202205.advertising by The Burlington Magazine

may 2022

NEW RESEARCH ON ART AND ITS HISTORY

MAY 2022

the burlington magazine no. 1430 vol. 164

Prince Eugene of Savoy’s Rembrandt drawings A Hendrick Goltzius discovery | Paintings in Beauvais tapestry | Whistler and copyright law Carlo Crivelli in Birmingham | ‘Jacques-Louis David: Radical Draftsman’ | Van Gogh’s self-portraits

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Not seen on the market since 1907, this drawing was recognized as by Michelangelo only in 2019 by Christie’s Old Master Drawings department. Partially based on a fresco by Masaccio, the work – one of the few by Michelangelo still in private hands – is a major addition to his early drawings.

AUCTION Paris • 18 May 2022 VIEWINGS 29 April - 8 May Rockefeller Center, New York 13 – 17 May 2022 9, avenue Matignon, Paris CONTACTS Stijn Alsteens salsteens@christies.com +33 (0)7 50 15 90 09 Hélène Rihal hrihal@christies.com +33 (0)1 40 76 86 13

MICHELANGELO BUONARROTI (1475-1564) A nude man (after Masaccio) and two figures behind, 1496 or slightly after pen and two shades of brown ink, brown wash 33 × 20 cm (13 × 7 7/8 in.) Estimate on request

Auction | Private Sales | christies.com

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14/04/2022 09:28

NEW & NOTABLE

Antiquarians of NineteenthCentury Japan The Archaeology of Things in the Late Tokugawa and Early Meiji Periods

Flesh and Bones The Art of Anatomy

Hiroyuki Suzuki

At the intersection of science and art, this illustrated volume explores themes of anatomy from the Renaissance to modern times.

This richly illustrated catalogue addresses the political, intellectual, religious, and artistic relations between Persia, Greece, and the Roman Empire.

Imogen Cunningham A Retrospective

Living Matter The Preservation of Biological Materials in Contemporary Art

Edited and translated by Maki Fukuoka Bold and innovative, this volume explores the changing process of evaluating objects during the period of Japan’s rapid modernization.

Clyfford Still The Artist’s Materials Susan F. Lake and Barbara A. Ramsay This engaging book provides the first detailed account of Clyfford Still’s working methods, materials, and techniques.

getty.edu/publications

may22getty.indd 1 Burlington 2022-05.indd 1

Paul Martineau Thoroughly researched and beautifully produced, this book offers a comprehensive look at the motivations and extraordinary work of the American photographer.

Edited by Jeffrey Spier, Timothy Potts, and Sara E. Cole

Edited by Rachel Rivenc and Kendra Roth This groundbreaking publication explores the challenges associated with displaying, collecting, and preserving works of art created with biological materials.

Getty Publications

Monique Kornell, with contributions by Thisbe Gensler, Naoko Takahatake, and Erin Travers

Persia Ancient Iran and the Classical World

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BASSENGE

Giovanna Garzoni (1600 - 1670). Still life with pears, an almond and a fly. Gouache and watercolor on vellum. 14.2 x 19.3 cm. Estimate: € 60,000.

AUC T IONS I N BER L I N JUNE 1–4, 2022 Old Master and 19th Century Paintings, Drawings & Prints, Modern and Contemporary Art Special Sales: “Alexander Rothaug: The Ernst Fuchs Collection” and “Delikatessen”

JUNE 8, 2022 19th – 21st Century Photography and Photobooks

GA L E R I E BA S S E N G E · E R DE N E R S T R A S S E 5A · 14193 BE R L I N · G E R M A N Y Phone: +49 30 - 893 80 29-0 · Fax: +49 30 - 891 80 25 · E-Mail: art@bassenge.com · Catalogues: www.bassenge.com

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26 M ARS

18 18 20

23 M AI

Palais Brongniart

www.salondudessin.com

Place de la Bourse, 75002 Paris

Nicolas Robert, Chouette effraie, collection M & Mme Pierre Rosenberg. © Photography : Suzanne Nagy. Design : Olivier Andreotti (Toluca Studio)

Guest of honour: Musée du Grand Siècle And with the exceptional participation of the Musée des Arts décoratifs, Paris International Symposium on 18-19 May: On the art of representing and designing gardens on paper april22salondudessin.indd 1

17/03/2022 14:55

S tephen O ngpin F ine A rt Old Master, 19th Century and Modern Drawings

HENDRICK GOLTZIUS (1558–1617)

