august 2021
NEW RESEARCH ON ART AND ITS HISTORY
AUGUST 2021
Art in Renaissance Italy Painters and patrons in Siena | An architect’s house in Florence | The fate of Tintoretto’s studio The slavery exhibition in Amsterdam | Dubuffet in London | The Pinault Collection, Paris
the burlington magazine no. 1421 vol. 163 COVER_AUG21.indd 2
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FRANCESCO CAPORALE, KNOWN AS IL SONCINO (active 1606 – c. 1635) (Attributed to)
Rome, early 17th century
Portrait Bust of a Nobleman dressed all’antica Carrara marble, on a bigio morato marble socle 78 cm high, including socle PROVENANCE
Frederick Howard, 5th Earl of Carlisle
(1748–1825), Castle Howard, North Yorkshire, United Kingdom or possibly his father Henry
Howard, 4th Earl of Carlisle (1694–1758), Castle Howard, North Yorkshire, United Kingdom; thence by descent
info@tomasso.art tomasso.art
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voena
IL LIBRO
The Magazine of Italian Art
vol.3 - autumn 2021 illibromagazine.com
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NE W TITLES FROM THE PAU L MELLON CENTRE
ISBN 978-1-913107-19-2
Illuminating Natural History
Henrietta McBurney
9 781913 107192
Illuminating Natural History
Illuminating Natural History
The Art and Science of Mark Catesby
The Art and Science of Mark Catesby T
Henrietta McBurney
his book explores the life and work of the celebrated eighteenth-century English naturalist, explorer, artist and author Mark Catesby (1683–1749). During Catesby’s lifetime, science was poised to shift from a world of amateur virtuosi to one of professional experts. Working against a backdrop of global travel that incorporated collecting and direct observation of nature, Catesby spent two prolonged periods in the New World – in Virginia (1712–19) and South Carolina and the Bahamas (1722–6). In his majestic two-volume Natural History of Carolina, Florida and the Bahama Islands (1731–43), esteemed by his contemporary John Bartram as ‘an ornament for the finest library in the world’, he reflected the excitement, drama and beauty of the natural world. Interweaving elements of art history, history of science, natural history illustration, painting materials, book history, paper studies, garden history and colonial history, this meticulously researched volume brings together a wealth of unpublished images as well as newly discovered letters by Catesby, which, with their first-hand accounts of his collecting and encounters in the wild, bring the story of this extraordinary pioneer naturalist vividly to life.
A beautifully illustrated study of the life and art of Mark Catesby, who depicted North America’s flora and fauna in an age of global travel, colonialism and scientific advancement
Henrietta McBurney is a freelance curator and art historian. She was previously curator in the Royal Library, Windsor Castle. Her publications include studies on the florilegium of Alexander Marshal and the natural history drawings for Cassiano dal Pozzo’s Paper Museum.
Henrietta McBurney
A DR IA NO AYMON I NO
ENLIGHTENED ECLECTICISM
joseph viscoMi
ADRIANO AYMONI NO
ENLIGHTENED ECLECTICISM THE GR AND DESIGN OF THE 1ST DUKE AND DUCHESS OF NORTHUMBER L AND
WI L L I A M B L A K E’S P R I N T E D PA I NTI N G S Methods · Origins · Meanings
Methods origins Meanings
Joseph Viscomi
William Blake’s Printed Paintings
Enlightened Eclecticism
Daniel Cottier
The Grand Design of the 1 Duke and Duchess of Northumberland
Adriano Aymonino
Designer, Decorator, Dealer Petra ten-Doesschate Chu & Max Donnelly
Joseph Viscomi
An extensive survey of the power of patronage , which sheds new light on the eclectic and opulent taste of Georgian Britain, the emergence of neoclassicism, and the culture of the Enlightenment
The fascinating story of an innovative designer and farsighted art entrepreneur and the important role he played in the international dissemination of nineteenth-century Aestheticism
Supported by meticulous material and historical analysis, this book offers an in-depth examination and radical reinterpretation of William Blake’s monoprints, some of his most celebrated works
st
Methods, Origins, Meanings
www.paul-mellon-centre.ac.uk/publications Distributed by Yale University Press
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TRINITY FINE ART The Master of the Unruly Children River God terracotta 26 x 33 x 21 cm, 101/4 x 13 x 81/4 in
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the burlington magazine | 163 | august 2021
19/07/2021 17:08
Kollenburg Antiquairs
Attributed to Matthäus Gundelach (1566? – 1653/4 Augsburg) ca. 1600, oil on copper, H 40 x W 31 cm
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New Titles Images and Indulgences in Early Netherlandish Painting
Fra Angelico
Miyako Sugiyama
384 p., 247 col. ills, ISBN 978-2-503-58033-3
iv + 193 p., 10 b/w ills, 126 col. ills, ISBN 978-1-912554-58-4
The Fertile Ground of Painting Seventeenth-Century Still Lifes and Nature Pieces Karin Leonhard 304 p., 162 col. ills, ISBN 978-1-912554-06-5
Painter, Friar, Mystic Timothy Verdon
Leonardo, Bramante, and the Academia Art and Friendship in Fifteenth-Century Milan Jill Pederson xvi + 360 p., 110 col. ills, ISBN 978-1-912554-42-3
The Politics of Sanctity Figurative Sculpture at Selles-sur-Cher Deborah Kahn 272 p., 40 b/w ills, 200 col. ills, ISBN 978-1-912554-36-2
