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june 2022

NEW RESEARCH ON ART AND ITS HISTORY

JUNE 2022

the burlington magazine no. 1431 vol. 164

Young Michelangelo: a newly discovered drawing A set of furniture for the Duke of Urbino | Frans Snijders’s early still lifes | The Giovanni Bellini debates Madame de Pompadour’s Sèvres | Boilly in Paris | Josef Hoffmann in Vienna | Georgia O’Keeffe’s photographs

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Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44⅞ in. (114 cm.)

Exhibiting at TEFAF Maastricht, stand 304 24–30 June 2022 6 St. James’s Place, London SW1A 1NP | T : +44 (0)20 7491 9219 | E : anna@agnewsgallery.com | W : www.agnewsgallery.com

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FRANCESCO HAYEZ

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17/05/2022 09:42

11/05/2022 12:40

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GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ PROVENANCE

Major Sir Edward Feetham Coates, M.P., J.P., D.L. (1853-1921), United Kingdom, and by descent

25-30 JUNE 2022

info@tomasso.art

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17/05/2022 09:45

FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE

Private collection, USA

STAND 203

tomasso.art

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MAASTRICHT

25–30 JUNE 2022 | MECC

THE DELAYED THIRTY-FIFTH

edition of TEFAF Maastricht will take

place in June this year. The 2020 March fair closed prematurely as the severity of the COVID-19 outbreak became apparent, and last year a successful online event was staged in September. The TEFAF brand eclipses other top international art fairs due to the La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse,

by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890.

Gilt-bronze and various woods, height 246 cm.

Adrian Alan, London

broad scope, quantity and high quality of the objects for sale.

All works are professionally vetted. Private collectors, institutional buyers and art lovers from around the globe will journey to southern Holland to take in the finest art works on the market.

Over the years a number of truly spectacular works have surfaced for sale. In 2020, for example, Vincent van Gogh’s Peasant woman in front of a farmhouse featured with Dickinson (London). This year, Caylus (Madrid) will show an important oil by Francisco de Goya: Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain (1798–99).

As well as welcoming back long-established specialist galleries, the fair is inviting a selection of new dealers to participate with smaller booths. This year’s ‘Showcase’ will feature six new entrants from London and Paris. From London, Bartha Contemporary Art will show conceptual works, and from Paris, Galerie Nicolas Bourriaud will have 19th- and 20th-century French sculpture.

The fair will be celebrating ten years of the TEFAF Museum Restoration Fund by awarding a donation to the Museum Boijmans Van Beuningen (Rotterdam), for the conservation and

Funerary head of a woman.

Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm.

Art Ancient, London

Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm.

Walter Padovani, Milan

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study of a painting by Van Gogh. Poplars near Neunen will be on view at the fair in its pre-restoration state before work begins at the museum.

For more information please visit: TEFAF.com

Madonna, by Edvard Munch (1866–1944).

1895. Black and white lithograph with red and blue watercolour on card, 54.1 by 34.9 cm.

David Tunick, New York

17/05/2022 09:38

TRINITY FINE ART TEFAF MAASTRICHT 2022

Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in june22trinityfineart.indd 1 Burlington_June_2022_ciano_corr.indd 1

17/05/2022 09:50 11/05/22 12:25

MAASTRICHT

A predella panel showing The Marriage of the Virgin,

by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. Brimo de Laroussilhe, Paris

Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. Brun Fine Art, London

The Mattias de’ Medici blue boys, by Jacopo Maria Foggini (1610/20–84). Wood, polychrome lacquer, silver-gilt and glass, height 146 cm. Burzio, London

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25–30 JUNE 2022 | MECC

Aphrodite.

Roman. c.1st century AD. Marble, height 125 cm.

Galerie Chenel, Paris

Form, Forbabstufung,

by Marina Apollonio (b. 1940). 1972.

Acrylic on canvas, 70 by 70 cm.

The Mayor Gallery, London

Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22.

Marble, height 42 cm.

Daniel Katz, London

17/05/2022 09:38

26 May – 8 July 2022

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MAASTRICHT

Pierres number 2,

by Alberto Magnelli (1888–1971). 1932.

Oil on canvas, 168 by 100 cm.

