201910.advertising by The Burlington Magazine

OCTOBER 2019

NEW RESEARCH ON ART AND ITS HISTORY

OCTOBER 2019

THE BURLINGTON MAGAZINE NO. 1399 VOL. 161

Sasanian silver, Sogdian merchants and Chinese sculpture Whose idea was Duchamp’s ‘Fountain’? | Toulouse-Lautrec’s ‘Black countess’ | Rembrandt 2019 Islamic calligraphy in New York | Hyman Bloom in Boston | Olafur Eliasson in London

COVER_OCT19.indd 2

18/09/2019 18:27

oct19wildenstein.qxp_Ratton & Ladriere Sept 04 17/09/2019 09:38 Page 1

W ILDENSTEIN TEFAF New York Fall 2019 | Stand 103

Wildenstein & Co. Inc. 689 Fifth Avenue New York, NY 10022 212.879.0500 www.wildenstein.com

Hyacinthe RIGAUD Portrait of the Tax Farmer (Fermier général) Jean Baptiste Louis Laugeois, Seigneur d’Imbercourt (1670-1734)

. . IMmaterial. FONTANA CERAMICS

oct19robilant+voena.qxp_Ratton & Ladriere Sept 04 17/09/2019 09:42 Page 1

LUCIO FONTANA Robilant+Voena

Frieze Masters London 3â&#x20AC;&#x201C;6 October 2019 robilantvoena.com

oct19tomassoBurlingtonDPS2.qxp_Agnews 17/09/2019 09:47 Page 1

TOMASSO BROTHERS F I N E A RT Exhibiting at

1 to 5 November 2019 Stand 344

Massimiliano Soldani-Benzi (1656–1740) Ganymede and The Eagle Bronze 31.5 cm (12½ in.) high. 38.5 cm (15¼ in.) wide PROVENANCE

The Collection of the Late Countess of Lanesborough, previously at Swithland Hall, Leicestershire, likely by descent from 1st Earl of Lanesborough; probably acquired by Theophilus Butler, Baron Newtown-Butler, of the County of Fermanagh

info@tomassobrothers.co.uk

www.tomassobrothers.co.uk

oct19tomassoBurlingtonDPS2.qxp_Agnews 17/09/2019 09:46 Page 2

TOMASSO BROTHERS F I N E A RT

Gerard David (c.1455–1523). The Lamentation Oil on oak panel 18 cm (7 in.) high. 17.4 cm (6¾ in.) wide PROVENANCE

Private collection, Spain (1895); Sale Paris (Drouot), June 26, 1952, lot 72 (as School of Quinten Massys); Private collection, France

info@tomassobrothers.co.uk

www.tomassobrothers.co.uk

oct19page04.qxp_Internet and Contacts 17/09/2019 09:52 Page 1

The Golden Age of Dutch and Flemish Painting

2020 Grants The Leverhulme Trust is currently accepting applications for the following grant schemes Research Fellowships enable experienced researchers to undertake a programme of research on a topic of their choice. Up to £55,000 is available for research costs, replacement teaching costs, or loss of earnings. Fellowships are offered for periods of 3 to 24 months. Closing date: 7 November 2019

International Academic Fellowships provide established UK researchers with an opportunity to spend time in one or more research centres outside the UK, to develop new knowledge and skills, for example by learning new techniques, collaborating with colleagues overseas, or developing innovations in teaching. Up to £45,000 is available to provide replacement teaching costs, research and travel costs. Fellowships are offered for periods of 3 to 24 months. Closing date: 7 November 2019

Norbert Wolf applies his knowledge of 17th century history, culture and art to explore the forces that led to the Golden Age of painting in Holland and Flanders. Accompanied by generous illustrations throughout, Wolf explores the complex political, religious, social and economic circumstances which led to the monumental artistic output that continues to influence art today.

