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Cover: Wilhelm Kåge, a ‘Farsta’ stoneware sculpture of a ‘dragon fish’.
Modern Art + Design
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N° 620
Tuesday November 26
From 1 pm (CEST) Number Glass Ceramics Silver and Jewellery
1–30 31–148 149–179
Carpets 180–227 Furniture and Works of Art
228–372
Wednesday November 27 From 3 pm (CEST) Number Art
373–638
Prints 639–676
1. Edward Hald, & Knut Bergqvist (glassblower) a ‘graal’ vase Orrefors, Sweden 1925. Floral decoration in blue against a smokey grey background, signed SGraal Orrefors 1925 KB 2056 EH. Height 21 cm, diameter 19,5 cm. (d)
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
2. Agnes de Frumerie, a pate de verre relief, Sweden 1930. Fairytale motif with a figure sitting with a cauldron by the fire, signed in the mould A de F 1930, 32 x 21,5 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
3. Edvin Öhrström, an ‘ariel’ glass vase, Orrefors, Sweden 1939, nr 151. Decorated with a woman and a gondolier playing music in brown against a light green ground. Signed ORREFORS 1939 ARiel and numbered nr 151 (the number is not corresponding to the manufacturing book) Edvin Öhrström. Height 20 cm, diameter 14,3 cm, excluding a dark green painted wooden stand with lighting. (d)
Estimate: SEK 150 000 – 200 000 / EUR 13 940 – 18 590
4. Nils Landberg, a set of three ‘Tulip’ glass vases, Orrefors Expo. Different hues, signed ORREFORS EXPO, 311–57, 312–57 and 312–57. Height 35 cm, 37 cm and 46 cm. Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
5. Nils Landberg, a blue tinted glass ‘Tulip’ vase, Orrefors, Sweden 1950’s. Signed ORREFORS EXPO Nu 312–57. Height 47,5 cm. Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
6. Edvin Öhrström, an ‘ariel’ vase with a bathing female, Orrefors Sweden 1942, nr 260. Decorated in metallic green hues against an amber coloured background. Signed ORREFORS SWEDEN No 260 1942 E Öhrström. Height 19 cm. (d)
Estimate: SEK 150 000 – 250 000 / EUR 13 940 – 23 240
7. Vicke Lindstrand, a cut glass dish, Kosta, Sweden 1950–60’s. Almond shaped saucer dish, signed Kosta Lu 1720. 47,5 x 19,5 cm, height 8,5 cm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
8. Erik Höglund, an engraved glass bowl, Boda, Sweden 1950’s. Signed Boda H 290/1153. Height 20 cm, diameter 22 cm. Provenance: The Erik Höglund family
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
9. Edvin Öhrström, an ‘ariel’ glass vase, Orrefors 1951, nr 1421E. Decorated in metallic green with a woman’s head and a dove against clear glass. Signed Orrefors Sweden Ariel 1421E E. Öhrström. Height 19,7 cm, diameter 15 cm. (d)
Estimate: SEK 50 000 – 75 000 / EUR 4 650 – 6 970
10. Ingeborg Lundin, an ‘ariel’ glass vase ‘Faces’, Orrefors 1986. Decorated with faces against a yellow/green ground, signed Orrefors 957715 Ingeborg Lundin Ariel Gallery 26–86. Height 18 cm, diameter 13 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
11. Ulrica Hydman–Vallien, A unique enamel painted glass vase, Kosta Boda, Sweden. Pink coloured glass with a light green winding snake, decorated with painted animal heads, snakes and buildings against a white background. Signed KOSTA BODA UNIQUE 137358066 Ulrica HV and painted signature ‘Ulrica HV’ to the body. Height 26 cm, diameter ca 26 cm. (d)
Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
12. Eva Englund, a ‘graal’ glass vase, Orrefors 1988. Decorated with an erotic motif, signed Orrefors 995330 Eva Englund EA 1–88 and label marked. Height 30 cm, diameter 22,2 cm. (d)
Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790
13. Eva Englund, a ‘graal’ glass vase, Muraya, Sweden 1990’s. Decorated with faces in orange, blue, green, pink and yellow. Signed Dorothy K. Wilke A (Dorothy Konnberg, engraver, Wilke Adolfsson, glassblower) 57? 03 93 (blurred), unikt graal Muraya Eva Englund. Height 30 cm. (d)
Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790
14. Bertil Vallien, a unique sand cast glass sculpture, Kosta Boda, Sweden, not signed. Two blue glass sculptures of heads mounted to a high stand in wood and iron. Measurements ca 20,5 x 18,5 x 11,5 cm and 19,5 x 15 x 11 cm, total height including the stand ca 161 cm, width 55 cm. Provenance: Reportedly bought at the Vida museum, Öland. (d)
Estimate: SEK 50 000 – 75 000 / EUR 4 650 – 6 970
15. DAUM, an Art Nouveau cameo glass vase, Nancy early 1900’s. Etched decoration of twigs, marked DAUM NANCY, 5,5 x 5,5 cm,height 12 cm. Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
25. Gunnel Nyman, (born Gustafsson), ‘Kalatorilla market’.
16. Emile Gallé, an Art Nouveau cameo glass vase, Nancy, France. Mountain landscape with trees to the foreground, signed Gallé. Height 29,5 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
17. Emile Gallé, an Art Nouveau cameo glass table light, Nancy, France. Floral decoration in red against a matte yellow background, both the shade and the base signed Gallé. Height ca 42,5 cm, diameter of the shade ca 26 cm. Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
18. Emile Gallé, an Art Nouveau cameo glass vase, Nancy, France. Etched decoration with flowers in purple and green against a matte apricot ground, signed Gallé. Height 34 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
19. Verrerie D’Art Degué, a cameo glass vase, France, 1920–30’s. Decorated with etched autumn leaves against a white frosted ground. Engraved signature Degué, height 36 cm. Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400
20. Tyra Lundgren, two irridescent glass pigeons, Venini Murano, Italy, model 10627, designed about 1938. Pink and clear glass, circular acid etched mark venini murano ITALY. Height 19 and 19,5 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
21. Alessandro Pianon, a ‘Pulcino’ glass bird, Vistosi, Italy 1960’s. The body of orange glass, copper legs. Height 21 cm. Literature: Franco Deboni, ‘Murano 900 Vetri e Vetrai’, Bocca Ed Milano 1996. See p 327, catalogue no 243, here this model is said to be designed by Peter Pelzel.
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
22. Alessandro Pianon, a ‘Pulcino’ glass bird, Vistosi, Murano, Italy 1960’s. The body of green glass decorated with murrine in blue and red, copper legs, label marked, height 33 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
23. Peter Pelzel, a pair of glass vases by Vistosi, Italy, 1960’s. Blue and smoke coloured glass. Height 40,5 and 31,5 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
24. Claude Venard, a glass sculpture of a reindeer, Berengo Studio, Murano, Italy. Signed C. VENARD 3/7, height 60 cm, length 40 cm. (d)
Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400
25. Gunnel Nyman, (born Gustafsson), ‘Kalatorilla market’, a cut, engraved and sand blasted smoked glass bowl, Riihimäki, Finland 1937. Engraved signature G.Gustafsson – Erkki Käppi. Oy Riihimäki –37. Measurements ca 13,5 x 13,5 cm, height 9,5 cm. Exhibitions: The model was shown at the Paris Expo in 1937. Riihimäki with Gunnel Gustafsson–Nyman was awarded with a Grand Prix. Literature: Gunnel Nyman, The Bulletin of the Finnish Glass Museum, Lastitutkimuksia, glassresearch IV (1987), see the model illustrated, catalogue no 13, p 82. Kurt Ekholm, ‘Glas och keramik i Finland’, Svenska hem i ord och bilder, 1938, see the model illustrated p 193: ‘Torghandel’ skål av Gunnel GustafssonNyman, Riihimäki.
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
26. Kaj Franck, a ‘The bells of Kremlin’ glass decanter, Nuutajärvi Notsjö, Finland 1959. Red, purple and smoked glass in three parts, signed K. Franck, Nuutajärvi Notsjö, –59. Total height 35,5 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
27. Tapio Wirkkala, a set of three ‘Chantarelle’ glass vases, Iittala, Finland. Signed TAPIO WIRKKALA IITTALA –55, height 8, 13 och 21 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
28. Timo Sarpaneva, a mould blown glass sculpture, Iittala, Finland 1966. Signed TIMO SARPANEVA – IITTALA –66. Height ca 44,5 cm. Literature: Marianne Aav, Eeva Viljanen (ed), ‘Iittala, 125 years of Finnish glass, Complete History with All Designers’, Arnoldsche 2006, compare the installation ‘Ice Pack/ Ahtojää’, made of ‘some five hundred pieces blown, without rotation, in a wooden mould’, exhibited at the Montreal Expo 1967, illustrated p 95, see also p 96, ‘art object Unet from the Finlandia series, 1964’, Designmuseo /Iittala Archives. (d)
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
29. Timo Sarpaneva, a mould blow glass sculpture, Iittala, Finland 1966. Signed TIMO SARPANEVA – IITTALA –66. Height ca 47 cm. Literature: Marianne Aav, Eeva Viljanen (ed), ‘Iittala, 125 years of Finnish glass, Complete History with All Designers’, Arnoldsche 2006, compare the installation ‘Ice Pack/ Ahtojää’, made of ‘some five hundred pieces blown, without rotation, in a wooden mould’, exhibited at the Montreal Expo 1967, illustrated p 95, see also p 96, ‘art object Unet from the Finlandia series, 1964’, Designmuseo /Iittala Archives. (d)
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
30. Oiva Toikka, a glass sculpure of a bird, Nuutajärvi Notsjö, Finland. Signed Oiva Toikka Nuutajärvi Notsjö. Height 22, width ca 11,5, length 29 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
6. Edvin Öhrström, an ‘ariel’ vase.
31. Edward Burne–Jones, after, a ceramic wall relief executed by Cassandra Ann Walker, Della Robbia Pottery Birkenhead, UK ca 1900. Decorated in colours, inscribed to base; Della Robbia 1st Day of Creation after E. Burne Jones HR. Paper label to the reverse, mounted on, most likely, the original wooden frame 54,5 x 22 cm (62 x 30 cm). Provenance: The relief can be traced to have been in Sweden since 1937. Thence by descent.
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
32. Alf Wallander, an Art Nouveau creamware urn, Röstrand, Sweden circa 1900. Bronze coloured glaze, signed Rörstrand and inpressed XB DT BGA, diameter 33 cm, height 29 cm. Provenance: Lennart Hansson’s Rörstrand collection, no 876.
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
33. Wilhelm Kåge, a ceramic bowl and a teacaddy, Gustavsberg, Sweden ca 1924. High relief decor with floral branches, signed GUSTAVSBERG KÅGE 1924, the teacaddy with blurred date, 1924 or 1927. The bowl diameter 25 cm, height 12,5 cm, the teacaddy 12 x 12 cm, height 16 cm. Exhibitions: The ‘celadon glazed’ models were included in the Swedish Pavillion at the 1925 Paris World’s Fair and at the exhibition ‘Swedish Contemporary Decorative Arts’ shown at The Metropolitan Museum of Art, New York in 1927. A larger bowl was acquired and added to the collections of the Metropolitan Museum of Art, New York. Literature: Nils Palmgren, ‘Wilhelm Kåge konstnär och hantverkare’ Nordisk Rotogravyr, Stockholm 1953. See pp 120–123. Gunnela Ivanov, ‘Swedish Grace’, Orosdi–Back 2017, see the models illustrated p 518. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
34. Wilhelm Kåge, a set of three ‘Surrea’ stoneaware vases and a bowl, Gustavsberg studio, Sweden. White ’carrara’ glaze, the tallest vase with maker’s mark Surrea Gustavsberg Sweden. Height 8–33,5 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
35. Wilhelm Kåge, a faience vase, Gustavsberg studio, Sweden 1940’s. Decorated with a painted face, signed with an unusual studio mark with K in brown and inpressed maker’s mark, height 21,5 cm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
36. Wilhelm Kåge, a ’Farsta’ stoneware relief, Gustavsberg studio, Sweden 1948. Decorated with a sitting figure in brown and yellow hues, signed KÅGE FARSTA R and studio mark, 30,8 x 30,8 cm, depth 3,8 cm. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
37. Wilhelm Kåge, a stoneware sculpture of a dragon, Gustavsberg, Sweden 1940–50’s. Yellow glaze, stamped KÅGE GUSTAVSBERG, length ca 24, width ca 19 cm, height 11,5 cm. Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
38. Wilhelm Kåge, a ’Farsta’ stoneware vase, Gustavsberg studio, Sweden 1955. Glazed in brown, blue/green and yellow hues, signed KÅGE Z, stamped studio mark and FARSTA. Height 31 cm. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
39. Wilhelm Kåge, a ’Farsta’ stoneware vase, Gustavsberg studio, Sweden 1952. Turquoise glaze, geometrical relief decoration, signed with maker’s signature and year mark V. Height 23 cm. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
40. Wilhelm Kåge, a ’Farsta’ stoneware sculpture of a ’dragon fish’, Gustavsberg studio, Sweden 1950’s. Turquoise blue glaze, the fens with studio stamps, FARSTA and signed KÅGE. Height ca 49 cm, length ca 56 cm, width 21,5 cm. Literature: Gisela Eronn, ’Wilhelm Kåge – Keramikens mästare’, Prisma 2006, see the dragon fish illustrated p 93. (d)
Estimate: SEK 175 000 – 200 000 / EUR 16 270 – 18 590
41. Wilhelm Kåge, a ’Farsta’ stoneware jar, Gustavsberg studio, Sweden 1960. Decorated with vertical bands in relief, turquoise glaze, signed i 10 KÅGE, studio stamp and inpressed FARSTA. Height 22 cm, diameter 18 cm. (d)
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
42. Wilhelm Kåge, a ’Farsta’ stoneware vase, Gustavsberg studio, Sweden 1959. Glazed in blue, green and turquoise, signed KÅGE i.9., studio stamp and FARSTA. Height 14,5 cm, diameter ca 16,5 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
43. Wilhelm Kåge, a ’Farsta’ vase, Gustavsberg studio, Sweden 1955. Glazed in turquoise and brown hues, maker’s signature and Z. Height 10 cm, diameter 15 cm. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
44. Wilhelm Kåge, a ’Farsta’ stoneware sculpture of a ’dragon fish’, Gustavsberg studio, Sweden 1952. Glazed in green, brown and yellow hues, signed KÅGE V, studio stamp and FARSTA. Length 61 cm, width ca 8 cm, height 9,5 cm. (d)
Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
45. Wilhelm Kåge, a ’Farsta’ stoneware vase, Gustavsberg studio, Sweden 1958. Glazed in green, brown and yellow, signed KÅGE i9 FARSTA and studio stamp. Height 9,5 cm, diameter 11 cm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
Axel Salto 135. a stoneware ’budding style’ stoneware vase. 139. a ’Sung glaze budding style’ stoneware vase. 137. a ’Sung glaze budding style’ stoneware bowl. 138. a stoneware ’Sung glaze budding style’ vase. 136. a ’Sung glaze budding style’ stoneware vase.
