Bukowskis | Modern Art + Design 636 | Design | November 2021

V I E W I N G N OV EM B ER 11 –1 6 | B ER Z ELI I PA R K 1 , S TO C K H O LM A U C T I O N N O V E M B E R 1 7 – 1 8 | A R S E N A L S G ATA N 2 , S T O C K H O L M

For inquiries please contact Design & 20th Century Works of Art Eva Seeman, +46 708 92 19 69 eva.seeman@bukowskis.com

Design & 20th–21st Century Works of Art Jonatan Jahn, +46 703 92 88 60 jonatan.jahn@bukowskis.com

Design & 20th Century Works of Art Camilla Behrer, +46 708 92 19 77 camilla.behrer@bukowskis.com

Cover: 283. Josef Frank, a cabinet covered with Georges Peltier’s ‘Plan de Paris à vol d’oiseau’, Svenskt Tenn, Stockholm, ca 1937–1943.

Carpets, Textiles & Islamic Works of Art Anette Granlund, +46 708 92 19 92 anette.granlund@bukowskis.com

Bukowskis auctions autumn 2021

How to participate in our auctions

Contemporary Art & Design Stockholm Viewing: October 27 – November 1 Auction live: November 2

Important Timepieces Stockholm Viewing: October 27 – November 1 Auction live: November 2

Design Sale Helsinki

There are four ways to bid at Bukowskis.

1

By phone

2

Live bidding

3

Absentee bidding

4

In the saleroom

Online only auction: October 8−24

Modern Art + Design Stockholm Viewing: November 11–16 Auction live: November 17–18

Important Winter Sale Stockholm Viewing: December 2–7 Auction live: December 8–10

Helsinki Winter Sale Online only auction: November 12−28

If you prefer to bid by phone, we will call you from the saleroom and bid on your behalf.

Bid in real–time online from wherever you are at bukowskis.com. Live/hammer auctions requires validation, contact customer service for registration.

Place an absentee bid at least one hour before the sale and we will bid on the item for you.

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Once registred for a paddle you are welcome to bid in the saleroom. The auctioneer will announce the bids. If the object and price is right, raise the paddle. Continue until you are the only bidder remaining.

Bukowskis Stockholm Arsenalsgatan 2 Box 1754 111 87 Stockholm, Sweden T +46 8 614 08 00 F +46 8 611 46 74 www.bukowskis.com

Estimates are given in Swedish kronor (SEK) and € (EUR).

Bukowskis general terms and conditions for buyers and sellers, bidding instructions, and special terms and conditions for individual lots can be found at bukowskis.com

WEDNESDAY NOVEMBER 17 From 11 am (CET) Number Glass

1–59

Ceramics 60–152 Silver and Jewellery

153–176

Carpets 177–242 Furniture and Works of Art

243–438

THURSDAY NOVEMBER 18 From 1 pm (CET) Number Art

439–702

Prints 703–743

1. Karl Lindeberg (Sweden, 1877–1931), an Art Nouveau cameo glass vase, Kosta, Sweden, early 20th century.

Etched decor with rasperry red violets against a frosted ground, signed Kosta K Lindeberg, height 15,3 cm, diameter 15,3 cm.

Literature: Helena Dahlbäck Lutteman (ed), Svenskt Jugendglas, överfångsglas 1898–1918, The National Museum exhibition catalogue, no 440, 1980, compare the model illustrated from Waldemarsudde in light blue cameo, W 465 K, catalogue no 93, p 33.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

2. Axel Enoch Boman (Sweden, 1875–1949), a unique Art Nouveau cameo glass vase, Reijmyre, Sweden 1913, no 312.

Decorated with bluebells in blue and green against a pink ground, signed Reijmyre A.E Boman 1913 N= 312 UNIK, height 27,5 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

3. Simon Gate (Sweden, 1883–1945), Knut Bergqvist & Heinrich Wollman, a ‘graal’ glass vase, Orrefors, Sweden 1917, no 390.

Decorated with branches of leaves in blue and purple, signed SGraal Orrefors 1917 KB – HW N: 390, height 26 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

4. Peder Nyblom (Sweden, 1902–1981), a painted glass bottle and beaker, Orrefors 1924.

Painted decor in red, blue, black and gold, square bottle decorated with queens of heart, spades, diamonds and clubs, signed P.N 1924, height 17 and 10 cm.

Provenance: Gustav Abels, engraver at Orrefors Glassworks 1915–59, thence by descent. (d)

Estimate: SEK 3 000 – 4 000 / EUR 300 – 400

5. Simon Gate (Sweden, 1883–1945), a Swedish Grace engraved glass bowl with stand, Orrefors 1930, model 147, engraved by Karl Rössler.

Stylized decor with dancing figures and plants, the bowl signed Orrefors. Gate. 147. KR 1930, the base with engraved monogram, dated 11/4 1930, length 37,7 cm, width 22,8 cm, total height 12 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

6. Edward Hald (Sweden, 1883–1980), an engraved blue glass ‘Fyrverkeriskålen’ glass bowl, Orrefors 1957, engraved by Karl Rössler.

Decorated with an engraved park scene with figures and fireworks, signed Orrefors Hald 248. C5. KR and label marked. Höjd 20,5 cm, diameter 26,7 cm.

Exhibitions: The model was shown at the 1925 Paris World’s Fair and at the touring exhibition ‘Swedish Contemporary Decorative Arts’ at the Metropolitan Museum of Arts in New York 1927 and the following exhibition in Chicago 1927.

Estimate: SEK 50 000 – 60 000 / EUR 4 900 – 5 880

7. Edvin Öhrström (Sweden, 1906–1994), an ‘Ariel’ glass vase, Orrefors 1952.

Square with polished sides, decorated with a girl with a dove in purple against clear glass, signed Orrefors Sweden Ariel nr: 1490E Edvin Öhrström, measurements 11,3 x 11,3 cm, height 18 cm.

Provenance: Engraved inscription underneath, dated 1952. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

8. Sven Palmqvist (Sweden, 1906–1984), a ‘Ravenna’ glass bowl, Orrefors 1952.

Decorated in blue and orange, signed Orrefors Ravenna nr: 245 Sven Palmqvist, 20,5 x 15,5 cm, height 14,5 cm.

Provenance: Gustav Abels, engraver at Orrefors Glassworks 1915–59, thence by descent. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

9. John Selbing (Sweden, 1908–2001), a glass sculpture ‘Klot över kon’, Orrefors, Sweden 1957.

Clear glass, signed Orrefors Expo s u 16–57.

John Selbing (1908–2001) played for many years an important role for Orrefors as the company’s photographer. In the early 1950s, he also designed some sculptures of thin glass in geometric shapes of which these ‘Klot över kon’ are the most famous. Originally, they were composed as a group of three sculptures of different heights. In 1961 came the similar ‘Cylinder över kon’ Provenance: Bought ca 1957. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

10. Nils Landberg (Sweden, 1907–1991), an engraved glass vase, Orrefors, Sweden 1941, engraved by John Rosenstam.

Decorated with two female figures with fruit baskets, signed Orrefors N. Landberg J.R 1941 and label marked. Height 30,8 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

11. Nils Landberg (Sweden, 1907–1991), a blue glass goblet, Orrefors, Sweden 1957.

Signed Orrefors expo N 312–57 N. Landberg. Height 46,3 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

12. Nils Landberg (Sweden, 1907–1991), a red and green tinted glass vase, Orrefors 1961.

13. Ingeborg Lundin (Sweden, 1921–1992), a glass vase, Orrefors, Sweden 1957.

Signed ORREFORS Expo nu 674–61. Height 33,3 cm.

Blue tinted glass decorated with green dots, signed ORREFORS Expo 24–57 I Lundin. Height 17 cm, diameter ca 22,5 cm.

(d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

(d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

13A. Ingeborg Lundin (Sweden, 1921–1992), an ‘ariel’ glass vase, ‘Ansikten’ (Faces), Orrefors, Sweden 1969.

Decorated in purple hues against clear glass, signed ORREFORS Ariel Nr. 531-D Ingeborg Lundin. Height 17,3 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

14. Bengt Edenfalk (Sweden, 1924–2016), a ‘Thalatta’ glass vase, Skruf, Sweden 1960s.

Oval gourd shaped, yellow/brown underlay decorated with faces, signed 235/60 UNIK TALATTA Bengt Edenfalk Skruv SWEDEN and label marked. Height 31,7 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

15. Edvin Öhrström (Sweden, 1906–1994), a blue/ turquoise coloured cast glass sculpture of a bull’s head, Lindshammar glassworks, Sweden, signed and dated 1953.

Signed E. Öhrström 1953, height 71 cm, including later stained pine base, width ca 59 cm, the base 35 x 21 cm.

During the 1950s, Öhrström developed a method for casting glass in large modeled iron moulds. All sculptures except a few were executed at Lindshammar glassworks. The first cast glass sculpture was a ‘Bull’s Head’ in clear glass that attracted a lot of attention when it was first shown in 1953. Öhrström used clear glass but also experimented with different colours, sometimes synthetic colours that had a greater opportunity to capture the light. This sculpture in blue–turquoise glass signed in 1953, should be one of the first coloured pieces of ‘Bull’s Head’.

Provenance: Bukowskis Moderna, spring 1999, sale 511, catalogue no 921.

Literature: Märta Holkers, Folke Holmér, ‘Edvin Öhrström, skulptör i glas’, Carlssons, 1991, see pp 16–19 and compare the sculptures illustrated at the front and back cover. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

16. Ann Wolff (Sweden, 1937–), an etched and sand blasted footed glass bowl, Sweden 1979, glassblower Wilke Adolfsson.

Blue, yellow and red glass with leaves in clear glass, etched and sand blasted decor of a riding figure on a leopard and a bird, signed Ann Wärff WILKE 79. Height 22,5 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

17. Edvin Öhrström (Sweden, 1906–1994), a cast glass sculpture, Lindshammar glassworks, Sweden probably 1960s.

18. Ann Wolff (Sweden, 1937–), a glass bowl, ‘Familjefesten’ (The family party), Sweden 1979.

Crystalline composition of joined parts in green glass, cast in plinth, engraved signature E Öhrström, height 49,5 cm, width 41,5 cm.

Amber and clear glass, etched and polished decoration, signed ‘FAMILJEFESTEN’ Ann Wärff 1979. Diameter 25,5 cm.

(d)

Provenance: Galleri Larsson, Gävle, acquired by the present owner. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

Estimate: SEK 5 000 – 6 000 / EUR 490 – 590

19. Gunnar Cyrén (Sweden, 1931–2013), a ‘graal’ glass vase, Orrefors, Sweden 1989.

Decorated in green and blue of an embracing couple in a boat among waves, a fish, plants and a goat, signed Orrefors 957172 Gunnar Cyrén EA 1–89, Cyrén and label marked. Height 23,3 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

20. Eva Englund (Sweden, 1937–1998), a ‘graal’ glass vase, Orrefors, Sweden 1986.

Decorated with faces in several colours, signed Orrefors 951330 Eva Englund Graal 1–86 and label marked, height 30,5 cm.

Provenance: Bought at Bukowskis Moderna sale 545, Fall 2007, lot no 983. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

21. Eva Englund (Sweden, 1937–1998), a ‘graal’ glass vase, Orrefors 1986.

Decorated with faces in several colours, signed Orrefors 953230 Eva Englund Graal 1–86. Height 27,5 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

22. Eva Englund (Sweden, 1937–1998), a ‘graal’ glass vase, Orrefors 1987.

Decorated with faces in orange, red, blue and purple, signed Orrefors 940530 Eva Englund Graal 1–87. Height 33,5 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

23. Eva Englund (Sweden, 1937–1998), a ‘graal’ glass vase, Orrefors 1989.

Decorated with four figures in blue and orange hues, signed Orrefors 913431 Eva Englund EA 1–89 and Eva Englund. Height 20,5 cm, diameter ca 17 cm.

Provenance: Bought at Bukowskis Moderna, sale 527, Spring 2003, lot no 1165. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

24. Eva Englund (Sweden, 1937–1998), a ‘graal’ vase, Orrefors 1989, EA–1.

Abstract decoration i rusty hues against pink and light blue, signed Orrefors 910231 Eva Englund EA–1 –89 and with her own signature. Height 19,5 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

25. Eva Englund (Sweden, 1937–1998), a ‘graal’ glass vase, Orrefors, Sweden 1990.

Decorated with three faces in several colours, signed Orrefors 935931 Eva Englund EA 1–90, Eva Englund. Height 29 cm, diameter 21,5 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

26. Erik Höglund (Sweden, 1932–1998), a glass sculpture / vase in the shape of a bull’s head, Strömbergshyttan, Sweden 1994, EA. Decorated in several colours, signed EH 1994 Sg Strömbergshyttan Hg – Lp – MA, EA EX ERIK HÖGLUND. Height 46,3 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

27. Ulrica Hydman–Vallien (Sweden, 1938–2018), a unique painted glass sculpture ‘Marilyn’.

Green tinted glass, painted decor of a face, mounted to a black granite base, height excluding base, 41 cm, width ca 39 cm.

Provenance: Lars and Barbro Andersson, Katrineholm, Sweden. (d)

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

28. Bengt Lindström (Sweden, 1925–2008), a blasted glass vase, Kosta Boda, numbered 9/95.

Oval footed vase with handles, blasted decor of a face in blue, green, yellow and pink. Signed Lindström 9/95 Kosta –82 and label marked Kosta Crystal Collection. Height 21,5 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

29. Bengt Lindström (Sweden, 1925–2008), a ‘Mask C Gul’ glass sculpture, Berengo, Murano, Italy 2000, ed. 3/8.

Yellow and red glass, signed LINDSTRÖM 3/8, height 43,5 cm, total height including plexi stand 64,5 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

30. Bertil Vallien (Sweden, 1938–), a unique sand cast glass sculpture, Kosta Boda, Sweden.

Decorated with a face, signed B. Vallien KOSTA BODA UNIQUE 1363990110, height 32 cm, total heigt including stone base 43 cm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

31. Bertil Vallien (Sweden, 1938–), a sand cast sculpture of a boat, Kosta Boda Sweden 2006, on original steel stand.

31. Bertil Vallien (Sweden, 1938–), a sand cast sculpture of a boat, Kosta Boda Sweden 2006, on original steel stand.

Blue tinted glass with internal polychrome elements. Signed B. Vallien 7186240 KOSTA BODA UNIQUE. Length 180,5 cm, resting on steel stand, 200 x 11 cm, height 74 cm.

Literature: Gunnar Lindqvist, ‘Bertil Vallien, Glass eats light’ Carlsson Bokförlag, Stockholm 1990–1999. Compare ‘Blue Voyage’ pp 168–169. (d)

Estimate: SEK 250 000 – 300 000 / EUR 24 490 – 29 390

32. Bertil Vallien (Sweden, 1938–), a sand cast ‘Head’ glass sculpture, Kosta Boda, Sweden ca 1996.

Blue glass with metal details. Signed B. Vallien KOSTA BODA UNIQUE 8BVAUN 96919(9?) blurred, height ca 21 cm, width ca 12,5 cm, depth ca 19 cm, total height ca 182 cm including sandstone pillar on an iron plate.

Literature: Gunnar Lindqvist, ‘Bertil Vallien – Glas äter ljus’, Carlssons 1999, compare similar sculptures illustrated from Bertil Vallien’s exhibition in Borgholm Castle, 1996, pp 214–215, in Palazzo Ducal, Venice, 1996, pp 252–253 and see also pp 220–223. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

33. Per B Sundberg (Sweden, 1964–), a unique ‘Fabula’ glass vase, Orrefors, Sweden 2004.

Decorated with sailing ships, signed Orrefors 961387 Per B Sundberg Unique 2004, Per B Sundberg. Height 21 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

34. Per B Sundberg (Sweden, 1964–), a unique ‘litograal’ glass vase, Orrefors 2004.

Matte surface with ground reserves, interior with black and white litograal prints, signed Orrefors 9664–87 Per B Sundberg unique 2004 and marked P B SUNDBERG LITOGRAAL. Height 16 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

35. Peter Hermansson (Sweden, 1975–), a unique ‘graal’ glass vase, Örsjö, Sweden 2012.

Decorated with faces in black and white against green, orange, red and black. Signed Peter Hermansson Graal Unique 2012 glasblåsare Micke Johansson Örsjö. Height 43 cm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

36. Tapio Wirkkala (Finland, 1915–1985), a glass art object, Iittala, Finland 1950s.

Signed TAPIO WIRKKALA – IITTALA, diameter 15,3 cm, height 9 cm.

Literature: ‘Tapio Wirkkala, A poet in Glass and Silver’, Collection Kakkonen, The Finnish Glass Museum, Riihimäki, 2013, compare the model illustrated p 306.

Estimate: SEK 5 000 – 6 000 / EUR 490 – 590

37. Saara Hopea (Finland, 1925–1984), a ‘Panther’ glass vase, Nuutajärvi Notsjö, Finland 1955.

38. Saara Hopea (Finland, 1925–1984), a ‘Panther’ glass vase, Nuutajärvi Notsjö, Finland 1957.

Clear glass with air and purple dots, signed S. Hopea Nuutajärvi Notsjö –55, height 16,5 cm.

Clear glass with air and purple dots, signed S. Hopea Nuutajärvi Notsjö –57, height 16,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

39. Kaj Franck (Finland, 1911–1989), a glass vase ‘model KF 239’, Nuutajärvi Notsjö –59.

Oval shape, ruby red, smoke coloured and clear glass, signed K. Franck, Nuutajärvi Notsjö –59. Height 35 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

40. Kaj Franck (Finland, 1911–1989), a ‘The bells of Kremlin’ glass decanter, Nuutajärvi Notsjö, Finland 1963.

Red, purple and smoke coloured glass in three parts, engraved signature K. Franck, Nuutajärvi Notsjö –63, and label marked.

Total height 35 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

41. Nanny Still (Finland, 1926–2009), a yellow and black ‘Melon’ vase/sculpture, Riihimäen Lasi Oy, Finland.

Signed Nanny Still Riihimäen Lasi Oy. Height 10,5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

42. Timo Sarpaneva (Finland, 1926–2006), a ‘Claritas’ glass sculpture, Iittala, Finland 1984.

Clear glass, hand moulded, cut and polished, signed Timo Sarpaneva Iittala 1984 C 961. Height 27 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

43. Oiva Toikka (Finland, 1931–2019), a large glass sculpture of a ‘Kaiku’ rooster, Nuutajärvi, Finland 1980–1990s.

Decorated in blue, grey and red, label marked and signed O. Toikka Nuutajärvi, height 32 cm.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

44. Emile Gallé (France, 1846–1904), a ‘firepolished’ Art Nouveau glass bowl, Cristallerie de Nancy, France ca 1900.

Decorated with a magnolia branch in pink against a white and green ground, signed Cristallerie de Gallé Nancy, 15. Diameter ca 24 cm, height 11,5 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

45. Emile Gallé (France, 1846–1904), an Art Nouveau cameo glass vase, Nancy, France, ca 1900.

Etched floral decor in green and blue against a yellow matte ground, signed Gallé. height 16,3 cm, diameter ca 13 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

46. Emile Gallé (France, 1846–1904), a ‘firepolished’ Art Nouveau cameo glass vase, Nancy, France, ca 1900.

Amber coloured floral decor against a pink ground, cameo signature ‘Gallé’. Height 41,2 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

47. Emile Gallé (France, 1846–1904), an Art Nouveau cameo glass vase, Nancy, France.

Etched floral decor in burgundy and blue/violet against a yellow matte ground, signed Gallé. Height 24,2 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

48. Emile Gallé (France, 1846–1904), an Art Nouveau cameo glass vase, Nancy, France, post 1904.

Etched floral decor i purple and green against a white and peach matte ground, cameo signature Gallé with star. Height 55,3 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

49. Emile Gallé (France, 1846–1904), an Art Nouveau cameo glass vase, Nancy, France, post 1904.

50. Daum, an Art Nouveau enamel painted cameo glass vase, Nancy France.

Etched decor with aubergine coloured wisteria against an apricot toned ground, cameo signature Gallé with star.

Height 63,5 cm.

Decorated with trees in a spring landscape with a lake in yellow, different green hues, brown and black against a blue tinted background. Signed DAUM NANCY, height 35 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

51. Loetz, a ‘Baumstammform mit schlange’ Art Nouveau vase, Klostermühle, Austria ca 1900.

Green iridescent glass in the shape of a tree trunk with an applied meandering snake, engraved signature Loetz Austria. Height 32 cm.