Emeritus Fellowships enable retired academics from UK institutions to complete a body of research for publication. Up to £24,000 is available for research costs. Fellowships are offered for periods of 3 to 24 months. Closing date: 30 January 2020

Study Abroad Studentships support a period of advanced study or research anywhere in the world, except for the UK and USA. £21,000 a year is available for maintenance and travel; additional help with fees, research costs and maintenance for dependents may also be provided. Studentships are offered for periods of 12 to 24 months. Closing date: 13 January 2020

By Norbert Wolf Hardback with slipcase, £99 September 2019 272 pages with 220 colour illustrations ISBN to 978-3-7913-8406-1 www.prestel.com

THE BURLINGTON MAGAZINE | 161 | OCTOBER 2019

For more information please visit www.leverhulme.ac.uk/funding, call 020 7042 9861/9862, or email grants@leverhulme.ac.uk Registered Charity No. 1159154

oct19moeller.qxp_Ratton & Ladriere Sept 04 17/09/2019 10:06 Page 1

Masters Through Time 18TH -20TH CENTURIES

Jean-Étienne Liotard (1702-1789) Portrait de Philibert Cramer, c. 1758 Pastel on blue paper mounted on canvas (detail)

Established 1972

Alexej von Jawlensky (1864–1941) Kühler Frühling (Cool Spring), 1916, N. 79 Oil on linen-finish paper laid down on cardboard (detail)

35 East 64th Street

New York NY 10065

Édouard Vuillard (1868-1940) Demoiselle en rouge, 1893 Oil on canvas laid down on board (detail)

T. 212-644-2133

mail@moellerfineart.com

Max Beckmann (1884-1950) Hier ist Geist (Here is Intellect), 1921 Drypoint etching on wove paper (detail)

www.moellerfineart.com

18:32

oct19TEFAFfall.qxp_Ratton & Ladriere Sept 04 17/09/2019 10:07 Page 1

T HE WO RLD ’S LE A D IN G A RT FA IR

DIISCOV ER ART FROM ANTIQ UIT Y TO TODAY

TEFAF C ULT UR AL PROGR AM INTRIG UING CONVERSATIONS, FROM G UERCINO AND THE DU VEEN BROTHERS TO UNHER ALDED WOMEN ARTISTS BEFORE 1700 AND THE ASIAN ART MARKE T, AWAIT YOU AT THE FALL FAIR. JOIN US FOR THESE AND MORE.

FO R T I C K E T S A ND E V EN T D E TA IL S:

TE FAF.COM

# tefaf

T h e S te d c o m b e H o u s e c h i m n e y p i e c e a t t r i b u t e d to M a t t h i a s L o c k . English, circ a 1760, Ima ge cour tesy of Rona l d Phillips, Ltd.

PARK AV ENUE ARMORY NOV EMBER 1–5

oct19brunfineart.qxp_Ratton & Ladriere Sept 04 17/09/2019 10:08 Page 1

oct19tefafNYroundup.qxp_Master Drawings Roundup 17/09/2019 10:48 Page 1

1–5 NOVEMBER 2019

PARK AVENUE ARMORY

www.tefaf.com/fairs/tefaf-new-york-fall

FOLLOwinG the accLaim of the ﬁrst three installments of teFaF new York Fall, the 2019 edition will once more focus on the very best ﬁne and decorative arts from antiquity to 1920 on the global market. (teFaF new York Spring highlights modern and contemporary works, while the larger and long-running teFaF maastricht fair presents pieces from unlimited time periods, art movements and geographical locations.)

works on display will be scrupulously vetted by a team of acknowledged international experts. this will underpin the integrity of the event and create a safe environment for the study and purchase of museum-quality works of art. matters of attribution, provenance and quality can be addressed while examining pieces. the fair also provides an excellent forum for the interaction between both the commercial and institutional academic communities.

