calligraphy in white against a brownish black glaze.

Height 48 cm. Hole to side.

Provenance: According to consigner purchased from the Collection of the Swedish artist/designer Wilhelm Kåge.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

641. Two bronze mirrors, Han dynasty (206 BC–220 AD).

Decorated with flat, stylized drgons and bands. Diamter 10,5–15,5 cm.

Provenance: From the collection of a Swedish conneisseur antiques with a great passion and intereset for Asian art, especially bronze mirrors, the mirrors were brought together from the 1950–60, thence by descent within the family.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

642. Two bronze mirrors, Han dynasty (206 B.C.–220 A.D.).

Decorated with different characters and symbols. Diameter 8–9,5 cm.

Provenance: From the collection of a Swedish conneisseur antiques with a great passion and interest for Asian art, especially bronze mirrors, the mirrors were brought together from the 1950–60, thence by descent within the family.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

643. Two bronze mirrors, presumably Handynasty (206 B.C.–220 A.D.).

Decorated in relief with animals and different patterns. The smaller one with traces of beeing silvered. Diameter 8–10 cm.

Provenance: From the collection of a Swedish conneisseur antiques with a great passion and interest for Asian art, especially bronze mirrors, the mirrors were brought together from the 1950–60, thence by descent within the family.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

644. Eight–lobed bronze mirror with mythical animals, Tang dynasty (618–907).

The pierced central knob cast with four Immortals riding a phoenix bird and mythical beasts, the raised border with alternate flower sprays and insects in flight, the silvered surface with small areas of green encrustation. Diameter 11,5 cm.

Provenance: From the collection of a Swedish conneisseur antiques with a great passion and interest for Asian art, especially bronze mirrors, the mirrors were brought together from the 1950–60, thence by descent within the family.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

645. Two bronze mirrors with mythical animals, Tang dynasty (618–907).

The pierced central knop surrounded by fruits and mythical beasts, the raised border, the silvered surface with areas of green encrustation. Diameter 11,1–11,2 cm.

Provenance: From the collection of a Swedish conneisseur antiques with a great passion and intereset for Asian art, especially bronze mirrors, the mirrors were brought together from the 1950–60, thence by descent within the family.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

646. A broze mirror, presumably Tang dynasty (618–907 A.D.).

Decorated in a high relief with animals, presumably cubs. Diameter 17 cm.

Provenance: From the collection of a Swedish conneisseur antiques with a great passion and interest for Asian art, especially bronze mirrors, the mirrors were brought together from the 1950–60, thence by descent within the family.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

647. A bronze dragon a and bird weight, Warring states (475–221 BC).

The circular weight heavily cast in the form of a sinous striped dragon coiled around a large bird with wings outspread, which it clasps in it jaws and with its claws. The flat circular base later carved, possilby in the early 20th Century with five spurious pictographs within borders framed on each side with trotoise, tiger, birde and dragon. Diameter 7,7 cm.

Provenance: Purchased at Bonhams 2009. Lot no 18. According to the accompanying catalogue puchased from Bluett & Son, London, April 16th 1945. Wing Commander Lord Cunliffe, collection no SC033.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

648. A bronze censer, Ming dynasty with mark.

Archaistic modell on four tall legs, decorated in relief.

Height 17,5 cm. Lenght 13 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

649. A pair of lacquered sculptures, Ming dynasty (1368–1644).

Standing attendandts with hands crossed by the chest. Height with later base/mount approximately 21 cm.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

650. A seated figure of Buddhisattva, Ming dynasty (1368–1644).

Seated deity with a cup in its hand, large crown with sylized buddhas, earrings and large curls hanging down on the shoulders. Traces of paint. Cold gilt and lacquered. Height with small later base 31 cm.

Estimate: SEK 50 000 – 75 000 / EUR 4 650 – 6 970

651. A bronze Vairocana Buddha, late Ming dynasty (1368–1644).

Cast seated in dhyanasana with hands held at chest level in uttrabodhimudra, wearing loose robes with dense floral–scroll borders, the exposed chest above the sash–tied antaravasaka, regal face with downcast eyes and gentle smile flanked by pendulous ears, beneath the elaborate openwork crown. Traces of paint and gilding. Height 26 cm.

Provenance: From the collection of a Swedish artist. Small inventory note to interior. No 863. OR510.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

652. A gilt copper alloy figure of Boddhisattva, Tibeto–chinese, 18th Century, marked Da Qing Qianlong Nian jingzao.

Chaste/repusse. Seated on a lotusthrone, with her hands in and her legs in. High chignon, heavely drabed robe, necklace, armrings and bracelets around the anklets. Broad face, long earlobe with large earrings. Base placque with gilded vajra loose, the interior with eight prayerrolls wrapped in yellow silk. Height 31 cm.

Provenance: From the Collection of Knut Bohlin (1869–1956), Torö, Nynäshamn. Bohlin became a Ph.D. in 1901, and in the same year an associate professor of botany at Stockholm University and an associate professor of biology and chemistry. He became principal of the Nya Elementarskolan in 1914. He made several scientific journeys. His scientific botanical research mainly concerns the microscopic freshwater algae.

Estimate: SEK 100 000 – 150 000 / EUR 9 300 – 13 940

653. A gilt copper alloy figure of Akhsobya buddha, Tibet, 15th Century.

Finely cast seated in dhyanasana on a double–lotus throne, an urna on his forehead and eyes lowered in serene contemplation, his left hand resting on his legs with the palm facing upward, thumb turned in, his right hand over his right leg touching the lotus throne in bhumisparsa mudra.

Height 21,5 cm.

Exhibitions: Akshobhya (Sanskrit: अक्षोभ्य, Akshobhya, ‘Immovable One’. is one of the Five Wisdom Buddhas.

Estimate: SEK 100 000 – 150 000 / EUR 9 300 – 13 940

654. A gilt bronze figure of a White Tara, Tibetan–Chinese, 18th Century.

Archaistic style, the Bodhisattva cast seated in vajrasana on a double–lotus pedestal, the right hand in varada mudra and the left in kartari mudra, the face with eyes downcast in a serene expression, wearing a five–point diadem around the high chignon and plaits trailing onto the shoulders flanked by a lotus blossom, adorned with beaded jewellery over the dhoti. Height 17,5 cm.

Provenance: From the Collection of Tage & Mary Sonning.

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

655. A large Nepalese gilt bronze buddha on a throne with mandorla, 18/19th Century.

The buddha is shown seated in a meditative pose, eyes cast down on a high double lotus throne. The figure is centered on a large raised throne flanked by two buddhist lions. To the center a carved image of Ganesha. The mandorla is three dimensionall and has traces of beeing gilded as well. Height 65 cm.

Provenance: The Wedendal Collection.

Estimate: SEK 150 000 – 200 000 / EUR 13 940 – 18 590

656. A Tibeto–Chinese bronze figure of a Rakshasi, ca 1900.

Rakshasi riding a human corpse. With three eyes and a fierce wrathful expression. Holding a sword and a phurba, on her back a human skin. Belonging to the circle of Mahakala. The lotus pedestal of the same period, but probably not original, not sealed. The blade of the sword is missing. Height 18 cm.

Exhibitions: Compare a Rakshasi in the Sven Hedin collection, Etnografiska museeet, Stockholm (1935.50.2362)

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

657. A placque in the shape of Guanyin, Qing dynasty, 19th Century.

Depicted with a lout bud in her hand. Height 27 cm.

Provenance: Purchased from the The Bengt and Lilavati Häger Collection of Indian Collection of Indian, Southeast Asian, Chinese and Japanese Art. 601:736.

Lilavati and Professor Bengt Häger’s art collection was culturally significant and vast. It is clear that it was founded on the couples cross cultural experiences. Lilavati was a leading exponent of Indian dance and Bengt one of the most important European Impresarios of his day.