Pluto, after Polidoro da Caravaggio Pen and brown ink and brown wash, heightened with white, over an underdrawing in black chalk, on blue paper 264 x 170 mm. (103⁄8 x 65⁄8 in.) This fine drawing can be dated to the period of Goltzius’s stay in Rome, between January and August 1591, when he made several copies of Polidoro da Caravaggio’s painted facades that were seen throughout the city. The sheet copies the figure of Pluto, the god of the underworld who holds a flaming torch to light his way; this was one of a group of now-lost monochrome frescoes of eight Olympian gods in niches by Polidoro that adorned the façade of a house on the Quirinal Hill. Goltzius made finished drawings of each of the eight gods depicted on Polidoro’s façade. Six of these (including another Pluto) are in the Teylers Museum in Haarlem, while one is in the Kupferstichkabinett in Berlin and the last drawing has been lost since the 18th century. Goltzius made engravings after each of Polidoro’s frescoes, and his engraving of Pluto is, in fact, the only print in the series for which more than one preparatory drawing is known.

STEPHEN ONGPIN FINE ART 82 PARK STREET, MAYFAIR, LONDON w 1 k INFO@STEPHENONGPINFINEART.COM

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Salon du Dessin

18th to 23rd May 2022 (preview 17th May) Palais Brongniart, Place de la Bourse, 75002 Paris salondudessin.com

edition of the Salon du Dessin will once again occupy the splendid Neo-classical space within the Palais Brongniart, the historic home of the Paris stock exchange. Located in the 2nd arrondissement, it lies within the gallery district and a short walk from the Musée du Louvre and other fine public collections. The thirty-nine exhibitors (nineteen from overseas) will, as always, attract institutional and private collectors who will be able to acquire works and meet with fellow experts and connoisseurs. This edition will also welcome five newcomers. Drawings spanning most European schools from the Renaissance to modern and contemporary movements will be available. The one exception is Galerie Tamenaga, a specialist in Japanese modernist works.

THE THIRTIETH

Disappointed soul, by Ferdinand Hodler (1853–91). 1891. Ink, oil and coloured chalks, 49.5 by 35.5 cm. ARNOLDI-LIVIE, MUNICH

The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen, brown ink and wash, 27.7 by 20 cm. GRÄSSLE – HÄRB – NUTI, MUNICH AND LONDON

Every drawing will be authenticated and checked for quality so that buyers can enjoy an atmosphere of candour and can have confidence in all acquisitions. The fair’s 15th International Symposium will be entitled The Art of Gardens on Paper: Designing, Projecting, Representing and will be chaired by Pierre Rosenberg with Monique Mosser acting as the scientific expert. Twelve scholars, curators and experts will speak, including Victor Hundsbuckler, curator of the Department of Prints and Drawings at the Louvre. This year the on-site institutional loan exhibition will show drawings by Achille Duchêne (1866–1947) sourced from the holdings of the Musée des Arts Décoratifs, Paris. Duchêne was a landscape architect who, along with his father Henri, helped revive the jardin à la française style, incorporating both classical and innovative elements into his designs. The 2022 iteration of Drawings Week will incorporate around twenty museum exhibitions and graphic art collections including those of the Louvre, Musée d’Orsay, Château de Versailles, Fondation Custodia and the Centre Pompidou. Many of these displays will reflect the themes of nature, landscape and botany. Private visits will be arranged to many of these institutions with curator-led tours. For more information on the fair, Drawings Week and the symposium please visit: salondudessin.com

Untitled, by Key Sato (1906–78). 1969. Ink, 25 by 32 cm.

Count Ugolino in the Tower of Hunger, by Pelagio Palagi (1775– 1860). Pen, brown ink, wash and white highlights, 38 by 53.3 cm.

LOUIS & SACK, PARIS

MAURIZIO NOBILE, BOLOGNA, PARIS, MILAN

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A R NOLDI-LIVIE Galeriestraße 2b | D-80539 München Tel: +49 89 22 59 20 www.arnoldi-livie.de gallery@arnoldi-livie.de

Théodore Géricault (Rouen 1791 - 1824 Paris) Various Male Figures in Movement, a Horse and Rider, c. 1817 Pen in brown ink, 18.4 x 25.5 cm Paul-Elie RANSON Limoges 1861 – Paris 1909

Nude in the forest, circa 1905.

