201704 advertising

COV.APR2017.V.5.qxp_cover.june.pp.corr 17/03/2017 13:49 Page 1

APRIL

2017 T H E B URLINGTON MAG AZ I NE

An untraced painting by Caravaggio | Giacinto Gimignani Madame de Pompadour’s ‘Suite d’Estampes’ | Prunella Clough | Baxandall on architecture NO .

1369

The Art of Conservation: Pietro Edwards Merovingians | Michele Giambono | John Lockwood Kipling | Oscar Wilde | Emile Verhaeren

V OL . C L I X

Medardo Rosso | Abstract Expressionism | Post-War Art | Black British artists in the 1980s | Michael Andrews

April 2017

april17florencebiennale.qxp_Ratton & Ladriere Sept 04 15/03/2017 10:15 Page 1

april17nationalgallery.qxp_Ratton & Ladriere Sept 04 15/03/2017 10:17 Page 1

Until 25 June 2017

Book now Members go free nationalgallery.org.uk Sebastiano del Piombo, after partial designs by Michelangelo, Lamentation over the Dead Christ (Pietà ) (detail), about 1512-16 Museo Civico, Viterbo Š Comune di Viterbo

april17lopf.qxp_Ratton & Ladriere Sept 04 15/03/2017 10:19 Page 1

Thursday 4 to Sunday 7 May

Royal Academy of Arts Piccadilly · London W1J 0BD www.londonprintfair.com @Londonprintfair Brian Eno Grapefruit, Agate, Eclipse, Sunburnt, 2016 · Etchings · 63.5 x 63.5cm · Each in an edition of 25 · Courtesy Paul Stolper

april17imkinsky.qxp_Ratton & Ladriere Sept 04 15/03/2017 10:21 Page 1

Old Master Paintings 19th Century Paintings Antiques

Auction days 25 & 26 April 2017 Exhibition 20–26 April 2017 Mon 10 am–7pm, Tue–Fri 10am–6pm, Sat 10am–5pm, Sun 11am–5pm Catalogue order & information T +43 1 532 42 00, office@imkinsky.com Online Bidding registration online.imkinsky.com Online Catalogue www.imkinsky.com

Foot, Roman 2nd century AD € 2,500–5,000

Head, Roman 2nd century AD € 2,000–4,000

Severo (Calzetta) da Ravenna Faun holding a candlestick, Italy, 16th century € 2,500–5,000

Auktionshaus im Kinsky GmbH, Palais Kinsky, 1010 Wien, Freyung 4

april17LOPFroundup.qxp_Master Drawings Roundup 15/03/2017 14:36 Page 1

The London Original Print Fair

Royal Academy of Arts, Piccadilly | 4-7 May 2017 | www.londonprintfair.com

THE LONDON ORIGINAL PRINT FAIR is now in its thirty-second year and once more the airy exhibition space at the Royal Academy will house fifty international specialist dealers from the UK, mainland Europe and the Americas. Several established dealers showing oldmaster prints will attract much interest from collectors and scholars.

Rare etchings, woodcuts and engravings by familiar names such as Rembrandt (1606–69) and Canaletto (1697–1768) will be on view alongside sheets by lesser known masters. Of particular note will be three woodcuts by Lorenz Stoer (1529/1530–99) on the stand of Christopher Mendez. Renowned for his 1567 woodcut book Geometrica et Perspectiva, these single sheets by Stoer are recorded in Hollstein as the only impressions in existence and will accordingly be displayed in a row of their own.

Grapefruit, by Brian Eno. 2016.

Etching, 63.5 by 63.5 cm.

PAUL STOLPER, LONDON

The fair will be bristling with newly published editions by both celebrated and not so well-known printmakers. Advanced Graphics will mark their 50th anniversary by showing new works by Basil Beattie, Anthony Frost and Tess Jaray. Alan Cristea Gallery will dedicate their stand to Cornelia Parker and Gillian Ayres and Polígrafa will have a monographic display of works by Rose Wylie.

Prints by notable Royal Academicians will be plentiful with the dealers, and the RA itself which will launch new prints by Ed Ruscha, Gary Hume, Stephen Farthing and Christopher Le Brun.

The international status of the fair will be bolstered by a good number of galleries. ArtChina will present sixty contemporary Chinese woodblock prints including works by Xu Bing, Chen Qi and Wang Chao, and Arroniz, will show prints by Mexican artists such as Mario Palacious Kaim and Fernando Garcia Correa.

This year the annual printmaker’s talk will be given by Cornelia Parker.