Literature: Helmut Ricke (ed) ‘Lötz, Böhmisches Glas 1880–1940’, Band 2, Katalog der Musterschnitte, Prestel–Verlag, see p 111 and 431, serie II, no 715.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

52. Louis Comfort Tiffany, an Art Nouveau ‘Favrile’ glass vase, USA. Iridescent surface, decorated with straws of grass, signed 10131 L.C.T and with a paper label. Height 32,5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

55. Fulvio Bianconi (Italy, 1915–1996), a ‘Fasce Orizzontali’ model 4315 glass vase, Venini. Murano, Italy 1950s.

57. Paolo Venini (Italy, 1895–1959), a black and yellow ‘ Mezzaluna Murrine’ vase, Venini Italy 1950s.

54. Fulvio Bianconi (Italy, 1915–1996), a polychrome ‘a Fasce di Colore’ vase, Venini Murano Italy, 1950–1960s.

234. Brita Grahn (1907–2003), a carpet, flat weave, ca 354,5 x 277 cm, signed Brita Grahn.

306. Josef Frank (Austria, 1885–1967), a ‘model 2125’ sofa table, Svenskt Tenn, Sweden 1960s.

53. Tyra Lundgren (Sweden, 1897–1979), a ‘Fenicio’ model 3863 glass vase, Venini, Murano, Italy 1950s–60s.

Oval with a four sided mouth, striped decor in red against clear glass.

Height 31,3 cm.

Literature: Anna Venini Diaz Santillana, ‘Venini, Calaogue Raisonné 1921–1986’, Skira 2000, see Catalogo Rosso, fol 79, p 276, model no 3863.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

54. Fulvio Bianconi (Italy, 1915–1996), a polychrome ‘a Fasce di Colore’ vase, Venini Murano Italy, 1950–1960s.

Horizontal bands in blue, green, black and red glass against a clear background, a rectangular acid etched signature venini murano ITALIA and maker’s paper label. Height 20 cm.

Provenance: This vase was acquired by a person who worked with art glass during all her life. The vase has been in the same family since the mid 20th century. Thence by descent to the present owner.

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

55. Fulvio Bianconi (Italy, 1915–1996), a ‘Fasce Orizzontali’ model 4315 glass vase, Venini. Murano, Italy 1950s.

Bottle shaped, decorated in red and blue, rectangular acid stamp venini murano ITALIA. Height 33 cm.

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

55A. Ginette Gignous (Italy, 1891–1982), a ‘Pioggia’ glass vase, Venini, Murano, Italy 1960s.

White opaque vertical stripes against clear glass, etched stamp venini murano (blurred). Height 22 cm.

Literature: Anne–Marie Katins (ed), ‘Italienisches Glas Murano Mailand 1930–1970’, Prestel–Verlag 1996, compare the model illustrated p 175, catalogue no 167.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

56. Riccardo Licata (Italy, 1929–2014), a ‘Fascia murrine’ glass vase, Venini, Murano, Italy 1950s–60s.

Oval, white opaque glass with a white and brown ‘incalmo murrine’ band, etched stamp venini murano (ITALIA partly visible). 13,2 x 11,5 cm, height 13 cm.

Literature: Helmut Ricke & Eva Schmidt, ‘Italienisches Glas, Murano Mailand 1930–1970, Die Sammung der Steinberg Foundation’, Prestel Verlag, München 1996, compare the models illustrated pp 134–135.

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

57. Paolo Venini (Italy, 1895–1959), a black and yellow ‘Mezzaluna Murrine’ vase, Venini Italy 1950s.

In the shape of an hour–glass. Height 17,7 cm, diameter ca 10,7 cm.

Literature: Anne–Marie Katins (ed), ‘Italienisches Glas Murano Mailand 1930–1970’, Prestel Verlag 1996, this model depicted in two different colourings p 144, catalogue nr 125, 127.

Estimate: SEK 75 000 – 100 000 / EUR 7 350 – 9 800

58. Alessandro Pianon (Italy, 1931–), a ‘Pulcino’ glass sculpture of a bird, Vistosi, Murano, Italy 1960’s.

59. Peter Pelzel (Italy, 1937–), a blue glass vase, Vistosi, 1960s.

Blue glass, decorated with murrine, legs of copper, height 25 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

Estimate: SEK 40 000 – 45 000 / EUR 3 920 – 4 410

Decorated with murrine in black and darker blue. Height 40 cm.

75. Berndt Friberg (Sweden, 1899–1981), a large stoneware urn, Gustavsberg studio, Sweden, 1968.

60. Gunnar G:son Wennerberg (Sweden, 1863–1914), two ceramic Art Nouveau vases, Gustavsberg, Sweden, one dated 1907.

‘Sgraffito’ relief decor with leaves in green, yellow and a little blue, signed Gustafsberg 1907 with anchor mark GWennerberg and Gustafsberg GW. Height 29 och 31,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

61. Wilhelm Kåge (Sweden, 1889–1960), a stoneware vase, Gustavsberg studio, Sweden 1955.

62. Wilhelm Kåge (Sweden, 1889–1960), a ‘Farsta’ stoneware jar, Gustavsberg studio, Sweden 1950’s.

Green glaze decorated with stripes and dots in darker green, grey and silver. Signed GUSTAVSBERG KÅGE with the studio mark, Z, height 17,2 cm.

Decorated with squares in relief, partly glazed in off–white, signed KÅGE and marked GUSTAVSBERG and studio stamp. Height 24 cm, diameter ca 23,5 cm.

(d)

Estimate: SEK 4 000 – 5 000 / EUR 400 – 490

(d)

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

63. Wilhelm Kåge (Sweden, 1889–1960), a ‘Farsta’ partly glazed stoneware vase, Gustavsberg, Sweden 1940.

Scratched vertical lines, partly glazed in turquoise hues, signed GUSTAVSBERG anchor mark FARSTA KÅGE J. Height 22,5 cm. (d)

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

64. Wilhelm Kåge (Sweden, 1889–1960), a large ‘Farsta’ stoneware urn with cover, Gustavsberg studio, Sweden 1960.

Glazed in green, turquoise and blue, signed KÅGE K.9 and impressed mark FARSTA and studio stamp. Height 32 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

65. Wilhelm Kåge (Sweden, 1889–1960), a stoneware ‘Farsta’ bowl, Gustavsberg Studio Sweden 1959.

Scratched decoration, glazed in ochre and green, signed with the studio mark, FARSTA KÅGE i9. Length 13 cm, height 8,5 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

67. Berndt Friberg (Sweden, 1899–1981), a stoneware vase, Gustavsberg studio, Sweden 1976.

77. Berndt Friberg (Sweden, 1899–1981), a stoneware vase, Gustavsberg studio, Sweden 1968.

62. Wilhelm Kåge (Sweden, 1889–1960), a ‘Farsta’ stoneware jar, Gustavsberg studio, Sweden 1950’s.

64. Wilhelm Kåge (Sweden, 1889–1960), a large ‘Farsta’ stoneware urn with cover, Gustavsberg studio, Sweden 1960.

65. Wilhelm Kåge (Sweden, 1889–1960), a stoneware ‘Farsta’ bowl, Gustavsberg Studio Sweden 1959.

364. Nordiska Kompaniet (Sweden), a Swedish Modern ‘Anette’ cabinet, Nyköping 1944.

63. Wilhelm Kåge (Sweden, 1889–1960), a ‘Farsta’ partly glazed stoneware vase, Gustavsberg, Sweden 1940.

66A. Berndt Friberg (Sweden, 1899–1981), a stoneware vase, Gustavsberg studio, Sweden 1974.

Glazed in ‘sang–de–boeuf’ and green, signed Friberg with the studio mark, 1974. Height 27,5 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

66. Berndt Friberg (Sweden, 1899–1981), a turquoise and burgundy glazed stoneware vase, Gustavsberg Studio Sweden 1972.

Signed Friberg, the studio mark and N. Height 30 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

67. Berndt Friberg (Sweden, 1899–1981), a stoneware vase, Gustavsberg studio, Sweden 1976.

Blue ‘rabbit’s fur’ glaze, signed Friberg with the studio mark 1976, height 28,5 cm, diameter 23 cm. (d)

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

68. Berndt Friberg (Sweden, 1899–1981), a stoneware vase, Gustavsberg studio, Sweden 1968.

‘Rabbit’s fur’ glaze in green and light brown hues, signed Friberg with the studio mark, J, height 22 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

69. Berndt Friberg (Sweden, 1899–1981), a stoneware vase, Gustavsberg studio, Sweden 1964.

70. Berndt Friberg (Sweden, 1899–1981), a stoneware vase, Gustavsberg studio, Sweden 1961.

Blue rabbit’s fur glaze, signed Friberg with the studio mark, F. Height 42,2 cm.

‘Rabbit’s fur glaze in blue and a little brown, signed Friberg with the studio mark and year letter c, height 36,7 cm.

(d)

(d)

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

71. Berndt Friberg (Sweden, 1899–1981), a stoneware vase, Gustavsberg studio, Sweden 1958.

Green ‘rabbit’s fur’ glaze, signed Friberg with the studio mark, ö, height 12,5 cm. (d) Estimate: SEK 5 000 – 6 000 / EUR 490 – 590

72. Berndt Friberg (Sweden, 1899–1981), a blue and brown ‘rabbit’s fur’ stoneware vase, Gustavsberg studio, Sweden 1965.

Signed Friberg with the studio mark and the letter G for 1965. Height 27 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

73. Berndt Friberg (Sweden, 1899–1981), a set of three stoneware vases and a bowl, Gustavsbergs studio, Sweden 1964–76.

‘Rabbit’s fur’ glazes in white, brown and light blue, signed Friberg with the studio mark and year letters F, N and 1976. Height 13,5–18 cm, diameter of the bowl 13,8 cm, height 5,3 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

74. Berndt Friberg (Sweden, 1899–1981), a large stoneware vase, Gustavsberg studio, Sweden 1950.

Glazed in white and grey hues, signed Friberg with the studio stamp and year letter T, height 36 cm, diameter ca 28 cm. (d)

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

75. Berndt Friberg (Sweden, 1899–1981), a large stoneware urn, Gustavsberg studio, Sweden, 1968.

Brown ‘rabbit’s fur’ glaze, signed Friberg with the studio mark, J. Height 33,2 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

76. Berndt Friberg (Sweden, 1899–1981), a set of three stoneware vases, Gustavsberg studio, Sweden 1957, 1976 and possibly 1959.

Yellow ‘rabbit’s fur’ glazes, signed Friberg with the studio mark, Ä, 1976 and blurred year letter, possibly a (=1959). Height 10,5, 19,7 and 23,5 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

77. Berndt Friberg (Sweden, 1899–1981), a stoneware vase, Gustavsberg studio, Sweden 1968.

Yellow ‘rabbit’s fur’ glaze, signed Friberg with the studio mark, J, height 35,7 cm. (d) Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

78. Berndt Friberg (Sweden, 1899–1981), a stoneware vase, Gustavsberg studio, Sweden 1961.

Yellow ‘rabbit’s fur’ glaze, signed Friberg with the studio mark and year letter c, height 28 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

79. Berndt Friberg (Sweden, 1899–1981), a stoneware vase, Gustavsberg studio, Sweden 1962.

Brown ‘rabbit’s fur’ glaze, signed Friberg with the studio mark, d, height 18,7 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

80. Berndt Friberg (Sweden, 1899–1981), a stoneware vase, Gustavsberg studio, Sweden 1968.

‘Rabbit’s fur’ glaze in brown hues, signed Friberg with the studio mark J, height 24,2 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

81. Lisa Larson (Sweden, 1931–), a unique stoneware vase, Gustavsberg studio, Sweden 1950s.

Relief decor, partly glazed in yellow/brown, black and blue, signed L. with the studio mark. Height 33,3 cm, diameter 18,5 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

82. Stig Lindberg (Sweden, 1916–1982), a white glazed stoneware vase of a head, Gustavsberg Studio, probably 1940s.

Signed Stig L GUSTAVSBERG and the studio mark. Height 15 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

83. Stig Lindberg (Sweden, 1916–1982), a faience wall plaque, Gustavsberg studio, Sweden 1950’s, ed. 12/40.

Painted decor of a fish, signed Stig L and at the back signed with the studio mark, painter’s signature and marked: ‘This plaque, designed and signed by Stig Lindberg is in this colour executed in a maximum edition of 40 pieces of which this is no 12’ and ‘16 D, IV, Gustavsberg’, measurements 10,5 x 59,5 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

84. Stig Lindberg (Sweden, 1916–1982), a faience wall plaque, Gustavsberg studio, Sweden 1950’s, ed. 15/40.

Painted decor of a fish, signed Stig L and at the back signed with the studio mark, painter’s signature and marked: ‘This plaque, designed and signed by Stig Lindberg is in this colour executed in a maximum edition of 40 pieces of which this is no 15’ and ‘17 A, IV, Gustavsberg’, measurements 10,5 x 59,5 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

85. Stig Lindberg (Sweden, 1916–1982), a stoneware vase, Gustavsberg studio, Sweden 1961.

Oval vase, partly glazed in brown with a sculptured man’s head, hands and toes, signed Stig L with the studio mark and marked SL and with the ‘eye’ mark (for pieces specially selected by the artist). Measurements ca 19 x 17 cm, height 20,5 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

86. Stig Lindberg (Sweden, 1916–1982), a stoneware vase, Gustavsberg studio, Sweden 1953.

Turquoise glaze, signed Stig L with the studio mark and year letter Y, height 27 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

87. Stig Lindberg (Sweden, 1916–1982), a stoneware vase, Gustavsberg studio, Sweden 1960.

Turquoise glaze, relief decor, signed Stig L with the studio mark, height 19,5 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

88. Stig Lindberg (Sweden, 1916–1982), a stoneware vase, Gustavsberg studio, Sweden 1962.

White glaze, signed Stig L with the studio mark. Height 31,6 cm.

Literature: Gisela Eronn, ‘Tusenkonstnären Stig Lindberg’, Prisma 2003, see the vase illustrated p 167. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

89. Stig Lindberg (Sweden, 1916–1982), a stoneware vase, Gustavsberg studio, Sweden 1961.

Glazed in blue/grey, green and beige hues, the mouth with vertical stripes in relief, signed Stig L with the studio mark, height 20 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

90. Stig Lindberg (Sweden, 1916–1982), a stoneware vase, Gustavsberg studio, Sweden 1967.

Checkered relief decor, glazed in brown and green, signed Stig L with the studio mark. Height 30,2 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

91. Stig Lindberg (Sweden, 1916–1982), a stoneware vase, Gustavsberg studio, Sweden 1967.

Relief decor, glazed in green, black and rust, signed Stig L with the studio mark, height 28,6 cm, diameter 20 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

92. Stig Lindberg (Sweden, 1916–1982), three stoneware vases, Gustavsberg studio, Sweden 1967–70.

Glazed in green and brown hues, signed Stig L with the studio mark.

Height 21,5, 25,5 and 26 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

93. Stig Lindberg (Sweden, 1916–1982), a stoneware vase, Gustavsberg studio, Sweden 1970.

Relief decor in brown against black glaze, signed Stig L with the studio mark, height 19,5 cm, diameter ca 23 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

94. Stig Lindberg (Sweden, 1916–1982), a stoneware vase, Gustavsberg studio, Sweden 1966.

Relief decor, two handles, glazed in green, black and rust, signed Stig L with the studio mark, height 28,2 cm, diameter 26,2 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

95. Gunnar Nylund (Sweden, 1904–1997), a stoneware floor vase, Rörstrand, Sweden 1950s.

Spotted glaze in turquoise and green hues, signed R SWEDEN G.N. Height 62 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

96. Gunnar Nylund (Sweden, 1904–1997), a brown glazed stoneware vase, Rörstrand, Sweden 1950s.

Signed with maker’s mark R SWEDEN GN NV. Height 45 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

97. Gunnar Nylund (Sweden, 1904–1997), ‘Saint George and the Dragon’, a monumental stoneware sculpture, Rörstrand, Sweden, mid 1900s.

Glazed in green hues, signed by the base NYLUND R and possibly a date (blurred), height ca 86 cm, length ca 90 cm, width ca 60 cm.

Literature: Petter Eklund, ‘Gunnar Nylund, konstnär och industriformgivare’, Historiska Media 2017, compare the model illustrated p 102. (d)

Estimate: SEK 40 000 – 60 000 / EUR 3 920 – 5 880

98. Gunnar Nylund (Sweden, 1904–1997), a unique massive stoneware vase, Rörstrand, Sweden 1960s.

Relief decor, glazed in grey, green and brown hues, signed R, GN SWEDEN A–1 117. Height 70,5 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

99. Carl–Harry Stålhane (Sweden, 1920–1990), a stoneware bowl, Rörstrand, Sweden 1940s–50s.

Spotted glaze in beige and green hues, signed R SVERIGE CHS. Height 9,5 cm, diameter 34 cm. (d)

Estimate: SEK 4 000 – 5 000 / EUR 400 – 490

100. Carl–Harry Stålhane (Sweden, 1920–1990), a stoneware vase, Rörstrand, Sweden, model SGF. Spotted white glaze, signed R SWEDEN CHS SGF. Height 30,2 cm.

Estimate: SEK 5 000 – 6 000 / EUR 490 – 590

101. Carl–Harry Stålhane (Sweden, 1920–1990), a stoneware vase, Rörstrand, Sweden 1950s.

Turquoise and green spotted glaze. Signed R Sverige CHS. Height 54,5 cm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

102. Carl–Harry Stålhane (Sweden, 1920–1990), a stoneware floor vase, Rörstrand, Sweden 1950s–60s, model ‘SDA’.

Glazed in brown, signed R SWEDEN CHS SDA. Height 50 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

103. Carl–Harry Stålhane (Sweden, 1920–1990), a stoneware vase, Rörstrand, Sweden 1960s.

Relief decor with vertical stripes, glazed in brown hues, signed R ATELJÉ 1/14 CHS–e SWEDEN, height 31,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

104. Carl–Harry Stålhane (Sweden, 1920–1990), a unique stoneware vase, Rörstrand, Sweden 1963.

Brown ‘rabbit’s fur’ glaze, signed R CH Stålhane –63 SWEDEN, scratched A.D. 23. Height 29,6 cm. (d)

Estimate: SEK 8 000 – 12 000 / EUR 790 – 1 180

105. Carl–Harry Stålhane (Sweden, 1920–1990), a set of three unique stoneware vases, Rörstrand, Sweden 1960 and 1964.

Different glazes in blue, green and brown, signed R CH Stålhane SWEDEN –60 and –64 with different numbers, height 25, 27 and 29,5 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

106. Sylvia Leuchovius (Sweden, 1915–2003), a unique stoneware centrepiece, Rörstrand, Sweden 1950s–60s, nr 879d.

Partly glazed in brown and burgundy, signed R S.Leuchovius 879d, height 29 cm, diameter 48 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

138. Axel Salto (Denmark, 1889–1961), a Sung glazed ‘budding style’ stoneware vase, Royal Copenhagen, Denmark 1947.

111. Hertha Hillfon (Sweden, 1921–2013), a black glazed stoneware wall sculpture in two parts of a face and a sky, executed in her own studio, Stockholm 1960s.

107. Olle Alberius (Sweden, 1926–1993), a stoneware sculpture of a toreador, signed and dated 1959, probably unique.

Brown glaze, signed O. Alberius 1959. Height 68 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

108. Carl–Harry Stålhane (Sweden, 1920–1990), a ceramic charger, Designhuset, Sweden 1980’s.

Underglaze decor with brush strokes in ‘sang–de–boeuf’, green and black, signed S Carl–Harry Stålhane yu 1. Diameter 45 cm, height 10 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

109. Erik Höglund (Sweden, 1932–1998), a terracotta sculpture of a bull, Sweden, signed and dated –55.

Signed EH E. HÖGLUND –55. Length 26 cm, height 21 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

110. Hertha Hillfon (Sweden, 1921–2013), a stoneware sculpture, executed in her own workshop, Sweden 1961.

Glazed in grey and blue, signed HILLFON –61. Height 42,5 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

111. Hertha Hillfon (Sweden, 1921–2013), a black glazed stoneware wall sculpture in two parts of a face and a sky, executed in her own studio, Stockholm 1960s.

Mounted on a steel base. Height of the face ca 72 cm, width 72 cm, the other part length 100 cm, height 29 cm. (d)

Estimate: SEK 50 000 – 75 000 / EUR 4 900 – 7 350

112. Åke Holm (Sweden, 1900–1980), a stoneware sculpture, ‘Pontius Pilate’, Höganäs, Sweden 1940–50s.

Glazed in brown, blue and beige, signed ÅKE Holm. Height 47 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

113. Tyra Lundgren (Sweden, 1897–1979), a stoneware sculpture of a fish, Sèvres, France 1934–39.

114. Tyra Lundgren (Sweden, 1897–1979), a stoneware sculpture of a bird, own workshop 1979.

Glazed in light grey, brown and green/beige, signed TL and stamped TYRA LUNDGREN, S SÈVRES MANUFACTURE NATIONALE FRANCE. Length 26 cm, total height 24,5 cm including brass stand.

Tyra Lundgren (1896–1979) was employed by Sèvres porcelain manufactory outside Paris during the years 1934–39.