Caryatid with urn, by auguste Rodin (1840– 1917). 1886. Plaster, 40 by 32 by 30 cm. STUART LOCHHEAD SCULPTURE, LONDON

Juana and Isabel of Aragón and Pernstein, by antonio Ricci (1573–1637). c.1598–99. Oil on cardboard, 5.2 by 9.2 cm. ROB SMEETS GALLERY, GENEVA

Portrait of tax farmer JeanBaptiste Louis Laugeois, Seigneur d’Imbercourt, by hyacinthe Rigaud (1659– 1743). 1694. Oil on canvas, 163 by 130 cm. WILDENSTEIN & CO. INC., NEW YORK

with the addition of sixteen new exhibitors, mainly drawn from the US and europe, a total of ninety leading galleries will offer paintings, sculpture, works on paper, furniture, textiles, silver, antiquities, manuscripts and jewellery over ﬁve days at the historic Park avenue armory located in the Upper east Side gallery district of manhattan. For more information please visit: www.tefaf.com/fairs/tefaf-new-york-fall

Les deux majestés, by Jean-Léon Gérôme (1824–1904). Oil on canvas, 25 by 44 cm. TRINITY FINE ART, LONDON

Figure of an athlete. Roman. c.1st century aD. marble, 29.2 cm high. TOMASSO FINE ART, LONDON AND LEEDS

oct19Trinity.qxp_Ratton & Ladriere Sept 04 17/09/2019 10:10 Page 1

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oct19tefafNYroundup.qxp_Master Drawings Roundup 17/09/2019 10:49 Page 2

1–5 NOVEMBER 2019

Man with a brush cut, by Karel Appel (1921–2006). 1954. Oil on burlap, 140.3 by 109.9 cm. GALERIE DE LA BÉRAUDIÈRE, PARIS, GENEVA AND BRUSSELS

PARK AVENUE ARMORY

www.tefaf.com/fairs/tefaf-new-york-fall

View of the Tiber at Ripa Grande, by Gaspar Van Wittel, called Vanvitelli (1652/53–1736). Oil on canvas, 97 by 171 cm. ROBILANT + VOENA, LONDON AND MILAN

Study for the LevesonGower children, by George Romney (1734–1802). 1776–77. Pen and brown ink on paper, 23 by 24.3 cm. HAZLITT, LONDON AND NEW YORK

Grotto of Neptune in Tivoli, by Francois-Marius Granet (1775–1849). 1810. Oil on canvas, 74 by 62 cm. DIDIER AARON, PARIS, LONDON AND NEW YORK

Napoleon Bonaparte as First Consul. Dihl et Guérhard porcelain made by Duc d’Angoulême’s factory, (1781–1824). c.1800. Hard-biscuit porcelain, height 31.8 cm. BURZIO, LONDON

Pietre dure table top. Rome. c.1580. Marble and polychrome inlay, 128 by 87 cm. BRUN FINE ART, MILAN AND LONDON

oct19burzio.qxp_Ratton & Ladriere Sept 04 17/09/2019 10:13 Page 1

oct19page12.qxp_Internet and Contacts 18/09/2019 15:40 Page 1

contemporary.burlington.org.uk XII

THE BURLINGTON MAGAZINE | 161 | OCTOBER 2019

oct19gagosian.qxp_Ratton & Ladriere Sept 04 17/09/2019 10:22 Page 1

Sally Mann, Remembered Light, Untitled (Over view), 2011â&#x20AC;&#x201C;12 (detail)

C Y T VVO M B LY . S C U L P T U R E

G AG O S I A N L O N D O N

oct19asianartweek.qxp_Ratton & Ladriere Sept 04 18/09/2019 16:11 Page 1

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oct19AsianArtWeekRound-up.qxp_Master Drawings Roundup 17/09/2019 10:54 Page 1

A SIAN ART IN LONDON 31st October – 9th November 2019 | asianartinlondon.com

Springtime of life, by Kazuko Shiihashi. Natural mineral pigment on Japanese handmade paper, 90 by 360 cm. KAMAL BAKHSHI. BY APPOINTMENT (SEE WEBSITE)

