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O CT O B E R
2017 T H E B URLINGTON MAG A ZINE
MUGHAL PAINTINGS FROM EIGHTEENTH-CENTURY INDIA NO .
1375
Poussin and the King’s mathematician | Rococo in Beijing | Damien Hirst in Venice Unpublished letters from Sargent | Twentieth-century painting conservation in Italy
VO L . C L I X
The Hornstein donation of old masters to The Montreal Museum of Fine Arts
OCTOBER
2017
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Robilant+Voena LONDON | MILAN | ST. MORITZ ITALIAN POST-WAR SCULPTURE: BETWEEN ABSTRACTION AND FIGURATION
Robilant+Voena Giuseppe Vermiglio, David with the Head Goliath, oli on 101 cm 2 OCTOBER - 17of NOVEMBER, 38canvas, DOVER130 ST, xLONODON
Lucio Fontana, Crocifisso (Crucifix), 1949, coloured ceramic, 81.5 x 37.5 x 32 cm
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oct17TEFAFfalladvert.qxp_Ratton & Ladriere Sept 04 18/09/2017 10:04 Page 1
TEFAF IS COMING
FINE & DECOR ATIV E ART F R O M A N T I Q U I T Y T O 1 9 20
OCTOBER 28 – NOV EMBER 1, 2017 PARK AV ENUE ARMORY
THE SOCIE T Y OF M E MOR I A L S L OA N K E T T ER I N G E VEN I N G F R I DAY O C TO B ER 27, 2017 6–9P M
FO R G EN N ER A L ADMIS SIO ON T I C K E T S: +1 212 370 2501 www.tefaf.c o m
FOR B EN EF IT T ICK E T S: +1 212 6 39 7972 w w w.giving.mskcc.org /tefaf
28 October – 1 November 2017 Booth 92
TAPESTRY DEPICTING THE BALL GAME FROM THE STORY OF GOMBAUT AND MACÉE Wool and silk, 4-5 warp threads / cm, Flemish, Bruges, c. 1600 –1635, H. 271 x W. 255 cm
16 Carlisle Mansions, Carlisle Place, London SW1P 1HX Telephone: +44 (020) 7592 0276; +44 (0) 779 630 3081 info@mullanyfineart.com www.mullanyfineart.com
Mullany_burlington_oct17.v3.indd 1
18/09/2017 10:14
oct17tomassoDPS.qxp_Agnews 18/09/2017 10:19 Page 1
TOMASSO BROTHERS F I N E A RT
Nicolas Mignard (1606 – 1668) Portrait of Scipion du Roure, aged 30 (1628 – 1696). 1658 Oil on canvas 67 cm (26 ¼ in.) high 53 cm (20 ¾ in.) wide SIGNED AND DATED:
“N. MIGNARD PINXIT / AVENIONE 1658” on the back of the original canvas PROVENANCE:
Scipion du Roure (1628 – 1696) thence by descent through the du Roure family, France, until 2017
Exhibiting at
28 October to 1 November 2017 We will be exhibiting a selection of Grand Tour bronzes at TEFAF New York, Fall
info@tomassobrothers.co.uk
www.tomassobrothers.co.uk
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oct17tefafNYroundup.qxp_Master Drawings Roundup 18/09/2017 10:23 Page 1
28 OCTOBER TO 1 NOVEMBER 2017
PARK AVENUE ARMORY
FOR MORE DETAILS: WWW.TEFAF.COM
TEFAF NEW YORK FALL is one of three international museum-quality fairs organised by the European Fine Art Foundation. There is great optimism among both exhibitors and the visiting public given the resounding success of the event’s launch in 2016. The works for sale will range from prehistory and antiquity up to the early twentieth century (TEFAF New York Spring will cater for modern and contemporary art and the long-established TEFAF Maastricht encompasses all periods). A team of experts will carefully vet all items for sale checking quality and authenticity so buyers can be confident of making bona fide purchases across a broad range of art. Ninety-three leading international specialists will offer paintings, works on paper, sculpture, ceramics and glass, furniture, silver, textiles, tapestries, antiquities, jewellery, sculpture, manuscripts, arms and armour, and Asian art.