Partly glazed, signed 79 TL B, height ca 13,3 cm, including stone base. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

(d)

Estimate: SEK 8 000 – 12 000 / EUR 790 – 1 180

115. Tyra Lundgren (Sweden, 1897–1979), a stoneware sculpture of a bird, own workshop, 1978.

116. Tyra Lundgren (Sweden, 1897–1979), a stoneware sculpture of a bird, Sweden 1960s–70s.

Partly glazed, signed 78 TL, height ca 13 cm, including stone base.

Partly glazed, fixed with glue to a stone base, total height 11 cm.

(d)

(d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

Estimate: SEK 8 000 – 12 000 / EUR 790 – 1 180

117. Hans Hedberg (Sweden, 1917–2007), a faience cannister, Biot, France.

Square lidded box, green spotted glaze, interior with orange and brown spotted glaze, height 36 cm, 11,5 x 11,5 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

118. Hans Hedberg (Sweden, 1917–2007), a faience sculpture of a pumpkin, Biot, France.

Spotted glaze in orange, green and grey hues, signed Hhg, diameter ca 35 cm. height ca 20,5 cm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

119. Hans Hedberg (Sweden, 1917–2007), a large faience sculpture of an egg, Biot, France.

Glazed in black/brown and orange, signed HHg, height ca 36 cm excluding rectangular plexiglass stand (35 x 30 cm). (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

120. Hans Hedberg (Sweden, 1917–2007), a faience sculpture of an egg, Biot, France.

Spotted red glaze, interior glazed in yellow and brown, signed Hhg, height 29 cm including black painted metal stand. (d)

Estimate: SEK 35 000 – 40 000 / EUR 3 430 – 3 920

121. Hans Hedberg (Sweden, 1917–2007), a stoneware sculpture of an egg, Biot, France.

Spotted glaze in red and brown, signed HHg, height 29,5 cm, including black painted metal stand. (d)

Estimate: SEK 30 000 – 35 000 / EUR 2 940 – 3 430

122. Hans Hedberg (Sweden, 1917–2007), a large faience dish, Biot, France.

Oval dish with spotted glaze in ‘sang–de–boeuf’ and green, signed HHg, 62 x 41,8 cm, height ca 11 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

123. Hans Hedberg (Sweden, 1917–2007), a faience sculpture of an apple, Biot, France 1980s. Signed book included.

Spotted glaze in orange/red, yellow and green, signed HHg. Height 20,5 cm. Book, Daniel Minassian, ‘Hans Hedberg, Le feu, le coeur et la terre’, Örnsköldsvik 1999, signed and dedicated by the author and Hans Hedberg, included.

Provenance: See the sculpture depicted in a family photo together with Hans Hedberg in Biot when it was bought in the 1980s. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 900 – 5 880

124. Hans Hedberg (Sweden, 1917–2007), a large faience sculpture of a pear, Biot, France.

Spotted glaze in yellow, orange, green and brown, signed HHg, height 46 cm. (d)

Estimate: SEK 75 000 – 100 000 / EUR 7 350 – 9 800

125. Hans Hedberg (Sweden, 1917–2007), a large faience sculpture of a plum, Biot, France.

Glazed in ‘sang–de–boeuf’ and grey, signed HHg, height 32 cm excluding rectangular plexiglass stand (30 x 25 cm). (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 900 – 5 880

126. Birger Kaipiainen (Finland, 1915–1988), a ceramic wall sculpture, Rörstrand 1950s.

Decorated with a face in green hues, signed KAIPIAINEN R SWEDEN, the back marked 89, measurements 29 x 23,5 cm, depth 5 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

126A. Birger Kaipiainen (Finland, 1915–1988), a stoneware dish, Rörstrand 1950s.

Rectangular, polychrome decoration of females sitting at café tables, maker’s mark. 47 x 17,5 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

127. Birger Kaipiainen (Finland, 1915–1988), a ceramic wall sculpture, Rörstrand, Sweden 1950s.

128. Birger Kaipiainen (Finland, 1915–1988), a rectangular ceramic tray, Arabia, Finland 1950s.

Decorated with flowers and butterflies in relief, turquoise glaze against black, signed R KAIPIAINEN SWEDEN and marked with pen 1287 and to the back 211 and paper label: No 1565. Height 58 cm, width 26,5 cm, depth ca 8,5 cm.

Painted decor of a couple with a rose, signed KAIPIAINEN in black, height 49 cm, width 34,5 cm, depth 5,5 cm.

(d)

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

129. Birger Kaipiainen (Finland, 1915–1988), a stoneware plate, Arabia. Finland.

Floral decoration with beads in relief, lustre glazes in blue, yellow, green and black against a yellow background, signed KAIPIAINEN. 42,5 x 36,5, height 5 cm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

(d)

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

130. Birger Kaipiainen (Finland, 1915–1988), a ceramic sculpture, Arabia, Finland 1960s.

Decorated with pansies in relief with blue/ purple and white lustre glazes, signed KAIPIAINEN ARABIA. Height 29 cm, width ca 28,5, depth ca 11 cm.

Literature: Maria Berg, ‘Kaipiainen’ Keuruu 1986, compare similar sculpture illustrated p 100. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

131. Kyllikki Salmenhaara (Finland, 1915–1981), a stoneware vase, Arabia, Finland probably 1950s.

Glazed in blue, brown and beige hues, signed ARABIA KS, height 24,5 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

132. Rut Bryk (Finland, 1916–1999), a stoneware dish, Arabia, Finland 1940s.

Painted decor of a city scene with a woman and child seated in a park sofa, signed RUT BRYK, the back signed BRYK ARABIA, 38,5 x 42 cm, height ca 5 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

133. Rut Bryk (Finland, 1916–1999), a stoneware ewer, Arabia, Finland 1940’s.

Painted decor with women and children with a donkey in a garden. Signed BRYK, impressed marks KÄSINSORVATTU HANDDREJAD ARABIA MADE IN FINLAND and label marked. Height 19,5 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

134. Rut Bryk (Finland, 1916–1999), a stoneware ‘Flock of Birds’ wall relief, Arabia, Finland ca 1955.

Decorated with birds, glazed in green, grey, pink and yellow. signed BRYK and to the back BRYK 1 and marked FC2/1 32 and numbered 530, measurements ca 60 x 15 cm.

Exhibitions: The reverse marked with an exhibition paper label from the Los Angeles County Museum, S.O. No, 57–89, Box No. 1. Probably exhibited in 1957.

Literature: Harri Kalha, ‘Rut Bryk’, EMMA, Espo Museum of Modern Art, 2nd edition, 2016, compare the model ill. p 110. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

135. Toini Muona (Finland, 1904–1987), a glazed ceramic vase, Arabia, Finland 1950s.

Glazed in green, blue and a little ‘sang–de–boeuf’. Height 32 cm. (d)

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

136. Oiva Toikka (Finland, 1931–2019), & Kennet Williamson, a glazed ceramic tray with two cups, 1998.

The largest cup signed KW OT 1998, the other cup and the tray signed OT KW, the tray also dated 98. The tray 20,3 x 36,5 cm, the cups height 8–9 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

137. Bode Willumsen (Denmark, 1895–1987), a stoneware jar, Denmark 1920–1940s.

Decorated in brown with a green/ beige drip glaze, signed W 25 in underglaze blue, scratched signature and impressed stamp Danmark, height 18,5 cm. (d)

Estimate: SEK 4 000 – 5 000 / EUR 400 – 490

138. Axel Salto (Denmark, 1889–1961), a Sung glazed ‘budding style’ stoneware vase, Royal Copenhagen, Denmark 1947.

Glazed in brown beige and blue, signed SALTO, maker’s mark in green, model number 21441 and the three waves in underglaze blue, incised 169.

Height 20 cm.

Literature: Susanne Bruhn & Pia Wirnfeldt (ed), Axel Salto – Stentøjsmesteren, CLAY – Keramikmuseum, Denmark 2017, compare catalogue nr 297, p 181. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

139. Axel Salto (Denmark, 1889–1961), a ‘fluted style’ sung glazed stoneware bowl, Royal Copenhagen, Denmark 1968, model 20568.

Impressed signature SALTO, maker’s stamp in green and 20568 and the three waves in underglaze blue, height 15,5 cm, diameter 25,5 cm.

Literature: Susanne Bruhn, Pia Wirnfeldt (ed), ‘Axel Salto Stentøjsmesteren’, CLAY – Keramikmuseum Danmark, 2017, see the model illustrated, see no 155, p 174.

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

139A. Axel Salto (Denmark, 1889–1961), a brown and green glazed ‘budding style’ stoneware vase, Royal Copenhagen, Denmark, model 20707.

Signed 20707 SALTO and the three waves in underglaze blue. Height 9 cm, diameter 12 cm.

Literature: Susanne Bruhn & Pia Wirnfeldt (ed), Axel Salto – Stentøjsmesteren, CLAY – Keramikmuseum, Denmark 2017, compare the model illustrated, p 177, no 212.

Estimate: SEK 15 000 – 18 000 / EUR 1 470 – 1 770

140. Erik Magnussen (Denmark, 1940 – 2014), attributed to, a stoneware vase, Bing & Grøndahl, Denmark early 1960s.

Partly glazed in blue hues, impressed mark EM and maker’s mark and number 51 in black. Diameter 30 cm, height ca 24,5 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

141. Rookwood pottery, a ceramic jar with cover, Cincinnati, USA 1888, model 326.

The cover in two layers, relief decor, glazed in burgundy, brown and in green hues, maker’s mark RP with two flames for 1888, imprinted 326 S. Height 15,5 cm, diameter ca 17 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

142. Josef Hoffmann (Austria, 1870–1956), a 5 pieces porcelain coffee service, ed. Wiener Porzellan Manufaktur Josef Böck, Pfeiffer & Löwenstein, 1910s.

Comprising a coffee pot with cover, a lidded jug, a sugar bowl and two cups with saucers, decorated in black and gold. Maker’s stamps in green, blue, black and red. Height of the coffee pot 17,5 cm.

Literature: Peter Noever (ed), ‘Josef Hoffmann designs’, MAK, Prestel, 1992, compare the model illustrated pp 449, 260–61.

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

143. Pablo Picasso (Spain, 1881–1973), a faience plaque ‘Visage d’homme’, A.R. 539, Madoura, Vallauris, France post 1966, ed. 486/500.

Relief decor of a face in black, marked 12.12.66, signed J 148 486/500 MADOURA and stamped MADOURA EMPREINTE ORIGINALE DE PICASSO, 16,5 x 10 cm, mounted in a wooden frame, 23 x 16 cm.

Literature: A. Ramié, no 539, p 268. (d)

Estimate: SEK 35 000 – 40 000 / EUR 3 430 – 3 920

145. Pablo Picasso (Spain, 1881–1973), a ‘Femme’ faience pitcher, Madoura, Vallauris, France 1955 (A. Ramié no 300).

146. Pablo Picasso (Spain, 1881–1973), a ‘Picador’ faience bowl, Madoura, Vallauris, France post 1955, A.R. 289.

148. Pablo Picasso (Spain, 1881–1973), a faience ‘Arène’ vase, Madoura, Vallauris, France, post 1958. A.R 406, ed. 75/100.

376. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Utö’ corner cabinet, Nordiska Kompaniet, Sweden 1930s.

144. Pablo Picasso (Spain, 1881–1973), ‘Tête de lion’, Madoura, Vallauris, France, post 1968, A.R. 576, ed. 27/200.

Decorated with a lion’s head in relief against black, maker’s marks MADOURA PLEIN FEU EMPREINTE ORIGINALE DE PICASSO and signed I 218 27/200, 31 x 31 cm.

Literature: A. Ramié, no 576, p 281. (d)

Estimate: SEK 50 000 – 75 000 / EUR 4 900 – 7 350

145. Pablo Picasso (Spain, 1881–1973), a ‘Femme’ faience pitcher, Madoura, Vallauris, France 1955 (A. Ramié no 300).

Signed EDITION PICASSO No 66/100, stamped MADOURA PLEIN FEU. Height 30 cm Provenance: Galleri Larsson, Gävle, acquired by the present owner. (d)

Estimate: SEK 50 000 – 75 000 / EUR 4 900 – 7 350

146. Pablo Picasso (Spain, 1881–1973), a ‘Picador’ faience bowl, Madoura, Vallauris, France post 1955, A.R. 289.

Decorated in black against white and brown, signed EDITION MADOURA PICASSO, diameter 12,5 cm, height 6,8 cm.

Literature: A. Ramié, no 289, p 150. (d)

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

151. Pablo Picasso (Spain, 1881–1973), a ‘Visage dans un ovale’ faience dish, Madoura, Vallauris, France post 1955, A.R. 274, ed. 78/100.

152. Pablo Picasso (Spain, 1881–1973), A ‘Banderilleros’ faience dish, Madoura, Vallauris post 1959, A.R. 427, ed. 47/50.

149. Pablo Picasso (Spain, 1881–1973), a ‘Toros’ faience dish, Madoura, Vallauris, France post 1952, A.R. 161.

259. Carl Hörvik (Sweden, 1882–1954), a set of garden furniture, table with 4 chairs for ‘Stadshotellet Båstad’ or ‘Lindgården’, Stockholm ca 1927–29.

Possibly produced by Thelins vagnsfabrik, Skillingaryd.

231. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Tånga brun och grön’, flat weave, ca 223 x 153–155 cm, signed AB MMF BN.

147. Pablo Picasso (Spain, 1881–1973), a faience bowl ‘Oiseau sur la branche’, Madoura Vallauris France post 1952, A.R 175.

Signed EDITION PICASSO and stamped (hardly visible) MADOURA EDITION PICASSO. Höjd 4,5 cm, diameter 14,5 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

148. Pablo Picasso (Spain, 1881–1973), a faience ‘Arène’ vase, Madoura, Vallauris, France, post 1958. A.R 406, ed. 75/100.

Decorated in black and red, maker’s stamp and painted signature EDITION PICASSO No 75/100 MADOURA. Height 31 cm. (d)

Estimate: SEK 175 000 – 200 000 / EUR 17 140 – 19 590

149. Pablo Picasso (Spain, 1881–1973), a ‘Toros’ faience dish, Madoura, Vallauris, France post 1952, A.R. 161.

Decorated in black against blue and green, signed EDITION PICASSO and maker’s marks EDITION PICASSO MADOURA PLEIN FEU, diameter 20,3 cm.

Literature: A. Ramié, no 162, p 89. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

150. Pablo Picasso (Spain, 1881–1973), a ‘Cendrier rond tourné’, faience dish, Madoura, Vallauris, France post 1952, A.R. 175.

Decorated with a bird in black against white and green, signed EDITION PICASSO and maker’s marks MADOURA PLEIN FEU EDITION PICASSO, diameter 15,3 cm, height 4,2 cm.

Literature: A. Ramié, no 175, p 95. (d)

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

151. Pablo Picasso (Spain, 1881–1973), a ‘Visage dans un ovale’ faience dish, Madoura, Vallauris, France post 1955, A.R. 274, ed. 78/100.

Maker’s mark MADOURA PLEIN FEU EMPREINTE ORIGINALE DE PICASSO, and marked I 115 78/100, measurements 39,7 x 32,5 cm.

Literature: A. Ramié, no 274, p 141. (d)

Estimate: SEK 75 000 – 100 000 / EUR 7 350 – 9 800

152. Pablo Picasso (Spain, 1881–1973), A ‘Banderilleros’ faience dish, Madoura, Vallauris post 1959, A.R. 427, ed. 47/50.

Relief decoration in black engobe, dated 1.7.59, maker’s marks MADOURA PLEIN FEU EMPREINTE ORIGINALE DE PICASSO, marked 47/50. Diameter 41 cm.

Literature: A. Ramié, no 427, p 225. (d)

Estimate: SEK 60 000 – 70 000 / EUR 5 880 – 6 860

153. Georg Jensen (Denmark, 1866–1935), a pair of sugar casters, Copenhagen ca 1915–1919, 830/1000 silver, design nr 4.

The one marked 1919 and with design nr 4. Height 16 cm, total weight ca 475 g.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

154. Georg Jensen (Denmark, 1866–1935), a silver bowl, Copenhagen Denmark 1919, design nr 19, 830/1000 silver.

Swedish import marks. Diameter 24 cm, height 19,5 cm, weight ca 1020 g.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

155. Georg Jensen (Denmark, 1866–1935), a sterling bowl on a stem, Copenhagen 1925–32, design nr 471, Swedish import marks 1927.

Height 20,5 cm, diameter 16,5 cm, weight ca 440 g.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

156. Johan Rohde (Denmark, 1856–1935), a set of 109 pieces of Acorn sterling and stainless steel flatware, Jensen & Wendel, Georg Jensen 1945 (–51) –77.

12 dinner spoons 12 dinner forks 12 dinner knives with short handles (length 23 cm, handles 10 cm) 12 dessert spoons 12 luncheon forks 12 luncheon knives (length 17 cm, handles 7,5 cm) 7 fish knives 12 cake forks 12 fruit knives 1 cheese slicer 1 sauce ladle 1 small sauce ladle 1 herring fork 2 butter knives Estimate: SEK 45 000 – 50 000 / EUR 4 410 – 4 900

157. Johan Rohde (Denmark, 1856–1935), a set of 18 pcs of Acorn sterling silver and stainless steel flatware, Georg Jensen, Copenhagen post 1945.

8 fish forks 8 fish knives 1 serving spoon 1 serving fork Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

158. Georg Jensen (Denmark, 1866–1935), an 830/1000 silver jardinière, Copenhagen ca 1915–21.

Length 32 cm, height 13 cm, weight ca 1620 g.

Estimate: SEK 35 000 – 40 000 / EUR 3 430 – 3 920

159. Johan Rohde (Denmark, 1856–1935), a set of 179 pcs of Acanthus 830/1000 silver and stainless steel flatware, Copenhagen ca 1928.

Swedish import marks for the year 1928 on the major part of the pieces.

12 dinner spoons 12 dinner forks 11 dinner knives 10 dessert spoons 12 luncheon forks 12 luncheon knives 12 fish forks 12 fish knives 2 fish knives with short handles 12 salad forks 12 salad knives 12 serving forks 10 teaspoons

12 coffee spoons 11 mocca spoons 1 pair of fish servers 1 pair of salad servers 1 potato spoon 1 smaller serving spoon 2 jam spoons 1 small knife 1 bottle opener 1 cheese slicer 2 sauce ladles 1 small sauce ladle

Estimate: SEK 55 000 – 60 000 / EUR 5 390 – 5 880

160. Harald Nielsen (Denmark, 1892–1977), a sterling silver jardinière, Georg Jensen, Copenhagen 1945–77, design nr 622B. Handles in the shape of stylized leaves and berries. Length 42 cm, weight ca 1670 g.

Estimate: SEK 35 000 – 40 000 / EUR 3 430 – 3 920

161. Harald Nielsen (Denmark, 1892–1977), a set of eight sterling cocktail glasses, Georg Jensen, Copenhagen 1933–77, design nr 479 and 479A. Height ca 10 cm, total weight ca 750 g.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

162. Harald Nielsen (Denmark, 1892–1977), a set of 70 pcs of sterling silver and stainless steel ‘Pyramid’ flatware, Georg Jensen, Copenhagen 1933–77.

10 dinner spoons 12 dinner knives 12 dinner forks 12 dessert spoons 12 coffee spoons 4 cake forks 1 soup ladle 1 sandwich server

1 potato spoon 1 sauce ladle 1 serving fork 1 marmelade spoon 1 jam spoon 1 icecream spoon 1 butter knife

Estimate: SEK 35 000 – 40 000 / EUR 3 430 – 3 920

163. Harald Nielsen (Denmark, 1892–1977), a sterling cruet stand ‘Pyramid’, Georg Jensen Copenhagen 1933–44, design nr 632.

Swedish import marks. Comprising salt–, pepper cellar, mustard jar with spoon and a tray. Length of the tray 17 cm, height of the mustard jar ca 6 cm, total weight ca 375 g.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

164. Harald Nielsen (Denmark, 1892–1977), 53 pieces of ‘Pyramid’ sterling and stainless steel flatware, Georg Jensen, Copenhagen 1933-44.

6 dinner spoons 10 dinner forks 10 luncheon forks 6 dessert spoons 4 cake forks

3 teaspoons 6 coffee spoons 5 mocca spoons 1 sauce ladle 2 different size serving spoons

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

165. Tias Eckhoff (Norway, 1926–), a set of 101 pcs of sterling and stainless steel flatware ‘Cypress’, Georg Jensen, Copenhagen 1952–1977.

12 dinner spoons 12 dinner knives 12 dinner forks 12 luncheon forks 12 luncheon knives 12 dessert spoons 12 dessert forks 12 fish knives 5 butter knives Comes with a box.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

166. Vivianna Torun Bülow–Hübe (Sweden, 1927–2004), a sterling bangle with a qvartz, Georg Jensen, Copenhagen 1945–77, design nr 205.

The clasp with an oval qvartz, inner circumference ca 17 cm.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

167. Vivianna Torun Bülow–Hübe (Sweden, 1927–2004), a sterling and qvartz ring, Georg Jensen 1945–77, design nr 151.

Ring size 16/49,5.

