The rise and fall of a Victorian art dealer Veronese’s ‘gracious invention’ | Nicolas Pineau’s ornament prints | A Lithuanian amber workshop Dürer in Chantilly and Birmingham | Rodin in America | The Cornelia Parker retrospective NEW RESEARCH ON ART AND ITS HISTORY SEPTEMBER 2022
RUTILIO MANETTI 1571 - Siena - 1639 Allegory of the Four Seasons Oil on canvas 169 x 231 cm (661/2 x 91 in.)
Madonna and child, cast after a model by Girolamo Ticciati (1676–1744). c.1747–53. Red wax with a plaster support, 33.5 by 19.5 cm.
THE THIRTY-SECOND EDITION of the Florence Biennale will welcome seventy-five eminent commercial galleries and dealers to exhibit works in the Baroque setting of the Palazzo Corsini on the banks of the river Arno. Objects for sale will be mostly Italian in origin and will represent a broad period from Antiquity through old masters to the nineteenth century. There will also be a selection of fine furniture, tapestries, antiquarian books, ceramics and all manner of decorative items. Works of art will be vetted by an international committee of experts, which will add credence to the quality and provenance of acquisitions. Alongside the Biennale, the popular Florence Art Week will take place once more in the historic city centre. Launched in 2019, it boasts a varied programme of exhibitions and events hosted by public and private galleries, museums and boutiques.
A cultural programme will be staged in the Palazzo’s Salone del Trono, and will include book presentations and a conference concerned with art history and the art market. A privately sponsored award allocation will be announced during the fair for the restoration of several lesser-known decorative works of art in public collections.
ATTILIO CECCHETTO ANTIQUARIO, TREVISO
A pair of vases with portraits of Clemens of Saxony and his sister Maria Josepha Amelia of Saxony, painted by Raffaele Giovine. 1822. Porcelain with gilt-bronze 60polychrome,andheightcm. BRUN FINE ART, LONDON AND MILAN Head of a prophet, by Giovanni di 31.5(1290–1349).BalduccioMarble,by14by43.5cm.
CESATI,ALESSANDROMILAN
WALTER PADOVANI, MILAN Commode. Venice, c.1850. Wood, marble, bronze, gilt and lacquer, 147 by 84 by 60 cm.
For more information on the fair please visit: www.biaf.it
BIENNALE PalazzoDELL’ANTIQUARIATOINTERNAZIONALEDIFIRENZECorsini,Florence|24September–2October2022|www.biaf.it The feast of Absalom, by Niccolò Tornioli (1606–51). Oil on canvas, 147.5 by 216.2 cm. ROBILANT+VOENA, LONDON AND MILAN
CARLO ORSI Florence Biennale 2022
FLORENCEMARIETTA,GALLERIA Alexander, Tsar of Russia, by Lorenzo Bartolini (1777–1850). Marble,1807.height 71 cm.
Head of an man wearing a turban, by Giovan Battista Tiepolo (1696–1770). Oil on canvas, 43.5 by 35.5 cm. CARLO ORSI, MILAN Kronos, by Adamo Tadolini (1788–1868). 35Terracotta,c.1830–50.by26by23cm.
BIENNALE PalazzoDELL’ANTIQUARIATOINTERNAZIONALEDIFIRENZECorsini,Florence|24September–2October2022|www.biaf.it
NAPLESCAMPOBASSO,ROBERTO Coffee pot with marks for the Sienese families of Sansedoni and Venturi Gallerani, by Adriano Haffner (1703–68). c.1740. Embossed and chiselled silver, height 30 cm. DARIO MONTEGHIO,CARLO St Jerome in penitence, by Girolamo Munziano (1532–92). Oil on canvas, 228 by 164 cm. SANTA TECLA, PADUA Madonna and child, by the Master of 1310 (active, Tempera1300–30).onwood with gold, 36.1 by 31.6 cm. SALAMON GALLERY, MILAN
76, RUE DU FAUBOURG SAINT-HONORÉ, PARIS 8 e ENQUIRIES +33 (0)1 53 05 53 04 LOUIS-XAVIER.JOSEPH@SOTHEBYS.COM SOTHEBYS.COM/HOTELAMBERT #SOTHEBYS AGRÉMENT N°2001-002 DU 25 OCTOBRE 2001 COMMISSAIRE-PRISEUR HABILITÉ PIERRE MOTHES. © ART DIGITAL STUDIO
BRITISHARTFAIR.CO.UK Modern and Contemporary British Art 29 September – 2 October 2022 Saatchi Gallery, London
Newbury (Donnington Priory) | London (Pall Mall) Jennie Fisher | jfisher@dreweatts.com | 01635 553 553 dreweatts.com DAVID BOMBERG (BRITISH 1890-1957) THE GARDEN AND TOWER OF THE SACRISTY, CUENCA CATHEDRAL Est. £200,000-300,000 (+ fees) INVITING ENTRIES CONSIGNMENT DEADLINE | 5 SEPTEMBER 2022 19 OCTOBER 2022 Modern &
AFTER A TWO-YEAR HIATUS due to the pandemic, the British Art Fair will once again open its doors to collectors and enthusiasts of modern and contemporary British art. Over fifty specialist dealers and galleries have signed up to exhibit at the Saatchi Gallery in Chelsea this autumn. As auction results have shown in recent years, this field of collecting is gaining an ever-firmer footing within the international art market. Illustrated here is a small selection of works that will be offered for sale.