Applicat-Prazan, Paris

Guro-Bete mask. Ivory Coast, 19th century.

Wood, height 20.5 cm.

Serge Schoffel, Brussels

A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm.

Maurizio Nobile, Bologna, Paris and Milan

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25–30 JUNE 2022 | MECC

Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50.

Marble, 129 by 60 by 43 cm.

Sam Fogg, London

Suburbs of Amsterdam,

by Jan Sluijters (1881–1957).

1907. Oil on canvas, 42 by 33.5 cm. Daatselaar, Utrecht

Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967.

Watercolour and ink on paper, 71 by 106 cm.

David Lévy, Brussels

17/05/2022 09:39

S tephen O ngpin F ine A rt Old Master, 19th Century and Modern Drawings FORTHCOMING EXHIBITION

Settecento Veneto: Venetian Drawings of the Eighteenth Century 3rd to 29th July, 2022

GIOVANNI BATTISTA TIEPOLO (1696–1770)

Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk.

216 x 289 mm. (81⁄2 x 113⁄8 in.)

STEPHEN ONGPIN FINE ART 82 PARK STREET, MAYFAIR, LONDON w 1 k INFO@STEPHENONGPINFINEART.COM

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17/05/2022 09:52

NEW & NOTABLE

Antiquarians of NineteenthCentury Japan The Archaeology of Things in the Late Tokugawa and Early Meiji Periods

Flesh and Bones The Art of Anatomy

Hiroyuki Suzuki

At the intersection of science and art, this illustrated volume explores themes of anatomy from the Renaissance to modern times.

This richly illustrated catalogue addresses the political, intellectual, religious, and artistic relations between Persia, Greece, and the Roman Empire.

Imogen Cunningham A Retrospective

Living Matter The Preservation of Biological Materials in Contemporary Art

Edited and translated by Maki Fukuoka Bold and innovative, this volume explores the changing process of evaluating objects during the period of Japan’s rapid modernization.

Clyfford Still The Artist’s Materials Susan F. Lake and Barbara A. Ramsay This engaging book provides the first detailed account of Clyfford Still’s working methods, materials, and techniques.

getty.edu/publications

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Paul Martineau Thoroughly researched and beautifully produced, this book offers a comprehensive look at the motivations and extraordinary work of the American photographer.

Edited by Jeffrey Spier, Timothy Potts, and Sara E. Cole

Edited by Rachel Rivenc and Kendra Roth This groundbreaking publication explores the challenges associated with displaying, collecting, and preserving works of art created with biological materials.

© 2022 J. Paul Getty Trust

Getty Publications

Monique Kornell, with contributions

by Thisbe Gensler, Naoko Takahatake, and Erin Travers

Persia Ancient Iran and the Classical World

13/04/2022 16:39 4/5/22 10:10 AM

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CAMPER

C D

COMMISSAIRES-PRISEURS

DABERNAT AUCTION ON SATURDAY 18 JUNE 2022 at 2 pm CET

Angelo de ROSSI

(Genoa 1671 – Rome 1715)

The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000

PRIVATE VIEWING

At Lacroix Jeannest Until 15 June 2022 by appointment, in Paris EXHIBITION At Auction House Friday 17 June 9:30 am to 5:30 pm Saturday 18 June 9:30 am to 12 pm

EXPERT + 33 (0)1 83 97 02 06 contact@sculptureetcollection.com

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AUCTION HOUSE

10 quai de l’Essonne 91100 CORBEIL-ESSONNES +33 (0)1 64 96 03 08 contact@camper-dabernat.fr

13/04/2022 16:52

FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm

STAND 338

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Conde de Aranda 24, 28001 Madrid | + 34 91 578 30 98 info@galeriacaylus.com | www.galeriacaylus.com | @caylusart

17/05/2022 10:08

BRITISHARTFAIR.CO.UK

Modern and Contemporary British Art 29 September – 2 October 2022 Saatchi Gallery, London

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17/05/2022 10:10

THE NEW MORGAN GARDEN

OPENING JUNE 18

EXPERIENCE THE RECENTLY RESTORED EXTERIOR OF J. PIERPONT MORGAN’S LIBRARY AND THE NEW MORGAN GARDEN. To learn more, visit themorgan.org/restoration Exhibitions coming soon: One Hundred Years of James Joyce’s Ulysses June 3 through October 2

