An important Bernini discovery | Donatello Michelangelo’s Bruges Madonna Silver in the Louvre | Guido Reni Georgian dress | Mary Cassatt
Sculpture
Daniel Katz Gallery
the
A pair of bronze statuettes Rome, circa 1700 26.5 and 28.5 cm high
pierre legros ii
(Paris, 1666–1719, Rome)
Danaë and
Eagle; Leda and the Swan
ZENALE (c. 1464–1526)
Saint John the Baptist, standing full-length in a landscape, c. 1508–10
Recently acquired by the Castello Sforzesco, Milan
BERNARDO
CALL FOR PAPERS PHOTOGRAPHY
The Burlington Magazine is seeking submissions of articles for a special issue devoted to photography scheduled for 2025.
The Burlington Magazine has a long history of scholarship on art from all periods, from Antiquity to the present day.
We are seeking submissions of articles up to 5,000 words that present new art-historical research on photography from around the world.
The deadline for submissions is: 1st January 2025
For a full set of submission guidelines, please see our website: www.burlington.org.uk/about-us/about-themagazine/submit-an-article
If you have any questions about this special issue, please contact Christine Gardner-Dseagu at gardner-dseagu@burlington.org.uk
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London).
Jacques-Edme Dumont (1761–1824)
Love Showing Venus a Bee Sting
Terracotta: h. 17 cm
22–27 November 2024
Grand Palais, Paris
FINE ARTS LA BIENNALE FAB PARIS
Paysage acrobatique #5, by Claire Trotignon (b.1985). 2024.
Vintage print collage and gouache on paper, 40 by 50 cm.
GALERIE 8+4, PARIS
Portrait of Comte
Lancelot Turpin de Crissé, by Josef Anton Kuriger or Couriguer (1750–1834). c.1785. Multicoloured wax on cardboard-wood, presented in its original frame and protective case, 30.5 by 24.5 cm.
DIDIER AARON, PARIS AND NEW YORK
Roman mosaic depicting a crane in a vegetal setting, probably discovered in El Djem, Tunisia, in 1913. 3rd–4th century CE. Coloured marble tesserae, 85 by 85 cm.
GALERIE DAVID GHEZELBASH, PARIS
THE THIRD EDITION OF FAB PARIS, formerly Fine Arts Paris & La Biennale, is presented at the newly restored, historic Grand Palais for the first time since its establishment in 2022. Organised by Agence d’Événements Culturels, which also runs the Salon du Dessin, FAB Paris amalgamates two prominent art fairs: La Biennale des Antiquaires, founded in 1956, and Fine Arts Paris, established in 2017. This year the fair brings together one hundred esteemed art and antique dealers with works from no fewer than twenty disciplines.
FAB Paris continues the legacy of its predecessors with its excellent showcase of old masters and nineteenth-century painting, featuring works by such artists as Pieter Brueghel the Younger, Dürer, Auguste Rodin, Pierre-Auguste Renoir and Pablo Picasso. The fair honours France’s rich tradition of decorative arts with ‘Furniture & Decorative Arts’, which features prestigious Parisian antique dealers; and the strong presence of Japanese art is a tribute to Japonisme and the ties between France and Japan since the sixteenth century. A dedicated stand with five young art dealers and new participation from leading international modern and contemporary galleries also invigorate the fair.
A highlight is the exhibition dedicated to the Villa Ephrussi de Rothschild, which coincides with the 160th anniversary of the birth of Béatrice de Rothschild and includes pieces from the collection that have never been shown publicly. A full roster of programmes runs during the week, including the inaugural gala dinner, a panel discussion on museum acquisition policies, a concert and exclusive visits to galleries in the city.
For more information, please visit fabparis.com
CHOSEN
Hermes de PioClementino. Italy, 17th century. Wood, 130 by 40 by 40 cm.
HIGHLIGHTS
BY THE EDITOR, CHRISTOPHER BAKER
DESMET FINE ART, BRUSSELS
GALERIABERNAT
LUIS DE MORALES Badajoz (1520–1586) PIETÀ
Oil on panel, unframed: 31¾ x 22½ in. (80.8 x 57.2 cm.) Property from a Spanish Private Collection
MADRID–BARCELONA
22–27 November 2024
Grand Palais, Paris
FINE ARTS LA BIENNALE FAB PARIS
‘Mexique’ bookcase, by Charlotte Perriand (1903–99). 1952. Enamelled aluminium and wood, 160 by 181.6 by 32.3 cm.
