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SEPTEMBER 2019

NEW RESEARCH ON ART AND ITS HISTORY

SEPTEMBER 2019

THE BURLINGTON MAGAZINE NO. 1398 VOL. 161

The Bridget Riley retrospective Caravaggio and the Toulouse ‘Judith and Holofernes’ | A stained glass discovery at Canterbury A portrait by Gustave Courbet identified | Natalia Goncharova in London | Emil Nolde in Berlin

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Johann Heinrich Schรถnfeld, The Painting Lesson, oil on canvas, 132.2 x 98.7 cm

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Venator & Hanstein Book and Print Auctions

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Missale Coloniense. Manuscript on vellum Probably Cologne, ca. 1420

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Simiolus

Netherlands quarterly for the history of art

Some 20 papers and reviews were published in Simiolus, volume 40 (2018), mostly on Dutch and Flemish art. There was new material on the sixteenth-century patronage of the Sauli family in Genoa, news about Frans Floris and the desire to paint like music, and there was the most convincing reading of Rembrandt’s 1626 Leiden history painting to have been published so far.

A complete issue was dedicated to Old Age Creativity, and there was a reconstruction of the spectacular De Smeth van Alphen Collection, sold in its entirety in 1810.

How come you missed it?

Simiolus, volume 41 (2019), will be at least as interesting, and if you subscribe now,

you will be among the first to read about Paulus de Kempenaer’s highly idiosyncratic response to the work of Hieronymus Bosch during the Dutch Revolt, about a huge and very important rediscovered late work by Van Heemskerck, and about the Dutch interest in Willem de Kooning’s work in the 1960s. In addition, a complete issue will be devoted to the amazing sixteenth-century sculptor Johann Gregor van der Schardt.

Subscribe now! Institutions pay 100 euros a year for a volume, private individuals pay 60.

If you are at all interested in northern art, be sure not to miss it. Over 300 pages a year on your favorite field of study. Visit simiolus.nl for the subscription terms.

THE BURLINGTON MAGAZINE | 161 | SEPTEMBER 2019

sept19samfogg.qxp_Ratton & Ladriere Sept 04 16/08/2019 09:52 Page 1

SA M FOG G

Medieval and Renaissance Stained Glass 1250 –1550

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26th September – 25th October 2019

sept19florencebiennaleround-up.qxp_Master Drawings Roundup 16/08/2019 10:34 Page 1

BieNNALe iNTerNAZiONALe DeLL’ANTiQUAriATO Di fireNZe Palazzo Corsini, florence | 21st september – 29th september 2019 | www.biaf.it

This, The ThirTy-firsT edition of the florence Biennale will mark sixty years since the fair’s inception. The city will celebrate this milestone in recognition of the importance of florence as a commercial and cultural hub over many centuries. florence Art Week will start at the Biennale and bloom across the historic shopping streets of the city, where galleries, shops, restaurants and museums will have exhibitions and stage events.

Bust of Pope Urban VIII,

by Gian Lorenzo Bernini (1598–1680). 1658.

Bronze, 101.5 by 78 cm.

CARLO ORSI, MILAN

The Baroque splendour of the Palazzo Corsini on the banks of the river Arno will once again host the Biennale. seventy-seven dealers, mostly from italy, will offer fine works of art from a multitude of international disciplines. That being said, the flavour of the fair will be overwhelmingly italian, with works encompassing antiquities, old master paintings and sculpture to nineteenth century and modern pieces. Also on offer will be fine furniture, tapestries, antiquarian books, ceramics and all manner of decorative items. Among the seventeen new arrivals at the fair this year will be Peter finer from London, selling arms and armour, the sculpture dealer Galerie sismann from Paris and from New york Nicholas hall fine Art, who will show a wide spread of fine art from medieval to modern times. for more information on the fair please visit: www.biaf.it

flintlock gun with the monograms of ferdinando iii de’Medici (1663–1713),

by Michele Lorenzoni. c.1700. Wood and steel, length 150.5 cm.

PETER FINER, LONDON Reclining female figure or Venus, by Giovanni Bonazza (1654–1736). c.1700.

Marble and bronze, 23.5 by 47 by 20 cm.

WALTER PADOVANI, MILAN

Top down, bottom up, by Michelangelo Pistoletto. 1977.

Mixed media, 350 cm high.

GALLERIA CONTINUA, SAN GIMIGNANO

St. John, by spinello Aretino (1345/52–1410).

Tempera on panel, 115 by 32 cm.

