201703 advertising

COV.MAR2017.V.3.qxp_cover.june.pp.corr 15/02/2017 10:50 Page 1

M A R CH

2017 T H E B URLINGTON MAG A ZINE

Art in France Nicolas Poussin’s ‘The Death of Chione’ | Simon Vouet | Nicolas Fouché Oudry | Toulouse-Lautrec’s ‘Portrait of Monsieur Delaporte in the Jardin de Paris’ NO .

1368

Luther and the Art of the Reformation | Artemisia Gentileschi | Rubens and the birth of the Baroque | Clara Peeters | Carlos III The French Academy in Rome | The Second Empire 1852–70 | Degas | Mexican modernism | Paul Nash | Frank Stella

VOL . C L IX

Recent acquisitions (2013–16) at The J. Paul Getty Museum, Los Angeles

March 2017

march17agnews.qxp_Agnews 16/02/2017 11:58 Page 1

CELEBRATING 200 YEARS EXHIBITING AT TEFAF, STAND 346 6 St. James’s Place London SW1A 1NP +44 (0)20 7491 9219 www.agnewsgallery.com Matthias Stomer, The Martyrdom of Saint Bartholomew (a detail)

march17canesso.qxp_Ratton & Ladriere Sept 04 15/02/2017 15:34 Page 1

Galerie Canesso Tableaux anciens

Wallerant Vaillant Lille,   Amsterdam,  ....................................................................

Self-Portrait with a Turban Oil on canvas,  × , cm ( ¹⁄₈ ×  ⁷⁄₁₆ in)

provenance Cambridge, Mrs Campbell; London, Christie’s,  July , lot  (as “Unknown”, sold for  guineas to Clark); London, Christie’s,  August , lot  (as “J. E. Liotard – A Moroccan soldier”, offered for sale by Knoedler, unsold); London, Christie’s,  December , lot  (as Wallerant Vaillant); London, with Colnaghi, The Grosvenor House Antiques Fair, - June , purchased by its last owner.

   ‒  ⁽ -   ⁾ ‒   26, rue Laffitte s 75009 Paris s Tel. + 33 1 40 22 61 71 s Fax + 33 1 40 22 61 81 s e-mail : contact@canesso.com

www.canesso.com

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10th-19th March

the Mecc, Maastricht, NetherlaNds

European Fine Art Fair celebrates its thirtieth anniversary as the most lauded of all international art and antiques fairs.

A strict vetting process for quality, authenticity and condition underpins the event so collectors, curators and enthusiasts can buy objects in good faith. A vast spectrum of artworks ranging from the Neolithic period to the present day will be presented by 275 international galleries from twenty or so countries. This three-page preview will provide some idea of the calibre and scope of the fair and show why it retains its pre-eminence among commercial art events.

THIS YEAR THE

The Nieuwe Kerk and old houses in The Hague, by Vincent van Gogh (1853–1890). 1883.

Oil on canvas laid down on panel, 35 by 25 cm.

KUNSTGALERIJ ALBRICHT BV, OOSTERBEEK AND LONDON

One of the highlights of TEFAF Maastricht is the annual institutional loan exhibition. This year the exhibition space (in the ‘Paper’ section of the fair) will be occupied by Rome’s Galleria Borghese. Housed in the Villa Borghese, and built in the early 17th century by Cardinal Scipione Borgese, the museum embodies the history and development of Italian collecting. Works will range from antiquity to the modern era and include sculpture, bas-reliefs and mosaics. The fine paintings on view will date from the 15th to the 18th century.

‘TEFAF Curated’, will weave a common thread between objects in the modern and contemporary art categories. Dr Penelope Curtis, Director of Museu Calouste Gulbenkian, Lisbon, has selected works that show the reclining or recumbent figure. Curtis’s selection will reflect on artistic creation from ancient times to the modern era, enabling visitors to make historical and artistic links between the works.

Another feature of the fair will be the ‘TEFAF Art Symposium’. Based on a recent art market report, a panel comprised of art academics and professionals will examine the importance of context in determining the historical, artistic and financial worth of a work of art.

For more details please visit: www.tefaf.com

Mask of Silenus.

Hellenistic–early Roman, 1st century BC–1st century AD. Bronze.

Height: 19.3 cm.