JOUSSE ENTREPRISE, PARIS
Genealogical tree of the Ottoman dynasty with twenty-nine sultan portraits, attributed to Zenop Manas (active 19th century). Probably Vienna, reign of Sultan Mustafa IV, 1807–08. Oil on canvas, 99 by 68.5 cm. KENT ANTIQUES, LONDON
Lacquer secretary, by Adam Weisweiler (1746–1820). c.1790–95. Thuja wood, ebony, Japanese lacquer and chased-and-gilt bronze and griotte marble top, 126.5 by 70 by 34.5 cm. GALERIE LÉAGE, PARIS
Preparatory sketch for the funerary monument of the painter André-Corneille Lens, by Gilles-Lambert Godecharle (1750–1835). 1822. Cream-coloured patinated terracotta, 44 by 23 by 10 cm. JACQUES
LEEGENHOEK, PARIS
Rhinocerus, by Albrecht Dürer (1471–1528). 1515. Woodcut, 21.1 by 29.7 cm. H. H. RUMBLER, FRANKFURT
Bust portrait of Elisabeth Alexandrovna Demidoff, née Countess Stroganoff (1779–1818), by Bertel Thorvaldsen (1770–1844). Probably sculpted in Rome, c.1810–12. White Carrara marble on black marble pedestal, 57 cm. with base.
TREBOSC & VAN LELYVELD, PARIS
CHARLES RATTON & GUY LADRIÈRE
ANTIQUE - MOYEN AGE - ARTS PRIMITIFS - DESSINS
TABLEAUX - SCULPTURES - OBJETS D’ART
GIOVANNI BELLANDI
(active 1608 – Milan – 1626)
Allegory of Charity
Terracotta. Height: 31.7 cm; Width: 37.7 cm; Depth: 4 cm
Bibliography: Susanna Zanuso, La scultura del Seicento a Milano, Bologna, Fondazione Federico Zeri, 2024. Reproduced on the cover and pp.90-94, fig.3.3 to 3.8
We are participating in FAB Paris at the Grand-Palais taking place from 22 to 27 November 2024 – Stand A34
11, quai Voltaire, 75007 Paris. Tél (0) 1 42.61.29.79
e-mail: galerie.ratton.ladriere@wanadoo.fr Instagram: galerierattonladriere www.ratton-ladriere.com
Study for caryatid #001, by Mari Katayama (b.1987).
2023. Photograph, 180 by 120 cm. SUZANNE
TARASIEVE, PARIS
L’Origine des espèces, by Man Ray (1890–1976). 1935.
Vintage gelatine silver print mounted on paper, 17.5 by 21.2 cm.
SOPHIE
SCHEIDECKER, PARIS
7–10 November 2024 Grand Palais, Paris
AS THE LARGEST INTERNATIONAL art fair dedicated to photography, Paris Photo showcases a broad range of work, from modern masters to young talents. Structured to demonstrate the diversity of the medium and re ect developments within the eld, the 27th edition at the Grand Palais presents 240 exhibitors selected by an international committee of renowned gallerists and publishers.
Celebrating the centenary of the publication of the rst Surrealist manifestos, the American director and screenwriter Jim Jarmusch has curated a selection of the works on show and is participating the fair’s public programme. Other highlights include the new ‘Voices’ sector curated by Elena Navarro, Azu Nwagbogu and Sonia Voss, which centres on the archive, Latin American art and post-Cold War photography in Eastern and Northern Europe; ‘Editions’, with fortyve publishers hosting over four hundred artists’ signings, exclusive launches and discussions that re ect on the importance of the photobook; and the second year of the ‘Digital’ sector, a display of fteen photographic projects that experiment with new technology and digitalisation, curated by Nina Roehrs.
The programme also includes a series of awards, conversations, artist talks and exhibitions. Of particular note is the exhibition of Lithuanian photography drawn from the collections of the Bibliothèque Nationale de France, the Centre Pompidou and the Lithuanian Photographers Association, on view at the Salon d’Honneur.
Visit www.parisphoto.com for more information.
