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MAY

2017 T H E B URLINGTON MAG AZ I NE

Giuliano Bugiardini’s ‘Portrait of a Lady’ | Rediscovered works by Donato Creti Duveen’s Italian framemaker | The Führerprojekt: recording art in the Third Reich NO .

David Hockney’s ‘A bigger splash’

1370

Pacific Northwest cultures | Ribera | Impressionism at the Barberini Museum | Russian art 1917–32 Picabia | Modernist photography | Winifred Nicholson | Eduardo Paolozzi | Maria Lassnig | David Hockney

VO L . C L I X

May 2017

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BASSENGE

Antonio Joli (1700–1777). The Bay of Baiae on the Gulf of Naples. Oil on canvas. 76 x 125.5 cm. Circa 1760. Estimate: € 120,000.

AUC T IONS I N BER LI N May 25–27, 2017 Old Master and 19th Century Paintings, Drawings & Prints Modern and Contemporary Art with an American Private Collection of German Art

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hall@burlington.org.uk | tel: +44 (0)20 7388 1228 14-16 Duke’s Road | London

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The National Gallery, London, with its Curator: world-class collection of Western Dutch Painting 1600-1800 Paintings, is seeking a Special Projects £40,037 - £50,903 p.a.responsibility inc.

Ref: CUR/15/2 Curator, to take for

ARNOLD WIGGINS & SONS PICTURE FRAMERS

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curatorial involving You will be theprojects senior specialist in your area, with responsibility for the study, care and enhancement of the contemporary art and culture.

National Gallery collection. You will also be responsible The post holder will be responsible for collaborations, for proposing and curating exhibitions in your exhibitions, displays, research and interpretation in specialist this area. area and for publishing research and for communicating They will be an excellent communicator and ambassador for its a broad audience.

You are expected theresults Galleryto and for its varied audiences.

They will havetoa have track record of creating new partnerships and undertaken postgraduate research in maintaining Art History existing in your ones; of working collaboratively internal and external specialist area and to have an with excellent working colleagues; and of delivering innovative and successful projects knowledge of Dutch.

Curatorial experience and scholarly connecting historic art to contemporary cultural life. publications are highly desirable.

They will be excited by the prospects offered by curating

Closing date: art 31st March contemporary and culture2006. within the unique context of the National Gallery and outstanding collection.

For an application pack,itsplease visit our website at www.nationalgallery.org.uk/jobs or Further details can be found at: e-mail recruitment@ng-london.org.uk www.nationalgallery.org.uk/jobs Alternatively, please telephone 020 7747 2504.

For informal contact Caroline Campbell, Jacob Rothschild Please quoteinquiries, the job please reference.

Head of the Curatorial Department (caroline.campbell@ng-london.org.uk;

All a disability who meet the essential short-listing +44applicants (0)20 7747with 2855). criteria will be guaranteed an interview.

31 BURY STREET, ST.JAMES’S LONDON SW1Y 6AU

The closing date for receipt of applications is 19 May 2017.

Interviews will be held in June 2017.

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The National Gallery is an Equal Opportunities employer.

CURATOR OF FRENCH PAINTINGS In order to strengthen its curatorial team, the Wallace Collection is looking to recruit a Curator of French Paintings, who will be responsible for the care of the Wallace Collection’s eighteenthand nineteenth- century French paintings, including watercolours and miniatures.

This is an exciting time to join the Curatorial team at the museum.

French painting is a core area of our medium and long-term planning and will be central to our activities, which will involve an increasing number of exhibitions in soon-to-be-refurbished exhibition galleries and rotating displays in the permanent collection. We continue to engage with and diversify our audience and currently attract over 415,000 visitors a year to the museum, while continuing to implement major refurbishment plans.

For further details, applicants are advised to consult the job opportunity section on the Wallace Collection website or contact the HR department at the Wallace Collection on 0207 563 9565.

Salary range: £27-32,000 p.a.

Application deadline: 9am Tuesday 30 May 2017.

Interviews will be held on Wednesday 21 June.

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THE GETTY Eyewitness Views Making History in Eighteenth-Century Europe Peter Björn Kerber Canaletto, Bellotto, Carlevarijs, Panini, Guardi—these renowned view painters are perhaps most famous for their expansive canvases depicting the ruins of Rome or the canals of Venice. But these artists also put their paintbrushes to work to capture contemporary events for their most eminent patrons. In this luxuriously illustrated work, Peter Björn Kerber reveals the politics and practices that influenced this often overlooked genre of European art.