THE 22ND STAGING of Asian Art in London will once more assemble forty-six resident and visiting dealers, galleries and auction houses in the capital. Located principally in the gallery districts of Mayfair, St James’s and Kensington, a prodigious range of objects dating from antiquity to the present day will be offered for sale. Some specialist dealers will present curated exhibitions with a particular theme, whereas others will mount shows of recent acquisitions. This celebration of Asian art will include works from the Middle East, India, Southeast Asia, Central Asia, China, Japan, Korea and Vietnam.

Commercial exhibitions and auctions will be complemented by a programme of talks, demonstrations and related events at galleries and institutions across central London. Taking part will be the Oriental Ceramics Society, the British Museum, Asia House, the Victoria and Albert Museum, the Society of Antiquaries, and the Kelvingrove Art Gallery & Museum, Glasgow to name but a few. Visitors can also connect with fellow collectors and enthusiasts by joining organised ‘gallery hops’ around the city. For more information and to download the catalogue, please visit: www.asianartinlondon.com

Ottoman dagger, hancer and scabbard. Turkey, 19th century. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen, glass and wood, 46.5 cm high. PETER FINER, 38–39 DUKE STREET, SW1 Chinese Canton wine pot. c.1736–95. Enamel, 17.5 by 13 cm. BEN JANSSENS. EXHIBITING AT 15 OLD BOND STREET, W1S

Head of the Buddha. Greater Gandhara region, c.4th–5th century. Stucco with pigments, 61 cm. JOHN ESKENAZI. BY APPOINTMENT (SEE WEBSITE)

Autumn in Nara (Muro-Ji), by Kazuyuki Ohtsu. 2011. Woodblock, 170 by 160 cm. HANGA TEN. EXHIBITING AT 8 DUKE STREET, SW1Y

oct19nagel.qxp_Ratton & Ladriere Sept 04 18/09/2019 10:08 Page 1

106 | Fine Asian Art – Salzburg LOFT Salzburg, Müllner Hauptstr. 1, 5020 Salzburg, Austria

5 th - 6 th December 2019 | Viewing: 2nd - 4th December 2019

Special London Preview of selected items 2

- 5 th November 2019 - The Westbury Hotel - Pine Room Mayfair, London

MçHLODQH@KçAQNMYDçäFTQDçNEç5@IQ@R@SSU@ç "GHM@ ç8NMFKDçL@QJç@MCçODQHNCç

An imperial porcelain lotos bowl, China, Xuande L@QJç@MCçODQHNCç

çQ@QDçFHKS AQNMYDçäFTQDçNEç !TCCG@ç2G@JX@LTMH ç"GHM@ ç 3@MFçCXM@RSX

çQ@QDçO@HQçNEçFQDDMçCQ@FNM I@QRç@MCçBNUDQR ç#@NFT@MF RD@KçL@QJRç@MCçODQHNC

çFQNTOçNEçBKNHRNMMÀçDM@LDKç censers and vases, some with 0H@MKNMFçL@QJRç@MCçODQHNC

oct19AsianArtWeekRound-up.qxp_Master Drawings Roundup 17/09/2019 10:55 Page 2

A SIAN ART IN LONDON 31st October – 9th November 2019 | asianartinlondon.com

Silvery red spirits, by Vu Thu Hien. 2018. Watercolour on handmade paper, 80 by 55 cm. RAQUELLE AZRAN VIETNAMESE CONTEMPORARY FINE ART. EXHIBITING AT 6 MASON’S YARD, SW1

Floral jar, by Ono Hakuko. c.1980. Ceramic with white and gold overglaze, 24.1 by 29 cm. KAI GALLERY. EXHIBITING AT 73 NEW BOND STREET, W1S