Multitalented and highly regarded Bengt Häger (1916–2011) worked inexhaustibly throughout his life to promote dance as an independent art form and field of research. He founded and managed the Swedish Dance Museum, the University Collage of Dance and Circus in Stockholm. He worked actively to bring international guest performances from world leading dance companies. Organized international torus for Swedish dance companies such as the Cullberg Ballet, which he managed 1967–1987. He was the first to bring Peking Opera out of China after the revolution and was a great friend of the renowned Peking Opera singer Mai Lanfang.

For many years Mr Häger was the closest friend and collaborator of the famous Art Collector Rolf the Maré (1888–1964), founder of Ballet Suedois in Paris. Bengt was also involved with UNESCO and founded the Centre International de Dance.

Lilavati Devi (1925–2002). First came to Sweden as a principal performer of the dance company set up by Ram Gopal (1912–2003), the Nijinsky of India. Bengt and Lilavati married in 1954. She became an important ambassador of Indian Dance in Scandinavia. They couple came to inhabit a circle that included some of the major international dancers, performers and choreographers of the last Century.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

658. A large Tibetan eight armed deity, probably 20th Century.

Wrathful deity with eight arms, trampling on bodies upon a lotus throne.

Height approx 51 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

659. A Shakyamuni bronze buddha, presumably 20th Century.

Seated in dhyanasana on a double lotus throne with a pearl edge.

The dohti with has floral pattern to the edges. Height 40 cm.

Provenance: Purchased in London in the 1980’s.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

660. A Tibetan thanka, ink and colour on paper, 19th Century.

Depicting Amithaba buddha, avalonisteshvara Vajrapani, Padmsdambava.

Measurement motif 36,5x52,5 cm. Measurment with frame 57,5x78 cm.

Provenance: From the Collection of Karl Ryberg (1917–1989), purchased in Stockholm 1939–44 during the period he studied at the Academy of Art in Stockholm, where he studied for Isaac Grünewald.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

661. A Burmese buddha, presumably 17th Century.

Seated on a tall throne in dhyanasana, his left hand resting on his legs with the palm facing upward, thumb turned in, his right hand over his right leg touching the lotus throne in bhumisparsa mudra. Later gilding and painted in red.

Height 25 cm.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

The Stenbeck Collection The Stenbeck Collection. Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

662. A pair of horseshoe–back armchairs, Qing dynasty (1644–1912).

Each constructed with a horseshoe–shaped arm resting on two back stiles, centred with a back splat carved with a ruyi motif, flanked by cusped upper edges, the arms supported on each side with an elongated S–shaped brace and a post, each post decorated with a shaped spandrel. Apron carved with scrolling tendrils, the sides and back with plain straight aprons, all above stretchers joining the side and back legs near the feet and a shaped footrest at the front atop a plain straight apron.

Height back 96 cm. Height seat 48,5 cm. Width 63 cm.

Provenance: The Stenbeck Collection. Purchased in Hong Kong in the 1980’s. Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

663. A hardwood altartable, Qing dynasty (1664–1912).

Sculptured with stylized dragons and lingzhifunghus. Lenght 91 cm.

Height 80,5 cm. Depth 48 cm.

Provenance: The Stenbeck Collection. Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

664. A Chinese hardwood cabinet, Qing dynasty, presumably 18th Century.

Height 119,5 cm. Width 86,5 cm. Depth 47 cm.

Provenance: The Stenbeck Collection. Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 and onwards.

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

665. A lacquer wall panel with inlay of stone, cloisonné and porcelain, Qing dynasty, 19th Century.

With an assemblage of scholarly and auspicious objects, of different materials including various hardstones, porcelain, cloisonné enamel, wood, all against an ochre lacquer ground within a wooden frame, all this below three polychrome lacquer panels, each carved with florets and butterflies.

Measurement 129 x 60,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

666. A Chinese nut boat sculpture, with poem.

Intricately carved with attendants fanning under the awning and passengers looking out, rendered with openable windows, the underside incised with a poem and a cyclical dating. Length approximately 4 cm.

Exhibitions: Compare with one sold at Sothebys; SCHOLARLY ART FROM THE COLLECTION OF MR AND MRS GERARD HAWTHORN, lot no 37.

Compare a carved walnut, the shell worked in high relief with a design of figures and dragons amongst a flower and rock landscape, included in the exhibition The Minor Arts of China IV, Spink and Son Ltd., London, 1989, cat. no. 28; and a pair of finely carved walnut–shell hand exercisers illustrated in Gerard Tsang and Hugh Moss, Arts from the Scholar’s Studio, Hong Kong, 1986, pl. 259. See also another olive–stone carving of a sampan by Gusheng, sold in these rooms, 2nd June 2016, lot 77, from the Water, Pine and Stone Retreat collection.

Literature: The vogue for miniature crafts, including carving on olive, peach, walnut and various other fruit stones was started during the reign of the Qianlong Emperor and remained popular throughout the Qing and Republican era. Examples of imperial miniature craft are illustrated in Masterpieces of Chinese Miniature Craft in the National Palace Museum, Taipei, 1971, pls. 1–50, with an introduction to its history, pp. 78–9.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

667. Two bamboo figurines, presumably Qing dynasty, 19th Century.

Carved as two immortals riding on their animals holding attributes. Height approx. 15,5 cm.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

668. A large red box with cover, Qing dynasty (1664–1912).

Decorated with a figure scene set in a mountain landscape, around the sides alternating panels wti flowers and finger lemon. Diameter 31,5 cm.

Provenance: From the Collection of Kanslirådet Algot (1870–1944) och Vera Wahlin (1883–1975). Thence by descent. Items from the Wahlin familys vast collection were also sold at Bukowskis 1975.

Estimate: SEK 50 000 – 75 000 / EUR 4 650 – 6 970

669. A Chinese tea pot with cover and a bowl, 20th Century.

Decorated in enamel. Makers mark. Height 5,5–13,5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

670. A set of five enamel on copper tea cups and a dish, Qing dynasty, circa 1800.

Of different decoration. Height of cups 3 cm.

Measurment dish 9,5x9,5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

671. An enamel on copper vase, Qing dynasty, circa 1800.

Tall flared neck, round shape. Decorated with a continous lotus scroll against a turkoise ground around roundels decorated with antiques and buddhist emblems against a bright yellow ground. Height 35,5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

672. A set of two cloisonné boxes with cover, Qing dynastin 19th Century.

Round, tall, decorated with flowers against a turkoise ground. Height 16 cm.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

673. A group of three archaistic Chinese stone bi discs and two pendants.

Sculptured with dragon and cloud patterns.

Diameter 4,3–9,7 cm. Lenght pendants 6,5–8 cm.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

674. A nephrite bowl, Qing dynasty, 19th Century.

Scultpured with two men and a deer amidst flowers supporting the bowl.

Height 3,5 cm. Length 12,5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

675. A nephrite figure of a cricket, China, 20th Century.

Length 6 cm.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

676. A nephrite sculpture of a reclining buddhist lion with its cub, presumably late Qing dynasty.

Measurement 8 x 6 cm.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

677. A reclining deer with lingzhi fungus in its mouth, late Qing dynasty.

Lenght 8 cm. Height 5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

678. A lotus shaped purple peking glass dish, presumably around 1900.

Diameter 33 cm.

Estimate: SEK 4 000 – 5 000 / EUR 380 – 470

679. A bronze shaped glass vase, presumably China, circa 1900.

Baluster shape with flared rim. Gilded decoration.

Height 25 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

680. An embroidered chinese silk robe, Qing dynasty, circa 1900.

Embroidered with five clawed dragons chasing the flaming pearl above fierce waves this against a maroon background. No lining. Length of back 95 cm.

Provenance: Purchased by Astrid (born von Platen 1893–1982) and Nils Rudebeck (1877–1964) on their trip to China in 1926 with crown prince Gustav Adolf, later King Gustav VI Adolf. Thence by descent.