MOORE-GWYN FINE ART, LONDON Self portrait, by Ronald Ossory Dunlop (1894–1973). c.1935. Oil on board, 37 by 29 cm. CASTLEGATE HOUSE GALLERY, CUMBRIA 10.8.75., by John Hoyland (1934–2011). 1975. Acrylic on canvas, 123 by 91.5 cm. FREDERICK CHARLES ART, KENT Assassin 2, by Elisabeth Frink (1930–93). 1963. Bronze, 51 by 17 cm. WILLOUGHBY GERRISH, LONDON YORKSHIREAND
Whiteleaf Hill, by John Nash (1893–1977). 1920. Pen and ink and watercolour on paper, 32.5 by 39.5 cm.
In addition, three separate exhibitions will respectively present paintings by William Johnstone (1897–1981), a group of works by Royal Scottish Academy graduates and a curated selection of works from the Ingram Collection.
BRITISH
For more information on the fair please visit: britishartfair.co.uk
The 2022 iteration of the fair will see the launch of Solo Contemporary, an initiative by the fair’s new owners to support and promote the work of early-career artists. Ten contemporary galleries will each showcase a single emerging artist under the curatorship of artist, dealer and lecturer Zavier Ellis.
May ’61, by Roger Hilton (1911–75). Oil on canvas, 63 by 76 cm. JONATHAN CLARK FINE ART, LONDON
ART FAIR
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(MODERN AND CONTEMPORARY BRITISH ART) Saatchi Gallery, London | 29 September 2 October 2022 | britishartfair.co.uk
The Fantasy of the Middle Ages
Edited by Andrew D. Turner
The Artist’s Materials
Selected Essays, 1889–1914 Henry van de Velde
An Epic Journey through Imaginary Medieval Worlds
Franz Kline
Edited by Katherine M. Kuenzli, translated by Elizabeth Tucker
This richly illustrated monograph is the first on the celebrated photographer who has made thousands of iconic photographs since 1963.
An introduction to the creation, discovery, interpretation, and authentication of Códice Maya de México, including a full-color facsimile and page-by-page guide to the iconography. Cultural Heritage and Mass Atrocities
PublicationsGetty getty.edu/publications NEW & NOTABLE TrustGettyPaulJ.2022©
Corina E. Rogge with Zahira Véliz Bomford This heavily illustrated and engaging book provides an in-depth analysis of the working methods, materials, and techniques of American Abstract Expressionist Franz Kline.
The first English collection of writings by Henry van de Velde, one of the most influential designers and theorists of the twentieth century. Códice Maya de México Understanding the Oldest Surviving Book of the Americas
Edited by James Cuno and Thomas G. Weiss
Larisa Grollemond and Bryan C. Keene
Henry van de Velde
An abundantly illustrated and illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. Eye Dreaming Photographs by Anthony Barboza Anthony Barboza, Aaron Bryant, and Mazie M. Harris, with an introduction by Hilton Als
A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures.
Obituary: Francis Bacon, by Hugh Mendes (b.1955). 2021. Oil on linen, 30 by 20 cm. CHARLIE SMITH, LONDON
BRITISH ART (MODERN AND CONTEMPORARY BRITISH ART) Saatchi Gallery, London | 29 September – 2 October 2022 | britishartfair.co.uk
The blue jug, by F.C.B. Cadell (1883–1937). 1925. Oil on canvas, 61 by 50.8 cm. GALLERY,PORTLANDLONDON
FAIR
Clifton Suspension Bridge, by Julian Trevelyan (1910–99). 1962. Oil on canvas, 76.5 by 91.5 cm. FREYA MITTON ART, SOMERSET Nowhere 2, by Robyn Denny 163Acrylic(1930–2014).oncanvas,by120cm. NINE BRITISH ART, LONDON
Reclining nude, by Henry Moore (1898–1986). 1980. Bronze, 11 by 16.5 cm. OSBORNE SAMUEL, LONDON Dorelia in a blue coat, by Augustus John (1878–1961). 1910. Oil on panel, 33 by 23.5 cm. BROWSE & DARBY, LONDON
Deadline for Issue 7: 29th August 2022
Image: From Issue 6: The Great White Way: 22 miles, 9 years, 1 street, by Pope.L. 2001–09. (Museum of Modern Art, New York; courtesy the artist and Mitchell Innes & Nash, New York).
