201906.advertising

june 2019

NEW RESEARCH ON ART AND ITS HISTORY

JUNE 2019

Restoring Vermeer’s ‘Young woman reading a letter at an open window’ Chippendale’s original colours | Delacroix and Goya | A François Gérard discovery Berthe Morisot in Dallas | Mark Rothko in Vienna | Jenny Holzer in Bilbao

the burlington magazine no. 1395 vol. 161 COVER_JUN19.indd All Pages

20/05/2019 19:09

june19wildenstein.qxp_Ratton & Ladriere Sept 04 16/05/2019 12:55 Page 1

WILDENSTEIN & CO. INC. 689 Fifth Avenue New York, NY 10022 212.879.0500 www.wildenstein.com

MASTERPIECE 2019 | LONDON Stand A21

Self-Portrait, Jean Baptiste Pierre Le Brun (1748-1813) Art dealer, connoisseur, advisor, historian and one of the founders of the National Museum of the Louvre

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Robilant+Voenaa R Bartoloomeo Manfredi, Sainnt Jeerome

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Caravaggio (Michelangelo Merisi) (1571- 1610) Judith and Holofernes (c.1607) Details of Abra’s hand and Judith’s sleeve On canvas, 144 x 173.5 cm

Judith and Holofernes

Auction in Toulouse, 27 June 2019 www.thetoulousecaravaggio.com

On view at: Hôtel des Ventes Saint-Aubin 3, boulevard Michelet - 31000 Toulouse - France From 17 to 23 June 2p.m. – 6p.m.

Two Figures with a Monkey, 1973 Š The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2019. Photo: Prudence Cuming Associates Ltd

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FRANCIS BACON Couplings

Gagosian London

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june19LondonArtWeekRoundup.qxp_Master Drawings Roundup 17/05/2019 11:07 Page 1

LONDON ART WEEK | 28 June to 5 July 2019 PAINTINGS | DRAWINGS | SCULPTURE | WORKS OF ART

The Renaissance Casket from Newbattle Abbey,

by The Master of Perspective. Nuremberg.

1565. Woods, bone, mother of pearl, alabaster and fire-gilt iron, 35 by 53 by 36 cm.

TRINITY FINE ART & GEORG LAUE KUNSTKAMMER LTD. EXHIBITING AT: 15 OLD BOND STREET, W1S

This year London Art Week will incorporate the largest ever group of visiting and resident galleries, dealers and auction houses since the event began.

Works offered for sale will range broadly from Antiquity to modern and contemporary art and will embrace furniture, works of art, textiles, ceramics, paintings, drawings and sculpture. As always, the event will occur within the London gallery districts of Mayfair and St James’s. Here we reveal some of the curated and themed exhibitions, which are a defining element of this important annual event.

Trinity Fine Art and Georg Laue, Kunstkammer will unveil a major Renaissance artwork not seen in a public setting since 1883. The Court Casket of Newbattle Abbey was created by ‘The Master of Perspective’ in Nuremberg, 1565, and demonstrates the exquisite marquetry unique to an important South German workshop.

Another exceptional offering will be From London to Lucknow; A Re-discovered Collection of Drawings by Johan Zoffany (1733–1810), at the gallery of Andrew Clayton-Payne. These exhibited sheets are a significant addition to the few sparse drawings previously attributable to Zoffany.

Over forty drawings by the nineteenth-century artist Adolph Menzel will be on view at Stephen Ongpin Fine Art. ‘A World Caught with the Eye and Held by the Pencil’: Drawings by Adolph Menzel will be the first comprehensive showing of the artist’s drawings in the United Kingdom since 1984.

John Mitchell Fine Paintings will exhibit From Fjord to Forest: Nineteenth Century Northern Landscapes including paintings from the collection of Asbjorn Lunde. This selection of oil studies and formal works mainly by Swiss, German and Norwegian painters will examine the lingering influence of the Romantic Movement on European art.

A seated woman reading (portrait of Emilie Fontaine),

by Adolph Menzel (1815–1905). Watercolour and gouache, 11.2 by 7.3 cm.

STEPHEN ONGPIN FINE ART, 6 MASONS YARD, SW1

Composition, by Cuthbert Hamilton (1884–1959).

Watercolour, gouache and pencil on paper, 85.1 by 73.7 cm.