Literature: Germain Bazin, Théodore Géricault - catalogue raisonné, vol. IV - Le voyage en Italie, Paris 1990, p. 164, no. 1267, ill. Provenance: Collection Baron Vitta; Galerie Saget-Le Garrec, 1972; Private collection

Pastel on grey laid paper, 470 × 370 mm

74, rue de Seine, 75006 Paris +33 (0)1 43 26 89 80 galeriepaulproute.com

Salon du Dessin stand 36

Francis Haskell Memorial Fund The Burlington Magazine Foundation

2022 SCHOLARSHIPS Grants of up tp £2000 will be awarded from the Francis Haskell Memorial Fund this year to enable scholars to spend time in libraries or archives carrying out advanced research in the history of western art. Preference may be given to candidates in the early stages of their careers; to subjects related to the commissioning, collecting or interpretation of works of art made before 1914; and to research carried out outside the applicant’s country of residence. Scholars from any country may apply. An additional award may be made by the Trustees of The Burlington Magazine Foundation in conjunction with the Francis Haskell Trustees. Applications, including a two-page proposal, a C.V. and a budget, should be sent by email to francishaskellmemorialfund@gmail.com by 30 June 2022 – please label all attachments with the surname of the Applicant. There is no application form. Applicants should ask two referees to write separately to the same email address by the same deadline in support of their proposal. Awards will be made by 23 September 2022.

the burlington magazine | 164 | may 2022

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Salon du Dessin

18th to 23rd May 2022 (preview 17th May) Palais Brongniart, Place de la Bourse, 75002 Paris salondudessin.com

Study of three heads, by Mauro Gandolfi (1764–1834). Pen and ink, 23.2 by 18.7 cm. ROMANO FINE ARTS, FLORENCE

Scarlet ibis, by Nicolas Robert (1614–85). Watercolour and gouache on vellum with gold edging, 30.5 by 21.2 cm. DE BAYSER, PARIS

Princesse Maleine, by Léon Spilliaert (1881–1946). 1903. Pencil, ink and wash, 15.5 by 19 cm. AMBROISE DUCHEMIN, PARIS

Street scene, near a canal, in a Dutch city, by Johannes Huibert Prins (1757–1806). Watercolour, brown and Indian ink with black pencil, 31.4 by 21 cm. GALERIE PAUL PROUTÉ, PARIS

Mallow leaf, by Albertus Jonas Brandt (1788–1821). Pencil and brown ink, 35.2 by 8 cm. ONNO VAN

Montagne Sainte-Victoire, by Paul Cézanne (1839–1906). Watercolour on paper, 28 by 40 cm.

SEGGELEN

STEPHEN ONGPIN FINE ART, LONDON

ROTTERDAM

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FINE ARTS,

13/04/2022 16:45

CHARLES RATTON & GUY LADRIÈRE ANTIQUE - MOYEN AGE - ARTS PRIMITIFS - DESSINS TABLEAUX - SCULPTURES - OBJETS D’ART

Attributed to ROSALBA CARRIERA, 1675 – Venice – 1757

Portrait of a Woman Wearing a Zendale Bodycolor on ivory (?) pasted on board. Height: 7 cm. Length: 5 cm With a signature: J.E. Liotard f lower left EXHIBITION

OLD MASTERS DRAWINGS Opening 16th May 2022 11, quai Voltaire, 75007 Paris. Tél (0) 1 42.61.29.79 e-mail: galerie.ratton.ladriere@wanadoo.fr Instagram: galerierattonladriere www.ratton-ladriere.com

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13/04/2022 16:34

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17/03/2022 14:56

NE W TITLES FROM THE PAU L MELLON CENTRE

todd longstaffe- gowan

English Garden Eccentrics

Three hundred years of extraordinary groves, burrowings, mountains and menageries

English Garden Eccentrics Three hundred years of extraordinary groves, burrowings, mountains and menageries

Todd Longstaffe-Gowan In his new book, Todd Longstaffe-Gowan reveals a series of obscure and eccentric English garden-makers who, between the early seventeenth and the early twentieth centuries, created intensely personal and idiosyncratic gardens that expressed the singularity of the characters behind them and which, in themselves, were a form of autobiography.

s u rv ey o f lo n d o n

Reviewers’ comments on the Survey and its work: The Survey of London is a miracle of long-term development … a stupendous achievement. Christopher Howse on volumes 51 & 52, South-East Marylebone Daily Telegraph A single chapter of the Survey is worth a whole volume of psychogeographical lucubrations. Simon Bradley on volumes 51 & 52, South-East Marylebone Burlington Magazine

The Radical Vision of

A magnificent, disciplined enterprise working at peak performance. Robert Thorne on volume 48, Woolwich Construction History Society Magazine

SURVEY OF LONDON

The Radical Vision of Edward Burne-Jones

For areas and buildings covered see map on reverse of jacket

For further information see www.ucl.ac.uk/bartlett/architecture/ research/survey-london or contact Survey of London, The Bartlett School of Architecture / UCL UCL Faculty of the Built Environment 22 Gordon Street, London WC1H 0QB

