201702 advertising

COV.FEB2017.V.4.qxp_cover.june.pp.corr 18/01/2017 10:14 Page 1

FEBRUARY

2017 T H E B URLINGTON MAG A ZINE

Northern European art A re-assembled altarpiece by Bernard van Orley | Van Dyck’s early ‘Daedalus and Icarus’ rediscovered Gerard ter Borch’s unknown oil miniature of the Duke of Longueville Jean Etienne Liotard and seventeenth-century Dutch painting NO .

The Art of Conservation: The history of painting conservation at the Yale University Art Gallery

1367

Fra Bartolommeo | Caravaggism | Hercules Segers | Rembrandt Intime | Caesar van Everdingen | De Lairesse

VOL . C L IX

Fragonard drawings | Pierre Gouthière | James Ensor and Luc Tuymans | Oiticica | William Kentridge and Vivienne Koorland

February 2017

feb17dewotrenge.qxp_Ratton & Ladriere Sept 04 17/01/2017 16:00 Page 1

GALERIE LOWET DE WOTRENGE

Jan II Brueghel & Frans II Francken (Antwerp 1601 - 1678) (Antwerp 1581 - 1642) An Allegory of Air and Fire oil on oak panel 53 x 74 cm Provenance: French private collection.

Galerie Lowet de Wotrenge Vleminckveld 74 | B-2000 Antwerp +32 498 46 81 68 | www.kd-art.be | tyr@kd-art.be

feb17canesso.qxp_Ratton & Ladriere Sept 04 17/01/2017 14:42 Page 1

Galerie Canesso Tableaux anciens

Pompeo Batoni Lucca,   Rome,  ...............................................................................

Bacchus Ceres Two ovals, oil on canvas, . × . cm ( ³⁄₄ ×  ³⁄₄ in) The Bacchus bears a later inscription at upper left: “BATTONI”

literature: Anthony M. Clark, Pompeo Batoni. A complete Catalogue of His Works, ed. by Edgar Peters Bowron, London, , p. , nos. -, figs. -; Edgar Peters Bowron, Pompeo Batoni. A complete Catalogue of His Paintings ( vols.), New Haven and London, , I, p. , nos. -.

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feb17TEFAFadvert.qxp_Ratton & Ladriere Sept 04 17/01/2017 14:45 Page 1

TEFAF IS COMING

MARCH 10-19, 2017

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OCTOBER 27-31, 2017

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FINE & DECORATIVE ART FROM ANTIQUITY TO 1920

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feb17ongpin.qxp_AQ_31815_J_Baroni 17/01/2017 14:46 Page 1

STEPHEN ONGPIN FINE ART Old Master, 19th Century and Modern Drawings

HENDRICK SONNIUS (C.1615–C.1688) An Italianate Landscape with Travellers and a Donkey Pen and brown ink and brown wash on vellum.

Inscribed A. v. d. Velde near the lower left. Signed henritio zonius fl. 60 / Roma 1647 on the verso.

346 x 485 mm. (135⁄8 x 191⁄8 in.)

Drawn in Rome in 1647, this very large landscape on vellum is one of only two surviving drawings by the 17th century Dutch artist Hendrick Sonnius. Sonnius spent some time in Rome in the 1640s, but was back in the Netherlands by 1649.

He is last recorded in The Hague in 1659, and seems to have spent the latter part of his career in England. Although he is documented as a landscape and portrait painter, only two paintings by the artist, both landscapes, have survived to this day. Just one other drawing by Sonnius is known; a smaller pastoral scene drawn in graphite on vellum, signed and dated 1645, in the British Museum.

Master Drawings 2017 catalogue now available including works by Alma-Tadema, Cecco Bravo, Cross, Della Bella, Desfriches, Grasset, Guercino, Harpignies, Kennington, Lagrenée, Magnasco, Maurin, Melville, Munch, Percier, Piazzetta, Picasso, Pierre, Pillement, Rigaud, Rossetti, Rubens, Signac, Tempesta, Vinkeles, Viollet-le-Duc, Vollon and Vuillard.

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feb17tefafroundup.qxp_Master Drawings Roundup 17/01/2017 14:56 Page 1

10th-19th March

the Mecc, Maastricht, NetherlaNds

Some Northern European highlights of the fair

The Hours of Isabeau de Croix, by The Master of the Harvard Hannibal (active c.1415–30), the Master of the Munich Golden Legend (active c.1420–60), and the Dunois Master (active c.1435–50s). Paris, circa 1430–50. Illuminated manuscript on parchment.

