A Safavid shield in the Medici armoury
glass in ancient Korea | The paintings of Raja Ravi Varma and 19th-century Indian silver The Musée de Cluny
acquisitions of photography at the Morgan Library & Museum
Mediterranean
reopens | Recent
NEW RESEARCH ON ART AND ITS HISTORY OCTOBER 2022
Indian & Islamic Art: 20 – 29 October 2022 East Asian Art: 27 Oct – 5 Nov 2022 Asian Art in London: Celebrating 25 years in 2022 asianartinlondon.comTWENTY-FIVEYEARS 2 2
Lucio Fontana glazed ceramic
Lucio Fontana Madonna and Child, 1954–57 Inscribed ‘fontana’ (lower centre-right)
Registered at the Fondazione Lucio Fontana, Milan, no. 73/1 Glazed ceramic 42
29
11
x
x 10 cm (16 1/2 x
3/8 x 4 in.)
Head of a man South Arabia, 3rd century BC–1st century AD. Alabaster, height 13 cm.
ARIADNE GALLERIES, LONDON
Mr William Shakespeares Comedies, Histories, and Tragedies. Published according to the true Originall Copies. 1632. Paper and calf leather, 32.4 by 21.9 cm.
PETER HARRINGTON RARE BOOKS, LONDON
A SELECTION OF HIGHLIGHTS
Sphynx, by Nikki de Saint Phalle (1930–2002). 1975. Painted polyester, 30 by 28 by 48 cm.
GALERIE MITTERAND, PARIS
John Bull taking a luncheon or British cooks cramming Old Grumble-Gizzard with Bonne-Chère, by James Gillray (1756–1815). 1798. Hand-coloured etching, 25.5 by 36.2 cm. ANDREW EDMUNDS, LONDON
Black jug and lemon sole, by Georges Braque (1882–1963). 1942. Oil on canvas, 50 by 61 cm. BERNARD JACOBSON GALLERY, LONDON
Buddha Amoghasiddhi Tibet, 13th century. Distemper on cloth, 94.9 by 71.6 cm.
CARLTON ROCHELL ASIAN ART, NEW YORK
12th–16th October 2022 | The Regent’s Park frieze.com/fairs/frieze-masters
TRINITY FINE ART Bartolomeo Schedoni The Beheading of St John the Baptist (detail) Oil on panel, 58 x 35 cm, 22 7/8 x 13¾ in
Portrait of a Zulu, by Frans David Oerder (1867–1944). 1897. Oil on canvas, 53 by 42.9 cm.
ELLIOTT FINE ART, LONDON
Study of the hands of the Virgin, by Jean-AugusteDominique Ingres (1780–1867). c.1836. Pencil on paper, 23.3 by 14.4 cm.
STEPHEN ONGPIN, LONDON
Spring: peasants making merry outside a tavern; Summer: Peasants dance; and Winter: view of a village in the snow, by Pieter Brueghel the Younger (1564–1638). After 1616. Oil on wood, diameter 24.5 cm. GALERIE DE JONCKHEERE, GENEVA
Adventure in technos dystopium – dystopium infinite triptych, by Orshi Drozdik (b.1946). 1984–95. Gelatin silver photographic print, 250 by 123 cm.
EINSPACH FINE ART AND PHOTOGRAPHY, BUDAPEST
Partition, guitare, compotier, by Pablo Picasso (1881–1973). 1924. Oil on canvas, 97.1 by 130.1 cm. HELLY NAHMAD GALLERY, LONDON
12th–16th October 2022 | The Regent’s Park frieze.com/fairs/frieze-masters
censorship, destruction and reuse in the European Middle Ages 3 November – 2 December Head of an African King, Southern France, c.1120-1150 SAM FOGG
INDIAN AND ISLAMIC ART – SOME HIGHLIGHTS
Indian & Islamic Art: 20th–29th October
East Asian Art: 27th October–5th November
This year Asian Art in London (AAL) celebrates its twenty-fifth year promoting the arts of Asia. Since its inaugural edition in 1998, AAL has grown into a two-week-long event involving more than forty participants. The accompanying programme has developed to include exhibitions, auctions and talks.
For the second year running the AAL will be structured into two distinct parts: the first week will focus on Islamic and Indian art with a launch evening on 20th October, followed by ten days dedicated to the arts of East Asia, with a launch on 27th October.