MERRIN GALLERY, NEW YORK Christ as the suffering redeemer, by Giovanni Battiste Benvenuti, called L’Ortolano (1485–1527). Oil on panel, 19.5 by 39.2 cm.

CARLO ORSI, MILAN

Pregnant woman II, by Louise Bourgeois (1911–2010).

1947–1949. Bronze with polished patina.

Height: 40.6 cm.

GALERIE KARSTEN GREVE AG, ST. MORITZ

The Israelites attacking the Amalekites, by Antonio Tempesta (1555–1630).

Oil on marble, 42 by 66.5 cm.

ROB SMEETS OLD MASTER PAINTINGS, GENEVA

EXHIBITING AT

STAND 170

After Nino Pisano (1315 – Pisa – 1368) Madonna and Child Alabaster, with traces of original polychrome and gilding Italy, Sicily, c. 1450 H. 59.5 x W. 19.5 x D. 15 cm

16 Carlisle Mansions, Carlisle Place, London SW1P 1HX Telephone: +44 (020) 7592 0276; +44 (0) 779 630 3081 info@mullanyfineart.com www.mullanyfineart.com

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TOMASSO BROTHERS F I N E A RT Guercino Annibale Carracci Paul Heermann Grinling Gibbons Jean-Antoine Houdon Théodore Géricault Sir Anthony van Dyck François Girardon Giambologna

10–19 March 2017 | Stand No. 310

Paul Heermann (1673–1732) Saturn and Ops White marble 139.5 cm (55 in.) high Provenance: Rittergut Lucklum, Germany – by 1806, in situ until late 20th century

info@tomassobrothers.co.uk

www.tomassobrothers.co.uk

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10th-19th March

Loses im rot (loosely in red),

by Wassily Kandinsky (1866–1944). 1925.

Oil on cardboard, 69.2 by 49.5 cm.

HAMMER GALLERIES, NEW YORK

The city of God and the waters of life, by John Martin (1789–1854).

Oil on canvas, 46 by 66 cm.

LOWELL LIBSON LTD, LONDON

Complaints de la Foy, by the Master of the Entry of François I. Lyon, c.1504–1506. Vellum, 28.1 by 18.5 cm.

DR. JÖRN GÜNTHER RARE BOOKS AG, BASEL

the Mecc, Maastricht, NetherlaNds

Virgin and Child Enthroned.

Mosan, first half 14th century. Boxwood.

Height: 32.5 cm.

Width: 15.5 cm.

Depth: 9 cm.

MULLANY HAUTE EPOQUE FINE ART, LONDON

A royal neoclassical table en commode for King Vittorio Amedeo III, by Giovanni Galletti (1735–1819).

Marquetry in precious woods and ivory, 73 by 57.5 by 44 cm.

BURZIO, LONDON AND FARNHAM

John the Baptist, by Jan Crocq (c.1450–60–1510). c.1500–1510.

Tonnerre limestone, 16.3 by 59 by 40 cm.

SAM FOGG, LONDON

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PA R I S . N E W Y O R K . L O N D O N

Exhibiting at

Tefaf Ma ast ri ch t March 10-19 - Booth 347

Anttoine-Fran nรงois Callet Porr t r a it of L o uis XV I

w w w.didieraa didieraa r o n.co n co m

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10th-19th March

the Mecc, Maastricht, NetherlaNds

Venus, Cupid and Ceres, by Cornelis Cornelisz van Haarlem (1562–1638).

Oil on canvas, 96.7 by 109.2 cm.

AGNEWS, LONDON

Portrait of an African woman holding a clock,

by Annibale Carracci (1560–1609). Oil on canvas, 60 by 39.5 cm.

TOMASSO BROTHERS FINE ART, LONDON AND LEEDS

A river landscape with angler beyond the Grote Kerk of Naarden,

by Jacob van Ruisdael (1628–1682). c.1649. Oil on canvas, 26.5 by 38 cm.

BIJL-VAN URK BV, ALKMAAR

The Gustiniani Aphrodite. Roman, 2nd century AD. Height 107.5 cm.

RUPERT WACE ANCIENT ART, LONDON

Bretons resting, by Charles Laval (1862–1894). 1889.

Gouache, watercolour, chalk and pencil on board, 49 by 63 cm.

