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2018 the burlington magazine no.
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‘CHARLES I: KING AND COLLECTOR’ AT THE ROYAL ACADEMY Giovanni Bellini in his father’s workshop | A Jane Austen family portrait by Reynolds Degas in Denver | Andreas Gursky at the Hayward Gallery | Marina Vaizey on Kettle’s Yard
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april18moeller.qxp_Ratton & Ladriere Sept 04 19/03/2018 11:42 Page 1
JE AN-ÉTIENN NE LIO TARD 1 702-1 7 8 9
Por trait de Philiber t Cramerr, c . 1 7 5 8 Pastel on o blue paper mounted on canvas, 25 × 21 3⁄16 1 in. (63.5 × 5 3.8 cm) Original frame with period glass
35 East 64th St . New York, o NY 10065 T. +1 ( 21 2) 64 4-2133 amoeller@moellerfinear t .com www.moellerfinear t .com
march18sismann.qxp_Agnews 19/02/2018 10:49 Page 1
CIRCLE OF LEONHARD KERN (1588-1622)
Andromeda Germany First half of the 17th century H. 45 cm; W. 33 cm; D. 25 cm
GALERIE SISMANN OLD MASTER SCULPTURE 7, rue de Beaune - 75007 - Paris - France - Telephone + 33 (0)1 42.97.47.71 galeriesismann@aol.com - www.galerie-sismann.com
march18LOPF.qxp_Ratton & Ladriere Sept 04 19/02/2018 11:41 Page 1
Thursday 3 to Sunday 6 May Royal Academy of Arts Piccadilly · London w1j 0bd londonoriginalprintfair.com @Londonprintfair
I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.
april18page3.qxp_Internet and Contacts 19/03/2018 10:52 Page 1
ANDREW EDMUNDS rints & Drawings
The Redfern Gallery
Specialists in Grosvenor School Prints, Modern British, international and Contemporary Art since 1923
JAMES GILRAY (-) The Plumb-pudding in danger Etching & engraving mm, with publisher’s watercolour
Lexington Street, London + ⁽⁾ prints@andrewedmunds.com
Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.
LONDON ORIGINAL PRINT FAIR, STAND 34
20 Cork Street London W1S 3HL +44 (0)20 7734 1732
www.redfern-gallery.com art@redfern-gallery.com theredferngallery
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april18LOPFroundup.qxp_Master Drawings Roundup 19/03/2018 12:15 Page 1
The London Original Print Fair
Royal Academy of Arts, Piccadilly | 3-6 May 2018 | www.londonprintfair.com is now in its thirty-third year and once more will take up residence in the bright exhibition rooms of the Royal Academy of Arts. Fifty established specialist dealers from around the world (but mainly from the United Kingdom) will offer works to suit a broad spectrum of collecting tastes. Old-master to nineteenth-century prints will be sold by a handful of dealers including Andrew Edmunds, Sarah Sauvin and Elizabeth Harvey-Lee. Collectors will find on these stands rare woodcuts, etchings and engravings by such masters as Albrecht Dürer, Rembrandt, William Hogarth and Camille Pissarro. Emanuel Von Baeyer will be unveiling an important group of Italian old-master prints from a private collection.