Temple sculpture of Gokei (FiveTopknot) Monju riding a shishi. Japan, 14th–15th century. Wood, 22 cm high. SYDNEY L. MOSS, 12 QUEEN STREET, W1J

Kashmir shawl weavers. India (Lahore). c.1866. Watercolour and gold on paper. Image: 26.5 by 43.2 cm. SIMON RAY, 21 KING STREET, SW1

Cloisonné tray with a bird perched on a snow-covered plum tree branch, by Namikawa Sosuke. c.1900. Silver wire and enamel, 29.5 by 24 cm. GRACE TSUMUGI FINE ART, 8 DUKE STREET, SW1

Kandyan dagger and scabbard, Ceylon (Sri Lanka), 18th century. Silver, steel, horn and wood, height 39 cm. RUNJEET SINGH. EXHIBITING AT 6 RYDER STREET, SW1

oct19eurasianartgallery.qxp_Layout 1 17/09/2019 16:26 Page 1

EuRASIAn ARtS GAllERy www.noMADIC.oRG.uk

BRuSSElS & lonDon

An important Samanid silver plate, dated to circa 9â&#x20AC;&#x201C;10 century AD. 35 cm in diameter. Showing an ancient Sasanian king, Bahram Chobin, on horseback blessing an incoming Samanid king, Ismail Samani.

Rue des Minimes 19, 1000 Brussels By appointment only +44 (0)7423 333929 mgoldelman@gmail.com

oct19page20.qxp_Internet and Contacts 18/09/2019 15:47 Page 1

Free

Nara sacred d images i from early Japan n 3 October – 24 November 2019

Supported by

Sponsored by

Co-organised with Nara Prefecture

Bodhisattva of Compassion (Dream-changing Kannon), gilt bronze, AD late 600s – early 700s. Hōryūji temple, National Trreasure. Photo by Sasaki ki Kyyosuke, provided by Nara National Museum.

T HE B RITISH M USEUM The Michael Bromberg Fellowship The Michael Bromberg Fellowship has run in the Department of Prints and Drawings at the British Museum since 2001. The Museum intends to make two appointments each to be held

Inspired by the east how the Islamic world influenced western art 10 October 2019 – 26 January 2020 Open late Fridays Members/under 16s free #InspiredByTheEast

for a period of three months at some point during 2020. The object of the endowed fellowship is to promote education by the study of prints and their history. The fellows will be given practical training as interns in the Department and undertake projects in collaboration with British Museum staff. The value of each fellowship will be £3,500. The closing date for applications is 16 December 2019. Further particulars are available at www.britishmuseum.org, or by writing to the Department at

Book now

Great Russell Street, London WC1B 3DG.

Supported by

Jack Ryan Sponsored by

Telephone: 020 7323 8405 E-mail: prints@britishmuseum.org (please title emails ‘Bromberg 2020’) XX

THE BURLINGTON MAGAZINE | 161 | OCTOBER 2019

School of Veronese (1528–1588), A Portrait of Sultan Bayezid I. Oil on canvas, c. 1580. © Islamic Arts Museum Malaysia.

Organised with the Islamic Arts Museum Malaysia

oct19compiegne.qxp_Ratton & Ladriere Sept 04 17/09/2019 12:11 Page 1

SUNDA AY, OCTOBER 27, 2019 AUCTION N LIVE IN SENLIS (FRANCE) 25 km from m CDG AIRPORT - 40 km from P PARIS ARIS

A NEWL LY Y DISCOVERED DISCOVE ERED PAINTING BY CIMAB BUE AT AUCTION

Cenn ni di PEPO called CIMABUE (known from 1272 to 130 02) The mocking of C Christ. Tempera Tempera with gold background on poplar panel. 25.8 x 20.3 cm AUCTIONEERS

EXPERT

EXHIBITION

M D. LE COËNT - de BEAULIEU, P. WOLF, L. SCHWEITZER 63 rue du Faubourg St Martin 60300 Senlis France Tel: +33 3 44 53 03 42 Fax: +33 3 44 53 01 94 senlis@acteon.auction

Cabinet TURQUIN Mr Stéphane PINT TA A Tel: + 33 1 47 03 48 78 stephane.pinta@turquin.fr 69 rue Sainte-Anne 75002 Paris Visible only by appointment with the expert.