ERIC GILLIS FINE ART, BRUSSELS

Head of Pharaoh Amenhotep II. Royal workshop, Thebes, c.1427–1401 BC. Grandiorite.

Height: 14.5 cm.

DANIEL KATZ LTD, LONDON

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TEFAF Maastricht 10 - 19 MARCH 2017

Robilant+Voena Louise Boutellier (Paris 1783 - 1828) Portrait of CĂŠsarine de Houdetot, Baronne de Barante: Les Pamplemousses, oli on canvas, 193.5 x 143 cm

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ALBERT ANKER (1831–1910)

Green tiled stove

Dated 1894 Oil on canvas, 23 x 31,5 cm

An eighteenth-century bronze bust of the English philosopher --

John Locke (1632–1704), by John Cheere (1709–87).

HERENGRACHT 372, 1016 CH AMSTERDAM, THE NETHERLANDS

info@vandermeijfinearts.com www.vandermeijfinearts.com Tel: + 31 20 362 70 22

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Venator & Hanstein Book and Print Auctions

SPRING SALES 2017 23 March Library of Dr. Henning Rasner 24 March Rare Books Manuscripts Autographs Old Prints 25 March Modern Prints Contemporary Prints

H. Toulouse-Lautrec in: Pan. Complete series of the magazine. 1895-99.

Cäcilienstrasse 48 · 50667 Cologne · Tel. +49-221–257 54 19 · Fax 257 55 26 · info@venator-hanstein.de · www.venator-hanstein.de X

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march17florencebiennale.qxp_Ratton & Ladriere Sept 04 15/02/2017 16:46 Page 1

march17christies.qxp_Ratton & Ladriere Sept 04 15/02/2017 16:44 Page 1

BONI DE CASTELLANE ET ANNA GOULD “A WAY OF LIFE” AUCTION · 7 March 2017 · Paris VIEWING · 28 February–6 March · 9, avenue Matignon, Paris 8e CONTACT · Olivier Lefeuvre · olefeuvre@christies.com · +33 (0) 1 40 76 83 57

FRANCESCO GUARDI (1712–1793) Piazza San Marco, with the Basilica and the Campanile oil on canvas 69.8 x 101.9 cm. (27 ½ x 40 ⅛ in.) €4,000,000–6,000,000 £3,500,000–5,200,000 $4,300,000–6,400,000

Auction | Private Sales | christies.com

14:34

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Fondation

Custodia

121 rue de Lille

Paris vii

Metro AssemblĂŠe Nationale

Drawings for Paintings in the Age of Rembrandt 4 February – 7 May 2017

All days except Mondays, from 12 to 6 pm e x h i b i t i o n o r g a n i s e d i n c o l l a b o r a t i o n w i t h t h e n a t i o n a l g a l l e r y o f a r t , wa s h i n g t o n

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CHARLES RATTON & GUY LADRIÈRE ANTIQUE - MOYEN AGE - ARTS PRIMITIFS - dESSINS TABLEAUX - SCULPTURES - OBJETS d’ART

FRANÇOIS BOUCHER (1703 – Paris – 1770)

Jephté se lamentant à la vue de sa fille Red chalk, 44 x 57 cm

EXHIBITION

OLD MASTERS AND NINETEENTH CENTURY DRAWINGS 20th to 31st March

11, quai Voltaire, 75007 Paris. Tél (0) 1 42.61.29.79 e-mail: galerie.ratton.ladriere@wanadoo.fr

© Nantes Métropole - Musée d’Arts / photo : C. Clos

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Palais Brongniart

From 12 p.m. to 8 p.m.

28, place de la Bourse 75002 Paris

Late night view: March 23rd until 10 p.m.

www.salondudessin.com

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PA N D O R A O L D M A S T E R S

at the Salon du Dessin, Paris from March 22 to March 27, 2017 info@pandoraoldmasters.com www.pandoraoldmasters.com