Nils Rudebeck was Marshal of the Court to to Gustaf Adolf and Astrid Rudebeck were a close friend to his wife Louis Mountbatten so they came to accompany the couple on their around the world trip where China was an important stop to the Swedish Crown Prince since his great interest in the Chinese Culture. He later on founded the famous ‘China Club’ in Sweden in 1929. Astrid Rudebeck was the daughter of the great collector of Chinese antiques hovstallmästare Carl Gustaf von Platen.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

681. A silk robe, Qing dynasty, circa 1900.

Decorated with roundels with landscapes against a dark blute groud, this above waves and cranes. Yellow silk lining. Lenght back 115 cm.

Provenance: Purchased by Astrid (born von Platen 1893–1982) and Nils Rudebeck (1877–1964) on their trip to China in 1926 with crown prince Gustav Adolf, later King Gustav VI Adolf.

Thence by descent.

Nils Rudebeck was Marshal of the Court to to Gustaf Adolf and Astrid Rudebeck were a close friend to his wife Louis Mountbatten so they came to accompany the couple on their around the world trip where China was an important stop to the Swedish Crown Prince since his great interest in the Chinese Culture. He later on founded the famous ‘China Club’ in Sweden in 1929.

Astrid Rudebeck was the daughter of the great collector of Chinese antiques hovstallmästare Carl Gustaf von Platen.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

682. A Chinese embroidered silk robe, 1920’s.

Embroidered with flowers in different blue tones against a blue ground.

Lenght of back 90 cm.

Provenance: Purchased by Astrid (born von Platen 1893–1982) and Nils Rudebeck (1877–1964) on their trip to China in 1926 with crown prince Gustav Adolf, later King Gustav VI Adolf. Thence by descent.

Nils Rudebeck was Marshal of the Court to to Gustaf Adolf and Astrid Rudebeck were a close friend to his wife Louis Mountbatten so they came to accompany the couple on their around the world trip where China was an important stop to the Swedish Crown Prince since his great interest in the Chinese Culture. He later on founded the famous ‘China Club’ in Sweden in 1929. Astrid Rudebeck was the daughter of the great collector of Chinese antiques hovstallmästare Carl Gustaf von Platen.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

683. A hanging scroll, ink and color on silk, late Qing dynasty.

Depicting a seated scholar dressed in traditional clothing, holding a fan under a large pine tree. A beautiful lady standing in front, holding a cup to her right hand. Image size 103,5 x 62 cm.

Provenance: From the Collection of Swedish family who lived in Hong Kong in the mid 20th Century. Many pieces of thier collection were purschased from Luen Chai Curios Store in Hong Kong in the early 1960’s under the guidance by the passionate collector and conneisseur Weiland Wieslander.

The black and white photograph attached is of Weyland Wieslander in Hong Kong on one of his visits to the family.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

684. A hanging scroll, copy after Qi Baishi (1864–1957), ink an colour on paper. ’Grasshopper and pumpkin’. Image size 101,5 x 33,5 cm.

Provenance: From the Collection of Swedish family who lived in Hong Kong in the mid 20th Century.

Many pieces of thier collection were purschased from Luen Chai Curios Store in Hong Kong in the early 1960’s under the guidance by the passionate collector and conneisseur Weiland Wieslander. The black and white photograph attached is of Weyland Wieslander in Hong Kong on one of his visits to the family.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

685. A Chinese hanging scroll, ink and color on silk, Republic, signed Zhang Zongliang, dated 1938.

Depicting a Guanyin amongst clouds, calligraphy and three red seals. Image size 143,5 x 42 cm.

Provenance: From the Collection of Swedish family who lived in Hong Kong in the mid 20th Century.

Many pieces of thier collection were purschased from Luen Chai Curios Store in Hong Kong in the early 1960’s under the guidance by the passionate collector and conneisseur Weiland Wieslander. The black and white photograph attached is of Weyland Wieslander in Hong Kong on one of his visits to the family.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

686. A hanging scroll, ink and color on silk. Japan, early 20th Century.

Tanuki gazing at the moon. Presumably signed by ‘Maeda Hodo’ Image size 123 x 36,5 cm.

Provenance: From the Collection of Swedish family who lived in Hong Kong in the mid 20th Century.

Many pieces of thier collection were purschased from Luen Chai Curios Store in Hong Kong in the early 1960’s under the guidance by the passionate collector and conneisseur Weiland Wieslander. The black and white photograph attached is of Weyland Wieslander in Hong Kong on one of his visits to the family.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

687. A chinese hanging scroll, ink and water colour, Qing dynasty (1664–1912).

Decorated with birds and pommegranate. With calligraphy with a cyclical date and saying that it is made after the artist Chin Nan Pin. Measurement motif 49,5 x 113,5 cm.

Measurement hanging 64 x 197 cm. Not framed. Wooden box accompanies the piece.

Provenance: Purchased in Tokyo, October 30th 1957. K. Watanabe & Co.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

688. A hanging scroll, by Li Jian (1747–1799), Qing dynasty, dated 1792.

Ink and colour on paper. Running script Calligraphy of the Seven Character Poems. Signed, one seal of the artist and one collectors seal. Dated winter renzi year, corresponding to 1792.

Measurement 129,5 x 48,6 cm.

Provenance: Christies, Fine Chinese Classical Paintings and Calligraphy, November 2014. Lot no 1122.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

689. A set of nine water colours on paper by unknown artist, Qing dynasty, 19th Century.

Painted with figure scenes, some working with silk.

Measurement with frame 31,5 x 35,5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

690. A painting by un unkown master of a tea shop, Qing dynasty, circa 1900.

The building with a shop sign ‘Tea house of the white stone’. Measurment with frame 70,5x111 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

691. A set of five books about the Arthur M Sackler Collection.

Comprising; Ancient Bronzes of the Eurasian Steppes. Emma C Bunker. 1997. Shang Ritual Bronzes in the ARthur M Sackler Collections, Robert W Bagley. Vol I. Western Zhou Ritual Bronzes from the Arthur M. Sackler Collections, Vol II, Jessica Rawson, two volumes in one box. Eastern Zhou Ritual Bronzes from the Arthur M Sackler Collections, Jenny So. 1995.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

692. A yellow glazed camel, Tang dynasty (618–906).

Standing on four legs. Height with wooden stand 37,5 cm. Lenght 33 cm.

Provenance: Purchased at Bukowskis sping sale 1996, lot no 1043. Then from the Collection of head librarian, Royal Library, John Rohnström (1916–1994).

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

693. A celadon glazed tripod censer, Ming dynasty (1368–1644).

Diameter 33 cm. Height 15,5 cm.

Provenance: Provenance mark R & G Mc Pherson Antiques, London W8, lot no 22117.

Exhibitions: Exitited at OCS 2009, The World in Monocromes, lot no 49.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

694. A green and yellow glazed roof tile, late Ming dynasty (1368–1644).

In the shape of a mongolian prince on a buddhist lion.

Height 42 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

695. A egg and spinach bowl, Qing dynasty, Kangxi (1662–1722).

Decorated in aubegine, green, white and yellow glaze. Diameter 16,5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

696. An egg and spinach bowl, Qing dynasty, Kangxi (1662–1722).

Decorated in green–, yellow– and aubergine coloured glaze.

Diameter 17,2 cm.

Estimate: SEK 4 000 – 5 000 / EUR 380 – 470

697. A Chinese Transitional wucai jar with cover, 17th Century.

698. A white glazed jar, Qing dynasty, early 18th Century.

Of baluster shape with slightly flared rim. Decorated in wucai colours with the immortals in a mountain landscape. Height 34,5 cm.

Archistic modell decorated in relief with a stylized pattern. Height jar 19 cm.