DANIEL KATZ GALLERY, 6 HILL STREET, W1J

Other highlights will include: Taking Shape – Form and Function in Ancient Sculpture, at Ariadne Galleries; The Lost Tapestries of Charles I, at S. Franses; Medieval Art in England from the 6th to the 16th centuries, at Sam Fogg; and Expressive Souls will be the title at Daniel Katz Gallery. Olivier Malingue will show an intriguing mix of works from the 1950s onwards, under the banner of Abstract or Not? Works will include pieces by Georges Braque, Jean Dubuffet and Willem de Kooning.

For full details of exhibitions, auctions, talks and events please visit: www.londonartweek.co.uk

A view of Walton Bridges, by J.M.W. Turner (1775–1851). c.1840–50.

Canvas, 87.5 by 118 cm.

SOTHEBY’S, OLD MASTERS EVENING SALE, 3RD JULY, 34–33 NEW BOND STREET, W1A

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STEPHEN ONGPIN FINE ART Old Master, 19th Century and Modern Drawings

ADOLPH MENZEL (1815-1905) A Bearded Man Looking Down to the Left Graphite (carpenter’s pencil) and black chalk, with stumping.

Signed with initials and dated at the lower left, 206 x 130 mm. (81/8 x 51/8 in.)

‘A World Caught with the Eye and Held by the Pencil’ Drawings by Adolph Menzel 25th June to 24th July

STEPHEN ONGPIN FINE ART RIVERWIDE HOUSE ,

6

MASON ’ S YARD , DUKE STREET ST . JAMES ’ S , LONDON SW 1 Y INFO @ STEPHENONGPINFINEART . COM

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june19LondonArtWeekRoundup.qxp_Master Drawings Roundup 17/05/2019 09:27 Page 2

LONDON ART WEEK | 28 June to 5 July 2019 PAINTINGS | DRAWINGS | SCULPTURE | WORKS OF ART

Adam and Eve, by Antonio Maraini (1886–1963). 1923.

Bronze, 76 by 42 by 12 cm.

BRUN FINE ART, 38 OLD BOND STREET, W1S

Two cuts, by Leoncillo Leonardi (1915–68). 1967.

Pastel on torn paper applied to cardboard, 58 by 38 cm.

GALLERIA DEL LAOCOONTE AND GALLERIA W. APOLLONI. EXHIBITING AT: 2A–4 RYDER STREET, SW1

The River Lutschine near Lauterbrunnen, by Alexandre Calame (1810–64). Canvas, 31.3 by 52.2 cm.

JOHN MITCHELL FINE PAINTINGS, 17 AVERY ROW, W1K

Study of an Indian cow, by Johan Zoffany (1733–1810). c.1789.

Coloured chalks on paper, 27 by 41cm.

ANDREW CLAYTON-PAYNE, 16 SAVILE ROW, W1S

Figure of an athlete. Roman. c.1st century AD. Marble, height 29.2 cm.

TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1

Fanny Tedeschi in purple and black, by Federico Jehuda Pollock, known as Gino Parin, (1876–1944). c.1926.

Canvas, 140 by 130 cm.

LULLO PAMPOULIDES, 33 CORK STREET, W1S

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june19LondonArtWeekRoundup.qxp_Master Drawings Roundup 17/05/2019 09:29 Page 3

LONDON ART WEEK | 28 June to 5 July 2019 PAINTINGS | DRAWINGS | SCULPTURE | WORKS OF ART

Elegant figures admiring the ruins of Tintern Abbey.

English. Early 19th century.

Canvas, 180 by 120 cm.

PAOLO ANTONACCI. EXHIBITING AT: 37 BURY STREET, SWI

The South Gate, Yarmouth, by John Sell Cotman (1782–1842). 1812.

Watercolour over pencil, 18.5 by 22.7 cm.

GUY PEPPIATT FINE ART, 6 MASON’S YARD, SW1

A French fusilier seen from behind, by Charles Parrocel (1688–1752). c.1744–45.

Sanguine heightened with white chalk on beige paper, 45 by 40 cm.

GALERIE ALEXIS BORDES. EXHIBITING AT: 8 DUKE STREET, SW1

A roundel showing a woman harvesting hay; June, from a series depicting the Labours of the Months.

Made for the Norwich house of Thomas Pykerell (d. 1545). c.1525. Stained glass, diameter 26.5 cm.

SAM FOGG LTD, 15D CLIFFORD STREET, WIS

L’Amphibologique,

by Jean Dubuffet (1901–85). 1965.

Canvas, 100 by 81 cm.

OLIVIER MALINGUE LTD, 143 NEW BOND STREET, W1S

A pair of Italian Louis XVI console tables. Naples. 1790s.