25 & 26 October: 10am - 12pm & 2pm - 6pm 27 October: 9:30am - 11:30am Compulsory pre-registration no later than Wednesday, October 23 at 6pm for bidding.

ACTEON.AUCTION

oct19FriezeMastersRound-up.qxp_Master Drawings Roundup 17/09/2019 10:39 Page 1

Regent’s Park, London 3–6 October 2019 A selection of highlights are shown here

Still life of an illuminated manuscript. Southern Netherlandish, c.1550. Oil on panel, 70.5 by 65.5 cm. SALOMON LILIAN, AMSTERDAM

Assortment no. 15, ‘Aviation II’, by K.P. Brehmer (1938–97). 1967. Acrylic on plastic, 110 by 165 cm. DIEHL GALLERY, BERLIN

Untitled (Orange bath), by Rachel Whiteread. 1996. Rubber and polystyrene, 80 by 207 by 110 cm. GAGOSIAN GALLERY, LONDON, NEW YORK AND VARIOUS LOCATIONS

Europeans with a falcon. India, Rajasthan, Bundi or Kotah, c.1740. Pigments, gold and silver on paper, 22.5 by 16.5 cm. ALEXIS RENARD, PARIS

Terrace folding chair for Tempe à Pailla, Castellar, by Eileen Gray (1874–1976). 1930–33. Painted metal with original fabric, 70.5 by 48 by 76 cm. GILLES PEYROULET & CIE, PARIS

America seen through stars and stripes, New York City, by Ming Smith. 1976. Archival pigment print, 61 by 76 cm. JENKINS JOHNSON GALLERY

oct19dorotheum.qxp_Ratton & Ladriere Sept 04 17/09/2019 11:04 Page 1

S I N C E 17 0 7

Auction Week 22 – 25 October 2019

Old Masters and 19th Century Paintings www.dorotheum.com Associate of Raffaello Sanzio, called Raphael (Urbino 1483–1520 Rome) Madonna and Child, oil on panel, 56.5 x 41.5 cm, €300,000 – 400,000

oct19saoroque.qxp_Ratton & Ladriere Sept 04 18/09/2019 15:51 Page 1

  —  · 

—

Portuguese, European and Colonial Art For over 30 years São Roque has held an undisputed reputation in the world of Art and Antiques for the rarity and exclusivity of its artworks, in an unmatched symbiosis of quality and guaranteed authenticity. A reference for both private and institutional collectors as well as for international Museums, São Roque’s team of specialists ensure that it maintains its preeminent position in an ever-growing and globalized Art and Antiques market.

N ‘V’ C Nippo-Portuguese, Momoyama, 1573 – 1615 This Nippo-Portuguese cabinet, known in Portugal as a vento, of superb technical quality and reﬁnement of decoration, is representative of a type of Oriental furniture produced for the European market. The sophisticated surfaces of polished ray skin (same) squares, alternating with mother-of-pearl ﬁllets, that frame the lacquered and gilt decorative panels of mother-of-pear inlays, confer the cabinet its singularity of decoration.

A lateral door reveals a three-tier drawer arrangement, replicating a traditional Japanese prototype that contrasts with all other Asian pieces for exporting to the West, which copied original European prototypes. The term vento derives from the Japanese word bento (a lunch box), and evokes the 16th and 17th centuries’ Portuguese taste for these fashionable objects that arrived from the Far East. Known under the generic term Namban, they were manufactured in Japan for the nanban-jin, literally Southern Barbarians, a designation referring to the Portuguese, so enthused by exotic and luxurious objects.

oct19saoroque2.qxp_Ratton & Ladriere Sept 04 18/09/2019 15:53 Page 1

C--S  I   O  S A Teak, ebony, ivory and gilt copper, Goa 17th century

Convent of Saint Augustine, also in our collection and of strong similarities to the present cabinet, the iconography is equally lacking the exact same elements.