46. Wilhelm Kåge, a ’Farsta’ stoneware vase, Gustavsberg studio, Sweden 1956. Signed KÅGE Å with studio stamp and FARSTA. Height 19,5 cm. (d)
Estimate: SEK 5 000 – 7 000 / EUR 470 – 650
47. Wilhelm Kåge, a large ’Farsta’ stoneware vase, Gustavsberg studio, Sweden 1960. Cylindrical on six feet, geometrical relief decoration, glazed in brown and yellow hues, signed K9 KÅGE and studio stamp FARSTA and label marked. Height 48,5 cm, diameter 14,5 cm. (d)
Estimate: SEK 50 000 – 75 000 / EUR 4 650 – 6 970
48. Wilhelm Kåge, a large ’Farsta’ stoneware jar with cover, Gustavsberg studio, Sweden 1950’s. Signed KÅGE, studio stamp, AP, BA and FARSTA. Height 40 cm, diameter 23 cm. (d)
Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400
49. Berndt Friberg, a stoneware vase, Gustavsberg studio 1973. Brown ’rabbit’s fur’ glaze, signed Friberg with the studio mark and year letter O. Height 24 cm. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
50. Berndt Friberg, a set of three stoneware vases, Gustavsberg studio, Sweden 1957, 1961 and 1977. ’Rabbit’s fur’ glazes in brown and yellow hues, signed Friberg with the studio mark and the year letters Ä, c and 1977. Height 18,5, 45,2 cm and 28 cm. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
51. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1954. Brown ’rabbit’s fur’ glaze, signed Friberg with the studio mark. Height 32,3 cm, diameter ca 25 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
52. Berndt Friberg, a set of three stoneware vases, Gustavsberg studio 1953–61. ’Rabbit’s fur’ glazes in green/grey, blue/brown and grey/blue, signed Friberg with the studio mark and year letters c, x and y, height 10,5 cm, 12 cm and 28,5 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
53. Berndt Friberg, a set of six stoneware vases, Gustavsberg studio, Sweden 1961–79. ’Rabbit’s fur’ glazes in blue and grey hues, signed Friberg with the studio mark, year letters c, J and 1979. Height 8–20,5 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
54. Berndt Friberg, a large stoneware vase, Gustavsberg studio, Sweden 1965. Glazed in a ’rabbit’s fur’ blue, signed Friberg, the studio mark and 1965. Height 36 cm. (d)
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
55. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1954. Brown ’rabbit’s fur’ glaze, signed Friberg with the studio mark, Y. Height 38,5 cm. (d)
Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720
56. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1962. Blue ’rabbit’s fur’ glaze, signed Friberg with the studio mark and year letter d. Height 43 cm. (d)
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
57. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1966. ’Rabbit’s fur’ glaze in brown and beige hues. signed Friberg with the studio mark and H. Height 35 cm. (d)
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
Wilhelm Kåge 46. a ’Farsta’ stoneware vase, 39. a ’Farsta’ stoneware vase, 47. a large ’Farsta’ stoneware vase, 45. a ’Farsta’ stoneware vase, 38. a ’Farsta’ stoneware vase.
58. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1965. Blue and brown rabbit’s fur glaze, signed with the studio mark Friberg and G. Height 22 cm. (d) Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
59. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1962. Blue ’rabbit’s fur’ glaze, signed Friberg with the studio mark and year letter d, height 30 cm. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
60. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1974. Aniara glaze, signed Friberg with the studio mark 74. Height 36 cm. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
61. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1972. Aniara glaze, height 19 cm, diameter ca 27 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
62. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1975. Sang de boeuf, green and blue glaze, signed Friberg with the studio mark and dated 1975. Height 30,5 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
63. Berndt Friberg, a set of four stoneware vases, Gustavsberg studio 1970 and 1979. Aniara, sang de beuf, green and blue glaze, signed Friberg with the studio mark, year letter L and 1979. Height 11, 12,5, 15 and 17,8 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
64. Berndt Friberg, a set of three stoneware vases, Gustavsberg studio, Sweden 1968–78. ’Aniara’ glazes, signed Friberg with the studio mark, year letters J, L and 1978. Height 17, 18 and 28,5 cm. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
65. Berndt Friberg, a set of three stoneware vases, Gustavsberg studio, Sweden 1974–78. Sang de boeuf and green spotted glaze, signed Friberg with the studio mark, letters b,p and 1978. Height 22, 25 and 26,5 cm. (d)
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
66. Berndt Friberg, a set of three stoneware vases and a bowl, Gustavsberg studio, Sweden 1978–79. Spotted glaze in sang de boeuf and green hues. Signed Friberg with the studio mark 1978 and 1979, height 7,3–15 cm. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
67. Stig Lindberg, an enamel panel for Gustavsberg, Sweden 1950’s. Decorated with a female figure with a child in blue, black and yellow against a red ground, signed Stig L, in a black lacquered metal frame, 125 x 31 cm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
68. Stig Lindberg, a faience vase, Gustavsberg studio, Sweden 1951. Painted decoration, signed and dated with a dedication from the artist, ’till vännen Rune från Stig L.’ Height 37,5 cm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
69. Stig Lindberg, a stoneware bowl, Gustavsberg studio, Sweden 1945. Spotted glaze in turquoise and beige hues, signed Stig L. P and with studio stamp. Height 13,5 cm, diameter 19,5 cm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
70. Stig Lindberg, a ’parian’ porcelain sculpture, ’Narcissus’ from the ’Figurin’ series, Gustavsberg, Sweden 1970’s. Stamped maker’s mark: GUSTAVSBERG PARIAN–6 Stig L. SWEDEN. Height 19 cm, length ca 20 cm. Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
71. Stig Lindberg, two stoneware vases ’Gnurglor’, Gustavsberg studio, Sweden 1961. Glazed in yellow and brown, signed Stig L with the studio mark, height 11,5 and 24,3 cm. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
72. Stig Lindberg, a stoneware vase, Gustavsberg studio, Sweden 1972. Red glaze, signed Stig L with the studio mark. Height 20 cm, diameter ca 23 cm. Provenance: Carl–Eric Björkegren’s collection. Probably bought at the exhibition ’Stengods och bruksvara’, Höganäs museum, Sweden, July 1973. Private Swedish collection. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
73. Stig Lindberg, a stoneware vase, Gustavsberg studio 1967. Four sided with a relief pattern, glazed in brown hues. Signed Stig L with the studio mark, height 31 cm. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
74. Stig Lindberg, a stoneware vase, Gustavsberg studio, Sweden 1958–59. Turquoise/blue glaze with a relief pattern, signed Stig L with the studio mark. Height 36 cm. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
75. Vicke Lindstrand, a ceramic sculpture of a cheetah, Upsala–Ekeby, Sweden, model 3003. Height 26,5 cm, length ca 29 cm. Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
Pablo Picasso 147. a faience bowl ’Oiseau au ver’, 148. a ’Visage de femme’ faience dish, 144. a faience dish ’Visage dans un ovale’.
76. Erich & Ingrid Triller, a stoneware vase, Tobo, Uppland, Sweden. Brown glaze, signed triller Tobo, height 24,5 cm. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
77. Erich & Ingrid Triller, a stoneware vase, Tobo, Sweden. Brown glaze, signed triller Tobo. Height 23 cm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
78. Carl–Harry Stålhane, a large stoneware floor vase, Rörstrand, Sweden 1950’s. Grey and beige spotted glaze, signed R SWEDEN CHS. Height 62 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
79. Carl–Harry Stålhane, a stoneware vase, Rörstrand 1950–60’s. Spotted celadon coloured glaze, signed R SVERIGE CHS, height 25,5 cm. Estimate: SEK 5 000 – 6 000 / EUR 470 – 560
80. Carl–Harry Stålhane, a large stoneware vase, Rörstrand, Sweden 1950–60’s. Spotted glaze in beige hues, signed SWEDEN CHS SDA. Height 51,5 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
81. Carl–Harry Stålhane, a large stoneware vase, Rörstrand 1950’s. Turquoise spotted glaze, signed R SVERIGE CHS. Height 54 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
82. Carl–Harry Stålhane, a stoneware vase, Rörstrand, Sweden 1950–60’s. Turquoise ’rabbit’s fur’ glaze, signed R SWEDEN CHS. Height 46,5 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
83. Carl–Harry Stålhane, a stoneware floor vase, Rörstrand, Sweden 1950–60’s. Blue glaze. Signed R SWEDEN CHS SGB. Height 61 cm. Exhibitions: Petter Eklund, ’Stålhane’, Carlssons 2006, see the model illustrated p 44.
Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400
84. Carl–Harry Stålhane, a stoneware vase, Rörstrand, Sweden 1950–60’s. Spotted glaze in blue and brown, signed SWEDEN CHS SDA. Height 52 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
85. Åke Holm, a stoneware sculpture of Moses, Höganäs, Sweden 1950’s. Glazed in brown, beige and blue, signed ÅKE Holm, height 51 cm. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
86. Tyra Lundgren, a stoneware sculpture of a bird, Sweden 1967. Partly glazed, signed TL 67. Height 20,5 cm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
87. Tyra Lundgren, a stoneware sculpture of a sittlng eagle owl, Gustavsberg, Sweden 1950’s. Partly glazed in different hues of beige, signed with the seals of Tyra Lundgren and GUSTAVSBERG. Height 37 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
111. Eva Hild, an engobed stoneware sculpture ‘Loop 319’.
88. Tyra Lundgren, a stoneware wall sculpture, Sweden 1956. Three birds in high relief, partly glazed. Stamped TYRA LUNDGREN and signed 23/5 1956 TL. 49 x 36 cm, depth ca 8,5 cm. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
89. Hertha Hillfon, a glazed ceramic sculpture, Sweden ca 1960, provenance Hertha Hillfon. Glazed in red, dimensions ca 22 x 28 cm, height 47 cm. Provenance: Hertha Hillfon, thence by descent. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
90. Hertha Hillfon, a terracotta sculpture, Sweden, provenance Hertha Hillfon. Measurements 56,5 x 30 cm, height 65 cm. Provenance: Hertha Hillfon, thence by descent. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
91. Hertha Hillfon, a ceramic sculpture of a deer’s head, 1960. Glazed in beige, brown and orange, signed HILLFON 1960. Height ca 30 cm, length ca 25 cm. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
92. Kerstin Hörnlund, a stoneware sculpture ’Organic housing’. Signed Kerstin H. Height 75 cm, ca 35 x 33 cm. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
93. Mari Simmulson, a faience dish, Ekeby Ateljé, Sweden 1950. Painted polychrome decoration of a face, signed and dated 1950 (or 1951), diameter 46 cm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
94. Hans Hedberg, a faience sculpture of an apple, Biot, France. Glazed in red, green and yellow, signed HHg, height 12 cm. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
95. Hans Hedberg, a group of three faience scuptures of eggs, Biot, France. Spotted white glaze, interor in blue/ green and red/ green, signed HHg, height 9, 11,5 and 20 cm including black painted metal stands. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
96. Hans Hedberg, a faience sculpture of an egg, Biot, France. White spotted glaze, interior in red and yellow hues, signed HHg, height 24 cm, including black painted metal stand. (d)
Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
97. Hans Hedberg, a faience sculpture of an apple, Biot, France. Yellow glaze, signed HHg. Height 21 cm. (d)
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
98. Hans Hedberg, a faience sculpture of an apple, Biot, France. Red glaze, signed HHg, height 12 cm. Provenance: Bought directly from the artist. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
99. Hans Hedberg, a faience sculture of an egg, Biot, France. Green spotted glaze, signed HHg, total height including black painted metal stand 23,5 cm. (d)
Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
100. Hans Hedberg, a group of four faience sculptures of eggs, Biot, France. Different spotted glazes in turquoise, orange, brown and green, signed HHg, height ca 11,5, 15 and 19 cm, including black painted metal stands. (d)
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
101. Hans Hedberg, a faience sculpture of an apple, Biot, France. Glazed in red, orange, green and yellow, signed HHg. Height 20,5 cm. (d)
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
102. Hans Hedberg, a faience sculpture of an egg, Biot, France. White and beige spotted glaze, interior glazed in green and yellow hues. Signed HHg, height 15 cm including black painted metal stand. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
103. Hans Hedberg, a faience sculpture of an egg, France. Spotted glaze in green and yellow, interior in red and brown hues, signed HHg, height 23,5 cm including black painted metal stand. (d)
Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400
104. Hans Hedberg, a faience sculpture of an apple, Biot, France. Spotted glaze in red and green, signed HHg, height 12 cm. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
105. Hans Hedberg, a faience sculpture of an apple, Biot, France. Yellow glaze, signed HHg, height 12 cm. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
Rut Bryk 118, a stoneware sculpture, 115. a stoneware sculpture, 114. a stoneware sculpture.
106. Hans Hedberg, a faience sculpture of an egg, Biot, France. Glazed in spotted light and dark green hues, interior in yellow and green, signed HHg. Height 19,5 cm, including black painted metal base. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
107. Hans Hedberg, a group of three faience sculptures of eggs, Biot, France. Spotted glazes on turquoise, blue/grey and red, signed HHg, height 11 and 15 cm, including black painted metal stands. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
108. Ulla & Gustav Kraitz, a glazed stoneware sculpture of a female torso, Fogdarp, Förslöv, Sweden. Blue glaze, height 93,5 cm. (d)
Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580
109. Ulla & Gustav Kraitz, a stoneware sculpture of a horse’s head, Fogdarp, Förslöv, Sweden. Sang de boeuf glaze, height ca 56 cm. (d)
Estimate: SEK 40 000 – 60 000 / EUR 3 720 – 5 580
110. Ulla & Gustav Kraitz, a large stoneware sculpture of a horse, Fogdarp, Förslöv. Sang de boeuf glaze, height ca 132 cm, length ca 117 cm, width ca 36 cm. (d)
Estimate: SEK 125 000 – 150 000 / EUR 11 620 – 13 940
111. Eva Hild, an engobed stoneware sculpture ’Loop 319’, Sparsör Sweden 2005. Signed 319 EVA HILD 05, ca 52 x 44 cm, height ca 32 cm. (d)
Estimate: SEK 100 000 – 150 000 / EUR 9 300 – 13 940
112. Michael Schilkin, a stoneware sculpture of an owl, Arabia, Finland ca 1960. Glazed in brown and beige, signed Schilkin. Height 31,5 cm. Provenance: Reportedly bought directly from the artist. Literature: Tuija Tervo, ’Michael Schilkin 1900–1962’, Förlagsaktiebolag W. Hagelstam, compare similar sculptures illustrated from the Arabia exhibition hall at Esplanaden, 1960, p 25, also compare similar sculptures at the Arabia museum, illustrated p 61. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1400 – 1860
113. Michael Schilkin, a large stoneware sculpture of a hunting tiger, Arabia, Finland 1940’s. Glazed in grey hues and brown, inpressed maker’s mark M. Schilkin Arabia. Length ca 69,5 cm, width ca 29,5 cm, height ca 17 cm. Provenance: Aquired probably in the 1940’s, thence by descent. (d)
Estimate: SEK 125 000 – 150 000 / EUR 11 620 – 13 940
114. Rut Bryk, a stoneware sculpture, Finland ca 1960. Square with a relief pattern, partly glazed in green and blue, signed BRYK, 19 x 19 cm, height 3 cm. Literature: Harri Kalha, ’Rut Bryk’, Espoo Museum of Modern Art, 2nd edition, 2016, compare similar ’ashtrays’ illustrated pp 216–217. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
115. Rut Bryk, a stoneware sculpture, Arabia, Finland, 1950–60’s. Decorated with a graphic relief pattern i turquoise, black, green and pink, signed BRYK, 31 x 31 cm, depth ca 6,5 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
116. Rut Bryk, a ’Mother and Child’ stoneware sculpture, Finland ca 1953. Decorated with a relief pattern, glazed in blue and yellow, black and brown. Signed BRYK 444, height 31,5 cm. Literature: Harri Kalha, ’Rut Bryk’, EMMA, Espoo Museum of Modern Art 2016, compare similar ’Mother and Child’ figures, one from Collection Kakkonen, illustrated p 143. (d)
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
117. Rut Bryk, a stoneware plaque, Arabia, Finland 1963. Signed BRYK and to the reverse BRYK SHOK 63, F, measurements 24,5 x 23 cm. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