White painted and giltwood with marble tops, 83.5 by 128 by 51 cm.

BURZIO, 38 DOVER STREET, W1S

june19antonacci.qxp_Layout 1 16/05/2019 13:17 Page 1

Exhibiting at 37 Bury Street, St James’s, London SW1Y 6AU. Tel. +44 (0)20 7839 3414; cell. +39 3355631401

Eduard ENDER Rome, 1822 – London, 1883

Four Portraits of Gentlemen of the families Ruspoli and Winterhalter Oil paintings on cardboard, 22 x 17 cm., each one signed and dated “1841”.

Paolo Antonacci s.r.l., Via Alibert, 16/A, 00187 Roma, Italy Tel +39 0632651679; +39 3355631401

info@paoloantonacci.com

www.paoloantonacci.com

june19page12.qxp_Internet and Contacts 17/05/2019 11:13 Page 1

G U Y PEPPI AT T FI N E A R T

18TH AND 19TH CENTURY BRITISH DRAWINGS AND WATERCOLOURS

Sir Edwin Henry Landseer, R.A. (1802–1873) Stags by a Fallen Tree. Pen and brown ink, 11.3 by 18.1 cm., 4¼ by 7 in.

One of twelve drawings by Landseer formerly from the collection of the artist Frederick Richard Lee, R.A. (1798–1879)

6 MASON’S YARD | DUKE ST, ST JAMES’S | LONDON SW1Y 6BU | Tel: +44 (0)20 7930 3839 | Email: guy@peppiattfineart.co.uk | www.peppiattfineart.co.uk

P Q Advertise Subscribe Publish www.printquarterly.com XII

THE BURLINGTON MAGAZINE | 161 | JUNE 2019

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june19stairsainty.qxp_Ratton & Ladriere Sept 04 20/05/2019 12:04 Page 1

Stand d7

FRANCOIS GERARD presented the first version of his Belisarius at the 1795 Salon (whereabouts unknown), this second, smaller variant version (oil on canvas 91 by 74 cm) dating from 1797 was painted to correct the draftsmanship of the general’s right arm and foot, while the artist added the helmet hanging from Belisarius’s belt, to emphasise his earlier military career. It may also have been a response to his friend Girodet’s Sleep of Endymion – the head of Belisarius’s guide is almost identical in both pose and features to the head of Girodet’s sleeping shepherd boy. Sold by Stair Sainty Gallery to the J.Paul Getty Museum, 2005.

EUGÈNE DELACROIX produced some fifty paintings (as well as an even larger number of watercolours and drawings) of feline subjects, in which lions or tigers are either the main subject or the principal participants in a dramatic scene.

Lion Devouring a Goat was exhibited at the 1848 Salon, where it received positive notices, and its first owner, Gustave Arosa, was one of the artist’s most important early patrons. Signed: Eug. Delacroix, oil on canvas: 27 x 35.5 cm.

S ta i r S a i n t y, 3 8 D o v e r S t r e e t, L o n D o n W 1 S 4 n L tel: +44 (0)20 7493 4542 info@stairsainty.com www.stairsainty.com

june19clayton-payne.qxp_Ratton & Ladriere Sept 04 16/05/2019 13:20 Page 1

From London to Lucknow: A Re-Discovered Collection of of Drraawinngs

by Johan Zofffanny (1733 –1810) e xhibition 28th June – 5th July 2019

Johan Zofffany (1733 –1810) Poseidon and Am mpphitrite, c.1796 Black and whit white chalk on paper 38 × 26 cm

Johan Zofffany (1733 –1810) Selff-Por trait, 1796 Black, whit white and colour u ed chalks on paper 35.5 × 26.6 cm

Andrew Cl ay y ton-Payne 16 Savile Row, London w1s 3pl

june19page16.qxp_Internet and Contacts 17/05/2019 11:16 Page 1

Sculptur e Jou urnal

published by Liverpool Univerrsit y Press SSculp lptur t e Jour J nall provides id an internationa i t ti l forum for w writers it and scholars in the field of post-classical sculpture and d public commemorative monuments in the Weestern tradition.

Sculpture Journal offers a keen critical over view and a sound historical base, and is Britainâ&#x20AC;&#x2122;s foremost scholarly journal devotted to sculpture in all its aspects.

While being academic and traditional, the journal enccourages contributions of fresh research from new names in the h field.

Purchase a subscriptio on at ebiz.turpin-distribution.com, or place your order directly with Tuurpin Distribution via telephone at +44 (0) 1767 6049777 or email liverpool@turpin-distribution.com.