LES ENLUMINURES, PARIS, CHICAGO, NEW YORK

NOW IN ITS thirtieth year, the European Fine Art Fair, Maastricht, remains at the summit of world art fairs. Acknowledged international experts subject objects to a stringent vetting process for museum quality, authenticity and condition. Every effort is made to ensure that visiting collectors, curators and enthusiasts can view and purchase works of the highest calibre with confidence. Pieces dating from the Neolithic period to recent works by living artists will be offered by 275 international galleries from twenty or so countries. To reflect the theme of this issue we are showing here a diverse selection of Northern European works. The geographical location of TEFAF Maastricht has always given emphasis to works from Germany and the Low Countries. In the paintings section, objects reflecting seventeenth-century taste will be arranged in a simulated room on the stand of Richard Green, London, entitled ‘The Pleasures of Life in the 17th century Netherlands’. Agnews, London, will feature an exhibition of paintings entitled ‘Northern Renaissance and Baroque’. A highlight will be Card players in an interior by Theodore Rombouts (1597–1637).

This year the TEFAF Museum Restoration Fund will make three awards. The conservation of Titian’s Judith with the head of Holofernes at the Detroit Institute of Art and the restoration and reconstruction of Auguste Rodin’s Absolution at the Musée Rodin, Paris, will be the principal beneficiaries. A third smaller award will be granted for the restoration of a volume of Der Blaue Reiter dating from 1912. This journal was acquired jointly by four Dutch museums in 2015.

A museum loan exhibition is to be announced. Visit: tefaf.com

Brandung, by Emil Nolde (1867–1956).

Watercolour, ink and tempera on Japan paper, 18.2 by 12.9 cm.

W. UTERMANN KG, DORTMUND

Christ as the man of sorrows.

Workshop of Michel Erhart (c.1440–45). Limewood with original polychromy.

Height: 157 cm.

SENGER BAMBERG KUNSTHANDEL, BAMBERG

A Renaissance pomander. Germany, c.1620. Fire-gilt silver and niello.

Height: 7 cm.

KUNSTKAMMER GEORG LAUE, MUNICH

Sword. Brunswick, c.1570.

Steel, wood, leather and brass.

Length: 188 cm. Width: 65 cm.

PETER FINER, LONDON

feb17dejonckheere.qxp_Ratton & Ladriere Sept 04 17/01/2017 14:59 Page 1

TEFAF MAASTRICHT

MARCH 10–19, 2017 BOOTH 342 PIETER BRUEGHEL THE YOUNGER 1564 Brussels – Antwerp 1638 Winter Landscape with Ice Skaters Panel: 40× 57 cm Signed bottom right P · BREVGHEL ·

OPENING SOON DE JONCKHEERE – MONACO MODERN ART 27 AVENUE PRINCESSE GRACE, 98000 MONACO

DE JONCKHEERE – MASTER PAINTINGS 7 rue de L’Hôtel-de-Ville, Genève geneve@dejonckheere-gallery.com www.dejonckheere-gallery.com

feb17tefafroundup.qxp_Master Drawings Roundup 17/01/2017 14:56 Page 2

10th-19th March

the Mecc, Maastricht, NetherlaNds

Sheep grazing among classical monuments, by Jacob van der Does (1623–73).

Grey wash, black chalk and brown ink, 25.5 by 40.6 cm.

STEPHEN ONGPIN FINE ART, LONDON Jeune Tahitienne assise,

by Paul Gauguin (1848–1903).

Watercolour and pencil on paper, 26 by 16 cm.

THOMAS GIBSON FINE ART, LONDON

Pair of four-light candelabra, by Paul Storr (1771–1843). London, 1810.

Silver. Height: 69.8 cm.

KOOPMAN RARE ART, LONDON Landscape with travellers on a country road, by Jan Bueghel the Elder (1568–1625). 1611.

Oil on copper, 20.3 by 31.8 cm.

DE JONCKHEERE, GENEVA AND PARIS

Saint Catherine. Brussels, c.1510. Oak with traces of original polychromy.

Height: 76 cm.

MULLANY HAUTE EPOQUE FINE ART, LONDON

Woman sitting half dressed by a stove,

by Rembrandt van Rijn (1606–69).

Etching, engraving and drypoint on Japanese paper, 22 by 18.7 cm.

DAVID TUNICK, INC., NEW YORK

feb17beddington.qxp_Beddington Dec. 2004 17/01/2017 15:00 Page 1

WE ARE EXHIBITING AT THE EUROPEAN FINE ART FAIR, MAASTRICHT 9-19 March 2017 – Stand 378

REINIER NOOMS, called ZEEMAN (Amsterdam c. 1623–1664)

Venice: The Molo from the Bacino di San Marco on Ascension Day Signed ‘Zeeman’ (lower left) Oil on canvas 177⁄8 x 307⁄8 in. (45.5 x 78.4 cm.)

Datable between 1646 and 1655 from the coat-of-arms of Doge Francesco Molin on the Bucintoro, this is one of the earliest independent topographically accurate painted views of Venice.

© Nantes Métropole - Musée d’Arts / photo : C. Clos

feb17salondudessin.qxp_Ratton & Ladriere Sept 04 17/01/2017 15:02 Page 1

Palais Brongniart

From 12 p.m. to 8 p.m.

28, place de la Bourse 75002 Paris

Late night view: March 23rd until 10 p.m.