GRAFTED ARTS

Andrea Wolk Rager

HOLLY SHAFFER

Art Making and Taking in the Struggle for Western India 🙗🙗🙗🙗 1760–1910

Back cover: ... printed in china

Whitechapel

VOLUME 54

Andrea Wolk Rager

Edward Burne-Jones

Past volumes of the Survey of London are online at www.british-history.ac.uk/surveyoflondon

BLURB

A bold reassessment of the nineteenth-century painter and decorative artist Edward Burne-Jones, elucidating his fundamentally radical defiance of the Victorian age

Survey of London: Vols. 54 & 55

Peter Guillery

WH ITE C H A PE L

The Survey is an institution unique in the urban world. Nothing like it has been attempted elsewhere and perhaps could never be. Jerry White on volumes 49 & 50, Battersea Times Literary Supplement

volume

T H E PAU L MEL L O N C EN T R E F O R S T U D I ES I N B R I T I S H A RT for T H E BA RT L ET T S C H O O L O F A RC H I T EC T U R E ( U C L )

Grafted Arts

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From Aldgate to Mile End Green, and Brick Lane to Wellclose Square, these volumes shed new light on a repeatedly rebuilt but widely misunderstood district Front cover: ...

A Revolution on Canvas

Art Making and Taking in the

The Rise of Women Artists in

Struggle for Western India, 1760–1910

Britain and France, 1760–1830

Holly Shaffer

Paris A. Spies-Gans

Examines the violent and creative processes of suturing arts by Maratha military rulers and British East India Company officials as a method of empire building

Challenging longstanding assumptions about the place of women in the history of art, this book examines the proliferation of women artists during the Revolutionary era

A Revolution on Canvas The Rise of Women Artists in Britain and France, 1760–1830

www.paul-mellon-centre.ac.uk/publications Distributed by Yale University Press

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NY 2022

6–10 MAY | PARK AVENUE ARMORY THIS WILL BE the eighth staging of TEFAF New York within the

historic Manhattan site of the Park Avenue Armory. As the gloom of the COVID-19 pandemic recedes and travel restrictions lift, it is pleasing to note that exhibitors from fourteen countries will be present at the fair. Ninety-one galleries will showcase ﬁne art and objects that are overwhelmingly from the modern era (particularly paintings, drawings, sculpture and prints). However, to compliment the modern and reﬂect current tastes in Red caryatid on a black ground, by Amedeo Modigliani (1884– 1920). c.1913–14. Pencil and gouache on card, 62.5 by 42.5 cm. David Tunick Inc., New York

Ocean Park #23, by Richard Diebenkorn (1922–93). 1969. Oil and charcoal on canvas, 236.2 by 205.7 cm. Berggruen Gallery, San Francisco

Flow desk, by Wendell Castle (1932–2018). 2009. Stained cherry wood, 86.4 by 165 by 67 cm. Friedman Benda, New York and Los Angeles

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interiors and collecting, several dealers will be selling tribal art and works from classical Antiquity. Twentieth- and twenty-ﬁrst-century furniture will be especially well-represented and also modern ceramics and contemporary jewellery will be available. For more information please visit: TEFAF.com

Doryphoros, after Polykleitos. Greece. c.1st century AD. Marble, 70 by 55 by 27 cm. Galerie Chenel, Paris

Still life, by Giorgio Morandi (1890–1964). 1948. Oil on canvas, 33 by 50 cm. Galleria d’Arte Maggiore, Bologna

13/04/2022 16:49

CAMPER

C D

COMMISSAIRES-PRISEURS

DABERNAT AUCTION ON SATURDAY 18 JUNE 2022 at 2 pm CET

Angelo de ROSSI

(Genoa 1671 – Rome 1715)

The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000

PRIVATE VIEWING

At Lacroix Jeannest Until 15 June 2022 by appointment, in Paris EXHIBITION At Auction House Friday 17 June 9:30 am to 5:30 pm Saturday 18 June 9:30 am to 12 pm

EXPERT + 33 (0)1 83 97 02 06 contact@sculptureetcollection.com

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AUCTION HOUSE

10 quai de l’Essonne 91100 CORBEIL-ESSONNES +33 (0)1 64 96 03 08 contact@camper-dabernat.fr

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NY 2022

Royal mask. Kingdom of Bekom, Cameroon 19th century. Wood, copper and kaolin, height 45 cm. Galerie Bernard Dulon, Paris

Piglet goes shopping, by Keith Haring (1958–90). 1989. Acrylic on canvas, 182.9 by 243.8 cm. Robilant + Voena, London

Painting, by Pierre Soulages (b.1919). 1974. Oil on canvas, 202 by 256 cm. Applicat-Prazan, Paris

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6–10 MAY | PARK AVENUE ARMORY

