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december 2020

NEW RESEARCH ON ART AND ITS HISTORY

DECEMBER 2020

An unknown ‘Immaculate Conception’ by Velázquez E.K. Waterhouse’s El Greco catalogue raisonné | Promoting Goya in nineteenth-century France Aby Warburg and the ‘Bilderatlas Mnemosyne’ | Avatars of Antiquity II: drapery as metaphor

the burlington magazine no. 1413 vol. 162 COVER_DEC20.indd 2

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M E A DOW S M USEU M Meadows Museum • Dallas

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This exhibition is organized by the Meadows Museum, SMU, Dallas, and the National Gallery of Art, Washington, in collaboration with the Museo Nacional de Escultura, Valladolid, and funded by a generous gift from The Meadows Foundation. Promotional support provided by The Dallas Morning News and VisitDallas.

Detail of Alonso Berruguete’s Ecce Homo (c. 1524, Museo Nacional de Escultura, Valladolid) in the exhibition Alonso Berruguete: First Sculptor of Renaissance Spain at the Meadows Museum.

Photo by Guy Rogers, III.

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PH I L IP MOU L D & C O M PA N Y

Philip Mould & Company 18–19 Pall Mall London SW1Y 5LU www.philipmould.com

F R E N C H – C A N A DI A N S C HO OL (circa 1800–1820)

An Inuk or European Man, wearing fur parka with hood, a bow in his hand and a quiver with arrows on his back Watercolour on ivory Later gilded wood frame Oval, 2 ¼in (57mm) high

500 Years of British Art

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Research conducted with assistance from the British Museum. Discover what life is like in the Arctic in the current Citi exhibition Arctic: culture and climate until 21 February 2021 at the British Museum. Find out more and book tickets at britishmuseum.org/arctic.

To find out more about the portrait please contact Philip Mould & Company art@philipmould.com

17/11/2020 15:00

ME A DOWS M USEU M F EL L OWSH I PS MELLON CUR ATORIAL FELLOW

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Position yourself for a successful museum career.

Gain hands-on museum experience.

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Grow as a museum professional while continuing your specialty.

Meadows Museum fellowships offer pre- and post-doctoral students an intensive scholarly and professional experience in curatorial work with an unparalleled combination of resources and direct access to the museum’s staff and collection. One of the most wide-ranging collections of Spanish art in the world, the Meadows Museum’s collection spans twelve centuries of Spanish art, from the medieval to the contemporary, and is constantly growing. Fellowships include substantial stipends for research, travel, and professional development*; active participation in the organization of exhibitions and the management of the permanent collection; funds for a capstone project of your choice; opportunities to develop career skills such as grant management, public speaking, program development, and donor relations; relocation assistance*; and more.

Post doctoral fellowships enjoy the gracious support of The Andrew W. Mellon Foundation, while pre-doctoral fellowships are supported by the Center for Spain in America.

Position yourself for success— Learn more and apply today at meadowsmuseumdallas.org/education/fellowships/ DEADLINE TO APPLY IS FEBRUARY 15, 2021; ANTICIPATED START DATE FALL 2021. *Budgets vary depending on whether the fellowship is pre- or post-doctoral; the pre-doctoral fellowship does not include relocation assistance.

Photo by Tamytha Cameron

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NEW & NOTABLE

Imogen Cunningham A Retrospective Paul Martineau Thoroughly researched and beautifully produced, this book offers a comprehensive look at the motivations and extraordinary work of the American photographer.

Fluxus Means Change Jean Brown’s Avant-Garde Archive Marcia Reed An exploration of the radical artists who transformed the ways art is conceived, exhibited, and collected, through the Dada, Surrealist, and Fluxus collections of Jean and Leonard Brown.

Hollywood Arensberg Avant-Garde Collecting in Midcentury L.A. Mark Nelson, William H. Sherman, and Ellen Hoobler “Beyond being an awe-inspiring dive into the art holdings of the Arensbergs, the book offers a complex portrait of two people working to shape multiple fields.”

—Andrew Russeth, Architectural Digest

William Blake Visionary Edina Adam and Julian Brooks, with an essay by Matthew Hargraves A richly illustrated, comprehensive introduction to the British artist who continues to inspire musicians, poets, performers, and visual artists worldwide.