Height with wooden stand and cover 35 cm.

Estimate: SEK 20 000 – 40 000 / EUR 1 860 – 3 720

Provenance: Purchased at Bukowskis 1983, lot no 1643, Klas Fåhreus collection, Högberga, Lidingö.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

699. A blanc de chine rhinoserous libation cup, Qing dynasty, Kangxi (1662–1722).

Scupltured in the shape of a rhinoserous libation cup, decorated with fierce dragons. Lenght 15,2 cm. Height 8,5 cm.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

700. A pair of blanc de chine figures of Guanyin, 18th Century.

Standing on lotus thrones. Height 39,5 cm.

Provenance: Purchased at Bukowskis 2012, The Collection of Arne Nilsson, Sandviken.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

701. A pair of gilt bronze mounted vases, Qing dynasty, Qianlong (1736–95). French bronze mounts.

Baluster shaped vases, deep blue glaze. Height 36 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

702. A powder blue vase, Qing dynasty, 18th/19th Century.

Baluster shape with handles, decorated in gold against a blue ground.

Height 51 cm.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

703. A pair of imari dishes, Qing dynasty, Kangxi (1662–1722).

Decorated with a flower in a pot. Diameter 23,5 cm. Metal mount to rim.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

704. An imari dish, Qing dynasty, Qianlong (1736–95).

Round decorated with flowers. Diameter 39 cm.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

705. A set of 11 imari dinner plates, Qing dynasty, Qianlong (1736–95).

Decorated in imari colours and gold with flowers. Diameter 22,5 cm.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

706. A famille rose dish, Qing dynasty, Yongzheng (1723–35).

707. A famille rose dish, Qing dynasty, Yongzheng (1723–35).

Round decorated with flowers. Diameter 42,5 cm.

Decorated in famille rose and bianco sopra bianco. Central motif with a croll with birds surrounded by antiques and priecious objects.

Diameter 38,5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

708. A famille rose miniature tureen with cover, Qing dynasty, Yongzheng (1723–35).

709. A famille rose tea pot with cover, Qing dynasty, Yongzheng (1723–35).

Round with handles and finial, decorated with flowers. Lenght 10 cm.

Decorated in with roosters in a garden setting. Height 11,5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

710. A set of three famille rose tea cups with stands, Qing dynasty, Yongzheng (1723–35).

Of different decoration but all with roosters in gardens. Diameter cups 6,5 cm. Diameter stands 10,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

711. A pair of famille rose dishes, Qing dynasty, Yongzheng (1723–35).

Round, deep decorated with a river scape with figures and buildings. Diameter 40 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

712. A set of 12 (6+6) famille rose dishes, Qing dynasty, Qianlong (1736–95).

Six soup dishes and six dinner plates. After a Meissen modell, decorated with a european pattern. Diameter 23 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

713. A famille rose tureen with cover and stand, Qingdynasty, Qianlong (1736–95).

Oval shape with finial in the shape of a flower, rabbits heads as handles, decorated with flowers.

Lenght 36 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

714. A pair of famille rose dishes, Qing dynasty, Qianlong (1736–95).

Rectangular shape, decorated with flowers in a garden.

Meausrement 32,5 x 23,5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

715. A famille rose coffee pot with cover, Qing dynasty, Qianlong (1736–95).

After a european silver modell, decorated with garden scene.

Height 27 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

716. Two famille rose candle sticks, Qing dynasty, Qianlong (1736–95).

After a european silver modell. Height 20–20,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

717. A set of tree famille rose salts, Qingdynasty, Qianlong (1736–95).

Octagonal shape, decorated in famille rose with flowers.

Lenght 8,5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

718. A pair of famille rose jars, Qing dynasty, Qianlong (1736–95).

Ovoid shape, decorated with garlands and a monogram (possibly IDM) beneath a counts coronet and with the date July 13th 1773. Seal mark to base. Height 23 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

719. A famille rose ‘pseudo tobacco leaf’ tureen with cover, Qing dynasty, Qianlong (1736–95).

Akantus finial and handle. Lenght 20,5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

Lot no 720–732: part of the popular and well reknowned double peacock service.

This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil.

The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz.

It is known as the “viajante” service because, it first travelled from China to Portugal, and then from Portugal to Rio de Janeiro. When the Empire turned into the Republic of Brazil, the six Chinese porcelain services of the Joao VI were scattered through auctions held in 1890 by the auctioneer Joaquin Dias dos Santos in Rio de Janeiro. Since the archives of the auction house burned, it is now impossible to distinguish the pieces formerly owned by the King Joao VI from the pieces with this pattern produced at the same period.

720. A famille rose ‘double peacock’ soup tureen, Qing dynasty, Qianlong (1736–95).

Oval shape with raised handles and a finial in the shape of akantus, decorated with peacock in a garden setting. Lenght 35 cm.

Estimate: SEK 50 000 – 75 000 / EUR 4 650 – 6 970

721. A pair of famille rose ‘double peacock’ serving dishes, Qing dynasty, Qianlong (1736–95).

Oval shape, decorated with peacocks in a garden setting. Lenght 34,5–35 cm.

Provenance: This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil. The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz. (…)

Exhibitions: Pieces decorated with this pattern are held on at several Brazilian museums, such as the Museum Historico Nacional, the Museu do Estado da Bahia, the Museu Histórico Nacional, the Museu Simões da Silva, the Museu Carlos Costa Pinto, at the Fundação Cultural Ema Gordon Klabin (Brésil) and also in US collections (Reeves center Collection).

Literature: Almeida Santos, José (de). Manual do Colecionador Brasileiro. 1950. Veiga, Jorge Getúlio, A Porcelana da Companhia das Índias nas Coleções Particulares Brasileiras. 1986, p. 198. Brancante, Eldino da Fonseca, O Brasil e a louça da Índia, 1950. Ricardo Joppert. Companhia das Índias no Brasil Jenny Dreyfus, Louço da aristocratia do Brazil, p. 97.

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

722. A pair of famille rose ‘double peacock’ serving dishes, Qing dynasty, Qianlong (1736–95).

Oval shape after a european silver modell, decorated with peacocks in a garden.

Length 40 cm.

Provenance: This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil. The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz. (…)

Exhibitions: Pieces decorated with this pattern are held on at several Brazilian museums, such as the Museum Historico Nacional, the Museu do Estado da Bahia, the Museu Histórico Nacional, the Museu Simões da Silva, the Museu Carlos Costa Pinto, at the Fundação Cultural Ema Gordon Klabin (Brésil) and also in US collections (Reeves center Collection).

Literature: Almeida Santos, José (de). Manual do Colecionador Brasileiro. 1950. Veiga, Jorge Getúlio, A Porcelana da Companhia das Índias nas Coleções Particulares Brasileiras. 1986, p. 198. Brancante, Eldino da Fonseca, O Brasil e a louça da Índia, 1950. Ricardo Joppert. Companhia das Índias no Brasil Jenny Dreyfus, Louço da aristocratia do Brazil, p. 97.

Estimate: SEK 28 000 – 30 000 / EUR 2 610 – 2 790

723. A pair of famille rose ‘double peacock’ sauce boats, Qing dynasty, Qianlong (1736–95).

After a european silver modell, decorated with peacocks in a garden setting. Lenght 22,5 cm.

Provenance: This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil. The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz. (…)

Exhibitions: Pieces decorated with this pattern are held on at several Brazilian museums, such as the Museum Historico Nacional, the Museu do Estado da Bahia, the Museu Histórico Nacional, the Museu Simões da Silva, the Museu Carlos Costa Pinto, at the Fundação Cultural Ema Gordon Klabin (Brésil) and also in US collections (Reeves center Collection).