ROBILANT + VOENA, LONDON & MILAN

sept19padovani.qxp_Ratton & Ladriere Sept 04 16/08/2019 09:58 Page 1

Via Santo Spirito, 26/A | 20121 Milan | P. +39 02.76.31.89.07 galleria@walterpadovani.it | www.walterpadovani.it

31st BIAF Palazzo Corsini, Florence 21st - 29th Sept. 2019 | Stand 44

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BIENNALE INTERNAZIONALE DELL’ANTIQUARIATO DI FIRENZE Palazzo Corsini, Florence | 21st September – 29th September 2019 | www.biaf.it

The Redentore, Venice, by Giovanni Antonio Canal, Il Canaletto (1697–1768). c.1746.

Oil on canvas, 47.4 by 77.3 cm.

SIMON DICKINSON, LONDON

Madonna and Child with St. John, by Benedetto da Maiano (1442–97).

Marble, diameter 105 cm.

GALLERIA LONGARI, MILAN

Predella with child and flowers, by Liberale da Verona (c.1445–1527/29).

Oil on panel, 17 by 35.5 cm.

MEHRINGER BENAPPI, MUNICH, LONDON AND TURIN

Portrait of a woman,

by Monogrammist I.S. (active 1632–58).

Oil on canvas, 34 by 27 cm.

NICHOLAS HALL FINE ART, NEW YORK

Self-portrait holding a mask, by Umberto Brunelleschi (1879– 1949). 1920.

Oil on panel, 60 by 49 cm.

LULLO PAMPOULIDES, LONDON

Madonna and Child with saints,

by Venturo di Moro (1399–1486).

Tempera and gold on panel, 87.5 by 54.4 cm.

SALAMON & C, MILAN

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PR RUN UNIER NIER AUCTION HOUSE

Sale, wednesday, September 25, 2019

F U R N I T U R E , PA I N T I N G S A N D W O R K S O F A R T www.prunierauction.com Prunier’s auction house - 28, rue Pierre Mendès France - 27400 0 Louviers - Normandy - France -Tel. +33 2 32 40 22 30 Seller Commission rate : 27% inclluding taxes - Sale on line

sept19BritishArtFairRound-up.qxp_Master Drawings Roundup 16/08/2019 10:01 Page 1

BRITISH ART FAIR 2019 SAATCHI GALLERY, LONDON SW3 | 3rd-6th OCTOBER | BRITISHARTFAIR.CO.UK

FOLLOWING ON FROM the success of the first staging of the British Art

Fair in 2018, this year’s event is set to reinforce the reputation of the Saatchi Gallery as the new home for a fair devoted solely to modern and contemporary British artworks. The fair’s new name, branding and venue proved to be a hit last year with exhibitors and buying public alike.

(Under different ownership it was formerly known as the 20/21 British Art Fair). An important change will be the event’s later date, which will coincide with the art fairs Frieze and Frieze Masters, making London an even more attractive destination for collectors and enthusiasts.

Study for La Petite Afrique, by Graham Sutherland (1903–80).

1953. Mixed media on paper, 35.5 by 28 cm.

CHRISTOPHER KINGZETT FINE ART, LONDON

Once more, all three floors will be utilised by selling galleries, and specially curated exhibitions will again provide an added allure for visitors. The ground floor will accommodate David Inshaw: Looking Back, Looking Forward. This retrospective will showcase many fine paintings imbued with Inshaw’s unique visionary sensibilities. He conveys a poised stillness in his sparsely peopled landscapes, which often depict the Wiltshire Downs where he has lived and worked for nearly half a century.

On the first floor a second exhibition, entitled YBAS, will be curated by a leading YBA, Gavin Turk. This display will be dedicated to the gallerist Karsten Schubert (1961–2019), who played a key role during the YBA years.

Another retrospective, Alan Davie: Totality of Life, will be staged on the second floor. Alan Davie’s (1920–2014) international reputation as a leading light of Modern British painting has been further cemented in 2019 by exhibitions of his work at Damien Hirst’s Newport Street Gallery and the Hepworth Wakefield (opening 19th October). Davie’s complex paintings interweave multicultural motifs, shapes, words and signs with an expressive intensity. The freedom and scale of Jackson Pollock’s work is documented as an influence on Davie after a visit to the Peggy Guggenheim Collection, Venice, in 1948.

The British Art Fair will have much to offer seasoned collectors, museum curators and art enthusiasts with works to suit most pockets and tastes.

For more information please visit: www.britishartfair.co.uk

Group of figures and head (burnt umber), by Barbara Hepworth (1903–75). 1951.