Relief of a Persian guard from Persepolis. Achaemenid, c.518–330 BC. Limestone, 21 by 20.5 cm. RUPERT WACE ANCIENT ART, LONDON
There will be a loan exhibition at the fair courtesy of the Los Angeles County Museum of Art (LACMA), which will provide a dynamic contrast to the art on view by presenting contemporary art. Titled Painting on Paper: Vera Lutter’s Old Master Photographs, the exhibition will showcase large-scale images taken by the museum’s current artist in residence. TEFAF Week will offer a programme of events, including a series of discussions with museum luminaries and curators including Xavier F. Salomon from the Frick Collection, New York and Esther Bell from the Clark Art Institute, Williamstown. For more information please visit: www.tefaf.com
St Peter and St Paul (a pair of paintings), by Ambrogio da Fossano, called Bergognone (c.1453–1523). Panel, 118 by 45.5 cm each. CARLO ORSI TRINITY FINE ART, MILAN - LONDON
View of the Bay of Naples with Vesuvius from Posillipo, by Pietro Fabris (active: 1756– 1792). Canvas, 103 by 154 cm. TOMASSO BROTHERS FINE ART, LONDON AND LEEDS
Dignitaries. China, Tang dynasty (618–907). Terracotta, height: 59 cm. VANDERVEN ORIENTAL ART, S-HERTOGENDOSCH, NETHERLANDS
‘Maximillian’ breastplate. Italian, c.1520. Steel, 40 by 40 cm. PETER FINER, LONDON
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oct17page8.qxp_Internet and Contacts 18/09/2017 10:50 Page 1
VIII
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oct17runjeetsingh.qxp_Ratton & Ladriere Sept 04 18/09/2017 10:37 Page 1
PROVENANCE 3rd Baron Lord Mark William Ogilvie Birdwood
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28 OCTOBER TO 1 NOVEMBER 2017
PARK AVENUE ARMORY
A holy water stoup, showing the Adoration of the Magi, after Jacopo Bassano. Roman, 17th century. Ormolu with pietre dure and oil-painted lapis, 47 by 51 cm. BURZIO, LONDON
Still life, by Giorgio Morandi (1890–1964). 1961. Canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON
Relief with Adoration of the Magi. Nottingham, c.15th century. Alabaster, 39 by 24.8 cm. MULLANY, HAUTE EPOQUE FINE ART, LONDON
FOR MORE DETAILS: WWW.TEFAF.COM
A lovelorn lady. Rajasthan, Jodhpur. c.1750–70. Gauache and gold on paper, 25.4 by 16.6 cm. GALERIE KEVORKIAN, PARIS
Large dish with a bustlength portrait of a young man. Deruta, c.1470–80. Tin-glazed earthenware. Diameter: 36 cm. SAM FOGG, LONDON
Portrait of Virginia Malchi, by Lavinia Fontana (1552–1614). Canvas, 118 by 95 cm. ROB SMEETS OLD MASTER PAINTINGS, GENEVA
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oct17page12.qxp_Internet and Contacts 19/09/2017 10:48 Page 1
Director of Collections L O C AT I O N :
Victoria and Albert Museum, Cromwell Road South Kensington, SW7 2RL S A L A RY :
ÂŁ100,000 per annum (circa)
Salary: £55,000 - £65,000 per annum Location: London EC2 The Goldsmiths’ Company, one of the major Livery Companies of the City of London, is seeking to appoint a Curator to lead and manage its Collections Department. The Company has one of the finest collections of silver made in Britain, with examples from 1350 to the present day, and including antique, domestic and contemporary silver, jewellery and art medals. Responsible for the curatorship, conservation, deployment of, and acquisitions to the Company’s Collection, the new Curator will join the Company at an exciting time. High on the agenda will be preparations for the 700th Anniversary in 2027 of the company’s first royal charter, with the need to develop a strategy for the decade running up to 2027 and beyond. In addition, there are new opportunities arising from:
BENEFITS:
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We are seeking to appoint a Director of Collections, who will play a significant role in the deliver y of the V&A strategy to ensure our collections and knowledge are at the ver y centre of our work.You will be leading all aspects of curatorial and research activities across the Museum, developing a clear vision for the division from day-to-day operations and decision-making, to helping to define and build on the key areas of strength and exper tise that can contribute to extending access to the widest possible audience.