Giacomo Balla

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SALON DU DESSIN – 22nd to 27th March 2017 PALAIS BRONGNIART, PACE DE LA BOURSE, PARIS

staging of the Salon du Dessin will be eagerly anticipated by collectors, curators, scholars and enthusiasts of drawings. There is always an element of surprise and discovery when browsing the plethora of museum-quality works offered by the thirty-nine international dealers. Works for sale will predominantly represent the main European schools from the early Renaissance to the modern era. An outstanding early Northern work will be Head of an elderly man by Hans Baldung Grien (1484/5–1545) on the stand of Jean-Luc Baroni. With Marty de Cambiaire will be Study of a male nude by the Mannerist artist Giuseppe Cesari, also known as Cavaliere d’Arpino (1568–1640) (opposite). This rare work, demonstrating bold chiaroscuro in red and black chalk, is in in a remarkable state of preservation. Among the many treasures from the 20th century will be Woman with flowers by Pablo Picasso (1881–1973) on the stand of Reginart Collections and Nicolas de Staël’s (1914–55) Composition, 1948, will be with Galerie Berès. Coloured Rhythm, a vibrant study for a large panel by Sonia Delaunay (1885–1979) will be offered by Brame & Lorenceau.

THE TWENTY-SIXTH

A Bishop destroying idols,

by Gabriel-François Doyen (1726–1806).

Pen and brown ink and wash, 21.9 by 16 cm.

DIDIER AARON & CIE, PARIS, NEW YORK, LONDON

This year the loan exhibition will feature ten years of acquisitions by the Association Le Cabinet des Amateurs de Dessins de l’Ecole des Beaux-Arts. The display will include important works by Horace Vernet (1789–1863, Jean-Baptiste Greuze (1725–1806), Eugène Delacroix (1798–1863) and Jean-François Millet (1814–75).

A two-day symposium, From David to Delacroix (II), will be staged in the venue’s auditorium. Hosted by Pierre Rosenberg and Louis-Antoine Prat from the Louvre, there will be twelve presentations by invited international speakers.

Drawings Week, an inspired collaboration between the fair and seventeen participating museums in Paris, Sèvre, Sceaux and Chantilly, will be an added attraction. This off-site itinerary will encompass special exhibitions and private tours at institutions including the Musée du Louvre, Fondation Custodia, Musée d’Orsay, Musée Picasso and Musée Eugène Delacroix.

A country scene with horses and peasants with a large building in the background,

by Jean-Jacques de Boissieu (1736–1810). 1783.

Pen and ink with grey wash, 14.5 by 22.5 cm.

GALERIE PAUL PROUTÉ, PARIS

Coloured Rhythm (project for a large panel exhibited in the Tuileries),

by Sonia Delaunay (1885–1979). Gouache and pencil on paper, 39 by 46.5 cm.

BRAME & LORENCEAU, PARIS

For more information on the fair, Drawings Week and the symposium please visit: www.salondudessin.com

Self-portrait, by Vincenzo Gemito (1852-1929).

1917. Pencil and lithographic pencil on paper, 46.5 by 36.7 cm.

PANDORA OLD MASTERS, NEW YORK

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PAIntIngs & DRAwIngs 16 place Vendôme – Paris 1er +33 (0)1 49 26 07 03 info@martydecambiaire.com www.martydecambiaire.com

GIUSEPPE CESARI, also called THE CAVALIERE D’ARPINO 1568 Rome or Arpino – Rome 1640 A seated man, seen from behind Inscribed Caval, Arpino at the lower left Black chalk, red chalk, 402 x 272 mm (157 8̸ x 103 4̸ in.)

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SALON DU DESSIN – 22nd to 27th March 2017 PALAIS BRONGNIART, PACE DE LA BOURSE, PARIS

The Holy Family,

by Mauro Gandolfi (1764–1834). Pen, brush, black ink and grey wash on vellum.

Diameter 22.5 cm.

MAURIZIO NOBILE, BOLOGNA, PARIS

Woman with flowers,

by Pablo Picasso (1881–1973). Pen and pencil on paper, 36.5 by 31.5 cm.

REGINART COLLECTIONS, GENEVA

A scene from ‘The Marriage of Figaro’,

by AlexandreEvariste Fragonard (1780–1850).

Pen and brown ink, brown wash, white gouache and pencil, 21.9 by 17.8 cm.

NATHALIE MOTTE MASSELINK, PARIS Male figures and horses and riders in movement, by Théodore Géricault (1791–1824). c.1817.

Pen and brown ink, 18.4 by 25.5 cm.