Mira Calligraphiae Monumenta A Sixteenth-Century Calligraphic Manuscript Inscribed by Georg Bocskay and Illuminated by Joris Hoefnagel 2ND EDITION Lee Hendrix and Thea Vignau-Wilberg A treasury of extraordinary beauty to inspire book lovers, graphic designers, and scholars alike.

Finding Dora Maar An Artist, an Address Book, a Life Brigitte Benkemoun Translated by Jody Gladding “[A] spirited and deeply researched project…. [Benkemoun’s] affection for her subject is infectious. This book gives a satisfying treatment to a woman who has been confined for decades to a Cubist’s limited interpretation.”

—Joumana Khatib, The New York Times

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© 2020 J. Paul Getty Trust

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Zurbarán Centre for Spanish and Latin American Art Durham University has recently appointed Claudia Hopkins as Professor and Director of the Zurbarán Centre for Spanish and Latin American Art on secondment from the University of Edinburgh.

Between January and March 2021 the Zurbarán Centre in association with ARTES Iberian & Latin American Visual Culture Group will host a weekly online research seminar series, usually on Wednesdays at 6:00pm. For details, see www.dur.ac.uk/zurbaran. To receive a link to each seminar, email Zurbaran.Centre@durham.ac.uk.

The Zurbarán Centre is working towards a symposium to mark the opening of the Spanish Gallery in 2021.

Launched in 2017, the Zurbarán Centre aims to promote and generate innovative research relating to the arts in the Iberian Peninsula and Latin America. Located at Bishop Auckland, it is named after Francisco de Zurbarán, the author of the series of paintings Jacob and His Twelve Sons, which have been at Auckland Castle for over 250 years.

Zurbarán Doctoral Scholarship for the Study of Spanish Art The Zurbarán Centre for Spanish and Latin American Art is pleased to invite applications for a fully funded doctoral scholarship in Spanish art-historical studies, commencing at Durham University in the academic year 2021/22. The scholarship supports projects on Spanish art from the Golden Age to around 1900, including the reception of Spanish art in Britain.

The scholarship is tenable for three years full-time or five years parttime. The successful candidate will enjoy privileged access to the Spanish Gallery at The Auckland Project in Bishop Auckland, which houses one of the most remarkable collections of Spanish art in the UK. Applications should be submitted to Durham University programme following the standard process of the Durham Doctoral Studentships. Applicants are advised to contact the administration of the Zurbarán Centre (Zurbaran.Centre@durham.ac.uk) well before the deadline of 31 March.

This scholarship has been created thanks to the generous support of the CEEH (Centro de Estudios Europa Hispánica), in association with ARTES and The Auckland Project.

Zurbarán and His Twelve Sons A film by Arantxa Aguirre Script: John Healey with the collaboration of Jonathan Brown Production: CEEH, The Auckland Project and Intervenciones Novo Film Run time: 72 minutes Audio: Spanish, English, Hebrew Subtitles: Spanish, English This documentary narrates the vicissitudes of Jacob and His Twelve Sons, a series of 13 canvases painted by Francisco de Zurbarán in Seville around 1640 that have hung for 250 years in the residence of the bishops of Durham.

During the renovation of their usual headquarters, the Zurbaráns have been exhibited in the Meadows Museum, The Frick Collection and the Israel Museum.

The film follows this international tour, interviewing specialists in Spanish Golden Age, while also explaining how these works have become a tool for social transformation thanks to the initiative of a financier born in that area. After premiering at the Seminci Film Festival the documentary has been shown at the Círculo de Bellas Artes in Madrid. Thanks to the Cultural Office of the Embassy of Spain in Washington DC, it will be screened at major American museums.

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COLLECTING MURILLO IN BRITAIN AND IRELAND

ENRIQUETA HARRIS FRANKFORT CURATORIAL ASSISTANT (Full-time)

The art of Bartolomé Esteban Murillo (1617–1682) captured the Collecting Murillo in Britain and Ireland British imagination in the eighteenth and nineteenth centuries. Wealthy collectors competed for the choicest pictures, artists imitated his styles and adopted his subjects, and much ink was spilled in praise of the painter.