‡ ZRUNLQJ RQ SXEOLFDWLRQV UHOHYDQW WR WKH &ROOHFWLRQ WR EH SURGXFHG ZLWKLQ the 700th anniversary framework.
Group Personal Pension, Life Assurance Scheme, and other great benefits
Over the next 5 years we are planning a major expansion of our physical and digital, using the lens of design to make our collections increasingly accessible and relevant. We have significant plans to expand and deliver our education vision, building on our existing successful programmes to become a force in design education. We plan to extend the geographical reach of the V&A and play a leadership and opinion-forming role in the fields of formal education and museum and galler y interpretation.
To be a success in this role you will be an inspirational leader with a clear vision and strong management skills that enhance and develop a high performing team. Intellectually curious, you will have extensive experience at a senior level within a museum or related institution with a strong track record of scholarly achievement. Closing date for applications is midnight on: 08 October 2017
Interviews to be held on the week commencing: 16 October 2017
We welcome candidates to submit any supporting documents alongside their online application.To upload any supporting documents, please wait for notification on the recruitment website after you have submitted your application
If you have any technical difficulties uploading supporting information, please email these directly to contacthr@vam.ac.uk clearly stating your name and the job title in the subject line. To apply and for a full job description, please visit the V&A recruitment webpage and apply online: www.vam.ac.uk/info/jobs XII
Curator – The Goldsmiths’ Company Collection
october 2017
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the burlington magazine
‡ WKH &RPSDQ\¡V GHFLVLRQ WR EHFRPH D )RXQGLQJ 3DUWQHU RI WKH QHZ 0XVHXP of London, establishing a Goldsmiths’ Gallery;
Candidates for this role should have scholarly credentials with a good publishing record and a demonstrable interest in research, ideally with a good knowledge of antique silver. They should have expertise in at least one main field of the Collection and a good eye for developing the Collection as a whole, with a keen interest in the contemporary art/trade. Candidates will also need to offer the experience and credentials to operate effectively at a senior level, to represent the Company and the Collection with distinction in the UK and internationally, and to collaborate internally with professional colleagues and externally with scholars, craft producers and curators to help the Goldsmiths’ Company contribute to this aspect of national life. To learn more and to receive an application pack, please be in touch with Liz Amos or Joanna Kill of Liz Amos Associates on +44 (0)20 7464 4351 or at liz.amos@lizamosassociates.com or joanna.kill@lizamosassociates.com CLOSING DATE FOR APPLICATIONS: Monday, 9th October 2017 (close of business)
NEW CSA FELLOWSHIP AT THE CLARK ART INSTITUTE Continuing with its efforts to promote advanced study and public awareness in the United States of Spanish art and visual culture, the Center for Spain in America (CSA) is pleased to announce the creation of a fellowship at the Clark Art Institute in Williamstown, Massachusetts. Sponsored by the CSA, this fellowship is intended to support the study of all aspects of Spanish art from the early medieval period to the beginning of the twentieth century, as well as the worldwide impact of Spanish art and artists. Application deadline: 15 October 2017 Please visit: www.ceeh.es/en/activity/new-csa-fellowship-at-the-clarkart-institute/
oct17burzio.qxp_Ratton & Ladriere Sept 04 18/09/2017 11:15 Page 1
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Luca Signorelli, The Circumcision (detail), The National Gallery, London.