Literature: Almeida Santos, José (de). Manual do Colecionador Brasileiro. 1950. Veiga, Jorge Getúlio, A Porcelana da Companhia das Índias nas Coleções Particulares Brasileiras. 1986, p. 198. Brancante, Eldino da Fonseca, O Brasil e a louça da Índia, 1950. Ricardo Joppert. Companhia das Índias no Brasil Jenny Dreyfus, Louço da aristocratia do Brazil, p. 97.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

724. A famille rose ‘double peacock’ serving dish, Qingdynastin, Qianlong (1736–95).

Octagonal, decorated with peacocks in a garden setting. Lenght 41,5 cm.

Provenance: This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil. The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz. (…)

Exhibitions: Pieces decorated with this pattern are held on at several Brazilian museums, such as the Museum Historico Nacional, the Museu do Estado da Bahia, the Museu Histórico Nacional, the Museu Simões da Silva, the Museu Carlos Costa Pinto, at the Fundação Cultural Ema Gordon Klabin (Brésil) and also in US collections (Reeves center Collection).

Literature: Almeida Santos, José (de). Manual do Colecionador Brasileiro. 1950. Veiga, Jorge Getúlio, A Porcelana da Companhia das Índias nas Coleções Particulares Brasileiras. 1986, p. 198. Brancante, Eldino da Fonseca, O Brasil e a louça da Índia, 1950. Ricardo Joppert. Companhia das Índias no Brasil Jenny Dreyfus, Louço da aristocratia do Brazil, p. 97.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

725. A pair of famille rose ‘double peacock’ serving dishes, Qing dynasty, Qianlong (1736–95).

Octagonal decorated with peacocks in a garden setting. Length 26 cm.

Provenance: This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil. The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz. (…)

Exhibitions: Pieces decorated with this pattern are held on at several Brazilian museums, such as the Museum Historico Nacional, the Museu do Estado da Bahia, the Museu Histórico Nacional, the Museu Simões da Silva, the Museu Carlos Costa Pinto, at the Fundação Cultural Ema Gordon Klabin (Brésil) and also in US collections (Reeves center Collection).

Literature: Almeida Santos, José (de). Manual do Colecionador Brasileiro. 1950. Veiga, Jorge Getúlio, A Porcelana da Companhia das Índias nas Coleções Particulares Brasileiras. 1986, p. 198. Brancante, Eldino da Fonseca, O Brasil e a louça da Índia, 1950. Ricardo Joppert. Companhia das Índias no Brasil Jenny Dreyfus, Louço da aristocratia do Brazil, p. 97.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

726. Two famille rose ‘double peacock’ dishes, Qing dynasty, Qianlong (1736–95).

Octagonal decorated with peacocks in a garden setting. Length 33,5 cm.

Provenance: This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil. The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz. (…)

Exhibitions: Pieces decorated with this pattern are held on at several Brazilian museums, such as the Museum Historico Nacional, the Museu do Estado da Bahia, the Museu Histórico Nacional, the Museu Simões da Silva, the Museu Carlos Costa Pinto, at the Fundação Cultural Ema Gordon Klabin (Brésil) and also in US collections (Reeves center Collection).

Literature: Almeida Santos, José (de). Manual do Colecionador Brasileiro. 1950. Veiga, Jorge Getúlio, A Porcelana da Companhia das Índias nas Coleções Particulares Brasileiras. 1986, p. 198. Brancante, Eldino da Fonseca, O Brasil e a louça da Índia, 1950. Ricardo Joppert. Companhia das Índias no Brasil Jenny Dreyfus, Louço da aristocratia do Brazil, p. 97.

Estimate: SEK 18 000 – 20 000 / EUR 1 680 – 1 860

727. Two round famille rose ‘double peacock’ serving dishes, Qing dynasty, Qianlong (1736–95).

Decorated with peacocks in a garden setting. Diameter 28,5 cm.

Provenance: This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil. The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz. (…)

Exhibitions: Pieces decorated with this pattern are held on at several Brazilian museums, such as the Museum Historico Nacional, the Museu do Estado da Bahia, the Museu Histórico Nacional, the Museu Simões da Silva, the Museu Carlos Costa Pinto, at the Fundação Cultural Ema Gordon Klabin (Brésil) and also in US collections (Reeves center Collection).

Literature: Almeida Santos, José (de). Manual do Colecionador Brasileiro. 1950. Veiga, Jorge Getúlio, A Porcelana da Companhia das Índias nas Coleções Particulares Brasileiras. 1986, p. 198. Brancante, Eldino da Fonseca, O Brasil e a louça da Índia, 1950. Ricardo Joppert. Companhia das Índias no Brasil Jenny Dreyfus, Louço da aristocratia do Brazil, p. 97.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

728. A round famille rose ‘double peacock’ dish, Qing dynasty, Qianlong (1736–95).

Decorated in famille rose with peacocks in a garden setting. Diameter 28 cm.

Provenance: This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil. The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz. (…)

Exhibitions: Pieces decorated with this pattern are held on at several Brazilian museums, such as the Museum Historico Nacional, the Museu do Estado da Bahia, the Museu Histórico Nacional, the Museu Simões da Silva, the Museu Carlos Costa Pinto, at the Fundação Cultural Ema Gordon Klabin (Brésil) and also in US collections (Reeves center Collection).

Literature: Almeida Santos, José (de). Manual do Colecionador Brasileiro. 1950. Veiga, Jorge Getúlio, A Porcelana da Companhia das Índias nas Coleções Particulares Brasileiras. 1986, p. 198. Brancante, Eldino da Fonseca, O Brasil e a louça da Índia, 1950. Ricardo Joppert. Companhia das Índias no Brasil Jenny Dreyfus, Louço da aristocratia do Brazil, p. 97.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

729. A round famille rose ‘double peacock’ serving dish, Qing dynasty, Qianlong (1736–95).

Decorated with peacocks in a garden. Diameter 31,5 cm.

Provenance: This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil. The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz. (…)

Exhibitions: Pieces decorated with this pattern are held on at several Brazilian museums, such as the Museum Historico Nacional, the Museu do Estado da Bahia, the Museu Histórico Nacional, the Museu Simões da Silva, the Museu Carlos Costa Pinto, at the Fundação Cultural Ema Gordon Klabin (Brésil) and also in US collections (Reeves center Collection).

Literature: Almeida Santos, José (de). Manual do Colecionador Brasileiro. 1950. Veiga, Jorge Getúlio, A Porcelana da Companhia das Índias nas Coleções Particulares Brasileiras. 1986, p. 198. Brancante, Eldino da Fonseca, O Brasil e a louça da Índia, 1950. Ricardo Joppert. Companhia das Índias no Brasil Jenny Dreyfus, Louço da aristocratia do Brazil, p. 97.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

730. A round famille rose ‘double peacock’ dish, Qing dynasty, Qianlong (1736–95).

Decorated with peacocks in a garden setting. Diameter 34,5 cm.

Provenance: This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil. The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz. (…)

Exhibitions: Pieces decorated with this pattern are held on at several Brazilian museums, such as the Museum Historico Nacional, the Museu do Estado da Bahia, the Museu Histórico Nacional, the Museu Simões da Silva, the Museu Carlos Costa Pinto, at the Fundação Cultural Ema Gordon Klabin (Brésil) and also in US collections (Reeves center Collection).

Literature: Almeida Santos, José (de). Manual do Colecionador Brasileiro. 1950. Veiga, Jorge Getúlio, A Porcelana da Companhia das Índias nas Coleções Particulares Brasileiras. 1986, p. 198. Brancante, Eldino da Fonseca, O Brasil e a louça da Índia, 1950. Ricardo Joppert. Companhia das Índias no Brasil Jenny Dreyfus, Louço da aristocratia do Brazil, p. 97.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

731. A set of nine famille rose ‘double peacock’ dinner plates, Qing dynasty, Qianlong (1736–95).

Round, decorated in famille rose of peacocks in a garden setting. Diameter 22,5 cm.

