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august 2021

NEW RESEARCH ON ART AND ITS HISTORY

AUGUST 2021

Art in Renaissance Italy Painters and patrons in Siena | An architect’s house in Florence | The fate of Tintoretto’s studio The slavery exhibition in Amsterdam | Dubuffet in London | The Pinault Collection, Paris

the burlington magazine no. 1421 vol. 163 COVER_AUG21.indd 2

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FRANCESCO CAPORALE, KNOWN AS IL SONCINO (active 1606 – c. 1635) (Attributed to)

Rome, early 17th century

Portrait Bust of a Nobleman dressed all’antica Carrara marble, on a bigio morato marble socle 78 cm high, including socle PROVENANCE

Frederick Howard, 5th Earl of Carlisle

(1748–1825), Castle Howard, North Yorkshire, United Kingdom or possibly his father Henry

Howard, 4th Earl of Carlisle (1694–1758), Castle Howard, North Yorkshire, United Kingdom; thence by descent

info@tomasso.art tomasso.art

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voena

IL LIBRO

The Magazine of Italian Art

vol.3 - autumn 2021 illibromagazine.com

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NE W TITLES FROM THE PAU L MELLON CENTRE

ISBN 978-1-913107-19-2

Illuminating Natural History

Henrietta McBurney

9 781913 107192

Illuminating Natural History

Illuminating Natural History

The Art and Science of Mark Catesby

The Art and Science of Mark Catesby T

Henrietta McBurney

his book explores the life and work of the celebrated eighteenth-century English naturalist, explorer, artist and author Mark Catesby (1683–1749). During Catesby’s lifetime, science was poised to shift from a world of amateur virtuosi to one of professional experts. Working against a backdrop of global travel that incorporated collecting and direct observation of nature, Catesby spent two prolonged periods in the New World – in Virginia (1712–19) and South Carolina and the Bahamas (1722–6). In his majestic two-volume Natural History of Carolina, Florida and the Bahama Islands (1731–43), esteemed by his contemporary John Bartram as ‘an ornament for the finest library in the world’, he reflected the excitement, drama and beauty of the natural world. Interweaving elements of art history, history of science, natural history illustration, painting materials, book history, paper studies, garden history and colonial history, this meticulously researched volume brings together a wealth of unpublished images as well as newly discovered letters by Catesby, which, with their first-hand accounts of his collecting and encounters in the wild, bring the story of this extraordinary pioneer naturalist vividly to life.

A beautifully illustrated study of the life and art of Mark Catesby, who depicted North America’s flora and fauna in an age of global travel, colonialism and scientific advancement

Henrietta McBurney is a freelance curator and art historian. She was previously curator in the Royal Library, Windsor Castle. Her publications include studies on the florilegium of Alexander Marshal and the natural history drawings for Cassiano dal Pozzo’s Paper Museum.

Henrietta McBurney

A DR IA NO AYMON I NO

ENLIGHTENED ECLECTICISM

joseph viscoMi

ADRIANO AYMONI NO

ENLIGHTENED ECLECTICISM THE GR AND DESIGN OF THE 1ST DUKE AND DUCHESS OF NORTHUMBER L AND

WI L L I A M B L A K E’S P R I N T E D PA I NTI N G S Methods · Origins · Meanings

Methods origins Meanings

Joseph Viscomi

William Blake’s Printed Paintings

Enlightened Eclecticism

Daniel Cottier

The Grand Design of the 1 Duke and Duchess of Northumberland

Adriano Aymonino

Designer, Decorator, Dealer Petra ten-Doesschate Chu & Max Donnelly

Joseph Viscomi

An extensive survey of the power of patronage , which sheds new light on the eclectic and opulent taste of Georgian Britain, the emergence of neoclassicism, and the culture of the Enlightenment

The fascinating story of an innovative designer and farsighted art entrepreneur and the important role he played in the international dissemination of nineteenth-century Aestheticism

Supported by meticulous material and historical analysis, this book offers an in-depth examination and radical reinterpretation of William Blake’s monoprints, some of his most celebrated works

st

Methods, Origins, Meanings

www.paul-mellon-centre.ac.uk/publications Distributed by Yale University Press

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the burlington magazine | 163 | august 2021

19/07/2021 17:08

Kollenburg Antiquairs

Attributed to Matthäus Gundelach (1566? – 1653/4 Augsburg) ca. 1600, oil on copper, H 40 x W 31 cm

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Leaf through pages or scroll online, whatever your way, find a subscription to suit you

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19/07/2021 16:49

New Titles Images and Indulgences in Early Netherlandish Painting

Fra Angelico

Miyako Sugiyama

384 p., 247 col. ills, ISBN 978-2-503-58033-3

iv + 193 p., 10 b/w ills, 126 col. ills, ISBN 978-1-912554-58-4

The Fertile Ground of Painting Seventeenth-Century Still Lifes and Nature Pieces Karin Leonhard 304 p., 162 col. ills, ISBN 978-1-912554-06-5