This year several galleries will be participating for the first time, including Alisan Fine Arts, a Hong Kong-based gallery specialising in contemporary Chinese art; David Thatcher Samurai Art; and Schoeni Projects – a platform for contemporary Chinese and Chinese diaspora art.
AAL supports emerging galleries and dealers but also strives to nurture new collectors, which is reflected in this year’s launch of a section on the AAL website devoted to more affordable works of art listed by participants, all priced under £5,000.
For full details and to download the comprehensive AAL guidebook with the events programme, maps, and lists of participants and affiliated institutions, please visit: asianartinlondon.com
A lion-shaped incense burner
Khorasan, Eastern Iran, 12th century. Cast and open-work bronze, copper alloy, 22.5 by 22.1 by 6 cm.
CHISWICK AUCTIONS, BARLEY MOW CENTRE, W4
A white-eared Bulbul, by Reza Abbasi. Safavid Isfahan, Iran, c.1630. Pigments highlighted with gold on paper, 35.2 by 23 cm. CHRISTIE’S, 8 KING STREET SW1
Untitled (P.C. III), by Nicola Durvasula. 2021. Watercolour, gouache and pencil on paper. 20.5 by 30.5 cm. JOOST VAN DEN BERGH, 1 PRINCES PLACE, SW1
Cintimani tile. Ottoman, 16th century. Ceramic, height 29 cm. ROSEBERY’S, 12 HAY HILL, W1 (BY APPOINTMENT)
An exceptionally fine saddle. Eastern Tibet or China, 15th–17th century. Iron, silver, gilding, wood and leather, 30 by 56 cm. PETER FINER, 38–39 DUKE STREET, SW1
ANNOUNCING
The Custard Institute for Spanish Art and Culture at the Meadows Museum
The Meadows Museum on the campus of Southern Methodist University is the leading U.S. institution focused on the study and presentation of the art of Spain. Building upon its more than 50-year history of producing exhi bitions, programs, and publications that have advanced Spanish art historical scholarship, it has launched The Custard Institute of Spanish Art and Culture at the Meadows Museum. The Custard Institute will significantly increase the museum’s research activities by fostering interdisciplinary collaborations with peer institutions and by facilitating new ways of teaching and learning in order to deepen our understanding of the impact of Spanish art and culture.
We’re excited to begin expanding on the Meadows Museum’s robust research and educational programs. Contact us today to collaborate!
Gregory Warden - Mark A. Roglán Director of the Custard Institute for Spanish Art and Culture at the Meadows Museum 001 214 768 4490
gwarden@smu.edu
meadowsmuseumdallas.org/custard-institute
Photo by Hillsman Jackson
P.
•
•
EAST ASIAN WORKS OF ART – SOME HIGHLIGHTS
Indian & Islamic Art: 20th–29th October
East Asian Art: 27th October–5th November
Snuff bottle China, Jingdezhen kilns, 1820–50. Porcelain, height 5.3 cm.
SUSAN PAGE, 15 STRATTON STREET, W1
Mitsumata Wakarenofuchi, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), by Utagawa Hiroshige (1797–1858). 1857. Woodblock print, 36.5 by 24.6 cm.
ANASTASIA VON SEIBOLD JAPANESE ART, 4 CROMWELL PLACE, SW7
Tapir-form vessels (Xizun). Song/Ming Dynasty and 17th/18th century. Archaistic gold and silver-inlaid bronze, largest length 35.5 cm. BONHAMS, 101 NEW BOND ST, W1
Hexalobed box and cover. China, 18th century. Cinnabar lacquer, 17.5 by 7 cm.