Provenance: This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil. The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz. (…)

Exhibitions: Pieces decorated with this pattern are held on at several Brazilian museums, such as the Museum Historico Nacional, the Museu do Estado da Bahia, the Museu Histórico Nacional, the Museu Simões da Silva, the Museu Carlos Costa Pinto, at the Fundação Cultural Ema Gordon Klabin (Brésil) and also in US collections (Reeves center Collection).

Literature: Almeida Santos, José (de). Manual do Colecionador Brasileiro. 1950. Veiga, Jorge Getúlio, A Porcelana da Companhia das Índias nas Coleções Particulares Brasileiras. 1986, p. 198. Brancante, Eldino da Fonseca, O Brasil e a louça da Índia, 1950. Ricardo Joppert. Companhia das Índias no Brasil Jenny Dreyfus, Louço da aristocratia do Brazil, p. 97.

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

732. A set of 10 famille rose ‘double peacock’ dinner plates, Qing dynasty, Qianlong (1736–95).

After a silver model, decorated with peacocks in a garden setting. Diameter 22,5 cm.

Provenance: This pattern, known as ‘Serviço dos Pavões’ or ‘double peacocks Service’, is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil. The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz. (…)

Exhibitions: Pieces decorated with this pattern are held on at several Brazilian museums, such as the Museum Historico Nacional, the Museu do Estado da Bahia, the Museu Histórico Nacional, the Museu Simões da Silva, the Museu Carlos Costa Pinto, at the Fundação Cultural Ema Gordon Klabin (Brésil) and also in US collections (Reeves center Collection).

Literature: Almeida Santos, José (de). Manual do Colecionador Brasileiro. 1950. Veiga, Jorge Getúlio, A Porcelana da Companhia das Índias nas Coleções Particulares Brasileiras. 1986, p. 198. Brancante, Eldino da Fonseca, O Brasil e a louça da Índia, 1950. Ricardo Joppert. Companhia das Índias no Brasil Jenny Dreyfus, Louço da aristocratia do Brazil, p. 97.

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

733. A set of 10 famille rose dessert dishes, Qingdynastin, Qianlong (1736–95).

Matched set, decorated in famille rose. Diameter 16,5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

734. A pair of famille rose vases, Qing dynasty, Qianlong (1736–95).

Trumpet shaped, decorated iwth an elegant garden with flowers. Height 24 cm.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

735. A famille rose punch bowl, Qing dynasty, Qianlong (1736–95).

Decorated with elegant ladies and children in a palace garden.

Diameter 26 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

736. A famille rose punch bowl, Qing dynasty, Qianlong (1736–95).

Decorated in famille rose colours with scenes from court life, on one side an elegant man with a horse, the other side with a lady and her servants.

Diameter 26 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

737. A famille rose serving dish, Qing dynasty, Qianlong (1736–95).

Octagonal shape, decorated with a figure scene from court life, an scholar courting an elegant lady at a terrace, bringing her flowers. Lenght 38,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

738. A famille rose jar, Qing dynasty, Qianlong (1736–95).

Ovoid shape, deocrated in famille rose with pheasents in a garden setting. Height 22 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

739. Two famille rose serving dishes, Qing dynasty, Qianlong (1736–95).

Matched set, decorated with flowers in a garden. Diameter 34 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

740. A famille rose and enamel tray, Qing dynasty, Qianlong (1736–95).

After a silver model, decorated with a flower boquet to the center, blue enamel band.

Length 31,5 cm. Width 27,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

741. A masonic cider jug, Qing dynasty, Qianlong (1736–95).

The cylindrical body with a strap handle, decorated with a Swedish East India Man, monogram, masonic insturments and a motto. Height 15 cm.

Provenance: There are several know examples of Masonic export porcelain made for captains and investors of the Swedish East India Company. See for example puch bowls depicted in an article of Frimuraren, nr 1, 2015, sid 54.

Literature: Compare another masonic cider mug at: Howard & Ayers, China for the West– Chinese Porcelain & other Decorative Arts from the Mottahedeh Collection, Vol. 1 (London and New York: Sotheby Parke Bernet, 1978), 321.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

742. A grisaille cup wth stand, Qing dynasty, Qianlong (1736–95).

Decorated in grisaille and gold with monogram a colle beneath a counts coronet. Height cup 7 cm. Diameter cup 8,5 cm. Diameter dish 14 cm.

Provenance: Toftager Collection lot no 297.

Estimate: SEK 3 000 – 4 000 / EUR 280 – 380

743. A part dinner service, Qing dynasty, Qianlong (1736–95). (19 pieces).

Decorated in under glaze blue and famille rose. Comprising, one dish, diameter 34 cm, four dishes, diameter 25,5 cm, 14 dinner plates, diameter 23 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

744. A pair of famille rose Canton vases, Qing dynasty, 19th Century.

Decorated in famille rose with antiques, flowers and butterflies against a golden ground.

Height 40,4 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

745. A pair of famille rose Canton vases made in to lamps, Qing dynasty, 19th Century.

Baluster shape with handles in the shape of buddhist lions, on the shoulder qilin dragons. Decorated in famille rose colours with scenes from court life. Height 44 cm. Height with mount 85 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

746. A famille rose Canton vase, Qing dynasty, 19th Century.

Balustershape with handles in the shape of buddhist lions, decorated with qilin dragons on the shoulder and figure scenes from court life.

Height 65 cm.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

747. A porcelain plate with two elegant ladies, Qing dynasty, 19th Century.

The base with seal mark in red. The ladies appear to be preforming. Diameter 19 cm.

Estimate: SEK 3 000 – 4 000 / EUR 280 – 380

748. A large famille rose moon flask, late Qing dynasty, 19th Century.

Round, flat with tall neck and handles in the shape of bats, decorated with figure scenes from court life. Height 49,5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

749. A Canton famille rose vase, Qing dynasty, 19th Century.

Richly decorated with figure scenes from court life and with flowers and butterflies. Height 35 cm. Height with mount 57 cm.

Provenance: The Collection of the Ahlgren family. Ahlgrens technical works and Läkerol.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

750. A Canton famille rose jar with cover on a tall wooden stand, Qing dynasty, late 19th Century.

Baluster shape, decorated with palace scenes inbetween a lotus scroll.

Height jar 62 cm. Height with wooden stand 143 cm.

Provenance: From the Collection of Gustaf Wallenberg (1863–1939). The collection was acquired between 1906 and 1918 when Wallenberg was the Swedish Envoyé in Tokyo. From 1907 he was also accredited for Beijing. Thence by descent.

Exhibitions: The black and white images shows Gustaf Wallenberg as well as one of his residences with a photo of the interior at the residence. The one depicted is the one in Tokyo.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

751. A famille rose serving dish, Qing dynasty, circa 1900.

Oval shape, tall foot, decorated with flowrs and birds against a green background. Height 10 cm. Lenght 27 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

752. A famille rose vase, Qing dynasty, 19th Century.

Meipingshape, decorated with a conitonus fretwork in blue, with sprays of flowers and butteflies. on the sholder a band of flower against pink background. Two central panels painted with flowers and birds. Gilded by rim. Turkoise ground to base and interior. Height 23,5 cm.

Estimate: SEK 22 000 – 30 000 / EUR 2 050 – 2 790

753. A pair of sgrafitto vases, Qing dynasty with Qianlong mark.

Decorated with flowers in famille rose against a light blue sgrafitto ground.

Interior and base turkoise glazed, gilded rim. Height 14 cm.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

754. A s.k. mille fiori bowl with cover, Qing dynasty, circa 1900.

Dish and cover with mark. Decorated with flowers against a golen ground.

Diameter 19,5 cm.

Provenance: Purchased in Japan around 1900 by Peter Josia Hegart, thence by descent.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

755. A set of three mille fiori plates, late Qing dynasty, with Qianlong mark.

Decorated in famille rose against a golden background Diameter 24,2 cm.