Stone gorillas, by Francois-Xavier Lalanne (1927–2008). c.1983. Burgundy stone (pierre d’Euville), 76 by 60 by 58–60 cm. Galerie Lefebvre, New York

The painter and his model, by Pablo Picasso (1881–1973). 1963. Oil on canvas, 73 by 116 cm. Van de Weghe, New York

Bullﬁghting, by Germaine Richier (1902–59). 1953. Bronze, 116 by 54 by 101 cm. Galerie de la Béraudière, Brussels

13/04/2022 16:49

Architectural Masterpieces Represented by and Sold through

Château de Stors at l’Isle Adam Sold in 2019 Built in 1748 by Contant d’Ivry for the Prince of Conti, cousin of King Louis XV, later acquired by King Louis XVI in 1783 for his brother, the Count of Provence (future King Louis XVIII) – Park registered a National Historic Monument

Music Pavilion of the Countess of Provence at Versailles Sold in 2021 A rare portion of the domain of the royal palace of Versailles in private hands. Build in 1748 by Chalgrin, the architect of the arch of triumph, for the sister in law of King Louis XVI and Queen Marie Antoinette – Classified a National Historic Monument Artois Pavilion at Vaux sur Seine Sold Confidentially in 2021 Built for the painter Hyacinthe Rigaud, decorated according to legend by Bélanger at the end of the 18th century for the Count of Artois, brother of King Louis XVI – Registered a National Historic Monument

Château de Purnon, in the Poitou region Sold Confidentially in 2020 Built according to legend for a mistress of King Louis XV. Of exceptional and previously undiscovered historic and architectural interest – Classified a National Historic Monument

We are currently representing a number of confidentially listed properties Please do not hesitate to contact us Guillaume Denniel +33 (0)6 02 27 54 27 guillaume.denniel@ dennielimmobilier.fr

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www.dennielimmobilier.fr

Alexandre Denniel +33 (0)6 41 32 01 98 alexandre.denniel@ dennielimmobilier.fr

13/04/2022 16:53

Buy prints all year round on our online platform: londonoriginalprintfair.com @Londonprintfair

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Lucie Bennett Cut Out Girl I, 2020 (detail) · Cut Collage · Edition of 50 · courtesy of CCA Galleries

London’s longest running art fair

Thursday 26 to Sunday 29 May Somerset House Strand, London WC2R 1LA 13/04/2022 16:54

FINE EUROPEAN ART

Signature® Auction | June 3 Marc Chagall (French/Russian, 1887-1985) Esquisse pour "Les fiancés à l'oiseau" (Le mariage), circa 1960 Pastel, oil, India ink, and pencil on paper 15-3/4 x 10-7/8 inches (sheet) Estimate: $80,000 - $120,000

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NEXT AUCTION:

Works of Art, Antiquities, Asian and Russian Art

16th May 2022 Lot 9 An Elamite appliqué of silver with bull’s head and cloisonné work with stone inlays, late 3rd early 2nd millennium B.C.

Lot 52 A Roman marble statue of Hermanubis with features of Alexander the Great, 1st - 2nd century

Lot 59 A Roman bronze urn with profound epigram in sophisticated calligraphy, 1st - 2nd century

Lot 88 A North Germanic jewellery bracteate (B-bracteate) of gold, late 5th - early 6th century A.D.

LIVE AUCTION

Hermann Historica GmbH ❘ Bretonischer Ring 3 ❘ 85630 Grasbrunn / München ❘ www.hermann-historica.com

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THE BURLINGTON MAGAZINE | 164 | MAY 2022

XVII

06.04.22 12:31

14/04/2022 10:21

London Original Print Fair

26th to 29th May 2022 Somerset House, Strand, London wc2r 1la londonoriginalprintfair.com

THE WORLD’S longest-running specialist art fair, the London Original Print Fair, will this year make the exciting move to Somerset House for its thirty-seventh edition. This much-anticipated physical iteration will once more present works from galleries, dealers and studios, highlighting the importance of printmaking throughout the history of art and setting contemporary prints in the context of work by old and modern masters.