Oil on canvas and pencil on Masonite, 50 by 60 cm.

CONNAUGHT BROWN, LONDON

A river scene on the Clyde, by L.S. Lowry (1887–1976). 1965.

Oil on canvas, 25.4 by 35.6 cm.

CLARENDON FINE ART, LONDON

Dorelia in a rockpool,

by Augustus John (1878–1961). 1907.

Oil on canvas, 181 by 83.8 cm.

JONATHAN CLARK FINE ART, LONDON

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BRITISH ART FAIR | SAATCHI GALLERY, LONDON SW3 | 3rd-6th OCTOBER | BRITISHARTFAIR.CO.UK Osborne Samuel is exhibiting at the British Art Fair at the Saatchi Galleries, Duke of York’s HQ, Chelsea. Works exhibited will include Chadwick, Craxton, Gertler, Moore, Nicholson, Vaughan and Wood plus a selection of British Constructivists works by John Ernest, Malcolm Hughes, Victor Pasmore and Jeffrey Steele.

ART FIRST artfirst.co.uk

Presenting Simon Lewty, Will Maclean and Donald Teskey Stand 48, Second Floor

For tickets contact Brian Porter bporter@osbornesamuel.com

Christopher Wood, On the Quay (Catania), 1927, 37.5 x 45.7 cm

23 Dering Street, London W1S 1AW Tel: 020 7493 7939 www.osbornesamuel.com

Simon Lewty, Passage Towards Stone, 1984.

Pencil, acrylic and crayon on paper, 156 x 156 cm.

Henry Moore, Reclining Nude, 1983

Stand 38 – British Art Fair 3 – 6 October 2019

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sept19BritishArtFairRound-up.qxp_Master Drawings Roundup 16/08/2019 10:02 Page 2

BRITISH ART FAIR 2019 SAATCHI GALLERY, LONDON SW3 | 3rd-6th OCTOBER | BRITISHARTFAIR.CO.UK

Vase, by Lucie Rie (1902–95). c.1970s.

Porcelain, ht. 22.5 cm.

ASKEW ART, LONDON

Blue movement and green, by Victor Pasmore (1908–98). 1980.

Screenprint, 53.2 by 45.5 cm.

DOMINIC KEMP MODERN BRITISH PRINTS, LONDON

Coastal report VI, Ballyconnell, Co. Sligo, by Donald Teskey (b.1956).

Acrylic on paper, 77 by 100 cm.

ART FIRST, LONDON

Divided: Red and Orange, by Adrian Heath (1920–92). 1963. Oil on canvas, 173 by 183 cm.

THE REDFERN GALLERY, LONDON

Pair of sitting figures, by Lynn Chadwick (1914– 2003). 1973.

Cast in 1983.

Edition of six.

Bronze, 63.5 by 73 by 56 cm.

OSBORNE SAMUEL, LONDON

Silbury by night, by David Inshaw (b.1943). 1988. Canvas, 40 by 51 cm.

FROM THE CURATED EXHIBITION DAVID INSHAW: LOOKING BACK, LOOKING FORWARD

sept19britishartfair.qxp_Ratton & Ladriere Sept 04 16/08/2019 10:57 Page 1

Special Exhibition: Alan Davie | Alan Wheatley Art

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School of Veronese (1528–1588), A Portrait of Sultan Bayezid I. Oil on canvas, c. 1580. © Islamic Arts Museum Malaysia.

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CHARLES RATTON & GUY LADRIÈRE ANTIQUE - MOYEN AGE - ARTS PRIMITIFS - dESSINS TABLEAUX - SCULPTURES - OBJETS d’ART

FRANCESCO CONTI (1682 – Florence – 1760)

Pieta oil on canvas, 72 x 87 cm

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38–39 Duke Street, St James’s, London, SW1Y 6DF T: +44 (0)20 7839 5666 www.peterfiner.com

Francis Haskell Memorial Fund The Burlington Magazine Foundation 2019 Scholarships

THE ARMOUR OF COUNT GALEAZZO DA ARCO c. 1445-50 made in the workshop of the distinguished Milanese armourer Tommaso Negroni, called Missaglia.

Art & Museum Insuranc an e Specialists For over 50 years Blackwall Green e has arranged insurance for treasured collections, ons major exhibitions and leading galleries thr hroughout o the world.