GALERIE ARNOLDI-LIVIE, MUNICH

Almanachs nouveaux and Argens des glans, from ‘Les Cris de Paris’,

by Pierre Barbiette (1598–1642). Red and black chalk on paper, 24.1 by 22.8 cm.

TALABARDON & GAUTIER, PARIS

Study for the 1924 ‘Bal-musette’, by Georges Valmier. Gouache on paper, 17.5 by 20.5 cm.

GALERIE ZLOTOWSKI, PARIS

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Galerie eric coatalem

Hyacinthe RIGAUD (Perpignan 1659 – Paris 1743). Preparatory sketch for Louis XIV, King of France. oil on its original canvas, 55 cm x 46 cm.

136, Fbg St Honoré, 75008 Paris – tél : 01 42 66 17 17 – coatalem@coatalem.com

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SALON DU DESSIN – 22nd to 27th March 2017 PALAIS BRONGNIART, PACE DE LA BOURSE, PARIS

People in a forest, or A mysterious conversation, by Odilon Redon (1840–1916). Charcoal on paper, 47.7 by 33.5 cm.

GALERIE ERIC COATALEM, PARIS A faun and a nymph, by Jean-Baptiste-Marie Pierre (1714–89).

Black and white chalk, with stumping on buff paper, 40 by 46.5 cm.

MARTY DE CAMBIAIRE, PARIS

Study for the triumphal march of Napoleon towards the Temple of Immortality, by Jean-Baptiste Regnault (1754–1829).

Black crayon and white chalk on paper, 54.5 by 41 cm.

GALERIE MICHEL DESCOURS, LYON

Composition 1948, by Nicolas de Staël (1914–55).

Pen, brush and India ink on paper, 28.5 by 38 cm.

GALERIE BERÈS, PARIS

Still life with guitar, plates, book, pipes bottles and glasses, by Le Courbusier (1887–1965).

Collage, gouache and ink on paper, 74 by 81 cm.

AKTIS GALLERY, LONDON

Young woman wearing a corset with a blue ribbon, by Marcel Duchamp (1887–1968).

India ink, pencil and gouache on paper, 29.5 by 20.5 cm.

HELENE BAILLY GALLERY, PARIS

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THÉODORE GÉRICAULT (Rouen, 1791 – Paris, 1824)

Studies of hands, horse head HUK [^V ÄN\YLZ ÄNO[PUN (detail) Pen, brown ink on laid paper. Laid down on white paper, 205x272 mm (221x290 mm)

Showing at

SALON DU DESSIN

Palais Brongniart | from 22th until 27th march | stand n. 32 www.salondudessin.com

Maurizio Nobile Paris

45, rue de Penthièvre - 75008 Paris - FR +33.01.45630775

info@maurizionobile.com www.maurizionobile.com

Maurizio Nobile Bologna

Via Santo Stefano, 19/a - 40125 Bologna - IT +39.051.238363

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PAUL PROUTÉ S.A. PRINTS AND DRAWINGS

Louis-Maurice BOUTET de MONVEL (Orléans  – Paris ), Faust and Mephistopheles Pen and watercolor heightened with gouache,  x  mm. Signed and dated MB. de Monvel. 

Paris, Salon du Dessin, Booth 6

, rue de Seine  Paris

proutesa@wanadoo.fr

www.galeriepaulproute.com

()     

Galerie

Nathalie Motte Masselink 12 rue Jacob 75006 Paris www.mottemasselink.com

Tableaux - Dessins Ancien - Contemporain

Salon du Dessin 2017 stand n°10

Charles Eisen (1720 - 1778) Allégorie de la Créativité Artistique plume, encre grise, lavis brun, gouache blanche he 372 x 275 mm XXIV

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Galerie Michel Descours 44, rue Auguste-Comte, 69002 Lyon - FRANCE +33 (0)4 72 56 75 97 - www.peintures-descours.fr

In March 2017, M. Descours Gallery will take part in:

TEFAF Maastricht: March 10th - 18th 2017 Salon du dessin Paris: March 22th - 27th 2017 Pierre Puvis de Chavannes (1824 – 1898), Man standing, back view, study for “Ludus pro Patria”, c. 1880-1883. Black chalk, squared, 67.5 × 25.2 cm, Galerie Michel Descours.