To discover more about the fair and the programme of talks and events please visit: www.londonprintfair.com

The portico with the lantern, by Giovanni Antonio Canaletto (1697–1768). c.1740 (final state). Etching, 30.1 by 43 cm.

ELIZABETH HARVEY-LEE, OXFORDSHIRE Terrestrial, by Tom Haddinck. 2017.

Woodcut, 118 by 150 cm.

FLOWERS GALLERY, LONDON AND NEW YORK

Blue Crayola, by Anthony Frost.

2016. Screenprint with woodblock, 87.5 by 45.5 cm.

ADVANCED GRAPHICS, LONDON

Ecce Homo, by Martin Schongauer (1445–91). c.1480.

Engraving, 16.1 by 11.2 cm.

SARAH SAUVIN, PARIS

05_april17page5.qxp_Internet and Contacts 20/03/2017 14:23 Page 1

ELIZABETH HARVEY-LEE Dealer in Old Master & Modern Prints

SARAH SAUVIN Old Master & Modern Prints

REMBRANDT HARMENSZOON VAN RIJN (1606–1669) A Scholar in his Study - Faust, c. 1652 Etching and drypoint, NH 270, 1st state (of 7) Early impression on oatmeal paper with strong burr Provenance : August Artaria (Lugt 33), André Hachette (Lugt 132)

Jean François Janinet: Vénus sur les Eaux. Colour aquatint, c1777, after a miniature by Charlier

Two new stock catalogues issued each year to subscribers 1 West Cottages, North Aston, Oxon. OX25 5QB Tel: 01869 347164 Email: info@elizabethharvey-lee.com

CHRISTOPHER MENDEZ

sarah-sauvin.com Website French / English

contact@sarah-sauvin.com – +33 (0)6 24 48 33 64 – By appointment in Paris

Upcoming fair: The London Original Print Fair – May 4-7, 2017

ANDREW EDMUNDS rints & Drawings  Lexington Street, London   + ⁽⁾   prints@andrewedmunds.com

Federico Barocci (c.1535-1612). Virgin and child in the clouds Etching and engraving, 154 x 109 mm, circa 1581. Bartsch 2, only state

53 Clerkenwell Close, London EC1R 0EA Tel: +44 (0)20 7253 9699 Email: christopher@oldmasterprints.co.uk www.oldmasterprints.co.uk

JAMES GILLRAY (-) The Marriage of Cupid & Psyche  Etching, aquatint & engraving    mm, with publisher’s watercolour

the burlington magazine

•

clix

•

april 2017

V

april17LOPFroundup.qxp_Master Drawings Roundup 15/03/2017 14:38 Page 2

The London Original Print Fair

Royal Academy of Arts, Piccadilly | 4-7 May 2017 | www.londonprintfair.com

May Salon,

by René Magritte (1898-1967).

Lithograph, 63 by 47 cm.

GILDEN’S ART GALLERY, LONDON

Architectural ruins with birds, by Lorenz Stoer (c.1529/1530–1599).

Woodcut from two blocks, printed in green.

Hollstein 5, the only recorded impression. 21 by 15.3 cm.

CHRISTOPHER MENDEZ, LONDON

The winter at Lianghe village, by Yu Chengyou. 2011. Woodcut, 100 by 150 cm.

ARTCHINA, CAMBRIDGE Enchantments lately seen upon the mountains of Wales, by James Gillray (1756–1815).

Etching and engraving, 25.1 by 35.5 cm, with publisher’s watercolour.

ANDREW EDMUNDS, LONDON

Untitled, by Bridget Riley.

1962. Screenprint, 50.8 by 50.8 cm.

KARSTEN SCHUBERT, LONDON

Commander looking through a periscope,

by Eric Ravilious (1903-42). 1941. Lithograph, 28 by 32 cm.

FINE ART SOCIETY, LONDON

07_april17page7.qxp_Internet and Contacts 15/03/2017 14:11 Page 1

JENNINGS FINE ART

Chinese Woodblock prints from 1940 to present day and Modern Chinese Prints

Twentieth Century British Printmaking Bawden, Bevan, Craig, Nash, Nevinson, Nicholson, Ravilious, Rothenstein, Sutherland

Representative Artists: Xu Bin, Shu Xinping, Yang Qi, He Kun, He Weimin, Chen long, Zhu Jianhui, Chen Qi, Yu Chengyou, Lu Zhiping

LOPF : STAND 33

Zhu Jianhui, Rope. 2010. Woodblock printed with water-soluble ink on xuan paper.

