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Qing afterlife

An ancient cameo | Korean Buddhist paradise | Orazio Fortezza | Pondicherry Cathedral

The Renaissance in France | Van Eyck | Angelica Kauffman | Sargent and fashion | Smell in art

Images courtesy of

Weiss Gallery (left) and Sam Fogg (right)

Beyond Face Value: Likenesses as Metaphors in European Sculpture 28 June – 5 July, 2024

www.stuartlochhead.art

Bust of the Goddess Roma Vincenzo Pacetti (1746–1820)

A monumental marble from the collection of Thomas Hope (1769–1831)

SUMMER 2024

28th June–5th July londonartweek.co.uk

LONDON’S NATIONAL GALLERY celebrates its 200th birthday this year; their inaugural party in May kick-started a year-long festival of art with the capital at its epicentre. This month London Art Week (LAW) launches its principal summer event, bringing together dealers, auction houses, artists and academics from across the city and beyond to celebrate exceptional art in all its forms. Top international dealers will showcase fine paintings, sculptures and works on paper in scholarly exhibitions, many with accompanying catalogues, against a backdrop of old-master day and evening sales at the city’s leading auction houses.

Vanitas,

Oil on board, 80 by 60 cm. MORETTI FINE ART, 13 DUKE STREET, SW1Y 6DB

The focus for LAW in 2024 is works on paper. Notably, Stephen Ongpin Fine Art will present nearly thirty works on paper by Guercino from across his long career. Highlighting the artist’s versatility as a draughtsman and his skill across different mediums, the works shown will include numerous studies for paintings as well as independent drawings such as landscapes, academies and head studies, many of which have not previously been exhibited or published. In partnership with the Imperial War Museum, Abbott and Holder will offer for sale a set of prints called The Great War: Britain’s Efforts and Ideals. The prints were originally commissioned in 1917 from eighteen artists including C.R.W. Nevinson, A.S. Hartrick, George Clausen, William Rothenstein, Augustus John, Eric Kennington and Muirhead Bone.

LAW’s new collaborator, Trois Crayons, will provide a communal hub in the heart of Mayfair at No.9 Cork Street, where it will host international works-on-paper dealers and a dedicated talks programme. Visiting dealers include Galerie Ratton-Ladrière, Galerie De Bayser, Nathalie Motte Masselink and Ambroise Duchemin.

Sculpture is also well represented. Stuart Lochhead Sculpture will present an exhibition of sculpted likenesses, with highlights including a rediscovered original plaster modèle of Jean-Baptiste Carpeaux’s celebrated Why born enslaved? composition. Hignell Gallery presents an open-air exhibition of sculptures by the contemporary artist Helaine Blumenfeld. Her large bronzes, installed in the central gardens of St James’s Square, are inspired by lockdown and the importance of community.

Works by the Swedish painters Anna Boberg and Ivar Arosenius will be exhibited at Ben Elwes Fine Art and Clase Fine Art, respectively. Medieval objects and works of art inspired by the intertwined stories of the many Marys in the Bible will be presented in an exhibition at Sam Fogg; women artists will also be the focus at Elliott Fine Art and Karen Taylor Fine Art.

The Society of Antiquaries of London will be showing an exhibition of works by the contemporary artists Adam Dant and Dan Llywelyn Hall that respond to the collection of the Society. Contemporary is also the focus at Moretti Fine Art as they exhibit thirteen works by Marcos Lozano, each a response to a different painting in the National Gallery, in honour of its 200th birthday.

Red cardinals, by Frank Dobson (1886–1963). 1946. Black ink and pastel, 38 by 49 cm. CHARLES BEDDINGTON LTD, 16 SAVILE ROW, W1S 3PL

Summer, by Anna Boberg (1864–1935). Oil on canvas laid on board, 59 by 81 cm. BEN ELWES FINE ART, 45 MADDOX STREET, W1S 2PE

by Marcos Lozano (b.1990). 2023.

of a Woman, 1818

Recently acquired by the J. Paul Getty Museum, Los Angeles

SOPHIE FREMIET (1797–1867) Portrait

Detail of Mary Magdalene as a hermit. France, c.1305–13. Limestone, height 151 cm.