THE LONDON ORIGINAL PRINT FAIR
Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. GORDON COOK, LONDON
The fair’s impressively wide selection of modernist works will take visitors through highlights of most European schools from the early twentieth century to the present day, with many publishers presenting new suites and editions. Sheets by celebrated artists, including Henri Matisse, Georges Braque, Francis Bacon and David Hockney, will be on offer, alongside works by lesser known and emerging printmakers. Works from further afield will also feature, with some specialists showing contemporary Japanese and Chinese prints. The annual printmaker’s talk will be staged on the evening of 3rd May. It coincides with the eagerly anticipated ‘Young Collectors Evening’. To discover more about the fair and the programme of talks and S events please visit: www.londonprintfair.com
South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. ZULEIKA GALLERY, LONDON
Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. ELIZABETH HARVEY-LEE, OXFORDSHIRE
Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. PRATT CONTEMPORARY, SEVENOAKS
Free Fall #31, by Carol Robertson. 2018. Monoprint. FLOWERS GALLERY, LONDON AND NEW YORK
april18page5.qxp_Internet and Contacts 19/03/2018 16:38 Page 1
SARAH SAUVIN Old Master & Modern Prints
Jean-Étienne LIOTARD, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)
sarah-sauvin.com By appointment in Paris
contact@sarah-sauvin.com
+33 (0)6 24 48 33 64
Dealers in Modern and Contemporary Art, specialising in prints from The Grosvenor School of Art
Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm Titled, signed and inscribed TP 2, a trial proof before the numbered edition of 60 Despite the official edition size, this is an exceptionally rare print
23 DERING STREET · LONDON · W1S 1AW TEL: +44 (0)20 7493 7939 · FAX +44 (0)20 7493 7798 www.osbornesamuel.com info@osbornesamuel.com
Paragon
Joana Vasconcelos Ria Formosa Colour etching with blockprinting 2017
www.paragonpress.co.uk t +44 (0)20 7370 1200 info@paragonpress.co.uk
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april18LOPFroundup.qxp_Master Drawings Roundup 19/03/2018 12:15 Page 2
The London Original Print Fair
Royal Academy of Arts, Piccadilly | 3-6 May 2018 | www.londonprintfair.com
Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. ANDREW EDMUNDS, LONDON
Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. REDFERN GALLERY, LONDON
S
Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. SARAH SAUVIN, PARIS
Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm OSBORNE SAMUEL, LONDON
After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. KARSTEN SCHUBERT, LONDON
Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. PARAGON PRESS, LONDON
april18page7.qxp_Internet and Contacts 19/03/2018 11:11 Page 1
ELIZABETH HARVEY-LEE Dealer in Old Master & Modern Prints
London Original Print Fair | Stand 19 Flowers Gallery | www.flowersgallery.com | +44 (0)2079 207 777
Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)
Two new stock catalogues issued each year to subscribers The Summer catalogue, Presidential Selection, features prints by Seymour Haden (in the 200th anniversary year of his birth), first President & founder of the Royal Society of Painter-Etchers, and by the five succeeding Presidents, celebrating the first century (1880 -1980) of the R.E. & complementing the Society’s own much more extensive exhibition “Print REbels”
1 West Cottages, North Aston, Oxon. OX25 5QB Ken Currie , Head in Profile, 2017
Tel: 01869 347164 Email: info@elizabethharvey-lee.com
ZULEIKA GALLERY LONDON ORIGINAL PRINT FAIR
STAND 38
Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP
EXHIBITING AT: LONDON ORIGINAL PRINT FAIR - 3–6 MAY 3RD FLOOR, 6 MASONS YARD, ST JAMES'S, LONDON SW1Y 6BU info@zuleikagallery.com T: +44 (0)20 3903 6393 www.zuleikgallery.com
Ana Maria Pacheco, Study for Sculpture, 2018 Triptych Monotype (detail) Each sheet: 59 x 56 cm
pca@prattcontemporaryart.co.uk telephone + 44 (0)1732 882326 www.prattcontemporaryart.co.uk
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april18page8.qxp_Internet and Contacts 19/03/2018 11:19 Page 1
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T O A D V E RT I S E O R SUBSCRIBE, VISIT
Provenenance:
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w w w. m a s t e r d r a w i n g s . o r g