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MARCH/APRIL 2019

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Sacred sects Pagans and Christians in Roman Britain

MAY/JUNE 2019

The Burlington Magazine is pleased to announce a new charitable partnership with John Sandoe Books.

By ordering your book through our website, John Sandoe Books will generously donate a percentage of the sale back to us to support our mission to provide cutting edge art historical research.

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The Art of War From the decorated sports helmets of the Roman army to the influence of armour in the Wallace Collection on the work of Henry Moore

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Over 25 years of extensive coverage of ancient art and archaeology from around the world Enjoyed by academics and non-specialists alike, Minerva features a broad range of articles, including interviews and travel, archaeological news, art exhibitions and collections, book reviews and detailed listings Subscribe now at

www.minervamagazine.com XVI

THE BURLINGTON MAGAZINE | 161 | JUNE 2019

Please visit: www.burlington.org.uk to place your order now.

V.U. C OL IN BEHE Y D T, BURG 12, 8 0 0 0 BRUGGE | ON T W ERP: CEL CRE AT IE - S TA D BRUGGE

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june19page18.qxp_Internet and Contacts 17/05/2019 11:21 Page 1

38–39 Duke Street, St James’s, London, SW1Y 6DF T: +44 (0)20 7839 5666 E: gallery@peterfiner.com www.peterfiner.com

Store your colllection in style shop.burlington.org.uk

An Extremely Rare Austrian Pavise c. 1480 Austria, Klausen Wood, gessoed canvas, paint Height: 123 cm / 48.4 in PROVENANCE Private collection, Europe Private collection, United Kingdom

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THE JOURNAL OF FINE ART, DESIGN, ARCHITECTURE, PHOTOGRAP PHY, SCULPTURE, HERITAGE, DECORA ATIVE TIVE ARTS AND CRAFTS

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SUBSSCRIBE TO THHE IRISHH ARTS REVIEW FROM M ONLLYY £50 AND RECEIVE: R Four editioons of the Irish Arts Review PLUS Free accesss to the Online Price G id to Guide t Ir Irish Art Sales!

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THE BURLINGTON MAGAZINE | 161 | JUNE 2019

T +353 1 676 76 6711 E subscrip ptions@irishartsreview.com www.irishartsreview.com

june19sothebys3.qxp_Ratton & Ladriere Sept 04 16/05/2019 14:14 Page 1

Treasures AUCTION LONDON 3 JULY

ANTONIO CANOVA Presumed portrait of the Roi de Rome, as Saint John the Baptist Italian, Rome, circa 1821 Estimate £600,000–800,000*

EXHIBITION FREE AND OPEN TO THE PUBLIC 29 JUNE – 3 JULY 34–35 NEW BOND STREET, LONDON W1A 2AA ENQUIRIES +44 (0)20 7293 6062 CHRISTOPHER.MASON@SOTHEBYS.COM SOTHEBYS.COM/TREASURES #SOTHEBYSDECARTS DOWNLOAD SOTHEBY’S APP FOLLOW US @SOTHEBYS

june19page20.qxp_Internet and Contacts 16/05/2019 13:39 Page 1

ENRIQUETA HARRIS FRANKFORT CURATORIAL ASSISTANT (Full-time) 2 Year Fixed-Term Contract

FLORENCE GOULD FOUNDATION FELLOWSHIP The Clark Art Institute’s Research and Academic Program awards funded residential fellowships to scholars, critics, and curators of exceptional promise and accomplishment. The Florence Gould Foundation Fellowship is awarded to a senior scholar or curator, with priority given to an applicant from a French museum or institution of higher education or to an individual pursuing a project in the field of French art and visual studies. Proposed research projects should display a commitment to innovative inquiry in the history, theory, and interpretation of art and visual culture.

Application deadline: October 15, 2019 For more information and application details, please visit clarkart.edu/rap/fellowship

The Wallace Collection is delighted to honour the memory of Dr. Enriqueta Harris Frankfort with a two-year curatorial assistant post that combines museum experience with Spanish art- historical studies. Before her death in 2006, Dr. Harris Frankfort was a leading authority on Spanish painting in the UK, particularly the works of Velázquez and Goya. The Wallace Collection is proud to collaborate with the Centro de Estudios Europa Hispanica (CEEH) in the appointment of this role, and is extremely grateful for their on-going support.