SAM FOGG, 15D

CLIFFORD STREET, W1S 4JZ

Leda and the swan and the bath of Venus, by Claude Michel, called Clodion (1738–1814). c.1780–82. Terracotta, 33 by 98.4 by 5.7 cm. and 33.7 by 97.1 by 6.4 cm., respectively.

DANIEL KATZ GALLERY, 6 HILL STREET, W1J 5NF

Portrait miniature of a Gentleman wearing a green coat, white waistcoat and jabot, his hair powdered, by Jeremiah Meyer (1735–89). c.1775. Watercolour on ivory, in a gold frame, set with half pearls, 6.7 by 5.1 cm.

THE LIMNER

COMPANY, 6 MASONS YARD, DUKE STREET, SW1Y 6BU

SUMMER 2024 28th June–5th July londonartweek.co.uk

LAW coincides with major auctions of old-master paintings, drawings and sculpture taking place in the capital: Bonhams, Christie’s and Sotheby’s each will hold dedicated sales in the first week of July. In addition, LAW’s full programme of talks and tours – in person and online – means there is plenty to keep collectors, curators and enthusiasts stimulated both in and outside of the salerooms. Indeed, The Burlington Magazine will co-host a breakfast at Philip Mould & Company on the occasion of their exhibition celebrating the seventeenth-century painter Mary Beale.

Visit londonartweek.co.uk for more details.

A saint kneeling in prayer, with other figures in the background (Apostles at the tomb), by Guercino (1591–1666). Red chalk, 28.2 by 20.7 cm.

STEPHEN ONGPIN

FINE ART, 82 PARK STREET, W1K 6NH

Mask of the man with the broken nose, by Auguste Rodin (1840–1917). Conceived 1864, cast 1883. Bronze, height 40.5 cm.

STUART LOCHHEAD SCULPTURE, 35 BURY STREET, SW1Y 6AU

MARY & the women she inspired

Charles Beale, by Mary Beale (1633–99).

Oil on paper laid on panel, 29 by 23 cm.

PHILIP MOULD & COMPANY, 18–19

PALL MALL, SW1Y 5LU

Hunter resting and Hunter grazing, by Adam Roud (b.1971). 2024. Bronze, height 46 cm. and 42 cm., respectively. SLADMORE GALLERY, 57 JERMYN STREET, SW1Y 6LX

Bamburgh Castle, Northumberland, by Thomas Girtin (1775–1802). 1797. Watercolour over traces of pencil heightened with bodycolour on laid paper, 41.7 by 54.7 cm. GUY PEPPIATT FINE

ART, 6 MASONS YARD, DUKE STREET, SW1Y 6BU

SUMMER 2024 28th June–5th July londonartweek.co.uk

Bust of an old man with a rosary, by Gaetano Gandolfi (1734–1802).

Oil on canvas, 56.2 by 45.3 cm. TRINITY FINE

ART AND WALTER PADOVANI, 15 OLD BOND STREET, W1S 4AX

Making soldiers: in the front line trench for the first time, by Eric Kennington (1888–1960). 1917. Lithograph, 45.7 by 35.6 cm.

ABBOTT AND HOLDER, 30 MUSEUM STREET, WC1A 1LH

Detail from Vedute del Giardino del Mar. Stiozzi-Ridolfi già Orti Oricellari Florence, by Emilio Burci (1811–77). 1832. Pen and ink with grey wash, 21 by 25 cm. NONESUCH GALLERY, LOWER FLOOR MAAS GALLERY, 6 DUKE STREET, SW1Y 6BN

NEW & FORTHCOMING

Hippolyte Bayard and the Invention of Photography

Edited by Karen Hellman and Carolyn Peter

This volume, the first English-language book about Hippolyte Bayard, showcases some of the world’s earliest, rarest, and most fragile photographs.

Money in the Air

Art Dealers and the Making of a Transatlantic Market, 1880–1930

Edited by Gail Feigenbaum, Sandra van Ginhoven, and Edward Sterrett

This volume explores the crucial, yet often-overlooked, role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries.

Picture Worlds

Storytelling on Greek, Moche, and Maya Pottery

Edited by David Saunders and Megan E. O’Neil

This abundantly illustrated volume is the first to explore the painted pottery of the ancient Greek, Moche, and Maya cultures side by side.

