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BRITISH ART FAIR

(MODERN AND CONTEMPORARY BRITISH ART)

Saatchi Gallery, London | 28 September to 1 October 2023 | britishartfair.co.uk

THE 32ND EDITION OF British Art Fair will once more take place in the elegant exhibition halls of Saatchi Gallery, located in the heart of Chelsea.

Fine examples by most of the better-known exponents within the broad sweep of ‘Modern British’ will be available for purchase. Works of art by some of the household names featured in this issue of the Burlington (Francis Bacon, Stanley Spencer, Bridget Riley, Alfred Wallis and Christopher Wood) will be encountered, alongside a cornucopia of contemporary creations by established and emerging artists. SOLO CONTEMPORARY will ask twenty young galleries to show a single artist’s work in a space curated by gallerist, publisher and artist Zavier Ellis.

c.1965. Oil on canvas, 152.5 by 127 cm.

WHITFORD FINE ART, LONDON

1959. Bronze, height 59 cm.

JONATHAN

CLARK FINE ART, LONDON

Our dreams keep growing on Sugar Candy Mountain, by Charles Inge (b.1961). 2023. Oil and acrylic on canvas, 120 by 100 cm.

THE STRATFORD GALLERY, BROADWAY

A special exhibition, Crossing Borders: Internationalism in Modern British Art, is curated by Monica Bohm-Duchen, founding director of Insiders/Outsiders project, which celebrated the contribution of refugee artists from Nazi Europe to British culture. Crossing Borders will feature the work of artists with origins in India, Pakistan, Taiwan, China, Indonesia, central and Eastern Europe, Africa, Australasia and the Caribbean. Visiting scholars, collectors and enthusiasts will certainly find the fair and its curated events a fruitful and enriching experience.

Bespoke works relating to the climate crisis and donated by celebrities and artists and will be auctioned to benefit WaterAid, British Art Fair’s official charity partner for 2023.

Headland with brigantine and ship, by Alfred Wallis (1855–1942). Oil and pencil on paper, 12 by 19 cm.

PATRICK BOURNE & CO, LONDON

Untitled 8, by Albert Irvin (1922–2015).

People in the wind, by Kenneth Armitage (1916–2002).

A field of sunflowers, by Mary Fedden (1915–2012). 1972. Pencil, charcoal and graphite on paper, 45 by 71 cm. ORIEL FINE ART, CAMBRIDGE

BRITISH ART FAIR

(MODERN AND CONTEMPORARY BRITISH ART)

Saatchi Gallery, London | 28 September to 1 October 2023 | britishartfair.co.uk

GERRISH, LONDON AND YORKSHIRE

The arrival of spring in Woldgate, East Yorkshire, by David Hockney (b.1939). 2011. iPad drawing printed on paper. Edition of 25. 139.7 by 105.4 cm.

CLARENDON FINE ART, LICHFIELD

Aerial disturbance, by John Tunnard (1900–71). 1946. Gouache on paper, 36 by 55 cm. OSBORNE SAMUEL, LONDON

April nude no. 1, by Ivon Hitchens (1893–1979). 1949. Oil on canvas, 51 by 76.5 cm. UPSTONE, LONDON

Yellow tulips, by Mary Fedden (1915–2012). 1997. Oil on board, 51 by 61 cm. PORTLAND GALLERY, LONDON

Landscape with whistling boy, Yorkshire, by Keith Vaughan (1912–77). Gouache on paper, 28 by 36.8 cm.