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Dealers and Agents in Master Paintings and Drawings FRIEZE MASTERS, LONDON: STAND F2 TEFAF, NEW YORK: STAND 65
BERNARDO STROZZI (Genoa 1581 – 1644 Venice). Jesus Christ depicted as ‘Salvator Mundi’. Oil on canvas: 60 x 43 cm 7/8 Mason’s Yard, Duke Street, St James’s, London SW1Y 6BU. T : +44 (0)20-7930 5347 F : +44 (0)20-7839 8151 E : info@jlbaroni.com W : www.jlbaroni.com
oct17FriezeMastersRound-up.qxp_Master Drawings Roundup 18/09/2017 11:24 Page 1
A selection of highlight are shown here
Untitled, by Mario Schifano (1934–98). (1966). Enamel and pencil on paper, 100 by 70 cm. ROBILANT + VOENA, LONDON
Egyptian sculptor’s model of Ptolemy III. 3rd to 1st century BC. Limestone, 15 cm. KALLOS GALLERY, LONDON
Red snail, by Alexander Calder (1898–1976). 1959. Painted metal and wire, 21 by 18 by 12.5 cm. GALERIE THOMAS, MUNICH
Blumen in Gläsern, by Paul Klee (1879–1940). 1925. Oil on paper on board, 52.5 by 41.5 cm. DICKINSON, LONDON
Study for La leçon d’agriculture, by FrançoisAndré Vincent (1746–1816). Canvas, 66 by 55 cm. DIDIER AARON, INC., NEW YORK, PARIS, LONDON
Triptych of the Virgin and Child with angels, by Master of 1499. c.1490–1500. Oil on panel, 117.5 by 170 cm. SAM FOGG, LONDON
oct17vonbaeyer.qxp_Agnews 18/09/2017 11:27 Page 1
Recent Publications
Dominique Vivant DENON [ 1747 — 1825 ]
and his Circle
E
EMANUEL VON BAE YER LONDON
To order by email: art@evbaeyer.com
EMANUEL VON BAEYER LONDON
130-132 Hamilton Terrace London NW8 9UU +44 20 7372 1668
www.evbaeyer.com
United Kingdom
oct17FriezeMastersRound-up.qxp_Master Drawings Roundup 18/09/2017 11:25 Page 2
A selection of highlight are shown here
Composite ram. Kota, Rajasthan. c.1750. Opaque watercolour on paper, 22 by 19.5 cm. PRAHLAD BUBBAR GALLERY, LONDON
Study for Clepsydra, by Bridget Riley. 1976. Pencil and gouache on paper, 62.5 by 95 cm. HAZLITT-HOLLAND HIBBERT GALLERY, LONDON
Jacob’s ladder, by Rembrandt van Rijn (1606–69). 1655. Etching, 11.3 by 7.3 cm. EMANUEL VON BAEYER, LONDON
View of Collioure, by André Lhote (1885–1962). 1913. Watercolour, pencil, grey ink and wash, 32.5 by 50 cm. STEPHEN ONGPIN FINE ART, LONDON
A group of five Anatolian bulls. 3rd millennium BC. Terracotta, 10.8 by 17.5 cm. RUPERT WACE ANCIENT ART, LONDON
The Adoration of the Shepherds. Attributed to Nicola Francioli. 1520–30. Maiolica, diameter 42 cm. RACCANELLO LEPRINCE, LONDON
oct17leprince/bazaart.qxp_Ratton & Ladriere Sept 04 18/09/2017 11:30 Page 1
JUSTIN RACC CANELLO
CAMILLE LE EPRINCE
Renaissance sance Italian Itaalian Maiolica Maiolica EXHIBITING AT FRIEZE MASTERS, LONDON, 5-8 OC CTOBER, 2017
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oct17page22.qxp_Internet and Contacts 18/09/2017 11:39 Page 1
T HE B RITISH M USEUM The Michael Bromberg Fellowship The Michael Bromberg Fellowship has run in the Department of Prints and Drawings at the British Museum since 2001. The Museum intends to make two appointments each to be held for a period of three months at some point during 2018. The
HIROSHIGE
object of the endowed fellowship is to promote education by the study of prints and their history. The fellows will be given practical training in the Department and undertake projects in collaboration with British Museum staff. The value of each fellowship will be £3,500. The closing date for applications is 21 December 2017. Further particulars are available at www.britishmuseum.org, or by writing to the Department at Great Russell Street, London WC1B 3DG. Telephone: 020 7323 8405 E-mail: prints@thebritishmuseum.ac.uk
Sparrows and camellias in a snowstorm , Hiroshige © The Mann Collection
(please title emails ‘Bromberg 2018’)
Matthi Forrer Large format hardback presented in a box with Japanese-style binding £99 | 288 pages with 300 illus. Available to order or from all good bookshops
www.prestel.com
XXII
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oct17bottegantica.qxp_Ratton & Ladriere Sept 04 18/09/2017 11:40 Page 1
BOTTEGANTICA PARTICIPATES AT FLORENCE BIENNALE 2017 STAND 37