113. Michael Schilkin, a large stoneware sculpture of a hunting tiger.
112. Michael Schilkin, a stoneware sculpture of an owl.
118. Rut Bryk, a stoneware sculpture, Arabia, Finland 1950–60’s. Partly glazed in turquoise, green and pink, signed BRYK, 15,5 x 15,5 cm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
119. Toini Muona, a glazed ceramic floor vase, Arabia, Finland, mid 20th century. Sang de beauf and light green glaze, signed TM underneith. Height 50,5 cm, diameter 27 cm. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
120. Toini Muona, a large stoneware vase, Finland, mid 20th century. Sang de boeuf glaze, marked with number 38 and with paper label: C/38 T. Muona Arabia Helsinki. Height 70,2 cm. (d)
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
121. Kyllikki Salmenhaara, two stoneware vases, Arabia, Finland. Glazed in brown hues, signed ARABIA KS. Height 33,3 och 35,2 cm. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
122. Birger Kaipiainen, a ceramic tray, Arabia, Finland. Glazed in yellow, green and white, signed KAIPIAINEN and stamped B.K.10, the tray 45 x 45 cm, 52 x 70,5 cm, height 48 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
123. Birger Kaipiainen, a stoneware dish, Arabia, Finland. Decorated with a pansy in violet and green against a black dotted ground, signed KAIPIAINEN ARABIA and KAIPIAINEN, 55,5 x 41 cm, height 7,5 cm. (d)
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
124. Birger Kaipiainen, a ceramic dish, Arabia, Finland 1940–50’s. Decorated with painted Commedia dell’Arte figures, signed BIRGER KAIPIAINEN ARABIA and BK ARABIA to reverse. Diameter 42 cm, height 10 cm. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
125. Birger Kaipiainen, a stoneware dish, Arabia, Finland. Decorated with a painted bird in green, yellow and black lustre glaze with modelled beads in red and black against a black and red spotted ground. Signed KAIPIAINEN, measurements 36,5 x 42 cm, height 5 cm. (d)
Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790
126. Birger Kaipiainen, a stoneware dish, Arabia, Finland. Decorated with lustre glazed flowers against a green spotted ground, signed KAIPIAINEN, 36 x 31,5 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
127. Birger Kaipiainen, a ceramic wall sculpture of a butterfly, Rörstrand, Sweden 1950’s. Decorated with faces in medallions in yellow, black and metallic glazes, signed KAIPIAINEN R, height 49, width 70, depth 6 cm. (d)
Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300
128. Birger Kaipiainen, a ceramic dish, Rörstrand, Sweden 1950’s. Decorated with sitting figures by tables with fruit and berries. Signed KAIPIAINEN R and number, metal mount to reverse, 17,5 x 47 cm. (d)
Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400
129. Birger Kaipiainen, a ceramic wall sculpture, Rörstrand, Sweden 1954–58. Glazed in yellow and black, decorated with female figures, signed, 35 x 20 cm. (d)
Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400
130. Birger Kaipiainen, a ceramic sculpture of a horse with rider, Rörstrand, Sweden 1950’s. Richly decorated with painted medallions with faces, clocks, etc. Signed KAIPIAINEN R, height 39.8 cm, length 23 cm, width 13,5 cm. Literature: Maria Berg, ’Kaipiainen’, Keuruu, Finland 1986, compare similar sculpture illustrated, p 50. This motif also appears on the poster published by Rörstrand’s Museum in the summer of 1985 for the exhibition ’Kaipiainen 70 years’. (d)
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
131. Birger Kaipiainen, a ceramic dish, Rörstrand, Sweden 1950’s. Decorated with a female figure sitting by a table with fruit and flowers, signed KAIPIAINEN R, 26 x 43 cm, depth 4 cm. (d)
Estimate: SEK 18 000 – 20 000 / EUR 1 680 – 1 860
132. Birger Kaipiainen, a stoneware dish, Arabia, Finland. Signed KAIPIAINEN ARABIA, diameter 26 cm. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
133. Birger Kaipiainen, a stoneware dish, Arabia, Finland. Signed KAIPIAINEN ARABIA, 23 x 25 cm. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
134. Aune Siimes, a stoneware bowl, Arabia, Finland. Geometric decoration in grey and white, signed AS ARABIA. Diameter 19,5 cm, height 10 cm. (d)
Estimate: SEK 4 000 – 5 000 / EUR 380 – 470
135. Axel Salto, a stoneware ’budding style’ stoneware vase, Denmark, dated 2/8 1933. Signed SALTO and 2–8–33 i underglaze blue. Height 16 cm, diameter ca 18 cm. (d)
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
127. Birger Kaipiainen, a ceramic wall sculpture of a butterfly.
136. Axel Salto, a ’Sung glaze budding style’ stoneware vase, Royal Copenhagen. Denmark 1958. Glazed in brown and green hues, signed SALTO, model number and the three waves in underglaze blue, green factory mark. Height 20 cm. Estimate: SEK 40 000 – 60 000 / EUR 3 720 – 5 580
137. Axel Salto, a ’Sung glaze budding style’ stoneware bowl, Royal Copenhagen, Denmark. Glazed in brown and green hues, signed SALTO, 20566 and the three waves in underglaze–blue, stamped DENMARK in green. Diameter 12,5 cm, height 7,5 cm. Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
138. Axel Salto, a stoneware ’Sung glaze budding style’ vase, Royal Copenhagen, Denmark 1964. Glazed in brown, beige and green hues. Signed SALTO, 20564 and ’the three waves’ in underglaze blue, green factory mark, height 17 cm, diameter 7 cm. (d)
Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
139. Axel Salto, a ’Sung glaze budding style’ stoneware vase, Royal Copenhagen, Denmark 1956. Glazed in brown and green hues, signed 20708 SALTO, green factory mark and ’the three waves’ in underglaze blue. Height 19 cm, diameter ca 13,5 cm. (d)
Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720
140. Sandra Davolio, a stoneware vase, Denmark 2000’s. Beige glaze, signed ’S’. Height 74,5 cm. (d)
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
141. Pablo Picasso, a ’Nature morte à la cuiller’ dish, Madoura, Vallauris, France post 1952, A Ramié 163. Relief decoration with date 22.12.52, stamped MADOURA PLEIN FEU EMPREINTE ORGINALE DE PICASSO and marked E. 100 41/100, measurements 33,5 x 33 cm. Literature: A. Ramié, nr 163, p 90. (d)
Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720
142. Pablo Picasso, a ’Grosse tête, profil droit’ ceramic sculpture, Madoura, Vallauris, France post 1965, A. Ramié 536.
143. Pablo Picasso, a ’Footballeur’ ceramic sculpture, Madoura, Vallauris, France post 1965, A. Ramié 538.
Signed EDITION PICASSO 11/50 MADOURA, height 30,5 cm including wooden stand.
Provenance: Sydsvenska Dagbladet art collection, Malmö, Sweden. Literature: A. Ramié, no 538, p 267. (d)
Provenance: Sydsvenska Dagbladet art collection, Malmö, Sweden. Literature: A. Ramié, no 536, p 267. (d)
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
144. Pablo Picasso, a faience dish ’Visage dans un ovale’, Madoura, Vallauris, France post 1955, A Ramié 273. Sgned 57/100, stamped MADOURA PELIN FEU, EMPREINTE ORIGINALE DE PICASSO. 40 x 33 cm.
145. Pablo Picasso, a ’Visage no 179’ faience dish, Madoura, Vallauris, France, post 1963, A Ramié 490. Decorated in green, blue, black and red. Signed No 179 EDITION PICASSO 33/150 MADOURA, diameter 25,3 cm.
(d)
Literature: A. Ramié, no 490, p 250. (d)
Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300
Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580
146. Pablo Picasso, a faience ’Picador’ dish, Madoura, Vallauris, France, A.R., variant of no 160, post 1952. Signed EDITION PICASSO and stamped MADOURA PLEIN FEU. 21 x 21 cm. Literature: A. Ramié, compare no 160, circular dish with the same motif, p 89. (d)
Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
147. Pablo Picasso, a faience bowl ’Oiseau au ver’, Madoura, Vallauris, France post 1952, A Ramié 172. Decorated with a bird in black and green against white. Signed EDITION PICASSO and stamped with maker’s mark. Diameter 15,5 cm, height 4 cm. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
148. Pablo Picasso, a ’Visage de femme’ faience dish, Vallouris, Madoura, France post 1953, A Ramié 220. A female face in blue, green and white against black, stamped MADOURA PLEIN FEU EDITION PICASSO, 39 X 32 cm. (d)
Estimate: SEK 100 000 – 150 000 / EUR 9 300 – 13 940
149. Georg Jensen, an 830/1000 silver fish serving platter.
149. Georg Jensen, an 830/1000 silver fish serving platter, Copenhagen 1918, Swedish import marks, design nr 206. Floral ornaments. Length 58 cm, weight 2240 g. Provenance: Carl–Erik Björkegren’s collection. Private Swedish collection.
Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
150. Johan Rohde, a set of 133 pieces of ’Acorn’ sterling and stainless steel flatware, Georg Jensen, Copenhagen post 1945. 12 dinner spoons 12 dinner forks 12 dinner knives (the handle 12,5 cm) 12 dessert spoons 12 luncheon forks 12 luncheon knives 12 fish forks 12 fish knives 1 pair of fish servers 1 soup ladle 12 cake forks 1 cake knife 12 tea spoons 1 pair of salad servers (parts of stainless steel) 1 pair of salad servers 4 different size serving forks 1 marmalade spoon Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
151. Georg Jensen, a 830/1000 silver ’Blossom’ tray, Copenhagen 1920, Swedish import marks GAB F. Design nr 2, measurements 30 x 24 cm, weight 515 g. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
152. Georg Jensen, a ’Blossom’ sugarbowl and creamer, Copenhagen 1919–21, 830/1000 silver. Design nr 100 and 2, height 8 cm, the creamer length 13 cm, total weight ca 270 g. Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
153. Tias Eckhoff, a set of 112 pcs of sterling silver and stainless steel ’Cypress’ flatware, Georg Jensen, Copenhagen. 12 dinner knives (l 22 cm) 12 dinner forks (l 19 cm) 12 dinner spoons (l 21 cm) 12 luncheon knives (l 20 cm) 12 luncheon forks (l 17,5 cm) 12 dessert spoons (l 18 cm) 12 coffee spoons (l 11,5 cm) 12 cake forks (l 15 cm) 6 butter knives, 3 servings forks (l 12–21 cm) 1 potato spoon 1 sauce ladle 1 cake server 1 cake knife 1 bottle opener 1 pair of salads servers (l 20 cm) Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
154. Vivianna Torun Bülow–Hübe, a sterling and amethyst necklace, Georg Jensen, Denmark, design nr 167 and 136. The pendant with eight drop–shaped amethysts. The necklace with inner circumference 49 cm, height of the pendant 10 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
155. Tapio Wirkkala, a set of 6 silver candlesticks (three pairs), Kultakeskus OY, Hämeenlinna, Finland 1978–87. Maker’s marks, Swedish import marks. Height 14,5 cm, 18 cm and 23 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
156. Tapio Wirkkala, an 830/1000 silver vase Kultakeskus OY, Hämeenlinna, Finland 1970. Swedish import marks, asymmetrical shape. Height 21 cm, weight 495 g. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
157. Atelier Borgila, a sterling silver mirror glass centerpiece, Stockholm 1949. In three sections, total measurements 72 x 40 cm, height 3 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
158. Wiwen Nilsson, a pair of sterling candlesticks, Lund, Sweden 1949. Cylindrical leg, square foot, maker’s mark Y8, height 16 cm, total weight 330 g. (d)
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
159. Wiwen Nilsson, a crucifix pendant and chain, sterling silver with facet cut rock crystal and onyx, Lund, Sweden 1935. Maker’s marks L8. The pendant 6,5 x 3,3 cm, the chain 60 cm. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
160. Wiwen Nilsson, a sterling a facet cut rock crystal collier, Lund, Sweden 1944. Maker’s mark S8, height of pendant 3,5 cm (rock crystal 2,5 x 1,8 cm), chain length 60 cm. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
161. Wiwen Nilsson, a sterling and facet cut rock crystal ring, Lund, Sweden, 1950. Maker’s mark Z8, ring size ca 19,25/ 60. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
162. Wiwen Nilsson, a pair of sterling candlesticks, Lund, Sweden 1948 and 1956. Height 11 cm, total weight 385 g. (d)
Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790
163. Wiwen Nilsson, a sterling silver hexagonal vase, Lund, Sweden 1965. Height 23, weight 475 g. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
164. Wiwen Nilsson, a pentagonal lidded sterling jar, Lund, Sweden 1965. The lid with relief decoration of a pheasant. Height 9,5 cm weight 290 g. Original box enclosed. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
165. Wiwen Nilsson, a sterling bangle with a facet cut rock crystal, Lund, Sweden 1966. Rock crystal 2,5 x 1,5 cm, inner circumference 16 cm. (d)
Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
166. Wiwen Nilsson, a sterling and rock crystal necklace, Lund, Sweden 1965. Diameter rock crystal ca 3 cm, chain length 58 cm. Box enclosed. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
167. Wiwen Nilsson, a sterling silver ring with facet cut rock crystal, Lund, Sweden 1966. Size 17,5/55. (d)
Estimate: SEK 5 000 – 8 000 / EUR 470 – 750
168. Sigvard Bernadotte, a sterling silver bowl, Sigvard Bernadotte Design, Helsingborg, Sweden 1982. Maker’s marks Göran Månsson, Guldvarufabriken AB. Diameter 28 cm, height 15 cm, weight 1100 g. Provenance: Carl–Eric Björkegren’s collection. Private Swedish collection. Exhibitions: The National Museum, Stockholm, ’Design Sigvard Bernadotte’ 5 December 1997 – 15 March 1998 (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
169. Rey Urban, an 18k red gold bracelet, Stockholm 1967. Square links, total length 19,5 cm, weight 63,5 g. (d)
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
170. Kristian Nilsson, a sterling silver vase, Stockholm 1978. Asymmetrically shaped. Height 17 cm, length 12 cm, weight 520 g. (d)
Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400
171. Heinz Decker, a sterling silver sugar castor, Stockholm 1977. Height 20 cm, weight 360 g. Provenance: Bought at Nutida Svenskt Silver, Stockholm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
172. Hubert Hydman, a pair of sterling candlesticks, Stockholm 1988. Height 17 cm, total weight 245 g. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
173. Rolf Karlsson, a sterling silver and glass bowl, Enköping (Grillby), 1996. Sterling bowl framed by polychrome fused glass, height 9 cm, diameter 30 cm. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
174. Vivianna Torun Bülow–Hübe, a sterling silver and mother of pearl necklace and brooch, executed in her own workshop, 1970–80’s. Both marked TORUN STERLING, the neck part with inner circumference 44 cm, the brooch with Swedish import marks, brooch length 5 cm. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
175. Fredrik Ingemansson, a sterling monocular, Stockholm 1998, 25 x 30 mm. Length 14,5 – 21 cm, total weight 400 g. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
176. Theresia Hvorslev, a sterling silver vase with lapis lazuli, Lidköping, Sweden 2003. Elliptical, height 17 cm, weight 595 g. Provenance: Bought at Nutida Svenskt Silver, Stockholm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
177. Rolf Lindståhl, a sterling pitcher executed in Stockholm 2004. Height 14,5 cm, weight 495 g. (d)
Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400
178. Malte Ström, a sterling collier, Stockholm 2001. Ball shaped links, each with a labradorite within, length 47 cm. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
179. Prins Carl Philip Bernadotte, a sterling silver vase, Guldsmedsaktiebolaget, Stockholm 2011. Oval shaped. Height 20 cm, weight 565 g. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
218. Ann–Mari Lindbom, a tapestry, ‘Valdemarsskatten’.
187. Barbro Nilsson, a carpet, ‘Gröningen’.
The Märta Måås–Fjetterström atelier’s 100 year jubilee Märta Måås–Fjetterström founded her atelier in Båstad 1919. Since then, Måås–Fjetterström and her studio have become world–famous. There is no other textile artist in the 20th century who has had such an impact on textile and carpet art as Måås–Fjetterström. Constantly taking her designs to new levels makes Märta Måås–Fjetterström an unique artist. She took inspiration from a wide range of eras and styles, from old Nordic ornaments, medieval patterns, ancient legends, folk art, art nouveau, to colourful Oriental carpets and art deco. There is no other textile artist with such a wide variety of motives in carpet, tapestry and textile designs as Märta Måås–Fjetterström. Among Måås–Fjetterström’s skills were her ability to see the effect her designs would have on people. To her, a carpet was a piece of art in itself, not just an interior decoration. While Märta Måås–Fjetterström was a master of patterns, her successor, Barbro Nilsson’s strenght was in colours and her way of combining them. Barbro Nilsson also managed to enrol several textile artists to the studio, such as Marianne Richter. Among the artists who worked in the studio were also Barbro Sprinchorn, Ann–Mari Forsberg and Kaisa Melanton. Bukowskis congratulates Märta Måås–Fjetterström AB on the 100 year jubilee!
180. Märta Måås–Fjetterström, a carpet, ‘Hästhagen’, knotted pile, ca 246 x 165 cm, signed AB MMF. ‘Hästhagen’ was designed for the Gothenburg exhibition in 1923. Woven after 1941. Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och vävverkstaden i Båstad, Stockholm 1968, colour plate opposite page 33; Millesgårdens utställnings– katalog nr 20: Märta Måås–Fjetterström, Stockholm 1989, No. 9, colour plate page 16; Persson, Angelica: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 71; Skrifter från Kungl. Husgerådskammare 20, NisserDalman, Margareta, Stockholm 2019, No. 50, page 60.
Estimate: SEK 40 000 – 60 000 / EUR 3 720 – 5 580
181. Märta Måås–Fjetterström, a carpet, ‘Svarta trädgårdsmattan’, knotted pile, ca 348 x 219–220,5 cm, signed AB MMF. (AB Märta Måås–Fjetterström). Designed in 1923. Woven after 1941.
182. Märta Måås–Fjetterström, a carpet, ‘Steninge’, knotted pile, ca 311 x 204 cm, signed AB MMF.
Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och vävverkstaden i Båstad, Stockholm 1968, colour plate opposite page 32; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta MååsFjetterström, Värnamo 2009, colour plate page 79, 104–105; Persson, Angelica: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås– Fjetterström, Båstad/Mölndal 2019, colour plates pages 60–61; Skrifter från Kungl. Husgeråds– kammare 20, NisserDalman, Margareta, Stockholm 2019, No. 55, page 60.