THE FINE ART SOCIETY LTD, LONDON

Shelley head, by Emily Young (b.1951). 2022 Jaisalmer, 49 by 33 by 46 cm. WILLOUGHBY

Louise

Kosman Modern British Art www.louisekosman.com Nether

British Art Fair 2023

TheStratfordGallery.co.uk

Twentieth-century Britsh paintings, drawings, watercolours and graphic work at www.louisekosman.com

Cambridge

Modern British and East Anglian Painting Online, Fairs and exhibitions only. www.orielfineart.co.uk info@orielfineart.co.uk

‘Standing Flower’ by Humphrey Spender 1910-2005 Watercolour on paper, signed, dated’95, 70 x 53 cm British Art Fair Stand 28

19TH CENTURY PAINTINGS

schweighofer@imkinsky.com, +43 1 532 42 00 10

ANTIQUES

antiquitaeten@imkinsky.com, +43 1 532 42 00 19

ART NOUVEAU & DESIGN

jugendstil@imkinsky.com, +43 1 532 42 00 19

JEWELLERY & WATCHES

schmuck@imkinsky.com, +43 1 532 42 00 15

MODERN ART

moerth-gasser@imkinsky.com, +43 1 532 42 00 14

CONTEMPORARY ART

pfeiffer@imkinsky.com, +43 1 532 42 00 13

Celebrating 30 years of selling art successfully

Anniversary Auction: 27–30 November

CONSIGN SUPREME ART WORKS

UNTIL 22 SEPTEMBER

Venator & Hanstein Book and Print Auctions

AUTUMN SALES 2023

22 SEPTEMBER

RARE BOOKS MANUSCRIPTS

AUTOGRAPHS OLD PRINTS

23 SEPTEMBER

MODERN PRINTS

CONTEMPORARY PRINTS

B. Besler. Hortus Eystettensis. 1613. Complete copy of the first edition.

Cäcilienstrasse 48 · 50667 Cologne Tel. +49-221-257 54 19 · Fax 257 55 26 www.venator-hanstein.de venator@lempertz.com

Seminar in Curating Prints

(London, late March 2024)

Print Quarterly invites applications for a program dedicated to prints connoisseurship and curatorial practice, spanning from printmaking techniques to innovative strategies of display and public engagement in a museum context. The program will take place in London and its vicinity. Most sessions will be held in museum print rooms, but insights into commercial print publishing, current printmaking and the primary and secondary art market will also be provided.

The program will be led by the Editor of Print Quarterly with the contribution of international senior experts in the field. It is aimed at early and mid-career curators responsible for print collections seeking professional development. Travel, accommodation and meal expenses will be covered.

For details and how to apply please visit www.printquarterly.com

This program is supported by the Getty Foundation, as part of The Paper Project: Prints and Drawings Curatorship in the 21st Century

The Art Newspaper has been making sense of the art world for more than 30 years. We don’t simply write about art – our news relates to current events and how those a ect the international landscape of art and culture at large, from politics and the economy to technology and the environment.

Save 50% when you purchase a Digital subscription and get seamless access to all our content via our website, apps for Apple and Android mobile device and an ePaper archive of the monthly newspaper going back to December 2012.

OLD MASTER, BRITISH & EUROPEAN ART

Tuesday 26 September | 10am

Stansted Viewing | 22, 24 & 25 September

London Viewing | 30 August - 9 September pictures@sworder.co.uk | 01279 817778 | sworder.co.uk

Early 19th century school, Three Sisters, oil on canvas, 100 x 128cm, £!0,000-15,000

Simiolus Netherlands quarterly for the history of art

The papers in the current issue of Simiolus span five centuries of Netherlandish art history. Svea Janzen presents new insights in an Eyckian portrait at the National Gallery in London, cautiously suggesting him to be Duke Louis IX the Rich of Bavaria-Landshut. Stefaan Grieten revisits the well-known but little-studied house of the enigmatic landscape painter Cornelis van Dalem, presenting new visual sources and an iconographical reading of its facade. In the third paper, Stefan Bartilla studies Jan Brueghel’s 1604 journey to Prague, focusing on its impact on the development of his painted output.

Leen Kelchtermans and Katharina Van Cauteren demonstrate that what has long been thought to be a heraldic aberration in double portraits by Anthony van Dyck and Jacques Jordaens should in fact be read as a sign of pregnancy and motherhood.

Stefan Huygebaert, finally, addresses the reception of Memling’s oeuvre in Bruges of c. 1900, by

TITIAN

SOURCES AND DOCUMENTS

studying a refreshing range of diverse and sometimes surprising source material.