J. Pierpont Morgan’s Library: Building the Bookman’s Paradise June 10 through September 18

Writing a Chrysanthemum: The Drawings of Rick Barton June 10 through September 11

PLEASE SEND TO REAL LIFE: Ray Johnson Photographs June 17 through October 2

Madison Ave. at 36th St. themorgan.org #MorganLibrary

The restoration of J. Pierpont Morgan’s Library is made possible by lead sponsorship by the Charina Endowment Fund, Inc., Sherman Fairchild Foundation, Inc., Morgan Stanley, Katharine J. Rayner, Mrs. Oscar de la Renta, The Thompson Family Foundation, Inc., and public funds from the City of New York through the NYC Department of Cultural Affairs, with support from the Mayor’s Office and New York City Council.

Image: 36th Street Garden: Sketch, view towards Annex. Courtesy of Todd Longstaffe-Gowan.

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5/16/22 10:44 AM 17/05/2022 10:11

BEAU & GRAND. FINE ARTS PARIS LA BIENNALE

9 - 13 NOVEMBER 2022 Carrousel du Louvre, Paris

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Private collection, England

This sketch relates to one of the sections of the Banque Royal’s lost ceiling, painted in fresco by the artist while in Paris, circa 1720

PROVENANCE:

Oil on canvas, 26 x 41 cm

An unidentified allegory

GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741)

Tel/Fax: +39 0498561460 | Email : santateclaltd@gmail.com

Palazzo Savonarola | Via dei Savonarola, 66 | 35137 Padova | Italy

Dealers in Fine Old Masters

SANTA TECLA Srl

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17/05/2022 10:26

OLD MASTER PAINTINGS & DRAWINGS 28 June 2022 Drouot, Paris, 3:00 pm

Public viewing

Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764

Subscribe to our newsletters by scanning the QR Code Neuilly-sur-Seine • Paris • Lyon • Aix-en-Provence • Brussels aguttes.com | follow us |

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Drouot, Paris Sat, 25 June: 11:00 am - 6:00 pm Mon, 27 June: 11:00 am - 6:00 pm Tue, 28 June: 11:00 am - 1:00 pm Catalogue & results on aguttes.com live bid on drouotonline.com For enquiries, please contact: Grégoire Lacroix Head of Sale / Specialist +33 (0)1 47 45 08 19 • +33 (0)6 98 20 77 42 lacroix@aguttes.com

17/05/2022 10:28 10/05/2022 09:44

OLD MASTER PAINTINGS

22 June, 2022 - 06.30 PM (CEST)

Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm

BOOTH #728 | TEFAF MAASTRICHT | JUNE 24-30, 2022 +1 203 494 8853 info@christopherbishopfineart.com christopherbishopfineart.com

€10 (STG£9)

Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in.

FOR MORE INFORMATION, PLEASE CONTACT Thaddée Prate +33 1 53 30 30 47 prate-t@tajan.com Astrid de Benoist +33 1 53 30 30 84 debenoist-a@tajan.com 37 rue des Mathurins, 75008 Paris +33 1 53 30 30 30 www.tajan.com AGRÉMENT N°2001-006 DU 7 NOVEMBRE 2001 COMMISSAIRES-PRISEURS HABILITÉS : F. DAVID - A. DE BENOIST - L. DE CAUSANS - E. KOZLOWSKI

XXII

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SUBSCRIBE TO THE IRISH ARTS REVIEW FROM ONLY £50 AND RECEIVE:

Four editions of the Irish Arts Review plus FREE access to the Online Price Guide to Irish Art Sales!

T: +353 1 676 6711 E: subscriptions@irishartsreview.com WWW.IRISHARTSREVIEW.COM

THE BURLINGTON MAGAZINE | 164 | JUNE 2022

17/05/2022 10:56

STAND 154

Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm

38 Old Bond Street, London W1S 4QW | +44 (0)20 7493 0195 | info@brunfineart.com | www.brunfineart.com

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17/05/2022 10:46

MASTERPIECE LONDON 30 JUNE TO 6 JULY 2022

South Grounds, The Royal Hospital Chelsea, London sw3 www.masterpiecefair.com

THIS MONTH WE WELCOME the eleventh edition of Masterpiece

London, the high point of the London summer fair season and the meeting place of many of the world’s most distinguished art dealerships. The event will attract collectors, interior designers and art enthusiasts to the elegant grounds of the Royal Hospital, Chelsea.

