Advertising: April 2016 issue

COV.APRIL.V.4.qxp_cover.june.pp.corr 15/03/2016 17:03 Page 1

APRIL

2016

A Jacques Stella altarpiece in Melbourne Jean-Louis Lemoyne’s bust of Louis XIV François Boucher and the art of conchology Horace Vernet’s ‘Orient’, part I A ‘Delacroix’ by Pierre Andrieu T H E BURLINGTON MAGAZI NE

Camille Pissarro’s ‘Turpitudes Sociales’ revisited, part I The Art of Conservation: the history of the transfer technique in France

The Celts | Schiavone From Bosch to Bruegel Painting the modern garden | Calder Lee Miller | Ivor Davies | John Akomfrah Electronic Superhighway

NO .

1357 V OL . C L VI II

April 2016

april16bordes.qxp_Ratton & Ladriere Sept 04 14/03/2016 11:22 Page 1

LEISURELY STROLL

THROUGH 16TH TO EARLY 20TH CENTURY DRAWINGS

EXHIBITION FROM MARCH 25TH TO APRIL 22ND, 2016

Galerie Alexis BORDES 4, rue de la Paix - 75002 PARIS Tél. : 01 47 70 43 30

expert@alexis-bordes.com - www.alexis-bordes.com

François BOUCHER (Paris, 1703 - 1770) Study of a Male Head wearing a Turkish Turban c. 1745. Sanguine.

21.8 x 16.7 cm (8 9⁄16 x 6 9⁄16 in.)

april16canesso.qxp_Ratton & Ladriere Sept 04 14/03/2016 11:20 Page 1

Galerie Canesso Tableaux anciens

Massimo Stanzione Orta di Atella, c.   Naples, c.  ............................................................

Bathsheba at her Bath Oil on canvas,  ×  cm ( ×  ¹⁄₂ in)

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march16lopf.qxp_Ratton & Ladriere Sept 04 14/03/2016 11:23 Page 1

Michael Craig-Martin, Fragments, 2015 a series of six screenprints © Michael Craig-Martin and Alan Cristea Gallery, London

Royal Academy of Arts · Thursday 5 to Sunday 8 May 2016 · 31st Edition

april16dorotheum.qxp_Ratton & Ladriere Sept 04 14/03/2016 11:25 Page 1

S I N C E 17 0 7

Auction Week 19 – 21 April

Old Master Paintings 19th Century Paintings, Works of Art Palais Dorotheum, Vienna, Tel. +43-1-515 60-570 London, Tel. +44 (0) 20 7009 1049 www.dorotheum.com

Guido Reni (1575–1642), Christ carrying the cross (detail), oil on copper, 49.5 x 36.5 cm, € 400,000 – 600,000, Auction 19 April

april16LOPFroundup.qxp_Master Drawings Roundup 14/03/2016 11:18 Page 1

The London Original Print Fair Royal Academy of Arts, Piccadilly | 5-8 May 2016 | www.londonprintfair.com

The marriage at Cana,

by Stanley Spencer (1891–1959). 1953.

Lithograph, 64.5 by 52 cm.

FINE ART SOCIETY, LONDON

THIS SPRING THE London Original Print Fair will be staged for the thirty-first time in the commodious exhibition rooms of the Royal Academy of Arts. The event is now London’s longest surviving commercial art fair and Europe’s largest dedicated to original prints. Fifty leading dealers and publishers from as far afield as Scandinavia, North America and Japan will offer works ranging in date from the time of Dürer to the present day.

Although works for sale will overwhelmingly cater for modern tastes a small group of old-master specialists will offer works including A beggar seated on a bank (Self-portrait) by Rembrandt (1606–69). This will be with C.G. Boerner (New York). Of particular note in the contemporary field will be a new series of prints by Jake and Dinos Chapman on the stand of Paupers Press (London).

Running concurrently with the fair will be a group exhibition in the Friends Room. Curated by Tess Jaray (who will have new works on the stand of Advanced Graphics), the display will feature new works by Terry Frost.