From Kairos to Occasio through Fortuna. Text / Image / Afterlife
On the Antique Critical Moment, a Grisaille in Mantua (School of Mantegna, 1495-1510), and the Fortunes of Aby Warburg (1866-1929) Barbara Baert
Harmony in Bright Colors Memling’s God the Father with Singing and Music-Making Angels Restored Lizet Klaassen, Dieter Lampens (eds) 287 p., 30 b/w ills, 220 col. ills, incl. CD, ISBN 978-2-503-58028-9
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Andrea Mantegna
Flandes by Substitution
Humanist Aesthetics, Faith, and the Force of Images
Eduardo Lamas, David García Cueto (eds)
Stephen J. Campbell
98 p., 125 col. ills, ISBN 978-2-503-58025-8
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the burlington magazine | 163 | august 2021
19/07/2021 11:29
NEW & FORTHCOMING
Art and Curiosity Cabinets of the Late Renaissance A Contribution to the History of Collecting
Samuel van Hoogstraten’s Introduction to the Academy of Painting; or, The Visible World
Visualizing Empire Africa, Europe, and the Politics of Representation
Julius von Schlosser
Samuel van Hoogstraten Edited by Celeste Brusati
Edited by Rebecca Peabody, Steven Nelson, and Dominic Thomas
Edited by Thomas DaCosta Kaufmann Translation by Jonathan Blower For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English.
Mario Giacomelli Figure/Ground Virginia Heckert Spanning the full range of the artist’s career, this publication celebrates the work of one of Italy’s foremost photographers of the twentieth century.
getty.edu/publications
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A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands.
Under Discussion The Encyclopedic Museum Edited by Donatien Grau Nearly thirty interviews with some of the world’s most prominent thinkers and preeminent arts leaders on the past, present, and future of the encyclopedic museum.
An exploration of how an official French visual culture normalized France’s colonial project and exposed citizens and subjects to racialized ideas of life in the empire.
Imogen Cunningham A Retrospective Paul Martineau Thoroughly researched and beautifully produced, this book offers a comprehensive look at the motivations and extraordinary work of the American photographer.
© 2021 J. Paul Getty Trust
Getty Publications
Translation by Jaap Jacobs
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uk
aug21page10.qxp_Internet and Contacts 19/07/2021 12:11 Page 1
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Presenting Our New Handbook of the Collection NEW! Meadows Museum: A Handbook of the Collection Edited by Mark A. Roglán Published on the occasion of the twentieth anniversary of the museum’s new building, this handbook offers a broad examination of the entire collection—one of the most comprehensive collections of Spanish art outside Spain—in which readers will learn the breadth of the museum’s holdings in all media. Referencing nearly 400 individual artworks or series, this publication, edited by museum director Mark A. Roglán, makes the Meadows collection accessible as never before through 235 color illustrations and more than 200 newly researched entries. Softcover $24.95 ISBN 978 1 78551 314 5 6 x 9 in. (228 x 152 mm) 316 pages Meadows Museum, SMU, Dallas in association with Scala Arts Publishing, Inc.
El Greco • Ribera Velázquez • Murillo Goya • Picasso Miró • Dalí
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Copley and West in England 1775–1815
by Allen Staley This beautifully and thoroughly illustrated book, which constitutes the first serious investigation of the relationship between Benjamin West and John Singleton Copley, will be of considerable interest to both British and American art historians, and appeal to lovers of the
INTRODUCTORY OFFER:
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art of both countries. West and Copley have always and properly been viewed as the two pre-eminent eighteenth-century American artists, despite the fact that, at the age of twenty-one, West left his native shores in 1760, never to return. He went on to become immensely successful in England, becoming, among other things, the second president of the Royal Academy of Arts. Copley spent half his working life also in England. For a time, the two expatriate Americans had a close working relationship, that we can see substantially reflected in both the formal language and the subject matter of many of their best works, but it eventually and inevitably turned into rivalry. The book begins with a brief prologue discussing the earliest of West’s depictions of recent historical events and of subjects set in America, painted prior to Copley’s arrival in England. It then follows the year-by-year evolution of Copley’s painting from 1775 to his death in 1815, with an underlying focus upon his ongoing give-andtake with West, and it ends with examination of hitherto little-known and unstudied major late paintings, from after 1800, by both artists. To purchase or for more details please visit:
shop.burlington.org.uk/product/COPLEY/
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aug21smeetsB.qxp_Agnews 19/07/2021 17:15 Page 1
SEBASTIANO MAZZONI (Florence 1611 – Venice 1678). St. Michael the Archangel Overthrowing Lucifer. c. 1650 Oil on copper - 23.5 x 17.5 cm. 3, rue du Port
CH -1204
Geneva
M + 41792859262
E info@robsmeets.com
I www.robsmeets.com