Sailors’ holiday, by Lill Tschudi (1911–2004). 1932. Linocut, 20 by 26 cm OSBORNE SAMUEL, LONDON

Expect to see early engravings and woodcuts by Dürer alongside prints by Rembrandt, Canaletto and Goya presented by Elizabeth Harvey-Lee; and at Daniel Crouch Rare Books a unique collection of 200 works by Wenceslas Hollar. Sheets will also be on display from modern masters including Pablo Picasso, David Hockney, Francis Bacon and Lucian Freud. Paul Stolper’s stand will include work from Chila Kumari Singh Burman, a significant figure in the Black British Art movement, and Advanced Graphics will display a selection of seldom-seen works by Albert Irvin RA. Of particular note is Hanga Ten’s stand, which includes work by Hiromitsu Takahashi, one of a handful of living artists left in Japan who work in a rare technique called kappazuri stencil printmaking. Exclusively for 2022, Jealous will exhibit Chris Levine’s work marking the Platinum Jubilee, while two new editions by Bradley Theodore, named Eternal Queen, have been launched by Manifold editions. Cynthia Corbett Gallery will also exhibit a hand-applied platinum portrait of the Queen by Deborah Azzopardi. For more information, please visit: londonprintfair.com

Study of a human body after Ingres, by Francis Bacon (1909–92). 1982. Lithograph, 88 by 60.5 cm. MARLBOROUGH, LONDON

Large head of Jacqueline wearing a hat, by Pablo Picasso (1881– 1973). 1962. Linocut, signed, 64 by 53 cm.

Thursday 26 to Sunday 29 May Somerset House Strand, London WC2R 1LA

FREDERICK MULDER LTD, LONDON

Buy prints all year round on our online platform: londonoriginalprintfair.com @Londonprintfair

Southern sunrise, Collioures, by Karen Keogh. 2020. Etching, 19.5 by 16 cm.

The golf player, by Rembrandt van Rijn (1606–69). 1654. Original etching, 9.6 by 14.5 cm.

EAMES FINE ART, LONDON

ELIZABETH HARVEY-LEE, OXFORDSHIRE

LOPF Round-up 2022.indd 1

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London Original Print Fair

26th to 29th May 2022 Somerset House, Strand, London wc2r 1la londonoriginalprintfair.com

Winter woman, by Wenceslaus Hollar (1607–77). 1643. Engraved print with etching, 36.1 by 25.8 cm. DANIEL CROUCH RARE BOOKS, LONDON

CV 2 01, by Charlotte Verity (b. 1954). 2022. Watercolour monotype, 33 by 40.8 cm.

Buy prints all year round KARSTEN SCHUBERT, LONDON on our online platform: Eternal Queen londonoriginalprintfair.com (cobalt blue), by Bradley @Londonprintfair Theodore (b. 1990). 2022. Etching with relief printing, 83.5 by 80.2 cm. MANIFOLD EDITIONS, LONDON

LOPF Round-up 2022.indd 2

Beautiful night, by Louise Bourgeois (1911–2010). 1994. Lithograph, 52.7 by 70.5 cm. MARLBOROUGH, LONDON

Kyubigitsune, by Hiromitsu Takahashi (b. 1959). 2016. Stencil, 76 by 49 cm.

Thursday 26 to Sunday 29 May Somerset House Strand, London WC2R 1LA

HANGA TEN, LONDON

Up Town I, by Vanessa Jackson (b. 1953). 2022. Screenprint, 50.3 by 125.3 cm. ADVANCED GRAPHICS, LONDON

13/04/2022 16:56

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14/04/2022 09:22

PHOTO LONDON Experiment on electrical stimulation of muscle – weeping woman, plate 50 from Mécanisme de la Physionomie Humaine (1862), by Guillaume-BenjaminAmand Duchenne de Boulogne. 1855–56. Albumen print from a glass negative, 23.8 by 17.5 cm. (Robert Hershkowitz Ltd, London).

12th–15th May 2022 (preview 11th May) Somerset House, Strand, London WC2R 1LA photolondon.org

PHOTO LONDON , an important fixture for collectors, international dealers and galleries and all enthusiasts for the art of photography, will return to Somerset House for its seventh edition to celebrate historic masters as well as emerging artists.

The 2022 edition of the fair places a particular focus on fashion: as part of its public programme, an exhibition of work by this year’s Photo London Master of Photography, the British artist Nick Knight, will be presented alongside an homage to the late fashion photographer Frank Horvat (1928–2020). The fair’s acclaimed ‘Discovery’ section, which celebrates emerging talent, will host a special presentation, Photography Crossing Boundaries, including sculpture, NFTs and a collaboration by the British artist duo Walter & Zoniel. A regular among the fair’s seventy-five exhibitors is Peter Fetterman Gallery, Los Angeles, which will return to the fair to launch The Power of Photography, a book of twentieth-century images that Fetterman conceived and curated during the COVID-19 lockdown. Other returning exhibitors include Flowers Gallery, London, which will dedicate a booth to Edward Burtynsky, renowned for his sustained investigation of human altered landscapes, which results in abstract, painterly photographs, and Robert Morat Galerie, Berlin, which will show new work by the artist Hannah Hughes. Vintage and historic works have always played an important role at Photo London and the seventh iteration of the fair will include a number of significant presentations, among them Robert Hershkowitz Ltd, London, who return to the fair with works by major photographers of the early nineteenth century.