Image size: 50 x 100 cm. Edition: 25 ‘Rope’ represents those visible and invisible elements which constrain us in our modern lives. The artist used the style of the Terracotta Army to suggest how tradition can constrain us in today’s life.

By using fine cutting to create a realistic impression of the rope, the artist also uses this to highlight the contrast between this detail and more abstract, spiritual concepts.

84 Walpole Road Cambridge CB1 3UE By appointment only

EDWARD GORDON CRAIG (1872–1966) Stage Manager, 1909 Woodcut, 15.8 x 4.9 cm

07817029618 info@artchinauk.com www.artchinauk.com

e : neiljennings20@gmail.com t : 07812 994558

PRATT CONTEMPORARY

Ana Maria Pacheco Burial, 2014 Drypoint; plate 80.6 x 60.7 cm

Stand 40

www.prattcontemporaryart.co.uk pca@prattcontemporaryart.co.uk Telephone +44 (0)1732 882326

Paragon

Glenn Brown Half-Life (After Rembrandt) 6 Etching 2017

www.paragonpress.co.uk t +44 (0)20 7370 1200 info@paragonpress.co.uk

the burlington magazine

•

clix

•

april 2017

VII

april17page8.qxp_Internet and Contacts 15/03/2017 14:14 Page 1

38/39 Duke Street, St James’s London SW1Y 6DF T: +44 (0) 20 7839 5666 E: gallery@peterfiner.com www.peterfiner.com

A Pair of French Flintlock Pocket Pistols Made Entirely of Burnished Steel and Chiselled and Gilt After the Engraved Designs of Gilles De Marteau,

by Blanc, Cont.Leur Des Armes Pour Le Roy a St. Etienne, c. 1763-5 PROVENANCE: Private Collection, France

SIR DENIS MAHON ESSAY PRIZE 2017 This prize comprises an award of £1,000 for an essay of distinction which reflects Sir Denis Mahon’s studies, research and interests. The prize is open to undergraduates or post graduate students aged 30 years or below.

Closing date: Friday 8th September 2017. The winning student will be invited to present his or her essay as a lecture on 8th November 2017 at the National Museum Warsaw.

For full details, email Suzanne Marriott at suzanne.marriott@crsblaw.com

Explore art theory and biographies

shop.burlington.org.uk

VIII

april 2017

•

clix

•

the burlington magazine

april17yalebooks.qxp_Ratton & Ladriere Sept 04 15/03/2017 11:00 Page 1

Vermeer and the Masters of Genre Painting

Enlightened Princesses Turner’s Modern Caroline, Augusta, Charlotte, and Ancient Ports

Inspiration and Rivalry Adriaan E. Waiboer, with Arthur K. Wheelock Jr. & Blaise Ducos This thought-provoking book provides insight into how Johannes Vermeer and his contemporaries admired, inspired and rivalled one another.

Accompanies an exhibition at the National Gallery of Ireland.

and the Shaping of the Modern World Edited by Joanna Marschner with David Bindman & Lisa L. Ford This gorgeous volume explores the cultural, social and intellectual circles in which three 18th-century German princesses moved in their London lives.

Accompanies an exhibition at Kensington Palace.

Published in association with the National Gallery of Ireland

Published in association with the Yale Center for British Art and Historic Royal Palaces

180 colour illus. HB £40.00

528 colour + 52 b/w illus. HB £50.00

Gardens of Court and Country

Passages through Time Susan Grace Galassi, Ian Warrell & Joanna Sheers Seidenstein, with Gillian Forrester, Rebecca Hellen & Eloise Owens Focusing on two monumental paintings of ports, this volume provides a fresh and insightful discussion of Turner’s stylistic development in the 1820s and 1830s, contextualising his work in light of larger societal changes.

Published in association with The Frick Collection

Monet The Early Years George T. M. Shackelford, with essays by Anthea Callen, Mary Dailey Desmarais, Richard Shiff & Richard Thomson The first comprehensive examination of the painter’s formative years, this gorgeous catalogue traces the evolution of his style and the development of personal ambitions that drove his artistic career.

Distributed for the Kimbell Art Museum 180 colour + 10 b/w illus. HB £30.00

120 colour illus. HB £30.00

Raphael’s Tapestries

Another World

Alfred Sisley

Published in association with the Paul Mellon Centre for Studies in British Art

The Grotesques of Leo X Lorraine Karafel Painstaking reconstruction and new analysis reveal the lost Grotesques of Leo X, tapestries designed by Raphael, as complex, inventive and sumptuous works that rivalled Renaissance painting. With this new study, the Grotesques take their rightful place as Renaissance masterworks.