(AB Märta Måås–Fjetterström). Designed in 1926. Woven after 1941.
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och vävverkstaden i Båstad, Stockholm 1968, plate page 19; Liljevalchs konsthalls katalog: Märta Måås– Fjetterström, Märta flyger igen, 90 år med Märta MååsFjetterström, Värnamo 2009, colourplate page 107; Persson, Angelica: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta MååsFjetterström, Båstad/Mölndal 2019, colour plate page 75.
184. Barbro Nilsson, a carpet, ‘Gröna rabatten’, knotted pile, ca 329,5 x 229,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1944.
(AB Märta Måås–Fjetterström). Designed in 1931. Woven after 1941.
Provenance: Carl–Erik Björkegren’s collection. Private Swedish collection. Literature: Compare with Märta Måås–Fjetterström och verkstaden i Båstad, Stockholm 1951, plate 28; Plath, Iona: The Decorative Arts of Sweden, New York 1966, plate page 46; Harrison Beer, Eileena: Scandinavian Design, USA 1976, plate page 134; Liljevalchs konsthalls katalog: Märta MååsFjetterström, Märta flyger igen, 90 år med Märta Måås– Fjetterström, Värnamo 2009, colour plate pages 146–147. (d)
Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790
Estimate: SEK 80 000 – 120 000 / EUR 7 440 – 11 160
183. Märta Måås–Fjetterström, a carpet, ‘Blåringen’, knotted pile, ca 251 x 150–157 cm, signed AB MMF.
185. Marianne Richter, a carpet, ‘Gula trädet’, knotted pile, ca 199,5 x 135 cm, signed AB MMF MR. (AB Märta Måås–Fjetterström, Marianne Richter). Designed in 1945. Literature: Compare with Mattor och Vävnader – Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, AnnMari Forsberg, Båstad 1956, plate page 30; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 167.
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
186. Barbro Nilsson, a carpet, ‘Nellicka’, knotted pile, ca 110,5 x 73 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1950. (Rare). Compare with Bukowskis, Modern Art + Design 598, # 201. Literature: Compare with FORM Svenska Slöjdföreningens Tidskrift 9/10 1951, Röda salongen på hotell Malmen i Stockholm, plate page 183. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
187. Barbro Nilsson, a carpet, ‘Gröningen’, knotted pile, ca 604,5 x 361,5–366 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1954. (Rare). Literature: Compare with Mattor Vävnader, Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, Ann–Mari Forsberg, Barbro Sprinchorn, Stockholm the 1960’s, plate page 16. (d)
Estimate: SEK 200 000 – 250 000 / EUR 18 590 – 23 240
188. Barbro Nilsson, a carpet, ‘Gråingen Juliana’, knotted pile, ca 255,5 x 197 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1954. The pattern is in a variety of light grey, pale yellow and light brown nuances. Literature: Compare with Mattor Vävnader, Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, AnnMari Forsberg, Barbro Sprinchorn, Stockholm the 1960's, plate page 16.Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 74. (d)
Estimate: SEK 70 000 – 80 000 / EUR 6 510 – 7 440
189. Barbro Nilsson, a carpet, ‘Bankrabatten grön’, knotted pile, ca 246 x 211,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1966. Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 156.
Estimate: SEK 50 000 – 80 000 / EUR 4 650 – 7 440
190. Barbro Nilsson, a carpet, ‘Bankrabatten blå’, knotted pile, ca 235,5 x 111 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1966. Provenance: The First prize in Industrilotteriet, Malmö, at the first part of the 1970’s. Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås– Fjetterström, Värnamo 2009, colour plate page 156.
Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790
191. Märta Måås–Fjetterström, a carpet, ‘Rutig röd halvflossa’, knotted pile in relief, ca 258 x 153,5 cm, signed MMF. (Märta Måås–Fjetterström). Designed in 1938. Woven before 1942. Literature: Compare with Liljevalchs konsthall: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 135.
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
192. Märta Måås–Fjetterström, a carpet, ‘Rutig vit halvflossa’, knotted pile in relief, ca 196 x 132,5 cm, signed AB MMF. (AB Märta Måås–Fjetterström). Designed in 1938. Woven after 1941. Literature: Compare with Liljevalchs konsthall: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 135.
Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
207. Barbro Nilsson, a carpet, ‘Salerno blå’.
193. Barbro Nilsson, a carpet, ‘Gyllenrutan, ljus’, knotted pile in relief, ca 203 x 180,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1945. Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås– Fjetterström, Värnamo 2009, colour plate page 148.
Estimate: SEK 50 000 – 80 000 / EUR 4 650 – 7 440
194. Barbro Nilsson, a carpet, ‘Gyllenrutan grön’, knotted pile in relief, ca 252,5 x 177 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1945. Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås– Fjetterström, Värnamo 2009, colour plate page 148.
Estimate: SEK 40 000 – 60 000 / EUR 3 720 – 5 580
195. Barbro Nilsson, a carpet, ‘Snäckorna’, tapestry weave, ca 307 x 194 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1943. Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, plate 48; af Klercker, Susanne: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 182; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås– Fjetterström, Värnamo 2009, colour plate page 145.
Estimate: SEK 65 000 – 70 000 / EUR 6 040 – 6 510
196. Ann–Mari Lindbom, gift Forsberg, a carpet, ‘Stammen’, a tapestry variant, ca 270,5 x 186,5 cm, signed AB MMF AML.
197. Barbro Nilsson, a carpet, ‘Nejlikan blå’, flat weave, ca 281,5 x 213,5–217,5 cm, signed AB MMF BN.
(AB Märta Måås–Fjetterström, Ann–Mari Lindbom, married Forsberg). Designed in 1949. (Rare).
(AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1950. (Rare in blue colours).
Literature: Compare with Märta Måås–Fjetterström AB – Workshop and showroom at Båstad, plate page 4. (d)
Estimate: SEK 25 000 – 35 000 / EUR 2 330 – 3 260
Literature: Compare with skisser Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/ Barcelona 1977, colour plate page 79; af Klercker, Susanne: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 184; Liljevalchs konsthalls katalog: Märta Måås– Fjetterström, Märta flyger igen, 90 år med Märta Måås Fjetterström, Värnamo 2009, colour plate page 152. (d)
Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580
199. Barbro Nilsson, a carpet, ‘Solfläckar’, flat weave, ca 308,5 x 206 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1966.
198. Marianne Richter, a carpet, ‘Rubirosa, grön’, flat weave, ca 243,5 x 175 cm, signed AB MMF MR. Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, plate 71.
Literature: Lundgren, Tyra: Märta Måås–Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, colour plate opposite page 80; Nationalmusei utställningskatalog 308: verkstad Måås– Fjetterström, Stockholm 1967, No. 31, plate page 13; Liljevalchs konsthalls katalog: Märta Måås– Fjetterström, Märta flyger igen, 90 år med Märta MååsFjetterström, Värnamo 2009, colour plate pages 156–157. (d)
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
(AB Märta Måås–Fjetterström, Marianne Richter). Designed in 1958.
200. Märta Måås–Fjetterström, a carpet, ‘Höstmattan’, flat weave, ca 281 x 180,5–182,5 cm, signed AB MMF. (AB Märta Måås–Fjetterström). Designed in 1918. Woven after 1941. Literature: Compare with Millesgårdens utställningskatalog No. 20: Märta Måås–Fjetterström, Stockholm 1989, No. 15, colour plate page 18.
Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790
201. Märta Måås–Fjetterström, a carpet, ‘Blå heden’, flat weave, ca 258 x 180 cm, signed AB MMF. (AB Märta Måås–Fjetterström). Designed in 1931. Woven after 1941. A label at the back. Literature: Compare with Märta Måås–Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 6; ICA bokförlag: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 178; Liljevalchs konsthalls katalog: Märta MååsFjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate pages 66–69.
Estimate: SEK 50 000 – 70 000 / EUR 4 650 – 6 510
202. Märta Måås–Fjetterström, a carpet, ‘Bruna heden’, flat weave, ca 304,5 x 201 cm, signed AB MMF. Designed in 1931. According to the owner woven 1974–75. Literature: Compare with Märta Måås–Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 6; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate pages 66–69.
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
203. Märta Måås–Fjetterström, a carpet, ‘Porslinsmattan’, flat weave, ca 354,5 x 272,5 cm, signed AB MMF.
204. Märta Måås–Fjetterström, a carpet, ‘Ljusa plador’, flat weave ca 220,5 x 159 cm, signed AB MMF.
(AB Märta Måås–Fjetterström). Designed in 1932. Woven after 1941.
Designed in 1933. Woven after 1941.
Estimate: SEK 40 000 – 60 000 / EUR 3 720 – 5 580
Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790
205. Märta Måås–Fjetterström, a carpet, ‘Blå Esset’, flat weave, ca 248,5 x 191,5 cm, signed AB MMF. (AB Märta Måås–Fjetterström). Designed in 1934. Woven after 1941.
206. Märta Måås–Fjetterström, a carpet, ‘Blåplump’, flat weave, ca 301,5 x 202 cm, signed AB MMF. (AB Märta Måås–Fjetterström). Designed in 1937. Woven after 1941. One ‘Blåplump’ was exhibited at the New York Expo in 1937.
Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och vävverkstaden i Båstad, Stockholm 1968, colour plate opposite page 64; Liljevalchs konsthalls katalog: MärtaMåås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 82.
Literature: Jämför Mattor och Vävnader – Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, Ann–Mari Forsberg, Stockholm 1957, plansch sid 13; Millesgårdens utställningskatalog nr 20: Märta Måås–Fjetterström, Stockholm 1989, nr 14; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, färgplansch sid 133.
Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790
Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
214. Ann–Mari Lindbom, ‘Ann–Maris röda’.
207. Barbro Nilsson, a carpet, ‘Salerno blå’, flat weave, ca 425–429,5 x 278–281 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1948. The pattern was designed for the chapel in Salerno, Italy. Literature: Compare with Yashar, Nazanin, Nilufar Tappeti Antichi: Tappeti Svedesi e Mobili Scandinavi Anni 1920–1960, Milano 1998, colour plate page 39; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 151.
Estimate: SEK 80 000 – 125 000 / EUR 7 440 – 11 620
208. Barbro Nilsson, a carpet, Schackrutan grön’, flat weave, ca 267 x 206,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1950. (Not common). (d)
Estimate: SEK 40 000 – 60 000 / EUR 3 720 – 5 580
209. Barbro Nilsson, a carpet, ‘Falurutan, röd Borås’, flat weave, ca 303 x 210,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1952. Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 68; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 153.
Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580
210. Barbro Nilsson, a carpet, ‘Falurutan, blå’, flat weave, ca 233,5 x 168,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1952. Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 68; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 153.
Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720
211. Barbro Nilsson, a carpet, ‘Falurutan, röd Borås’, flat weave, ca 210 x 141 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1952. Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 68; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 153.
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
212. Märta Måås–Fjetterström, a carpet, ‘T.matta’, a rag rug, flat weave, ca 204,5 x 111–113 cm, signed MMF. Designed in 1934. Woven before 1942. Wide polychrome stripes. Literature: Liljevalchs konsthall’s catalogue: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 125.
Estimate: SEK 15 000 – 18 000 / EUR 1 400 – 1 680
213. Barbro Nilsson, a carpet, ‘Rosengång med blå rand’, flat weave, ca 164,5 x 99,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1943. Literature: Compare with af Klercker, Susanne: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 182; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen! 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 144.
Estimate: SEK 15 000 – 18 000 / EUR 1 400 – 1 680
214. Ann–Mari Lindbom, a carpet, ‘Ann–Maris röda’, knotted pile, ca 311,5 x 201 cm, signed AB MMF AML. (AB Märta Måås–Fjetterström, Ann–Mari Lindbom, married Forsberg). Designed in 1944. (Rare). (d)
Estimate: SEK 70 000 – 80 000 / EUR 6 510 – 7 440
215. Barbro Nilsson, a carpet, ‘Marina, grön’, knotted pile, ca 310 x 226 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1956. Probably made without fringes. Literature: Compare with Nationalmusei utställningskatalog 308: verkstad Måås–Fjetterström, Stockholm 1967, No 31, plate page 11.
Estimate: SEK 50 000 – 70 000 / EUR 4 650 – 6 510
216. Barbro Nilsson, a carpet, ‘Marina, ljus’, knotted pile, ca 305 x 151 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1956. Literature: Compare with Nationalmusei utställningskatalog 308: verkstad Måås–Fjetterström, Stockholm 1967, No 31, plate page 11.
Estimate: SEK 18 000 – 20 000 / EUR 1 680 – 1 860
217. Marianne Richter, a carpet, ‘Rutig brokig rya’, knotted pile, ca 112 x 88 cm, signed AB MMF MR. (AB Märta Måås–Fjetterström, Marianne Richter). Designed in 1969. (Rare). (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
218. Ann–Mari Lindbom, a tapestry, ‘Valdemarsskatten’, a tapestry variant, ca 223 x 178,5–180,5 cm, signed AB MMF AMF. (AB Märta Måås–Fjetterström, Ann–Mari Forsberg, born Lindbom). Designed in 1955. (Very rare). Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, plate 66. (d)
Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
219. Sven X:et Erixson, a tapestry, tapestry weave, after a cartoon by the Swedish painter Sven X:et Erixson, translated into a weave by Barbro Nilsson. Ca 143 x 407 cm. A polychrome modernistic composition. The painter Sven X:et Erixson executed the cartoon for this tapestry in 1960–61. The tapestry was woven for Margarinbolagets head office, Stockholm, (Strandbergsgatan 20). A label comes with this lot: Vävd efter kartong av Sven Erixson på Barbro Nilssons verkstad N. Smedjegatan 21, Stockholm, av Kerstin Fredrikson och Edith Johansson 1961–1962. (Unique). Literature: Compare with Konstrevy 1961, Stockholm 1961, Prydnad för kontor, text pages 144–145 and 160, plate page 144; Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/ Barcelona 1977, text page 100. (d)
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
220. Sigvard Bernadotte, a carpet, knotted pile, ca 236,5 x 170–172,5 cm, signerad SB T (Sigvard Bernadotte, Fru Trolles Vaevestue). A dark blue ground with stylized stars in ivory, pink and yellow. (d)
Estimate: SEK 16 000 – 18 000 / EUR 1 490 – 1 680
221. Sigvard Bernadotte, a carpet, flat weave, ca 205,5 x 135,5 cm, signed SB (Sigvard Bernadotte). Woven at Nils Nessims Textilateljéer, in the 1940’s–1950’s. Literature: Compare with Om Sigvard Bernadottes kompositioner för mattor, tyger, plast och papper Nordenfelt, Amelie: Något om Sigvard Bernadottes designverksamhet, kandidatuppsats vid Lunds universitet vt 1999. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
222. Edna Martin, a carpet, ‘Flickorna i fönstret’, flat weave, ca 252 x 202 cm, signed SH (Svensk Hemslöjd). Designed by Edna Martin in 1956. (d)
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
223. Agda Österberg, a carpet, ‘Matta 232’ or a variant of it, flat weave, ca 355,5 x 245,5 cm, signed AÖ woven and. AGDA ÖSTERBERG embroidered. Large polychrome fields with geometric shapes. A light bluish grey border. Made without fringes. (d)
Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
224. Agda Österberg, A TAPESTRY, flat weave, ‘AÖ–technique’, ca 117–118 x 317,5 cm, signed AÖ (Agda Österberg). Designed and woven around 1970. Woven in a basse–lisse loom. A polychrome modernistic design with gold coloured threads. (d)
Estimate: SEK 7 000 – 9 000 / EUR 650 – 840
184. Barbro Nilsson, a carpet, ‘Gröna rabatten’:
225. Monika Bertilsson, a carpet, flat weave, ca 225 x 163 cm, signed AÖ MB, Tre Bäckar in Varnhem. (Monika Bertilsson has probably designed the pattern and Agda Österberg has approved of it). Stripe and triangle patterns in a variety of yellow nuances as well as ivory, light green, light grey and light blue. Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790
226. Lars Gynning, a tapestry, ‘La Vieille Ville’ (‘Gamla Stan’), tapestry weave, ca 115,5–117 x 213 cm, signed Gynning PF AUBUSSON. (Lars Gynning, Pinton Frères). Designed in 1956. A label at the back. Literature: Compare with Brunius, Teddy: Lars Gynning – Textila bilder, Lund 1985, plate pages 26–27. (d)
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
227. Elisabet Hasselberg–Olsson, a tapestry, ca 166 x 121 cm, signed EO (Elisabet Hasselberg–Olsson). Signed on the lining: 1984 EO. The motif reminds of ‘Minnet av ett landskap’ – which since 1983 hangs in the plenary hall of the Swedish Parliament. (d)
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
229. Auguste Ledru, a gilt–bronze vase ‘Rèverie’, Susse Frères, Paris ca 1900. 228. Gisela Trapp, in the manner of, a carved and painted wall mirror, ca 1900.