Unique, mid 17th century Indo-Portuguese cabinet on stand, ornamented in ebony and ivory inlaid motifs, sophisticated gilt copper hardware, and heraldic crowned double-headed eagles associated to the Augustinian Order.

Although ebony and ivory inlaid teak furniture is relatively common in the 17th c. Goan production, the present cabinet is unique on account of its complex symbolic iconography.

The dense foliage scrolled decorative composition of both the cabinet and its stand, is completed with depictions of lions and vultures which, in addition to the eagles, are beasts associated to an ideal of protection, assuming here an unquestionable shielding role within a wealthy religious home, a detail that imbues the present cabinet with exceptionally important characteristics. Double-headed eagles, became the emblem of the Order of Saint Augustine as conceded by King Phillip I (?) (r. 1556 – 1598). Even though the full Augustinian heraldic appears incomplete, it is likely that this piece’s commission was related to this Religious Order. Eﬀectively, on one of the surviving sacristy chests from the Goan

SÃO ROQUE — ANTIQUES & ART GALLERY RUA DE S. BENTO, 199B § 1250 – 219 LISBON – PORTUGAL T+ F +351 213 960 734 § Mobile +351 962 363 260 E GERAL@SAOROQUEARTE.PT WWW.ANTIGUIDADESSAOROQUE.COM

oct19fraysse&assoc.qxp_Ratton & Ladriere Sept 04 18/09/2019 08:59 Page 1

AUCTION HOUSE

PA R I S

JEWELLERY OF A DISTINGUISHED LADY

N OV E M B E R 1 3 TH 2 0 1 9 - P A R I S - H Ô T E L D R O U OT Contact : DECHAUT-STETTEN & ASSOCIES - Phone : +33 1 42 60 27 14 - thierrystetten@hotmail.com

www.fraysse.net n°2002-035

oct19fineartsparis.qxp_Ratton & Ladriere Sept 04 18/09/2019 16:14 Page 1

oct19page28.qxp_Internet and Contacts 18/09/2019 15:57 Page 1

38–39 Duke Street, St James’s, London, SW1Y 6DF T: +44 (0)20 7839 5666 www.peterfiner.com

Francis Haskell Memorial Fund The Burlington Magazine Foundation 2019 Scholarships

A Fine Ottoman Dagger, Hancer and Scabbard 19 th century

Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen, glass and wood. 46.5 cm / 18.3 in

Art & Museum Insuranc an e Specialists For over 50 years Blackwall Green e has arranged insurance for treasured collections, ons major exhibitions and leading galleries thr hroughout o the world.

Contact: Robert-Hepburne Scott, Executive Director, Blackwall Gr G een T: +44 (0)20 7234 4307 E: Robert_Hscott@blackwallgreen.com m www.blackwallgreen.com Blackwall Grreen een is a trading name of Arthur J. Gallagher (UK) Ltd, which is authorised and regulated by the Financial Conduct Authority. Registered Office:The Walbrook Building, 25 Walbrook, London

Grants of up to £2000 will be awarded from the Francis Haskell Memorial Fund this year to enable scholars to spend time in libraries or archives carrying out advanced research in the history of western art. Preference may be given to candidates in the early stages of their careers; to subjects related to the commissioning, collecting or interpretation of works of art made before 1914; and to research carried out outside the applicant’s country of residence. Scholars from any country may apply. An additional award may be made by the Trustees of The Burlington Magazine Foundation in conjunction with the Francis Haskell Trustees. Applications, including a two-page proposal, a C.V. and a budget, should be sent by email to caroline.m.elam@gmail.com by 18 October 2019 – please label all attachments with surname of applicant. There is no application form. Applicants should ask two referees to write separately to the same email address by the same deadline in support of their proposals. Awards will be made by 16 December 2019.