Black beauty, by Koto Bolofo (b.1959).
2006. Photograph, 65 by 100 cm. IN CAMERA, PARIS
Pink curtains II, by Kourtney Roy (b.1981). 2024. Photograph, 60 by 90 cm. LES FILLES DU CALVAIRE, PARIS
Course de roller. Angleterre. Tirage argentique d’époque. 1930. Photograph, 15 by 21 cm. LUMIÈRE DES ROSES, MONTREUIL
:
Paris | 20 November 2024
Alexandre Mordret-Isambert amordret@christies.com
+33 (0)1 40 76 72 63
FRANCIS HARWOOD (c. 1726/1727-1783)
Oliver Cromwell
marble bust, signed and dated ‘F. Harwood Fecit 1759’
24.3/4 in. (63 cm.) high, the bust
Provenance: Sir Wyndham Knatchbull-Wyndham, 6th Baronet (1737-1763), Mersham-le-Hatch, Kent.
Estimate:
€100,000–150,000
£85,000–130,000
$120,000–170,000
6–10 November 2024
Museo della Permanente, Milan amart
L’Antiquariato
è a Milano
Portrait of a Florentine noblewoman, by Alessandro Allori (1535–1607). 16th century. Oil on panel, 59 by 45.5 cm. TORNABUONI
ARTE-ARTE
ANTICA, FLORENCE
ESTABLISHED IN 2018, AMART brings a selection of paintings, sculptures, furniture, precious objects, silver, carpets and other works of the highest quality to Milan. This prestigious antiques fair is organised by the Associazione Antiquari Milanesi and the Promo.Ter Unione, and works on offer are vetted by a scientific committee. This year sixty-three galleries showcase works from antiquity to the present in the elegant Neo-classical palazzo of the Museo della Permanente. Since its successful rebranding last year, AMART has championed the enduring appeal of antiques, while also highlighting the cohesion between ancient and contemporary aesthetics.
Europa sits on the back of the bull, by Andrea Appiani (1754–1817). 1784–86. Tempera on canvas, 190 by 135 cm.
LAOCOON
GALLERY, LONDON, AND W. APOLLONI, ROME
The fair attracts experienced dealers and collectors as well as an increasingly varied, young, cultured and curious audience. An installation by Pelizzari Studio, which combines elements of contemporary art with forms inspired by a Renaissance palace and ancient vaults, frames the entrance to the fair. On view elsewhere is a previously unpublished and valuable work by Barbara Longhi, along with other excellent paintings by Guercino, Sassoferrato, Alessandro Allori, Antonio Ligabue and Carla Accardi. Visitors can also see a bronze sculpture by Vincenzo Gemito, works by the master clockmaker Mathieu le Jeune and objects that once decorated the altars of the Yoruba deity Shango.
Please visit www.amart-milano.com for more details.
Penitent St Jerome, by Fiorenzo di Lorenzo (1440–c.1522). c.1490. Polychromed wood, 90 by 65 by 60 cm.
MEARINI FINE ART, PERUGIA
Huamanga stone lion Peru, 17th century. Andean alabaster, 13 by 19 cm.
DARIO GHIO, MONACO
French ‘lira oscillante’ model clock, by Mathieu le Jeune. Gilded bronze case with white marble base, 63 by 32 by 16 cm.
TOP TIME MUSA, MILAN
FRENCH, LIMOGES, CIRCA 1210
EUCHARISTIC DOVE
Gilt and champlevé enamelled copper, set with glass and rock crystal cabochons 21.5 by 26 cm.
PROVENANCE
Bourgeois Frères; Prince Peter Soltykoff; Alexander Petrovich Basilewsky; Tsar Alexander III; the State Hermitage Museum, Saint-Petersburg; Brimo de Laroussilhe; Baron Heinrich Thyssen-Bornemisza.
www.erikbijzet.com | info@erikbijzet.com
1–3 November 2024 Oval Lingotto, Turin
White Andronicos, by Carmen Dionyse (1921–2013). 2000.
Stoneware, 65 by 36 by 22 cm.
RICHARD
SALTOUN, LONDON, ROME AND NEW YORK
And politically, by Monica Bonvicini (b.1965). 2020. Spray paint on paper mounted on aluminium, 153 by 103 cm.