Simiolus is published in English, and pays for the cost of translation of papers submitted in Dutch, German, French or Italian which we have agreed to produce. But to go on providing that service while retaining our very modest subscription fee, we do need your support. So please urge your library to subscribe or continue subscribing, and/or take out a subscription yourself!

Institutions pay € 100 a year and individuals pay € 60. Visit Simiolus.nl for the conditions of subscription and information on how to advertise, where to send your copy and how to order the backsets not yet in JSTOR . We are also still accepting submissions for the Haboldt-Mutters Prize of 2022.

CHARLES HOPE

Hardback, 247 x 170 mm 6 volumes, 2,694 pages £500 / €550 / $650

ISBN: 978-1-912168-23-1

Burlington Press with Ad Ilissum

Hugely ambitious, Titian: Sources and Documents includes all known documents about Titian and his work dating from his lifetime, and all known references to him in contemporary publications. The relevant section of each text is transcribed in full, preceded by a short summary in English, with extensive annotation and, where necessary, a commentary. The intention of this incredible work of scholarship is to provide a comprehensive survey of the surviving historical evidence about Titian and his career. New transcriptions are provided for the great majority of the documents that have previously been published, and many hitherto unknown documents have been included. Consideration is given also to documents now known only via secondary sources, and to fake documents, of which a signi cant number were produced in the past two centuries.

Charles Hope is a former Director of the Warburg Institute. He has published extensively on fteenth- and sixteenthcentury Italian art. The present book is based on research he has undertaken over the past half-century.

Islam in Europe

3 November - 1 December

Ricciardi Prize

G

Alfredo Boulton

Looking at Venezuela, 1928–1978

Edited by Idurre Alonso

This illustrated volume offers an original perspective on Alfredo Boulton, one of the foremost modern Venezuelan artists and intellectuals of the twentieth century.

Miracles and Machines

A Sixteenth-Century Automaton and Its Legend

Elizabeth King and W. David Todd, with photographs by Rosamond Purcell

Expansively illustrated, this book tells the singular story of “the monk”: a 450-year-old walking, gesticulating robot that prays.

NEW & NOTABLE

Shaping Roman Landscape

Ecocritical Approaches to Architecture and Wall Painting in Early Imperial Italy

Mantha Zarmakoupi

This groundbreaking study examines how representations of real and depicted landscapes, and the merging of both in visual space, contributed to the creation of novel languages of art and architecture

René Magritte

The Artist’s Materials

Catherine Defeyt and Francisca Vandepitte, with contributions by David Strivay, Elodie Herens, and Joy Mazurek

A copiously illustrated material study that sheds new light on the artistic practice of one of the most famous Surrealists of the twentieth century.

Giacomo Ceruti

A Compassionate Eye

Edited by Davide Gasparotto

Accompanying the first US exhibition to focus solely on Ceruti, this publication is a thoughtful look at representations of people experiencing poverty in early modern Europe.

María Magdalena Campos-Pons Behold

Edited by Carmen Hermo, with contributions by Mazie M. Harris, Jenée-Daria Strand, Phillip Towsend, and Selene Wendt and an introduction by Amalia Mesa-Bains

This expansively illustrated survey of the career of contemporary artist María Magdalena Campos-Pons delves into her diverse oeuvre of painting, drawing, photography, sculpture, film, and performance.

This digital catalogue received the 2023 Award for Excellence from the Association of Art Museum Curators in the category of Digital Publication. It combines the latest discoveries made by art historians, conservators, and scientists about paintings in the Clowes Collection.

Indianapolis Museum of Art at Newfields

Jan Brueghel the Elder, River Landscape (detail), 1612. Indianapolis Museum of Art at Newfields, The Clowes Collection, 2000.343

FINE ARTS LA BIENNALE PARIS

FROM 22 TO 26 NOVEMBER 2023

GRAND PALAIS ÉPHÉMÈRE