Burlington Contemporary is a digital platform that publishes a biannual peer-reviewed academic journal. The sixth issue was published in June 2022 and we are now seeking article submissions for our next issue. We are looking for articles that concentrate on the work of African artists, African Diaspora artists and works of art that centre on African histories, narratives and cultures.
free-access,
THE BURLINGTON MAGAZINE | 164 | SEPTEMBER 2022 XI aestheticamagazine.com/shop The Destination for Art and Culture SUBSCRIBE & SAVE 50% FIRST THREE ISSUES FREE Offer ends 30 September 2022 Untitled-1 1 16/08/2022 13:09 Burlington Contemporary Journal Call for articles: Issue 7
Submissions, which should be no longer than 5,000 words, should be based on original unpublished research and deal with the work of living artists, or with work made since 1960. All articles will be subject to peer review. Further details can be found on contemporary.burlington.org.uk. Before submitting an article, potential contributors should submit a 150-word synopsis to the Contemporary Art Editor, Kathryn Lloyd: lloyd@burlington.org.uk.
Netherlands quarterly for the history of art
The current volume of Simiolus marks a moment of transition. It is the first produced by a slightly rejuvenated board of editors, headed by Ruben Suykerbuyk, and it is with enormous gratitude that we thank retiring members Peter Hecht and Ger Luijten for their hard work and devotion in safeguarding the quality and production of our journal through the last decades. It is also the last volume to appear in print only, since we will be offering supplementary digital subscriptions and access as of volume 45 (2023). Do send your name and email address to info@simiolus.nl if you are interested, and follow us on Instagram to stay informed.
This year’s opening issue includes the first full reconstruction of Jacob Jordaens’s Psyche Gallery in his Antwerp house as well as an in-depth iconographic analysis of Jacques de Gheyn II ’s Witches’ Sabbath, and publishes the rich archive on an early and previously unknown film project by Marcel Broodthaers.
Simiolus
Institutions pay € 100 a year and individuals pay € 60. Visit Simiolus.nl for the conditions of subscription and information on how to advertise, where to send your copy and how to order the backsets not yet in JSTOR
It also features Elsabeth Dikkes’ paper on the career of François de Bray and his lacquer works, which was awarded the Haboldt-Mutters Prize of 2021. We are now accepting submissions for this year’s competition, the call for which is open until the end of the year. Simiolus is published in English, and pays for the cost of translation of papers submitted in Dutch, German, French or Italian which we have agreed to produce. But to go on providing that service while retaining our very modest subscription fee, we do need your support. So please urge your library to subscribe or continue subscribing, and/or take out a subscription yourself!
XII THE BURLINGTON MAGAZINE | 164 | SEPTEMBER 2022 Filippo Pedrini San Pelegrino Laziosi 70*48,5 cm
THE BURLINGTON MAGAZINE | 164 | SEPTEMBER 2022 XIII THE EMPRESS EUGÉNIE IN ENGLAND: ART, ARCHITECTURE, COLLECTING ANTHONY GERAGHTY is absorbing book tells the story of Empress Eugénie (1826–1920), the wife of Napoleon III and the last Empress-Consort of France. Today she is remembered for her physical beauty, for her in uence as a taste maker, and for her glittering contribution to the second imperial court –but she outlived the Second Empire by half a century and lived in exile in England. Anthony Geraghty was born and educated in Farnborough. He is Professor of the History of Art at the University of York, UK. To purchase this book please visit: shop.burlington.org.uk INTRODUCTORY OFFER : £28 INC. P&P (RRP £40) 30% SAVING ON RRP Venator & Hanstein Book and Print Auctions Cäcilienstrasse 48 · 50667 Cologne · Tel. +49-221-257 54 19 · Fax 257 55 26 · venator@lempertz.com · www.venator-hanstein.de 30 SEPTEMBER RARE BOOKS AUTOGRAPHSMANUSCRIPTSOLDPRINTS 1 OCTOBER MODERN CONTEMPORARYPRINTS PRINTS AUTUMN SALES 2022 M. Pfinzing/Maximilian I., Tewrdannckh. Augsburg 1519. Burlington-Sept22-V&H.indd 1 04.08.22 12:48