Federico Zandomeneghi Place Pigalle, circa 1907 Oil on canvas, 92 x 73 cm
BOTTEGANTICA
Via A. Manzoni 45 / Milan / Italy Info +39 02 65550713 info@bottegantica.com www.bottegantica.com
oct17IFPDAAdvert.qxp_Ratton & Ladriere Sept 04 19/09/2017 10:56 Page 1
oct17neuse.qxp_Ratton & Ladriere Sept 04 18/09/2017 11:42 Page 1
P rove n an ce : 1 7 3 5 Roya l Po rc e l a i n Co l l e c ti o n o f Au g u s tu s th e S tro n g Co l l e c ti o n o f J o h n A l exa n d e r th 4 M a rq u e s s o f B ath ( 1 8 3 1 - 1 8 96) Lo n g l e at Ca s tl e ( Wi l t s h i re )
King Condor ( Lat . : S a rco r h a mp h u s p a p a ) fo r t h e J a p a n e s e Pa l a ce i n D re s d e n J o h a n n J o a c h i m Kae n d l e r (1 70 6 - 1 7 7 5 ) M e i s s e n /S axo ny c a. 1 7 3 1 H e i g ht: 7 7. 5 c m Ga l er i e N eus e Kuns tha nd el G mbH , A chim N e us e Volke r Wurs t e r Co nt re s c a r p e 1 4 , D - 2 8 2 0 3 B re m e n / G e r m a ny, Fo n + 4 9 4 21 32 56 42, w w w. galerieneuse . com
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IFPDA PRINT FAIR
The River Pavilion, Javits Center, 11th Avenue and West 35th Street, New York, NY 10001
26–29 October 2017
For information please visit www.printfair.com THIS YEAR THE TWENTY- SIXTH IFPDA Print Fair will relocate to the waterside setting of the River Pavilion at Javits Center. The new, larger venue is in close proximity to the emerging art hub of Hudson Yards, adjacent to the gallery districts of West Chelsea and Hell’s Kitchen. Eighty-one print dealers, mainly from the United States, will converge on the site. Twenty-seven international exhibitors will contribute to the diverse selection of works for sale, which will range from old master etchings and wood engravings to contemporary published editions.
The sick child. 1, by Edvard Munch (1863–1944). 1896. Lithograph, sheet: 53.7 by 69.2 cm. FREDERICK MULDER LTD, LONDON
An added attraction for devotees of prints will be New York Print Week, comprising a programme of exhibitions, gallery talks, demonstrations and openings during the fair. The Art Students League of New York will present Printmaking Open Studios and also host a demonstration; ‘Image Reversal for Stone Lithography’. Ten years of students’ printmaking will be exhibited at Syracuse University and etching, film and charcoal drawing will be brought together for Proof: Francisco Goya, Sergei Eisenstein, Robert Longo at the Brooklyn Museum. For collectors seeking advice on acquiring older art, an illuminating talk; ‘Diving into Dürer; Collecting Old Master Prints Today’ will be staged at the fair venue.
Curated gallery exhibitions throughout the city will demonstrate the breadth of specialisms and expertise of IFPDA members. Carolina Nitsch will present Louise Bourgeois: The Fabric Editions while C.G. Boerner will serve up The Hour of the Little Cocktail: Drink in Print, Now and Then.
For more information on the fair and New York Print Week please visit: www.printfair.com
Blue stop and green curve yellow stop, by Anthony Frost (b.1951). 2016. Screenprints with woodblock monoprints, 22 by 14 by 4 cm. ADVANCED GRAPHICS, LONDON
Cottage and farm buildings with a man sketching, by Rembrandt van Rijn (1606–69). 1641. Etching, sheet: 15.3 by 21.7 cm. GALERIA STANZA DEL BORGO, MILAN
St John the Baptist, by Benjamin West (1738–1820). 1801. Chalk lithograph, sheet: 33 by 22 cm. EMANUEL VON BAEYER, LONDON
Thomas, by Alison Lambert (b.1957). 2017. Monotype, 49.5 by 40 cm. PRATT CONTEMPORARY, STUDIO, SEVENOAKS
oct17IFPDASixteenths.qxp_Internet and Contacts 19/09/2017 09:22 Page 1
IFPDA International Fine Print Dealers Association The World's Leading Print Specialists | To find out more visit www.ifpda.org PrintFair.com
OC TOBER 26–29 JAVITS CENTER, NYC
Dealers in Modern and Contemporary Art, specialising in prints from The Grosvenor School of Art 23 DERING STREET · LONDON · W1S 1AW TEL: +44 (0)20 7493 7939 · FAX +44 (0)20 7493 7798 www.osbornesamuel.com info@osbornesamuel.com
William Kentridge, Sleeper I, 1997 Signed lower right. Etching with aquatint, 97 x 193 cm.