Estimate: SEK 5 000 – 6 000 / EUR 490 – 590

168. CF Carlman, an Art Nouveau silver jardinière, Stockholm 1899.

Oblong, decorated in high relief with waterlilies, bulrush, reeds and more, lining of metal, maker’s mark V6 (or Y6 –blurred). Length 60 cm, height 22,5 cm, weight without the metal insert ca 2625 g.

Provenance: Hugo Mattson, a Stockholm entrepreneur. Mattson was mentioned in the magazine ‘Världens Gång’ of December 24th 1899 as one of top 100 most important in Stockholm at the turn of the century 1900.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

169. CF Carlman, an Art Nouveau mirror glass silver centerpiece, Stockholm 1899.

Oblong, decorated with waterlilies, reed, bulrush and more, feet in the shape of snails, maker’s marks Stockholm V6 (or Y6). 65 x 50 cm.

Provenance: Hugo Mattson, a Stockholm entrepreneur. Mattson was mentioned in the magazine ‘Världens Gång’ of December 24th 1899 as one of top 100 most important in Stockholm at the turn of the century 1900.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

170. W.A. Bolin (Sweden), a sterling silver fish serving platter, Stockholm 1939.

Relief decoration of different fish and sea fruit.

75,5 x 36,5 cm, weight ca 2660 g.

Exhibitions: Moscow, Kremlins Museums, 2001 ‘W.A. BOLIN Bolin in Russia Court jeweller late XIX–early XX centuries’, catalogue nr 20.

W.A. Bolin 200 years, ‘Smycken & Silver för tsarer, drottningar och andra’ Stockholm 1996, cat. Nr 70.

Literature: Ed. Christian Bolin, Pavel Bulatow, ‘W.A. BOLIN Bolin in Russia Court jeweller late XIX–early XX centuries’, New Hermitage–one Moskva 2001, depicted p 122, catalogue nr 20.

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

171. Olga Lanner (Sweden, 1884–1961), an Art Nouveau silver flower pot, Stockholm 1916.

Relief decoration of a wintery landscape with spruce trees covered with snow, on three feet. Diameter 22,5 cm, height 19 cm, weight ca 1060 g.

Olga Lanner had a design language that stood out from the rest of her contemporaries.

Her background as a sculptor is reflected in the powerful relief effects she often used in her works. At the Baltic exhibition in Malmö in 1914, Lanner was praised for her bonbonnière ‘Temple of the Winds’ with relief decoration of clouds, flashes of lightning and more. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

172. Wiwen Nilsson (Sweden, 1897–1974), a rectangular modernist silver tray, Lund, Sweden 1933.

39,5 x 15 cm, weight ca 665 g. (d)

Estimate: SEK 30 000 – 35 000 / EUR 2 940 – 3 430

173. Wiwen Nilsson (Sweden, 1897–1974), a gilt ‘a deux couleurs’ sterling brooch of a dragon, Lund Sweden 1974.

Length 5 cm, height 4 cm.

Literature: Kersti Holmquist, ‘Silversmeden Wiwen Nilsson’, Kulturen, Lund 1990.

The same model depicted on p 201. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

174. Wiwen Nilsson (Sweden, 1897–1974), a 18K gold and cabochon cut labradorite collier, Lund Sweden 1957.

Height of the pendant 5,5 cm, length ca 56 cm, weight ca 29,5 g. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

175. Wiwen Nilsson (Sweden, 1897–1974), a sterling tray, Lund 1946.

Diameter 26 cm, weight ca 600 g. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

176. Rolf Lindståhl (Sweden, 1946–), a sterling silver vase, Stockholm 1996.

Asymmetrical shape, part oxidized, the rim gilt. Height 26,5 cm, weight ca 640 g. (d)

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

177. Märta Måås–Fjetterström (Sweden, 1873–1941), a textile, ‘Medaljongerna’, flat weave, ca 57,5 x 98–99 cm, signed MMF. Designed in 1926, woven before 1942.

Literature: Compare with Små vävnader från Märta Måås–Fjetterström, colour plate 3; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 98

Estimate: SEK 7 000 – 8 000 / EUR 690 – 790

178. Märta Måås–Fjetterström (Sweden, 1873–1941), a textile, ‘Crocus’, flat weave, ca 41,5 x 81,5 cm, signed AB MMF. Designed in 1930, woven after 1941.

Literature: Compare with ‘Små Vävnader från Märta Måås–Fjetterström’, colour plate 10; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 98.

Estimate: SEK 4 000 – 5 000 / EUR 400 – 490

179. Märta Måås–Fjetterström (Sweden, 1873–1941), a textile, ‘Grodblad blå’, flat weave, ca 62 x 76 cm, signed AB MMF. Designed in 1933, woven after 1941.

Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås– Fjetterström, Båstad/Mölndal 2019, colour plate page 129.

Estimate: SEK 5 000 – 7 000 / EUR 490 – 690

180. Märta Måås–Fjetterström (Sweden, 1873–1941), a textile, ‘Grodblad röd’, flat weave, ca 27,5 x 88,5 cm, signed AB MMF. Five leaves. Designed in 1933, woven after 1941.

Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 129.

Estimate: SEK 5 000 – 6 000 / EUR 490 – 590

181. Barbro Nilsson (Sweden, 1899–1983), a textile, ‘Grön kvist’, tapestry weave, ca 210–212 x 59–60,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Probably designed in 1957.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

182. Ann–Mari Forsberg, född Lindbom (Sweden, 1916–1992), a textile, ‘Bilöpare’, a tapestry variant, ca 31 x 49 cm, signed AMF. (Ann–Mari Forsberg, born Lindbom, for MMF AB). Designed in 1959. A label at the back. ‘Bilöpare’, which exists in different sizes, are details from the tapestry ‘Bikupan.’

Literature: Compare with ‘Små Vävnader från Märta Måås–Fjetterström’, colour plate 13; ‘Bikupan’ Lundgren, Tyra: Märta Måås–Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, plate 64; Waldemarsuddes exhibition catalogue No. 6: Ann–Mari Forsberg, Stockholm 1982, plate page 9.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

183. Märta Måås–Fjetterström (Sweden, 1873–1941), a drape, ‘Gula Dubbelkorset’, flat weave, ca 235,5–239 x 154–155,5 cm, signed MMF. Designed in 1920, woven before 1942.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

184. Märta Måås–Fjetterström (Sweden, 1873–1941), a drape, ‘Blåklockan’, flat weave, ca 248 x 151,5–153 cm, signed MMF. Designed in 1926, woven before 1942. (Rare).

Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås– Fjetterström, Båstad/Mölndal 2019, colour plate page 74.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

185. Elsa Gullberg (Sweden), a drape/a textile, ‘Lejon och Gripar’, flat weave with a relief decor of knots, ca 228,5–230 x 148,5–153,5 cm. (as well as a few cm sewn onto the back). Designed in 1929. A flat woven stripe patterned ground in a variety of ivory, yellow and light blue nuances with a blue melange relief decor of a trellis pattern with lions and griffins. Lined.

Provenance: Ordered 30/8–1931 at AB Elsa Gullberg Textilier och Inredning, also restored there.; Anna och Helge Arvidson, Valhallavägen in Stockholm.

Literature: Compare with Nationalmuseums utställningskatalog: Elsa Gullberg – Textil pionjär, Uddevalla 1989, plate catalogue No. 30, page 78. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

186. Märta Måås–Fjetterström (Sweden, 1873–1941), a drape, ‘Rågen’, flat weave, ca 224,5–227 x 108–110 cm, signed MMF. Designed in 1929, woven before 1942.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv– verkstaden i Båstad , Stockholm 1968, plate 28; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås– Fjetterström, Värnamo 2009, colour plate page 97.

Estimate: SEK 15 000 – 18 000 / EUR 1 470 – 1 770

187. Alf Munthe (Sweden, 1892–1971), a textile, ‘Välkommen’, embroidery and pile on fabric, ca 244,5 x 87–89 cm.

Made in Alf Munthe’s studio. The lining with embroidered signatures ALF MUNTHE GULLI LINDSTRÖM INGA GJORDE DEN 1930. Exhibited at the Stockholmsutställning 1930. Lined.

Provenance: Ordered by Ester och Otto Järte, Stora Sjötullen, Kungl. Djurgården, Stockholm; Bukowskis Modern Autumn auction 428, 28–29 november 1984, No. 1164.

Exhibitions: Exhibited in the textile hall at the Stockholm Exhibition 1930; Kalmar Museum, Thielska Gallery, Röhsska Handicraft Museum in Gothenburg during the 1980’s in connection with Alf Munthe exhibitions.

Literature: Compare with Nationalmuseums utställningskatalog: Elsa Gullberg – Textil pionjär, Uddevalla 1989, colour plate page 38. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

188. Anna Casparsson (1861–1961), an embroidered picture, ca 61 x 82 cm (with the frame ca 68 x 88,5 cm).

A polychrome landscape with trees and deer. Painted sky with the sun. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

190. Carl Larsson (Sweden, 1853–1919), a tapestry, ‘Venus och Tummelisa’, tapestry weave, ca 257 x 338 cm, signed C.L.del.1904, (detail).

189. Anna Casparsson (1861–1961), an embroidery, ‘Flickan med strykstickorna av H.C. Andersen’, ca 30,5 x 30,5–31,5 cm.

A polychrome embroidery on different fabrics partly with sequins, glass stones and glass beads. Some painted areas. Lined. (d)

Estimate: SEK 3 000 – 4 000 / EUR 300 – 400

190. Carl Larsson (Sweden, 1853–1919), a tapestry, ‘Venus och Tummelisa’, tapestry weave, ca 257 x 338 cm, signed C.L.del.1904.

Woven in 2002–2003 after the original cartoon at Ateliery Tapiserii S.R.O in Jindrichuv Hradec, the Czech Republic. A lush landscape with a river. Venus is drawn on a seashell by two birds, Tummelisa is drawn on a waterlily leaf by a butterfly. A wide border with running water and flowers, at the top in the middle an angel, at the bottom a cartouche with the text: I VÅRENS TID FRU VENUS DROG ATT SE SIG OM I NORDAN SKOG HÄR PÅ EN Å HON MÖTTE TUMMELISA OCH DÄRAF BLEF EN VÄF OCH DENNA LILLA VÄF OCH DENNA LILLA VISA. Baksidan med etikett.

Estimate: SEK 75 000 – 100 000 / EUR 7 350 – 9 800

191. Lillian Holm (Sweden, 1896–1979), a tapestry, flat weave, ca 180,5 x 82 cm, signed LH. With the frame ca 182x79 cm.

A modern polychrome composition. Mounted on a frame. This work is close to the ‘Untitled Tapestry’ owned by the Cultural Properties Collection, Cranbrook Schools.

About the work ‘Untitled Tapestry’ it says on Cranbrook Center for Collections and Research’s website: ‘Lillian Holm, Kingswood School Cranbrook’s first full–time weaving instructor, headed Kingswood’s Arts and Crafts department for over thirty years while also serving, for shorter periods, as a weaving instructor at both Cranbrook Academy of Art and the Flint Institute of Arts and a weaver with Studio Loja Saarinen. At the time of her retirement from Kingswood in 1965, Holm received the Founders Medal from the Cranbrook Foundation.This untitled tapestry, among her finest, depicts a skyscraper rising high in the middle of an urban canyon – an abstraction of the energy and vitality of American cities.’ (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

192. Berta Hansson (Sweden, 1910 – 1994), A tapestry, ‘Födelsen’, tapestry weave, ca 75 x 65 cm, signed BH. Designed in 1950, woven by Gunn Leander–Bjurström, Handarbetets vänner.

Provenance: Purchased at the retrospective exhibition at the Academy of Fine Arts 2010.

Literature: Pictures in the book Berta Hansson by Gunilla Carlstedt & Christian Åkerlund: (first page from B.H´’s studio on Hornsgatan and page 143 (Full page). (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

193. Victor Vasarely (France, 1908–1997), a tapestry, ‘Anadyr’, flat weave, ca 199 x 155–163,5 cm, woven signature Vasarely and numbered 20/50.

A modernistic motive in brown on ivory. A label at the back: Royal Lesotho Tapestry Weavers, Maseru, Kingdom of Lesotho, Handmade of Pure Mountain Mohair No 1, Woven by Esther Mothoana. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

Lot 194 is further into the room, at Storebergs manor, after the large Sigrid Hjertén carpet.

194. Sigrid Hjertén (Sweden, 1885–1948), a carpet, knotted pile, ca 190 x 95–96,5 cm (as well as ca 2,5–3 cm ivory flat weave with light grey parts at the ends).

A blue melange midfield with polychrome decor of two large birds. Two sides with wide violet fields with birds. A terracotta coloured border.

Provenance: Ingrid Lidén went to the same education as Sigrid Hjertén at the Higher School of Art and Design, current Art College (Konstfack). Ingrid Lidén was the daughter of Arvid Lidén, governor of Kalmar.

Then inheritance in the family. Storebergs manor, Västergötland.

Literature: Compare with Liljevalchs Konsthalls utställningskatalog: Sigrid Hjertén, 1995, page 207; Cavalli–Björkman, Görel: Kvinna i avantgardet, Sigrid Hjertén. Liv och verk, Lettland 2017, pages 21–27, colour plate page 58; Prins Eugens Waldemarsuddes utställningskatalog: Sigrid Hjertén, en mästerlig kolorist, 2018, pages 13–14, colour plate page 47. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

195. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Hästhagen’, knotted pile, ca 340–343,5 x 218–224 cm, signed AB MMF. Designed in 1923, woven after 1941.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, colour plate opposite page 33; Millesgårdens utställningskatalog nr 20: Märta Måås–Fjetterström, Stockholm 1989, No. 9, colour plate page 16; Persson, Angelica: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/ Mölndal 2019, colour plate page 71; Skrifter från Kungl. Husgerådskammare 20, Nisser–Dalman, Margareta, Stockholm 2019, No. 50, page 60; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 71.

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

196. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Steninge’, knotted pile, ca 315 x 200–204 cm, signed AB MMF. Designed in 1926, woven after 1941. The carpet ‘Steninge’ was designed for Steninge Castle to the then owner, the founder of Hushållsskolan Margareta.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv– verkstaden i Båstad, Stockholm 1968, plate page 19; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 107; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 75.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

197. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Ängarna’, knotted pile, ca 212,5 x 158,5 cm, signed AB MMF. Designed in 1928 for m/s Kungsholm, woven after 1941.

Literature: Compare with Märta Måås–Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 17; Mattor och vävnader – Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, Ann–Mari Forsberg, Båstad 1956, plate page 10; ICA bokförlag: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 176; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 113; Skrifter från Kungl. Husgerådskammare 20, Nisser–Dalman, Margareta, Stockholm 2019, No. 27, page 58; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, text and colour plates pages 100–101.

Estimate: SEK 40 000 – 60 000 / EUR 3 920 – 5 880

198. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Tornet’, knotted pile, ca 311 x 203–209 cm, signed AB MMF. Designed in 1931, woven after 1941. In the book ‘Look at the carpets – it’s me, 100 years of textile art – since 1919, Märta Måås–Fjetterström’ Angelica Persson at MMF AB writes : ‘On her return from New York in 1931, MMF designed the knotted pile rug Tornet. It was displayed for a few days in Stockholm and Gothenburg before it was shipped to the Swedish Exhibition of Industrial Arts & Crafts in London’.

Literature: Compare with Mattor och Vävnader – Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, Ann–Mari Forsberg, Båstad 1956, plate 10; Lundgren, Tyra: Märta Måås– Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, plate 37; Skrifter från Kungl.

Husgerådskammaren 20, Nisser–Dalman, Margareta, Stockholm 2019, No. 28, pages 37, 58; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plates pages 115, 138

Estimate: SEK 130 000 – 150 000 / EUR 12 740 – 14 700

199. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Tornet’, knotted pile, ca 298–304,5 x 202,5–205,5 cm, signed AB MMF. Designed in 1931, woven after 1941. In the book ‘Look at the carpets – it’s me, 100 years of textile art – since 1919, Märta Måås–Fjetterström’ Angelica Persson at MMF AB writes: ‘On her return from New York in 1931, MMF designed the knotted pile rug Tornet. It was displayed for a few days in Stockholm and Gothenburg before it was shipped to the Swedish Exhibition of Industrial Arts & Crafts in London’.

Literature: Compare with Mattor och Vävnader – Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, Ann–Mari Forsberg, Båstad 1956, plate 10; Lundgren, Tyra: Märta Måås– Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, plate 37; Skrifter från Kungl.

Husgerådskammaren 20, Nisser–Dalman, Margareta, Stockholm 2019, No. 28, pages 37, 58; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plates pages 115, 138.

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

200. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Älgö’, knotted pile, ca 338 x 236,5–239,5 cm, signed MMF. Designed in 1933, woven before 1942. Angelica Persson, Senior Executive at Märta Måås–Fjetterström AB, writes in the book Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström: ‘Älgö, a knotted pile rug designed for Älgö Palace in 1933 measuring 225 x 340 cm. ‘I am pleased with this rug’, MMF told the artisan weavers according to a note in the studio in Båstad.’ (Rare).

Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 126.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

201. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Tusenskönan’ (‘Bellis’), knotted pile, ca 206,5–208,5 x 111–115 cm, signed AB MMF. Designed in 1933, woven after 1941.

Literature: Compare with ICA bokförlag: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 179; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 115.

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

202. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Eken’, knotted pile, ca 309 x 205–209 cm, signed MMF. Designed in 1937, woven before 1942. (Rare).

Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 134; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst - sedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour plate page 154.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

203. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Gröningen ljus’, knotted pile, ca 244,5 x 173–174,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1954. (Rare).

Literature: Compare with Mattor Vävnader, Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, Ann–Mari Forsberg, Barbro Sprinchorn, Stockholm the 1960’s, plate page 16; Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 74. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

204. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Skvattram’, knotted pile in relief, ca 245 x 133–134,5 cm, signed MMF. Designed in 1938, woven before 1942.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv– verkstaden i Båstad, Stockholm 1968, plate No. 43; Millesgårdens utställnings– katalog nr 20: Märta Måås–Fjetterström, Stockholm 1989–90, No. 16.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

205. a carpet, knotted pile in relief, ca 149 x 82–83 cm, signed and dated S.K.L.H. 1947 at the back.

206. a carpet, knotted pile in relief, ca 187,5–189,5 x 96,5–100 cm, signed and dated S.K.L.H. 1945 at the back.

(Södra Kalmar Läns Hemslöjd). A pale yellow melange ground with a decor in relief of three fields with vines.

(Södra Kalmar Läns Hemslöjd). Ivory knotted polar bear and iceberg motifs in relief against an ivory and brown melange flat woven ground. According to information woven by Viola Carlberg.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

207. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Bäckahästen’, flat weave, ca 306,5–310 x 203–205,5 cm, signed MMF. Designed before 1918, woven before 1942. Märta Måås–Fjetterström designed this pattern during her time in Vittsjö between 1916–19. Two rows of mythological animals in octogons.

Literature: Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 34.

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

208. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Nöthåret’, flat weave, ca 197,5 x 118-119 cm, signed MMF. Designed in 1937, woven before 1942. A grid pattern in pastel colours, dark blue and brown. (Rare).

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

209. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Vit botten’, flat weave, ca 296,5 x 220,5–222,5 cm, signed AB MMF. Designed before 1919, woven after 1941.

Literature: Compare with Skrifter från Kungl. Husgerådskammaren 20, Nisser–Dalman, Margareta, Stockholm 2019, No. 12, page 57; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås– Fjetterström, Båstad/Mölndal 2019, colour plate page 54.

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

210. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Dukater’, flat weave ca 298,5 x 231,5–233,5 cm, signed AB MMF.

210. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Dukater’, flat weave ca 298,5 x 231,5–233,5 cm, signed AB MMF. Designed in 1924, woven after 1941.

Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plates pages 72–73.

Estimate: SEK 80 000 – 100 000 / EUR 7 840 – 9 800

211. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Ljusa mattan’, flat weave, ca 294,5 x 102–104 cm, signed MMF. Designed in 1928, woven before 1942.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

212. Märta Måås–Fjetterström (Sweden, 1873–1941), a runner, ‘Grön äng’, flat weave, ca 284,5 x 94,5 cm, signed AB MMF. Designed in 1928, woven after 1941.

Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 112; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plates pages 94–96, 102–103.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

213. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Röd grön äng’, flat weave, ca 315 x 249–250,5 cm, signed AB MMF. Designed in 1929, the year after ‘Grön äng’. Woven after 1941.

(A rare variant with the white border.)

Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 112; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plates pages 96, 102.

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

214. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Bruna heden’, flat weave, ca 204,5–205,5 x 130,5–132,5 cm, signed AB MMF. Designed in 1931, woven after 1941.

Literature: Compare with Märta Måås–Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 6; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate pages 66–69; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plates pages 112–114.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

215. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Rutmattan’, flat weave, ca 290,5–294,5 x 200–203 cm, signed MMF. Designed in 1931, woven before 1942.