J.A.N. FINE ART, 132–134 KENSINGTON CHURCH STREET, W8
Phoenix head ewer (fengshouhu). China, Tang Dynasty, Gongxian kilns, Henan Province, 7th–8th century. Ceramic, height 33 cm. MARCHANT, 120 KENSINGTON CHURCH STREET, W8
A document box (bunko), by Koda Katei (1886–1961). Showa period, 1930s–1950s. Gold makie and coloured lacquers, 41 by 33 by 14 cm. SIMON PILLING, 8 DUKE STREET, SW1
Modern &
19 OCTOBER 2022
London Viewing (selected highlights)
16-17 Pall Mall, St James’s, London SW1Y 5LU
3-5 October (10am - 4pm)
Newbury Viewing (full sale)
Donnington Priory, Newbury, Berkshire RG14 2JE
16 October (10am - 3pm) | 17 & 18 October (10am - 4pm) | Day of sale (from 8.30am)
Auction | Donnington Priory, Newbury, Berkshire RG14 2JE
Enquiries
Jennie Fisher
pictures@dreweatts.com
01635 553 553
CHRISTO (AMERICAN/BULGARIAN 1935-2020) PACKAGE
Est. £30,000-50,000 (+ fees)
|
|
|
dreweatts.com
ARTS MEET.
THE NEW FLAGSHIP FINE ARTS FAIR IN PARIS 9-13 NOVEMBER 2022 - CARROUSEL DU LOUVRE www.fineartsparislabiennale.com WHERE
© Courtesy of Galerie Hioco© Courtesy of Rosenberg & Co., New York FINE ARTS PARIS LA BIENNALE
SINCE 1707 Hamburg | Dusseldorf | Munich | Rome | Milan | London | Paris | Brussels | Prague | Geneva Auction Week 3 – 10 November 2022 Palais Dorotheum Vienna +43 1 515 60-570 www.dorotheum.com OLD MASTER PAINTINGS 19TH CENTURY PAINTINGS, WORKS OF ART Denijs van Alsloot (before 1570 – before 1628) and Hendrick de Clerck (c. 1570–1629/30) The Judgement of Midas (detail), oil on canvas, 158.3 x 238.6 cm, Auction: 9 November 2022
Lot 47 A lateantique silver casket with Christogram, incised deco ration and gilding, 4th century A.D.
Published by the Paul Mellon Centre, this online and open-access publication assembles more than 1,550 of Girtin’s drawings and watercolours together with a comprehensive archive of sales, exhibitions, publications and related manuscript material
thomasgirtin.com launches 4 October
Thomas Girtin (1775–1802): An Online Catalogue, Archive and Introduction to the Artist by Dr Greg Smith
Lot 565 A fine miniature lantern clock by Fromanteel of London, 17th cent.
Lot 623 A museumquality chalice, Augsburg, Johann David Saler, circa 1705
Lot 3244 A significant Franconian sword with inscription, circa 900 A.D.
Further information online:
Hermann Historica GmbH Bretonischer Ring 3 ❘ 85630 Grasbrunn/Munich contact@hermann-historica.com
Lot 372
Gothic Madonna with apple, Salzburg, circa 1420
XII THE BURLINGTON MAGAZINE | 164 | OCTOBER 2022
www.hermann-historica.com
A
NEXT AUCTIONS: Works of Art, Asiatica, Antiquities Antique Arms & Armour from all over the world Oct. 22 - 28 LIVE AUCTION
Jean-Siméon CHARDIN Copper pot, cauliflower and mortar with its pestle on an entablature Oil on canvas, signed lower right, 13 × 15,9 in. Provenance: Private collection, Paris Literature: Pierre Rosenberg, L’opera completa di Chardin, Milan, 1983, n. p., n° 77, repr. Estimate: €600 000 - 800 000 Contact Matthieu Fournier +33 (0)1 42 99 20 26 mfournier@artcurial.com www.artcurial.com Auction Wednesday 9th November 2022 7 Rond-Point des Champs-Élysées Marcel Dassault 75008 Paris RTCURIAL Upcoming auction OLD MASTER & 19th CENTURY ART Paintings, drawings & sculptures
The Michael Bromberg Fellowship
The Michael Bromberg Fellowship has run in the Department of Prints and Drawings at the British Museum since 2001. The Museum intends to make one appointment to be held for a period of three months at some point during 2023. The object of the endowed fellowship is to promote education by the study of prints and their history. The fellow will be given practical training in the Department and undertake projects in collaboration with British Museum staff. The value of each fellowship will be £3,500. The closing date for applications is 18 December 2022.
Further particulars are available at www.britishmuseum.org or by writing to the Department at Great Russell Street, London wc1b 3dg Telephone: 020 7323 8405.