Painter, Friar, Mystic Timothy Verdon

Leonardo, Bramante, and the Academia Art and Friendship in Fifteenth-Century Milan Jill Pederson xvi + 360 p., 110 col. ills, ISBN 978-1-912554-42-3

The Politics of Sanctity Figurative Sculpture at Selles-sur-Cher Deborah Kahn 272 p., 40 b/w ills, 200 col. ills, ISBN 978-1-912554-36-2

From Kairos to Occasio through Fortuna. Text / Image / Afterlife

On the Antique Critical Moment, a Grisaille in Mantua (School of Mantegna, 1495-1510), and the Fortunes of Aby Warburg (1866-1929) Barbara Baert

Harmony in Bright Colors Memling’s God the Father with Singing and Music-Making Angels Restored Lizet Klaassen, Dieter Lampens (eds) 287 p., 30 b/w ills, 220 col. ills, incl. CD, ISBN 978-2-503-58028-9

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Copies of Flemish Masters in the Hispanic World (1500-1700)

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Andrea Mantegna

Flandes by Substitution

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Eduardo Lamas, David García Cueto (eds)

Stephen J. Campbell

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the burlington magazine | 163 | august 2021

19/07/2021 11:29

NEW & FORTHCOMING

Art and Curiosity Cabinets of the Late Renaissance A Contribution to the History of Collecting

Samuel van Hoogstraten’s Introduction to the Academy of Painting; or, The Visible World

Visualizing Empire Africa, Europe, and the Politics of Representation

Julius von Schlosser

Samuel van Hoogstraten Edited by Celeste Brusati

Edited by Rebecca Peabody, Steven Nelson, and Dominic Thomas

Edited by Thomas DaCosta Kaufmann Translation by Jonathan Blower For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English.

Mario Giacomelli Figure/Ground Virginia Heckert Spanning the full range of the artist’s career, this publication celebrates the work of one of Italy’s foremost photographers of the twentieth century.

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A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands.

Under Discussion The Encyclopedic Museum Edited by Donatien Grau Nearly thirty interviews with some of the world’s most prominent thinkers and preeminent arts leaders on the past, present, and future of the encyclopedic museum.

An exploration of how an official French visual culture normalized France’s colonial project and exposed citizens and subjects to racialized ideas of life in the empire.

Imogen Cunningham A Retrospective Paul Martineau Thoroughly researched and beautifully produced, this book offers a comprehensive look at the motivations and extraordinary work of the American photographer.

© 2021 J. Paul Getty Trust

Getty Publications

Translation by Jaap Jacobs

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uk

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Presenting Our New Handbook of the Collection NEW! Meadows Museum: A Handbook of the Collection Edited by Mark A. Roglán Published on the occasion of the twentieth anniversary of the museum’s new building, this handbook offers a broad examination of the entire collection—one of the most comprehensive collections of Spanish art outside Spain—in which readers will learn the breadth of the museum’s holdings in all media.

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Copley and West in England 1775–1815

by Allen Staley This beautifully and thoroughly illustrated book, which constitutes the first serious investigation of the relationship between Benjamin West and John Singleton Copley, will be of considerable interest to both British and American art historians, and appeal to lovers of the

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art of both countries.

West and Copley have always and properly been viewed as the two pre-eminent eighteenth-century American artists, despite the fact that, at the age of twenty-one, West left his native shores in 1760, never to return. He went on to become immensely successful in England, becoming, among other things, the second president of the Royal Academy of Arts. Copley spent half his working life also in England. For a time, the two expatriate Americans had a close working relationship, that we can see substantially reflected in both the formal language and the subject matter of many of their best works, but it eventually and inevitably turned into rivalry.

The book begins with a brief prologue discussing the earliest of West’s depictions of recent historical events and of subjects set in America, painted prior to Copley’s arrival in England. It then follows the year-by-year evolution of Copley’s painting from 1775 to his death in 1815, with an underlying focus upon his ongoing give-andtake with West, and it ends with examination of hitherto little-known and unstudied major late paintings, from after 1800, by both artists.

To purchase or for more details please visit:

shop.burlington.org.uk/product/COPLEY/

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aug21smeetsB.qxp_Agnews 19/07/2021 17:15 Page 1

SEBASTIANO MAZZONI (Florence 1611 – Venice 1678). St. Michael the Archangel Overthrowing Lucifer. c. 1650 Oil on copper - 23.5 x 17.5 cm.

3, rue du Port

CH -1204

Geneva

M + 41792859262

E info@robsmeets.com

I www.robsmeets.com