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

216. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Rutmattan’, flat weave, ca 252,5–256,5 x 146,5–149 cm, signed MMF. Designed in 1931. According to the current owner bought to his father’s 50th birthday in 1938.

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

217. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Rutmattan’, flat weave, ca 201–203 x 145,5 cm, signed MMF. Designed in 1931, woven before 1942.

Estimate: SEK 15 000 – 18 000 / EUR 1 470 – 1 770

218. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Salerno blå’, flat weave, ca 307–308,5 x 201,5–204 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1948.

Literature: Compare with Yashar, Nazanin, Nilufar Tappeti Antichi: Tappeti Svedesi e Mobili Scandinavi Anni 1920–1960, Milano 1998, colour plate page 39; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 151.

Estimate: SEK 70 000 – 90 000 / EUR 6 860 – 8 820

219. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Salerno grön med enkel bård’, flat weave, ca 295 x 197–198,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1948.

(Salerno in green is unusual.)

Literature: Compare with Yashar, Nazanin, Nilufar Tappeti Antichi: Tappeti Svedesi e Mobili Scandinavi Anni 1920–1960, Milano 1998, colour plate page 39; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 151. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

220. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Falurutan mellanblå’, flat weave, ca 305,5 x 202 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1952.

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 68; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 153.

Estimate: SEK 50 000 – 70 000 / EUR 4 900 – 6 860

221. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Falurutan, lättblå III’, flat weave, ca 257 x 170 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson).

Designed in 1952.

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 68; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 153.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

222. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Falurutan grön, Alice’, flat weave, ca 218 x 146,5–150,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1952.

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 68; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 153.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

223. Agda Österberg (1891–1987), a carpet, ‘Björtins matta’, flat weave, ca 237 x 159–165 cm, unsigned.

Designed in 1955. A green melange ground with large polychrome geometric patterns. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

224. Rakel Carlander (Sweden), a carpet, flat weave, ca 310,5 x 195,5–199 cm, signed RC. A light melange ground with a grid pattern in a variety of blue nuances and different polychrome geomtric patterns.

A brownish blue melange border.

Estimate: SEK 18 000 – 20 000 / EUR 1 770 – 1 960

230. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Tånga brun original’, flat weave, ca 275 x 192–200,5 cm, signed AB MMF BN.

225. Judith Johansson (Sweden, 1916–1993), a carpet, ‘Sommarnatt’, flat weave, ca 203,5 x 133–140 cm, signed JJ. A melange ground in a variety of green, blue and violet nuances with rows of polychrome geometric shapes. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

226. Irma Kronlund (Sweden, 1919–2008), a carpet, flat weave, ca 223 x 148 cm, signed KLH IK (Kronobergs Läns Hemslöjd).

A light grey, blue and ivory melange ground with narrow fields and rectangles in a variety of blue nuances as well as a little green. (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

227. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Snäckorna’, flat weave, ca 312–313,5 x 200–204,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1943.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv– verkstaden i Båstad, Stockholm 1968, plate 48; af Klercker, Susanne: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 182; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 145. (d)

Estimate: SEK 75 000 – 100 000 / EUR 7 350 – 9 800

228. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Spättan, gul’, flat weave, ca 190,5–192,5 x 135–143 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1943.

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates pages 66–67; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 143.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

229. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Strålblomman grå’, flat weave, ca 286,5 x 219,5–221,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1952.

Literature: Compare with sketches Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 79.

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

230. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Tånga brun original’, flat weave, ca 275 x 192–200,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). ‘Tånga’ was designed for the H55 (the Helsingborg exhibition in 1955).

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 69; Stensman, Mailis: Ännu Mera Mattor från Märta Måås–Fjetterströms ateljé i Båstad 1919–1999, Uddevalla 1999, colour plate page 11; af Klercker, Susanne: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 184; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås– Fjetterström, Värnamo 2009, colour plate page 154–155. (d)

Estimate: SEK 100 000 – 125 000 / EUR 9 800 – 12 250

231. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Tånga brun och grön’, flat weave, ca 223 x 153–155 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson).

Designed for the H55 (the Helsingborg exhibition in 1955).

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 69; Stensman, Mailis: Ännu Mera Mattor från Märta Måås–Fjetterströms ateljé i Båstad 1919–1999, Uddevalla 1999, colour plate page 11; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 154–155.

Estimate: SEK 35 000 – 40 000 / EUR 3 430 – 3 920

232. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Tånga ljus’, flat weave, ca 226,5 x 163–164 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). ‘Tånga’ was designed in brown for the H55 (the Helsingborg exhibition in 1955).

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 69; Stensman, Mailis: Ännu Mera Mattor från Märta Måås–Fjetterströms ateljé i Båstad 1919–1999, Uddevalla 1999, colour plate page 11; af Klercker, Susanne: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 184; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 154–155.

Estimate: SEK 50 000 – 70 000 / EUR 4 900 – 6 860

233. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Park, blå och grön’, flat weave, ca 290 x 225,5–228 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1957.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, plate No. 54; Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 29.

Estimate: SEK 70 000 – 90 000 / EUR 6 860 – 8 820

234. Brita Grahn (1907–2003), a carpet, flat weave, ca 354,5 x 277 cm, signed Brita Grahn.

A checkered, zigzag and staircase pattern in different, especially red but also blue and green nuances. Made without fringes. (d)

Estimate: SEK 40 000 – 60 000 / EUR 3 920 – 5 880

235. Ingrid Dessau (1923–2000), a carpet, flat weave, ca 211 x 204,5 cm, signed MLH ID. (Malmöhus Läns Hemslöjd, Ingrid Dessau). Four large sun–like ornaments in a variety of red, pink and orange nuances. An ivory border. Made without fringes.

Literature: A similar carpet is found in literature. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

236. Barbro Nilsson (Sweden, 1899–1983), A carpet, ‘Magdalena, gul’, knotted pile, ca 389–391,5 x 303–305 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1967. (d)

Estimate: SEK 250 000 – 300 000 / EUR 24 490 – 29 390

237. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Violetta blå’, knotted pile, ca 183 x 128,5–130 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1961.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, plate 58.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

238. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Blå randig’, knotted pile, ca 141,5–143 x 83–85 cm, signed MMF. Designed before 1925, woven before 1942. A sewn on label at the back.

(Rare).

Estimate: SEK 4 000 – 5 000 / EUR 400 – 490

239. Barbro Nilsson (Sweden, 1899–1983), a carpet, ‘Stjärnåkra’, knotted pile, ca 154,5 x 105–107,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1964. (Rare). (d)

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

240. Lars Gynning (1920 – 2003), a carpet, knotted pile, ca 212,5 x 140 cm, signed LG SH (Lars Gynning, Svensk Hemslöjd).

A modernist composition in a variety of brown nuances as well as ivory and light blue. Made without fringes. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

241. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Blå Silverryan’, knotted pile in relief, ca 201 x 96,5–97,5 cm, signed MMF. Designed in 1922, woven 1930 or 1931. ‘Blå Silverryan has only been woven seven times, between 1925–1932. It has been woven in six different sizes.

Literature: Compare with ‘Silverryan’ Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 55.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

242. Josef Frank (Austria, 1885–1967), a carpet, ‘Matta nr 1’, handtufted, ca 347 x 257 cm.

Designed by Josef Frank in 1938 for Svenskt Tenn. Tufted in Sweden.

Literature: Compare with the original water colour Wängberg–Eriksson, Kristina: Pepis Flora, Kristianstad 1998, colour plate page 128.

Estimate: SEK 50 000 – 70 000 / EUR 4 900 – 6 860

243. Gustav Gurschner (Austria, 1873–1971), an Art Nouveau bronze vase with ‘Celtic’ decoration, Austria, ca 1905.

191. Lillian Holm (Sweden, 1896–1979), a tapestry, flat weave, ca 180,5 x 82 cm, signed LH. With the frame ca 182 x79 cm.

243. Gustav Gurschner (Austria, 1873–1971), an Art Nouveau bronze vase with ‘Celtic’ decoration, Austria, ca 1905.

Patinated in green and gold, relief decoration, signed GURSCHNER 1411 193.

Height 23 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

244. Austria/ Germany, probably, a mahogany cabinet/ a sheet music cabinet, early 20th century.

Inlays of fruit wood, carved, and sculpted bronze patinated decoration in a Egyptian style. 66,5 x 46,5 cm, height 115 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

245. An Austrian brass table lamp, Vienna 1928.

Adjustable shade of brass, base of black marble, details of copper, stamped MADE IN AUSTRIA Wien 1928 and 344. Height 40 cm, length 34 cm.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

246. Demetre Chiparus (Romania, 1886–1947), ‘Hush’, a patinated bronze and ivorine sculpture, Paris 1920s.

Onyx base, signed DH Chiparus. Total height 38 cm.

Provenance: Brodda Gård, Skurup, Sweden. The base with silver plaque, stamped 1949 with gift engraving: 1890 17/3 1950 FRÅN TRAVVÄNNER (from ‘trotting friends’) Literature: Alberto Shayo, ‘Chiparus, Master of Art Deco’, ACC Art Books 2016, compare the model illustrated, catalogue no 1, from the Yasushi Hayashibara collection, Japan, p 76.

Estimate: SEK 40 000 – 60 000 / EUR 3 920 – 5 880

247. Alice Nordin (Sweden, 1871–1948), an Art Nouveau bronze table lamp, foundry Herman Bergman Konstgjuteri, Sweden, signed and dated 1901.

A seated woman holding a cornucopia crowned by a spherical iridised glass shade, an illegible name to front of base. Height excluding shade 28,5 cm, including shade 40 cm.

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

248. A Swedish Art Nouveau/ Folk art carved mirror, early 20th century.

Beech, carved and in parts stained relief decoration of birch trees. 88 x 57,5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

249. Carl Westman (Sweden, 1866–1936), attributed to, a wrought iron and frosted glass Art Nouveau chandelier, Sweden ca 1915.

Probably executed by Petter Andersson på Myra, 4 + 4 lights, the lower part 60 cm diameter, height ca 86 cm.

Literature: Bertil Palm, ‘Arkitekten Carl Westman 1866–1936’, CWK Gleerup, Lund 1954.

Compare lamps designed by Westman for the Stockholm Court house, depicted pp 197, 198–199.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

250. Swedish Grace, a chest of drawers, Sweden 1920–1930s.

Macassar and walnut, stylized inlays in other kinds of wood, three drawers.

99 x 43 cm, height 77 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

251. Swedish Grace, a white metal framed mirror by Herman Bergman, Stockholm 1920–30’s.

The lower part with blue glass, signed Herman Bergmans Konstgj. AB, 74 x 32,3 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

252. Anna Petrus (Sweden, 1886–1949), a Swedish Grace triangular engraved pewter plated copper tray, executed in her own workshop, Sweden ca 1924.

Decorated with a mermaid riding on a seahorse, signed A. Petrus. 63,5 x 43,5 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

253. Anna Petrus (Sweden, 1886–1949), a pair of Swedish Grace cast iron garden urns ‘Blomkruka nr 1’, Näfveqvarns Bruk, Sweden.

Painted in black. Height 21 cm, diameter 24 cm.

Provenance: Reportedly these have been used as gate–heads on an estate outside Stockholm.

Literature: Björk, Christian, Näfveqvarns bruk: konstnärer och arkitekter till industrin, Orosdi–Back, Stockholm, 2013, p. 158

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

254. Folke Bensow (Sweden, 1886–1971), ‘Parkbänk Nr 1’, a Swedish Grace cast iron white lacquered bench n:r 1, Näfveqvarn’s Bruk, Sweden.

White lacquered planks. Length 180 cm, width 65 cm, height 53,5 cm.

Provenance: Noreborg’s Manor, Sweden.

Literature: Björk, Christian, Näfveqvarns bruk: konstnärer och arkitekter till industrin, Orosdi–Back, Stockholm, 2013, p. 129.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

255. A cast iron jardinière ‘Fritidsurnan’, Näfveqvarn, Sweden 1930’s.

Height 34 cm, diameter 35 cm (47 cm including handles).

Literature: Christian Björk, ‘Näfveqvarns Bruk – konstnärer och arkitekter till industrin’, Orosdi–Back 2013, p 177.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

256. Carl Malmsten (Sweden, 1888–1972), a Swedish Grace chest of drawers, Svensk Hemslöjd, 1930s.

Veneered with different kinds of wood, three drawers, the upper drawer with inlays of stylized floral borders. 114 x 48,5, height 75 cm.

Literature: Picture from The Carl Malmsten Archive, dated 1931.

Compare Bukowskis ‘Moderna katalog’ nr 525, lot nr 1384, the model of chest of drawers with signature CM 1931.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

257. Oscar Antonsson (Sweden, 1898–1960), a Swedish Grace pewter wall mirror, Ystad Tenn (Ystad Metallindustri) Sweden 1928.

258. Oscar Antonsson (Sweden, 1898–1960), a Swedish Grace green patinated bronze framed mirror, Ystad Brons, Sweden 1920s.

Frame crowned by Venus in a shell, maker’s mark B8 to the reverse.

62 x 30 cm.

Rectangular frame, crowned by an urn with putti, maker’s metal plaque to the back, measurements 67 x 31,8 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

Detail lot no 260.

Drawing from the Carl Hörvik archives at ArkDes, Stockholm.

259. Carl Hörvik (Sweden, 1882–1954), a set of garden furniture, table with 4 chairs for ‘Stadshotellet Båstad’ or ‘Lindgården’, Stockholm ca 1927–29. Possibly produced by Thelins vagnsfabrik, Skillingaryd.

Table top of slate, base of white lacquered iron, the chairs with wooden seats. Dimensions of the table 90 x 60 cm, height 70 cm, the chairs height 79 cm, seat height ca 44 cm.

Provenance: The garden furniture was designed by Hörvik for the refined gardens at the hotel ‘Stadshotellet Båstad’ in the late 1920s and for the Restaurant Lindgården, Djurgården, Stockholm in 1930.

Estimate: SEK 50 000 – 75 000 / EUR 4 900 – 7 350

260. Carl Hörvik (Sweden, 1882–1954), a set of garden furniture, table with 2 chairs for ‘Stadshotellet Båstad’ or ‘Lindgården’, Stockholm, ca 1927–1929. Possibly produced by Thelins vagsfabrik, Skillingaryd.

Table top of slate, base of white lacquered iron. Diameter of the table 60 cm, height 70 cm, the chairs height 79 cm, seat height 44 cm.

Provenance: The garden furniture was designed by Hörvik for the refined gardens at the hotel ‘Stadshotellet Båstad’ in the late 1920s and for the Restaurant Lindgården, Djurgården, Stockholm in 1930.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

261. Carl Hörvik (Sweden, 1882–1954), a pair of mahogany–stained birch lounge chairs, Swedish Grace 1920s.

263. Axel Einar Hjorth (Sweden, 1888–1959), a set of three occasional palisander tables, ‘Caesar’, ordered as a special commission, Nordiska Kompaniet, Sweden 1937.

290. Josef Frank (Austria, 1885–1967), a table mirror, ‘model 2214’, Firma Svenskt Tenn, Stockholm 1940–50s.

256. Carl Malmsten (Sweden, 1888–1972), a Swedish Grace chest of drawers, Svensk Hemslöjd, 1930s.

369. A Swedish Modern floor lamp, 1940s.

184. Märta Måås–Fjetterström (Sweden, 1873–1941), a drape, ‘Blåklockan’, flat weave, ca 248 x 151,5–153 cm, signed MMF. 202. Märta Måås–Fjetterström (Sweden, 1873–1941), a carpet, ‘Eken’, knotted pile, ca 309 x 205–209 cm, signed MMF.

261. Carl Hörvik (Sweden, 1882–1954), a pair of mahogany–stained birch lounge chairs, Swedish Grace 1920s.

Lionpaw–feet, upholstered with a green fabric, probably the original.

Height 69 cm, seat height circa 30 cm.

Estimate: SEK 100 000 – 150 000 / EUR 9 800 – 14 700

Drawing from the Carl Hörvik archives at ArkDes, Stockholm.

262. Sylvia Stave (Sweden, 1908–1994), an alpacca pitcher, CG Hallberg, Stockholm 1930s.

The handle covered with braided rattan, maker’s marks CGH Stockholm ALP G 15.

Height 18 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

263. Axel Einar Hjorth (Sweden, 1888–1959), a set of three occasional palisander tables, ‘Caesar’, ordered as a special commission, Nordiska Kompaniet, Sweden 1937.

Lionpaw feet, the largest table with maker’s metal label, 55 x 40 cm, height 56 cm, 49 x 37 cm, height 52 cm, 42 x 34,5 cm, height 47 cm.

Provenance: Made to order as a special commission by Mr G Sverdrup in 1937.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

264. Axel Einar Hjorth (Sweden, 1888–1959), a ‘Bridge’ chair, Nordiska Kompaniet, Sweden 1932.

Birch and stained birch, rattan seat, loose cushion in textile, maker’s mark NK R35413–C27 1 32, height 75 cm, seat height including cushion 38 cm.

Literature: Pictures from the NK archives. This model exhibited at Nordiska Kompaniet’s spring exhibition 1931 and also ‘Ängby–villan’, 1932.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

265. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine and limestone top ‘Sandhamn’ table, Nordiska Kompaniet, Sweden 1931.

Maker’s metal label NK R 3334–C 21 8 31, 75 x 40 cm, height 55 cm. The Sandhamn model was designed by Hjorth in 1929 and is probably the first of the quite a few ‘Sportstuge models’ that was designed by Hjorth. Sandhamn is the only model that was actually manufactured at the Nordiska Kompaniet workshops in Nyköping.

Estimate: SEK 150 000 – 200 000 / EUR 14 700 – 19 590

266. Axel Einar Hjorth (Sweden, 1888–1959), a set of four stained pine ‘Utö’ chairs, Nordiska Kompaniet, Sweden 1930s.

Height 80 cm, seat height 44 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

265. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine and limestone top ‘Sandhamn’ table, Nordiska Kompaniet, Sweden 1931.

267. Axel Einar Hjorth (Sweden, 1888–1959), a set of four stained pine ‘Utö’ chairs, Nordiska Kompaniet, Sweden 1930s.

Height 80 cm, seat height 44 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

268. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Lovö’ table, Nordiska Kompaniet, Sweden 1930s.

75 x 180 cm, height ca 73,5 cm.

Estimate: SEK 40 000 – 60 000 / EUR 3 920 – 5 880

269. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Lovö’ chair, Nordiska Kompaniet, Sweden 1930s.

Low back, iron mounts, probably the original cushion, reupholstered.

Height ca 81 cm, seat height without the cushion ca 41,5 cm, including the cushion ca 47 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

270. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Lovö’ chair, Nordiska Kompaniet, Sweden 1930s.

Iron mounts, cushion with later fabric. Height 80 cm, seat height ca 41,5 cm, including the cushion ca 45 cm Estimate: SEK 50 000 – 75 000 / EUR 4 900 – 7 350

271. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Utö’ sofa, Nordiska Kompaniet 1930s.

Length 132 cm, depth 43,5 cm, height 78,5 cm.

Estimate: SEK 60 000 – 100 000 / EUR 5 880 – 9 800

272. Axel Einar Hjorth (Sweden, 1888–1959), a special commissioned ‘Sandhamn’ table, executed by Nordiska Kompaniet, Sweden 1933.

Oak top, legs i birch with rich carvings, maker’s mark NK R37213–C26928, height 74 cm, length 100 cm, width 50 cm.

Provenance: According to the Nordiska Kompaniet archives, this table was a special commission by a person named Hallström.

However, this unusual version of the Sandhamn table has since long been in the family of Eric Carlström. Carlström was the head chef at the Restaurant Hasselbackens Academie in Stockholm and also the chef at the Swedish King Gustav the V’s summer house in Båstad, Sweden.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

274. Axel Einar Hjorth (Sweden, 1888–1959), a ‘Mora’ table, Nordiska Kompaniet 1930, for the 1930 Stockholm Exhibition.

273. Axel Einar Hjorth (Sweden, 1888–1959), a pair of ‘Typenko’ stools, Nordiska Kompaniet, Sweden 1936.

Stained birch, red textile seats, maker’s mark NK R 36171– C13 10 36, height 44 cm, diameter 45 cm.

Provenance: Reportedly from the fashion store Regent, Stockholm.

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

Interior with Hjorth's 'Mora' pieces from the 1930 Stockholm Exhibition, see the actual table in the photo.

274. Axel Einar Hjorth (Sweden, 1888–1959), a ‘Mora’ table, Nordiska Kompaniet 1930, for the 1930 Stockholm Exhibition.

Oval shape, lacquered in ochre and black, relief decoration, metal label: NORDISKA KOMPANIET R 34552–C22246. Length 50 cm, width 36 cm, height 60,5 cm.

The serial number C22246 implies that it was this actual table that was exhibited at the Stockholm Exhibition.

Provenance: The 1930 Stockholm Exhibition, the model was shown together with a cabinet and two chairs also in the ‘Mora –series’ in the department for the more exclusive interiors at the exhibition.