The exhibitors span all eras from the ancient world to the modern and contemporary periods. Visitors can expect to see the finest works of fine and decorative art, including sculpture, silverware, furniture, cultural artefacts and jewellery. Masterpiece London operates with a strict ethical code and allows only dealerships with a fine reputation to exhibit. All works will be examined by a vetting committee of experts to check for authenticity and quality.

Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON

Particular highlights include a George I walnut cabinet, an important addition to the known corpus of early 18th-century English walnut furniture; an extraordinarily complete skull of a mature Triceratops prorsus from the Late Cretaceous period; Augustus John’s marvellous double portrait of two Jamaican sisters produced during his trip to Jamaica; and a compelling likeness of Georges de Porto-Riche by Jacques-Émil Blanche, presented as a gift to his fellow artist Auguste Rodin.

This year’s ‘Masterpiece Presents’ will occupy a large exhibition space at the fair’s entrance dedicated to innovative and immersive art. It will feature two monumental light installations by PakistaniAmerican artist Anila Agha, represented by Sundaram Tagore Gallery. The artist is known for her award-winning, transformative light installations, and has been the subject of three solo museum shows in the past year.

For more information visit www.masterpiecefair.com

Diamond cut egg, by David Nash (b.1945). 2020.

Maple, 71 by 30 by 30 cm.

ANNELY JUDA FINE ART, LONDON

Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm.

GALERIE MALAQUAIS, PARIS

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Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996.

Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON

17/05/2022 11:00

MASTERPIECE LONDON 30 JUNE TO 6 JULY 2022

South Grounds, The Royal Hospital Chelsea, London sw3 www.masterpiecefair.com

Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm.

STEVE SLY JAPANESE ART, BOURNEMOUTH

Fruit and leaves, by Matthew Smith (1879–1959). 1947.

Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON

The sisters, by Augustus Edwin John (1878–1961). 1937.

Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON

Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758.

Brass and silver in a mahogany case, height 195 cm.

TOBIAS BIRCH, EVESHAM

Georges de PortoRiche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON

Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes.

Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON

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feb22page6.qxp_Internet and Contacts 18/01/2022 10:52 Page 1

feb22page6.qxp_Internet and Contacts 18/01/2022 10:52 Page 1

C O N T @ C T S

C O N T @ C T S

T R I N I T Y F I N E A RT Catalogue available 15 old bond street 38 & 39 Duke St., St James’s, london w 1s 4 a x

info@trinityfineart.com +44 (0)20 7493 4916

London, United Kingdom

www.trinityfineart.com WWW.PETERFINER.COM

TDaniel RI N IT Y FG IN E A RT Katz allery

15 street f rold o m bond antiq u i t y t o t h e 2o t h c e n t u ry london w 1s 4 a x info @trinityfineart.com www.katz.art www.trinityfineart.com +44 (0)20 7493 4916

Drawings Manhattan T RDEALER, I NMaster IT Y F I N E A RT AGENT AND APPRAISER IN

DRAWINGS AND PRINTS 15 old MASTER bond street 15% discount, please mention Burlington Magazine london w 1s 4 a x info@trinityfineart.com 327 West 89th Street, 5F, New York, NY 10024. Tel: +1 347 784-6759

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Daniel Katz Gallery

Daniel Katz Gallery

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in contradiction to other work of this period, particularly French, but which was typically Belgian, somewhat

understated and “smoothed” off. This style relied on the power and volume of the subject to take over from

the decoration of detailed representation. He was at the start of the 50 year period that sculpture developed into Modern Art. Bugatti’s style was well developed when he was drawn

to Antwerp, where from 1907 until his death in 1916 the changes in his Ouevre can be seen.

Collin met Bugatti on his arrival and they shared their association with Dupon. Collin continued to work, apart from the First World War, until the Second World War in 1940, after which his artistic output finished.

