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MARCH 2022

NEW RESEARCH ON ART AND ITS HISTORY

MARCH 2022

THE BURLINGTON MAGAZINE NO. 1428 VOL. 164

Picasso’s faun musician Van Dyck’s London studio | How Piranesi marketed himself | A pastel by Boltraffio | The new Kunsthaus Zurich Palazzo Maffei, Verona | Nikolai Astrup in Stockholm | Julie Manet in Paris | Mainie Jellett in Belfast

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NEW TITLES &

HARVEY MILLER PUBLISHERS The Drawings of Peter Paul Rubens

A Critical Catalogue, Volume One (1590–1608)

By Anne-Marie Logan & Kristin Lohse Belkin

This is Volume I of the three-volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It is the first publication that presents the artist’s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens’s drawings at any one time.

2 vols, 536 p., 260 col. ills, ISBN 978-2-503-59570-2

Corpus Rubenianum Ludwig Burchard XIX.3

Corpus Rubenianum Ludwig Burchard XX.2

Portraits of Unidentified and Newly Identified Sitters Painted in Antwerp

Study Heads

By Nico Van Hout

By Katlijne Van der Stighelen & Hans Vlieghe 2 vols, 680 p., 340 b/w ills, 150 col. ills, ISBN 978-1-912554-65-2

410 p., 75 b/w ills, 60 col. ills, ISBN 978-1-912554-63-8

Many Antwerp Hands: Collaborations in Netherlandish Art Edited by Abigail D. Newman & Lieneke Nijkamp 242 p., 80 col. ills, ISBN 978-1-912554-73-7

Questioning Pictorial Genres in Dutch Seventeenth-Century Art

Definitions, Artistic Practices, Market & Society

The Ghent Altarpiece

Research and Conservation of the Interior: The Lower Register

By Griet Steyaert, Marie Postec, Jana Sanyova & Hélène Dubois 210 p., 420 col. ills, ISBN 978-2-930054-41-4

Images and Indulgences in Early Netherlandish Painting

By Miyako Sugiyama

Edited by Marije Osnabrugge 402 p., 130 colour ills ISBN 978-2-503-59624-2

iv + 193 p., 10 b/w ills, 126 col. ills, ISBN 978-1-912554-58-4

info@brepols.net – www.brepols.net – Tel: + 32 14 44 80 20 Available in the UK through: direct.orders@marston.co.uk Available in North-America through: orders@isdistribution.com

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Venator & Hanstein Book and Print Auctions

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Fernando de Rojas, La Célestine. 1971.

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THE JOURNAL OF FINE ART, DESIGN, ARCHITECTURE, PHOTOGRAPHY, SCULPTURE, HERITAGE, DECORATIVE ARTS AND CRAFTS

S P R I N G ( M A R C H - MAY 2022) SPRI NG ( M ARCH -MAY 2022)

€10 (STG£9) €10 (STG£9)

2022 SCHOLARSHIP for the study of French 18th-century fine and decorative art INVITATION FOR APPLICATIONS The Burlington Magazine is pleased to announce its fifth annual scholarship for the study of French 18th-century fine and decorative art.

The scholarship has been created to provide funding over a 12-month period to enable the development of new ideas and research that will contribute to this field of art historical study.

Hughie

O’Donoghue SUBSCRIBE TO THE IRISH ARTS REVIEW FROM ONLY £50 AND RECEIVE:

Four editions of the Irish Arts Review plus FREE access to the Online Price Guide to Irish Art Sales!

T: +353 1 676 6711 E: subscriptions@irishartsreview.com

Research funded by this scholarship may lead to the submission of articles for publication in the Magazine: as such, the panel are looking for object related research, of the kind that the Burlington publishes.

Applicants must be studying, or intending to study, for an MA, PhD, post-doctoral or independent research in the field of French 18th-century fine and decorative arts within the 12-month period the funding is given.

Applications are open to scholars from any country.

A grant of £10,000 will be awarded to the successful applicant.

Deadline for applications is 25 March 2022 and the successful applicant will be notified by 31 May 2022.

For application guidelines and terms and conditions please visit our Academic Noticeboard at www.burlington.org.uk

WWW.IRISHARTSREVIEW.COM

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THE BURLINGTON MAGAZINE | 164 | MARCH 2022

17/02/2022 15:16

S tephen O ngpin F ine A rt Old Master, 19th Century and Modern Drawings FORTHCOMING EXHIBITION

Settecento Veneziano: Venetian Drawings of the Eighteenth Century 3rd to 29th July, 2022

FRANCESCO TIRONI (c.1745–1797)

The Piazza San Marco Decorated for the Festa della Sensa on Ascension Day Pen and brown ink, black and grey wash, heightened with white.

349 x 590 mm. (13¾ x 23¼ in.)