Literature: Christian Björk, Thomas Ekström, Eric Ericson, ‘Axel–Einar Hjorth – Möbelarkitekt’, Signum 2009, compare the model illustrated p 102.

Estimate: SEK 100 000 – 150 000 / EUR 9 800 – 14 700

275. Hans Bergström (Sweden, 1910–1996), two bronze dishes, Ystad Metall, Sweden 1930s.

Maker’s mark Ystad Brons HB Sweden, total diameter 36 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

276. A Swedish Modern sofa, 1930–40s.

Upholstered with a grey velvet, feet of oak, height 71 cm, length ca 200 cm, seat height 42 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

277. Erik Chambert (Sweden, 1902–1988), a cabinet/sideboard, Chamberts Möbelfabrik, Sweden 1930–40s.

Veneered in zebrano, palisander and other kinds of wood, the upper part in palisander with rich inlays showing the city Norrköping, the lower part signed in the marquetry EC, height 120 cm, width 170 cm, depth 45 cm.

Literature: The marquetry designed in 1936. Picture from the Chambert archives, Norrköping city museum.

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

278. Nils Fougstedt (Sweden, 1881–1954), a pewter and brass 3 pcs tea service, Svenskt Tenn, Stockholm 1930–32–1934.

The teapot with a black lacquered wooden handle, each piece stamped with maker’s marks D8, F8 and H8. The teapot height 9 cm, length 22 cm.

A pewter tray made by Svenskt Tenn in 1934 is enclosed with the service.

Diameter 28,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

283. Josef Frank (Austria, 1885–1967), a cabinet covered with Georges Peltier’s ‘Plan de Paris à vol d’oiseau’, Svenskt Tenn, Stockholm, ca 1937–1943.

279. Estrid Ericson (Sweden, 1894–1981), probably, a pewter and agate stone lidded bowl, Svenskt Tenn, Stockholm 1936.

Maker’s mark K8. Height 25 cm, diameter 25 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

280. Björn Trägårdh (Sweden, 1908–1998), a pewter tray, Svenskt Tenn, Stockholm 1935.

Maker’s marks Stockholm I8, diameter 28,7 cm, height 5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

281. Estrid Ericson (Sweden, 1894–1981), a pewter vase, Svenskt Tenn, Stockholm 1927.

Dolphin–shaped handles, maker’s mark Stockholm A8, height 22 cm.

Provenance: Engraved inscription to the rim inside the mouth: VICTOR BACKMAN PÅ 40–ÅRSDAGEN FRÅN KAMRATER I SKANDINAVISKA KREDITAKTIEBOLAGET * DEN 12 APRIL 1927 (Victor Backman on the 40th birthday from friends in Skandinaviska Kreditaktiebolaget the 12th of April 1927).

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

282. Estrid Ericson (Sweden, 1894–1981), a pewter and brass tobacco jar, Svenskt Tenn, Stockholm 1950.

Maker’s mark Stockholm Z8, height 12,5 cm, diameter 11,2 cm.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

283. Josef Frank (Austria, 1885–1967), a cabinet covered with Georges Peltier’s ‘Plan de Paris à vol d’oiseau’, Svenskt Tenn, Stockholm, ca 1937–1943.

Mahogany, brass hinges, the side with a plaque of leather stating PLAN DE PARIS A VOL D’OISEAU G PELTIER, the interior with shelves. Height 149 cm, total width 99 cm, depth 44 cm.

Already in Vienna in the early 1930s when working with Oscar Wlach and their company Haus & Garten Josef Frank began to cover cabinets with different kind of materials.

At the time he made use of different textiles. After he moved to Sweden Frank designed the first cabinet covered with prints in 1938, it was the so called ‘Flora cabinet’. After that he designed several versions of covered cabinets, sometimes with different kind of fabrics, sometimes with leather but also the more rare ones covered with maps or plans. In the catalogue from The Swedish National museum of 1952 ‘Josef Frank 20 år i Svenskt Tenn’ there is a similar cabinet nr 2132 which is covered with a map of London. The present cabinet composed with partitions is an early one and a really rare model. About the map: The French cartographer Georges Peltier made this very detailed plan over how Paris was for the year 1920. It took Georges Peltier more than 20 years to make this remarkable map of Paris. It took 30.000 man-hours of research and sketching. Every single Paris street is seen on the map, even the tiniest ones. People that are familiar with Paris will recognize famous landmarks such as the Eiffel Tower, the Bastille and all train stations. Nine editions of the map were published between 1920 and 1985.

Provenance: Marianna Backlund, a good friend of Estrid Ericson’s. Thence by descent to the present owner.

Estimate: SEK 800 000 – 1 000 000 / EUR 78 360 – 97 950

284. Josef Frank (Austria, 1885–1967), a pair of three light brass ceiling lamps, model ‘G2557’, Svenskt Tenn, Sweden 1940–1950s.

Height 42,5 cm, diameter ca 45 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

285. Josef Frank (Austria, 1885–1967), a mahogany cigarette box covered with a map over Paris, Svenskt Tenn, Stockholm, probably ca 1937–43.

16 x 12,5 cm, height 4 cm.

Provenance: Marianna Backlund, a good friend of Estrid Ericson’s.

Thence by descent to the present owner.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

286. Josef Frank (Austria, 1885–1967), a snakeskin framed mirror, Firma Svenskt Tenn, Sweden, executed in 1940.

The frame is covered with skin from a Boa Constrictor, framework of mahogany. 90 x 70 cm.

Literature: This mirror pictured in Ott–Wodni, Marlene, ‘Josef Frank 1885–1967: Raumgestaltung und Möbeldesign’, Böhlau–Verlag, Wien, 2015, p. 357.

Estimate: SEK 200 000 – 250 000 / EUR 19 590 – 24 490

288. Estrid Ericson (Sweden, 1894–1981), a pewter and brass table clock, Firma Svenskt Tenn, Stockholm 1932.

289. Estrid Ericson (Sweden, 1894–1981), attributed to, a brass and glass sculpture for exposing rings at Svenskt Tenn, 1950–1960s.

285. Josef Frank (Austria, 1885–1967), a mahogany cigarette box covered with a map over Paris, Svenskt Tenn, Stockholm, probably ca 1937–43.

298. Josef Frank (Austria, 1885–1967), a model ‘2139’ walnut and burled wood sofa table, Svenskt Tenn, Sweden, early 1950s.

183. Märta Måås–Fjetterström (Sweden, 1873–1941), a drape, ‘Gula Dubbelkorset’, flat weave, ca 235,5–239 x 154–155,5 cm, signed MMF.

287. Josef Frank (Austria, 1885–1967), a brass table lamp, Svenskt Tenn, Sweden 1950s.

288. Estrid Ericson (Sweden, 1894–1981), a pewter and brass table clock, Firma Svenskt Tenn, Stockholm 1932.

Two lights. Length 23 cm, height including shade 27 cm (excluding the shade 18,5 cm). This lamp is a smaller version of the model 2483 being produced today.

Square face with mirror glass and details of brass, maker’s mark F8.

Height 21,5 cm, length 24,5 cm, depth 8,5 cm.

Provenance: Marianna Backlund, a good friend of Estrid Ericson’s.

Thence by descent to the present owner.

Estimate: SEK 4 000 – 6 000 / EUR 400 – 590

Exhibitions: Exhibition of Swedish Industrial Art, London 1931.

This model exhibited and depicted as catalogue number 43.

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

289. Estrid Ericson (Sweden, 1894–1981), attributed to, a brass and glass sculpture for exposing rings at Svenskt Tenn, 1950–1960s.

290. Josef Frank (Austria, 1885–1967), a table mirror, ‘model 2214’, Firma Svenskt Tenn, Stockholm 1940–50s.

The brass weight is originally from a British manufacturer and is marked, height 25,5 cm, width 17,5 cm.

Brass and teak, height 53 cm.

Estimate: SEK 4 000 – 6 000 / EUR 400 – 590

Provenance: The mirror was part of a interior made by Firma Svenskt Tenn in Stockholm during the 1940–50’s.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

291. Josef Frank (Austria, 1885–1967), a pair of ‘model 2483’ table lamps, Svenskt Tenn, Sweden 1950s.

Brass, for two lights, bakelite switch, maker’s mark SVENSKT TENN TYP 2483, height ca 30 cm, including white textile shades.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

292. Josef Frank (Austria, 1885–1967), a mahogany desk, version of model 2115, Firma Svenskt Tenn, Stockholm, Sweden.

Brass handles, height 72,5 cm, length 132 cm, width 62 cm, Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

293. Josef Frank (Austria, 1885–1967), a chair, model ‘695’, Firma Svenskt Tenn 1940–50’s.

Mahogany and black leather with brass nails, height 85 cm, seat height 48 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

294. Josef Frank (Austria, 1885–1967), a three legged mahogany stool, model 336, Svenskt Tenn, Sweden 1940–1950s.

Height 38 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

295. Josef Frank (Austria, 1885–1967), a mahogany ‘model 1196’ coffee table, Svenskt Tenn, 1940–1950s.

Diameter 80 cm, height 49,5 cm.

Literature: Ott–Wodni, Marlene, ‘Josef Frank 1885–1967: Raumgestaltung und Möbeldesign’, Böhlau–Verlag, Wien, 2015, compare p 354, no 558.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

296. Josef Frank (Austria, 1885–1967), a mahogany cabinet, model 792, Svenskt Tenn, probably 1940–1950s.

119 x 40,5 cm, height 132 cm.

Provenance: Marianna Backlund, a good friend of Estrid Ericson’s.

Thence by descent to the present owner.

Literature: Kristina Wängberg Eriksson, Jan Christer Eriksson, ‘Josef Frank Möbelformgivare’, Carlsson Bokförlag Stockholm 2014, p K72 Josef Frank designed this cabinet in 1938 in order to house the shirts of the king Gustav V of Sweden hence the name given, translated from Swedish The Shirt Cabinet or Gustav V.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

297. Josef Frank (Austria, 1885–1967), a walnut and green lacquered tin flower stand, Svenskt Tenn, Sweden 1950–1960s, model no 2205.

104 x 22 cm, height 60 cm.

Literature: Marlene Ott–Wodni, Josef Frank 1885–1967, Raumgestaltung und Möbeldesign, Böhlau Verlag 2015, compare the model illustrated p 309, nr 326.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

298. Josef Frank (Austria, 1885–1967), a model ‘2139’ walnut and burled wood sofa table, Svenskt Tenn, Sweden, early 1950s.

Diameter 120 cm, height 46,5 cm.

Provenance: The table was bought for a villa in Djursholm, outside Stockholm city, in the early 1950s. The villa was built in 1952.

The table is illustrated in a family photo from 1955 as well as in a watercolour from about the same time by Ellen Maude Anckarsvärd (1904–1976). Thence by descent.

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

299. Josef Frank (Austria, 1885–1967), a mahogany desk, Svenskt Tenn, a version of model 2115, Sweden 1950s.

Four drawers, length 130 cm, width 62 cm, height 74 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

300. Björn Trägårdh (Sweden, 1908–1998), /Svenskt Tenn, a pewter and brass framed wall mirror, Svenskt Tenn Sweden, this pattern was designed ca 1930–34.

A pattern of fretted pewter, lined with brass, 70 x 65 cm.

Björn Trägårdh (1908–1998) Trägårdh was active as a designer for Svenskt Tenn between the years 1927 and 1934. He was the youngest and perhaps one of the most talented of the artistic collaborators at the time. He designed furniture, decors and objects with a more modern expression than several of his colleagues.

Literature: Monica Boman (ed), ‘Estrid Ericson – Orkidé i Vinterlandet (Orchid in the Winterland)’, Carlsson Bokförlag, 1989, 2000, pp 74–76. Björn Trägårdh designed the braided decor 1930–34 and used it, for instance, around the mouth of an otherwise spherical vase.

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

301. Firma Svenskt Tenn (Sweden), a pair of polished pewter coasters, Stockholm 1950.

Maker’s mark, Stockholm Z8. Height 4,7 cm, diameter 11 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

302. Josef Frank (Austria, 1885–1967), a pair of pewter candlesticks, Svenskt Tenn, Stockholm 1952 and 1956.

303. Firma Svenskt Tenn (Sweden), a pair of pewter coasters, Stockholm 1975.

Maker’s marks, B9 and F9, height 35,7 cm.

The interior with stylized flowers, maker’s marks A10. Diameter 13,5 cm.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

304. Josef Frank (Austria, 1885–1967), a mahogany veneered model 971 coffee table with burled wood to top, Svenskt Tenn, Sweden, probably 1930–1940s.

Adjustable height. Diameter 100 cm. The model was designed around 1939.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

305. Josef Frank (Austria, 1885–1967), a model ‘526’ chair, Firma Svenskt Tenn, 1930s.

Birch, rattan seat and back, loose cushion seat, maker’s mark SVENSKT TENN STRANDVÄGEN 5 A STOCKHOLM, height 82 cm.

Provenance: Count Jan Bernadotte (1941–2021) Literature: Marlene Ott–Wodni, Josef Frank 1885–1967, Raumgestaltung und Möbeldesign, Böhlau Verlag 2015, compare p. 332.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

306. Josef Frank (Austria, 1885–1967), a ‘model 2125’ sofa table, Svenskt Tenn, Sweden 1960s.

Mahogany base, onyx top, 120 x 54,7 cm, height 47,8 cm.

Provenance: The top marked with pen underneath: ‘Bengt Olof Hallström Bränninge Gård 1968 inköpt hos Svenskt Tenn Stockholm’ (…bought at Svenskt Tenn Stockholm) Literature: Marlene Ott–Wodni, Josef Frank 1885–1967, Raumgestaltung und Möbeldesign, Böhlau Verlag 2015, compare the model illustrated p 355, no 564.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

307. Josef Frank (Austria, 1885–1967), a pair of ‘model 1073’ tables, Svenskt Tenn, Sweden before 1985.

Mahogany, tops veneered with walnut, drawer with brass handle, 100 x 48 cm, height 55 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

308. Josef Frank (Austria, 1885–1967), Josef Frank, a brass table mirror, model ‘2214’, Svenskt Tenn, Sweden.

Round foldable mirror, the back covered in mahogany, height ca 55 cm, width 58,5 cm, diameter of the mirror 50 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

309. Josef Frank (Austria, 1885–1967), a brass candelabrum for 16 lights by Svenskt Tenn, Sweden 1940–1950s.

Height ca 83 cm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

310. Josef Frank (Austria, 1885–1967), a side table, ‘model 1112’, Svenskt Tenn, Sweden.

Walnut base, irregular onyx top, height 47 cm, diameter ca 70 cm.

Literature: Ott–Wodni, Marlene., Josef Frank 1885–1967: Raumgestaltung und Möbeldesign, Böhlau–Verlag, Wien, 2015, compare the model illustrated p 352, no 549.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

311. Josef Frank (Austria, 1885–1967), a bookcase, a special edition of model nr 2255 with a showcase cabinet, Svenskt Tenn, Sweden 1960–1970s.

In two parts, lacquered in white and green, in parts veneered with walnut, mounts of brass. The upper part with shelves and a showcase cabinet, the lower part with cupboards and drawers. Length 200,5 cm, depth 50,5 cm, total height 220 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

312. Josef Frank (Austria, 1885–1967), a bookcase including a folding desk, a special version of modell 2255, Svenskt Tenn, Sweden 1960–1970s.

In two parts, lacquered in white and green, in parts veneered with walnut, mounts of brass. The upper part with shelves and a folding desk, the lower part with cupboards and drawers. Length 200,5 cm, depth 50,5 cm, total height 220 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

313. Josef Frank (Austria, 1885–1967), a ‘model 1074’ mahogany coffee table, Firma Svenskt Tenn, Sweden.

314. Josef Frank (Austria, 1885–1967), a mahogany and black leather swivel chair, modified version of model 695, Svenskt Tenn, ca 1956–1957.

Mahogany, the corners covered in brass, 80 x 80, height 58 cm.

Brass nails, adjustable height.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

Provenance: Made to order around 1956–1957.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

315. Josef Frank (Austria, 1885–1967), a mahogany chest of drawers ‘Flora Linné’, Svenskt Tenn, Sweden 2007, made in a limited edition of model nr 1050.

Covered on all sides with flora posters from Plantae Selectae (1750–1773), brass handles, ball feet, top drawer on the right marked with brass tray FLORABYRÅ LINNÉ 47/ 50 design Josef Frank and maker’s mark. Measurements 132 x 43 cm, height 76 cm.

The chest of drawers named ‘Flora Linné’ was created on the occasion of Carl von Linné’s 200th anniversary and was inspired by Linnaeus’ summer home Hammarby, where the hand–colored copper engravings by Georg Dinysius Ehret were used as wallpaper in Linnaeus’ bedroom. Estrid Ericson visited Hammarby in 1930 and got the idea to use the colourful prints in interiors and on furniture.

The Florabyrå Linné was presented in the spring of 2007 and has been produced in a limited edition of 50 copies.

Estimate: SEK 200 000 – 250 000 / EUR 19 590 – 24 490

315. Josef Frank (Austria, 1885–1967), a mahogany chest of drawers ‘Flora Linné’, Svenskt Tenn, Sweden 2007, made in a limited edition of model nr 1050.

Hans Bergström, ur ateljé Lyktans arkiv.

HANS BERGSTRÖM – THE MASTER OF LIGHT A H I S T O R I C A L C O L L E C T I O N O F L I G H T I N G F R O M AT E L J É LY K TA N When the young artist Hans Bergström decided in the 1930s to focus his artistic practice on creating modern lighting in Sweden, his decision would revolutionise Swedish lamp manufacturing and the attitude towards electric lighting for the decades that followed. Hans Bergström’s trajectory stretches from 1930s Functionalism to the ‘Swedish Modern’ of the 1940s. When plastics were introduced in the 1950s he was one of the first to implement the new material in modern lighting.

At the Stockholm Exhibition of 1930 and despite being only 20 years old and not yet having graduated from the industrial design program at the Technical School (what is now Konstfack) in Stockholm, he confidently introduced himself to the metalware manufacturer Ystad–Metall as a designer. Two years later Bergström designed a chandelier for the Iggesund Church as his final project and in doing so staked out his path as the first Swedish architectural lighting designer. Bergström and his wife Verna started the studio Ateljé Lyktan in Helsingborg in 1934. A Functionalist ceramic lamp, made especially for the café Kafferepet, went on to be enormously popular in the city and became a minor commercial success. Just such a lamp is included in the present collection.

Shortly after the Second World War Bergström began to regularly participate in exhibitions and by the mid–forties his work had, through the agency of the Swedish Society of Crafts and Design, already reached as widely as the USA and South Africa.

Ateljé Lyktan, which Hans and Verna established, later moved to Åhus and became an important craft industry in the area.

They employed forty or so seamstresses and metal workers, some of whom had come from Ystad–Metall, where Bergström had previously acquired his knowledge of the craft. At the same time the couple also established a combined design shop and showroom in Kristianstad, where the world could see what they were doing.

As the forties came to an end the light from Ateljé Lyktan shone more brightly than ever before. In connection with an exhibition in 1949 at Bonnier’s new department store in New York, Bergström’s light fittings attracted attention for their sophisticated elegance. When in 1952 his creations were exhibited at the Röhsska Museum in Gothenburg, it was, as far as we know, the first time lampshades made from spun plastic were shown publicly. A chandelier with six understated perpendicular pendants sprayed with plastic and hanging together in a cluster left the audiences amazed, as described in an article from September 1952 in the newspaper Göteborgs Handels och Sjöfartstidning. The light fitting in question, marked as ‘modell 153’, is also included in the auction’s collection. Worth noting in this context is also the 1954 Tenth Trienniale in Milan, where Bergström was awarded a gold medal for one of his lamps in acrylic glass. We find two of these lights in the collection, in the form of a subtle table lamp in acrylic glass, ‘modell 748’.

It is through these achievements, the prominent exhibitions, and his pioneering lighting projects that Bergström gradually became a more widely known name outside of Sweden. He was no longer just a designer – he was a lighting architect. The period between the 1940s and up until the latter part of the 1950s confirmed him as one of the best when it came to architectural lighting, and underlined Ateljé Lyktan as a Nordic lighting company at the forefront of innovation. When the Helsingborg Exhibition of 1955 opened its doors, Hans Bergström played a central role amongst the period’s most influential architects.

The architect’s journey is one from strict Functionalism to decorative light fittings and eventually to the discovery of revolutionary new materials, such as acrylic glass and sprayed plastic, which liberated Bergström as a sculptor and offered him completely new possibilities.

From notices, old magazines, stories told by his family and close friends, as well as descriptions by past workers at Ateljé Lyktan, an image emerges of a man who loved gardens, nature, antiquity, Italy and who allowed all these impressions to repeatedly take shape in the form of chased brass leaves and brass birds on caged lampshades, chandeliers and ceiling lights. The lighting architect didn’t want light to be obstructed by a sombre shade, but to glimmer behind pleated chintz fabric, acrylic glass, or to filter unrestrained from a cage of golden birds in flight. As Bergström expressed it himself: ‘light must be white and shine freely’.