Chuquicamata Copper Mine Overburden #2, Calama, Chile, by Edward Burtynsky. 2017. Archival Pigment Print, 121.9 by 162.6 cm. (© Edward Burtynsky; courtesy Flowers Gallery, London, and Metivier Gallery, Toronto).

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To mark its new partnership with the World Photography Organisation, the 2022 edition of Photo London will also feature PHOTOFAIRS Shanghai Presents, a showcase of leading galleries and artists from China. For more information, please visit photolondon.org

Sur le trône act1 tms2 from the series The blue moon of Ouagadougou, by Saïdou Dicko. 2021. Paint on archival pigment print on Hahnemühle Fine Art Baryta 325g. (© Saïdou Dicko and Afikaris, Paris).

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feb22page6.qxp_Internet and Contacts 18/01/2022 10:52 Page 1

C O N T @ C T S

38 & 39 Duke Street St James’s London T +44 207 8395666

T R I N I T Y F I N E A RT 15 old bond street london w 1s 4 a x

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TDaniel RI N IT Y FG IN E A RT Katz allery

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Drawings Manhattan T RDEALER, I NMaster IT Y F I N E A RT AGENT AND APPRAISER IN

DRAWINGS AND PRINTS 15 old MASTER bond street 15% discount, please mention Burlington Magazine london w 1s 4 a x info@trinityfineart.com 327 West 89th Street, 5F, New York, NY 10024. Tel: +1 347 784-6759

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Daniel Katz Gallery

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From Renaissance to the 20th Century

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in contradiction to other work of this period, particularly French, but which was typically Belgian, somewhat

understated and “smoothed” off. This style relied on the power and volume of the subject to take over from

the decoration of detailed representation. He was at the start of the 50 year period that sculpture developed into Modern Art. Bugatti’s style was well developed when he was drawn

to Antwerp, where from 1907 until his death in 1916 the changes in his Ouevre can be seen. Collin met Bugatti on his arrival and they shared their association with Dupon. Collin continued to work, apart from the First World War, until the Second World War in 1940, after which his artistic output finished.

Wildlife Sculpture from the ANT WERP ZOO MOVEMENT, 1890 – 1940

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A volume of work always draws comparisons when the best of Ouevres are assembled. The comparisons take on a further depth of appreciation.

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Dupon 1864–1935, to Alberic Collin 1886–1962.

1890 – 1940

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his group of work studies the period from Jose

Dupon’s work was of a less decorative style, which was

Wildlife Sculpture from the ANT WERP ZOO MOVEMENT,

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day & faber old master drawings

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day & faber master drawings Later Chinese Bronzes

11 Duke Street | St James’ | London SW1Y 6BN m 207 976 1596 Tel. +44 207 930 1144 | Fax. m +44 m www.dayfaber.com www.rafaelvalls.co.uk | info@rafaelvalls.co.uk

If you are planning a printed or digital catalogue or have any other publishing project in mind, old we welcome the opportunity to discuss how we might work together.

WACE

Later Chinese Bronzes

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Littleton & Hennessy Asian Art

Please contact Chris Hall or Mark Scott for more information

11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 m 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk xxiv

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hall@burlington.org.uk scott@burlington.org.uk Littleton & Hennessy Asian Art

11 Duke Street | St James’ | London SW1Y 6BN Tel.(0)20-7388 +44 207 930 1144 | Fax. +44 m 207 976 1596 +44 1228 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk

the burlington magazine | 164 | may 2022

14/04/2022 09:59

Director, The Courtauld Institute of Art, London The Organisation The Courtauld Institute of Art is an internationally renowned centre for the teaching and research of art history and a major public gallery. The Courtauld works to increase understanding of the role of art throughout history, in all societies and across all geographies – as well as being a champion for the importance of art to society today and in the future. The Courtauld’s ambition is to transform access to art history education, by extending the horizons of what it means and ensuring as many people as possible can benefit from a better comprehension of the visual world around us. The recent 10 year strategic relationship announced between the Courtauld and King’s College London will enhance this aim through greater academic and educational collaborations and the development of joint courses across many disciplines. This sits alongside the Courtauld Connects transformation project which has achieved major renovation of the Gallery and now moves its focus to creating world class University facilities. The role The Courtauld is seeking to hire a bold, inspirational figurehead of international standing for the role of the Director. There are four significant pillars that the Director will own and lead the Institute. These are Academic, Gallery, fundraising and administration. This person will be expected to lead this world-renowned institution with integrity and imagination in the context of global change, increasing responsibilities and public expectations in the higher education and culture sectors.