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Bosch and Bruegel From Enemy Painting to Everyday Life

Galeriestr. 2b | 80539 Munich www..arnoldi-livie.de ldi li i d Salon du Dessin | Stand 13

Joseph Leo Koerner “A magnificent book—massively erudite, profoundly human, and sometimes even shatteringly poetic.”

—Claudia Swan, Northwestern University Cloth $65.00 A. W. Mellon Lectures in the Fine Arts / National Gallery of Art, Washington Bollingen Series XXXV: 57

Chinese Painting and Its Audiences Craig Clunas “With this innovative work, Clunas sets a new bar for the global history of art.”

—Martin Powers, University of Michigan Cloth $60.00 A. W. Mellon Lectures in the Fine Arts / National Gallery of Art, Washington Bollingen Series XXXV: 61

Wiilhelm vo on Kobell (1 (17 766 – 1853) Foox ox Hu untin ting in Uppper Ba Bavaria, 18 83 (Detail) 834 Waater at color, 19,3 x 24,2 cm Siggneed and dateed lower right: “W Koob obell 1834.”

press.princeton.edu

T O A D V E RT I S E O R SUBSCRIBE, VISIT

w w w. m a s t e r d r a w i n g s . o r g

MARCH 2017

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march17martydecambiaire.qxp_Ratton & Ladriere Sept 04 15/02/2017 16:53 Page 2

PAINTINGS & DRAWINGS 16 place Vendôme – Paris 1er +33 (0)1 49 26 07 03 info@martydecambiaire.com www.martydecambiaire.com

FRANS POURBUS called THE ELDER Bruges 1545 – Antwerp 1581 Self portrait Oil on canvas Signed and dated: F. POURBUS 1570 on the palette 80,5 x 64 cm ( 31¾ x 25¼ in.)

march17page28.qxp_Internet and Contacts 16/02/2017 15:54 Page 1

A Lloyd’s Patriotic Fund Sword of £50 Value, Presented to R. Torin Esquire, Commander of the Honourable East India Company’s Ship Coutts, dated 15th February 1804 PROVENANCE: R. Torin, esq., by descent.

38/39 Duke Street, St James’s London SW1Y 6DF T: +44 (0) 20 7839 5666 E: gallery@peterfiner.com www.peterfiner.com

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march17bonhams.qxp_Ratton & Ladriere Sept 04 16/02/2017 11:36 Page 1

A GEORGE III MAHOGANY SERPENTINE DISPLAY CABINET circa 1760 £20,000 - £30,000

I M P O R T A N T

DESIGN

DEMETRE CHIPARUS (ROMANIAN, 1886-1947) An Art Deco bronze and ivory Ä N\YL VM ;OL :[HYÄ ZO +HUJLY £100,000 - 150,000

500 YEARS OF FINE DECORATIVE ARTS Wednesday 5 April 2017 New Bond Street, London

LORD FREDERIC LEIGHTON (BRITISH, 1830-1896) ( IYVUaL Ä N\YL VM HU ([OSL[L Z[Y\NNSPUN ^P[O H 7`[OVU £50,000 - 80,000 A SET OF FOUR GEORGE III SILVER CANDLESTICKS

BY PAUL STORR London 1815 £20,000 - 30,000

ENQUIRIES 3H\YLS 2LTW 020 7 393 3855 SH\YLS RLTW'IVUOHTZ JVT

bonhams.com

march17page30.qxp_Internet and Contacts 16/02/2017 12:10 Page 1

C O N T @ C T S

cesati antiques & works of art

D I C K I N S O N Agents and Dealers in Fine Art

O l d a n d M o d e r n M a s t e r Pa i n t i n g s, D r aw i n g s a n d S c u l p t u r e

SIMON C. DICKINSON LTD

JAMES ROUNDELL

DICKINSON ROUNDELL INC

58 Jermyn Street London SW1Y 6LX Tel: ( 020 ) 7493 0340 Fax: ( 020 ) 7493 0796

58 Jermyn Street London SW1Y 6LX Tel: ( 020 ) 7499 0722 Fax: ( 020 ) 7629 0726

19 East 66th Street New York, NY 10021 Tel: ( 212 ) 772 8083 Fax: ( 212 ) 772 8186

simondickinson.com

via san giovanni sul muro 3 20121 milano – italy tel. +39 02 86460928 fax. +39 02 72021664 www.cesatiecesati.com info@cesatiecesati.com

DIDIER AARON, Inc. Fine Old Master Paintings and Drawings

3 2 e a s t 6 7 t h s t r e e t n e w y o r k , n y 1 0 0 2615 t e l 2 1 2 9 8 8 - 5 2 4 8 fa x 2 1 2 7 3 7 - 3 5 1 3 www.didieraaron.com info@didieraaron.com

Otto Naumann Ltd

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Old Master Paintings

22 East 80th Street otto@ottonaumannltd.com

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New York, NY 10075 www.ottonaumannltd.com

2017: An unmissable year in international art.