Provenance: Labelled as coming from the collection of SIR C Teichmen, Honingham Hall, Norfolk.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

756. A pair of famille verte chargers, Qing dynasty, 19th Century.

Decorated with peasants in a garden setting. Diameter 40 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

757. A famille verte vase, Qing dynasty, 19th Century.

Decorated with flowers, butterflies and antiques. Height 45 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

758. A Chinese vase, 20th Century, presumably republic.

Kalebass shape, decorated with roundels with figure scenes against a pink sgrafitto ground. Turkoise glazed base and interior.

Height 32 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

759. A pair of famille rose marriage bowls, probably republic, 20th Century.

Mark to base in mongolian Sanskrit ‘Barragon Tumed’. Decorated in famille rose with deities, buddhist emblems and the shou character. Diameter 17 cm.

Literature: According to Soames Jenyns the service was made to celebrate the marriage of one of Tao Guangs daugthers to a Mongolian prince.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

760. A pair of dragon and phoenix bowls, China, Republic with Qianlong mark.

Diameter 16 cm.

Provenance: The Stenbeck Collection Part II.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

761. A Chinese famille rose vase, 20th century.

Decorated with landscape, with Qianlongs mark to the base.

Height 32 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

762. A pair of Chinese egg shell porcelain bowls, marked to base Jingzhen Taoyansuo 1961.

The cups are delicately potted with rounded sides, with the exterior painted and enamelled with luxuriant blossoming peonies growing from a grassy plane. The reverse with a red seal mark. Marked to the base with the characters for Jingzhen Taoyansuo and with the date 1961. Diameter 12 cm.

Provenance: Jingzhen Taoyansuo, 1961. The finest pottery has been made in Jingdezhen since the 6th Century, the imperial kilns made items for the imperial household as well as for political gifts. Following the Xinhai Revolution of 1911 manufacture of porcelain for the imperial household ceased. In 1916 Yuan Shikai, acting as the Hongxian Emperor, appointed Guo Baochang to re–establish the imperial depot at Jingdezhen. Guo’s workforce were initially set to produce copies of Ru ware, but this approach was abandoned in favour of copying enamelled ware of the 18th century. Production of enamelled and thin–walled ‘eggshell’ ware spiked during 1920s and 1930s. In this piece we see the eggshell technique and an artist that has been inspired by the grace of the 18th Century porcelain painting and choice of motif.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

763. A large blue and white kraak box with cover, Ming dynasty, Wanli (1572–1620).

Round decorated with flowers. Diameter 14 cm.

Provenance: Antiques Primitives & Oriental Ceramics, purchased October 31st 1972, 306 Kings Road S.w.3, London. Ben Maurice – Jones.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

764. A blue and white bottle, Ming dynasty, Wanli (1572–1623).

Rectangular shape, decorated with flowers and insects. Height 26,5 cm.

Exhibitions: Exhibited at OCS (Oriental Ceramic Society) ‘The World in Blue and White, 2003’ no 53 in the catalogue.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

765. A blue and white bottle, Ming dynasty, 17th Century.

Of rectangular shape, decorated with riverscapes alternating with a figure in a garden. Height 23 cm.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

766. A blue and white Transitional vase, 17th Century.

Hall mark to base. Decorated with a garden scene with butterflies. Height 12,5 cm.

Height with wooden stand and cover 19 cm.

Provenance: From the Erik Nordstrom Collection, Bukowskis Spring Sale 2014, lot 556. Erik Nordström was commissioned after a recommendation by Swedish minister Gustav Oscar Wallenberg, the Envoyé of Japan and China, as Post General in Shanghai at the Royal Chinese General Post Office in 1910. The aim was to help facilitate its work throughout China. He was positioned in several of the Chinese provinces (he often chose the northern provinces due to their resemblance to the northern Sweden where he stems from) over his 35 years in the postal service.Gustav Oscar Wallenberg who became a close and dear friend of Erik Nordström, was a keen collector of Chinese ceramics and introduced him to the art of collecting by defining age, quality and heritage as they visited the antique shops of Beijing. The vast collection of Eric Nordström contains a variety of objects of which many were acquired for the purpose of everyday use, hence the wear to many of the objects. During his time in China he encountered and befriended many of the Swedish society who both worked and lived as well as passed through China at the time, i.e. Johan Gunnar Andersson and wife, Sven Hedin, Carl Bonde, Sten Thiel in the company of Nils von Dardel and his then fiancé Nita Wallenberg, to name only a few. Erik Nordström was a keen sportsman and always liked a challenge whether it be hunting, shooting or tennis. He retired in China in 1945 and spent his last years in Qingdao before his return to Sweden in 1948. By the time he left China in 1948 he and his family had experienced the Chinese revolution, World War I and the Japanese invasion and World War II.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

767. A blue and white dish, Tianqi/Chongzhen, 17th Century.

768. A blue and white Transitional vase, 17th Century.

Brown rim, decorated in underglaze blue with a leafve and a scholars rock.

Diameter 20 cm.

Decrated with an elegant lady and boys in a landscape setting weith banana plants. Height 24 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

769. A Transitional Wucai jar, 17th Century.

Depicting a narrative scene with a general in a pavillion adressed by soldiers within a walled gareden. Height 29,5 cm.

Provenance: The Stenbeck Collection. Purchased from Frides Lameris Antique in Amsterdam in 1983. The Stenbeck Collection; Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Exhibitions: ‘Den Befriade Penseln, 300 år av Kinesiskt porslin och konsthantverk’. 4/6–3/9–2000. Heinola Konstmuseum och Stadsmuseum. Cat no 44.

Literature: U. Schmidt: Porzellan aus China und Japan: Die Porzellangalerie Der Landgrafen Von Hessel Kassel, Berlin. 1990. Compare similar depicted on page 274–275. Fig 51.

Estimate: SEK 40 000 – 60 000 / EUR 3 720 – 5 580

770. A blue and white Transitional jar, 17th Century.

Decorated with a riverscape with tall point mountains. Height 25,5 cm.

Provenance: The Stenbeck Collection. Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

771. A blue and white transitional vase, 17th Century.

Decorated with birds in a garden. Height 15,5 cm.

Provenance: The Stenbeck Collection. Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

772. Five blue and white dishes, Ming dynasty, Tianqi /Chongzhen, 17th Century.

Decorated in blue and white with a continous scene set in a landscape. Diameter 14,2 cm.

Provenance: The Stenbeck Collection. Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Exhibitions: The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name ‘The Liberated Brush’.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

773. A blue and white bowl with ’General Mu’s eight horses’, Transition, 17th Century, with Jiajing six character mark.

Decorated with General Mu’s eight horses. Diameter 16,5 cm.

Provenance: The Stenbeck Collection. Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction.

Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Exhibitions: The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name ‘The Liberated Brush’.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

774. A pair of blanc de chine/bisquit porcelain joss stick holders, Transition, 17th Century.

Seated on a raised plinth, holding a brocade ball and a pup under its raised paw.

Height 21 cm.

Provenance: The Stenbeck Collection. The Hatcher Collection June 1984. Christies, Amsterdam.

The Stenbeck Collection. Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Exhibitions: The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name ‘The Liberated Brush’.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

775. A pair of blue and white dishes, Tianqi/Chongzhen, 17th Century.

Decoated with flowers. Diameter 14,5 cm.

Provenance: The Stenbeck Collection. Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Exhibitions: The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name ‘The Liberated Brush’.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

776. Two blue and white dishes, Ming dynasti, Tianqi /Chongzhen, 17th Century.

Decorated with flowers and patterns. Calligraphy to the reverse. One with a Chenghua six character mark to the base, and one with a Chinese ’fuku’ mark.

Diameter 15,5 cm.