Signed Ledru and foundry mark SUSSE FRÈRES EDITEURS PARIS, M. Gilt metal liner. Height 19 cm, length 15 cm, diameter 12 cm.
The frame showing a fairytale motif with St George and the dragon, electrified, possibly later. Height 174 cm, bredd 90 cm.
Literature: Pierre Kjellberg, ‘Les Bronzes du XIXe siècle’, Les Editions de l’Amateur 1989, compare Susse Frères’s ‘Prix Courant Bronzes D’Art’, early 1900’s, ‘Ledru, 797, Vase, Rèverie, hauteur 19, longeur 15, profondeur 12’, possibly this model, p 676.
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
230. Scandinavian designer, possibly, a pair of iron and brass folding stools, 1920–30’s.
231. Alice Nordin, an Art Nouveau patinated bronze table lamp ‘Night and Morning’, Herman Bergman’s foundry, signed.
Cushions upholstered in a red patterned fabric. 68 x 48 cm, height 73 cm, seat height ca 47 cm.
Signed Alice Nordin Herman Bergman fud. Height including the original shade ca 65 cm, 41 cm excluding the shade.
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
232. Gustaf Fjaestad, an Art Nouveau carved pine table
Fjaestad 232, 233, 234, 235 (235A). Private picture from the set of furniture in situ.
The table was originally ordered by an American acquaintance of Thiel along with six carved chairs. The chairs were executed about the same time as the table in the Thiel Collection, around 1908–1909 and the table was completed in 1914. The American client unfortunately passed away before the furniture was delivered. Thus the set remained in Sweden and reportedly the set was eventually returned to Fjaestad. Ernest Thiel and his wife had earlier on visited Friedrich Nietsche's archive in Weimar and they had the opportunity to see Henry van de Velde's magni– ficent interior, including the gigantic wall–mounted sofa, executed in an Belgian Art Nouveau, which signifies the designs of van de Velde. Thiel, previously acqua– inted with Gustaf Fjaestad, decided that Fjaestad was the right person to create a Swedish interpretation of Van de Velde's sofa in his newly built villa at Djurgården, designed by Ferdinand Boberg.
returned to Fjaestad. However, he soon found a buyer in the tobacco manufacturer Erland P. Olsén in Arvika. The furniture has since been in the same family until today.
Fjaestad was commissioned to create a table and a sofa for Thiel. Fjaestad's carved furniture, with their sculptured details of acorns, pine branches and bark decoration are made in a natural romantic style rather than in a regular Art Nouveau. Thiel's sofa and table were exhibited at the Konstindustriutställningen (Art Industry Exhibition) at Djurgården in Stockholm in 1909 together with the six chairs to be sold at this auction. Possibly the original American client saw Thiel's table at the exhibition in 1909 and ordered a similar one. Fjaestad later decided to give Thiel a gift consisting of the six supplementary chairs that are currently on view at the Thielska Gallery.
Literature: H. Fr. Ahlström, "Officiell Berättelse öfver Baltiska Utställningen i Malmö 1914, Förlagsaktiebolagets i Malmö Boktryckeri, Malmö 1919, II book, p 949 the complete set of furniture to be sold is depicted on a photograph together with paintings and wall hangings by Gustaf Fjaestad. Ed. Monica Boman, ‘Svenska Möbler 1890–1990", Bokförlaget Signum, Lund 1991, pp 64–66. Agneta Fjaestad Nordmark, "Fjaestads Konst", Fjäderstad Förlag, Karlstad 1999, pp 73, 75, 77–79.
The auction table is thus a double to the Theil table and is intended to supplement the group of six chairs. The complete furniture group that is now being offered at this autumn's auction, the table and the six chairs where exhibited at the Baltic exhibition in Malmö in 1914. After that the original buyer passed away, the furniture
They have been exhibited a number of times in Sweden and also, according to family tradition, have been touring the world.
232. Gustaf Fjaestad, an Art Nouveau carved pine table, Arvika Sweden 1914, a double to the table in the Thiel Collection. Thielska Galleriet, Stockholm. Hand carved and sculptured, probably by the same craftsmen as on the previous table, Ola Eriksson, Adolf Swanson and Knut Nyman, signed GF 1914. 232 x 88 cm, height 75 cm.
Exhibitions: The Baltic Exhibition, in Malmö 1914. Panama – Pacific International Exhibition, San Francisco, 1915, reportedly there was earlier an exhibition label underneath the table from the exhibition proving this statement. Kulturen i Lund, ‘Nordiskt Ljus vid Sjön Racken samt Nutida Värmländsk Konst’, February 3rd – April 14th 1991. Rackstadmuseet, Arvika, the opening exhibition 1993, catalogue number 6. Rackstadmuseet, Arvika, ‘Gustaf och Maja Fjaestad ett konstnärspar’ 1998. Rackstadmuseet, Arvika, ‘100 År Efter Rackstadkolonin’, May 2nd – June 25th 2011.
Estimate: SEK 200 000 – 250 000 / EUR 18 590 – 23 240
235. Gustaf Fjaestad, a pair of Art Nouveau carved pine chairs ‘stabbestolar’.
233. Gustaf Fjaestad, a pair of Art Nouveau carved pine chairs ‘stabbestolar’, Arvika Sweden 1908–1909. Hand carved and sculptured by the craftsmen Ola Eriksson, Adolf Swanson and Knut Nyman, marked GF, brass lining towards the floor. Height ca 76,5–78 cm, width ca 55, seat height ca 45 cm. Literature: H. Fr. Ahlström, ‘Officiell Berättelse öfver Baltiska Utställningen i Malmö 1914, Förlagsaktiebolagets i Malmö Boktryckeri, Malmö 1919, II book, p 949 the complete set of furniture to be sold is depicted on a photograph together with paintings and wall hangings by Gustaf Fjaestad. Ed. Monica Boman, ‘Svenska Möbler 1890–1990’, Bokförlaget Signum, Lund 1991, pp 64–66. Agneta Fjaestad Nordmark, ‘Fjaestads Konst’, Fjäderstad Förlag, Karlstad 1999, pp 73, 75, 77–79. Exhibitions: The Baltic Exhibition (Baltiska Utställningen) Malmö 1914. Panama – Pacific International Exhibition, San Francisco, 1915, reportedly. An earlier exhibition label under the table has gone lost. Kulturen i Lund, ‘Nordiskt Ljus vid Sjön Racken samt Nutida Värmländsk Konst’, 3 februari – 14 april 1991. Rackstadmuseet, Arvika, opening show 1993, nr 6 in the catalogue. Rackstadmuseet, Arvika, ‘Gustaf och Maja Fjaestad ett konst– närspar’ 1998. Rackstadmuseet, Arvika, ‘100 År Efter Rackstadkolonin’, 2/5–25/6 2011.
Estimate: SEK 200 000 – 250 000 / EUR 18 590 – 23 240
234. Gustaf Fjaestad, a pair of Art Nouveau carved pine chairs ‘stabbestolar’, Arvika Sweden 1908–09. Hand carved and sculptured by the craftsmen Ola Eriksson, Adolf Swanson and Knut Nyman, brass lining towards the floor, marked GF. Height ca 76,5–78 cm, width ca 55 cm, seat height 45 cm. Literature: H. Fr. Ahlström, ‘Officiell Berättelse öfver Baltiska Utställningen i Malmö 1914, Förlagsaktiebolagets i Malmö Boktryckeri, Malmö 1919, II book, p 949 the complete set of furniture to be sold is depicted on a photograph together with paintings and wall hangings by Gustaf Fjaestad. Ed. Monica Boman, ‘Svenska Möbler 1890–1990’, Bokförlaget Signum, Lund 1991, pp 64–66. Agneta Fjaestad Nordmark, ‘Fjaestads Konst’, Fjäderstad Förlag, Karlstad 1999, pp 73, 75, 77–79. Exhibitions: The Baltic Exhibition (Baltiska Utställningen) Malmö 1914. Panama – Pacific International Exhibition, San Francisco, 1915, reportedly. An earlier exhibition label under the table has gone lost. Kulturen i Lund, ‘Nordiskt Ljus vid Sjön Racken samt Nutida Värmländsk Konst’, 3 februari – 14 april 1991. Rackstadmuseet, Arvika, opening show 1993, nr 6 in the catalogue. Rackstadmuseet, Arvika, ‘Gustaf och Maja Fjaestad ett konst– närspar’ 1998. Rackstadmuseet, Arvika, ‘100 År Efter Rackstadkolonin’, 2/5–25/6 2011.
Estimate: SEK 200 000 – 250 000 / EUR 18 590 – 23 240
235. Gustaf Fjaestad, a pair of Art Nouveau carved pine chairs ‘stabbestolar’, Arvika Sweden 1908–09. Hand carved and sculptured by the craftsmen Ola Eriksson, Adolf Swanson and Knut Nyman, marked GF, brass lining towards the floor. Height ca 78–79 cm, width ca 52–55 cm, seat height ca 45 cm. Literature: H. Fr. Ahlström, ‘Officiell Berättelse öfver Baltiska Utställningen i Malmö 1914, Förlagsaktiebolagets i Malmö Boktryckeri, Malmö 1919, II book, p 949 the complete set of furniture to be sold is depicted on a photograph together with paintings and wall hangings by Gustaf Fjaestad. Ed. Monica Boman, ‘Svenska Möbler 1890–1990’, Bokförlaget Signum, Lund 1991, pp 64–66. Agneta Fjaestad Nordmark, ‘Fjaestads Konst’, Fjäderstad Förlag, Karlstad 1999, pp 73, 75, 77–79. Exhibitions: The Baltic Exhibition (Baltiska Utställningen) Malmö 1914. Panama – Pacific International Exhibition, San Francisco, 1915, reportedly. An earlier exhibition label under the table has gone lost. Kulturen i Lund, ‘Nordiskt Ljus vid Sjön Racken samt Nutida Värmländsk Konst’, 3 februari – 14 april 1991. Rackstadmuseet, Arvika, opening show 1993, nr 6 in the catalogue. Rackstadmuseet, Arvika, ‘Gustaf och Maja Fjaestad ett konst– närspar’ 1998. Rackstadmuseet, Arvika, ‘100 År Efter Rackstadkolonin’, 2/5–25/6 2011.
Estimate: SEK 200 000 – 250 000 / EUR 18 590 – 23 240
235A. Gustaf Fjaestad CONDITIONAL SALE: the lots with auction number 232–235 are first called out as separate lots and will then be offered as one lot with auction number 235A. A winning bid on auction number 235A requires a bid exceeding the total hammered price on auction number 232–235. Unsold lots will be priced at the reserve.
236. Georg Ringström, an Art Nouveau copper ceiling light, Sweden 1916.
237. Carl Bergsten, a stained birch easy chair, Nordiska Kompaniet, Sweden 1918.
Partly patinated, motifs with deers and trees, signed and dated 1916. Height ca 100 cm, diameter ca 55 cm.
Later upholstery in a grey fabric. Height 106 cm, width ca 73 cm, seat height ca 43 cm.
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
238. Elis Bergh, attributed to, a Swedish Grace silver plated table light, C G Hallberg, Sweden 1920’s.
239. Swedish Grace, an easy chair, 1920–30’s.
The shade decorated with a starry pattern, leg with black lacquered wood, square foot. Height ca 60 cm, the diameter of the shade ca 37 cm.
Stained wood with carved details, upholstered in a green fabric, seat height 41 cm, height 93 cm.
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
240. Uno Åhrén, attributed to, a stained birch armchair, for Gemla Diö, Sweden ca 1927. Cushion in velvet with tassels, seat height 45 cm, height 95 cm. Literature: Schneck, Adolf G., Der Stuhl: Stuhltypen aus verschiedenen Ländern und Versuche neuzeitlicher Lösungen in Ansichten und Masszeichnungen, Julius Hoffmann, Stuttgart, 1928, p 40.
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
241. Gösta Adrian–Nilsson, an engraved pewter tray, Astrid M Aagesen, Helsingborg Sweden 1920–30’s. Round with handles, motif of S:t George and the dragon, signed GAN, the reverse stamped TENN AAGESEN HÄLSINGBORG. Length 32 cm, diameter of the tray 26,5 cm. Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
242. Anna Petrus, an engraved Swedish Grace pewter tray, executed in her own workshop, Stockholm, early 1920’s. Adam & Eve in the garden of Eden, signed A. Petrus, 45 x 23,5 cm. Provenance: The Kuylenstierna family. The tray was acquired directly from Anna Petrus, thence by descent. Exhibitions: This model was included in the Swedish Pavillion at the 1925 Paris World's Fair. Literature: Marie Rehnberg, ‘Anna Petrus Skulptör och Industrikonstnär’, Bokförlaget Signum 2009, the model illustrated p 79. (d)
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
243. Josef Frank, a secretaire, Vienna ca 1920–22. Veneered with walnut and other kinds of wood, brass handles and fittings, interior with drawers, the lower part with five drawers and a hinged door. Height 102,5 cm, length 97 cm, depth 52,5 cm. Provenance: Dagmar Grill, born 1892, was the daughter of Baltzar and Violet Grill in Djursholm, Stockholm (they were very good friends with the artist Carl Larsson and his wife Karin. Dagmar was once painted by Carl Larsson). Baltzar Grill ordered this piece of furniture from Josef Frank in Vienna in order to give it as a gift to Dagmar. Thence by descent. Literature: The Studio Yearbook of Decorative Art 1924, Herbert Reiach Ltd, London, depicted on p 117 as an ‘Escritoire by Dr Josef Frank’. Marlene Ott–Wodni, Bölau Verlag Wien, 2015, ‘Josef Frank 1885–1967’, p 239, catalogue number M–WV 27.
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
244. Erik Fleming, a pair of pewter candlesticks, Norrahammars tenn, Sweden 1930. Maker’s marks and D8, height 26 cm. Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
245. Lars Holmström, a Swedish Grace chandelier, Arvika Sweden 1920–30’s. Steel and brass. Diameter 55 cm, height ca 28,5 Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
246. Herman Bergman’s foundry, a pewter and brass box, Stockholm ca 1940. The side with motifs from the Parthenon frieze, marked, wooden lining, marked into the pewter on the side ‘BRITISH MUSEUM LONDON HENNING F (?) JULY 31 and to front the number 7 Henning F (?, blurred) 22 x 12 cm, height 6,5 cm Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
247. Greta Magnusson Grossman, a sofa, attributed to, for The Studio, Sweden 1930–40’s. Upholstered in a blue fabric, feet in elm, height 75 cm, length ca 225 cm. Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
248. Harald Elof Notini, a vanilla coloured glass ceiling light with fretted rattan, Arvid Böhlmarks Lampvarufabrik, Stockholm 1940’s. Model 11555, height including brass fitting ca 125 cm, diameter ca 45 cm. Literature: ‘Böhlmarks – Elektrisk Belysningsarmatur’, catalogue 1946, see the model illustrated.
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
Axel Einar Hjorth, Lot no 249–254 In 1929 Krister Littorin (1879–1939) ordered a set of pine furniture from the ‘Sandhamn’ series to his newly built hunting lodge on an island in the Stockholm archipelago. The set was comprising the limestone top table, a pair of lounge chairs, a dining table and four chairs (these were all ordered in 1929) and in 1931 the corner cabinet and the long bench, a special made to order, were added to the set. The model ‘Sandhamn’ was the first of the ‘Sportstuge series’ that Hjorth designed. It was in 1929 and ‘Sandhamn’ was a model actually executed by the Nordiska Kompaniet's carpentry in Nyköping. The other models in the ‘Sportstuge series’ were most likely executed by local carpenters after the drawings executed by Hjorth. The Sandhamn pieces are more exclusive, seen to details and craftmansship, compared to other models in the stained pine series. The Sandhamn pieces from the same estate in this sale are executed during the first years after designed, and the execution is made with a more refined effort, regarding the carved surfaces and finish. Krister Littorin was an engineer and he was the closest man to the finance magnate Ivar Kreuger, they were associated for a large number of years. Littorin was the deputy managing director at ‘Tändsticksaktiebolaget’ (Swedish Match) and the one who found Ivar Kreuger dead at the Paris hotel on the 12th of March 1932. Littorin was considered to be co–responsible for the Kreuger crash in 1932 and he was sentenced to prison and a damages of SEK 200 million. Subsequently Krister Littorin's substantial collection of antiques was sold at ‘Bukowskis Konsthandel’ on September 7–9, 1932.