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Drawings for Paintings in the Age of Rembrandt 4 February – 7 May 2017

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feb17page10.qxp_Internet and Contacts 17/01/2017 15:32 Page 1

Jan de Beer

Gothic Renewal in Renaissance Antwerp

By Dan Ewing vi + 385 p., 62 b/w ills, 203 col. ills, HB ISBN 978-2-503-55531-7, € 150 / £127.50

Cambridge and the Study of Netherlandish Art The Low Countries and the Fens Edited by Meredith Hale 223 p., 96 col. ills, PB, ISBN 978-2-503-56634-4, € 90 / £76.50

L. A. RING (1854–1933)

Outside the artist’s house

Signed and dated 1928 Oil on canvas, 33.5 x 27 cm

The Age of Rubens

Diplomacy, Dynastic Politics and the Visual Arts in Early Seventeenth-Century Europe Edited by Luc Duerloo & Malcolm Smuts

HERENGRACHT 372, 1016 CH AMSTERDAM, THE NETHERLANDS

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iv + 302 p., 81 b/w ills, 21 col. ills, PB ISBN 978-2-503-54948-4, € 95 / £81.00

Michael Sweerts (1618-1664)

Shaping the Artist and the Academy in Rome and Brussels

By Lara Yeager-Crasselt 340 p., 58 b/w ills, 42 col. ills, HB ISBN 978-2-503-55530-0, € 125 / £106.00

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RUBENS’ DISTINGUISHED VISITORS Exceptional loans from around the world

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In recent years is has become increasingly difficult for museums to acquire new works themselves.

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The Rubens House stands to amaze with a recently discovered self-portrait by Van Dyck and work

Frans Pourbus the younger, Portrait of Elisabeth of France (picture Ans Brys). Private collection, Grand Duchy of Luxembourg

of Jacob Jordaens and of course Rubens himself.

feb17page12.qxp_Internet and Contacts 18/01/2017 11:50 Page 1

Enlightened Princesses caroline, augusta, charlotte, and the shaping of the modern world

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feb17buyvanuck.qxp_Ratton & Ladriere Sept 04 17/01/2017 15:08 Page 1

Jaacob van Ruisdael Haarlem 1628/29 - 1682 Amsterdam

Winter Landscape with wiith a View View on a T Town, own, Probably Doesb Doesburg burg Oil on canvas, 36 x 41 cm O Signed d lowerr right: “Ruisda […]”

Datab ble second half 1670s orr later

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feb17page14.qxp_Internet and Contacts 17/01/2017 15:42 Page 1

Now Available From 38/39 Duke Street, St James’s, London SW1Y 6DF T: +44 (0)20 7839 5666 E: gallery@peterfiner.com www.peterfiner.com

A WHEELLOCK HOLSTER PISTOL FROM THE PERSONAL COLLECTION OF KING LOUIS XIII OF FRANCE, CIRCA 1635–40 This pistol, with its pair, is numbered 208 in the inventory of the Royal Cabinet d’Armes in the Louvre, completed in 1673. The pair of pistols is again recorded under the number 208 in subsequent inventories completed in 1717 and 1775.

Women Artists in Early Modern Italy Careers, Fame, and Collectors Edited by Sheila Barker iv + 181 p., 51 col ills, 22 b/w ills, ISBN 978-1-909400-35-1 € 85 / £ 73

The Age of Opus Anglicanum Studies in English Medieval Embroidery Edited by M. A. Michael 240 p., 185 col. ills, 5 b/w ills, ISBN 978-1-909400-41-2 € 110 / £93.50

A Survey of Manuscripts Illuminated in France Renaissance Manuscripts: The Sixteenth Century

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feb17venduehuis.qxp_Ratton & Ladriere Sept 04 17/01/2017 15:10 Page 1

Are you considering selling your valuables?

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Annelies de Boer-van der Minne Valuer Silver a.deboer@venduehuis.com + 31 (0)70 311 86 32 This applies to readers of the Burlington Magazine in 2017.

A silver chanuka lamp, Amsterdam.

Maker Harmanus Nieuwenhuys, N=1747.

From the estate of Mrs. Rebecca D. Maduro.

Sold for € 514.600

A pair of Dutch Delft blue tulipières and covers.

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feb17hhh.qxp_Ratton & Ladriere Sept 04 17/01/2017 15:12 Page 1

David Hockney The Complete Early Etchings 1961–1964

3 February – 10 March 2017 Monday– Friday 10am – 6pm Saturday 11am – 4pm

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march17tomasso.qxp_Agnews 17/01/2017 09:05 Page 2

TOMASSO BROTHERS F I N E A RT

Exhibiting at

TEFAF Maastricht 2017 MECC Maastricht 10–19 March 2017 Stand No. 310

Giovanni Francesco Barbieri (1591–1666) called 'Il Guercino'

Saint Jerome at Prayer Oil on canvas, 120 x 100 (47½ x 39½ in.)

info@tomassobrothers.co.uk www.tomassobrothers.co.uk