THE J. PAUL GETTY MUSEUM Hardcover £30.00

Refashioning and Redress Conserving and Displaying Dress Edited by Mary M. Brooks and Dinah D. Eastop This volume explores the conservation and presentation of dress in museums and beyond as a complex, collaborative process. Case studies include fashion as spectacle in the museum and dress as political and personal memorialization, as well as dress from living indigenous cultures, dress in fragments, and dress online.

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Thomas Annan Photographer of Glasgow Amanda Maddox and Sara Stevenson In the mid-nineteenth century, Thomas Annan was one of the most famous photographers in his native Scotland, and his diverse works spanned from portraits to landscapes. This elegantly conceived book offers an unforgettable look at Annan’s life and art through the prism of these works.

THE J. PAUL GETTY MUSEUM Hardcover £32.50

Adolph Menzel The Quest for Reality Werner Busch The work of Adolph Menzel is widely regarded as the epitome of realist art, and during his lifetime he was one of nineteenth-century Germany’s most famous artists. Today he is hailed as a consummate master of atmospheric art, but book-length investigations of his work remain rare.

Werner Busch here offers an important corrective to this art historical oversight.

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Real Birds in Imagined Gardens Mughal Painting between Persia and Europe Kavita Singh Accounts of paintings produced during the Mughal dynasty tend to trace a linear, evolutionary path and assert that, as European Renaissance prints reached and influenced Mughal artists, these painters abandoned a Persianate style in favor of a European one. In this incisive and vivid book, Kavita Singh counters these accounts by demonstrating that Mughal painting did not follow a single arc of stylistic evolution, but instead adopted and rejected both Persian and European styles in repeated cycles.

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The Lure of Italy Artists’ Views Julian Brooks From the sixteenth to the nineteenth century and beyond, European artists visited Italy as part of their education, and the country’s ineffable allure inspired a wide array of unforgettable works. In this lively book, Julian Brooks offers a grand tour of his own through the drawings and watercolors of Turner, Canaletto, Lusieri, and many others who captured Italy through their art.

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ENRIQUETA HARRIS FRANKFORT CURATORIAL ASSISTANT 2 Year Fixed-Term Contract, full-time The Wallace Collection is delighted to announce the creation of a new two-year position combining museum experience and Spanish art-historical studies in memory of Enriqueta Frankfort Harris. Before her death in 2006, Dr Frankfort Harris was a leading authority on Spanish painting in the UK, particularly the works of Velázquez and Goya. The Wallace Collection is proud to be collaborating with the Centro de Estudios Europa Hispánica (CEEH) in the appointment of this role, and is extremely grateful for their on-going support.

This post is intended to strengthen the curatorial team and specifically its research activities in the field of Spanish painting, but also to provide a professional start in the career of someone intending to make a career in curatorship. It is envisaged as a training opportunity for someone with little experience of museum work but with a formal academic training, and is designed to encourage an early-stage researcher to engage with museum objects and produce new research.

For further details, applicants are advised to consult the job opportunity section on the Wallace Collection website or contact the HR department at the Wallace Collection on 0207 563 9565.

Salary will be circa £19,552 p.a., depending on experience.

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SIR DENIS MAHON ESSAY PRIZE 2017 This prize comprises an award of £1,000 for an essay of distinction which reflects Sir Denis Mahon’s studies, research and interests. The prize is open to undergraduates or post graduate students aged 30 years or below.

Application deadline: 9am Tuesday 30 May 2017.

Interviews will be held on Friday 30 June.

Closing date: Friday 8th September 2017. The winning student will be invited to present his or her essay as a lecture on 8th November 2017 at the National Museum Warsaw.

For full details, email Suzanne Marriott at suzanne.marriott@crsblaw.com

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6th Edition Patinoire Royale Brussels 8-11 June 2017 From 11 a.m. to 8 p.m.