The Annual Printmaking Talk on 6th May will find the Royal Academician Michael Craig-Martin in conversation with Joan Bakewell. Insights will be offered into his creative processes including etching, screen printing, 3-D printing and light-box installations. Other daily talks and events will profile Japanese woodblock printing, the prints of James McNeil Whistler (1834–1903) and printmaking at the RA Schools (past and present). The programme will also include a young collectors evening with a live screen printing by Gary Hume. Additional presentations by artists such as Yinka Shonibare, Tess Jaray, Bob Saich, Paul Coldwell and Katherine Jones will add much to interest collectors, artists and print enthusiasts.

The windmill,

by Sybil Andrews (1898–1992). 1933.

Linocut, 33 by 23.2 cm.

OSBORNE SAMUEL, LONDON

A pair of polished gentlemen,

by James Gillray (1756–1815). 1801.

Etching, soft-ground etching and engraving with watercolour and gum Arabic. 35.5 by 25.5 cm.

ANDREW EDMUNDS, LONDON

A new museum purchase grant will be launched at the Fair. £8,000 will be made available (subject to application) for a public collection in the UK to purchase a work from the Fair.

Sponsored by Ecclesiastical Insurance, this initiative aims to raise the profile of print holdings and acquisitions within the public realm.

For more details on these events and the Fair please visit: www.londonprintfair.com

Bagatelle 3, by Bridget Riley.

2015. Screenprint on paper, 67 by 58.5 cm (sheet).

KARSTEN SCHUBERT, LONDON

april16nagel.qxp_Ratton & Ladriere Sept 04 14/03/2016 11:27 Page 1

733 | Fine Arts & Antiques 13 th April 2016 Including objects from the Collection Carl von Weinberg, formerly Villa Waldfried, FFM and the collection of a member of the Family Freiherr von Goldschmidt-Rothschild, formerly Palais GrĂźneburg, FFM

Hans Schäufelin (c. 1480/85 – c. 1540) Bearing of the Cross, c. 1516/17 Oil/panel, 52 x 43 cm Published in: Christof Metzger, Hans Schäufelin als Maler, Berlin 2002, O Ä ÄEE ÄB@S@KNFTDÄQ@HRNMM°ÄMN Ä BÄVHSGÄÆF Ä

Further information | www.auction.de Nagel Auktionen GmbH & Co. KG | NeckarstraĂ&#x;e 189 – 191 | 70190 Stuttgart | Postfach 103554 | 70030 Stuttgart Tel: + 49 (0) 711 - 64 969 - 0 | Fax: + 49 (0) 711 - 64 969 - 696 | contact @ auction.de

april16LOPFroundup.qxp_Master Drawings Roundup 14/03/2016 11:19 Page 2

The London Original Print Fair Royal Academy of Arts, Piccadilly | 5-8 May 2016 | www.londonprintfair.com

Stage 1, by Janne Laine. 2015.

Etching and photogravure, 59 by 106 cm.

HIMMELBAU PRINTMAKING FINLAND, TAMPERE

Veduta di Piazza Navona sopra le rovine del Circo Agonale,

by Giovanni Battista Piranesi (1720–78). 1751. Etching, 46.3 by 69.7 cm..

AUGUST LAUBE, ZURICH

Black for Mozart, by Robert Motherwell (1915–91). 1991.

Lithograph and collage, 162.6 by 104.1 cm.

BERNARD JACOBSON GRAPHICS, LONDON

Jam-packed sushi, by Kurumi Wakaki. 2011.

Water-based woodcut on Japanese paper, 50 by 80 cm.

GALLERY JIN, TOKYO

A beggar seated on a bank (Self-portrait),

by Rembrandt Harmensz van Rijn (1606–69). 1630.

Etching, 11.7 by 7 cm.

C.G. BOERNER, NEW YORK AND DÜSSELDORF

Untitled 01 from Six snapshots of Julie, by Grayson Perry. 2015.

Woodcut with lithographic underlays, 72.5 by 48.5 cm.

PARAGON | CONTEMPORARY EDITIONS, LONDON

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Spring Auctions in Berlin

ThĂŠodule Ribot. 5)& '6-- #055-& Oil on canvas on wood.