Contact: Robert-Hepburne Scott, Executive Director, Blackwall Gr G een T: +44 (0)20 7234 4307 E: Robert_Hscott@blackwallgreen.com m www.blackwallgreen.com Blackwall Grreen een is a trading name of Arthur J. Gallagher (UK) Ltd, which is authorised and regulated by the Financial Conduct Authority. Registered Office:The Walbrook Building, 25 Walbrook, London

T HE B RITISH M USEUM The Michael Bromberg Fellowship The Michael Bromberg Fellowship has run in the Department of Prints and Drawings at the British Museum since 2001. The Museum intends to make two appointments each to be held for a period of three months at some point during 2020. The object of the endowed fellowship is to promote education by the study of prints and their history. The fellows will be given practical training as interns in the Department and undertake projects in collaboration with British Museum staff. The value

Grants of up to £2000 will be awarded from the Francis Haskell Memorial Fund this year to enable scholars to spend time in libraries or archives carrying out advanced research in the history of western art. Preference may be given to candidates in the early stages of their careers; to subjects related to the commissioning, collecting or interpretation of works of art made before 1914; and to research carried out outside the applicant’s country of residence. Scholars from any country may apply. An additional award may be made by the Trustees of The Burlington Magazine Foundation in conjunction with the Francis Haskell Trustees.

Applications, including a two-page proposal, a C.V. and a budget, should be sent by email to caroline.m.elam@gmail.com by 18 October 2019 – please label all attachments with surname of applicant. There is no application form. Applicants should ask two referees to write separately to the same email address by the same deadline in support of their proposals.

Awards will be made by 16 December 2019.

Support The Burlington Buy a Book You can help support The Burlington Magazine by purchasing books that have been reviewed in the magazine. By clicking through the Books link on our website (www.shop.burlington.org.uk) our partner, John Sandoe Books, will generously donate a percentage of your sale to help us in our mission to publish the innovative research and reviews that only The Burlington Magazine can.

of each fellowship will be £3,500. The closing date for applications is 16 December 2019.

Further particulars are available at www.britishmuseum.org,

in association with

or by writing to the Department at Great Russell Street, London WC1B 3DG. Telephone: 020 7323 8405 E-mail: prints@britishmuseum.org (please title emails ‘Bromberg 2020’) XIV

THE BURLINGTON MAGAZINE | 161 | SEPTEMBER 2019

Please visit: www.shop.burlington.org.uk to place your order now.

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JACQUES LEEGENHOEK 35 rue de Lille 75007 Paris email: jleegenhoek@gmail.com Tel 0033 (0)1 42 86 85 51 www.leegenhoek.com

CHARLES LE BRUN (Paris 1619–1690) The Chariot of Apollo Oil on canvas, 58 x 66 cm Preparatory sketch for a ceiling, probably one of Fouquet’s residences before his move to Vaux le Vicomte, since the figure of Diana at the bottom appears life size in the Chambre des Muses.

Photo © Agencephar

august19subscriptions.qxp_Ratton & Ladriere Sept 04 16/08/2019 09:27 Page 1

NEW RESEARCH ON ART AND ITS HISTORY

30% off for new readers

Leaf through pages or scroll online, whatever your way, find a subscription to suit you

shop.burlington.org.uk Terms and Conditions apply. This offer is applicable for new subscribers and for the first year only.

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UNTO THIS LAST

September 5– December 8, 2019

two hundred years of

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1080 Chapel Street, New Haven +1 203 432 2800 britishart.yale.edu @yalebritishart Free and open to all #Ruskin200

1080 Chapel Street, New Haven +1 203 432 2800 | britishart.yale.edu John Ruskin, “The Dryad’s Waywardness” (detail), @yalebritishart from Modern Painters (London: Smith, Elder and Co., 1843–60), Beinecke Rare Book and Manuscript #Peterloo2019 Library, Yale University

JULY/AUGUST 2019

Claudius the god This Roman emperor may not have been divine but he did his human best

MINERVAMAGAZINE.COM

SEPTEMBER/OCTOBER 2019

Lewis Morley, Vanessa Redgrave and Tariq Ali at Protest March (detail), 1968, gelatin silver print, Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

MINERVAMAGAZINE.COM

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In the lap of luxury Grand villa life in Pompeii, Herculaneum and with J Paul Getty in Malibu

The Mask of Culture Tracing civilisation from Mesopotamia to the Mediterranean: from ethnography to art, the birth of the city, the codifying of the law, and the evolution of the written word

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As Tutankhamun is about to arrive in London we celebrate this and other splendid discoveries made by British archaeologists – from an Anglo-Saxon golden hoard and the White Horse of Uffington to London’s lost rivers