STEPHEN ONGPIN FINE ART 82 PARK STREET, MAYFAIR, LONDON w 1 k INFO@STEPHENONGPINFINEART.COM

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Old Master & 19th Century Pictures Auction Arms & Armour

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Contact: Robert Hepburne-Scott, Executive Director, Blackwall Green T: +44 (0)20 7234 4307 E: Robert_Hepburne-Scott@blackwallgreen.eu www.blackwallgreen.com Blackwall Green Europe is a trading name of Nordic Försäkring & Riskhantering AB which is authorised by the Swedish Financial Supervisory Authority and also subject to limited regulation in the United Kingdom by the Financial Conduct Authority. Details about the extent of our regulation by the Financial Conduct Authority are available from us on request.

Giuseppe Costa Italian 1852-1912 The new arrival Oil on canvas Signed and inscribed ‘G Costa Firenze’ 73 x 106.5 cm. £8,000-12,000 Contact larabasirov@roseberys.co.uk +44 (0)20 8761 2522

Incorporated in Sweden under company number 556418-5014 with registered address at Mölndalsvägen 22, 412 63 Göteborg, Sweden. UK branch registered in England and Wales under branch number BR021003, with registered address at The Walbrook Building, 25 Walbrook, London EC4N 8AW

Simiolus In the most recent volume of Simiolus, we have published a previously unknown Van Eyck document and a detailed study on the identity of the male sitter in the Arnolfini portrait (definitely not Giovanni). We also revealed the identity of the family portrayed in Adriaen van Ostade’s famous picture in the Louvre, and published an evaluation of the archival sources on the living conditions of the northern Netherlandish painters in seventeenth-century Italy – to mention just a few of the papers in volume 43 (2021). In the concluding issue you will find – among much else – the reason for the hitherto unexplained presence of the monumental Atlas on Amsterdam’s seventeenth-century Town Hall and a study of the career of the unscrupulous art dealer Leo Nardus, who merrily sold masterpieces as well as fakes to some of the greatest collectors of the gilded age.

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70/76 Knights Hill, London SE27 0JD | www.roseberys.co.uk | +44 (0)20 8761 2522

Netherlands quarterly for the history of art Simiolus has been critically serving the history of Netherlandish art for over fifty years now.

It is published in English, and pays for the cost of translation of papers submitted in Dutch, German, French or Italian which we have agreed to produce. But to go on providing that service while retaining our very modest subscription fee, we do need your support. So please urge your library to subscribe or continue subscribing, and/or take out a subscription yourself!

Institutions pay € 100 a year and individuals pay € 60 – for volumes of over 300 pages. Visit our site at Simiolus.nl for the conditions of subscription and information on how to advertise, where to send your copy and how to order the backsets not yet in JSTOR.

THE BURLINGTON MAGAZINE | 164 | MARCH 2022

17/02/2022 15:18

SANTA TECLA Srl Dealers in Fine Old Masters

Palazzo Savonarola | Via dei Savonarola, 66 | 35137 Padova | Italy Tel/Fax: +39 0498561460 | Email : santateclaltd@gmail.com

SEBASTIANO FILIPPI, CALLED “IL BASTIANINO” (Ferrara, circa 1532–1602)

Portrait of Margherita Gonzaga D’Este, Duchess of Ferrara, with her dwarf Isabella Oil on canvas, 190 x 135 cm PROVENANCE:

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Private collection, northern Europe

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11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 m 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk vi

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shop.burlington.org.uk/promotion/curators

the burlington magazine | 164 | march 2022

17/02/2022 15:43

D A G U E R R E Auction at Drouot Paris

Collections privées

Friday 11th March 2022

Jean Marc NATTIER (Paris 1685-1766) Portrait présumé de Philippine Élisabeth Charlotte d’Orléans dite Mademoiselle de Beaujolais (1714-1734) Canvas. 113 x 145,6 cm Estimate: 150 000/200 000 € For more information please contact M. Stéphane Pinta at cabinet Turquin, expert T. +33 (0)1 47 03 48 78

Daguerre 5 bis, rue du Cirque 75008 Paris T. +33 (0)1 45 63 02 60 www.daguerre.fr

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VISIT www.minervamagazine.com/BurlHalf CALL 020 8819 5580 quoting ‘BurlHalf’ the burlington magazine | 164 | march 2022

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vii

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Lucas Cranach the Elder and Workshop (Kronach 1472 – 1553 Weimar) The Judgement of Paris Oil on panel, 24 ⅛ x 15 ⅝ inches (61.1 x 38.8 cm)

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ROBERT SIMON FINE ART 22 East 80th Street, Fourth Floor, NYC rbs@robertsimon.com (212) 288 9712 www.robertsimon.com

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17/02/2022 15:03

WEDGWOOD AND BENTLEY second half of the 18th century

Etruria, Staffordshire, 1770–1776

Triton

After Gian Lorenzo Bernini (1598-1680) Black Basalt (stoneware) 62 cm (24½ in.) high

26 cm (10¼ in.) wide

29 cm (11½ in.) deep PROVENANCE

Private collection, France

tomasso.art

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info@tomasso.art

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