The Book of Marvels A Medieval Guide to the Globe

Larisa Grollemond, Kelin Michael, Elizabeth Morrison, and Joshua O’Driscoll

This fascinating volume explores an important fifteenth-century illustrated manuscript tradition that provides a revealing glimpse of how western Europeans conceptualized the world.

Uta Barth Peripheral Vision

Edited by Arpad Kovacs, with contributions by Lucy Gallun and Jeremy Gilbert-Rolfe

This retrospective of contemporary artist Uta Barth’s decades-long career explores the ways in which she uses the camera to investigate sight, perception, light, and time.

New Building in Old Cities

Writings by Gustavo Giovannoni on Architectural and Urban Conservation

Gustavo Giovannoni

Edited by Steven W. Semes, Francesco Siravo, and Jeff Cody; translated by Steven W. Semes

Abundantly illustrated, this critical anthology makes Gustavo Giovannoni’s seminal texts on the appreciation, understanding, and planning of historic cities available in English for the first time.

Old Master, 19th Century and Modern Drawings

24 June – 26 July 2024

GIOVANNI FRANCESCO BARBIERI, called GUERCINO (1591–1666) The Virgin of the Rosary with Saints Dominic and Catherine of Siena Pen and brown ink and brown wash, 401 x 267 mm. (15¾ x 10½ in.)

Only recently rediscovered, this important drawing can be related to a large altarpiece of The Virgin and Child Presenting Rosaries to Saints Dominic and Catherine of Siena, painted between 1640 and 1642 for the high altar of the church of San Marco Evangelista in the Marchigian town of Osimo and still in situ there. For further information about the exhibition please visit www.stephenongpin.com/events

Newly published: Art & Architecture

John Soane’s Cabinet of Curiosities

Reflections on an Architect and His Collection

Bruce Boucher

An in-depth study that sheds a fascinating new light on Sir John Soane and his worldrenowned collection. This book illuminates a side of Soane’s personality unfamiliar to most students of his life and work by examining key strands in his collection and what they reveal about Soane and the psychology of collecting. Topics include the display of antiquities; his fascination with ruins, both literal and figurative; his singular response to Gothic architecture; and his investment in modern British painting and sculpture.

Available June | 155 colour + b-w illus. | £35.00

Distributed for Pallant House Gallery

by The Metropolitan Museum of Art

The Great War: Britain’s Efforts and Ideals

A selling exhibition of original First World War prints in collaboration with IMPERIAL WAR MUSEUMS

Bone, Brangwyn, Clausen, Dulac, Greiffenhagen, Hartrick, Jackson, John, Kennington, Moira, Nevinson, Nicholson, Pears, Ricketts, Rothenstein, Shannon, Shepperson, Sullivan.

Until 6 th July in the gallery, and continuing online.

ABBOTT and HOLDER

C.R.W. Nevinson (1889-1946) ‘Banking at 4000 Feet’. Lithograph. 1917. Signed. 16x12 inches.

BRITISH DRAWINGS AND WATERCOLOURS 17th June to 5th July

Sir Robert Ker Porter (1777-1842), An album of figure studies taken on travels through France and Russia, forty-one, each signed and dated between 1814 and 1816, pen and ink and watercolour, each sheet approx. 17.2 by 10.8 cm, 6¼ by 4 ½ in.

6 MASON’S YARD | DUKE ST., ST. JAMES’S | LONDON SW1Y 6BU 020 7930 3839 | guy@peppiattfineart.co.uk | www.peppiattfineart.co.uk

Will be exhibiting Portrait Miniatures at London Art Week. 28 June to 5 July 2024, 10am–5pm

Find us at Guy Peppiatt , 6 Mason’s Yard, Duke St., London, SW1Y 6BU

WWW.PORTRAITMINIATURE.COM

Uncover breaking art news

Essential art market analysis

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Must-read artist interviews

Scan QR code or subscribe at theartnewspaper.com/subscription-offers and enter code BURLINGTON

2024 SCHOLARSHIP

for the study of French 18th-century fine and decorative art

We are delighted to announce the recipient of the seventh Burlington Magazine scholarship for the study of French 18th Century fine and decorative art.