GALERIE
KRINZINGER, VIENNA
m², by Andrea Francolino (b.1979). 2024. Earth dust and cement dust on paper on board, 115 by 115 cm.
MAZZOLENI, TURIN AND LONDON
countries. Most are divided across four sections: 109 are in the ‘Main Section’; fifteen emerging galleries are foregrounded in ‘New Entries’; ‘Monologue/Dialogue’ sees thirty-eight galleries with experimental single or duo presentations; and four exhibitors, including non-profit initiatives and bookstores, showcase artist editions and multiples in ‘Art Spaces & Editions’.
There are also three sections of curated monographic presentations: ‘Present Future’, curated by Léon Kruijswijk, curator at the KW Institute for Contemporary Art, Berlin, and Joel Valabrega, curator at Galeria Municipal do Porto, which highlights emerging artists and trends; ‘Back to the Future’, a display of works that have played a key role in art history; and ‘Disegni’, a section dedicated to drawing and works on paper. In collaboration with art institutions, partner companies and foundations, Artissima 2024 presents a roster of special projects and thirteen prizes and funds for artists and galleries, judged by international juries composed of curators and directors of leading contemporary museums.
For more information, please visit www.artissima.art
HIGHLIGHTS CHOSEN BY OUR CONTEMPORARY ART EDITOR, KATHRYN LLOYD
Sin placa, by Jhonatan Pulido (b.1988). 2022. Oil on canvas, 51 by 41 cm. ALMA PEARL, LONDON
Dont I know you from somewhere, by Simnikiwe Buhlungu (b.1995). 2023. Handprinted silkscreen on doublesided satin, and stainless steel pole, 150 by 238 by 3 cm. ELLEN DE BRUIJNE PROJECTS, AMSTERDAM
NEW & FORTHCOMING
Ancient Thrace and the Classical World
Treasures from Bulgaria, Romania, and Greece
Edited by Jeffrey Spier, Timothy Potts, Sara E. Cole, and Margarit Damyanov
Richly illustrated, this volume is an examination of the profound impact Thracian art and culture had on the ancient Greeks and the entire northern Aegean region.
Gustave Caillebotte Painting Men
Edited by Scott Allan, Gloria Groom, and Paul Perrin
An exploration of the complex and varied aspects of Impressionist Gustave Caillebotte’s oeuvre, this abundantly illustrated volume paints a fascinating portrait of the artist, masculinity, and identity in late nineteenth-century France.
Lumen
The Art and Science of Light, 800–1600
Edited by Kristen Collins and Nancy K. Turner
Sumptuously illustrated, this publication explores the ways art and science worked hand in hand in the Middle Ages and the Renaissance.
Franklin D. Israel
A Life in Architecture
Todd Gannon
A compelling mix of architectural history and biography, this book examines the life and legacy of the influential Los Angeles architect.
Paper and Light
Luminous Drawings
Julian Brooks and Michelle Sullivan
This beautifully illustrated book charts how artists have achieved light effects and luminosity in their artworks over the last five centuries.
Looking at Fashion
A Guide to Terms, Styles, and Techniques
Debra N. Mancoff
Spanning the centuries and representing a global point of view, Looking at Fashion is a guide to the elements that make clothing practical, wearable, stylish, and distinctive.
PUBLICATION: MARCH 2025
FORMAT: 290 X 240 MM (9¾ X 11¾ IN.)
HARDCOVER, 352 PAGES
PRICE: £100 / €120 / $125
For exclusive early release, visit: shop.burlington.org.uk/maini
“The Most Acclaimed Sculptor” GIOVANN I BATTISTA MAINI (1690–1752)
AND ROMAN SCULPTURE OF HIS TIME by
Jennifer Montagu
Maini is one of the most important and accomplished, although least known and appreciated of late Baroque sculptors. This new monograph will provide an authoritative, scholarly and beautifully illustrated survey of all his principal commissions.
JENNIFER MONTAGU worked as Curator of the Photographic Collection of the Warburg Institute, London, and has been both the Slade Professor of Fine Art at Oxford and the Andrew W. Mellon Lecturer at the National Gallery of Art, Washington. She has also served as a Trustee of the Wallace Collection and British Museum, London, and is an O cer of the Order of Merit of the Italian Republic.
Littleton & Hennessy