Over 25 years of extensive coverage of ancient art and archaeology from around the world Enjoyed by academics and non-specialists alike, Minerva features a broad range of articles, including interviews and travel, archaeological news, art exhibitions and collections, book reviews and detailed listings Subscribe now at

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THE BURLINGTON MAGAZINE | 161 | SEPTEMBER 2019

Figgis Genieve

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COTTIE YEATS’ COLLECTION JOSHUA REYNOLDS‘ ‘EMILY’ EAMONN DOYLE AT RHA

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NEW AND FORTHCOMING FROM THE GETTY

True Grit American Prints from 1900 to 1950 Stephanie Schrader, James Glisson, and Alexander Nemerov

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Sam Francis The Artist’s Materials Debra Burchett-Lere and Aneta Zebala

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Toward a Global Middle Ages Encountering the World through Illuminated Manuscripts Edited by Bryan C. Keene

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Canons and Values Ancient to Modern Edited by Larry Silver and Kevin Terraciano

A century ago, all art was evaluated through the lens of European classicism and its tradition. Deploying a range of methodologies, this volume is a critical rethinking of the way canons have been defined, constructed, dismantled, and revised throughout the world.

Uruk First City of the Ancient World Edited by Nicola Crüsemann, Margarete van Ess, Markus Hilgert, and Beate Salje

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More than One Picture An Art History of the Hyperimage Felix Thürlemann

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Antiquities in Motion From Excavation Sites to Renaissance Collections Barbara Furlotti

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Celebrating Lond don’s architecture, Cumberland Te errace. Photograph: Dan To obin Smith.

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day & faber old master drawings 11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk www.dayfaber.com

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PICTURE 11 FRAME ANDSWCATALOGUING DukeMAKING, Street | RESTORATION St James’ | London 1Y 6BN

old master drawings

e. timothynewbery@btinternet.com m.

Tel. +44 207 930 1144 | Fax. +44 207 (0)7891 976 1596 765877 m +44

www.dayfaber.com www.rafaelvalls.co.uk | info@rafaelvalls.co.uk www.timothynewbery.co.uk

XVIII

THE BURLINGTON MAGAZINE | 161 | FEBRUARY 2019

Timothy Newbery

TO ADVERTISE PLEASE VISIT:

e. timothynewbery@btinternet.com m m. +44 (0)7891 765877

www.burlington.org.uk

PICTURE FRAME MAKING, RESTORATION AND CATALOGUING www.timothynewbery.co.uk

XXII

THE BURLINGTON MAGAZINE | 161 | SEPTEMBER 2019

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ONE YEAR SUBSCRIPTION £50 UK | £55 WORLD | $100 USA Contact: Sally Sharp Holborn Direct Mail, Unit 3, Profile Business Park, Pylon Way, Beddington Farm Road, Croydon, CR0 4XX T. 020 8683 7155 subs@britishartjournal.co.uk

H jan19hazlitt.qxp_Ratton & Ladriere Sept 04 12/12/2018 12:04 Page 1

By Appointment to Her Majesty the Queen Fine Art Dealers

Master Drawings, Paintings & Sculpture

 Bury Street, St James’s, London   Telephone    hazlitt@hazlitt.co.uk

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undertakes

CATALOGUE DESIGN AND PRODUCTION for Private Galleries, Art Fairs and Museums Page 1 06/11/2018 16:17 Page 1

MALCOLM FAIRLEY JAPANESE WORKS OF ART

Monumental Sculpture

visionaries

Visions and Imaginings in Blake, Burne-Jones, Allen Ginsberg, John Latham and other masters

SLADMORE

S

To discuss your requirements and for a free quote please contact Chris Hall, Head of Commercial Design & Production or Mark Scott, Advertising & Development Director Tel: +44 (0)20 7388 1228 Email: hall@burlington.org.uk or scott@burlington.org.uk

burlington.org.uk

sept19karstenschubert.qxp_Ratton & Ladriere Sept 04 16/08/2019 15:37 Page 1

DIAL ECTIC A L MATERIA L ISM

A SP ECTS OF B RITIS H S CUL PTURE SINCE THE 19 6 0 S

A NTHONY B A RRY R ICHA RD W IL L IA M RACHEL A L ISON

C ARO F L A NAGA N L ONG TURNBUL L W HITEREA D W IL DING

28 September – 6 October 2019

Karsten Schubert

1 Park Village East London NW1 7PX www.karstenschubert.com