Alice Adam, Ltd.
Paragon
GERMAN EXPRESSIONISTS www.aliceadamltd.com aa@aliceadamltd.com +1 312-787-7295
t +44 (0)20 7370 1200 www.paragonpress.co.uk info@paragonpress.co.uk
Felix BUHOT, The Owl (fragment)
Emil Nolde: “Mann und Weibchen”, Woodcut 1912
www.galeriepaulproute.fr
PRATT CONTEMPORARY | PRATT EDITIONS Contemporary Printers and Publishers
pca@prattcontemporaryart.co.uk www.prattcontemporaryart.co.uk Telephone + 44 (0)1732 882326 Hugo Wilson, Goodbye to Monkeys, 2017. Etching and aquatint.
The Redfern Gallery
Specialists in Grosvenor School Prints, Modern British, international and Contemporary Art since 1923 20 Cork Street London W1S 3HL 020 7734 1732
Stanley William Hayter
(1901–1988),
www.redfern-gallery.com art@redfern-gallery.com
Paysage Lunaire, 1955, 36.6 x 28.7 cm
HILL-STONE – INCORPORATED – 441 ELM STREET, SOUTH DARTMOUTH, MA 02748 Tel: + 1 774 206 1024 Mob: +1 917 415 6134 Email: oldmaster@hill-stone.com
www.hill-stone.com
EMANUEL VON BAEYER
•
LONDON
European Prints, Drawings and Paintings from the 16th to 19th century
w w w. e v b a e y e r. c o m w w w. e v b a e y e r - c a b i n e t . c o m
READ THE BURLINGTON MAGAZINE FOR THE LATEST SCHOLARLY ARTICLES AND REVIEWS ON PRINTS the burlington magazine
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oct17IFPDARound-up.qxp_Master Drawings Roundup 18/09/2017 11:46 Page 2
IFPDA PRINT FAIR
The River Pavilion, Javits Center, 11th Avenue and West 35th Street, New York, NY 10001
26–29 October 2017
For information please visit www.printfair.com
Emeraude, by Joseph Albers (1888–1976). 1965. Screenprint, 27.9 by 27.9 cm. SUSAN SHEEHAN GALLERY, NEW YORK
White horses, by Erich Heckel (1883–1970). 1912. Woodcut with watercolour, 30.5 by 38.5 cm. ALICE ADAM LTD., CHICAGO
Reclining artist, by Grayson Perry (b.1960). 2017. Woodcut, sheet: 196 by 293 cm. PARAGON/ CONTEMPORARY EDITIONS LTD, LONDON
Fall of man, by Hans Baldung, called Grien (c.1476–1545). 1519. Woodcut, 25.4 by 9.5 cm. AUGUST LAUBE BUCH- UND KUNSTANTIQUARIAT, ZÜRICH
The dream, by Albrecht Dürer (1472–1528). After 1497. Engraving, sheet: 19 by 12 cm. GALERIE PAUL PROUTÉ, PARIS
Triptych 1974–1977, by Francis Bacon (1909–92). 1981. Etching and aquatint, sheet: 62.5 by 110 cm. THE REDFERN GALLERY, LONDON
oct17dorotheum.qxp_Ratton & Ladriere Sept 04 18/09/2017 11:49 Page 1
S I N C E 17 0 7
Antonio Badile (1518–1560), € 80,000 – 120,000, Auction 17 October 2017
Auction Week 17 – 19 October
Old Master Paintings 19th Century Paintings, Works of Art www.dorotheum.com
30_oct17page30.qxp_Internet and Contacts 19/09/2017 11:15 Page 1
undertakes
CATALOGUE DESIGN AND PRODUCTION for Private Galleries, Art Fairs and Museums