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Timothy Newbery

day & faber old master drawings

e. timothynewbery@btinternet.com m. +44 (0)7891 765877

www.dayfaber.com

PICTURE FRAME CATALOGUING AND MAKING www.timothynewbery.co.uk

T R I N I T Y F I N E A RT 2 9 bruton s t r e e t l ondon w 1 j 6qp www.trinityfineart.com

mail@trinityfineart.com +44 (0)20 7493 4916

EMANUEL VON BAEYER

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O L D M A S T E R PA I N T I N G S 11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk

LONDON

European Prints, Drawings and Paintings from the 16th to 19th century

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march17dorotheum.qxp_Ratton & Ladriere Sept 04 16/02/2017 11:38 Page 1

S I N C E 17 0 7

Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128 x 200 cm (detail), € 100,000 – 150,000, Auction 25 April 2017

Palais Dorotheum, Vienna

Old Master Paintings 19th Century Paintings, Works of Art Auction Week 25 – 27 April www.dorotheum.com

feb17ongpin.qxp_AQ_31815_J_Baroni 17/01/2017 14:46 Page 1

STEPHEN ONGPIN FINE ART Old Master, 19th Century and Modern Drawings

HENDRICK SONNIUS (C.1615–C.1688) An Italianate Landscape with Travellers and a Donkey Pen and brown ink and brown wash on vellum.

Inscribed A. v. d. Velde near the lower left. Signed henritio zonius fl. 60 / Roma 1647 on the verso.

346 x 485 mm. (135⁄8 x 191⁄8 in.)

Drawn in Rome in 1647, this very large landscape on vellum is one of only two surviving drawings by the 17th century Dutch artist Hendrick Sonnius. Sonnius spent some time in Rome in the 1640s, but was back in the Netherlands by 1649.

He is last recorded in The Hague in 1659, and seems to have spent the latter part of his career in England. Although he is documented as a landscape and portrait painter, only two paintings by the artist, both landscapes, have survived to this day. Just one other drawing by Sonnius is known; a smaller pastoral scene drawn in graphite on vellum, signed and dated 1645, in the British Museum.

Master Drawings 2017 catalogue now available including works by Alma-Tadema, Cecco Bravo, Cross, Della Bella, Desfriches, Grasset, Guercino, Harpignies, Kennington, Lagrenée, Magnasco, Maurin, Melville, Munch, Percier, Piazzetta, Picasso, Pierre, Pillement, Rigaud, Rossetti, Rubens, Signac, Tempesta, Vinkeles, Viollet-le-Duc, Vollon and Vuillard.

STEPHEN ONGPIN FINE ART RIVERWIDE HOUSE ,

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MASON ’ S YARD , DUKE STREET ST . JAMES ’ S , LONDON SW 1 Y INFO @ STEPHENONGPINFINEART . COM

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march17getty.qxp_Ratton & Ladriere Sept 04 16/02/2017 11:43 Page 1

NEW FROM

THE GETTY Bouchardon Royal Artist of the Enlightenment

Anne-Lise Desmas, Édouard Kopp, Guilhem Scherf, and Juliette Trey One of the most imaginative and intriguing artists of eighteenth-century France, Edme Bouchardon was instrumental in the transition from Rococo to Neoclassicism. This lavishly illustrated catalogue is an unprecedented survey of Bouchardon’s elegant work, making it clear that his remarkable talent and eye revolutionized European sculpture.

THE J. PAUL GETTY MUSEUM Hardcover £50.00

The Learned Draftsman Edme Bouchardon Édouard Kopp Although primarily known as a sculptor today, Edme Bouchardon was widely lauded during his lifetime as one of the foremost draftsmen of the age. This ambitious volume offers a fascinating narrative that covers over four decades of Bouchardon’s drawings, highlighting his dynamic style with copious illustrations and insightful prose.