This post is intended to strengthen the curatorial team and specifically its research activities in the field of Spanish painting, but also to provide a professional start in the career of someone intending to make a career in curatorship. It is envisaged as a training opportunity for someone with little experience of museum work but with a formal academic training, and is designed to encourage an early-stage researcher to engage with museum objects and produce new research.

For further details, applicants are advised to consult the Wallace Collection website or contact the HR department at the Wallace Collection.

Application deadline: 1st July 2019.

clarkart.edu Williamstown, MA 01267

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XX

THE BURLINGTON MAGAZINE | 161 | JUNE 2019

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JOHANN HEINRICH VON DANNECKER Girl with a Bird German, probably Stuttgart, dated 1836 Estimate £120,000–180,000 *

Old Master Sculpture & Works of Art AUCTION LONDON 2 JULY

EXHIBITION FREE AND OPEN TO THE PUBLIC 29 JUNE – 2 JULY 34–35 NEW BOND STREET, LONDON W1A 2AA ENQUIRIES +44 (0)20 7293 6062 CHRISTOPHER.MASON@SOTHEBYS.COM SOTHEBYS.COM/OLDMASTERSCULPTURE #SOTHEBYSSCULPTURE DOWNLOAD SOTHEBY’S APP FOLLOW US @SOTHEBYS

june19page22.qxp_Internet and Contacts 16/05/2019 14:05 Page 1

Interdisciplinary Studies in the Long Nineteenth Century

GENERAL EDITOR: CAROLYN BURDETT

celebrates the launch of a Special Issue sponsored by Birkbeck, University of London, and the National Gallery, London:

OLD MASTERS, MODERN WOMEN Issue 28, spring 2019

EDITED BY MARIA ALAMBRITIS, SUSANNA AVERY-QUASH AND HILARY FRASER

With a Preface by Gabriele Finaldi, Director of the National Gallery

THE EIGHTH BIENNIA AL HAMAD BIN KHALIFA A SYMPOSIUM ON ISLAMIC A ART November 10–11, 20199 / Doha, Qatar

This issue uncovers the major and enduring impact of Victorian women’s scholarship on the Old Masters that shapes their reputation today. It coincides with the inaugural publication of 19 Live, edited by Victoria Mills, a new section of the journal, which explores contemporary engagements with the nineteenth century, including exhibitions, events, and performances.

For more information, please vissit:

www.islamicartdoha.oorg www.19.bbk.ac.uk

Open Access and free to view, 19 publishes innovative scholarship on all aspects of nineteenth-century literature, history, art, and culture

27 -30 June 20119 The HALII Fair returns to L ondon in n June 2019 at a new cen tral lo cation featuring o v er tw w en ty in ternational dealers offfering textiles spanning tw w o thousand y ears of textile art.

THE MALLL GALLERIES, THE MALL, ST. JAMESS’S, LOND ON, SW1Y 5AH

HALILOND ON.CO O.UK XXII

THE BURLINGTON MAGAZINE | 161 | JUNE 2019

‘ Transylvaniann’ double-niche rug, west Anatolia, 17th century.. David Sorgato

FAIR

june19sothebys2.qxp_Ratton & Ladriere Sept 04 16/05/2019 14:13 Page 1

Prince Paul Troubetzkoy Portrait of Carlo Bugatti Estimate £30,000–50,000*

19th & 20th Century Sculpture AUCTION LONDON 10 JULY

EXHIBITION FREE AND OPEN TO THE PUBLIC 6 – 10 JULY 34–35 NEW BOND STREET, LONDON W1A 2AA ENQUIRIES +44 (0)207 293 5745 ELISABETH.BANFIELD@SOTHEBYS.COM SOTHEBYS.COM/LONDONSCULPTURE #SOTHEBYSSCULPTURE DOWNLOAD SOTHEBY’S APP FOLLOW US @SOTHEBYS

june19masterpieceadvert.qxp_Ratton & Ladriere Sept 04 16/05/2019 14:16 Page 1

june19johnmitchell.qxp_Layout 1 16/05/2019 14:17 Page 1

JOHN MITCHELL FINE PAINTINGS EST 1931

Julius Caesar Ibbetson (–) ‘The Taming of the Shrew’ – two scenes from Act IV oil on canvas,  x ¼ in. (. x . cm.) – a pair () Engraved in  by A. Smith and I. Taylor for John Boydell’s Shakespeare Gallery.

PROVENANCE:

In the collection of the third Earl of Dudley, MC (–) by ; thence by descent until .