The £10,000 scholarship has been awarded to Pierre Marty for research on Jean-Charles Delafosse (1734–89) and the Drawing Academies: A Professor and a Draughtsman between Paris and the Provinces

Applications for the 2025 scholarship will open in January 2025. For further information please visit www.burlington.org.uk at that time.

EXHIBITION

A serious jester: IVAR AROSENIUS

(Gothenburg 1878–1909 Älvängen) 15th June – 5th July

Monday-Friday 10am–6pm; Saturday-Sunday 11am–5pm

Venus and Diogenes, 1908

Each titled Venus och Diogenes lower left, and signed and dated I.A./08 lower right Four watercolours on paper each 90 x 143 mm (3 1⁄2 x 5 5⁄8 in)

Seminar in Curating Prints (London,

Spring 2025)

Print Quarterly invites applications for a program dedicated to prints connoisseurship and curatorial practice, spanning from printmaking techniques to innovative strategies of display and public engagement in a museum context. The program will take place in London and its vicinity. Most sessions will be held in museum print rooms, but insights into commercial print publishing, current printmaking and the primary and secondary art market will also be provided.

The program will be led by the Editor of Print Quarterly with the contribution of international senior experts in the field. It is aimed at early and mid-career curators responsible for print collections seeking professional development. Travel, accommodation and meal expenses will be covered.

For details and how to apply please visit www.printquarterly.com

This program is supported by the Getty Foundation, as part of The Paper Project: Prints and Drawings Curatorship in the 21st Century.

NONESUCH GALLERY

FINE PAINTINGS & WORKS ON PAPER c.1500 - 1850

PIERRE - ALEXANDRE WILLE Paris, 1748 - 1837

THE TRAVELLING MUSICIANS

Pen & ink on paper

44 x 33 cm | 17 1/3 x 13 in

Presented as part of our exhibition, TO ITALY & BEYOND, taking place during London Art Week at the Maas Gallery, 6 Duke Street, SW1Y 6BN

By Appointment in Central London Gallery@Nonesuch - Gallery.co.uk | www. N onesuch -G allery.co.uk Member of the Society of London Art Dealers (SLAD)

canesso.art

Pigments

Barbara H. Berrie, Caroline Fowler, Karin Leonhard, and Ittai Weinryb

Painting with Monet Harmon Siegel

Artemisia Gentileschi and the Business of Art

Christopher R. Marshall

Tuesday 25 June | 10am

London Viewing | 6-13 June

Stansted Viewing | 21, 23 & 24 June

pictures@sworder.co.uk | 01279 817778 | sworder.co.uk

Deadline 15th July 2024

contemporary.burlington.org.uk/writing_prize

CONT @ CTS

TRINITY FINE ART

15 old bond street

london w 1 s 4 ax www.trinityfineart.com

info @ trinityfineart.com +44 (0)20 7493 4916

TRINITY FINE ART

15 old bond street london w 1 s 4 ax www.trinityfineart.com

info @ trinityfineart.com +44 (0)20 7493 4916

15 old bond street

london w 1 s 4 ax www.trinityfineart.com

Daniel Katz G allery from antiquity to the 2oth century www.katz.art

@ trinityfineart.com +44 (0)20 7493 4916

Daniel Katz G allery from antiquity to the 2oth century www.katz.art

(0)20 7493 4916

Daniel Katz G allery

11 Duke Street | St James’ | London SW1Y 6BN

Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk

+44 207 930 1144 | Fax. +44 207 976 1596

Ricciardi Prize

NEW RARITET GALLERY

OLD MASTER PAINTINGS

Accepting submissions through November 15

$5,000 awarded to the best

and

article on drawings (of any period) by a scholar under the age of 40

From Renaissance to the 20th Century www.newraritetgallery.com

Duke Street | St James’ | London SW1Y 6BN Tel. +44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk

Old Masters : Paintings – Sculptures

FROM THE QUENTIN COLLECTION

Attributed

18.5/8 in. (47.2 cm.)

Estimate: €250,000–350,000

PROVENANCE:

Between Sacred and Profane

Masterpieces fro M the 1500 s to the 1700 s 28 June–5 July 2024

giovanni battista tiepolo

Venice 1696–Madrid 1770