This book explores the collectors, connoisseurs, travellers and artists who brought Murillo’s art to prominence in the British Isles, casting new light on a fundamental episode in the history of reception of Spanish art in Europe.

Edited by Isabelle Kent, with texts by Thomas Bean, Xavier Bray, Hugh Brigstocke, Xanthe Brooke, José Luis Colomer, Véronique Gerard Powell, Claudia Hopkins, Isabelle Kent, Hilary Macartney, Philip McEvansoneya, Thierry Morel and Robert Wenley.

Centro de Estudios Europa Hispánica (CEEH) in association with The Wallace Collection 352 pages; 136 colour illustrations; hardcover; 21 x 24 cm.

Madrid, 2020. ISBN 978-84-15245-96-4. €40

2 Year Fixed-Term Contract The Wallace Collection is delighted to announce that it will be continuing its programme of appointing a two-year position combining museum experience and Spanish art-historical studies in memory of Enriqueta Harris Frankfort. Before her death in 2006, Dr Harris Frankfort was a leading authority on Spanish painting in the UK, particularly the works of Velázquez and Goya. The Wallace Collection is proud to be collaborating with the Centro de Estudios Europa Hispánica (CEEH) in the appointment of this role, and is extremely grateful for their on-going support.

This post is intended to strengthen the curatorial team and specifically its research activities in the field of Spanish painting, but also to provide a professional start in the art of curating. It is envisaged as a training opportunity for someone with little experience of museum work but with a formal academic training, and is designed to encourage an early-stage researcher to engage with museum objects and produce new research.

For further details, applicants are advised to consult the Wallace Collection website or contact the HR department at the Wallace Collection.

Application deadline: 15th September 2021.

Velázquez and the Prince: Baltasar Carlos in the Riding School Following the recent restoration of Prince Baltasar Carlos in the Riding School, the Wallace Collection will be organising a special conference in collaboration with the Centro de Estudios Europa Hispánica (CEEH).

Bringing together international scholars working on portraiture at the Spanish Habsburg Court as well as a specialists in Velázquez’s œuvre, this event will explore the context in which it was painted as well as discuss the complex relationship it has with a fully accepted autograph version now in a private collection.

For further announcements on the event, please visit the Wallace Collection website. wallacecollection.org

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THE BURLINGTON MAGAZINE | 162 | DECEMBER 2020

Centro

de

estudios europa HispániCa

Felipe IV 12, bajo B • 28014 Madrid Tel. +34 91 369 22 54 info@ceeh.es www.ceeh.es

Collections of Spanish Drawings

Other publications on Spanish Drawings from the CEEH

Cataloguing and exhibition projects sponsored by the Centro de Estudios Europa Hispánica (CEEH) and the Center for Spain in America (CSA)

Vicente Carducho. Dibujos.

Catálogo razonado Álvaro Pascual Chenel and Ángel Rodríguez Rebollo 528 pp.; 354 col. illus.; hardcover; 22 × 27.5 cm Published by the CEEH and the Biblioteca Nacional de España with the collaboration of the Museo Nacional del Prado, 2015 €50

The Spanish Manner. Drawings from Ribera to Goya Catalogue by Lisa A. Banner, Jonathan Brown, Andrew Schulz and Reva Wolf 208 pp.; 112 col. illus.; paperback; 23 × 28 cm Jointly published by The Frick Collection and Scala Publishers with major support from the CSA, 2010 $20

Spanish Drawings in The Courtauld Gallery Catalogue by Zahira Véliz with the collaboration of Edward Payne and Katharine Lockett 328 pp.; 321 col. illus.; hardcover with jacket; 24 × 28 cm Jointly published by Paul Holberton publishing and The Courtauld Gallery with major support from the CEEH, 2012 £80

Carreño de Miranda. Dibujos Cristina Agüero with contributions by Mark McDonald, Roberto Alonso, Karin Hellwig, Eduardo Lamas-Delgado and Benito Navarrete 248 pp.; 143 col. illus.; flexbinder; 22 × 27.5 cm Published by the CEEH and the Biblioteca Nacional de España, 2017 €40