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Getting there Louise metro station (lines 2 and 6) Get off at Faider (92 and 97) Get off at Defacqz (93 and 94) Interparking StĂŠphanie-Louise Avenue Louise 83 A, Brussels

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Vermeer and the Masters of Genre Painting

Enlightened Princesses Turner’s Modern Caroline, Augusta, Charlotte, and Ancient Ports

Inspiration and Rivalry Adriaan E. Waiboer, with Arthur K. Wheelock Jr. & Blaise Ducos This thought-provoking book provides insight into how Johannes Vermeer and his contemporaries admired, inspired and rivalled one another.

Accompanies an exhibition at the National Gallery of Ireland.

and the Shaping of the Modern World Edited by Joanna Marschner with David Bindman & Lisa L. Ford This gorgeous volume explores the cultural, social and intellectual circles in which three 18th-century German princesses moved in their London lives.

Accompanies an exhibition at Kensington Palace.

Published in association with the National Gallery of Ireland

Published in association with the Yale Center for British Art and Historic Royal Palaces

180 colour illus. HB £40.00

528 colour + 52 b/w illus. HB £50.00

Gardens of Court and Country

Passages through Time Susan Grace Galassi, Ian Warrell & Joanna Sheers Seidenstein, with Gillian Forrester, Rebecca Hellen & Eloise Owens Focusing on two monumental paintings of ports, this volume provides a fresh and insightful discussion of Turner’s stylistic development in the 1820s and 1830s, contextualising his work in light of larger societal changes.

Published in association with The Frick Collection

Monet The Early Years George T. M. Shackelford, with essays by Anthea Callen, Mary Dailey Desmarais, Richard Shiff & Richard Thomson The first comprehensive examination of the painter’s formative years, this gorgeous catalogue traces the evolution of his style and the development of personal ambitions that drove his artistic career.

Distributed for the Kimbell Art Museum 180 colour + 10 b/w illus. HB £30.00

120 colour illus. HB £30.00

Raphael’s Tapestries

Another World

Alfred Sisley

Published in association with the Paul Mellon Centre for Studies in British Art

The Grotesques of Leo X Lorraine Karafel Painstaking reconstruction and new analysis reveal the lost Grotesques of Leo X, tapestries designed by Raphael, as complex, inventive and sumptuous works that rivalled Renaissance painting. With this new study, the Grotesques take their rightful place as Renaissance masterworks.

Nineteenth-Century Illustrated Print Culture Patricia Mainardi A leading scholar explores the innovations, discoveries and new visual languages that shaped the 19th century’s burgeoning print culture and helped define the comics, caricatures and graphic novels of today.

Impressionist Master MaryAnne Stevens, with essays by Richard Shone & Kathy Adler Exploring his relationship to his fellow Impressionists, as well as to his influences, this volume celebrates Sisley’s unique virtuosity as an observer of the natural world.

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English Design 1630–1730 David Jacques With 300 illustrations that bring lost and forgotten gardens to life, this handsome volume provides the first comprehensive overview of the development of the 17thcentury English formal garden.

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Sir Lawrence Alma-Tadema, designer; Johnstone, Norman & Co., London, manufacturers, Long Settee (detail), 1884–85. Mugrabi Collection. Image © J. Beylard and V. Luc – Agence Phar, Paris

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ORCHESTRATING ELEGANCE: ALMA-TADEMA AND DESIGN JUNE 4–SEPTEMBER 4 Discover the little-known story of Sir Lawrence Alma-Tadema’s design for Henry Marquand’s Gilded Age music room through a dazzling display of its original furniture, paintings, and related works.

ALSO ON VIEW THIS SUMMER: As in Nature: Helen Frankenthaler Paintings No Rules: Helen Frankenthaler Woodcuts clarkart.edu Williamstown, Massachusetts Generous contributors to Orchestrating Elegance: Alma-Tadema and Design include the Gerry Charitable Trust, Sylvia and Leonard Marx, and the National Endowment for the Arts. This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

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For lovers of art and art history

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Caravaggio’s knighthood | Titian’s ‘Danaë’ revisited | Horace Vernet’s ‘Orient’, Part II Renoir, Matisse and the use of black | The Art of Conservation: Restorers at the Spanish Court NO.

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TOMASSO BROTHERS F I N E A RT

Jean-Antoine Houdon (1741–1828) Portrait bust of Christine Boyer, (1771–1800) White marble 67.5 cm (26 ½ in.) high Recently sold to an important private collector