Email: prints@britishmuseum.org (please title emails ‘Bromberg 2023’)
Amy P. Goldman Fellowship in Pre-Raphaelite Studies
The University of Delaware Library, Museums and Press, in Newark, Delaware, and the Delaware Art Museum are pleased to offer a joint Fellowship in Pre-Raphaelite studies, funded by the Amy P. Goldman Foundation. This onemonth Fellowship, awarded annually, is intended for scholars conducting significant research in the lives and works of the Pre-Raphaelites and their friends, associates, and followers. Applicants, whose research specifically utilizes holdings of the University of Delaware Library, the Mark Samuels Lasner Collection, the Delaware Art Museum, and the Helen Farr Sloan Library and Archives, are preferred.
The recipient will be expected to be in residence and to make use of the resources of both the Delaware Art Museum and the University of Delaware Library, Museums and Press. A stipend of $3,000 is available for the one-month Fellowship. Housing will be provided. The Fellowship is intended for those who are working toward or hold a Ph.D. or can demonstrate equivalent professional or academic experience. Applications from Ph.D.-track graduate students, independent scholars and museum professionals are welcome. Deadline to apply is November 1, 2022. Learn more at delart.org.
2301 Kentmere Parkway Wilmington, DE 19806 302.571.9590 | delart.org
showcases
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beauty and
of the ancient
XIV THE BURLINGTON MAGAZINE | 164 | OCTOBER 2022 Minerva magazine
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world. PLUS, YOU’LL GET EVERY ISSUE DELIVERED TO YOUR DOOR VISIT www.minervamagazine.com/BurlHalf CALL 020 8819 5580 quoting ‘BurlHalf’ SUBSCRIBE TODAY, AND GET A 1 -YEAR SUBSCRIPTION FROM JUST £ 1 4.99 (USUALLY £31.95) introductory half-price offer for BURLINGTON readers OFFERSPECIAL SUBSCRIBE TODAY THE BRITISH MUSEUM
Edward Burne-Jones (1833-1898) for Morris & Company, Noah, 1909. Stained glass, 58 × 17 5/8 inches. Delaware Art Museum, F. V. du Pont Acquisition Fund, 2020.
James Gillray
A Revolution in Satire Tim Clayton
The definitive biography of Georgian Britain’s most celebrated graphic satirist, who sent up politicians in an age – as now – where society was fast changing, anxieties abounded, truth was sometimes scarce and public opinion mattered.
Van Dyck and the Making of English Portraiture
Adam Eaker
A bold new history of the development of portrait painting in early modern England centred on the art and legacy of Anthony van Dyck, to the end of the eighteenth century and beyond
Frank Auerbach Drawings of People
Edited by Mark Hallett and Catherine Lampert
Reproducing over one hundred and thirty examples of Frank Auerbach’s complex portrait drawings, this book offers an original approach to one of Britain’s leading artists
Shock City Image & Architecture in Industrial Manchester Mark Crinson
A fascinating account of how new relations in the industrial economy were manifested through the spaces and representations of the first industrial city
Building Greater Britain Architecture, Imperialism, and the Edwardian Baroque Revival G. A. Bremner
Explores the Edwardian Baroque’s significance as a response to the growing tide of anxiety over Britain’s place in the world and perceived geopolitical decline
MARK CRINSON
CITY
Distributed by Yale University Press NEW TITLES FROM THE PAUL MELLON CENTRE www.paul-mellon-centre.ac.uk/publications
SHOCK CITY Image & Architecture in Industrial Manchester SHOCK
mark crinson Repro: resolution is OK but please add unsharp masking to back cover image ISBN 978 913107 33 8 From the mid-eighteenth century to the nineteentwenties, from the birth of the Industrial Revolution to the height of Manchester’s global significance and the beginning of its decline, Shock City challenges the idea that Paris was the ‘capital of the nineteenth century’. Mark Crinson re-orients this issue around the development of industrial production, particularly cotton and its manufacture by means of steam power, offering a fascinating and accessibly written account of how new relations in the industrial economy were manifested through the spaces and representations of the first industrial city. Focusing on Manchester’s mills and warehouses, its main trading institution (the Royal Exchange), its magnificent Gothic Revival Town Hall and its late Gothic Revival Rylands Library, this book explores these iconic buildings alongside paintings, prints, maps and photographs of the city throughout the period. Crinson interweaves analysis of buildings and images, urban spaces and new institutions, technol ogy and industrial pollution to show how these were all the products of Manchester’s newly emergent industrial middle classes, who