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Sculptu ure Journa al Sculpture Journall provides an international fforum orrum ffor orum or writers DQG VFKRODUV LQ WKH ÀHOG RI SRVW FODVVLFDO VFXOSWXUH DQG SXEOLF commemorative monuments in the Western tradition. Sculpture Journal offfers a kkeen een critical overview and a sound historical base, and is Britain’s for foremost scholarly journal devoted to sculpture in all its aspects.. Periods covered extend to public and private commissions for present-daay sculptors. While being academic and traditional,, the journal encourages contributions of fresh research from new names in WKH ÀHOG Editors: Peter Dent,, Catherine Moriarty and Jonathan Wood Reviews Editors: Proffessor Brendan Cassidy and Dr Alistair Rider
The Public Monuments & Sculpture Association ISSN:: Print 1366-2724 Online 1756-9923 Subscription and submission inffo o and online access at: online.liverpooluniversitypress.co.uk/loi/sj XXX
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oct17imkinsky.qxp_Ratton & Ladriere Sept 04 18/09/2017 11:56 Page 1
Old Master Paintings 19th & 20th Century Paintings Antiques
Auction days 17 & 18 October 2017 Exhibition 11–18 October 2017 Mon 10am–7pm, Tue–Fri 10am–6pm, Sat 10am–5pm, Sun 11am–5pm Catalogue order & information T +43 1 532 42 00, office@imkinsky.com Online Bidding registration online.imkinsky.com Online Catalogue www.imkinsky.com
Jacopo Vignali, Rinaldo and Armida (detail) 1634 oil on canvas, 202.5 × 163 cm € 70,000–140,000 Auktionshaus im Kinsky GmbH, Palais Kinsky, 1010 Wien, Freyung 4
oct17finerDPS.qxp_Ratton & Ladriere Sept 04 18/09/2017 11:58 Page 1
An Italian ‘Maximillian’ Breastplate, Etched in the Manner of the ‘Danube School’, c. 1520
Italy. Steel. Height: 40 cm / 15.7 in Width: 40 cm / 15.7 in PROVENANCE:
Private collection, Austria Sold at Sotheby’s & Co, 26 May 1933, Lot 80, page 17
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t is conceivable that this breastplate formed part of the gift of armour from the Austrian Imperial Armoury made in about 1800 by the Emperor to Count Breuner of Vienna which is believed to have formed the nucleus of the Grafenegg collection. Formed of a strongly rounded main plate with bold angular outward turn at its straight neck-opening, movable gussets with matching turns at its arm-openings, waist-lame and skirt of four upward-overlapping lames, the lowest embossed outwards over the crotch, decorated over the greater part of the main plate and at either side of the skirt with bold flutes of V-section, alternately etched with bands of scrolling foliage and strap-work on a stippled and blackened ground, and bands of linear and hatched scrolling foliage and flower-heads, repeated on the gussets, the remaining areas etched with scrolling foliage and strap-work variously terminating in stylised flower-heads, monsters’ heads, wings and legs, and involving beneath the centre of the neck-opening a representation of the Virgin and Child attended by angels.