Renaissance to Goya. Prints and Drawings from Spain Catalogue by Mark McDonald with the collaboration of Clara de la Peña McTigue 320 pp.; 350 col. illus.; hardcover; 23.5 × 29.5 cm Published by The British Museum Press in collaboration with The J. Paul Getty Trust with major support from the CEEH, 2012 £30

Dibujos de Rosario Weiss (1814-1843). Catálogo razonado Carlos Sánchez Díez 424 pp.; 377 col. illus.; hardcover; 22 × 27.5 cm Published by the CEEH, the Biblioteca Nacional de España and the Museo Lázaro Galdiano, 2018 €50

Spanish Drawings in the Princeton University Art Museum Catalogue by Lisa A. Banner with contributions

by Jonathan Brown, Robert Lubar and Pierre Rosenberg 176 pp.; 166 col. illus.; paperback; 25 × 29 cm Published by the Princeton University Art Museum and Yale University Press with major support from the CSA, 2012 $40 The Spanish Gesture. Drawings from Murillo to Goya in the Hamburger Kunsthalle Catalogue by Jens Hoffmann-Samland with contributions by M. Cruz de Carlos, Gabriele Finaldi, José Manuel Matilla, Manuela B. Mena, Gloria Solache and Annemarie Stefes 296 pp.; 245 col. illus.; hardcover with jacket; 24 × 28 cm Published by the Museo Nacional del Prado and the Meadows Museum with the collaboration of the CEEH and the CSA, 2014 $75 AF Cubierta CARDERERA.indd Todas las páginas

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Dibujos de Luis Paret y Alcázar (1746-1799).

Catálogo razonado Alejandro Martínez Pérez 352 pp.; 323 col. illus.; hardcover; 22 × 27.5 cm Published by the CEEH and the Biblioteca Nacional de España, 2018 €40 Valentín Carderera (1796-1880).

Dibujante, coleccionista y viajero romántico José María Lanzarote Guiral 384 pp.; 221 col. illus.; hardcover; 22 × 27.5 cm Published by the CEEH and the Biblioteca Nacional de España, 2019 €40

BNE ——— CEEH

4/9/19 10:44

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Simiolus Simiolus 42 (2020) has just been completed, and we hope to embark on the next volume soon. In 2020, we published papers on topics as far apart as Quinten Massys and James Ensor, and we were especially happy with the study by Laurens Kleine Deters on Marcus van Vaernewijck – including a transcription and full translation of that author’s 1568 notes on art. All the work published this year shows that the field is not exhausted and that an international community of scholars is still working on it. Our first Haboldt Mutters Prize for a contribution by an author

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THE BURLINGTON MAGAZINE | 162 | DECEMBER 2020

Netherlands quarterly for the history of art under 35 was awarded to a Canadian art historian; her fellow competitors came from France, Hungary and the Netherlands. We keep Simiolus running, but we also need you and your institutions to subscribe to it and read it!

Institutions pay € 100 a year, individuals pay € 60. Over 300 pages a year on the history of Netherlandish art! Visit our site at Simiolus.nl for the conditions of subscription and information on how to advertise, where to send your copy and how to order backsets.

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2021 SCHOLARSHIP for the study of French 18th-century fine and decorative art INVITATION FOR APPLICATIONS A French Prisoner of War Ship Model, c. 1800 Made in England, by a French prisoner of war. Bone, metal, string, textile, mica, wood and glass.

The Burlington Magazine is pleased to announce its fourth annual scholarship for the study of French 18th-century fine and decorative art.

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C A R AVAG G I O ’ S Cardsharps on Trial: Thwaytes v. Sotheby’s Richard E. Spear In 2006 Sir Denis Mahon announced that a version of Caravaggio’s famous Cardsharps that he had bought at Sotheby’s was not a copy, as the auction house had stated, but was by Caravaggio himself. As a result, the vendor, Lancelot Thwaytes, sued Sotheby’s for negligence.

Vividly written by an eminent art historian who acted as an expert witness in the case, this handsomely illustrated account of one of the major art trials of recent times will be of great interest to dealers, conservators and lawyers, as well as all admirers of Caravaggio.

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