the burlington magazine | 164 | september 2022xiv CONT @ CTS m 11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk Daniel Katz G allery from antiquity to the 2oth century www.katz.art TRINITY FINE ART 15 old bond street london w 1 s 4 ax www.trinityfineart.com info @ trinityfineart.com +44 (0)20 7493 4916 CONT @ CTS one-of-a-kindBrowse day & faber old master www.dayfaber.comdrawings m 11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk Daniel Katz G from antiquity to the 2oth century www.katz.art m TRINITY FINE ART 15 old bond street london w 1 s 4 ax www.trinityfineart.com info @ trinityfineart.com +44 (0)20 7493 4916 NEW RARITET GALLERY OLD MASTER PAINTINGS From Renaissance to the 20th Century www.newraritetgallery.com Catalogue available 38 & 39 Duke St., St James’s, London, United WWW.PETERFINER.COMKingdomCONT @ CTS uyowse and bBrone-of-a-kind items onlinems faberdrawings century trinityfineart.comART 4916 GALLERY Century To advertise please burlington.org.ukvisit: day & faber old master www.dayfaber.comdrawings m 11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk mm NEW RARITET GALLERY OLD MASTER PAINTINGS From Renaissance to the 20th Century www.newraritetgallery.com uyowse and bone-of-a-kindBr items onlinems day & faber old master www.dayfaber.comdrawings m 11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk Daniel Katz G allery from antiquity to the 2oth century www.katz.art m TRINITY FINE ART 15 old bond street london w 1 s 4 ax www.trinityfineart.com info @ trinityfineart.com +44 (0)20 7493 4916 NEW RARITET GALLERY OLD MASTER PAINTINGS From Renaissance to the 20th Century www.newraritetgallery.com
THE BURLINGTON MAGAZINE | 164 | SEPTEMBER 2022 XV
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Amy P. Goldman Fellowship in Pre-Raphaelite Studies
Edward Burne-Jones (1833-1898) for Morris & Company, Noah, 1909. Stained glass, 58 × 17 5/8 inches. Delaware Art Museum, F. V. du Pont Acquisition Fund, 2020.
The University of Delaware Library, Museums and Press, in Newark, Delaware, and the Delaware Art Museum are pleased to offer a joint Fellowship in Pre-Raphaelite studies, funded by the Amy P. Goldman Foundation. This onemonth Fellowship, awarded annually, is intended for scholars conducting significant research in the lives and works of the Pre-Raphaelites and their friends, associates, and followers. Applicants, whose research specifically utilizes holdings of the University of Delaware Library, the Mark Samuels Lasner Collection, the Delaware Art Museum, and the Helen Farr Sloan Library and Archives, are preferred.
The recipient will be expected to be in residence and to make use of the resources of both the Delaware Art Museum and the University of Delaware Library, Museums and Press. A stipend of $3,000 is available for the one-month Fellowship. Housing will be provided. The Fellowship is intended for those who are working toward or hold a Ph.D. or can demonstrate equivalent professional or academic experience. Applications from Ph.D.-track graduate students, independent scholars and museum professionals are welcome. Deadline to apply is November 1, 2022. Learn more at delart.org. 2301 Kentmere Parkway Wilmington, DE 19806 302.571.9590 | delart.org civilisations. each
September 18, 2022–January 15, 2023 Masterpiece in Residence features some of the world’s most significant holdings of Spanish art within American collections, offering audiences the opportunity to see these singular works within the context of the Meadows permanent collection. Monograph publications presenting new research by noted scholars accompany each loan.
164vol.1427no.2022februarymagazineburlingtonthe
AND ITS HISTORY FEBRUARY 2022
RESEARCH ON
30% off for new readers Visit our website for more shop.burlington.org.ukinformation Terms and Conditions apply. This offer is applicable for new subscribers and for the first year only. For more information on our full pricing list and range of subscription packages available, please visit: shop.burlington.org.uk/subscriptions All individual subscriptions now include digital access to our complete archive: 1903 to present Art in Britain A Nathaniel Bacon discovery Turner and Ossian G.F. Watts and Pheidias In search of Edward Detmold Annibale Carracci in Madrid | Boldini in Paris Louise Bourgeois in New York The Venice Biennale NEW RESEARCH ON ART AND ITS HISTORY JULY 2022164vol.1432no.2022julymagazineburlingtonthe
NEW ART
A sculpture for Isabella d’Este Ter Brugghen’s ‘Roman Charity’ discovered With Sargent in the Alps Late Gothic in Berlin The Medici in New York The Museum of the Home in London
The secrets of a revolutionary portrait
In search of Van Eyck’s workshop Art of conservation: Jan Cornelis Traas and the Van Gogh family collection British portraits of a Danish king A Netherlandish altarpiece in Clerkenwell Hogarth, race and empire Sophie Taeuber-Arp in New York