oct17finerDPS2.qxp_Ratton & Ladriere Sept 04 18/09/2017 11:59 Page 1
38/39 Duke Street, St James’s, London SW1Y 6DF T: +44 (0) 20 7839 5666 | E: gallery@peterfiner.com | www.peterfiner.com
We shall be exhibiting at: The San Francisco Fall Art & Antiques Show October 26 – 29, 2017 Festival Pavilion, Fort Mason Center TEFAF New York Fall October 28 – November 01, 2017 Park Avenue Armoury
oct17readinguniversity.qxp_Ratton & Ladriere Sept 04 18/09/2017 12:02 Page 1
‘ The Critic as Artist’ curated by Micha ael Bracewell and A Andrew Hunt
w by Pansies A History is written ‘Art about Sunflowerss and Water Lilies’ Ernest Hemingway y, Cahiers d’Art A , 1934
Miiles Aldridge Step phen Buckley Marc Ca amille Chaimowicz Lu ucienne Cole Dex xter Dalwood Kay ye Donachie Donn na Huddleston Travis rav vis Jeppesen Ga areth Jones Scott King S Linder Berrtie Marshall Malccolm Mclaren Ka atrina Palmer Alesssandro Raho Sim meon Solomon Ca ally Spooner
Abel Au uer ‘ How a Black Vo o oid Replacces the White Cub be and a Painting Moves oves from m the Fine to the t Peerforming Artss’
Read ding Museum 7 October 2017 – 27 Januar J y 2018
The Rising Sun Arts Centre entre 7 October – 11 November 2017
Rochelle Goldberg rg, Ve eit Laurent Kurrz, Stefan Tccherepn nin and friends ‘Ante Phylloxera a’ Reading International www.readinginternational.org
Miles Aldridge, e, Like a Painting #1, chromogenic print, 15 20 inches (38.1 50.66 cm), 2005. Edition of 10 2 AP’s HC (Hors Commerce)
South Street Arts Centre / Jelly y 7 October – 11 November 2017
oct17venduehuis.qxp_Ratton & Ladriere Sept 04 18/09/2017 14:17 Page 1
AUTUMN N AUCTION N 2017 FINE ART AND ANT TIQUES Auction
Viewing
Onlline Catalogue
15, 16, 17 November 2017
9, 10, 11, 12, 13 November 2017
C logue available in print Catal
www w.venduehuis.com
Otto Eerelman (1839-1926) Five Saint Bernard Puppies Signed lower left and dated 1902 Oil on canvas, 128 x 89 cm € 50,000 - 70,000
Ve enduehuis der Notarissen l Nobelstraat 5, 2513 BC The Hague l The Netherlandss l Phone +31 (0)70 365 88 57 inffo@venduehuis.com l www.venduehuis.com
oct17page36.qxp_Internet and Contacts 19/09/2017 11:30 Page 1
38/39 Duke Street, St James’s, London SW1Y 6DF T: +44 (0) 20 7839 5666 E: gallery@peterfiner.com www.peterfiner.com
We shall be exhibiting at: The San Francisco Fall Art & Antiques Show Oct 26 – 29, 2017 T O A D V E RT I S E O R
TEFAF New York Fall Oct 28 – Nov 01, 2017
XXXVI
october 2017
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A German Tournament Shield for Use in the Huszarische Turnier, mid 16th century
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38_oct17page38.qxp_Internet and Contacts 19/09/2017 11:45 Page 1
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DIDIER AARON, Inc. Fine Old Master Paintings and Drawings
3 2 e a s t 6 7 t h s t r e e t n e w y o r k , n y 1 0 0 2615 t e l 2 1 2 9 8 8 - 5 2 4 8 fa x 2 1 2 7 3 7 - 3 5 1 3 www.didieraaron.com info@didieraaron.com
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oct17subscriptions.qxp_Ratton & Ladriere Sept 04 19/09/2017 11:57 Page 1
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36_oct17hhh.qxp_Ratton & Ladriere Sept 04 18/09/2017 12:04 Page 1
Hazlitt Holland-Hibbert
Modern and Contemporary British Art Exhibiting at FRIEZE MASTERS 5–8 October 2017 Stand C15 FRANK AUERBACH LUCIAN FREUD
BARBARA HEPWORTH LEON KOSSOFF HENRY MOORE
GRAHAM SUTHERLAND
38 Bury Street, St James’s, London SW1Y 6BB +44 020 7839 7600 info@hh-h.com www.hh-h.com
CHANEL .COM
THE CHANEL MOMENT
oct17chanel.qxp_Ratton & Ladriere Sept 04 18/09/2017 09:58 Page 1
oct17smeets.qxp_Agnews 18/09/2017 09:36 Page 1
GIOVANNI BENEDETTO CASTIGLIONE CALLED IL GRECHETTO (Genoa 1609 – 1664 Mantua)
The Allegory of the Poetry (detail) Oil on canvas - 110 by 135 cm. Signed: Gio Bened
8, rue Jacques-Grosselin 1227 Geneva T +41223015519 M +41792859262 E info@robsmeets.com I www.robsmeets.com