EXHIBITED:

Birmingham, City Museum and Art Gallery, , Commemorative Exhibition of the Art Treasures of the Midlands, nos.  & .

LITERATURE:

E. Waterhouse, The Dictionary of BRITISH 18th CENTURY PAINTERS in oils and crayons (Antique Collectors’ Club ), illustrated on p.  (as ‘Unlocated’).

TO BE SHOWN AT

STAND B41 17 AVERY ROW, BROOK STREET, LONDON W1K 4BF. TEL: 44 (0)20 7493 7567. WWW.JOHNMITCHELL.NET

june19masterpieceroundup.qxp_Master Drawings Roundup 17/05/2019 11:52 Page 1

§

MASTERPIECE LONDON 2019 South Grounds, The Royal Hospital Chelsea, London

SW3

| 27th June – 3rd July 2019 | www.masterpiecefair.com

Head of Hermes, Roman. Late 1st century AD. Marble, 28 by 21 by 22.5 cm.

GALERIE CHENEL, PARIS

The Athénienne Murat, attributed to PierrePhilippe Thomire (1751–1843). c.1810.

Egyptian porphyry and gilt bronze, 83 by 30 cm.

ALESSANDRA DI CASTRO, ROME

Myrrh, by Bridget Riley (b. 1931). Canvas, 165.1 by 138.5 cm.

HAZLITT HOLLANDHIBBERT, LONDON

Panoramic landscape with shepherd in front of a castle, by Jacob Grimmer (1525–90). 1571.

Panel, 102 by 144 cm.

DE JONCKHEERE, GENEVA

Verde cipollino,

by Pietro Consagra (1920–2005). 1975.

Green cipollino marble, 162.4 by 122 by 43 cm.

ROBILANT + VOENA, LONDON

L’Oiseau de feu, by Georges Braque (1882–1963). c.1954.

Oil and charcoal on paper laid on panel, 28 by 50 cm.

CONNAUGHT BROWN, LONDON

june19masterpieceroundup.qxp_Master Drawings Roundup 17/05/2019 11:52 Page 2

MASTERPIECE LONDON 2019 South Grounds, The Royal Hospital Chelsea, London

Portrait of a young girl in a white apron, by Sir Anthony van Dyck (1599–1641). c.1630.

Canvas, 99 by 83 cm.

PHILIP MOULD, LONDON

A pair of goose-head fulcra. Roman. 1st century BC–1st century AD. Bronze. Height 16.2 cm.

KALLOS GALLERY, LONDON

Detail of The spiders web (recto), by Mikhail Larionov (1881–1964). 1909.

Canvas, 82 by 94.5 cm.

WILDENSTEIN & CO. INC., NEW YORK

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Portrait, by Eileen Agar (1899–1991). c.1949.

Oil on board, 91 by 68 cm.

THE REDFERN GALLERY, LONDON

Fête of the Dosseh, by Arthur Melville (1855–1904). 1889.

Watercolour on paper, 66 by 99.1 cm.

JOHN MITCHELL FINE PAINTINGS, LONDON

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june19masterpieceroundup.qxp_Master Drawings Roundup 17/05/2019 09:25 Page 2

MASTERPIECE LONDON 2019 South Grounds, The Royal Hospital Chelsea, London

Portrait of a young girl in a white apron, by Sir Anthony van Dyck (1599–1641). c.1630.

Canvas, 99 by 83 cm.

PHILIP MOULD, LONDON

A pair of goose-head fulcra. Roman. 1st century BC–1st century AD. Bronze. Height 16.2 cm.

KALLOS GALLERY, LONDON

Detail of The spiders web (recto), by Mikhail Larionov (1881–1964). 1909.

Canvas, 82 by 94.5 cm.

WILDENSTEIN & CO. INC., NEW YORK

SW3

| 27th June – 3rd July 2019 | www.masterpiecefair.com

Portrait, by Eileen Agar (1899–1991). c.1949.

Oil on board, 91 by 68 cm.

THE REDFERN GALLERY, LONDON

Fête of the Dosseh, by Arthur Melville (1855–1904). 1889.

Watercolour on paper, 66 by 99.1 cm.

JOHN MITCHELL FINE PAINTINGS, LONDON

Weathercock. After a design by Ernest Gimson (1864–1919); manufactured by Alfred Bucknell (1878–1955). c.1928.

Gilded brass and wrought iron. Height 100 cm.

H. BLAIRMAN & SONS LTD, LONDON

june19prado.qxp_Ratton & Ladriere Sept 04 16/05/2019 14:22 Page 1

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