Wildlife Sculpture from the ANT WERP ZOO MOVEMENT, 1890 – 1940

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hall@burlington.org.uk

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11 Duke Street | St James’ | London SW1Y 6BN Tel.(0)20-7388 +44 207 930 1144 | Fax. +44 m 207 976 1596 +44 1228 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk

the burlington magazine | 164 | june 2022

17/05/2022 10:49

NE W TITLES FROM THE PAU L MELLON CENTRE

todd longstaffe- gowan

English Garden Eccentrics

Three hundred years of extraordinary groves, burrowings, mountains and menageries

English Garden Eccentrics Three hundred years of extraordinary groves, burrowings, mountains and menageries

Todd Longstaffe-Gowan In his new book, Todd Longstaffe-Gowan reveals a series of obscure and eccentric English garden-makers who, between the early seventeenth and the early twentieth centuries, created intensely personal and idiosyncratic gardens that expressed the singularity of the characters behind them and which, in themselves, were a form of autobiography.

s u rv ey o f lo n d o n

Reviewers’ comments on the Survey and its work: The Survey of London is a miracle of long-term development … a stupendous achievement.

Christopher Howse on volumes 51 & 52, South-East Marylebone Daily Telegraph A single chapter of the Survey is worth a whole volume of psychogeographical lucubrations.

Simon Bradley on volumes 51 & 52, South-East Marylebone Burlington Magazine

The Radical Vision of

A magnificent, disciplined enterprise working at peak performance.

Robert Thorne on volume 48, Woolwich Construction History Society Magazine

SURVEY OF LONDON

The Radical Vision of Edward Burne-Jones

For areas and buildings covered see map on reverse of jacket

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For further information see www.ucl.ac.uk/bartlett/architecture/ research/survey-london or contact Survey of London, The Bartlett School of Architecture / UCL UCL Faculty of the Built Environment 22 Gordon Street, London WC1H 0QB

GRAFTED ARTS

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HOLLY SHAFFER

Art Making and Taking in the Struggle for Western India 🙗🙗🙗🙗 1760–1910

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Andrea Wolk Rager

Edward Burne-Jones

Past volumes of the Survey of London are online at www.british-history.ac.uk/surveyoflondon

BLURB

54

A bold reassessment of the nineteenth-century painter and decorative artist Edward Burne-Jones, elucidating his fundamentally radical defiance of the Victorian age

Survey of London: Vols. 54 & 55

Peter Guillery

WH ITE C H A PE L

The Survey is an institution unique in the urban world. Nothing like it has been attempted elsewhere and perhaps could never be.

Jerry White on volumes 49 & 50, Battersea Times Literary Supplement

volume

T H E PAU L MEL L O N C EN T R E F O R S T U D I ES I N B R I T I S H A RT for T H E BA RT L ET T S C H O O L O F A RC H I T EC T U R E ( U C L )

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A Revolution on Canvas

Art Making and Taking in the

The Rise of Women Artists in

Struggle for Western India, 1760–1910

Britain and France, 1760–1830

Holly Shaffer

Paris A. Spies-Gans

Examines the violent and creative processes of suturing arts by Maratha military rulers and British East India Company officials as a method of empire building

Challenging longstanding assumptions about the place of women in the history of art, this book examines the proliferation of women artists during the Revolutionary era

A Revolution on Canvas The Rise of Women Artists in Britain and France, 1760–1830

www.paul-mellon-centre.ac.uk/publications Distributed by Yale University Press

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OLD MASTERS EVENING SALE

AUCTION London, 7 July 2022 VIEWING 2–7 July 2022 8 King Street London SW1Y 6QT CONTACT Clementine Sinclair csinclair@christies.com +44 (0) 20 7389 2306 Part of

LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000

Auction | Private Sales | christies.com Other fees apply in addition to the hammer price. See Section D of our Conditions of Sale at the back of the Auction Catalogue

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17/05/2022 09:34

THOMAS DE KEYSER

(1596 – Amsterdam – 1667)

Portrait of a young man with a ruff Copper, oval, 11 x 9 cm.

3, rue du Port ch-1204 Geneva

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m: +41792859262

e: info@robsmeets.com

i: www.robsmeets.com

17/05/2022 09:27