249. Axel Einar Hjorth, a red limestone top and stained pine side table, Nordiska Kompaniet, Sweden 1929. The base marked with maker’s metal label, 75 x 45 cm, height 56 cm, the actual stone slab top 75 x 40 cm. Estimate: SEK 150 000 – 200 000 / EUR 13 940 – 18 590
Axel Einar Hjorth lot no 249, 250, 251, 253, 254. Pictures from Nordiska Kompaniet's archives, Nordiska Museet, Stockholm.
249. Axel Einar Hjorth, a red limestone top and stained pine side table.
83. Carl–Harry Stålhane, a stoneware vase. 54. Berndt Friberg, a large stoneware vase. 251. Axel Einar Hjorth, a stained pine ‘Sandhamn’ table. 254. Axel Einar Hjorth, a stained pine ‘Sandhamn’ bench.
250. Axel Einar Hjorth, a pair of stained pine ‘Sandhamn’ lounge chairs, Nordiska Kompaniet, Sweden 1929. Marked with maker’s metal label, the cushions are probably upholstered with their original fabric. Height ca 88 cm, width 65 cm, seat height ca 50 cm. Provenance: Krister Littorin (1879–1939). Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
251. Axel Einar Hjorth, a stained pine ‘Sandhamn’ table, Nordiska Kompaniet, Sweden 1929. Marked with maker’s metal label, 170 x 60 cm, height 74,5 cm. Provenance: Krister Littorin (1879–1939). Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
252. Axel Einar Hjorth, a set of four stained pine ‘Sandhamn’ chairs, Nordiska Kompaniet, Sweden 1929. All marked with maker’s metal label. Height ca 36,5 cm, width 48 cm, seat height 46 cm. Provenance: Krister Littorin (1879–1939). Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
253. Axel Einar Hjorth, a stained pine ‘Sandhamn’ corner cabinet, Nordiska Kompaniet, 1931. Shelves, the lower part with a door, marked with maker’s metal label. Height 180 cm, the sides 70 cm, the front width 90 cm. Provenance: Krister Littorin (1879–1939).
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
254. Axel Einar Hjorth, a stained pine ‘Sandhamn’ bench, Nordiska Kompaniet, 1931. Carved and stained pine, marked with maker’s label, length 300 cm, width 45 cm, height 46 cm. Provenance: Krister Littorin (1879–1939).
Estimate: SEK 100 000 – 125 000 / EUR 9 300 – 11 620
255. Bo Wretling, a pair of easy chairs, Firma Otto Wretling, 1930’s. Upholstered in an blue wool textile with neck cushions, height 67 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
256. Sven Markelius, a chair executed by AB Stockholms Nya Järnsängsfabrik for the 1930 Stockholm Exhibition. The frame of nickel plated tubular steel, seat and back in leather, seat height 44 cm, height 81 cm. Provenance: The Stockholm Exhibition in 1930. Literature: Stockholmsutställningen 1930 av konstindustri, konsthantverk och hemslöjd: specialkatalog över bostadsavdelningen, 2. tr., Utställningsförlaget, Stockholm, 1930, pp 100, 102.
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
257. Axel Einar Hjorth, a pair of ‘Tösse’ tubular steel armchairs, Nordiska Kompaniet, Sweden 1930. Nickel plated tubular steel, seat and back upholstered in blue horse hair fabric with brass nails, seat height 45 cm, height 83 cm. Provenance: Konditori Tösse, Banérgatan 7, Stockholm. Literature: Björk, Christian, Ekström, Thomas & Ericson, Eric, Axel Einar Hjorth: möbelarkitekt, Signum, Stockholm, 2009, p 54–55.
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
258. Axel Einar Hjorth, a stained pine ‘Lovö’ sofa, Nordiska Kompaniet, Sweden 1930’s. Length ca 200 cm, height 73 cm. Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300
259. Axel Einar Hjorth, a pair of ‘Lovö’ stained pine chairs, Nordiska Kompaniet, Sweden 1930’s. Iron details, cushions upholstered in beige fabric, height 95 cm, seat height ca 43 cm. Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
260. Axel Einar Hjorth, an ‘Oh Boy’ chest of drawers for Nordiska Kompaniet, Sweden, 1929. Five drawers, birch and polished birch, marked with NK label R33930 C MÖB, height 90 cm, width 100 cm, depth 48 cm. Exhibitions: The ‘Oh Boy’ serie was shown at the Stockholm Exhibition in 1930.
Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720
261. Swedish Grace, a stained wood wall mirror for Carl Johanssons möbleringsaffär, Stockholm 1930’s. Decorated with silver plated medallions, marked with label Carl Johanssons Möbleringsaffär, height 92 cm, width 43 cm. Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
262. Swedish grace, a pair of klismos chairs for Carl Johansons Möbleringsaffär, 1930’s. Venered with a geometrical pattern, legs and back in black lacquered wood, seat in textile with floral pattern, marked with label, seat height 46 cm, height 86 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
263. Swedish grace, a pair of klismos chairs for Carl Johansons Möbleringsaffär, 1930’s. Venered with a geometrical pattern, legs and back in black lacquered wood, seat in textile with floral pattern, marked with label, seat height 46 cm, height 86 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
264. Josef Frank, a brass and leather ‘The three spirals’ floor light, model 2431, Svenskt Tenn, Sweden 1930–40’s. Three adjustable lights, white textile shades, stamped AJH 7 PAT. S. Height 105 cm (the stem), total maximum height ca 157 cm. Exhibitions: The model was shown at the Golden Gate exhibition in San Francisco 1939. Literature: Anita L. Du Rietz, ‘Skönhet till vardags, Estrid Ericson och Svenskt Tenn’, Lorensvik förlag 2018, see the model illustrated from the San Francisco exhibition in 1939, p 166. Bukowskis Moderna sale 555, autumn 2010, compare lot 837, a floor lamp of the same model with provenance Estrid Ericson's family.
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
243. Josef Frank, a secretaire, Vienna ca 1920–22.
265. Josef Frank, a painted cabinet, Svenskt Tenn, Sweden ca 1935–36. Egg–shell coloured, the top and the linings of elm wood, brass hinges. 105,5 x 48,5 cm, height 147,5 cm. Provenance: The Swedish architect Birger Jonsson (1890–1977) with wife Helny Jonsson. Birger and Helny made the order for this cabinet sometimes around 1935–1936 when the couple just had moved into Eriksbergsgatan Stockholm in 1935. Helny was acquainted with Estrid Ericson since back when she was living in Hjo (where Estrid was brought up as well) and thus they decided to order this cabinet designed by Josef Frank in order to house Birger’s clothing. The cabinet is in its original condition.
Estimate: SEK 200 000 – 250 000 / EUR 18 590 – 23 240
266. Firma Svenskt Tenn, a pewter triple mirror, Svenskt Tenn, Stockholm 1929. On stepped base, the outer parts richly engraved with floral pattern, maker’s mark C8. Length 52, unfolded 82 cm, height 52,5 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
267. Firma Svenskt Tenn, a pewter framed mirror, Stockholm 1932. Rectangular frame with relief decoration, 157 x 42,5 cm. Estimate: SEK 50 000 – 75 000 / EUR 4 650 – 6 970
268. Estrid Ericson, probably, a pewter, brass and tortoise–shell casket, Svenskt Tenn, Stockholm 1936. Maker’s mark Stockholm k8, 16,5 x 14 cm, height 4,5 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
269. Firma Svenskt Tenn, a pewter lidded jar, Svenskt Tenn, Sweden 1956. The lid with an agathe, maker’s mark, F9, measurements 12,7 x 10 cm, height 12 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
270. Estrid Ericson, probably, a pewter box for Svenskt Tenn, Stockholm 1976. Oval box with a light pink glass finial, coral shaped fitting, 14,5 x 11 cm, height 21 cm (13 cm excluding finial). Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
271. Björn Trägårdh, a ‘model 151’ easy chair for Firma Svenskt Tenn, Sweden 1930’s.
272. Björn Trägårdh, a ‘model 151’ easy chair for Firma Svenskt Tenn, Sweden 1930’s.
Upholstered in a green textile ‘Vägen’ with buttons, feet in black lacquered wood, seat height 43 cm, height 105 cm.
Upholstered in velvet with buttons, feet in black lacquered wood, seat height 43 cm, height 105 cm.
Literature: Product catalogue from 1931, Svenskt tenn, Firma Svenskt Tenn: Kungl. Hovleverantör : katalog, Nordisk Rotogravyr, Stockholm, 1931, p. 3.
Literature: Product catalogue from 1931, Svenskt tenn, Firma Svenskt Tenn: Kungl. Hovleverantör : katalog, Nordisk Rotogravyr, Stockholm, 1931, p. 3.
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
273. Björn Trägårdh, a pewter box for Svenskt Tenn, Stockholm 1930.
274. Nils Fougstedt, a pewter jardinière, Firma Svenskt Tenn, Stockholm 1930.
Stained wooden finial, maker’s mark, Stockholm D8, height 13,3 cm (11,7 cm excluding the finial), diameter 9,8 cm.
Stamped with maker’s mark and D8. Length 26 cm, height 12 cm.
Provenance: Dag Ribbing (1898–1980), thence by descent.
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
Estrid Maria Erikson was born in 1894 in Öregrund. When Estrid was only a year old, the family moved to Hjo where they ran a hotel and restaurant business. The father Adolf passed away in 1924 and at the death of mother Helga in 1932, Estrid and her sisters Elsa, Christina and Irma released their two brothers Sven and Beler. Sister Christina ran the business until the early 1960s when the company was closed down. After the graduation in Hjo, 19 year old Estrid went to Stockholm and educated at Tekniska skolan (current Konstfack) 1913–1917. Her plan was to work as a drawing teacher in Hjo, but after her graduation in 1917, it was only one semester in the profession before she returned to Stockholm. The first employment was at Svensk Hemslöjd's shop on Biblioteksgatan at their home and furniture department. After a while she went on to work as curator at Vackrare Vardagsvara at Strandvägen 7A. In 1923 the company started a department with modern pewter design in collaboration with the brothers Nils and Tage Fougstedt. A short time later, Estrid decided to quit her employment and start her own business. During the following summer, she rented a room at Kungsholmstorg 6 and established the company ‘Konsthantverkets Verkstad’ together with the brothers Fougstedt. In the autumn of 1924, operations moved to Smålandsgatan 40 in central Stockholm. With the help of a legacy from her father who passed away the same year, Estrid started her company Svenskt Tenn. When the store opened in 1924, after a very intensive work, Estrid and Nils had created about 300 different models. Some of the models were found in the collections of the Ethnographic Museum, where Estrid drew inspiration from different cultures. In 1927, Svenskt Tenn moved to the new and current address at Strandvägen 5A. Estrid Ericson had a good ability to continiously associate new talents with Svenskt Tenn. Architect Uno Åhrén designed the interior for the new shop and besides Björn Trägårdh he was the one who designed the furniture for Estrid's private apartment above the shop at Strandvägen. The sculptor and designer Anna Petrus was another important coworker. In the years following the Paris Exhibition in 1925, she began a collaboration with Estrid Ericson and Svenskt Tenn. Several of Petrus’ pewter objects, usually with the characteristic lion, are still being manufactured today. A few years later in the 1930's Estrid began her successful and lifelong collaboration with Austrian architect Josef Frank. This was the starting point of a new chapter in the company's history. In 1934, Josef Frank's design for Svenskt Tenn was first shown at an exhibition for contemporary Swedish interior design at Liljevalchs in Stockholm.
Estrid Ericson's interiors was created like a magical world of things. Simple, everyday objects could be combined with the most exclusive pieces of the highest quality. Her style was surprising and imaginative but also had a sense of timelessness. Estrid should have said that ‘good things need no change’. Only the best is good enough, something that has characterized Svenskt Tenn's assortment of carefully selected items. The walls would preferably be white and a flat would be sparsely furnished leaving room for free floor space, but otherwise she had a philosophy that advocated a freedom from strict rules. She saw no problems in freely mixing different colours, patterns and woods. Estrid acquired her summer home, ‘Tolvekarna’, at Tyresö, outside Stockholm in 1931. For many years the house became her refuge for rest and recreation. Ten years later, she rebuilt and decorated according to Frank's drawings. In 1944, she married Sigfrid Ericson, who was a sea captain and commander of the Swedish American Line's Gripsholm. Estrid and Sigfrid Ericson had no children. Bukowskis has been entrusted with selling a collection of items that have been inherited to Estrid's closest relatives through her brother Sven's daughter. Some objects have been found in photographs, others are not documented, but everything comes directly from Estrid. The collection includes the lot numbers 275–277, 279–280, 282–298.
275. Einar Jolin, pencil, a portrait of Estrid Ericson, signed 1932, in a pewter frame, Svenskt Tenn, provenance Estrid Ericson. Signed: Einar Jolin med beundran och tack för en angenäm söndag, Stockholm den 9 jan. 1932. 48,3 x 40 cm. Literature: Monica Boman (ed), ‘Svenska Möbler 1890–1990’, Signum, Lund 1991, see the portrait illustrated p 263. (d)
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
276. Tyra Lundgren & Uno Åhrén, a pewter top sofa table for Svenskt Tenn, Stockholm 1928–29, model 743, provenance Estrid Ericson. The square top decorated with engraved putti among leaf loops, signed TL 28 and with maker’s mark C8 (1929). Blackened wood base, square foot. Measurements 71,5 x 71,5, height ca 60 cm. Tyra Lundgren (1897–1979), ceramicist, sculptor and designer, was an artistic collaborator at Svenskt Tenn in the 1920s and also worked for, among others, Arabia, Rörstrand, Kosta and Venini. Tyra Lundgren knew Estrid Ericson since they were classmates and became friends.
Literature: Firma Svenskt Tenn, catalogue 1931, see the model illustrated. Hedvig Hedqvist, Rikard Jacobson, Jan von Gerber, "Modernt Svenskt Tenn", Stockholm 2004, the model illustrated p 60: Uno Åhrén designed the first table bases that were typically black stained in the Swedish grace manner. Various artists were invited to decorate table tops. This table with engraving after Tyra Lundgren's drawing was made in 1928 by Svenskt Tenn. Exhibitions: The model was shown at the exhibition ‘Swedish Arts and Crafts Company, Chigaco 1929’.
Estimate: SEK 200 000 – 300 000 / EUR 18 590 – 27 890
277. Estrid Ericson, & Nils Fougstedt, two pewter and brass seal stamps, Svenskt Tenn, Sweden, probably 1920–30’s, provenance Estrid Ericson. Lying cougar cub and a deer, length 5,5–6 cm, height 4,5 cm. Provenance: Estrid Ericson, thence by descent.
Estimate: SEK 5 000 – 6 000 / EUR 470 – 560
278. Anna Petrus, a pewter bowl, Svenskt Tenn, Stockholm 1931. Decorated with lion’s heads to the handles and mascarons to the body, maker’s mark Stockholm E8, diameter 18 cm, length 27 cm, height 10,5 cm. Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
279. Estrid Ericson, a pewter and brass seal stamp, Svenskt Tenn, mid 20th century, provenance Estrid and Sigfrid Ericson. In the shape of an elephant, the back with a rose quartz. Seal with a ship and ‘SE’ for Sigfrid Ericson. Height 4,3 cm. Provenance: Estrid and Sigfrid Ericson, thence by descent. Estrid and captain Sigfrid Ericson (1888–1973) was married in 1944.
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
280. Gunnar Torhamn, a watercolour and gouache, 1926, with a pewter and brass frame, Svenskt Tenn, Stockholm 1928, provenance Estrid Ericson. South European landscape, signed G. Torhamn. 26, the pewter and brass frame with maker’s mark, Stockholm B8, 40,5 x 56,8 cm. Provenance: Estrid Ericson, thence by descent. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
277. Estrid Ericson, & Nils Fougstedt, two pewter and brass seal stamps. 279. Estrid Ericson, a pewter and brass seal stamp. 284. Estrid Ericson, an elastoline bonsai tree mounted in a Japanese cast iron pot. 293. Josef Frank, a walnut and burrwood dinner table, Svenskt Tenn.