re-made the city in their image. is Professor of Architectural History at Birkbeck (University of London). He previ ously taught for twenty-three years at the University of Manchester. He was President of the European Architectural History Network between 2018 and 2020, and directed the Architecture Space and Society Centre at Birkbeck between 2017 and 2021. SHOCK CITY Image & Architecture in Industrial Manchester ‘In a kind of inversion of grand tourists leaving Britain to view the Continent’s ancient ruins, European visitors (technologists, economists, journalists, architects and spies) were drawn to Manchester for its lessons as much as its sights. It was a place of advanced technology, they thought, a new territory of the modern. But what they, and visitors from other parts of Britain, found was something viscerally repulsive and awesome, something that was certainly new but also discordant and startling. How could this otherness – the city’s scale and its perceived labyrinthine qualities, its noise and murk, its stark facades and forests of tall chimneys – be assimilated to any sense of what a city should be?’ 9781913107338 VAN DYCK and the Making of English Portraiture Adam Eaker This book offers an original approach to one of Britain’s leading artists: Frank Auerbach. It looks in detail at his portrait drawings, which Auerbach has been making since the 1950s, and which he has always considered important, freestanding works of art. By turns eerie, shocking, enigmatic and hauntingly tender, they demand fresh interpretation and investigation. Reproducing more than a hundred and thirty examples of these portraits, some for the first time, and featuring new essays by curators, scholars and critics, this book provides an unprecedented opportunity to explore and reassess these striking and sometimes unsettling works of graphic art. Frank Auerbach: Drawings of People includes texts by both the editors and the artist himself, and new essays by Kate Aspinall, James Finch, Alexander Massouras, David Alan Mellor and Barnaby Wright. Mark Hallett and Catherine Lampert Frank Auerbach Frank Auerbach Drawings of People Drawings of People Edited by Edited by Mark Hallett and Catherine Lampert BUILDING GREATER BRITAIN Architecture, Imperialism, and the Edwardian Baroque Revival c.1885–1920 G. A. BREMNER Clayton James Gillray Tim Clayton A Revolution in Satire A lavishly illustrated biography of James Gillray, inventor of the art of political caricature HB 978-1-913107-34-5 | £35 | Sept 2022 HB 978-1-913107-33-8 | £35 | Sept 2022 HB 978-1-913107-31-4 | £50 | Nov 2022HB 978-1-913107-35-2 | £40 | Oct 2022 HB 978-1-913107-32-1 | £50 | Nov 2022
the burlington magazine | 164 | october 2022xvi CONT @ CTS m 11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk Daniel Katz G allery from antiquity to the 2oth century www.katz.art TRINITY FINE ART 15 old bond street london w 1 s 4 ax www.trinityfineart.com info @ trinityfineart.com +44 (0)20 7493 4916 50% OFF for curators shop.burlington.org.uk/promotion/curators CONT @ CTS Browse one-of-a-kind day & faber old master drawings www.dayfaber.com m 11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk Daniel Katz G from antiquity to the 2oth century www.katz.art m TRINITY FINE ART 15 old bond street london w 1 s 4 ax www.trinityfineart.com info @ trinityfineart.com +44 (0)20 7493 4916 50% shop.burlington.org.uk/promotion/curators NEW RARITET GALLERY OLD MASTER PAINTINGS From Renaissance to the 20th Century www.newraritetgallery.com 12-16 October 2022 The Regent’s Park STAND F9 38 & 39 DUKE STREET, ST JAMES’S, LONDON WWW.PETERFINER.COM CONT @ CTS uyowse and bBr one-of-a-kind items onlinems faber drawings century ART trinityfineart.com 4916 GALLERY Century To advertise please visit: burlington.org.uk day & faber old master drawings www.dayfaber.com m 11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk mm 50% shop.burlington.org.uk/promotion/curators NEW RARITET GALLERY OLD MASTER PAINTINGS From Renaissance to the 20th Century www.newraritetgallery.com uyowse and bBr one-of-a-kind items onlinems day & faber old master drawings www.dayfaber.com m 11 Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk Daniel Katz G allery from antiquity to the 2oth century www.katz.art m TRINITY FINE ART 15 old bond street london w 1 s 4 ax www.trinityfineart.com info @ trinityfineart.com +44 (0)20 7493 4916 50% OFF for curators shop.burlington.org.uk/promotion/curators NEW RARITET GALLERY OLD MASTER PAINTINGS From Renaissance to the 20th Century www.newraritetgallery.com
NEW & NOTABLE
The Fantasy of the Middle Ages An Epic Journey through Imaginary Medieval Worlds
Larisa Grollemond and Bryan C. Keene
An abundantly illustrated and illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.