Provenance: The Stenbeck Collection. The Stenbeck Collection; Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Exhibitions: The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name ‘The Liberated Brush’.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

777. A blue and white goblet, Qing dynasty, Kangxi (1662–1722).

Decorated with flowers and landscapes within panels. Height 12 cm.

Provenance: The Stenbeck Collection; Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction.

Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Exhibitions: The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name ‘The Liberated Brush’.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

778. A set of four blue and white cups, Qing dynasty, Kangxi (1662–1722).

Decorated flowers and figures. Diameter 7 cm.

Provenance: The Stenbeck Collection.

Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Exhibitions: The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name ‘The Liberated Brush’.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

779. A set of four blue and white dishes, Qing dynasty, Kangxi (1662–1722).

Decorated with figurescenes with riders on horseback. Diameter 11 cm.

Provenance: The Stenbeck Collection. Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain.

Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction.

Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Exhibitions: The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name ‘The Liberated Brush’.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

780. A pair of blue and white dishes, Qing dynasty, Kangxi (1662–1722).

Decorated with fierdce four clawed dragons and horses. Diameter 11,5 cm.

Provenance: The Stenbeck Collection. Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction.

Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards Exhibitions: The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name ‘The Liberated Brush’.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

781. A group of three blue and white dishes, Qing dynasty, Kangxi (1662–1722).

Decorated with flowers and figures. Diameter dishes, ca 12 cm. Diameter cup 6 cm.

Provenance: The Stenbeck Collection.

Stenbeck was for many years the presiedent of the Swedish Oriental Ceramics Society. His collection has been vast and unusual in comprising a wide range of Chinese porcelains produced primarily between 1620 and 1683, for the domestic, Japanese and Dutch markets. But he has also had a passion for Chinese furniture and Wanli porcelain. Having studied, collected and exhibited these splendid wares for almost forty years, Stenbeck now feels that it is time to offer part of his collection at auction. Bukowskis is pleased to have been able to sell items from this impressive collection during several auctions, see for example sale 568 an onwards.

Exhibitions: The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name ‘The Liberated Brush’.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

782. A blue and white dragon jar, Qing dynasty, 18th Century.

Decorated in in blue and white with a four clawed dragon chasing the flaming pearl amidst cloud formations. Height 22 cm. Wooden cover accompanies the piece.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

783. A blue and white jar, Qing dynasty, Kangxi (1662–1722).

Decorated with elegant ladies from the court surrounded by boys in a palace garden. Height 20,5 cm. Wooden cover and stand accompanies the piece (both with some damage) Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

784. A blue and white jar, Qing dynasty, Kangxi (1662–1722).

Balustershape, decorated with a lotus scroll. Height 24,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

785. A blue and white ’ladies’ jar with cover, Qing dynasty, Kangxi (1662–1722).

Decorated with elegant courtesants, with playing children. Total height 28 cm.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

786. A large blue and white flower pot/censer, Qing dynasty, Kangxi (1662–1722).

Rectangular shape, decorated with riverscapes with figure scenes. Measurment 37,5x21x7,2 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

787. A blue and white pot, Qing dynasty, Kangxi (1662–1722).

Round, decorated with a continous lotus scroll.

Height 16,5 cm. Diameter 15,5 cm.

Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120

788. A blue and white vase, Qing dynasty, Kangxi (1662–1722).

Decorated with dragons amidst cloud formations.

Height 25,5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

789. A blue and white dish, Qing dynasty, Kangxi (1662–1722).

Decorated with alternating river scapes, flowers.

Diameter 35 cm.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

790. A blue and white dish, Qing dynasty, Kangxi (1662–1722).

Depicting a vivid hunting scene. Diameter 26 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

791. A blue and white bowl with cover, Qingdynasty, Kangxi (1662–1722).

Round, with handles, decorated with antiques and precious objects. Lenght 21 cm. Heigth 12 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

792. A blue and white bowl, Qing dynasty, 18th Century.

Decorated with buddhist lions and flowers. Height 5,6 cm.

Diameter 17 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

793. A blue and white jar, Qing dynasty, Qianlong (1736–95).

Ovoid shape, decorated with a riverscape in blue and whtie with buildings and figures. Height 22,5 cm. Height with wooden cover and stand. 32,5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

794. A pair of blue and white garden seats, Qing dynasty, 18th Century.

Each of barrel form with an openwork ’coin’ centering the top and two pairs of openwork interlinking coins at the sides, two bands of bosses dividing the sides into three registers, the lowest register painted in underglaze blue with flowering boughs within lappets, the central register, upper register, and top painted with a continuous floral scroll of blossoming lotus.

Height 46 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

795. A blue and white armorial tureen with cover, Qing dynasty, Qianlong (1736–95).

After a european silver modell, decorated with rocailles and a crane with a cricket in it’s beak representing the Swedish merchant family grills family coat of arms. Length of tureen 36 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

796. A melon shaped blue and white tureen with cover, Qing dynasty, Qianlong (1736–95).

Oval shape, handles in the shape of fruit, decorated with flowers. Lenght 36 cm.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

797. An oval blue and white bowl, Qing dynasty, Qianlong (1736–95).

After a european silver model, decorated with a garden. Lenght 27 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

798. A large blue and white charger, Qing dynasty, Qianlong (1736–95).

Decorated with a figure scene by the river.

Diameter 54,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

799. A blue and white vase, Qing dynasty, Qianlong (1736–95).

After a Marieberg faience modell, decorated with flowers and draping. Height 28,5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

800. A blue and white tureen with cover, Qing dynasty, Qianlong (1736–95).

Round shape, decorated handles in the shape of rabbits heads, finial in the shape of a crown, decorated with an elegant scene of two ladies in a garden, and a gentleman playing in a pagoda.

Height 24 cm. Lenght 29 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

801. A blue and white tea jar, Qing dynasty, 19th Century.

Rectangular shape, decorated with river scapes. Height 28,5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

802. A blue and white moon flask, Qing dynasty, 19th Century.

Round flat shape, decorated with stylied dragon handles and a tall neck. painted decoration with a riverscape to one side and a bird to the other.

Height 48 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

803. A porcelain tazza, presumably republic.

Decorated in blue and white and red with a figure scene with the immortals. Height 9,5 cm.

Diameter 15 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

804. A dragon and phoenix vase, Qing dynasty, 19th Century.

Ovoid shape, decorated with a phoenix and a dragon against a yellow ground, surrounded by a continous lotus scroll in blue and white against a green ground. Height 31,5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

805. A blue and white dragon dish, Qing dynasty, 19th Century.

Decorated with four clawed dragons chasing the flaming pearl.

Diameter 38,3 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

806. A blue and white vase, Qing dynasty, 19th Century.

Hexagonal shape, deocrated with pommegranate handles and flowers. Height 59,5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

807. A blue and white vase, Qing dynasty, 19th Century.

With Kangxi mark to base. Balustershape, decorated with ringhandle and continous flower scroll. Height 24,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

808. A blue and white vase, late Qing dynasty, 19th Century.

Decorated in blue and white with mythical beast standing on cliff fromations amdist roaring waves. Heihgt 35 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

809. A blue and white moon vase, Qing dynasty, 19th Century.

Round flattened shape, tall neck with qilin dragons as handles, painted market scene with entertainers an vendors in front of a scholar carrying an prasoll. Height 45 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

810. A blue and white candle stick, Qing dynasty, 19th Century.

Metall shape, decorated with calligraphy. Height 12,5 cm.

Estimate: SEK 5 000 – 7 000 / EUR 470 – 650

811. A large blue and white vase, late Qing dynasty, circa 1900.

With Kangxis six character mark to base.

Decorated in blue and white with a riverscape.

Height 57 cm.

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

812. A blue and white flower pot, Qing dynasty, circa 1900.

Decorated in blue and white with birds in a garden next to a lotuspond.

Height 12 cm. Diameter 28 cm.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

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