SIR DENIS MAHON ESSAY PRIZE 2018 This prize comprises an award of £1,000 for an essay of distinction which reflects Sir Denis Mahon’s studies, research and interests. Whilst Sir Denis focussed on the 17th century period and especially on the work of Guercino, Carracci, Caravaggio and Nicolas Poussin, his much wider range of art historical interests included the 15th and 16th centuries, and also certain key modern and contemporary artists. Sir Denis was a contemporary and a friend of Graham Sutherland, Henry Moore, Eduardo Paolozzi, Giorgio Morandi and he much admired their work. Of the contemporary artists, he particularly liked the post-war avant-garde conceptual British artists, as well as David Hockney, Grayson Perry and others. We welcome essays on any of these aspects and artists including the contemporary ones. The prize is open to undergraduates or post graduate students aged 30 years or below. Closing date: Friday 7th September 2018. The winning student will be invited to present his or her essay as a lecture on 8th November 2018 at The Royal Drawing School, Shoreditch, London. For full details, email Suzanne Marriott at suzanne.marriott@crsblaw.com
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april18yale.qxp_Ratton & Ladriere Sept 04 19/03/2018 11:45 Page 1
The Royal Academy of Arts History and Collections Edited by Robin Simon with MaryAnne Stevens This stunningly illustrated book tells the story of the Royal Academy of Arts and illuminates the history of art in Britain over the last two and a half centuries. Published in association with the Paul Mellon Centre for Studies in British Art and the Royal Academy of Arts, London
Mary Cassatt An American Impressionist in Paris Edited by Nancy Mowll Mathews and Pierre Curie Mary Cassatt was the only American artist to exhibit with the French Impressionists in Paris. Featuring more than sixty works – many from European collections little known in the United States – spanning the entirety of Cassatt’s career, this book is a celebration of a beloved American artist. Distributed for Mercatorfonds 170 colour illus. Paper over board £35.00
554 colour + b/w illus. Hardback £75.00
Polidoro da Caravaggio David Franklin Strikingly different from his more famous teacher Raphael, painter Polidoro da Caravaggio presents an uneasy vision of the Italian Renaissance through crude and brutal religious pictures. In this first account in English, Polidoro’s radical paintings are considered through the lens of the religious life of the era. Etablishes Polidoro’s proper place in the canon of art history. 156 colour + b/w illus. Hardback £50.00
The Silver Caesars A Renaissance Mystery Edited by Julia Siemon Distinguished essayists address questions long surrounding the most enigmatic masterpiece of Renaissance European metalwork, twelve monumental silver-gilt standing cups known as the Aldobrandini Tazze, while covering topics ranging from the works’ representation of the ancient world to their fate in the hands of 19th-century collectors. Published by The Metropolitan Museum of Art/Distributed by Yale University Press 212 colour illus. Paperback £40.00
SPRING bookshelf
Still Life before Still Life
Picasso and the Art of Drawing
Pretty Gentlemen
Visitors to Versailles
Macaroni Men and the Eighteenth-Century Fashion World Peter McNeil
From Louis XIV to the French Revolution Edited by Daniëlle O. KislukGrosheide and Bertrand Rondot
David Ekserdjian
Christopher Lloyd
This beautifully illustrated book demonstrates that artists were fascinated by and skilled at still-life painting considerably earlier than previously thought. It explores its origins in classical antiquity and its gradual re-emergence in Renaissance painting. Featured works include paintings from Renaissance greats such as Da Vinci and Holbein.
This sumptuously illustrated book traces and interprets Picasso’s lifelong achievement as a draughtsman. It details how drawing serves as the vital thread connecting his entire body of work and showcases how the basis of Picasso’s style as painter, sculptor and designer was manifestly achieved through drawing. Distributed for Modern Art Press
The term ‘macaroni’ was once a familiar label yielding a complex set of social, sexual and cultural associations. Here, manner of dress and biography come together with explorations of masculinity and sexuality to create a new fashionscape of 18th-century British men.