This is a rare opportunity to enhance the Courtauld’s mission and vision for the 21st Century. The new Director will transform The Courtauld into an Institute fit for profound global socio-economic and digital change, while ensuring that its reputation as a world-leading academic institution grows ever stronger. They will be expected to build strategic partnerships that extend the Institute’s reach and lead by example to create a culture of inclusion, diversity, equity and accessibility, as well as innovation. The person This person will need to have a proven track record as an innovative head of a world-leading, high profile academic or cultural institution with the ability to develop, motivate, and unify teams around a common vision. They will be respected as a leader who can deliver the highest academic standards. They will need to demonstrate significant cultural credibility, alongside strong experience negotiating within and dealing with an international environment, preferably with a strong academic leadership background. This person will also need experience of growing an enterprise which touches many different communities, including significant patrons and partners and, essentially, the public, including students and Gallery visitors. The person will need to personally lead the fundraising and development activities of the Institute that will be so important in delivering the vision.

Remuneration will be commensurate with the standing of the role. Please reply with full details to Spencer Stuart. Email CourtauldDirector@spencerstuart.com quoting reference: 43087-002. Closing date for applications: 31st May 2022.

SP O EC FF IA ER L

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Minerva magazine showcases the beauty and sophistication of ancient civilisations. With spectacular illustrations and exciting features, each issue will give you an inside view of the archaeology, culture, and art of the ancient world.

VISIT www.minervamagazine.com/BurlHalf CALL 020 8819 5580 quoting ‘BurlHalf’ the burlington magazine | 164 | may 2022

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Introducing the Northern Lights series

Profiling Northern art in its infinite variety, from the Middle Ages to the 19th century

Visit our website to discover more books in the Northern Lights series, and our other books on the history of art: from Michelangelo and Caravaggio, to Artemisia Gentileschi and Gian Lorenzo Bernini... Visit www.lundhumphries.com and order with free postage in the UK.

Simiolus In the most recent volume of Simiolus, we have published a previously unknown Van Eyck document and a detailed study on the identity of the male sitter in the Arnolfini portrait (definitely not Giovanni). We also revealed the identity of the family portrayed in Adriaen van Ostade’s famous picture in the Louvre, and published an evaluation of the archival sources on the living conditions of the northern Netherlandish painters in seventeenth-century Italy – to mention just a few of the papers in volume 43 (2021). In the concluding issue you will find – among much else – the reason for the hitherto unexplained presence of the monumental Atlas on Amsterdam’s seventeenth-century Town Hall and a study of the career of the unscrupulous art dealer Leo Nardus, who merrily sold masterpieces as well as fakes to some of the greatest collectors of the gilded age.

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Netherlands quarterly for the history of art Simiolus has been critically serving the history of Netherlandish art for over fifty years now. It is published in English, and pays for the cost of translation of papers submitted in Dutch, German, French or Italian which we have agreed to produce. But to go on providing that service while retaining our very modest subscription fee, we do need your support. So please urge your library to subscribe or continue subscribing, and/or take out a subscription yourself! Institutions pay € 100 a year and individuals pay € 60 – for volumes of over 300 pages. Visit our site at Simiolus.nl for the conditions of subscription and information on how to advertise, where to send your copy and how to order the backsets not yet in JSTOR.

the burlington magazine | 164 | may 2022

14/04/2022 10:31

S I N C E 17 0 7

OLD MASTER PAINTINGS 19TH CENTURY PAINTINGS, WORKS OF ART Auction Week 5 – 12 May 2022

Palais Dorotheum Vienna +43 1 515 60-570 www.dorotheum.com

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17/03/2022 15:00

MAÎTRES ANCIENS DESSINS, PEINTURES, SCULPTURES AUCTION • 18 May 2022 • Paris VIEWING • 13 – 17 May 2022 • 9, avenue Matignon, Paris 8e CONTACT • Alexandre Mordret-Isambert • amordret@christies.com • +33 (0)1 40 76 72 63

LIMOGES, SECOND HALF 13th CENTURY A GILT-COPPER PYXIS REPRESENTING THE VIRGIN AND CHILD 13 1/2 in. (34.5 cm.) high Provenance: F. Spitzer Collection; V. Martin Le Roy Collection; J.-J. Marquet de Vasselot Collection, thence by descent.

Auction | Private Sales | christies.com

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Estimate: €500,000 - 700,000

14/04/2022 10:34

30% off for new readers Visit our website for more information

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Terms and Conditions apply. This offer is applicable for new subscribers and for the first year only. For more information on our full pricing list and range of subscription packages available, please visit: shop.burlington.org.uk/subscriptions

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