Johan Jansson, author of the book Ljuset ska vara vitt och lysa fritt – historien om ateljé Lyktan. Arvinius, Stockholm, 2009

316. Hans Bergström (Sweden, 1910–1996), a table lamp, ateljé Lyktan, Sweden 1930s.

Base in red glazed ceramic, signed Ateljé Lyktan, original textile shade, height excluding the shade 24,5 cm, height 48 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

The café Kafferepet, in Helsingborg Sweden.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

317. Hans Bergström (Sweden, 1910–1996), a pair of table lamps, ateljé Lyktan, Sweden 1930–40s.

Base in ceramic, glazed with flower motifs, metal arm, maker’s mark, height 24 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

318. Hans Bergström (Sweden, 1910–1996), a ceiling lamp, model ‘40’ ateljé Lyktan, Sweden 1940–50s.

Three perforated brass shades, adjustable height ca 145 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 235.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

319. Hans Bergström (Sweden, 1910–1996), a pair of wall sconces, model ‘356’, ateljé Lyktan, Sweden 1940–50s.

Brass, shades decorated by Greta Digman, white glass cups, height 36 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 237.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

320. Hans Bergström (Sweden, 1910–1996), a ceiling lamp, ateljé Lyktan, Sweden 1940–50s.

Cage shaped with a metal fram base, sprayed plastic shade, brass details, height of the shade 30 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

321. Hans Bergström (Sweden, 1910–1996), a ceiling lamp, model ‘51/365’, ateljé Lyktan, Sweden 1940–50s.

Cage shaped metal with a sprayed plastic shade, details in red lacquered wood and metal, height of the shade ca 35 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

322. Hans Bergström (Sweden, 1910–1996), a ceiling lamp, model ‘3’, ateljé Lyktan, Sweden 1940–50s.

The lacquered metal frame is cage–shaped and decorated with birds made of brass, the inner original shade is made of fabric, height of the cage 40 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p 232.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

323. Hans Bergström (Sweden, 1910–1996), a pair of table lamps, model ‘748’, ateljé Lyktan, Sweden 1940–50s.

Teak, plexiglass shades, height 40 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, 244.

Fiell, Charlotte & Fiell, Peter (ed), 50s decorative art: a source book, Taschen, Köln, 2000, p. 411.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

324. Hans Bergström (Sweden, 1910–1996), a floor lamp, model ‘545’, ateljé Lyktan, Sweden 1940–50s.

Brass feet, burgundy coloured leather stem, adjustable shade, maker’s mark, height 120 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 235.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

325. Hans Bergström (Sweden, 1910–1996), a pair of ceiling lamps, model ‘129’, ateljé Lyktan, Sweden 1940–50s.

Brass, white glass shades, height ca 140 cm, diameter ca 40 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

326. Hans Bergström (Sweden, 1910–1996), a floor lamp, model ‘544’, ateljé Lyktan, Sweden 1940–50s.

Base of brass, stem of teak, adjustable shade in brass, maker’s mark, height 130 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 237.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

327. Hans Bergström (Sweden, 1910–1996), a ceiling lamp, model ‘153/6’, ateljé Lyktan, Sweden, 1940–50s.

Fixture in red lacquered metal, six shades in sprayed plastic, height ca 140 cm, diameter ca 35 cm. Each shade height 36 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Exhibitions: This model exhibited att the Röhsska Museum in Gothenburg Sweden 1954.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 241.

Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1954, p. 125.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

322. Hans Bergström (Sweden, 1910–1996), a ceiling lamp, model ‘3’, ateljé Lyktan, Sweden 1940–50s.

341. Hans Bergström (Sweden, 1910–1996), a wall lamp, model ‘421’, ateljé Lyktan, Sweden 1940–50s.

337. Hans Bergström (Sweden, 1910–1996), a floor lamp, ateljé Lyktan, Sweden 1940–50s.

316. Hans Bergström (Sweden, 1910–1996), a table lamp, ateljé Lyktan, Sweden 1930s.

332. Hans Bergström (Sweden, 1910–1996), a pair of table lamps, model ‘751’, ateljé Lyktan, Sweden 1940–50s.

Drawings from the ateljé Lyktan archives.

328. Hans Bergström (Sweden, 1910–1996), a chandelier, model ‘127’, ateljé Lyktan, Sweden 1940–50s.

Brass, 12 white glass shades, height ca 100 cm, diameter ca 95 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p 239.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

329. Hans Bergström (Sweden, 1910–1996), two table lamps, model ‘716’, ateljé Lyktan, Sweden 1940–50s.

Base and shade in brass, stem in teak, one with maker’s mark, height 52 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 239.

Fiell, Charlotte & Fiell, Peter (ed.), 50s decorative art: a source book, Taschen, Köln, 2000, p. 384.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

330. Hans Bergström (Sweden, 1910–1996), a pair of ceiling lamps, model ‘10/8’, ateljé Lyktan, Sweden 1940–50s.

Brass arms, wooden base decorated with leaves in brass, 8 light fixtures, height 80 cm, diameter 60 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 236.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

331. Hans Bergström (Sweden, 1910–1996), a ceiling lamp, model ‘95’, ateljé Lyktan, Sweden 1940–50s.

Brass, metal shade decorated by Greta Digman, three white glass shades, height 75 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 235.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

332. Hans Bergström (Sweden, 1910–1996), a pair of table lamps, model ‘751’, ateljé Lyktan, Sweden 1940–50s.

Brass and teak base, folded plastic shade, height 40 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 244.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

333. Hans Bergström (Sweden, 1910–1996), a floor lamp, model ‘545’, ateljé Lyktan, Sweden 1940–50s.

Brass feet, grey leather stem, adjustable height ca 145 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

334. Hans Bergström (Sweden, 1910–1996), a set of three wall lamps, model ‘333’, ateljé Lyktan, Sweden 1940–50s.

Brass, decorated with leaves of brass, height ca 50 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 237.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

335. Hans Bergström (Sweden, 1910–1996), a chandelier, ateljé Lyktan, Sweden 1940–50s.

Brass, 6 white glass shades with brass fixtures, adjustable height ca 80 cm, diameter ca 80 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

336. Hans Bergström (Sweden, 1910–1996), a chandelier, ateljé Lyktan, Sweden 1940–50s.

Brass, 6 white glass shades with brass fixtures, adjustable height ca 80 cm, diameter ca 80 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

337. Hans Bergström (Sweden, 1910–1996), a floor lamp, ateljé Lyktan, Sweden 1940–50s.

Lacquered metal, three shades in sprayed plastic, maker’s mark, ateljé Lyktan, height 165 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

338. Hans Bergström (Sweden, 1910–1996), a ceiling lamp, model ‘27’, ateljé Lyktan, Sweden 1940–50s.

A cloud shaped glass shade, decorated with birds in brass, three ceiling fixtures, length ca 90 cm, width ca 50 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

339. Hans Bergström (Sweden, 1910–1996), a pair of ceiling lamps, model ‘91’, ateljé Lyktan, Sweden 1940–50s.

Patinated brass, 12 light fixtures, height 65 cm, diamater 66 cm, Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

340. Hans Bergström (Sweden, 1910–1996), a chandelier, model ‘16’, ateljé Lyktan, Sweden 1940s.

Bronze and brass, glass bowl, six light fixtures, height 70 cm, diameter 60 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

341. Hans Bergström (Sweden, 1910–1996), a wall lamp, model ‘421’, ateljé Lyktan, Sweden 1940–50s.

Wall bracket in teak, brass arm, textile ‘Harlequin’ shade, maker’s mark, length from wall ca 85 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

342. Hans Bergström (Sweden, 1910–1996), two floor lamps, model ‘C–770’, ateljé Lyktan, Sweden 1940–50s.

Feet in brass, stem in teak, sprayed plastic shades, height 170 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

343. Hans Bergström (Sweden, 1910–1996), a ceiling lamp, model ‘C–1143’, ateljé Lyktan, Sweden 1940–50s.

Lacquered metal base, sprayed plastic shade, three light fixtures, length ca 76 cm, width ca 62 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 243.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

344. Hans Bergström (Sweden, 1910–1996), a pair of table lamps, model ‘701’, ateljé Lyktan, Sweden, 1950s.

Brass feet, braided leather stems, sprayed plastic shades, one with maker’s mark, height ca 55 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 235.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

345. Hans Bergström (Sweden, 1910–1996), a wall or ceiling lamp, model ‘1543’, ateljé Lyktan, Sweden 1950s.

Wall bracket and arms in brass, geometrical shaped plexi glass shade, length 100 cm, width 70 cm, depth 35 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 244.

Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1959, p. 259.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

346. Hans Bergström (Sweden, 1910–1996), a pair of table lamps, model ‘712’, ateljé Lyktan, Sweden 1950s.

Brass, white textile shades, maker’s mark, height 55 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010, p. 239.

Fiell, Charlotte & Fiell, Peter (ed.), 50s decorative art: a source book, Taschen, Köln, 2000, p. 390.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

347. Hans Bergström (Sweden, 1910–1996), a ceiling lamp, modell ‘C–1141’, ateljé Lyktan, Sweden 1950–60s.

Lacquered metal, five shades in green, yellow and grey, maker’s mark, adjustable height ca 90 cm, diameter 40 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

348. Hans Bergström (Sweden, 1910–1996), a wall lamp, model ‘C–1162’, ateljé Lyktan, Sweden 1950–60s.

Brass and white plexi glass shades, height 26 cm, width 50 cm.

Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

349. Hans Bergström (Sweden, 1910–1996), a ceiling lamp, model ‘C–1131’, ateljé Lyktan, Sweden 1950–60s.

Brass, three white and yellow plexiglass shades, height 65 cm, Provenance: Hans Bergström – The Master of Light A historical collection of lighting from ateljé Lyktan.

Literature: Drawing from the archives of ateljé Lyktan.

ARKDES, ARKM.1988–111–X171–7.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

A SUMMER RESIDENCE A COLLECTION OF AXEL EINAR HJORTH’S PINE FURNITURE FROM THE SWE DI SH WEST COAST

The original owner was a dentist practising in the center of Stockholm. He acquired an estate on the Swedish west coast, outside Ljungskile where he built a summer house. When the house was completed in 1936 it was furnished with Axel Einar Hjorth’s ‘Sportstugemöbler’ which were very much in fashion at the time. The furniture has remained in the same summer house until now.

The collection includes lots 350–357.

350. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Lovö’ armchair, Nordiska Kompaniet, Sweden 1930s.

Cushions enclosed. Height 112 cm, seat height 30 cm (including the cushion ca 44 cm).

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

351. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine sofa ‘Utö’, Nordiska Kompaniet 1930s.

Length 138 cm, height 79 cm, comes with a cushion, seat height 38 cm (including the cushion ca 43,5 cm).

Estimate: SEK 75 000 – 100 000 / EUR 7 350 – 9 800

352. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Lovö’ table, Nordiska Kompaniet, Sweden 1930s.

Square, 50 x 50 cm, height ca 50,5 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

353. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Lovö’ cabinet, Nordiska Kompaniet, 1930s.

Iron mounts, the interior with shelves and two drawers.

Height 155,5 cm, 101 x 45,5 cm.

Estimate: SEK 100 000 – 150 000 / EUR 9 800 – 14 700

354. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Sandhamn’ table, Nordiska Kompaniet, Sweden 1932.

Maker’s metal label NK R 33847–C 29 1 32, 170 x 61 cm, height 74,5 cm.

Estimate: SEK 100 000 – 150 000 / EUR 9 800 – 14 700

355. Axel Einar Hjorth (Sweden, 1888–1959), a set of 4 stained pine ‘Sandhamn’ chairs, Nordiska Kompaniet Sweden 1931–1932.

Maker’s metal labels. Height 86 cm, seat height 46 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 430 – 3 920

356. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Utö’ table, Nordiska Kompaniet, 1930s.

70 x 56 cm, height 48 cm.

Estimate: SEK 150 000 – 200 000 / EUR 14 700 – 19 590

357. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Lovö’ rocking chair, Nordiska Kompaniet 1930s.

Comes with a cushion. Height 82 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 430 – 3 920

358. Sigurd Persson (Sweden, 1914–2003), a 1940’s brass teapot.

Teak finial, braided leather handle, height 22 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

359. Elias Svedberg (Sweden, 1913–1987), a sofa, probably model ‘Paris’ for Nordiska Kompaniet, Sweden 1930–1940s.

Upholstered with green velvet, base in stained birch, height 72 cm, length ca 260 cm.

Literature: Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1938, p. 93–139.

Björk, Christian & Ericson, Eric (ed), ‘Swedish Modern’, Orosdi–Back, Stockholm, 2018, p. 496.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

360. Harald Notini (Sweden, 1879–1959), a pair of floor lamps, model ‘15242’,

by Böhlmarks, Sweden 1940–50s.

Base in brass, stem covered with leather, textile shade, inner white glass shade, stamped with model number 15242, height 166 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

368. Otto Schulz (Germany, 1882–1970), a pair of Swedish Modern easy chairs, Boet, Sweden 1940s.

361. Otto Schulz (Germany, 1882–1970), a Swedish Modern Zodiac patterned cabinet for Boet, Gothenburg, 1930–1940s.

Oak, covered with brown artificial leather, the decoration executed with brass nails. The interior with shelves and three drawers. 143 x 37 cm, height 138 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

362. Otto Schulz (Germany, 1882–1970), a Swedish Modern sheepskin upholstered armchair, Boet Gothenburg 1940s.

Feet in stained beech, height 103 cm.

Literature: Arvid Berghman (ed), Tidskriften Boet, årgång 1945.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

363. A pair of Swedish Modern floor lamps, ASEA, 1940–50s.

Brass, adjustable height, maker’s mark, shades with silk fabric, height 138–155 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

364. Nordiska Kompaniet (Sweden), a Swedish Modern ‘Anette’ cabinet, Sweden 1944.

Mahogany, doors and sides decorated in relief, the interior with shelves and drawers, maker’s label NK R 44196–C 21 2 44, height 153 cm, width 110 cm, depth 43 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

365. Nordiska Kompaniet (Sweden), a pair of Swedish Modern ‘Anette’ bedside tables, Sweden 1944.

Mahogany, the front of the drawers decorated in relief, maker’s label NK R 44357–C 21 2 44, height 58 cm, width 53 cm, depth 33 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

366. Nordiska Kompaniet (Sweden), two Swedish Modern table lamps, Sweden 1940s.

Brass base, stem with leather, green lacquered metal shade, brass details, height ca 54 cm.

Literature: This model is illustrated in Nordiska Kompaniet’s lightning catalogues from the early 1940’s.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

367. Otto Schulz (Germany, 1882–1970), a Swedish Modern sofa, Boet, Sweden 1940s.

Upholstered in a blue velvet plush, legs and frame of elm wood. Length ca 165 cm, height ca 75 cm, seat height ca 42 cm.

Estimate: SEK 50 000 – 75 000 / EUR 4 900 – 7 350

368. Otto Schulz (Germany, 1882–1970), a pair of Swedish Modern easy chairs, Boet, Sweden 1940s.

Upholstered in a blue velvet plush, legs and frame of elm wood. Height ca 75 cm, seat height ca 42 cm, width ca 80 cm.

Estimate: SEK 50 000 – 75 000 / EUR 4 900 – 7 350

369. A Swedish Modern floor lamp, 1940s.

Brass stem, shade with wave shaped rim, marble base, height 165 cm.

Literature: The model is illustrated in an ad from Sven Staaf’s interior shop, Sweden.

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

370. Axel Einar Hjorth (Sweden, 1888–1959), a set of 4 stained pine ‘Lovö’ chairs, Nordiska Kompaniet, Sweden 1930s.

Iron mounts, high back, probably the original cushions, reupholstered.

Height ca 95 cm seat height ca 41 cm, with cushion ca 45 cm.

Estimate: SEK 80 000 – 100 000 / EUR 7 840 – 9 800

371. Axel Einar Hjorth (Sweden, 1888–1959), a pair of stained pine ‘Lovö’ chairs, Nordiska Kompaniet, Sweden 1930s.

High back, iron mounts, cushions with original fabric. Height 95 cm, seat height excluding the cushion 41 cm, including the cushion ca 45 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

372. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Värmdö’ table, Nordiska Kompaniet, Sweden 1930s.

160 x 65 cm, height 75 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

373. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine stool ‘Utö’, Nordiska Kompaniet, Sweden 1930s.

Diameter 40 cm, height 45,5 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

374. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Utö’ stool, Nordiska Kompaniet, Sweden 1930s.

Diameter 40 cm, height 45,5 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

375. Axel Einar Hjorth (Sweden, 1888–1959), a set of 3 stained pine ‘Lovö’ chairs, Nordiska Kompaniet, Sweden 1930s.

Hight back model, iron mounts. Height 95 cm, seat height ca 40 cm.

Estimate: SEK 70 000 – 75 000 / EUR 6 860 – 7 350

376. Axel Einar Hjorth (Sweden, 1888–1959), a stained pine ‘Utö’ corner cabinet, Nordiska Kompaniet, Sweden 1930s.

Upper part with open shelves, the lower part with a door. Height 190 cm, width 90 cm, depth ca 50 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

377. David Rosén (Sweden), a pine stool ‘Berga’, Nordiska Kompaniet, Sweden 1930–1940s.

39,5 x 35 cm, height 40,5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

378. Carl Cederholm, a Swedish Modern asymmetrical armchair, Stil & Form Stockholm 1940s.

Secondary upholstery in eggshell coloured fabric. Height 80 cm, seat height ca 41 cm, width ca 87 cm.

Carl Cederholm (b. 1909) graduated from HKS, Tekniska Skolan, (now Konstfack), in 1940 after three years of study. Shortly thereafter, Firma Stil & Form was established. The firm soon became a well–known name within Stockholm’s well–established circles. The store was located on Sturegatan 36 in Stockholm, not far from Greta Magnusson Grossman’s former store Studio.

Carl Cederholm’s design is characterized by an organic and asymmetrical style, sometimes including exclusive silver inlays. Among the most important of the company’s interior design projects is the Central Hotel in Gävle (1947). Despite a certain impact in bourgeois circles, Cederholm’s Stil & Form furniture and fixtures were not made in any larger editions.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

379. Erik Glemme (Sweden, 1905–1959), a pair of stools, Sweden 1940–50’s.

Teak and black leather, height 43,5 cm, width 53 cm.

Provenance: From the interior of Amanda Christensen AB, Kungsbroplan 1, Stockholm.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

380. Erik Glemme (Sweden, 1905–1959), A ceiling lamp, Sweden 1940–50’s.

Teak, shades of paper with braided leather, adjustable height ca 100 cm, diameter ca 50 cm.

Provenance: From the interior of Amanda Christensen AB, Kungsbroplan 1, Stockholm.

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

381. Erik Glemme (Sweden, 1905–1959), a pair of wall lamps, Sweden 1940–50’s.

Teak and brass, shade in teak with brass threads and a paper inner shade, height 27 cm, depth from wall 25 cm.

Provenance: From the interior of Amanda Christensen AB, Kungsbroplan 1, Stockholm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

ERIK GLEMME Erik Glemme (1905–1959) was a Swedish architect and landscape architect, predominantly active in Stockholm. Together with his colleague, Holger Blom, who was head gardener to the city of Stockholm, Glemme became one of the prominent figures of what was known as the ‘Stockholm Style’ – where the city’s Functionalist architecture was ‘framed’ by park and landscape planning. Glemme planned some of the classic Stockholm suburban areas such as the Vällingby Centrum Square, Blackeberg, and Grynkvarnsparken in Johanneshov, as well as the more central Tegnérlunden, Rålambshovsparken and the lakefront promenade along Norr Mälarstrand. Glemme also designed, amongst other things, benches and pavilions for the parks. In parallel with the work he did on the city’s green spaces he also ran his own architecture practice, which executed several interiors for both private and public clients. The interior for the City Hall office of one of the City Councillors in Stockholm, done in the mid fifties, is an example of one of his more renowned commissions. His furniture and light fittings have a unique character, often distinguished by asymmetry, organic shapes, and an exceptional quality in their carpentry.

The objects in the autumn auction originate from one of Glemme’s most important clients, the men’s fashion house and tie–manufacturer, Amanda Christensen AB. The company owned the property Kungsbroplan 1 in Stockholm, where Glemme, in his role as Christensen’s architect, arranged and designed both the fittings and the fixtures in not only the offices, but also the family’s private apartment and country house. The objects in the auction come from the private apartment at Kungsbroplan 1.

382. Bo Notini (Sweden, 1910 – 1975), a Swedish Modern floor light, Glössner & Co, Sweden, 1940s–1950s.

Base in brass, two glass shades, one in amber coloured glass and one in clear glass with etched details, signed Glössner – Co Komp. Notini.

Height 175 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

383. Bruno Mathsson (Sweden, 1907–1988), a rare easy chair for Firma Karl Mathsson, Värnamo, Sweden 1940s.

Laminated beech, seat with girths, reading shelf in oak and birch with steel and brass fittings, marked with paper label Firma Karl Mathsson BM36 and BM44. Height ca 90 cm, length ca 160 cm.