Nineteenth-Century Illustrated Print Culture Patricia Mainardi A leading scholar explores the innovations, discoveries and new visual languages that shaped the 19th century’s burgeoning print culture and helped define the comics, caricatures and graphic novels of today.

Impressionist Master MaryAnne Stevens, with essays by Richard Shone & Kathy Adler Exploring his relationship to his fellow Impressionists, as well as to his influences, this volume celebrates Sisley’s unique virtuosity as an observer of the natural world.

166 colour + 46 b/w illus. HB £50.00

Distributed for Editions Hazan, Paris

150 colour + 150 b/w illus. HB £45.00

100 colour + 40 b/w illus. HB £45.00

English Design 1630–1730 David Jacques With 300 illustrations that bring lost and forgotten gardens to life, this handsome volume provides the first comprehensive overview of the development of the 17thcentury English formal garden.

YaleBooks

180 colour + 25 b/w illus. HB £45.00

@yalebooks www.yalebooks.co.uk

april17getty.qxp_Ratton & Ladriere Sept 04 15/03/2017 11:02 Page 1

NEW FROM

THE GETTY Bouchardon Royal Artist of the Enlightenment

Anne-Lise Desmas, Édouard Kopp, Guilhem Scherf, and Juliette Trey One of the most imaginative and intriguing artists of eighteenth-century France, Edme Bouchardon was instrumental in the transition from Rococo to Neoclassicism. This lavishly illustrated catalogue is an unprecedented survey of Bouchardon’s elegant work, making it clear that his remarkable talent and eye revolutionized European sculpture.

THE J. PAUL GETTY MUSEUM Hardcover £50.00

The Learned Draftsman Edme Bouchardon Édouard Kopp Although primarily known as a sculptor today, Edme Bouchardon was widely lauded during his lifetime as one of the foremost draftsmen of the age. This ambitious volume offers a fascinating narrative that covers over four decades of Bouchardon’s drawings, highlighting his dynamic style with copious illustrations and insightful prose.

THE J. PAUL GETTY MUSEUM Hardcover £42.50

Michelangelo’s Tomb for Julius II Genesis and Genius Christoph Luitpold Frommel In 1505, Michelangelo began work on a magnificent tomb for Julius II which would dominate the next forty years of his career. In the end, however, logistical complications and tensions with his patron kept the tomb from being fully realized: while it features some of Michelangelo’s finest sculpture, its final iteration is a mere shadow of what he originally conceived. This gorgeous volume offers a deep and multifaceted look at the making of this legendary tomb, shedding new light on its myriad details and Michelangelo’s creative process.

THE J. PAUL GETTY MUSEUM Hardcover £50.00

Explodity Sound, Image, and Word in Russian Futurist Book Art Nancy Perloff The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. At the heart of this volume are close analyses of two of the most significant futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry, contemporary Western conceptual art, and the artist’s book.

THE GETTY RESEARCH INSTITUTE Hardcover £35.50

Gustave Caillebotte Painting the Paris of Naturalism, 1872–1887 Michael Marrinan The son of a wealthy businessman, Gustave Caillebotte is well known for not only organizing and funding groundbreaking exhibitions of Impressionist art, but also bringing his urban milieu to vivid life in his own celebrated works. This monumental study of Caillebotte’s life and artistic development explores the rich context of the Parisian surroundings that shaped the man and his work.

THE GETTY RESEARCH INSTITUTE Hardcover £45.00

The Restoration of Paintings in Paris, 1750–1815 Practice, Discourse, Materiality Noémie Étienne Drawing on previously unpublished primary material from archives in Paris, Berlin, Rome, and Venice, this book combines art history with anthropology and sociology to survey the diversity of restoration practices during the waning decade of the Ancien Régime and early post-revolution France, all while illuminating the influence of restoration and exhibitions on the aesthetic understanding of paintings as material objects.

THE GETTY CONSERVATION INSTITUTE Paperback £45.00

Getty Publications IN THE UK AND EUROPE

A WORLD OF A RT, RE S E ARCH, CONS E RVATI O N , A N D P H I L A N T H R O P Y

IN THE US

020 7079 4900 phone

sales@yaleup.co.uk

800 223 3431 phone www.getty.edu/publications

© 2017 J. Paul Getty Trust

april17venduehuis.qxp_Ratton & Ladriere Sept 04 15/03/2017 11:05 Page 1

International Avant-Gardes 1960-1990 16 May 2017 • Venduehuis The Hague

Keith Haring (1958-1990) Container for the Channel Surf Club Knokke, 1987 Sea-container painted in lacquer 250 x 1250 x 240 cm Estimate € 1,500,000 - 2,000,000

>

A collection of International Avant-Gardes 1960-1990 will be sold during the Spring Auction in May 2017.

