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MAY

2018 THE BURLINGTON MAGAZINE NO.

1382

INTERPRETING ARCIMBOLDO Rediscoveries: two landscapes by Claude and a pair of Spanish royal portraits by John Closterman

VOL . CLX

Fra Angelico in Boston | Chippendale in Leeds | Winslow Homer in England | Tarsila in New York

COVER_MAY18.indd All Pages

MAY

2018 18/04/2018 09:10

may18moeller.qxp_Ratton & Ladriere Sept 04 17/04/2018 10:36 Page 1

THE C ATALOGUE R AISONNÉ OF PAINTINGS

BY LYONEL FEININGER Edited by Achim Moeller

Part 1: 1907-1918 available online June 15 www.feiningerproject.org

35 East 64th St. New York, NY 10065 T. +1 (212) 644-2133 | Glinkastrasse 42, 10117 Berlin T. + 49 (0) 30 252 940 83 | mail@feiningerproject.org

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Late-Medieval and Renaissance Textiles an exhibition 14th June – 13th July 2018

SA M FOG G 15D Clifford Street, London W1S 4 JZ 020 7534 2100 www.samfogg.com

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Discover the inspiration behind a modern master Rodin and the art of ancient Greece 26 April – 29 July 2018 Members free Sponsored by

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Auguste Rodin (1840–1917), The Kiss. S.174.

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The Paston Trreasure microcosm of the known world

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On view through 27 May 2018 Yale Center for British Art 233 June–23 3 Sept p ember 2018 Norwich Castle Museum & Art Gallery This exhibition has been organized by the Yale Yale Center for British Art and Norfolk Museums Service.

1080 Chapel Street, New Haven +1 203 432 2800 | britishart.yale.edu @yalebritishart #PastonTreasure

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Unknown artist (Dutch School), The Paston Tr Treasure (detail), ca. 1663, oil on canvas, Norwich Castle Museum & Art Gallery, Norwich, UK, courtesy of Norfolk Museums Service

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may18masmuseum.qxp_Ratton & Ladriere Sept 04 17/04/2018 10:38 Page 1

MICHAELINA Come to Antwerp and discover the mystery of Baroque’s leading lady June 1 – September 2

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day & faber old master drawings

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LONDON

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PICTURE FRAME MAKING, RESTORATION AND CATALOGUING

may 2018

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European Prints, Drawings and Paintings from the 16th to 19th century

Timothy Newbery

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may18yale.qxp_Ratton & Ladriere Sept 04 17/04/2018 10:46 Page 1

The Royal Academy of Arts History and Collections Edited by Robin Simon with MaryAnne Stevens This stunningly illustrated book tells the story of the Royal Academy of Arts and illuminates the history of art in Britain over the last two and a half centuries.

Published in association with the Paul Mellon Centre for Studies in British Art and the Royal Academy of Arts, London

Mary Cassatt An American Impressionist in Paris Edited by Nancy Mowll Mathews and Pierre Curie Mary Cassatt was the only American artist to exhibit with the French Impressionists in Paris. Featuring more than sixty works – many from European collections little known in the United States – spanning the entirety of Cassatt’s career, this book is a celebration of a beloved American artist.

Distributed for Mercatorfonds 170 colour illus.

Paper over board £35.00

554 colour + b/w illus.

Hardback £75.00

Polidoro da Caravaggio David Franklin Strikingly different from his more famous teacher Raphael, painter Polidoro da Caravaggio presents an uneasy vision of the Italian Renaissance through crude and brutal religious pictures. In this first account in English, Polidoro’s radical paintings are considered through the lens of the religious life of the era.

Etablishes Polidoro’s proper place in the canon of art history.

156 colour + b/w illus.

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The Silver Caesars A Renaissance Mystery Edited by Julia Siemon Distinguished essayists address questions long surrounding the most enigmatic masterpiece of Renaissance European metalwork, twelve monumental silver-gilt standing cups known as the Aldobrandini Tazze, while covering topics ranging from the works’ representation of the ancient world to their fate in the hands of 19th-century collectors.

Published by The Metropolitan Museum of Art/Distributed by Yale University Press 212 colour illus. Paperback £40.00

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Still Life before Still Life

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From Louis XIV to the French Revolution Edited by Daniëlle O. KislukGrosheide and Bertrand Rondot

David Ekserdjian

Christopher Lloyd

This beautifully illustrated book demonstrates that artists were fascinated by and skilled at still-life painting considerably earlier than previously thought. It explores its origins in classical antiquity and its gradual re-emergence in Renaissance painting. Featured works include paintings from Renaissance greats such as Da Vinci and Holbein.

This sumptuously illustrated book traces and interprets Picasso’s lifelong achievement as a draughtsman. It details how drawing serves as the vital thread connecting his entire body of work and showcases how the basis of Picasso’s style as painter, sculptor and designer was manifestly achieved through drawing.

Distributed for Modern Art Press

The term ‘macaroni’ was once a familiar label yielding a complex set of social, sexual and cultural associations. Here, manner of dress and biography come together with explorations of masculinity and sexuality to create a new fashionscape of 18th-century British men.

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may18hhh.qxp_Ratton & Ladriere Sept 04 17/04/2018 10:55 Page 1

Hazlitt Holland-Hibbert Modern and Contemporar y British Ar t

Exhibiting at Art Basel 14 –17 June 2018 Stand G9

Hazlitt Holland-Hibbert 38 Bury Street St James’s London SW1Y 6BB

020 7839 7600 info@hh-h.com www.hh-h.com

Bridget Riley Born 1931 Apricot and Pink, 2001 (detail) Oil on linen 44 × 84 inches; 111.5 × 213.5 cm

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Caravaggio’s knighthood | Titian’s ‘Danaë’ revisited | Horace Vernet’s ‘Orient’, Part II Renoir, Matisse and the use of black | The Art of Conservation: Restorers at the Spanish Court NO.

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IZNIK POTTERY FROM THE COLLECTION OF SIR ALAN BARLOW, BT.

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april18richardgreen.qxp_Ratton & Ladriere Sept 04 19/03/2018 11:31 Page 1

SIR JOSHUA REYNOLDS PRA Plympton 1723 – 1792 London

A portrait of Arthur Murphy (1727–1805) Oil on canvas: 30 × 25 in / 76.5 × 63.5 cm Painted 1773–9 Reynolds painted the Irish playwright, actor and wit Arthur Murphy for the library of the brewer Henry Thrale at Streatham Park.

The portrait was one of the twelve ‘Streatham Worthies’ depicted by Reynolds, which included Dr Samuel Johnson, the actor David Garrick, politician Edmund Burke and Reynolds himself. This dazzling intellectual circle was typical of the breadth of Reynolds’s interests. It made him a superb first President of the Royal Academy, which this year celebrates its 250th anniversary.

On view for sale at

33 NEW BOND STREET, LONDON W1S 2RS

www.richardgreen.com

147 NEW BOND STREET, LONDON W1S 2TS

TELEPHONE: +44 (0)20 7499 4738

Email: paintings@richardgreen.com

TELEPHONE: +44 (0)20 7493 3939