285. Josef Frank, a ‘Nil’/‘Nile’ mahogany stool, model 1003.
281. Estrid Ericson, a pewter lidded jar, Svenskt Tenn, Stockholm Sweden 1964. The lid decorated with a 19thC Chinese tortoise –shell plaque, maker’s marks, 09, height 13 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
282. Firma Svenskt Tenn, a wall mirror, Stockholm 1932, provenance Estrid Ericson. Pewter and brass frame, maker’s mark F8, 31,5 x 31 cm. Provenance: Estrid Ericson, thence by descent. Literature: Firma Svenskt Tenn, catalogue 1930, compare the model as a wall sconce, no 66.
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
283. Firma Svenskt Tenn, Firma Svenskt Tenn, a pewter box, model 32b, Stockholm 1929. Maker’s mark, Stockholm C8, diameter 10,5 cm, height 5,5 cm. Provenance: Estrid Ericson, thence by descent.
Estimate: SEK 3 000 – 5 000 / EUR 280 – 470
284. Estrid Ericson, an elastoline bonsai tree mounted in a Japanese cast iron pot, Svenskt Tenn, Sweden, mid 1900’s, provenance E. Ericson. Total length ca 48 cm, height ca 21,5 cm. Provenance: Estrid Ericson, founder of Svenskt Tenn, thence by descent. Literature: Anita L. Du Rietz, ‘Skönhet till vardags, Estrid Ericson och Svenskt Tenn’, Lorensvik förlag 2018, see the model illustrated pp 330–331.
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
285. Josef Frank, a ‘Nil’/‘Nile’ mahogany stool, model 1003, for Svenskt Tenn, Sweden, probably 1940’s, provenance Estrid Ericson. Curved halfmoon shaped seat with grip hole, three legs, 36,5 x 24 cm, height ca 38 cm. Provenance: Estrid Ericson, thence by descent. Exhibitions: The model was shown at the exhbition ‘Svensk Form’ (Swedish Design) in Copenhagen 1942. Literature: Anita L. Du Rietz, ‘Skönhet till vardags, Estrid Ericson och Svenskt Tenn’, Lorensvik Förlag 2018, see the model illustrated in a living room interior from the exhibition ‘Svensk Form’ (Swedish Design) in Copenhagen 1942, p 192.
286. Josef Frank, a glass and brass doorstop, Svenskt Tenn, provenance Estrid Ericson.
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
Height 63 cm. Provenance: Estrid Ericson, thence by descent.
276. Tyra Lundgren & Uno Åhrén, a pewter top sofa table
287. Firma Svenskt Tenn, a fretted rattan umbrella stand, mid 1900’s, provenance Estrid Ericson. Measurements 27,3 x 23 cm. Height 40,5 cm. Provenance: Estrid Ericson, thence by descent.
Estimate: SEK 3 000 – 4 000 / EUR 280 – 380
288. Firma Svenskt Tenn, a brass coloured metal birdcage, first half of 20th century, provenance Estrid Ericson. Wooden stick, red lacquered sheet metal food bowl, height ca 76 cm, diameter of the dish 55,5 cm. Provenance: Estrid Ericson, thence by descent.
Estimate: SEK 4 000 – 6 000 / EUR 380 – 560
289. A Chinese hanging scroll, ink and colour on paper, 20th century, provenance Estrid Ericson. Depicting birds, some flying and some seated on branches, surrounded by flowers, plants, rock formations. Image size 165 x 41,5 cm. Provenance: Estrid Ericson, founder of Svenskt Tenn, thence by descent
Estimate: SEK 4 000 – 6 000 / EUR 380 – 560
290. Firma Svenskt Tenn, a set of 17 cocktail glasses, Gullaskruf, Sweden 1940’s, provenance Estrid Ericson. Green foot with handle, height ca 11,5 cm. Provenance: Estrid Ericson, thence by descent.
Estimate: SEK 3 000 – 4 000 / EUR 280 – 380
291. Josef Frank, a set of three ‘model 2255’ bookshelves, Svenskt Tenn, Sweden, mid 1900’s, provenance Estrid Ericson. Each section in two pieces, lacquered in white and green, the lower part with mahogany top, walnut details, brass fittings, drawer, cabinet interior with adjustable shelf. Measurements 100 x 50 cm, height 150 + 75 cm, total height 225 cm. Provenance: Estrid Ericson, founder of Svenskt Tenn, thence by descent.
Estimate: SEK 40 000 – 60 000 / EUR 3 720 – 5 580
292. Josef Frank, a floor lamp, model 2368 for Firma Svenskt Tenn, Sweden 1940–50’s, provenance Estrid Ericson. Brass, green silk shade, adjustable height, ca 155 cm. Provenance: Estrid Ericson, founder of Svenskt Tenn, thence by descent
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
293. Josef Frank, a walnut and burrwood dinner table, Svenskt Tenn, model 1020, 1940–50’s, provenance Estrid Ericson. The top veneered with burrwood, the rim with boxwood in a checkered pattern. Stamped underneath 20581, diameter 145 cm, height 72 cm. Provenance: Estrid Ericson, thence by descent. Literature: Kristina Wängberg Eriksson, Jan Christer Eriksson, ‘Josef Frank Möbelformgivaren’, Carlsson Bokförlag, Stockholm 2014. See fig. 48, p 66. Anita L. Du Rietz, ‘Skönhet till vardags, Estrid Ericson och Svenskt Tenn’, Lorensvik Förlag 2018, see the model illustrated from Estrid Ericson's home, p 272.
Estimate: SEK 40 000 – 60 000 / EUR 3 720 – 5 580
294. Josef Frank, a floor lamp, model 2597 for Firma Svenskt Tenn, Sweden, 1940’s, provenance Estrid Ericson. Base in black lacquered metal, brass details, shade in a Josef Frank textile ‘Catleya’ with a brass top, adjustable height ca 115–160 cm. Provenance: Estrid Ericson, founder of Svenskt Tenn, thence by descent Literature: Anita L. Du Rietz, ‘Skönhet till vardags, Estrid Ericson och Svenskt Tenn’, Lorensvik Förlag 2018, see the lamp illustrated from Estrid Ericson’s home at Strandvägen, pp 4–5 and 318.
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
295. Josef Frank, a mahogany table showcase cabinet, Svenskt Tenn, model 2070, provenance Estrid Ericson. The interior with mirror glass and two glass shelves, height 48 cm, width 38,5 cm depth 16,5 cm. Provenance: Estrid Ericson, thence by descent.
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
296. Josef Frank, a mahogany extendable side table, model 1133, Svenskt Tenn, Sweden, mid 20th century, provenance Estrid Ericson. Length 83 cm (total length 128 cm), width 40 cm, height 55 cm. Provenance: Estrid Ericson, thence by descent.
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
297. Uno Åhrén, a set of four chairs, Gemla, Sweden 1930’s, provenance Estrid Ericson. White painted wood, height 84,5 cm, seat height ca 45 cm, width 50 cm. Provenance: Estrid Ericson, founder of Svenskt Tenn, thence by descent.
Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
298. Bruno Mathsson, a standard table for Firma Karl Mathsson 1940, provenance Estrid Ericson. The top venered in burled birch, legs in laminated birch, marked with papel label Firma Karl Mathsson BM 36 KM 40, and stamped Made in Sweden, height 28 cm, diameter 45 cm. Provenance: Estrid Ericson, founder of Svenskt Tenn, thence by descent.
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
265. Josef Frank, a painted cabinet, Svenskt Tenn.
299. Ivar Johnsson, ‘Vinskörden’, a pair of patinated copper urns, Swedish Grace 1920–30’s. Decorated with motifs from a wine harvest, probably later inserts for flowers, height 51 cm. Literature: The model is illustrated in an ad from the company ‘Vackrare Vardagsvara’ in Stockholm.
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
300. Axel Einar Hjorth, a darkly stained birch sideboard, ‘Typenko’, Nordiska Kompaniet, Sweden 1932. Marked with metal label. 150 x 46, height 82 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
301. Axel Einar Hjorth, a darkly stained birch chest of drawers, ‘Typenko’, Nordiska Kompaniet 1932. Four drawers, marked with Nordiska Kompaniet’s metal label, 70 x 47, height 70,5 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
302. Axel Einar Hjorth, a darkly stained birch cabinet ‘Typenko’, Nordiska Kompaniet, Sweden 1935. Marked with Nordiska Kompaniet’s metal label, 113 x 50 cm, height 115 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
303. Axel Einar Hjorth, a stained pine ‘Uto’ table, Nordiska Kompaniet, Sweden 1930’s. 170 x 65 cm, height 77 cm. Estimate: SEK 100 000 – 125 000 / EUR 9 300 – 11 620
304. Axel Einar Hjorth, a set of six ‘Utö’ stained pine chairs, Nordiska Kompaniet, Sweden 1930’s. Height 81 cm, seat height 44,5 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
305. Axel Einar Hjorth, a ‘Sport’ stained pine chest of drawers, Nordiska Kompaniet, Sweden 1930’s. Three drawers, measurements 90 x 45 cm, height 80 cm. Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
306. Axel Einar Hjorth, a ‘Sport’ stained pine framed mirror, Nordiska Kompaniet, Sweden 1930’s. 72,5 x 55 cm. Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
307. Axel Einar Hjorth, a stained pine ‘Utö’ table, Nordiska Kompaniet, Sweden 1930’s. 69,5 x 53,5 cm, height 48 cm. Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
308. Axel Einar Hjorth, a stained pine version of ‘Utö’ sofa, Nordiska Kompaniet, Sweden 1930’s. Length 186 cm, height 80 cm, seat height (without the cushion) 40 cm, with the cushion ca 48 cm. Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
309. Axel Einar Hjorth, a stained pine cabinet ‘Lovö’, Nordiska Kompaniet, Sweden 1930’s. The interior with shelves and two drawers. 100 x 45,5 cm, height 155 cm. Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
310. Axel Einar Hjorth, an ‘Utö’ stained pine stool, Nordiska Kompaniet, Sweden 1930’s. Height 45 cm, diameter 40 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
311. Josef Frank, a ‘Liljevalchs’ sofa, Svenskt Tenn, Sweden. Upholstered in Frank’s linen fabric ‘Anakreon’, stained beech legs, marked with label. Length 280 cm, depth 140 cm, seat height ca 43 cm. Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
312. Josef Frank, a brass and black lacquered floor lamp, model 2598, Svenskt Tenn, Sweden mid 1900’s. Three lights, black lacquered stem, maker’s mark SVENSKT TENN TYP C2598, height 156 cm including shades upholstered in Frank’s textile ‘Notturno’. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
313. Josef Frank, a mahogany showcase cabinet, Svenskt Tenn, model nr 2077. In two parts, two glass shelves, mirrorglass to the back, 90 x 30 cm, height 170 cm. Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
314. Josef Frank, a mahogany side table, Svenskt Tenn Sweden, probabply early 1950’s, design nr 2180. 160 x 40 cm, height 40 cm. Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
315. Josef Frank, a model ’2148’ brass floor lamp, Svenskt Tenn, Sweden, mid 20th century. For 3 +1 uplights, white silk shade, model 2368, the base marked with metal plaque SVENSKT TENN 2148. Height ca 152 cm, diameter of the shade ca 53 cm. Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
316. Nordiska Kompaniet, a pair of ‘sportstugemöbler’ stained pine easy chairs, Sweden 1930–40’s. Cushions upholstered in red and beige striped fabric, height ca 83 cm, seat height 41 cm, width 65 cm. Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
317. David Rosén, ‘Berga’, a stained pine rectangular table, Nordiska Kompaniet, Sweden, ca 1938. Marked in pencil 41546 underneath the top. 79,5 x 45 cm, height 61 cm. Provenance: This table derives from an interior with ‘sportstugemöbler’. The major part was the models Lovö and Utö designed by Axel Einar Hjorth, but also some pieces designed by David Rosén for the Nordiska Kompaniet.
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
318. Nordiska Kompaniet, a stained pine chest of drawers, ‘Sportstugemöbel’, Sweden 1930–40’s. Brassfittings around the keyholes. Marked with pencil Byrå NK (Chest of drawers NK) 89 x 43 cm, height 85,5 cm. Provenance: This chest of drawers derives from an interior with ‘sportstugemöbler’. The major part was the models Lovö and Utö designed by Axel Einar Hjorth, but also some pieces designed by David Rosén for the Nordiska Kompaniet.
Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120
341. Poul Henningsen, a ‘Septima 4’ ceiling light.
319. Swedish Modern, two lacquered metal floor lamps, 1940’s–50’s. Blue textile shades, height 156 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
320. Philip Arctander, attributed to, a Clam Chair re–upholstered in white sheepskin, executed or sold by Vik & Blindheim Norway. Legs and armrests of lacquered beech, label marked by Vik & Blindheim Norway. Height 80 cm, width 69 cm, seat height ca 40 cm. Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
321. Carl–Axel Acking, a brass and white lacquered ceiling lamp for Bröderna Malmströms, Sweden 1940’s. Three perforated shades, height ca 35 cm, diameter 75 cm. Literature: The model illustrated in the Carl–Axel Acking Archives.
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
322. Harald Elof Notini, a floor uplight, model ‘15585’, Arvid Böhlmarks Lampvarufabrik, Sweden 1940–50’s. Brass, perforated and white lacquered metal shade, marked with a monogram and model number, height 170 cm. Literature: The model is illustrated in a product catalogue.
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
323. Bertil Söderberg, a pair of mahogany Swedish Modern easy chairs, Nordiska Kompaniet, 1940’s. Upholstered with an off–white fabric. Height 88 cm, width 60 cm, seat height 43 cm. Literature: Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1944, see the model illustrated from the restaurant Vingården (The wineyard), p 49.
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
324. Sten Blomberg, a mahogany showcase cabinet, executed by the workshop of cabinet maker Alfred Persson, 1950–60’s. The front with two glassed doors and three drawers with square handles, two glass shelves and a glass top, marked with label: Ritat av arkitekt Sten Blomberg utfört av Alfred Perssons Eftr. Height 175 cm, width 89 cm, depth 42 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
325. Arne Norell, a ‘Gary’ (The Thumb) easy chair for Gösta Westerberg, Sweden 1950’s. Uplholstered in a yellow plush, wooden legs. Height 79 cm, width ca 70 cm. Exhibitions: This model was shown at what was called the ‘Önskehemsutställningen’ in 1952. Literature: Andreas Siesing, ‘Svenska möbler – folkhemsform i ull, jakaranda, furu och bok 1949–1970’, Atlantis, Stockholm 2015, p 8, this model is found depicted in an advert from 1952.
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
326. Greta Magnusson Grossman, a ‘G–33’ (Grasshopper) floor light for Bergbom’s, Malmö, Sweden 1950’s. Lacquered in burgundy and off–white, stamped G–33 BERGBOM, height 124 cm. Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
327. Marianne och Rüdiger von Münchow, an ash sideboard for Svensk Hemslöjd, Sweden 1962. The front with drawers and doors in relief, height 76 cm, length 197 cm, depth 50 cm. Literature: Münchow, Marianne von & Münchow, Rüdiger von, 50 år form och färg: arkitektur, inredningar, konsthantverk, [M. von Münchow], [Huddinge], 1997, p. 26.
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
328. Bruno Mathsson, a birch side table for magazines, Karl Mathsson, Värnamo, Sweden 1961. Top in burled birch, four magazine holders in lacquered metal, marked with maker’s mark and dated 1961 (blurred), height 29, length 200 cm, width 60 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
329. Hans–Agne Jakobsson, a pair of ‘Festivus’, chandeliers, model ‘T478/A’, for AB Ellysett, Markaryd, Sweden 1960’s. 12 arms with shades in pine veneer, height ca 85 cm, diameter ca 90 cm. Literature: The model is illustrated in a product catalogue from 1961.
Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
330. Erik Höglund, a sixteen light chandelier, Boda, Sweden 1960–70’s. Iron base with cast and mould blown clear glass. Height ca 173 cm, diameter ca 54 cm, 3+4 extra iron links à 17–19,5 cm and two ceiling hooks included. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
331. Carl Fagerlund, a pair of glass and brass floor lights, Orrefors, Sweden 1960–70’s, model RD1990. Height including white textile shade 145 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
332. Alvar Aalto, a ‘Paimio’ chair. 333. Alvar Aalto. a ‘model 48’ easy chair. 336. Alvar Aalto, a ‘Tank’ easy chair.
332. Alvar Aalto, a partly black lacquered birch ‘Paimio’ chair by O.y Huonekalu–ja Rakennustyötehdas A.B for Artek, Finland 1930–40’s. Black lacquered frame of laminated birch, three solid wooden bars. Height 64 cm. Provenance: This chair was acquired in the Swedish city Skellefteå in the 1930–40’s. Reportedly the buying price was 5 SEK at the time. Literature: Red. Thomas Kellein, ‘Alvar & Aino Aalto. Design. Collection Bischofberger’, Hatje Cantz Verlag, Germany 2004. The model in this colouring depicted on the cover of the book and on page 41.
Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
333. Alvar Aalto, a ‘model 48’ easy chair for Oy Huonekalu– ja Rakennustyötehdas AB, Finland 1940–50’s. Laminated birch, armrests with leather, seat and back upholstered in a beige fabric, seat height 41 cm, height 80 cm. Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720
334. Alvar Aalto, a birch plywood model 31 cantilevered chair, karmstol, modell nr 31, O.y Huonekalu–ja Rakennustyötehdas, Finland. Partly lacquered in black. Height 72 cm. Provenance: This model was designed for the Paimio Sanatorium.
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
335. Alvar Aalto, a birch model 70 table, O.y Huonekalu–ja Rakennustyötehdas A.B for Artek, Finland. Partly lacquered i black. Diameter 63 cm, height 56 cm. Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
336. Alvar Aalto, a ‘Tank’ easy chair, ‘model 400’, probably manaufactured by Aalto Design in Hedemora, Sweden 1946–56. Laminated stained birch, upholstered in a red fabric, seat height 41 cm, height 78 cm. Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
337. Tapio Wirkkala, a laminated birch dish, Finland 1950’s. Signed TW, measurements ca 27,3 x 21 cm. Provenance: Bought by the present owner in Helsinki in 1953. (d)
Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
338. Tapio Wirkkala, a laminated birch plywood dish, Finland 1950’s. In the shape of an elongated leaf, signed TW, length 60,5 cm. Literature: Marianne Aav, ‘Tapio Wirkkala eye hand and thought’, WS Bookwell OY, Porvo Finland 2000. Pp 223–231. Tapio Wirkkala was introduced to laminating wood by the Finnish family Soinne who had a factory making plywood for aircraft propellers. He made his first objects in laminated plywood in 1948 and true to his way of working, he took inspriation from nature in creating objects in this material as well. The first objects were the smaller objects as leaf–shaped dishes. Later he moved onto more sculptural bigger shapes as well. (d)
Estimate: SEK 75 000 – 100 000 / EUR 6 970 – 9 300
339. Tapio Wirkkala, a laminated birch plywood dish, Finland 1950’s. In the shape of a leaf, signed TW. Length 17,5 cm, width 13,5 cm. (d)
Estimate: SEK 8 000 – 10 000 / EUR 750 – 930
340. Jens Nielsen, a daybed, Denmark 1921. Veneered in palisander with stained details, seat upholstered with red velvet, height 66 cm, length 190 cm. Provenance: Jens Nielsen and Olivia Holm–Möller Literature: Svenska Slöjdföreningens Tidskrift 1923, pp 17–23, review by Gregor Paulson.
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
341. Poul Henningsen, a ‘Septima 4’ ceiling light, Louis Poulsen, Denmark ca 1931.
342. Vilhelm Lauritzen, a beech and leather stool for Fritz Hansen, Denmark 1930’s.
Seven glass shades in part mat polished, part clear glass, mounts of brass. Height ca 64 cm, diameter 40 cm.
Marked with label, FH FRITZ HANSENS EFTFL CENTRAL 1673, height 45 cm, diameter 45 cm.
Literature: Ed. Tina Jørstian, Poul Erik Munk Nielsen, ‘TAEND! PH lampens historie’, Gyldendal, Denmark 1994. Pp 237–239. The Septima lamps were developed under a number of years in 1927–31. First came the model wth clear glass shades, in 1929 the model with amber coloured shades was introduced and in 1930–31 came the one with pink shades. This version ‘Septima 4’ was introduced in 1931.
Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400
Estimate: SEK 125 000 – 150 000 / EUR 11 620 – 13 940
343. Lysberg, Hansen & Therp, a palisander sideboard, Denmark, 1940–50’s. Brass details, marked with label, height 89,5 cm, width 217 cm, depth 51 cm. Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
344. Poul Henningsen, a bronze patinated metal ‘Hejsekrone’, Louis Poulsen, Denmark, 1931–37. Four matte white glass shades with a diameter of 20 cm, adjustable height, the central light can be adjusted. Literature: Ed. Tina Jørstian, Poul Erik Munk Nielsen, ‘TAEND! PH lampens historie’, Gyldendal, Danmark 1994. P 192.
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
345. Ole Wanscher, a pair of walnut armchairs, model 1755 for Fritz Hansen, Denmark 1945. Marked with label 15/9 45 and stamped FH, height 84 cm. Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400
346. Jens Risom, a sofa for atelier Jens Risom, Denmark 1940–50’s. Upholstered in a grey wool textile, feet in stained beech, length ca 190 cm, height ca 75 cm. Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
347. Mogens Lassen, a mahogany and brass ‘Egyptian Table’, executed by A.J Iversen, Denmark. Diameter 85 cm, height 54 cm. (d)
Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720
An interior from the Bøgh–Andersen villa. Foto: Ulf Knöppel.
The architect Svend Bøgh–Andersen (1916–1984) and his wife Hanne (1920–2015), who built and decorated the modernist house ‘Doktorn 5’ in the town Laholm, Sweden, in 1956. This table was ordered in 1949, when Anna Djernis Nielsen, Hanne Bøgh– Andersen's sister, was working as an interior decorator at the office of Finn Juhl. It is said that at the time, there were five of these tables executed by Niels Vodder. Svend Bøgh–Andersen was born in Aalborg, Denmark. He practiced as a mason before taking his architectural degree in 1943. This is re– flected in the many spectacular fireplaces you can see in the houses Svend Bøgh– Andersen designed. After he had graduated, Svend worked at a number of different Danish architectural offices, for example at Kay Fischer's office in 1943–46. After the war, the work situation in Denmark was difficult, the young couple moved to Kristianstad, Sweden, where Svend became assistant city architect (biträdande stadsarkitekt) in 1946. In 1950 the couple moved to the city Laholm in Halland where Svend was hired as a city architect. He remained on this post until 1974 and really put hismark on Laholm's architecture for many years, both with detached villas, restaurants such as ‘The Green Horse’, apartment buildings and more. Svend Bøgh–Andersen also had his own architectural firm called Arkitektgården, situated in the basement of his own villa ‘Skidbacken’ ( callled The Ski slope referring to its dramatic roof). In addition to this, the couple had a gallery operating in the villa. This meant the couple had a lot of socializing with many of the contemporary Swedish and Danish artists visiting
and they had a lot of nice dinners around the Finn Juhl table, for example: Waldemar Lorentzon, Axel Olson, Walter Bengtsson, Rolf Blomberg, Hans Fagerström, Bengt Orup, Gustaf Näsström, Barbro Jönsson, Signe Lanje, Hardy Strid, Staffan Sommelius and others. From Denmark: Richard Mortensen, Henri Clausen, Ib Spang Olsen, Ebbe Sadolin, Alex Secher, Hans Bendix, Grethe Bagge, Ole Bent Petersen, Adi Holzer, and others. In 2014, the Bøgh–Andersen couple were honored with an exhibition at the Hallands Museum in Halmstad ‘Där haven möts – ett arkitektpar, en villa, en garderob’ (‘Where the oceans meets – an architect couple, a villa, a wardrobe’). The villa has mainly been preserved in its original condition, both the exterior and the interior. The building became what is called a cultural monument (kulturminne) in 2011.
348. Finn Juhl, a teak ‘Judas’ or ‘Silver’ table, executed by Niels Vodder, Denmark, 1940–50–tal. Total length 307 cm including two leaves á 54,5 cm, width 140 cm, height 74 cm. Provenance: The architect Svend Bøgh–Andersen and his wife Hanne, who built and decorated the modernist house ‘Doktorn 5’ in the town Laholm in 1956. This table was ordered in 1949, when Anna Djernis Nielsen, Hanne Bøgh–Andersen’s sister, was working as an interior decorator at the office of Finn Juhl. It is said that at the time, there were five of these tables executed by Niels Vodder.
Estimate: SEK 150 000 – 200 000 / EUR 13 940 – 18 590
349. Jørgen Høj, a set of eight teak and rattan dining chairs, Thorald Madsen’s Snedkeri, Copenhagen Denmark 1950’s. Marked with metal labels: THORALD MADSENS Snedkeri København, brown seat cushions in artficial leather. Height 79 cm, width 50 cm, seat height 44 cm Provenance: The architect Svend Bøgh–Andersen and his wife Hanne, who built and decorated the modernist house ‘Doktorn 5’ in the town Laholm in 1956. Literature: Ed. Grete Jalk, ‘Dansk Møbelkunst gennem 40 aar’, Teknologisk Institut Forlag, Danmark 1987, 1947–56, s 182. This model was first shown at the cabinetmakers guild’s exhibition at Kunstindustrimuseet in Copenhagen in 1951.
Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650 Lot no 348. Finn Juhl, lot no 349. Jørgen Høj. Foto: Ulf Knöppel.
350. Bodil Kjaer, five upholstered oak easy chairs executed by Harbo Sølvsten, Denmark ca 1955. Upholstered seat and back with a grey fabric. Height 96 cm, width 52 cm, seat height ca 36 cm. Provenance: The architect Svend Bøgh–Andersen and his wife Hanne, who built and decorated the modernist house ‘Doktorn 5’ in the town Laholm in 1956. Literature: Bodil Kjaer, ‘Elements of Architecture : Works from 1955–1963 by Bodil Kjær’, Form Portfolios, Copenhagen 2017, this model depicted as a chair with ‘detachable legs’ (pages not numbered).
Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
Lot no 350. Bodil Kjaer, lot no 351. Kurt Østervig. Foto: Ulf Köppel.
Foto: Christina LIndvall Nordin
351. Kurt Østervig, a teak set of four nesting tables, Jason Møbler, Denmark 1950’s. A larger rectangular table with three smaller ones underneath, 150 x 30 cm, height 46 cm, 35 x 28 cm, height 42 cm. Provenance: The architect Svend Bøgh–Andersen and his wife Hanne, who built and decorated the modernist house ‘Doktorn 5’ in the town Laholm in 1956.
Estimate: SEK 6 000 – 8 000 / EUR 560 – 750
352. Ole Wanscher, a mahogany ‘Egyptian stool’, Poul Jeppesen–møbler, Danmark. Maker’s metal label, 55 x 33 cm, height 40 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
353. Ib Kofod Larsen, a sideboard for Seffle Möbelfabrik, Sweden 1960’s. Palisander, interior with shelves, one section with lacquered drawers, maker’s mark, length 244 cm, depth 47 cm, height 72 cm. Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
354. Finn Juhl, a model 133 rosewood easy chair from France & Son, Denmark. Seat height 41, height 75 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
355. Severin Hansen, a palisander desk for Haslev Møbelfabrik, Denmark 1950–60’s. The front with drawers, maker’s mark, height 72 cm, length 142 cm, depth 75 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
356. Ole Wanscher, a pair of ‘Colonial Chair, PJ 149’ easy chairs by Poul Jeppesen, Denmark. Palisander, rattan seats, cushions upholstered in black leather. One seat with maker’s metal plaque. Seat height ca 42 cm. Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
357. Jørgen Høj, an oak cabinet executed by cabinetmaker Knud Willadsen, Lillerød, Denmark 1952. Two doors with relief pattern, marked with label Knud Willadsen Møbelsnedkeri Lillerød, height 125 cm, width 125 cm, depth 45 cm. Literature: Illustrated in Danish Furnitureindex.
Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790
362. Hans J Wegner, a teak JH–574 bench.
358. Hans J Wegner, a ‘Papa bear’ easy chair, model AP19 for AP–stolen, Denmark 1950–60’s. Teak and oak, upholstered in a grey/brown wool fabric, leather buttons, marked with metal label, height 98 cm, seat height 40 cm, width 90 cm. Estimate: SEK 50 000 – 75 000 / EUR 4 650 – 6 970
359. Hans J Wegner, an ‘AT–314’ dinner table, Andreas Tuck, Denmark 1950–60’s. Teak, beech and brass, maker’s mark: ANDR. TUCK DESIGN: HANS J. WEGNER MADE IN DENMARK, measurements 194 x 105,5 cm, height 71,5 cm, total length 190 + 60 + 60 = 310 cm. Estimate: SEK 150 000 – 200 000 / EUR 13 940 – 18 590
360. Hans J Wegner, a ‘Mama bear’, easy chair, model AP27, for AP–stolen, Denmark 1950–60’s. Upholstered in a violet wool fabric, armrests and legs in oak, seat height 40 cm, height 108 cm. Estimate: SEK 50 000 – 75 000 / EUR 4 650 – 6 970
359. Hans J Wegner, an ‘AT–314’ dinner table. 361. Hans J Wegner, a set of six teak and rattan ‘Cowhorn Chairs’ ‘JH–505’,
361. Hans J Wegner, a set of six teak and rattan ‘Cowhorn Chairs’ ‘JH–505’, executed by cabinetmaker Johannes Hansen, Denmark 1950–60’s. Maker’s metal labels on four chairs, height 74 cm, width 58 cm, seat height 42 cm. Literature: Johan Møller Nielson, 'Wegner en Dansk Møbelkunstner', Copenhagen 1965, p 76. Grete Jalk (ed), 'Dansk Møbelkunst gennem 40 aar', vol III: 1947–1956, Copenhagen 1987, p 213. Jens Bernsen, 'Hans J Wegner: om Design', exhibition catalogue, Dansk Design Center, Copenhagen 1995, p 75. Christian Holmsted Olesen, 'Wegner: just one good chair', Design Museum Denmark, Copenhagen, 2014, p 136.
Related content: The model was designed in 1952. Cites certificate, valid within the EU included. Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory, tortoiseshell and palisander. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country
Estimate: SEK 150 000 – 200 000 / EUR 13 940 – 18 590
362. Hans J Wegner, a teak JH–574 bench, Johannes Hansen Danmark. Maker’s mark underneath, 140 x 50 cm, height 32 cm. Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
363. Hans J Wegner, a pair of CH–22 oak and cord easy chairs, Carl Hansen & Son, Denmark, mid 20th C. Maker’s marks, height 72 cm, width 66 cm, seat height 38 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330
364. Hans J Wegner, a teak, beech and brass dining table model ‘ AT–314’, for Andreas Tuck, Denmark 1950–60’s. Maker’s mark: ANDR. TUCK DESIGN: HANS J. WEGNER MADE IN DENMARK, length 128 cm + 2 leaves à 54 cm, total length 236 cm, width 86 cm. Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720
365. Hans J Wegner, a set of 10 ‘JH–701’ chairs by Johannes Hansen, Denmark. Steel base, seats reupholstered in natural leather, the back rest with inlays of wengé, seat height 42 cm, height 68 cm. Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580
366. Finn Juhl, a ‘Bo59’ teak easy chair, Bovirke Denmark, 1950–60’s. Upholstered in two different hues of grey fabric. Height 81 cm, width 65 cm, seat height ca 42 cm. Estimate: SEK 30 000 – 35 000 / EUR 2 790 – 3 260
367. Finn Juhl, a ‘Bo59’ teak easy chair, Bovirke, Denmark, 1950–60–tal. Upholstered in a black fabric. Height 81 cm, width 65 cm, seat heigh ca 42 cm. Estimate: SEK 30 000 – 35 000 / EUR 2 790 – 3 260
368. Scandinavian designer, a palisander sideboard, 1960’s. The front with two doors and drawers, handles and details in brass, height 140 cm, length 175 cm, depth 43 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860
369. Poul Kjaerholm, a set of six ‘PK9’ chairs, edition E Kold Christensen Denmark. Dark brown leather, polished steel base, maker’s mark to the steel, seat height 41, total height 76 cm. Later fabric covers included. Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440
370. Poul Kjaerholm, a ‘PK31–3’ sofa, edition E Kold Christensen, Denmark 1960’s. Black leather and brushed steel, marked with the E Kold Christensen maker’s mark, height 71 cm, length ca 200 cm. Estimate: SEK 40 000 – 45 000 / EUR 3 720 – 4 190
371. Poul Kjaerholm, a ‘PK 61’, polished steel and slate top coffee table by E Kold Christensen, Denmark 1960–70’s. Maker’s mark in the steel, height ca 32 cm, width 80 cm, length 80 cm. Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720
372. Poul Kjaerholm, a pair of ‘PK31’ easy chairs, edition E Kold Christensen, Denmark 1960’s. Black leather and brushed steel, marked with the E Kold Christensen maker’s mark, height 71 cm. Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650
330. Erik Hรถglund, a sixteen light chandelier.
338 and 339. Tapio Wirkkala, a laminated birch plywood dish.
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