One of the eyecatchers will be the 1987 painted sea-container

by Keith Haring for the Channel Surf Club Knokke.

Spring Auction Art and Antiques 16, 17, 18, 19 May 2017 VIEWING: 11, 12, 14, 15 May: 10am - 5pm May 13: 10am - 4pm Exclusive viewing Container Keith Haring on location May 12: 7.00 - 10.00pm Reservation for this event via info@venduehuis.com

Alexander Calder (1898-1976) From the series: The Bicentennial Tapestries The Pear, the Cheese, and the Serpent, 1975 Handwoven wool Aubusson tapestry, 105 x 150 cm Estimate € 8,000 - 10,000

Pierre Alechinsky (1927) Á l’ Aveuglette, 1974 Etching and aquatint on paper mounted on canvas, 185 x 275 cm Estimate € 25,000 - 30,000

Venduehuis der Notarissen Nobelstraat 5, 2513 BC The Hague The Netherlands Phone + 31 (0)70 365 88 57 info@venduehuis.com

ONLINE CATALOGUE: Furthermore important works of art by: Alan Davie, Pierre Alechinsky & Christian Dotremont, Walter Leblanc, Roy Lichtenstein, Pol Mara, Jan Burssens, Jo Delahaut, Gilbert Decock, Marc Mendelson, Maurice Wyckaert, André Brasilier, Pol Bury, Jack Hamilton Bush, Lynn Chadwick, Le Corbusier, Terry Frost, Patrick Heron, Robert Jacobsen, Richard Mortensen, Pablo Palazuelo, Victor Pasmore, Arnaldo Pomodoro, William Scott, Richard Smith, Jesus Rafael Soto, Antoni Tapiès, Walasse Ting and Raoul Ubac.

www.venduehuis.com

march17dorotheum.qxp_Ratton & Ladriere Sept 04 16/02/2017 11:38 Page 1

S I N C E 17 0 7

Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128 x 200 cm (detail), € 100,000 – 150,000, Auction 25 April 2017

Palais Dorotheum, Vienna

Old Master Paintings 19th Century Paintings, Works of Art Auction Week 25 – 27 April www.dorotheum.com

B april17britishartjournal.qxp_Ratton & Ladriere Sept 04 15/03/2017 11:08 Page 1

Published in association with the Berger Collection Educational Trust

The

BRITISH ART Journal

The research journal of British art studies

WILLIAM MB BERGER PRIZE for British Art History 2017 The William MB Berger Prize is awarded annually to a book or exhibition catalogue that has made an outstanding contribution to the history of British art during the preceding twelve-month period (1 January–31 December) The prize of £5000, established in 2001, is administered by The British Art Journal in association with the Berger Collection Educational Trust of Denver, Colorado Full details with nomination procedure for the 2107 prize (books published in 2016) www.britishartjournal.co.uk The winner of the prize for 2016 was Giles Waterfield, The People’s Galleries.

Art Museums and Exhibitions in Britain 1800–1914, published by Yale University Press for the Paul Mellon Centre Centre for Studies in British Art

ONE YEAR SUBSCRIPTION £50 p.a. (UK) for THREE issues (one volume); £55 rest of the world; $100 USA Subscribe online Please contact us and we will send you a paypal invoice subs@britishartjournal.co.uk Back issues by enquiry to Sally Sharp: sally@holborndirectmail.co.uk

april17page14.qxp_Internet and Contacts 15/03/2017 11:26 Page 1

C O N T @ C T S

cesati antiques & works of art

D I C K I N S O N Agents and Dealers in Fine Art

O l d a n d M o d e r n M a s t e r Pa i n t i n g s, D r aw i n g s a n d S c u l p t u r e

SIMON C. DICKINSON LTD

JAMES ROUNDELL

DICKINSON ROUNDELL INC

58 Jermyn Street London SW1Y 6LX Tel: ( 020 ) 7493 0340 Fax: ( 020 ) 7493 0796

58 Jermyn Street London SW1Y 6LX Tel: ( 020 ) 7499 0722 Fax: ( 020 ) 7629 0726

19 East 66th Street New York, NY 10021 Tel: ( 212 ) 772 8083 Fax: ( 212 ) 772 8186

simondickinson.com

via san giovanni sul muro 3 20121 milano – italy tel. +39 02 86460928 fax. +39 02 72021664 www.cesatiecesati.com info@cesatiecesati.com

DIDIER AARON, Inc. Fine Old Master Paintings and Drawings

3 2 e a s t 6 7 t h s t r e e t n e w y o r k , n y 1 0 0 2615 t e l 2 1 2 9 8 8 - 5 2 4 8 fa x 2 1 2 7 3 7 - 3 5 1 3 www.didieraaron.com info@didieraaron.com

Otto Naumann Ltd

.