Estimate: SEK 40 000 – 60 000 / EUR 3 920 – 5 880

384. Bruno Mathsson (Sweden, 1907–1988), a Swedish Modern ‘Paris’ beech daybed, Firma Karl Mathsson Värnamo Sweden, 1940’s.

Later natural coloured girths, maker’s paper labels and marked with ink BM36. Length ca 218 cm, width 81 cm, height 45,5 cm. Original, re–upholstered horsehair mattress enclosed.

The model was designed in 1936 and was shown at Bruno Mathsson’s premiere exhibition at the Röhsska Museum the same year. The model was also exhibited and awarded the Grand Prix at the World’s Fair in Paris in 1937. ‘Paris’ was produced in a limited edition in the 1930s and 40s. According to the Bruno Mathsson Foundation, production was discontinued because production was too complicated and therefore expensive.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

385. Bruno Mathsson (Sweden, 1907–1988), a birch and beech ‘Liggstol nr 36’ lounge chair, Firma Karl Mathsson Värnamo Sweden 1941.

Textile girths, head pillow with brown sheepskin, maker’s paper label BM36, KM41, stamped MADE IN SWEDEN DESIGNED BY BRUNO MATHSSON. Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

386. Bruno Mathsson (Sweden, 1907–1988), a table, Firma Karl Mathsson, Sweden, 1939.

Legs in laminated beech, top in burled wood, maker’s mark Bruno Mathsson –36 Karl Mathsson –39, height 50 cm, diameter 85 cm.

Estimate: SEK 6 000 – 8 000 / EUR 590 – 790

387. Bo Notini (Sweden, 1910–1975), a Swedish Modern floor light, Glössner & Co, Sweden, 1940–50s.

Base in brass, white lacquered stem, two glass shades, one with etched details, signed Glössner – Co Komp. Notini. Height 175 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

383. Bruno Mathsson (Sweden, 1907–1988), a rare easy chair for Firma Karl Mathsson, Värnamo, Sweden 1940s.

393. Arne Norell (Sweden, 1917–1971), a pair of ‘Gary’ (The Thumb) easy chairs for Gösta Westerberg, Sweden 1950s.

388. Axel Larsson (Sweden, 1898–1975), an armchair, Svenska Möbelfabrikerna Bodafors, 1959.

Beech wood, black leather seat and armrests, maker’s mark Bodafors Design Axel Larsson Made in Sweden 1959, height 126 cm, seat height 48 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

389. Axel Larsson (Sweden, 1898–1975), a set of five Swedish Modern beech and red leather chairs, Svenska Möbelfabrikerna Bodafors, Sweden 1961.

Brass nails, maker’s mark 1961. Height 83 cm, seat height ca 46 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

390. David Rosén (Sweden), a mahogany cabinet, executed as an apprentice examination work by Bo Edlund, Sweden 1950–51.

Brass fittings, the inside of the doors signed in the inlays DR (David Rosén) and BE (Bo Edlund) 1951, 181 x 50 cm, width 113 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

391. Greta Magnusson Grossman (Sweden, 1906–1999), a Swedish Modern blue lacquered G–33 (Grasshopper) floor light, Bergboms, Malmö, 1950s.

392. Greta Magnusson Grossman (Sweden, 1906–1999), a black lacquered ‘G–33’ (Grasshopper) floor light, Bergboms, Malmö Sweden 1950s.

Maker’s mark within the shade. Height ca 124 cm.

Maker’s mark within the shade. Height ca 124 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

Provenance: Acquired by the vendor’s parents in the mid 1950s.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

393. Arne Norell (Sweden, 1917–1971), a pair of ‘Gary’ (The Thumb) easy chairs for Gösta Westerberg, Sweden 1950s.

Upholstered with a cream coloured fabric, wooden legs. Height 78 cm wisth ca 70 cm, seat height ca 41 cm.

Exhibitions: This model was shown at what was called the ‘Önskehemsutställningen’ in Stockholm, 1952.

Literature: Andreas Siesing, ‘Svenska möbler – folkhemsform i ull, jakaranda, furu och bok 1949–1970’, Atlantis, Stockholm 2015, p 8, this model is found depicted in an advert from 1952.

Estimate: SEK 80 000 – 100 000 / EUR 7 840 – 9 800

394. Uno & Östen Kristansson (Sweden, 1925–2009), a ceiling lamp, Luxus, Vittsjö, Sweden 1950–1960s.

Teak, 10 white glass shades, height ca 200 cm, diameter ca 115 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

395. Svante Skogh (Sweden, 1908–1988), an easy chair ‘nr 915’, AB Hjertquist & Co, Nässjö, Sweden 1950–60s.

Beech, upholstered with sheepskin, height 78 cm, seat height 40 cm.

Literature: Siesing, Andreas, Svenska möbler: folkhemsform i ull, jakaranda, furu och bok : 1949–1970, Atlantis, Stockholm, 2015, p. 76.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

396. Erik Höglund (Sweden, 1932–1998), a bronze sculpture of a mother and child, Sweden 1956, signed and dated.

Length 27 cm, height 20 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

397. Carl–Axel Acking (Sweden, 1910–2001), A pair of ‘Trienna’ armchairs, 1950–60s.

Oak and leather, seat height 30 cm, width 69 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

398. Carl Malmsten (Sweden, 1888–1972), a Swedish Modern sofa ‘Samspel’, executed by Record for Firma Carl Malmsten, Sweden.

Reupholstered in white sheepskin, legs of stained beech. Length ca 150 cm, seat height ca 43 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

399. Åke Wennberg, a monumental armchair, STC (The Swedish Associations for Upholsterers), Stockholm 1960s.

Upholstered with a sand coloured velvet, conical wooden feet, height ca 94 cm, width ca 102 cm, seat height ca 45 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

400. Tyra Lundgren (Sweden, 1897–1979), a bronze relief of a man and a woman, signed and dated 1966.

Signed TL 66 and Tyra Lundgren. 1956–66, 22,5 x 25 cm, depth ca 7 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 790 – 980

401. Lisa Larson (Sweden, 1931–), a bronze sculpture ‘Storseglar’n, no 405.

Signed Lisa Larson No 405. Height 11,5 cm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

402. Olle Sjögren (Sweden, 1909–1975), a pair of easy chairs, model ‘800’, OH Sjögren, Sweden 1940–50s.

Upholstered in a grey wool fabric, stained wooden feet, height 96 cm, seat height 40 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 960 – 2 940

403. Alvar Aalto (Finland, 1898–1976), a burled birch ‘model 75’ side table, Aalto Design, Hedemora, Sweden 1946–56.

Frame of beech. 60 x 50, height 60 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

404. Alvar Aalto (Finland, 1898–1976), a model 400 ‘Tank Chair’, executed by Aalto Möbler in Hedemora, Sweden 1945–56.

Laminated stained birch, upholstered with fabric, stamped with maker’s mark, seat height ca 43 cm, height 72 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

405. Alvar Aalto (Finland, 1898–1976), a white lacquered ‘Beehive’ ceiling light, Valaistustyö, Finland.

Details of brass, marked A 332, VALAISTUSTYÖ, height 35 cm.

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

406. Peder Moos (Denmark, 1906–1991), an oak table, executed by cabinetmaker Peder Moos, Denmark, 1943.

Profiled rails, signed Moos 1943 and monogram, height 48 cm, width 51 cm, length 70 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

408. Arnold Madsen, a pair of ‘Clam Chairs’, probably by Madsen & Schubell, Denmark 1940–50s.

407. Orla Høyer, a unique sideboard, made to order by cabinetmaker Herluf Sørensen, Denmark 1941.

Veneered with macassar, one underlying shelf and two leaves veneered in burled oak, the top with a loose pewter plated copper dish, height 50 cm, width 49 cm, length 121 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

408. Arnold Madsen, a pair of ‘Clam Chairs’, probably by Madsen & Schubell, Denmark 1940–50s.

Later upholstery in white sheepskin, black lacquered legs, seat height 31–35 cm.

Estimate: SEK 150 000 – 200 000 / EUR 14 700 – 19 590

409. Ib Kofod Larsen (Denmark, 1921–), a teak and brown leather ‘Sälen’ easy chair, OPE Möbler, Jönköping 1950s.

Reupholstered with cognac–coloured Tärnsjöläder. Height 73 cm, seat height ca 40 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

410. Børge Mogensen (Denmark, 1914–1972), an ottoman ‘model 160’, Tage M Kristensen & Co, Denmark ca 1953.

Upholstered with blue horse hair fabric, the steel legs with feet of teak. Ca 73 x 46, height ca 42 cm.

The chair designed with the ottoman model was designed in 1953 and only a very few of this model came to be produced.

Literature: Thomas Mogensen, ‘Ett fuldt møbleret liv, en bog om Børge Mogensen’, Gyldendal, Copenhagen, 2004, this model depicted p 207.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

411. Hans J Wegner (Denmark, 1914–2007), an oak and rattan ‘The Chair’, JH501, Johannes Hansen, Denmark.

Seat and back with fretted rattan, maker’s mark. Height 77 cm, seat height ca 43,5 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

412. Hans J Wegner (Denmark, 1914–2007), a pair of oak and rattan ‘CH–27’ chairs, Carl Hansen & Son, Denmark.

Maker’s stamp and label. Height 78 cm, seat height ca 37 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 920 – 4 900

413. Hans J Wegner (Denmark, 1914–2007), a sideboard, ‘President’ ‘RY–25’, Ry Møbler, Denmark 1950s–60s.

Veneered with Brazilian rosewood, sliding doors, steel and rosewood base, oak interior in three sections, two with adjustable shelves and one with drawers. Maker’s mark to the back. Length 200,5 cm, depth 49 cm, height 80 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

414. Hans J Wegner (Denmark, 1914–2007), a palisander ‘China Chair’, Fritz Hansen, Denmark 1966.

Loose cushion in black leather, maker’s mark FH Made in Denamrk 1266 by Fritz Hansen, height 82 cm, seat height 45 cm.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

415. Hans J Wegner (Denmark, 1914–2007), a set of 12 ‘CH–23’ chairs, Carl Hansen & Son, Denmark 1950–60s.

Teak and beech, fretted paper cord seats, marked with pen 23–2208, height 75 cm, width 48 cm, seat height 43 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 430 – 3 920

416. Severin Hansen (Denmark, 1887–1964), a palisander desk, Haslev Møbler, Denmark 1960s.

Four drawers, maker’s label. 142 x 75 cm, height 72 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

417. Ole Wanscher (Denmark, 1903–1985), a pair of mahogany ‘Colonial Chairs’ PJ149. Poul Jeppesen Denmark.

Rattan to the seat, cushions upholstered with a blue fabric.

Height 84,5 cm.

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840

418. Børge Mogensen (Denmark, 1914–1972), a pair of oak and natural leather ‘Spanish Chairs’, model 226, Fredericia Stolefabrik, Denmark.

Height 68 cm, seat height ca 31 cm, width 81 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

419. Ib Kofod Larsen (Denmark, 1921–), an ‘Åre’ easy chair, nr 809, Olof Persons Fåtöljindustri (OPE), Sweden, 1950–1960s.

African teak, rattan to the back rest, cushion with fabric, seat height without cushion ca 34 cm, including the cushion ca 42 cm.

Literature: Andreas Siesing, ‘Svenska möbler, folkhemsform i ull, jakaranda, furu och bok 1949–1970’, Atlantis 2015, the model depicted p 145.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

420. Svend Langkilde, a rosewood wall hung bar cabinet, Langkilde Møbler, Denmark 1960s.

Brass mounts, interior with drawer, the doors with shelves, label from Illum’s Bolighus. 70 x 30 cm, height 50 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

421. Poul Hundevad, a stool, ‘Guldhøj’ by Vamdrup, Denmark 1960s.

Teak and leather, seat height 32 cm.

Estimate: SEK 5 000 – 6 000 / EUR 490 – 590

422. Poul Kjaerholm (Denmark, 1929–1980), a black leather PK31–3 sofa, edition E Kold Christensen, Denmark.

Steel base, maker’s mark to the steel. Length 200 cm, seat height ca 38 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 940 – 3 920

423. Poul Kjaerholm (Denmark, 1929–1980), a black leather PK31 easy chair, E Kold Christensen, Denmark.

Steel base, maker’s mark to the steel. Height 70 cm, seat height ca 38 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 180 – 1 470

425. Poul Kjaerholm (Denmark, 1929–1980), a ‘PK 25’ easy chair, ‘The Element Chair, edition E Kold Christensen, Denmark ca 1962.

Barbro Andersson 1960s (photo private)

Lars Andersson 1960s (photo private)

T H E E S TAT E O F B A R B R O A N D L A R S A N D E R S S O N Barbro Andersson was only 24 years old when she acquired the property by Djulösjön outside Katrineholm in Södermanland. The modern house she and her husband Lars eventually built was strongly influenced by the Danish modernist architecture that the young couple met in Denmark and Skåne and fell in love with. In 1979, it was time for them to build the house of their dreams. The design and fashion–loving couple filled the house with exciting form and design, an interest that came to follow them over the years. Already in 1962, they bought the three iconic PK25 armchairs, designed by Poul Kjaerholm and which in the new home were placed directly as an eye-catcher just inside the entrance. Already the following year, the pair ‘Scimitar armchairs’ by Fabricius & Kastholm were bought and then they continued with Arne Norell’s ‘Ari’ and ‘Inka’ along with other exciting designer objects, especially Italian lamps. Josef Frank said that a home should never be finished and it also seems to have been this family’s guiding light. The last pieces of furniture was purchased for the home in the early 2000s.

The collection includes lots 424–428.

424. Poul Kjaerholm (Denmark, 1929–1980), a pair of ‘PK 25’ easy chairs, ‘The Element Chair’, edition E Kold Christensen, Denmark ca 1962.

Steel bars with a mat finish, flag halyard, maker’s mark to the steel frame. Height 74 cm, seat height ca 40 cm.

The chair is Poul Kjaerholm’s first model, drawn in 1951 and executed as his degree project in 1952. Already here, Kjaerholm seeks to reduce the material, his desire to create a pure form of a single piece of steel. Fritz Hansen made a few copies of the model in the 1950s. E Kold Christensen then took up production in 1960 and then called the chair PK25. In 1982 Fritz Hansen took over the production of Kjaerholm’s furniture.

Provenance: Lars and Barbro Andersson, Katrineholm, Sweden. Bought at Bromanders, Stockholm, in 1962.

Literature: Christopher Harlang (ed), Keld Helmer–Petersen, Krestine Kjaerholm, Poul Kjaerholm, Arkitektens forlag, 1999, pp 16–17, 82–83, 172.

Michael Sheridan, The furniture of Poul Kjaerholm Catalogue raisonné, Gregory R Miller & Co, New York, 2007, pp 20–24.

Estimate: SEK 400 000 – 500 000 / EUR 39 180 – 48 980

425. Poul Kjaerholm (Denmark, 1929–1980), a ‘PK 25’ easy chair, ‘The Element Chair, edition E Kold Christensen, Denmark ca 1962.

Steel bars with a mat finish, flag halyard, maker’s mark to the steel frame.

Height 74 cm, seat height ca 40 cm.

The chair is Poul Kjaerholm’s first model, drawn in 1951 and executed as his degree project in 1952. Already here, Kjaerholm seeks to reduce the material, his desire to create a pure form of a single piece of steel. Fritz Hansen made a few copies of the model in the 1950s. E Kold Christensen then took up production in 1960 and then called the chair PK25. In 1982 Fritz Hansen took over the production of Kjaerholm’s furniture.

Provenance: Lars and Barbro Andersson, Katrineholm, Sweden.

Bought at Bromanders, Stockholm, in 1962.

Literature: Christopher Harlang (ed), Keld Helmer–Petersen, Krestine Kjaerholm, Poul Kjaerholm, Arkitektens forlag, 1999, pp 16–17, 82–83, 172.

Michael Sheridan, The furniture of Poul Kjaerholm Catalogue raisonné, Gregory R Miller & Co, New York, 2007, pp 20–24.

Estimate: SEK 200 000 – 250 000 / EUR 19 590 – 24 490

426. Jørgen Høj (Denmark, 1925–1994), a set with two stools and a glass top table, edtion Niels Vitsoe, early 1960s.

The base is of aluminium, the stools with cushions upholstered with black leather. Each section 60 x 60 cm, height ca 32 cm.

Provenance: Lars and Barbro Andersson, Katrineholm, Sweden.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

427. Preben Fabricius & Jørgen Kastholm, a pair of ‘Scimitar’ easy chairs, Ivan Schlechter, Copenhagen, ca 1962.

Chromed steel frame, seat and back upholstered in black leather, maker’s metal label: K. IVAN SCHLECHTER Tapetserer og dekoratør COPENHAGEN – DENMARK, height 67 cm, width 82 cm, seat height 23–34 cm.

Provenance: Lars and Barbro Andersson, Katrineholm, Sweden.

Bought at Bromanders, Stockholm, in 1962.

Estimate: SEK 75 000 – 100 000 / EUR 7 350 – 9 800

428. Poul Kjaerholm (Denmark, 1929–1980), a ‘PK–33’ stool, edition E Kold Christensen, Denmark 1960s.

Matte polished steel, cushion upholstered in black leather. Height 34 cm, diameter ca 52 cm.

Provenance: Lars and Barbro Andersson, Katrineholm, Sweden.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

429. Aksel Bender Madsen & Ejner Larsen, a pair of easy chairs, cabinetmaker Willy Beck, Denmark 1950–60s.

429. Aksel Bender Madsen & Ejner Larsen, a pair of easy chairs, cabinetmaker Willy Beck, Denmark 1950–60s.

Solid teak, upholstered with a white bouclé fabric, maker’s mark Architects Ejner Larsen & A. Bender Madsen Produced by cabinetmaker Willy Beck Copenhagen Denmark, height 70 cm, seat height 36 cm, width 78 cm.

Estimate: SEK 100 000 – 150 000 / EUR 9 800 – 14 700

430. Ole Gjerløv Knudsen & Erik Korshagen, a pair of easy chairs for Søren Nielsen & Co, Denmark 1950s–60s.

Reversible teak frame with wooden feet, adjustable back and seat upholstered in black wool textile, marked Søren Nielsen & Co Aarhus Denmark, height and depth of the frame 58 cm, total height ca 70 cm.

Literature: Illustrated in DKH Danske kunsthåndværkeres arkiv, The library at The Danish Museum of Art & Design, Mobilia 1959.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

431. Nanna Ditzel (Denmark, 1923–2005), a pair of teak and rattan ‘model 113’ chairs, Poul Kolds Savverk, Denmark post 1955.

Height 67 cm, seat height ca 42 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

432. Nanna Ditzel (Denmark, 1923–2005), a pair of teak and rattan model 113 chairs, Poul Kold Savverk, Denmark, post 1955.

Height 67 cm, seat height ca 42 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 960 – 2 450

433. Kurt Østervig (Denmark, 1912–1986), a three–seater sofa, ‘model 14’, Ryesberg Møbler, Denmark 1960s.

Black leather, legs of teak. Length ca 220 cm, height ca 80 cm.

Literature: The Danish magazine ‘Mobilia’, 1962 No. 82.

Estimate: SEK 10 000 – 12 000 / EUR 980 – 1 180

434. Kurt Østervig (Denmark, 1912–1986), two easy chairs, ‘model 14’, Ryesberg Møbler, Denmark 1960’s.

Black leather, teak legs, height 90 and 107 cm.

Literature: The Danish magazine ‘Mobilia’, 1962 No. 82.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

435. Hans J Wegner (Denmark, 1914–2007), a palisander sofa table, ‘AT–12’, Andreas Tuck, Denmark 1950–60s.

Maker’s mark, Andr. Tuck Design Hans J Wegner, height 48 cm, length 150 cm, width 62 cm.

Estimate: SEK 10 000 – 15 000 / EUR 980 – 1 470

436. Finn Juhl (Denmark, 1912–1989), a teak bowl, Kay Bojesen, Denmark 1950s.

Stamped with maker’s mark. Length 29 cm, height 13 cm.

Literature: Esbjorn Hjort, ‘Finn Juhl’, Arkitektens Forlag, Copenhagen, 1990, p 125. This model was designed in 1951.

Estimate: SEK 15 000 – 20 000 / EUR 1 470 – 1 960

437. Finn Juhl (Denmark, 1912–1989), a set of 4 ‘SW86’ + 1 oak chairs, Søren Willadsen, Denmark.

Upholstered with a brown patterned fabric, label marked and stamped MADE IN DENMARK. Heigth 82 cm, seat height ca 45, the one chair height 73 cm seat height ca 46 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 450 – 2 940

438. A pair of easy chairs, Denmark 1940s.

Upholstered in sheepskin with buttons, feet in stained beech, height 90 cm.

Estimate: SEK 60 000 – 80 000 / EUR 5 880 – 7 840