58,7 × 40,5 cm (23 1/8 × 16 in.). Signed. Estimate EUR 30.000–40.000

19th Century Art

1–4 June 2016

FasanenstraĂ&#x;e 25, 10719 Berlin grisebach.com

april16page08.qxp_Internet and Contacts 14/03/2016 15:16 Page 1

fr ancis bacon Catalogue Raisonné Edited by Martin Harrison, fsa Published 30th June 2016

by The Estate of Francis Bacon

Sales, marketing and distribution by HENI Publishing henipublishing.com

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april16yale.qxp_Ratton & Ladriere Sept 04 14/03/2016 11:36 Page 1

Young Mr. Turner

Aubrey Beardsley

The First Forty Years, 1775–1815 Eric Shanes

A Catalogue Raisonné Linda Gertner Zatlin

Deftly interweaving an account of Turner’s early life with profound scholarly and aesthetic appreciation of his work, this comprehensive new biography supersedes much of the existing literature on Turner and will be the standard reference on both his life and work for many years to come.

Published for the Paul Mellon Centre for Studies in British Art 350 colour + 100 b/w illustrations Hardback £85.00

A comprehensive presentation of the provocative graphic work of Britain’s most influential contributor to Art Nouveau and early modern art, this superbly designed and illustrated two volume catalogue, beautifully presented as a boxed set, is both an essential reference for specialists and an accessible and enchanting delight for Beardsley enthusiasts.

Published for the Paul Mellon Centre for Studies in British Art 75 colour + 1145 b/w illustrations 2-Volume Boxed Set £175.00

Life in the Country House in Georgian Ireland Patricia McCarthy

Published for the Paul Mellon Centre for Studies in British Art 132 colour + 65 b/w illustrations Hardback £45.00

100 colour + 150 b/w illustrations Hardback £50.00

Baroque Naples and the Industry of Painting

The Russian Canvas

The Brothers Le Nain

Michael Fried

Painting in Imperial Russia, 1757–1881 Rosalind P. Blakesley

Painters of SeventeenthCentury France C. D. Dickerson III and Esther Bell

100 colour + 50 b/w illustrations Hardback £40.00

Starting with the foundation of the Imperial Academy of the Arts in 1757 and culminating with the assassination of Tsar Alexander II in 1881, this is a groundbreaking account of the rise of Russian painting in its international context, and of the artists, movements and institutions that shaped the Russian school.

135 colour + 155 b/w illustrations Hardback £50.00

YaleBooks

1450–1600 Jonathan J. G. Alexander Hand-painted illumination enlivened the burgeoning culture of the book in the Italian Renaissance, spanning the momentous shift from manuscript production to print. This major survey, by a leading authority on medieval and renaissance book illumination, gives the first comprehensive account in English of an immensely creative and relatively little-studied art form.

Based on new research from Irish national collections and private correspondence, this engaging book illustrates the many ways in which the residences of aristocratic and gentry families in 18th-century Ireland were specifically designed to accommodate their lifestyles.

After Caravaggio A revelatory study of a school of remarkable painters from one of the great art historians of the 20th century. In this accessible and beautifully illustrated book, renowned art historian Michael Fried explores the nature and meaning of artistic influence and brings to light the extraordinary achievements of a generation of Italian Baroque painters inspired by the example of Caravaggio.

The Painted Book in Renaissance Italy

This handsome catalogue brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialised in portraiture, religious subjects and scenes of everyday peasant life.

Published in association with the Fine Arts Museums of San Francisco 320 colour illustrations Hardback £50.00

The World in the Workbench Christopher R. Marshall This richly textured study of one of the most vital and significant art centres of Baroque Italy locates great works of the Italian Baroque within the social and economic context that produced them: a hothouse world of competing patrons, agents, artists and collectors.

50 colour + 150 b/w illustrations Hardback £50.00

tel: 020 7079 4900

www.yalebooks.co.uk

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Karl & Faber Fine Art Auctions Amiraplatz 3 · 80333 Munich +49.89.22 18 65 info@karlundfaber.de

29 April 2016 Old Masters and 19th Century Art Viewing Munich 21 April — 28 April Jean-François Raffaëlli, Printemps de Paris.

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CLAUDIO RIDOLFI (Verona 1570 – Corinaldo 1644) The flagellation of Christ

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Georges de La Tour, The Cheat with the Ace of Diamonds. Paris, Musée du Louvre, Département des Peintures.

Acquis en 1972. Photo (C) RMN-Grand Palais (musée du Louvre) / Gérard Blot

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TOMASSO BROTHERS F I N E A RT

Pietro Cipriani (c. 1680–1745).

Dancing Faun (Also known as the ‘Cymbal player’)

Bronze 35.5 cm (14 in.) high

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