212 colour illus. Hardback £35.00
144 colour illus. Paper over board £25.00
150 colour + b/w illus. Paper over board £35.00
YaleBooks
A fascinating look at the splendor of the French court at Versailles through the eyes of its numerous visitors during the ancien régime. Published by The Metropolitan Museum of Art/Distributed by Yale University Press 334 colour illus. Hardback £50.00
@yalebooks www.yalebooks.co.uk
april18prado.qxp_Ratton & Ladriere Sept 04 19/03/2018 11:5112:45 Page 1 1 12/2/18
april18imkinsky.qxp_Ratton & Ladriere Sept 04 19/03/2018 11:53 Page 1
25 Years ×P .LQVN\ $XFWLRQ +RXVH
Old Master Paintings 19th Century Paintings Antiques Private Glass Collection from 1500 to the Renaissance and the Baroque
Auction days 24 & 25 April 2018 Exhibition 19–25 April 2018 Mon 10am–7pm, Tue–Fri 10am–6pm, Sat 10am–5pm, Sun 11am–5pm Catalogue order & information T +43 1 532 42 00, office@imkinsky.com Online Bidding registration online.imkinsky.com Online catalogue www.imkinsky.com Georg Raphael Donner Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000
Auktionshaus im Kinsky GmbH Palais Kinsky, Freyung 4, 1010 Vienna, Austria
march18getty.qxp_Ratton & Ladriere Sept 04 19/02/2018 10:31 Page 1
NEW FROM THE
Getty Beyond the Nile Egypt and the Classical World Edited by Jeffrey Spier, Timothy Potts, and Sara E. Cole
The history of the ancient world is not simply the stories of Egypt, Greece, and Rome as separate cultures, but an interwoven narrative of aesthetic and technological exchange, hybridization, and collaboration. This milestone publication is the first to offer a comprehensive account of these vicissitudes of cultural exchange, covering over 2500 years with lively prose and gorgeous illustrations. THE J. PAUL GETTY MUSEUM Hardcover £50.00
Rembrandt and the Inspiration of India Edited by Stephanie Schrader
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt in the late 1650s. Pairing twenty-two of Rembrandt’s drawings of Mughal courtiers with Mughal paintings of similar composition, this catalogue features essays by scholars of both Dutch and Indian art. THE J. PAUL GETTY MUSEUM Hardcover £30.00
Harald Szeemann Museum of Obsessions Glenn Phillips and Philipp Kaiser With Doris Chon and Pietro Rigolo
The Swiss curator Harald Szeemann is arguably one of the most influential figures in twentieth-century art. Both at the Kunsthalle Bern and as a freelance curator, he championed influential artists, such as Joseph Beuys, Michael Heizer, and Andy Warhol. This exhibition catalogue provides new insight into Szeemann’s remarkable curatorial philosophy by drawing upon his archive. THE GETTY RESEARCH INSTITUTE Hardcover £55.00
Harald Szeemann Selected Writings Harald Szeemann Edited by Doris Chon, Glenn Phillips, and Pietro Rigolo
As a curator who helped herald in movements as disparate as Pop Art, Conceptualism, and Fluxus, Harald Szeemann is recognized as a tastemaker of twentieth-century art. He was also a prolific writer, and up until now his writings had not been collected in English. This thoughtfully assembled volume takes up that task and the result is a lively look inside the mind of the eccentric and respected Swiss curator. THE GETTY RESEARCH INSTITUTE Paper £40.00
Paper Promises Early American Photography Mazie H. Harris
Filling in a gap in previous scholarship, Mazie M. Harris looks specifically at early American photographers who used paper negatives to create photographs on a variety of papers. This richly detailed catalogue provides a new window not only into photography practice in the mid-nineteenth century, but life in general. THE J. PAUL GETTY MUSEUM Hardcover £40.00
Plato in L. A. Contemporary Artists’ Visions Donatien Grau
Over a millennium has passed since Plato wrote his dialogues, but the concepts he presented still hold powerful sway over artists’ imaginations ever to this day. This volume examines the work of more than ten artists, including Mike Kelley, Jeff Koons, Raymond Pettibon, and Adrian Piper, to illuminate how Platonic thought, from the Socratic method to the realm of the Forms, shapes art now. THE J. PAUL GETTY MUSEUM Hardcover £18.95
Getty Publications IN THE UK AND EUROPE 020 7079 4900 sales@yaleup.co.uk
A WORLD OF A RT, RE S E ARCH, CONS E RVATI O N , A N D P H I L A N T H R O P Y
IN THE US 800 223 3431 www.getty.edu/publications
© 2018 J. Paul Getty Trust
april18dorotheum.qxp_Ratton & Ladriere Sept 04 19/03/2018 11:58 Page 1
S I N C E 17 0 7
Old Master Paintings 19th Century Paintings, Works of Art Auction Week 24 – 26 April 2018 www.dorotheum.com
Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018
april18page14.qxp_Internet and Contacts 19/03/2018 11:28 Page 1
C O N T @ C T S
cesati antiques & works of art via san giovanni sul muro 3 20121 milano – italy tel. +39 02 86460928 fax. +39 02 72021664 www.cesatiecesati.com info@cesatiecesati.com
day & faber old master drawings
ALBERT BLOCH, Clowns & Pierrot 1913/16 x
28 inches, signed with monogram: AB, 1911
Enquiries: Daniel Liberman +1 314 997 1431 Tizzy7@swbell.net
www.dayfaber.com
DIDIER AARON, Inc.