Old Master Paintings

22 East 80th Street otto@ottonaumannltd.com

• •

New York, NY 10075 www.ottonaumannltd.com

2017: An unmissable year in international art.

Subscribe now to experience every moment. subscribe.theartnewspaper.com

Timothy Newbery

day & faber old master drawings

e. timothynewbery@btinternet.com m. +44 (0)7891 765877

www.dayfaber.com

PICTURE FRAME CATALOGUING AND MAKING www.timothynewbery.co.uk

T R I N I T Y F I N E A RT 2 9 bruton s t r e e t l ondon w 1 j 6qp www.trinityfineart.com

mail@trinityfineart.com +44 (0)20 7493 4916

EMANUEL VON BAEYER

•

O L D M A S T E R PA I N T I N G S 11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk

LONDON

European Prints, Drawings and Paintings from the 16th to 19th century

w w w. e v b a e y e r. c o m w w w. e v b a e y e r - c a b i n e t . c o m

Daniel Katz www.katz.co.uk XIV

april 2017

•

clix

•

&

the burlington magazine

old master sculpture mo d e r n masters

TO ADVERTISE PLEASE VISIT:

www.burlington.org.uk

april17subscriptions.qxp_Ratton & Ladriere Sept 04 15/03/2017 11:18 Page 1

For lovers of art and art history

SUBSCRIBE AND SAVE 30%

The Burlington Magazine is the world’s leading journal devoted to the fine and decorative arts; each month we publish the latest research in art history and conservation, with specialist issues on French, Italian and British art, sculpture, architecture and more.

·

Choose the subscription to suit you: 12 print and/or 12 digital issues a year.

Digital subscribers have access to our online library of back issues, with unlimited PDF downloads of whole issues, or individual articles and reviews*.

Print subscriptions include a free annual index and regular acquisition supplements.

· ·

2016 TH E BUR L IN G TO N M AGA ZI NE

Caravaggio’s knighthood | Titian’s ‘Danaë’ revisited | Horace Vernet’s ‘Orient’, Part II Renoir, Matisse and the use of black | The Art of Conservation: Restorers at the Spanish Court NO.

1359 V OL . CL V III

shop.burlington.org.uk

J UN E

To subscribe visit:

Piero della Francesca | Botticelli reimagined | Aldo Manuzio | Giorgione | Maniera | An Indian textile Georges de La Tour | Marisa and Mario Merz | Russia and the Arts | Paul Strand | Reus and Dean Recent acquisitions (2007–15) of European sculpture and decorative arts at the Detroit Institute of Arts

June 2016

Terms and Conditions apply: This offer is applicable for new subscribers and for the first year only. For more information on our full pricing list and range of subscription packages available, please visit: shop.burlington.org.uk/subscriptions. * A standard digital subscription provides readers with access to 5 years of archive content. A premium digital subscription provides reader’s access to all content published since 1903.

H jan17hazlitt.qxp_Ratton & Ladriere Sept 04 12/12/2016 16:53 Page 1

By Appointment to Her Majesty the Queen Fine Art Dealers

Master Drawings, Paintings & Sculpture

 Bury Street, St James’s, London   Telephone    hazlitt@hazlitt.co.uk

CHANEL .COM

THE CHANEL MOMENT

march17chanel.qxp_Ratton & Ladriere Sept 04 15/03/2017 10:03 Page 1

april17tomasso.qxp_Agnews 15/03/2017 09:48 Page 1

TOMASSO BROTHERS F I N E A RT

Théodore Géricault (1791–1824). Torse d’homme, le bras gauche levé, c. 1813–14. Oil on canvas 72.4 cm (28 ½ in.) high. 66.9 cm (26 ¼ in.) wide Provenance: Edmond Courty collection (1931–93), Paris; Private collection, Brussels

info@tomassobrothers.co.uk

www.tomassobrothers.co.uk