P Q Advertise Subscribe Publish www.printquarterly.com XXVIII

THE BURLINGTON MAGAZINE | 161 | OCTOBER 2019

oct19aguttes.qxp_Ratton & Ladriere Sept 04 17/09/2019 12:16 Page 1

OLD MASTERS PAINTINGS Thursday 14 November 2019 • Drouot, Paris

ADRIAEN HANNEMAN (THE HAGUE 1603-1671) Portrait of a child carrying a chicken Oil on Canvas

Enquiries Grégoire Lacroix lacroix@aguttes.com • +33 6 98 20 77 42

This painting was exhibited in the winter exhibition at the Royal Academy of Arts in 1951 and at the Rijksmuseum in Amsterdam in 1952. It was considered to be a work by Jan Van Noordt at the time.

Neuilly-sur-Seine • Drouot • Lyon • Brussels aguttes.com |

| Like, Comment, Share with #aguttes

feb19page18.qxp_Internet and Contacts 17/09/2019 18/01/2019 12:34 14:18 Page 1 oct19page30.qxp_Internet

via san giovanni sul muro 3 20121 milano – italy tel. +39 02 86460928 fax. +39 02 72021664 www.cesatiecesati.com info@cesatiecesati.com

C O N T @ C T S

cesati antiques & works of art

f art

via san giovanni sul muro 3 20121 milano – italy tel. +39 02 86460928 fax. +39 02 72021664 www.cesatiecesati.com info@cesatiecesati.com

Daniel Katz Gallery

DIDIER AARON, Inc.

f r o m a n t i q u i t y t o t h e 2o t h c e n t u ry 65

www.katz.art

Fine Old Master Paintings and Drawings

11 615 3 2 Duke e a s t Street 6 7 t h |s tSt r eJames’ e t n e|w London y o r k , nSW y 11Y0 062BN Tel.t e+44 Fax. l 2207 1 2 9930 8 8 -1144 5 2 4 8 | fa x 2+44 1 2 7207 3 7 -976 3 5 11596 3 | info@rafaelvalls.co.uk w w w . d iwww.rafaelvalls.co.uk dieraaron.com info@didieraaron.com

T R I N I T Y F I N E A RT 15 old bond street london w 1s 4 a x www.trinityfineart.com

info @trinityfineart.com +44 (0)20 7493 4916

day & faber old master drawings 11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.dayfaber.com www.rafaelvalls.co.uk | info@rafaelvalls.co.uk

Timothy Newbery

PICTURE 11 FRAME ANDSWCATALOGUING DukeMAKING, Street | RESTORATION St James’ | London 1Y 6BN e. timothynewbery@btinternet.com m. Tel. +44 207 930 1144 | Fax. +44 207 (0)7891 976 1596 765877 m +44 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk www.timothynewbery.co.uk

XVIII

THE BURLINGTON MAGAZINE | 161 | FEBRUARY 2019

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2019

Timothy Newbery

PICTURE FRAME MAKING, RESTORATION AND CATALOGUING

TO ADVERTISE PLEASE VISIT:

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Hazlitt Holland-Hibbert is pleased to announce representation of the Paolozzi Foundation

Eduardo Paolozzi Hollow Gods Sculpture and Collage 1946 – 1960 17 October – 13 December 2019 Monday – Friday 10am – 6pm

Hazlitt Holland-Hibbert 38 Bury Street St James’s London SW1Y 6BB www.hh-h.com 020 7839 7600

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ANTONIO RICCI (act. 1560 – c. 1631)

Juana and Isabel de Aragón y Pernstein c. 1598–1599 Oil on cardboard – 5.2 × 9.2 cm

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