O L D M A S T E R PA I N T I N G S
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3 2 e a s t 6 7 t h s t r e e t n e w y o r k , n y 1 0 0 2615 t e l 2 1 2 9 8 8 - 5 2 4 8 fa x 2 1 2 7 3 7 - 3 5 1 3 www.didieraaron.com info@didieraaron.com
11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk
Otto Naumann Ltd
T R I N I T Y F I N E A RT .
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22 East 80th Street otto@ottonaumannltd.com
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New York, NY 10075 www.ottonaumannltd.com
Daniel Katz Gallery f r o m a n t i q u i t y t o t h e 2o t h c e n t u ry
15 old bond street london w 1s 4 a x www.trinityfineart.com
EMANUEL VON BAEYER
Timothy Newbery
PICTURE FRAME MAKING, RESTORATION AND CATALOGUING e. timothynewbery@btinternet.com m. +44 (0)7891 765877
www.timothynewbery.co.uk
TO ADVERTISE PLEASE VISIT:
www.burlington.org.uk april 2018
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European Prints, Drawings and Paintings from the 16th to 19th century
w w w. e v b a e y e r. c o m w w w. e v b a e y e r - c a b i n e t . c o m
www.katz.art
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april18page15.qxp_Internet and Contacts 19/03/2018 11:24 Page 1
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1 March - 16 June 2018 The Museum of the Order of St John hn St John’s Gate, St John Lane, 0SRHSR )'ÿ1 Ă(%
With the Support of
The Private Art Collection Management and Advisory Service
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april18hhh.qxp_Ratton & Ladriere Sept 04 19/03/2018 12:02 Page 1
Hazlitt Holland-Hibbert Modern and Contemporary British Art
ABSTRACT ART IN BRITAIN 1934–1956 E XHIBITING AT: TEFAF NE W YORK 4–8 MAY 2018 PARK AVENUE ARMORY
GABO HEPWORTH MOORE NICHOLSON
nov17chanel.qxp_Ratton & Ladriere Sept 04 18/10/2017 14:11 Page 1
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april18contractpublishing.qxp_Ratton & Ladriere Sept 04 19/03/2018 12:12 Page 1
undertakes
CATALOGUE DESIGN AND PRODUCTION
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IZNIK POTTERY FROM THE COLLECTION OF SIR ALAN BARLOW, BT.
MALCOLM FAIRLEY JAPANESE WORKS OF ART
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To discuss your requirements and for a free quote please contact
Chris Hall, Head of Commercial Design & Production or Mark Scott, Advertising & Development Director Tel: +44 (0)20 7388 1228 Email: hall@burlington.org.uk or scott@burlington.org.uk
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april18richardgreen.qxp_Ratton & Ladriere Sept 04 19/03/2018 11:31 Page 1
SIR JOSHUA REYNOLDS PRA Plympton 1723 – 1792 London
A portrait of Arthur Murphy (1727–1805) Oil on canvas: 30 × 25 in / 76.5 × 63.5 cm Painted 1773–9 Reynolds painted the Irish playwright, actor and wit Arthur Murphy for the library of the brewer Henry Thrale at Streatham Park. The portrait was one of the twelve ‘Streatham Worthies’ depicted by Reynolds, which included Dr Samuel Johnson, the actor David Garrick, politician Edmund Burke and Reynolds himself. This dazzling intellectual circle was typical of the breadth of Reynolds’s interests. It made him a superb first President of the Royal Academy, which this year celebrates its 250th anniversary. On view for sale at
33 NEW BOND STREET, LONDON W1S 2RS
www.richardgreen.com
147 NEW BOND STREET, LONDON W1S 2TS
TELEPHONE: +44 (0)20 7499 4738
Email: paintings@richardgreen.com
TELEPHONE: +44 (0)20 7493 3939