Eye Dreaming Photographs by Anthony Barboza
Anthony Barboza, Aaron Bryant, and Mazie M. Harris, with an introduction by Hilton Als
This richly illustrated monograph is the first on the celebrated photographer who has made thousands of iconic photographs since 1963.
Franz Kline
The Artist’s Materials Corina E. Rogge with Zahira Véliz Bomford
This heavily illustrated and engaging book provides an in-depth analysis of the working methods, materials, and techniques of American Abstract Expressionist Franz Kline.
Henry van de Velde Selected Essays, 1889–1914
Henry van de Velde
Edited by Katherine M. Kuenzli, translated by Elizabeth Tucker
The first English collection of writings by Henry van de Velde, one of the most influential designers and theorists of the twentieth century.
Códice Maya de México Understanding the Oldest Surviving Book of the Americas
Edited by Andrew D. Turner
An introduction to the creation, discovery, interpretation, and authentication of Códice Maya de México, including a full-color facsimile and page-by-page guide to the iconography.
Cultural Heritage and Mass Atrocities
Edited by James Cuno and Thomas G. Weiss
A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures.
Getty Publications getty.edu/publications
© 2022 J. Paul Getty Trust
THE EMPRESS EUGÉNIE IN ENGLAND: ART, ARCHITECTURE, COLLECTING
ANTHONY GERAGHTY
This absorbing book tells the story of Empress Eugénie (1826–1920), the wife of Napoleon III and the last Empress-Consort of France. Today she is remembered for her physical beauty, for her influence as a taste maker, and for her glittering contribution to the second imperial court –but she outlived the Second Empire by half a century and lived in exile in England.
Anthony Geraghty was born and educated in Farnborough. He is Professor of the History of Art at the University of York, UK.
To purchase this book please visit: shop.burlington.org.uk
XVIII THE BURLINGTON MAGAZINE | 164 | OCTOBER 2022
INTRODUCTORY OFFER : £28 INC. P&P (RRP £40) 30% SAVING ON RRP Filippo Pedrini San Pelegrino Laziosi 70*48,5 cm
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30% off for new readers Visit our website for more information shop.burlington.org.uk Terms and Conditions apply. This offer is applicable for new subscribers and for the first year only. For more information on our full pricing list and range of subscription packages available, please visit: shop.burlington.org.uk/subscriptions All individual subscriptions now include digital access to our complete archive: 1903 to present Art in Britain A Nathaniel Bacon discovery Turner and Ossian | G.F. Watts and Pheidias In search of Edward Detmold Annibale Carracci in Madrid Boldini in Paris Louise Bourgeois in New York The Venice Biennale NEW RESEARCH ON ART AND ITS HISTORY JULY 2022 the burlington magazine july 2022 no. 1432 vol. 164 COVER_JULY22.indd 21/06/2022 09:16 The secrets of a revolutionary portrait A sculpture for Isabella d’Este Ter Brugghen’s ‘Roman Charity’ discovered With Sargent in the Alps Late Gothic in Berlin The Medici in New York The Museum of the Home in London In search of Van Eyck’s workshop Art of conservation: Jan Cornelis Traas and the Van Gogh family collection British portraits of a Danish king A Netherlandish altarpiece in Clerkenwell Hogarth, race and empire Sophie Taeuber-Arp in New York NEW RESEARCH ON ART AND ITS HISTORY FEBRUARY 2022 the burlington magazine february 2022 no. 1427 vol. 164 COVER_FEB22.indd 19/01/2022 00:16
CARLO
ALBACINI (c. 1739 – after 1807) Bacchus and Ariadne After the Antique White marble 100 cm (39 ¼ in.) high info@tomasso.art www.tomasso.art