THE J. PAUL GETTY MUSEUM Hardcover £42.50

Michelangelo’s Tomb for Julius II Genesis and Genius Christoph Luitpold Frommel In 1505, Michelangelo began work on a magnificent tomb for Julius II which would dominate the next forty years of his career. In the end, however, logistical complications and tensions with his patron kept the tomb from being fully realized: while it features some of Michelangelo’s finest sculpture, its final iteration is a mere shadow of what he originally conceived. This gorgeous volume offers a deep and multifaceted look at the making of this legendary tomb, shedding new light on its myriad details and Michelangelo’s creative process.

THE J. PAUL GETTY MUSEUM Hardcover £50.00

Explodity Sound, Image, and Word in Russian Futurist Book Art Nancy Perloff The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. At the heart of this volume are close analyses of two of the most significant futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry, contemporary Western conceptual art, and the artist’s book.

THE GETTY RESEARCH INSTITUTE Hardcover £35.50

Gustave Caillebotte Painting the Paris of Naturalism, 1872–1887 Michael Marrinan The son of a wealthy businessman, Gustave Caillebotte is well known for not only organizing and funding groundbreaking exhibitions of Impressionist art, but also bringing his urban milieu to vivid life in his own celebrated works. This monumental study of Caillebotte’s life and artistic development explores the rich context of the Parisian surroundings that shaped the man and his work.

THE GETTY RESEARCH INSTITUTE Hardcover £45.00

The Restoration of Paintings in Paris, 1750–1815 Practice, Discourse, Materiality Noémie Étienne Drawing on previously unpublished primary material from archives in Paris, Berlin, Rome, and Venice, this book combines art history with anthropology and sociology to survey the diversity of restoration practices during the waning decade of the Ancien Régime and early post-revolution France, all while illuminating the influence of restoration and exhibitions on the aesthetic understanding of paintings as material objects.

THE GETTY CONSERVATION INSTITUTE Paperback £45.00

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For lovers of art and art history

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The Burlington Magazine is the world’s leading journal devoted to the fine and decorative arts; each month we publish the latest research in art history and conservation, with specialist issues on French, Italian and British art, sculpture, architecture and more.

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2016 TH E BUR L IN G TO N M AGA ZI NE

Caravaggio’s knighthood | Titian’s ‘Danaë’ revisited | Horace Vernet’s ‘Orient’, Part II Renoir, Matisse and the use of black | The Art of Conservation: Restorers at the Spanish Court NO.

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march17lopf.qxp_Ratton & Ladriere Sept 04 16/02/2017 11:45 Page 1

Thursday 4 to Sunday 7 May

Royal Academy of Arts Piccadilly · London W1J 0BD www.londonprintfair.com @Londonprintfair Brian Eno Grapefruit, Agate, Eclipse, Sunburnt, 2016 · Etchings · 63.5 x 63.5cm · Each in an edition of 25 · Courtesy Paul Stolper

H jan17hazlitt.qxp_Ratton & Ladriere Sept 04 12/12/2016 16:53 Page 1

By Appointment to Her Majesty the Queen Fine Art Dealers

Master Drawings, Paintings & Sculpture

 Bury Street, St James’s, London   Telephone    hazlitt@hazlitt.co.uk

sept16chanel.qxp_Ratton & Ladriere Sept 04 15/08/2016 15:05 Page 1

SIGNATURE DE CHANEL

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NECKLACE IN WHITE GOLD, SAPPHIRE AND DIAMONDS

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march17smeets.qxp_Agnews 15/02/2017 15:07 Page 1

FRANCESCO LUPICINI (Florence 1591 – Zaragoza 1656)

David and Goliath Oil on copper – 30.5 x 24 cm.

F. Baldassari, A Masterpiece of the Florentine Seventeenth Century: Francesco Lupicini’s David and Goliah/ Un apice del Seicento fiorentino: il David e Golia di Francesco Lupicini (english-italian version), Perugia 2016.

8, rue Jacques-Grosselin 1227 Geneva T +41223015519 M +41792859262 E info@robsmeets.com I www.robsmeets.com